
English: 
What is interesting about this biennial
It’s 20 years of the biennial 
So it has a certain history
A certain inscription, too
I was evidently very sensitive
To the question of being in the museum
I think you don’t work the same
If you do a biennial in different or temporary places
Or places that you would occupy the time of the biennial
Or if you’re in a place which has a construction of
Being a museum with a collection
With a program of exhibition, with different program
The time of the exhibition, which is 5 months
And how is this 5-month can be a receptacle

Chinese: 
這個雙年展有意思的地方是
它已經舉辦20年了
所以它有一定的歷史
也有一定的題詞
顯然我對於雙年展
辦在美術館的問題非常敏感
我想如果在不同或臨時的地點
舉辦雙年展，做法會有所不同
或辦在會佔據雙年展時間的地方
或是在具有美術館的結構
有著收藏品
 和不同展覽節目的地方
展覽時間為期五個月
而這五個月如何能夠容納

Chinese: 
不同的跨藝術觀點呢？
它提供實驗空間
實驗進行整整五個月
有表演節目
有分成三個部份的座談會
在九月、十一月和一月
每月有一系列的討論會
以及影片放映節目
這其實是一種思考層面：
就雙年展和製作而言
美術館如何自我定位？
還有迴響、普及和收藏的問題
雙年展如何能參與這所有的層面？
所以得接受這脈絡，這對我也很重要
檔案庫有不同的存在形式

English: 
Of a different trans-artistic proposition
A receptacle which offers space for experimentation
And which is activated all along the 5 months
With program of performances
With a symposium, which is cut in three parts
September, November, and January
Series of conference every month
And a program of screenings
It’s really an aspect of thinking
How the museum position itself
In relation to biennial, to production
The question of reception, of diffusion, of collection 
And how the biennial can participate to all these aspects
So this context had to be sold, for me, too, it’s very important
You have different modes of existence of archives

Chinese: 
可能有我們所謂的死的檔案庫
再也不被啟用
或處於隱形、無法存取的狀態
我認為展覽非常強調
不把檔案庫想成是
只屬於過去的這個想法
但從啟用那一刻起，檔案庫即是…
…一個要素，建構了可能性
建構新當下的不同論述
期許未來的模樣
誰來決定特定物品是否應該保留？
留在哪裡？如何保留？
我認為強調這個問題非常重要
而誰來決定檔案庫是否被視為

English: 
You can have archive what we call dead 
Not activated anymore
Or in a state of invisibility, or in a state of non-accessibility
The exhibition is very much emphasizing, I think
This notion of not thinking the archive
As something belonging only to the past
But an archive, from the moment it’s activated is immediately…
…element, which construct a possibility 
To construct different on the narrative of the present
In the anticipation of how the future is
I think it’s very important to emphasize that
There is a question of who decides that certain things
Should be kept or not? And where, and how?
And this question of who decide of archive being

Chinese: 
對歷史、政治和社會架構
富有意義的這個問題
是誰掌握了權力的問題
這顯然是本展覽非常重要的一點
透過這些過程，它具有解放的層面
所以這種另類論述是透過藝術姿態建構
它與解放行動有強烈的關係
它為人共享，它啟發了
我們思考當下的方式

English: 
Considered as meaningful for historical construction
Or political construction, social construction
It’s a question of where is all the power
And that’s evidently a very important point in the exhibition
Through these processes, there is an emancipatory aspect to it
So this alternative narrative is being constructed by artistic gesture
It has strongly to do is an emancipatory act
This is being shared and it’s an activation
Of the way of thinking our present
