(ethereal music)
(air whooshing)
- [Line] Hbomberguy.
(static crackles)
"I filled my water bottle with
(water fizzing)
"carbonated water, and
I'm afraid to open it."
- [Hbomberguy] Okay, it was making
a weird noise earlier, so.
(plastic snap)
(loud pop)
Ahhh!
(static)
- [Line] So first off, I took this tiny
(loud boom)
bottle lid pop sound
and played around with the pitch a lot.
And it actually sounds pretty nice.
(rhythmic pops at different pitches)
In the finished track I used these sounds
as my kicks and snares.
Given the proper processing treatment,
that being equalization,
distortion, and so on.
Then I took a tiny
fragment of those sounds
and made it even shorter,
which I then turned into this little
rhythmic percussion clicky wicky noise
which sounds somewhat like this
(short clicks)
(rhythmic clicking)
And this.
(lower pitched short clicks)
Then I took the original recording again,
and boosted the incredibly
quiet background noise
into more audible levels.
(rhythmic static bursts)
And then I stretched
and re-pitched the noise
with all kinds of weird and
totally abstract algorithms
to create this metallic sounding noise.
(metallic scratching)
If you let this sound decay
over a short amount of time,
you've got yourself some nice cymbals.
(metallic sounds repeating and decreasing)
And obviously, I
auto-reversed some of those.
(metallic sound increasing)
If you slap a band-pass
filter on the white noise,
you can let only a tiny, literal,
band of frequencies pass through.
If you now automate the
position of this band,
you've got yourself a little tonal riser.
(pitch slides higher)
And now we get to the fun stuff.
I took a tiny, minuscule chop
of the bottle lid opening
and repeated it like a
bazillion times a second.
This creates a constant tone
that I further processed
by taking away the signal
at certain intervals
and distorting the wave form of it.
In combination with some reverb
and some other little effects,
this sound makes a really good
cute-sounding lead instrument.
(melodic beeps)
In some parts, I found out that
if you stack notes in a certain way,
it kind of sounds like those
stupid little beavers from Donkey Kong 64
and that made me laugh
a lot so I kept it in.
(melody with electronic squeaks)
Ahhhhh!
And then there's this little pad,
which is just the lead part played
in chords and with more reverb and delay.
(soft reverberating chords)
You can also hear a lot
of reversed and re-pitched
versions of this path throughout the track
which I just slapped
everywhere to fill some gaps
and keep the mood dreamy and soft.
(ethereal music)
And lastly, the bass is the exact same
pulsing sound I made, but, layered
with the noise we used earlier
to make it sound really dirty and thick.
(low pitched beats)
So here's the full and finished track.
I hope you enjoy it.
♪ (cute beeping melody over low beats) ♪
♪ (cute beeping melody over low beats) ♪
♪ (cute beeps in harmony) ♪
♪ (cute beeps in harmony) ♪
♪ (upbeat beeps and
higher pitched beats) ♪
♪ (upbeat beeps and
higher pitched beats) ♪
♪ (melody at higher pitches) ♪
♪ (cute beeping melody over low beats) ♪
♪ (cute lead winds down) ♪
- [Hbomberguy] (sound slowed) Ahh!
- [Line] If you enjoyed this video,
consider sharing it with a friends
or becoming a patron on
Patreon.com/WangleLine
to keep the channel alive or something.
Huge thanks to all my current patrons,
ThatsMyJam, Fen Carter,
ScotcherDev, Chantmagick,
key cattie, Jacob Diaz,
Sora, and ForenzaAudio
for your lovely support
and, thank you very much.
I'll see you next time, when I make music
with um ...
Comulism.
Bye!
