Well this is what it looks like.
This is real.
Yesterday and today is
the very first public unveiling
in a public presentation
of Project Looking-Glass.
A human being is
about this tall.
This is built in underground
bases; it is colossal in size.
And what happens is, when
you fire this thing up,
these rings start going in
all different directions.
It shields off the
barrel of water inside,
which is just like
your pineal gland.
The water inside flips
over into time/space,
which then captures argon gas,
captures visual images and this,
is what it looks like.
It becomes huge, glowing all
the way out to these posts,
which are used as stabilizers
for the energy field.
Now it doesn't start out
with an image of the earth.
That is just there
as a placeholder,
although you could see
the whole earth like that
if you wanted to.
That's not usually what happens.
Well, phew, Contact, right?
We have been given the
technology right in front of our
faces in the movies.
They just don't tell
you what it's for.
[Inaudible audience
question about 13 ghosts]
Thirteen ghosts?
Well thank you.
I'll have to check that one out.
It doesn't sound like a
movie I'd want to see,
but if it's for that.
[I think the audience member
says "It's full of them"]
Oh I can imagine.
[Audience laughter]
So Contact, just to
recap from yesterday,
blueprints comes in from
the Vegans, from Vega.
They figure out that it's only
when you fold up these patterns
into a cube, which forms -
what -- there in the center?
The triangle with the eye in
the middle as it folds up.
Cube geometry.
That's when you can decode
the plans to build this: these
rings, which becomes
this machine.
And there's your
little helicopter.
There's another shot of it.
They've got computer animations
of how it's going to work with
the different rings moving.
This actually looks like the
fish-eye-lens-distortion-effect
that happens around
the Looking-Glass
when you power it on.
There's a gantry crane up at
the top and the little guy is
dropped down and goes inside.
That's like your barrel
inside the mechanism there.
And this is where all
the action happens.
This is where the
Stargate opens,
the wormhole into
the higher realms.
In this frame we are
seeing how the whole thing
collapsed and fell apart.
So, of course, you want to take
a ride on the new formation of
the one after the
old one breaks?
And here we're seeing
the new one; once again,
you get a very clear view.
And there's your little eye with
the rays coming off of it just
like the all-seeing
eye on the dollar.
And that's not surprising.
Here she is.
It's even larger
than the real one.
Standing on this ladder
looking down inside.
This is the chamber and the
chair inside, which, we'll see,
is very important.
And here's your geometry.
Look at that.
Did anybody notice that
when you were watching the
movie... because it
goes by pretty fast?
That's that same geometry that's
in the background radiation of
the whole universe, with
the sphere in the center.
They fire it up...
guess what happens?
Big, bright luminosity -- just
like the real thing -- the real
thing that they are actually
using and have been using since
the 40's at least.
Here's what it looked like
from the control room.
It gets brighter and brighter
and she starts having
the floor disappear.
She gets dropped down
inside and then, of course,
she goes for this wild wormhole
ride and there's an ascension
experience at the
end of the dream.
Because it is like
a big dream because
she's in the dream plane.
Now, Last Mimzy, again,
you've got the same principle.
The children find
these little objects.
She finds this toy rabbit and
he finds this little thing that
helps him speak to the spiders.
It all comes out of this
cube that they find.
Well guess what's going on here?
Same thing: it creates.
At the end of the movie, it has
created the wormhole into the
higher realms --
which allows them to send
DNA into the future.
This movie is like an
infomercial for everything that
my colleague, Dr. Dan Burisch,
has been saying as he dealt with
in Majestic 12, dealing
with extraterrestrials
from our own human future.
"Future-human-lineage
extraterrestrials",
as he called them.
But, apparently, in his system,
they have gone to the future;
they have survived, but they had
a small gene pool as a result of
cataclysmic activity in 2012.
And I'll get into why I don't
believe this is what's going on
[the cataclysmic stuff]; and,
then, they needed our DNA; and,
then, they are trying to come
back in time to get our DNA to
fix their genetic problem.
So this whole movie is just
a big infomercial for all the
stuff that Burisch
has been saying.
Right down to the letter.
And there is a lot of
development on the script.
It is actually a great
movie; I do recommend it.
Now here's the thing.
This is actually
precisely what was found,
except for the sphere --
but the shape and, then,
even the little
filigree on the outside,
the little
one-centimetre-raised-filigree,
this is what's called the cube.
It was found in
the Roswell crash.
And this is what it looks like
when the door slides open.
Did you ever see the
movie, Hellraiser?
I don't know if you'd want to.
But they have a little puzzle,
a little box that they flip and
then it crrrrr pops open.
Just like this.
And what happens
when it pops open?
Where do you end up going?
You go into this parallel
reality that's like hell, right?
So that's all based
on real knowledge,
because some of the
spiritual planes you can
go to are pretty nasty places.
So when it opens up,
you get these brilliant,
vibrant colors inside
and this grid pattern.
It's called "the yellow disc"
because the little yellow disc
forms right here when it starts.
And then you get a full color
image unlike the other one,
where it's argon gas
and it's all yellowy.
You get a perfect-color
image on the real thing.
And of, course, there's a treaty
that they have with the ETs that
forbids them from giving you the
writing that is on those panels.
We can't do anything about that.
Again, you're seeing the
same redundant geometric
metaphors here: the sphere
with the geometry.
So all of this stuff, all of
this usage of the Looking-Glass
technology has created some
very, very interesting things;
they have used
this, for example,
to cheat on
presidential elections.
Think about it.
If you actually did have a
technology that could allow you
to look in the future and
you are running for office,
what are you going
to want to do?
You're going to want to go look
at the newspaper headlines and
the television and figure out
what swing states you lost.
So, then, you're back in time
and you can program your Diebold
voting machines to tip the vote
just enough that it's exactly
50/50, which is what happened
in 2000 with
George W. versus Gore.
And it's what happened
again in 2004 with
George W. versus John Kerry.
Okay?
The problem is that as a result
of the fear that they have that
in 2012 that you're going
to get an Earth-axis shift,
which is caused by an
inappropriate amount of energy
moving through the
Looking-Glass devices.
They have, as of December 2006,
completely deactivated and
deconstructed all Looking-Glass
technologies on the Earth.
The Iraq war had,
to a large degree,
the mission of capturing a
Looking-Glass technology that
was dug up in Sumer, which was
originally in the possession of
Kadafi in Libya, which is
why they attacked Libya.
Kadafi got rid of it and
gave it to Saddam Hussein.
Saddam Hussein was using this
technology, viewing the future.
The US government went in after
him because they felt that the
fate of the world
was at stake because,
if they did not capture this
technology and get it back and
deconstruct it, that the
earth would have a pole shift.
So this is what they say and
it's a great story and it will
make a great movie, which,
I'm sure, is being written.
We are going to get into the
pole shift and why I don't think
that that's what's
going on at all.
I don't have a negative
doom and gloom disaster
vision of our future.
It's very important
that you HEAR that,
[the no gloom/doom message] even
that I know some of this stuff
might be a little
freaky-looking.
So the "D of the C.T.P."
is what they call
it in code parlance,
because nobody's going
to know what that means,
but when you actually
decipher these letters,
it means the "Doctrine of the
Convergent Timeline Paradox".
Here's the problem.
You look through time with this
device and when you hit 2012,
everything goes perfectly white.
As you get closer and closer to
2012, starting in around 1980,
a very strange thing has been
happening when they use the
Looking-Glass.
There is an
interlacing of images.
So, right now, imagine that if I
had this slide on half the time
and, then, the other half of
the time, there was an image of,
like, a face.
And if I interlaced them slowly,
then, maybe every second,
it goes from here to the
face to here to the face.
Then as it speeds up, it gets
faster and faster to the point
that, if it were complex images,
you couldn't make out one from
the other because they're
flip-flopping so fast.
Okay?
That's called "interlacing" and
the frequency of the interlacing
gets higher and higher
as you go towards 2012.
So any time that they try to
look at -- or they used to try
to look, because they are not
using them anymore -- 2009,
2010, 2011, 2012...BAM!
It's so interlaced that they
have a whole server farm of
computers just to deconstruct
the two images and be able to
see what they're looking
at in the future.
