 
((the screen is black, as a voice from a previous installment of this particular franchise can be heard speaking))

Voice:((voice))(( GARGGLLIING )) " CCOOOMMEECLOOSSRRRR " ((white letters appear on the screen against the black background reading " BABY! YOU'RE BEAUTIFUL!" as the voice continues to speak)) " COOMMEEEECLSSOOOORSOEYECANCCCCUUUU ."

I.S.S.:((cut to close up, facing towards skew right)) "Yeah COMMEEECLOOSSRTOMMY ." ((cut to Tents close up, facing shot, worried)) "Don't be SHYYYY ." ((without warning, he is pulled into the shot, and appears to be ascending rapidly and vertically. The entire background behind him has changed as well, and the previous color of within the bounds of the Complex Complex has changed))

Tents:((screaming)) " AHHHHHHHHHHHH !" ((looks down and around lower shot, and begins to scream again and louder, as the shot reveals himself, Gorn and Klingon #2 all reacting in the same way. I.S.S. is present too, but is not even distressed in appearance))

All three:((background YELOOOO )) " AHHHHHHHHHHHHHHHHHHHH !!!! "

I.S.S.:((rubberband close up, the shot behind him ascending as well from upper frame to lower)) " WHAAT "

Gorn:((voice)) " WERRFALLING " ((I.S.S. scowls as Klingon #2 and Tents continue screaming))

I.S.S.: " FALLING goes DOWWNN not UP ." ((cut to Gorn staring towards right of shot blinking as the screaming continues)) "You can't say that." ((pauses)) "Why did it sound like that when I said that?" ((cut to previous, I.S.S. very impatient expression)) "You can't say that. I thought you would have known the difference by now." ((pauses again)) "Why did I say things like that where it looks different Tommy?" ((glaring)) "TOMMY ?" ((the screaming of Tents continues as the shot slides to Klingon #2 whose scream fades into a calm yet analytical reaction, his gaze in wonder))

Klingon #2: " AHH - hhh wait how would you know?"

I.S.S.:((voice)) "Come again?" ((Tents scream continues, while Gorn's becomes more spastic and incorporates hyperventilating))

Klingon #2: "I said how would you know? Suppose we're just upside down, and we're falling head first." ((the camera begins to twist about, turning the image of Klingon #2 upside down)) "Then we would be FALLINGG " ((he pauses, blinking once and thinking about what he just said, while the shot slides back to I.S.S. who is still right side up and level with the shot, peering to the left)) "That MEANS we'd be doing something that resulted in FALL to begin with." ((pausing again, as I.S.S.'s face becomes that of more confusion and disgust)) "Why did I say it like that?"

I.S.S.:((rubberband emphasis)) " WHAT IS IT WITH ALL OF YOU? WHY DOES EVERYTHING CHANGE IN TERMS OF WORDS? WHEN I DO IT, I MAKE IT LOOK GOOD I'M GOOD. YOU GUYS, WHAT IS GOING ON? GET WITH THE PROGRAM? OK? YEAH!" ((cut to Gorn hyperventilating occasionally squeaking out an AHHHH before panting twice, then continuing to scream, staring past shot out and never looking up)) "IS IT LIKE SOME KIND OF COOL CODE GAME YOU GUYS? ARE YOU LIKE HIDING SOMETHING COOL GUYS? ARE YOU COOL GUYS GUYS? DO YOU REMEMBER WHEN THINGS MADE SENSE AROUND HERE? WHATEVER HAPPENED TO NORMALCY AROUND HERE? STRUCTURE? PLOT?" ((cut to close up of I.S.S. extreme close up, skew past shot)) " SEMBLANCE?" ((softer)) "Or maybe speaking in a language we can ALL understand?" ((pausing for a moment)) "When I say things, it has a meaning. It's to BE unique. Not MISUNDERSTOOD AND COMPLETELY CRYPTIC OK. TOMMY? OK. You guys can't be like me. How about you guys speak a language we can ALL understand?" ((rubberbands)) "Like AMERICAN ?"

((cut to close up of Klingon #2 upside down, frowning and arms crossed looking the opposite direction, offended)) "Do you all remember? Remember me?" ((cut to Tents shrinking away from the top of the frame, looking up to the upper right of shot. He looks DOWNN then UPPPP continuing to scream and REEEELLLL in TEROOR , stuck in between and cannot hide from the ascent)) "A me that didn't need all of you or your pessimism? I get off to me! I am a fuckin' MAN . A man who broke barriers and bent minds?" ((cut to close up of Gorn, continuing to hyperventilate, incapable of now screaming, barely taking in enough air to scream in between the spasms of fear))((harsher and softer)) "And wills?" ((cut to I.S.S. close up, furious)) "A me that would have simply said THAT'S IT!" ((shot closes in)) "SHOW'S OVER." ((closer in)) " THE POOL WAS LIKE THAT WHEN I FOUND IT AND CLEAN IT UP IT'S DISGUSTING!" ((close up of MOUF of I.S.S.)) " THE WAY IT IS, THE WAY IT WAS, A SIMPLE - " ((pauses, finding a word)) " FUFFIINN - " ((he pauses again, his eyebrows wondering the meaning of the word, shaking in anger, belting out the last word)) " - LIFE ." ((Gorn interjects))

Gorn:((voice))((panting)) "I'm going to faint." ((the shot zooms out fully, revealing I.S.S.looking colder than before)) "I'm actually going to faint." ((cut to Gorn close up, now the color purple as opposed to his HUEEEEOFGREEN )) "Is there a procedure?" ((panting)) "Do I need a will?" ((between pants))

I.S.S.:((becoming more unbridled)) "And here..." ((close to enraged)) " ... I am." ((Gorn returns to spastic breathing)) "...interrupted..." ((lips trembling)) "...by the most selfish, and egocentric of cohorts, thrown from all that is splendor, sense, reason and..." ((cut to Tents, still reeling in terror from the upper right of the shot, as his tentacles bat past the shot uncontrollably as though he is trying to push away an unknown barrier, unseen by the shot)) "...words. Just words. To think that after countless moments of bliss, with thousands of encrusted jewel baths, and endless amounts of socks." ((cut to Klingon #2 still upside down, angrier in appearance than before, not looking towards I.S.S.)) "Socks that meant something. Something TRUE." ((he scowls)) "SOMETHING?" ((there is the sound of I.S.S. beginning to sob angrily)) "ANYTHING?" ((Klingon #2's face creasing in rage)) "ANY OF YOU? AT ALL?" ((cut to close up of I.S.S. about to bawl in fury)) "WHAT A SHOCK! WHAT A FUCKIN' SHOCK! NONE OF YOU CAN FUCKIN' CARE ABOUT ME. FUCK YOU!" ((cut to close up of Gorn, now upside down as I.S.S. continues off camera, squinting while panting, then pointing at himself, realizing he is now upside down)) "I'm NEVER going to be what I want again! I'm gonna be fuckin' gross! Gross man! Ew! I'm going to be disheveled and without proper grooming and bathing." ((cut to close up, wiping at his face erratically with the palms of his hands and fingers while sniffling loudly)) " WET AND SLIMY" ((he begins to cringe angrily)) " AND POOOORRRR - " ((sobbing uncontrollably and infuriated)) " AHHHHHHAAHA !" ((takes in a deep breath)) " AAHHH!!!! "

Tents:((interrupting screaming as I.S.S. pauses)) " AHHHH! " ((I.S.S. billows over in competition))

I.S.S.:((very much louder)) " AHHHH! " ((cut to Gorn hyperventilating and a very unhealthy HUUEEEE and twitching almost breathless as I.S.S. continues)) "IT'S NOT A FUCKIN' CONTEST TOMMY!" ((who continues to scream AHHHH )) "IT'S NOT I CAN FFFFUUUUPPIN SCREAM LOUDER THAN YOU AND I GET MORE OF ANYTHING THAN YOU CONTEST IS IT?" (Gorn looks upwards, seemingly losing consciousness)) "IS THE REWARD I GET IT? IS IT THE FUCKIN' REWARD TOMMY? LIKE I CAN UNDERSTAND WHAT IT MEANS IS IT BECAUSE I DON'T SAY SOMETHING WORSE LIKE THERE'S A FUCKIN' KID LIKE YOU'RE FUCKIN' AWESOME? FUCK YOU KID! I DON'T FUCKIN' CARE I CAN SAY THAT SHIT!" ((cut to Gorn P.O.V showing the sky closing in, the clouds BLUUANDRED , the shot shaking as well, shuddering as the sound of Tents's screaming, Gorn's panting, and I.S.S.'s shrill screams over take)) "IS IT? IS IT TOMMY?" ((his voice piercing, but shrill and hoarse))((cut to I.S.S. close up, trembling in fury past the shot, as the screaming continues, I.S.S. shaking his head in anger at his bandmates)) "IS IT TOMMY?" ((Tents continues to scream, as I.S.S. breaths in once, and speaks softer and firmer)) "I should have just WISSHDD I was famous. " ((his brows furrows as there is the sound of an impact, reserved for an anvil striking the head of an unsuspecting victim, as the shot veers out quickly to reveal Gorn, I.S.S. and Tents now seated on a YELLOOOOWW floor, surrounded by YELOOOOW walls all pitched like set within an orb. The room is dotted with large portholes, black in color, or PORTHOOLEEEEZ or HOOLLEEEEZZ . The structure seems to be like a balloon, and the group suspended within atop a floor within. Tents continues to scream, while Gorn's hyperventilating continues, though ceases as he looks about. Klingon #2 is missing from the shot as I.S.S. is coupled in the grasp of Tents to the right of shot. Tents's screams now turn softer, and finally more faint and fades into speech))

Tents: " AHHH - aaa - whaat?" ((Gorn continues to hyperventilate lightly as I.S.S. speaks))

I.S.S.:((slowly and arrogantly, having recovered from his bout)) "I said - " ((cut to close up of I.S.S. scowling)) "What happened to everything making SENSE around here? Like me? I guess I should just SAY what I want, LIKE , I wanted to be rich and famous all along - " ((as he finishes, Klingon #2 falls from the ceiling upside down on top of him))

((cut to wide shot of the room, as a voice begins to speak. He is an older man with a voice that sounds like that of a specific tone and pitch, of a specific American man. He sounds roughly 75 years old, whose accent is a mix of the Eastern Seaboard and the Western Seaboard of the United States of America))

Voice:((voice)) "That sounds to me like a WISSH ." ((the four look to the right of the shot, as the camera veers that direction, revealing one of the small HOLLEEEEZ , while there are others that dot sporadically about the YELOOOOW wall.)) "Like a dream, or a beautiful thought, a poem or food in a DISSH ." ((cut to Tents looking to the right of the shot, worried expression)) "Like a song to SINGG , or one that you'd write." ((cut to Gorn close up, eyes wide past the shot, and chin upward in defense)) "Or the feeling of a sweater that FITTJSTRITE ." ((cut to Klingon #2 looking past shot to right, hands behind him and arms too leaning back and upward, sneering to the right with jagged teeth, disgusted at the rhyming structure and the subterfuge, amongst other things no doubt)) "Or the sound of a BALL striking PINZZ just right." ((he squints, as the shot slides down to the lowest part of the frame, revealing I.S.S. beneath Klingon #2, his chin on his left fist gazing outwards to the right of the shot, calm, collected, and photogenically so.)) "Or perhaps the lives of your foes draped in BLITTE ." ((he frowns and sighs))

I.S.S.:((softly)) "Every single time, it's just more I don't get it."

Tents:((voice)) "Who are you?"

I.S.S.:((mouthing words)) " A - Rhymer "

Tents:((voice)) "Or..." ((cut to a steady shot of the room, poked with HOLLEEZZZZ , as the room resembles a dome curving upwards. It moves slightly, like it is breathing in and out, as though it's inflating and deflating slowly)) "Where are you?"

Voice:((voice)) "Well I'm here - " ((the shot skirts left quickly, to another part of the bubble, with more portholes all of them black, while the walls breathe in and out)) " \- and I'm there." ((the shot lurches upper right, the HOOLLEEEEZ numerous))((chuckles)) "You could say I'm DARRE - " ((the shot slides to the upper left, revealing more portholes)) " - OORMARRE "

I.S.S.:((voice)) " OR NOT ACTUALLY GOING TO MAKE ANY SENSE AGAIN JUST LIKE EVERY OTHER TIME I'VE ACTUALLY EVEN HAD TO BE ANYWHERE AT ALL EXCEPT WHERE I WANT TO BE." ((cut to close up of I.S.S. still beneath Klingon #2 and grumpier than before)) "LET'S MAKE THE ENTIRE ANY DIALOGUE IN A SECRET CODE THAT I DON'T GET. I GET IT. I'M A FUCKIN' IDIOT OK? YOU'RE SMART I GET IT COOL GUY. COOL! I'M FUCKIN DUMB, LIKE I CAN'T UNDERSTAND IT OK. FINE."

Voice:((voice)) "Why it's no COODDEEEE or SEEKKRRETTTT , unless you know how to SEEKKIITTTT . It's RAYDDIIOOOO , TELLEVVISSHUUNNNN and SATTELLITTEEEETOOOO . Languages not NUUUUTOMEEEE but seemingly to UUUU ."

I.S.S.:((sighing)) "Alright, let me get a second take on that one."

Voice:((voice)) "Well why not three, or four, or 15 more?" ((laughs)) "Why where I come from, it's what's in store." ((cut to close up of the pulsing breathing walls, the shot rising slightly to a small porthole in the ceiling, black in color.)) "They're of the greatest place known, of wonder and FOOD ." ((a single BLUUU beam emerges from the porthole in the ceiling, to the ground of the shot, and in a flash appears a 75 year old Caucasian man, standing akimbo before the shot. He has poofy white hair, thick black rimmed glasses, is clean shaven and wearing a black suit with a white SHRRTTTT and a YELOTY , smiling at the shot confidently)) "And I am GOTO , my last name MAN , KINNGOFHOLLYWWWWOOOOOOOOODD "

I.S.S.:((cut to close up, indifferent)) "And?" ((shot slides up to Klingon #2, astonished expression))

Klingon #2: " YOU ?"

I.S.S.:((voice)) "You know him?"

Klingon #2: " No."

Tents:((voice)) "Of where?"

GOTOMAN:((formerly voice))((voice)) " HOLLYWWOOOOOOOODD . This place." ((cut to facing GOTOMAN , looking about at the pulsing YELOOROOM with numerous portholes breathing and pulsing outwards, his arms outstretched benevolently and expressively)) "Of worlds and possibilities alike." ((smiles towards the shot)) "And I ITZZZFACCE " ((he stands akimbo once more, triumphant at the shot as blue fireworks burst behind him on either side))

I.S.S.:((voice)) "Ok. Listen." ((cut to close up of I.S.S. still fist to chin, ready for the camera)) "You see this? Ok." ((getting a little bit more impatient)) "What does this have to do with anything we've been dealing with already? Hmm? We were talking funny, and before that we got...I guess eaten by a giant barrel or something." ((pausing)) "Does any of this mean anything to you? Do we owe you or something?"

GOTOMAN :((voice))((sheepish)) "Well, that depends." ((cut to scanning across the pulsing room with many HOOLLEEEEZZ from left to right across the upper frame and ceiling that DOMMEEZZZZ )) "What you mean by owe is vague. Your tone suggests that you're uncertain. I understand your language but I'd prefer to speak in my own tongue if you don't mind."

Klingon #2:((voice)) "What happened to the rhyming?"

GOTOMAN :((voice)) "I don't need that either!" ((cut to close up, GOTOMAN smiling past the shot to the left))

I.S.S.:((voice))((relieved)) "No more rhyming? Fine by me. Keep talking."

GOTOMAN :((enthusiastic)) "You want me to do the talking?" ((pointing past shot)) "I like that." ((cut to close up of Tents, apprehensive expression)) "It shows character, diligence. It shows a willingness to submit to orders and commands. Why those traits are just what I've been looking for."

Tents:((snapping to, looking at the shot)) "What?"

I.S.S.:((voice)) " TOMMY!" ((Tents blinks, his eyes darting to the lower right then left)) "The man is talking!" ((cut to close up of I.S.S. his chin resting on his two hands both laying flat beneath supporting his head. He speaks softer)) "Stop being rude TOMMY . Sorry about our TOMMY . "

GOTOMAN :((voice))((jovial)) "Oh I'm not offended. It's only natural to have questions about such vast concepts and ideas regarding what lies before you. What better way to understand it than to have someone else do it for you." ((I.S.S. nods)) "And to benefit from such." ((he nods twice then pauses, and is about to speak))((cut to close up of GOTOMAN smiling)) "Tell you what." ((right hand and index finger whiffing at the shot)) "Why don't you take a few minutes to look around. See what you like." ((he gazes about, his arms wide and inviting)) "Take a gaze at these worlds of mine, and see which suits you best." ((smiles at the shot)) "What worlds you fancy. Which speaks to you." ((eyes wider)) "Which one you could live in, or perhaps be part of?" ((his gaze becomes transfixed at the shot, he leans inwards to look deeper towards the camera))((cut to close up of Klingon #2, looking towards the left of the shot)) "Who you'd like to be?" ((cut to Gorn, head cocked upwards)) "What you'd like to be?" ((cut to I.S.S. still lying on the ground, though Klingon #2 is still on top of him. He still rests his chin upon his fist)) "Perhaps what you've always wanted, is to have something that someone else has? And they can never have it again?" ((I.S.S.'s face shows some emotion, a small smirk building on the right side of his face.)) "Or perhaps something different. Something unique." ((cut to close up of Tents the shot hanging as he stares past the shot)) "That's what you'd like isn't it? Answers? Meaning? Truth?" ((Tents blinks once)) "You want it. And I know where to find it. I can be your guide, your guru, your mentor. Who knows? Maybe even your friend." ((a hand comes between Tents's face and the shot, and is I.S.S.'s right hand raised))

I.S.S.:((voice)) "This is me, down here?" ((the shot slides down to reveal I.S.S. still lying upon the ground squished beneath Klingon #2)) "Hi, you said something about whatever I've always wanted?"

GOTOMAN :((voice)) "I certainly alluded to such."

I.S.S.: "And that includes anything I want all the time which is what I always wanted and shouldn't be for anyone else present company included?"

Klingon #2:((voice)) "Hey! What about me?" ((the shot cranes up to reveal Klingon #2 looking down towards I.S.S. and his pelvis angrily)) "What about what I always wanted which is what I want all the time?"

GOTOMAN :((voice)) "Why of course! Why about that too?" ((Gorn enters the shot from the left, peering at the camera, gaze now hopeful leaning into the shot as GOTOMAN chuckles)) "Yes you too. Take a look about, see for yourselves." ((cut to GOTOMAN up close smiling past the shot)) "Don't be shy. There are wonders a plenty, behind every HOOOLLE ." ((there is the sound of fumbling and grumbling as I.S.S. wrestles out from under Klingon #2))

I.S.S.:((voice)) "Get off of me."

Klingon #2:((voice)) "You get off of me!"

Tents:((voice)) "Excuse me?" (( GOTOMAN 's expression becomes more inquisitive past the shot))((cut to close up of Tents, tentacles tapping together awkwardly)) "I do have questions." ((raising right tentacle)) "For example - " ((he is rudely interrupted))

I.S.S.:((cut to close up)) "TOMMY!" ((shot slides back to reveal I.S.S.'s face in a porthole)) "You've gotta see this!"

Gorn:((voice))"This is bizarre." ((cut to Gorn peering into a deep hole to the left of the shot)) "This is a world?"

GOTOMAN :((voice)) "These are not just worlds, but universes. Dimensions too. These are all connected to what I call THENAOFSAYNASAYZSAYIIDSAY ."

I.S.S.:((voice)) "Big words. Science. I get it."

Gorn:((pausing)) "I've never heard of a world like this."

GOTOMAN :((voice)) "That one is actually a WRRLDD ." ((Gorn turns to face the shot)) "Very strange and unique."

Gorn:((confused expression)) "Why did you say it that way?"

GOTOMAN :((voice)) "Well it's an expression really. It has to do with how we use them. Or I should say, how we make them our own." ((the shot slides to Klingon #2 gazing into a hole in the floor, his head completely submerged like an ostrich))

Klingon #2:((voice))((echo)) "And this one?"

GOTOMAN :((voice)) "Well that's different! That one is a WRLLDDE . That makes it even more different than the others." ((Klingon #2 shifts slightly, as though looking deeper)) "The way I refer to it makes it unique. Otherwise it would just be some world."

I.S.S.:((cut to close up, facing to the right of the shot, stoic)) "Fascinating." ((cut to the back of I.S.S.'s head in a porthole looking deep within to the left of the shot. The shot pans back to reveal Gorn and Klingon #2 with their backs to the shot))

Klingon #2:((voice)) "You said a big word!"

I.S.S.:((voice))((echo)) "I'm a big boy." ((pausing)) "Wow that's terrible for him."

Klingon #2:((voice)) "What is it?"

I.S.S.:((voice))((echo)) "There are some TREEZZZZ and some CATTZZZZ in this one."

Klingon #2:((voice)) "And that's terrible why?"

I.S.S.:((voice))((echo)) "No for him." ((I.S.S. removes his head from the HOLLEEEE looking towards the shot and the two casually leaning against the wall, natural pose))

Gorn:((voice)) "Who?"

I.S.S.:((cut to close up, I.S.S. sighing, flicking back his hair with the cock of his head)) "Nevermind." ((I.S.S. gazes towards the left of shot)) "What do you see in that one Tommy?" ((the shot slides to the left, revealing Tents's entire head within one of the nearby HOLLEEEEZ )) "Yeah ok you're COLLLLNOOWWWWTOMMY ." ((cut to close up of I.S.S. looking towards the left skew shot, scornfully)) "Not answering is cool, I like that."

Klingon #2:((voice)) "Why are you talking like that?" ((I.S.S. squints))

Tents:((voice)) "It's beautiful." ((I.S.S.'s face creases now, jealously)) "I've never seen anything like it." ((I.S.S. looks hurt))((cut to Gorn close up, head cocked and gazing to the right)) "But what...how does this work?" ((Gorn's eye squints)) "What is this all for?"

GOTOMAN :((voice)) "Your own will sets them apart. This place, these HOOLLEEEEZ are part of you." ((Gorn's eye darts around and about, from left of shot to the ceiling)) "Why these are as much of you as they are of all reality combined with the universe itself."

Klingon #2:((voice)) "Hey, did anyone notice how when we talk it was weird?" ((Gorn's eye darts to shot)) "Like it sounded different." ((Gorn looks down to the base of the shot at the subtitled dialogue)) "Am I the only one who noticed that?"

I.S.S.:((voice)) "You're different."

Klingon #2:((voice)) "You're a different."

I.S.S.:((cut to close up, angrier)) "Not you, him."

Tents:((voice)) "But how does this work? And what do you mean they are as much of us as - " ((I.S.S. interjects))

I.S.S.:((angrier)) "TOMMY THE MAN'S HEARD OF US AND WE'RE FAMOUS HE'S TALKING ABOUT US. FOR FUCK'S SAKE TOMMY WE'RE FAMOUS REMEMBER? WHY DOES EVERYTHING HAVE TO BE A CAUTIONARY PROVERBEAL - " ((pauses, breathing in)) " - WORD THAT MEANS I HAVE TO SECOND GUESS ANYTHING AT ALL?" ((cut to Tents close up, worried and raising a single tentacle)) "I'M USED TO JUST GETTING IT MAN. COME ON TOMMY." ((Tents looks down)) "AFTER ALL WE'VE BEEN THROUGH, AFTER ALL WE'VE HAD TO ENDURE AND ALL - " ((cut to close up I.S.S. screaming to the left of the shot)) " - THAT WE'VE SEEN I'M OFFENDED AND PAINFULLY SO THAT YOU THINK ME INCAPABLE OF NOT KNOWING WHO OR WHERE THE FACE OF ADVERSITY LAY!"

GOTOMAN :((voice)) "Please, not in the face." ((the shot reels back, revealing now over the right shoulder GOTOMAN , I.S.S. directly facing GOTOMAN with Tents shown in the foreground))

I.S.S.:((screaming, still in the face of GOTOMAN )) "DO YOU SEE?! DO YOU FUCKIN' SEE WHAT YOU DID? YOU FUCKIN' EMBARESSED ME TOMMY!" ((cut to GOTOMAN , smiling awkwardly)) "YOU EMBARESSED US ALL! WHAT THE FUCK?!" (( GOTOMAN shakes his head in disagreement))

GOTOMAN : "I.S.S. baby, he did no such thing."

I.S.S.:((voice)) "YOU FUCKIN SEE HE - " ((cut to close up of I.S.S. looking to the left of shot, almost tearfully joyful )) " - he knows me?"

GOTOMAN :((voice)) "He being me? Why yes." ((I.S.S. 's lower lip quivers)) "Baby you're famous! You're a hit where I come from! You all are!" ((cut to close up of Gorn, mouth open in amazement)) "Why I'm not only well versed in all your music, but your adventures were already broached here in more than just song."

Gorn:((mumbling)) "We had adventures?"

GOTOMAN :((voice)) "Yes many! And you have many fans." ((cut to close up of Klingon #2 just as awestruck to the left of the shot))

I.S.S. :((voice)) "MANY ." ((Klingon #2 mouths the same word))

GOTOMAN :((voice)) "Adoring ones."

I.S.S.:((voice)) "WOMEN." ((Klingon #2 smiles))((cut to Tents close up, looking past shot towards skew left, a little doubtful in the eye department))

GOTOMAN :((voice)) "Those too!"

I.S.S.:((voice)) "LOVE US."

GOTOMAN :((voice)) "Yeah baby listen, and they all want to meet you!"

I.S.S.:((voice)) "WE'RE - " ((cut to close up of I.S.S. nervous expression, to the left of the shot)) " - me?"

GOTOMAN :((voice)) "Well yeah! All of you!"

I.S.S:((softly))((sultry)) "All of me."

GOTOMAN :((voice)) "That too."

I.S.S.:((sternly)) "Good." ((cut to close up of GOTOMAN smiling towards the right of shot)) "Because any less of me is something I won't put up with." ((he nods)) "No discussion." ((shakes head))

Gorn:((voice)) "Even me?" ((GOTOMAN looks to the left of the shot, smiling))

GOTOMAN : "Yes you too!" ((cut to close up of Gorn amazed))

I.S.S.:((voice)) "He said ME . All of me. That means you too. It was established!" ((Gorn smiles))((cut to I.S.S. close up)) "Focus ME ." ((the shot slides out slightly, as Gorn, Tents and Klingon #2 enter shot, flanking I.S.S.)) "Now where? And what kind of anything do I get?" ((cut to Tents close up, at shot nervous looking towards left then right))

Klingon #2:((nodding)) "Yeah what do I get?"

I.S.S.:((grumbling)) "No it's what do ME get."

GOTOMAN :((voice)) "Boys, boys listen." ((Tents looking past the shot, directly at the camera)) "We've got to introduce you first." ((Tents squints)) "To everyone."

Tents:((scrutinizing)) "I thought you said they all know us and are expecting us?" ((I.S.S. and the others grumble))

GOTOMAN :((voice)) "Tents baby, they do and they are. It's just different here baby." ((cut to close up of GOTOMAN with a more courteous expression)) "Different walk here, different talk. What you all said is that weird talk before, that's normal where we're going. Lots of people talk that way. It's known as BAP7ZSAY ."

I.S.S.:((voice)) "What does that mean? Like am I gonna have to learn to sing in that?"

GOTOMAN :((shaking head)) "Just let me do the talking." ((cut to close up of Tents still judgmental)) "I know the ins and outs here. Trust me."

Tents:((still scrutinizing)) "Maybe we should learn what that means. So that way you won't have to work so hard." ((cut to close up of Klingon #2 looking to the right of shot, a little unhappy)) "And we'll learn how to speak there."

Klingon #2: "The man's gonna do work for us Tommy! They want to meet us!"

I.S.S.:((voice)) "Not US ME !" ((cut to I.S.S. extreme close up)) " ME ." ((shot pans back slightly)) " ME go."

GOTOMAN :((chuckles)) "And your friends." ((I.S.S. raises an eyebrow in query)) "What's one of you without all of you." ((I.S.S. frowns, as his eyebrow lowers, and both point down together in unison)) "I assure you Tents, your ability to speak in the tongue of the land will come naturally." ((cut to Tents close up blinking)) "Once you're in the FAMMILLYYYY you'll find that the words just FLOOWWWW . Those are words that mean something there, and here too. You'll FITTIINNNN just fine." ((he pauses as Tents squints)) "That's good by the way!" ((there is a pause, as though GOTOMAN is looking for something off camera)) "Now which one is it?" ((the sound of his feet shuffling)) "It's around here somewhere, this isn't just for effect." ((cut to close up of GOTOMAN turning to face the shot slowly, smiling at the camera)) "Ah yes, THEOONERITTEINTHECCNTRROFFYREYEES ." ((he lifts his right index finger to the camera and taps once at the shot, upon doing so the entire background around him changing MAGGIKLLY . Now the back behind him is pitch dark, with two large torches to either side of the shot, flickering, as he stands before them, a gate behind him of wrought iron and in the distance upon a peak of a high hill at the end of a snaking path, two spotlights point in either direction ONEEEETOTHERITE and OONNEEEETOTHELEFFFT blazing the night sky with WHIIITTEEEELITE . Upon the KKLLIFFZZZZ behind GOTOMAN is a large HOOUSSEE that is BRITTEELLYYYYLITTT and LOOMZZZZ over the SHOTT . GOTOMAN leans back, now dressed in FRMMLLLLWEEAAR , the COLLRBLACCKWITTHWHIITESHRRTANDAREDFLOWRRUPOONHZLEFTLAPPL ))((cut to facing the four, all now wearing FRMLWEAAROFTHESAMEVARRIEEETTY , from left Gorn, Tents, I.S.S., and Klingon #2 standing against a BLKBAKKGROUUNND , where in the darkness can be seen a LONGGSNAKKINGLYNEOFWAYYTINGPARTYGOEERRZ , all dressed VERYYYYWELL , as the four stand in the very front of the LYYNNE . Those in the LYNNEEEE stare past the shot, and towards the mansion upon the high hill as GOTOMAN speaks)) " WELLCUM2222THEPARTI , one of MANNYYYYIFUPLAYYRCRDDZZZZRITE ."

I.S.S.:((coldly)) "I was born TOGMBLLLE " ((Tents and Gorn react strangely to his words, and then blink uncomfortably as a man in a TUKKZ off to the right of the shot goads the four))

MANINTKKZZZ : " LUKKEEEE "

GOTOMAN :((enthusiastic)) " So?" ((all four look at the shot)) "Shall we go in?" ((cut to previous facing GOTOMAN the long approach behind him through the wrought iron gate)) "I'm READDYWHNUUUUAREEEE "

Tents:((voice)) "I'm not." (( GOTOMAN looks a little bit surprised)) "Look, I'm sure we'll meet some great people and all, and the fans will love us, but I'm a little bit confused." ((cut to close up of Tents)) "Could you just tell us what it is you're actually saying? I keep having to look down at the subtitles, and it LOOKS the same as certain words, but I can't help but feel it's different."

Klingon #2:((voice))((surprised)) "Tommy!" ((Tents shakes it off))

Tents:((voice)) "The reason I'd like to know is there are several times before, where before we came into the barrel, there were moments where there were also WORDDZZZZ like...well like that."

GOTOMAN :((voice)) "Boys boys boys listen. That's normal here, ok? Talking like that is normal, and I don't doubt that you had some of that where you came from. You're just getting influenced by the TALKKKK here and it's rubbing off on you that's all." ((Tents looks like he wants more, raising his tentacle in query)) "Look you've gotta learn to trust me ok kid? Just trust people. You can do that right? That's a guy. Right there. See him?" ((cut to close up of GOTOMAN pointing at the shot)) "Got him? Good." ((he reaches into his right coat pocket beneath the red FLOOWWRRRR and produces a small set of CRDDDZZ that seem to SPARRKKL and are the color BLUUUU and have GLDDNBORDRZ . He turns about and walks towards the gate. Two men enter the shot from either side, human in body, but have the faces of Goofy the Dog, a copyright protected mascot of the Walt Disney Corporation. Both are dressed in BLUFRMLLLLWEAARWITTHBLUGLASSEEEEZANDANEARRRBUDONTHEIRRRRITEEAEEEEAERRIREAR . BOTHLOKKKKVERYYYYINTIIMIDDDAATINNG . Both stand in GOTOMAN 's way, shuffling before him. He reacts very politely, as though he is expected.)) "Boys boys please." ((cut to over the left shoulder of GOTOMAN showing the dour band members behind)) " WERREEEEEKPKTD ." (( GOTOMAN 's left hand seems to wave behind him)) " WHEEEEHVINVETAYSHUNNZ "

I.S.S.:((bluntly)) "Yeah CLEAARRRROFF . Right?" (( GOTOMAN turns to nod in agreement and turns back to face the shot)) "Yeah you heard me." ((cut to close up of the FACCEEEEZOFGOOFYYZ looking scornfully at the shot, then exchanging glances)) "We're INTHR ."

GOOFYYYYTORITE :((grumbles))((Goofy voice)) " ALRITTE " ((cut to GOTOMAN smiling and handing the CRDZZZZ towards one of their HANNDDZ protruding from the left of the shot, the background behind BLEAAKANDDARK . GOTOMAN begins to walk to the left of the shot and off camera, pursued by Klingon #2 smiling and tugging at his lapels confidently, with I.S.S. in close tandem. Both exit the shot as Tents enters the shot, but is immediately blocked by one of the GOOFYYYYHANDZZZZ , arm outstretched, and PALLMMMMFLATT .))

GOOFFYTOLEFFT :((Goofy voice)) " HOOLLDIIT " ((Tents halts, Gorn bumping into him from behind. Both react to each other then back forward. Tents points past the shot to left))

Tents:((raised tentacle in protest)) "But he said we're expected."

GOOFFYTOLEFFT :((Goofy voice)) " HOOOO "

Tents:((amazed, as Gorn behind seems just as surprised. His tentacle shifts slightly towards the right of the shot towards the three off camera)) " HEDID " ((as he speaks, Tents and Gorn do a double take at the lower frame and the subtitle))((cut to through the wrought iron gate, zooming in quickly to show I.S.S., Klingon #2 and GOTOMAN walking up to a small CARRT , with several vacant seats that resembles a small GOLLFFFFCART , piloted by a GOFFYDRESSDDDDTHESAMEAZTHEOTHRRRRZ . I.S.S. and Klingon #2 are seating themselves in the bench seat on its rear facing away from its driver, and facing the shot. GOTOMAN seats himself in the seat facing to the front. The GOLFFCARTIZTHECOLOOOORBLUUEANDRRRREDDANDHAZAWHIITEROFFF . They can be seen seating themselves on the other side of the IRROONFENCEEEEWICCHIZTHECOLRRRRRED . It CLAKZZZZCLOOSDSPEAKKING .))

GATE :((in Z )) " DEEEENIEEEDDSUKKA "

GOOFFYTOLEFFT :((voice)) " THRZZZZONLLYTHREEEECARRDZZHHRRR ." ((cut to Tents close up, facing to the left, eyes wide and confused)) " DOOOOUHVANINNVVITAYSHUN "

Tents:((fumbling on the inside pockets of his FRMMLWHERR coming up WANNTING unlike GOTOMAN )) "Well...no." ((looks past the shot once more)) "No. No I don't." ((Gorn leans into the shot between camera and Tents from the right of the shot))

Gorn: "Hey guys! Let us in!"

I.S.S.:((voice))((begrudgingly)) "It's all about you isn't it?"

GOOFFYTOLEFFT :((voice)) " PLZDONTTLKTOTHETLNT " ((Gorn and Tents look past the shot to the right a little surprised))

I.S.S.:((voice)) "See?" ((the sound of a WHIIRRING motor of a small GOLLFCART )) "It's about MEEEE " ((cut to through the IRRONBARRZ as the GOLFFCCART begins to climb up the sloping, snaking and windy driveway, and the intimidating incline leading upwards towards the spotlights and the HOUUSSEEEE . I.S.S. goads the camera and all of us)) " NOTUUUUMEEEE . MEEEEGO ." ((the motor begins to kick in, propelling them away to the left of the shot)) " BIIII "

Tents:((voice)) "Wait!" ((there is a single tentacle of Tents's reaching into the shot, only to be blocked by two of the GOOFY shifting together like a GOOFYGATTECLOOSINGG . The shot rises to the level of their malevolent gaze looming downward as GOOFYYYYTORITELOOMZIIN ))

GOOFYYYYTORITE : " BAKOFTHELYNE "

Tents:((voice))((tentacle receding)) "But..."

GOOFFYTOLEFFT :((looming in their heads nearly together pressed at the shot malevolently)) " MOVVEBAKNOWWWWWWWWWWWW " ((as both their HANNDZ push the camera backwards at the same time.))

((cut to Tents being pushed back away from the shot towards the foreground, and into Gorn who stumbles back as well))

Gorn: "Hey!" ((towards the shot))

GOOFYYYYTORITE :((voice)) " GETTTOOOOTHEBAK "

Klingon #2:((voice))((faint in the distance)) " TOTHEEEEEBAAAAKKKK .... " ((his voice carries from beyond the shot as Tents and Gorn both react. Gorn collects Tents who picks himself off the ground, who stands confused and motionless))

Tents: "But..."

Gorn: "Come on." ((cut to wide shot facing the two GOOFFFFYYYYGUARRDZZZZ , as Gorn standing to the right of shot consoles Tents)) "I bet there's an even crazier PARRTY at the BAK "

Tents:((still confused)) "What?" ((the shot zooms ahead and begins to pursue the CARRT which has almost reached a large entrance to the HAWSSE . The shot passes by the GOLLFCARTTTT arriving at the doorstep of the HAWSSE lit with two LATTRNZZZZ at the TOPP after a windy COBBLDRIVVE leading up to the PEAKK . The HAWSSE is a TOOODOUURMANNSHUN with several TURRETTZANDSPIRREZZZZ . The HAWSSEEEEIZTHECOLOOOORRRRBLKANDYELOOANDLOKKKKZZZZGOTHIKANDOFEUUROPEANFLAAREE . At the door stands a single GUARRRRDD , who is holding a BAKLITKLIIPBOAARD , that atop as a single sheet of loose leaf PAPPR that can be SHONNEETHRUU with indecipherable TXT that is in a LISSTFORMMAAT . He is also a GOOOOFFFFYYYYHOWEEEEEVRHEHAZBLUHAAAAIIRRR . The GOLFFCCRRT pulls up from the right of the shot parallel to the entrance of the MANNSHUNN . The DOBBLDOOOORRRROFTHEMANSHUUNIZTHECOLLEERRED and stands in the center of the shot atop a small set of STAAIRRRRZZ . GOTOMAN gets out fluidly and while the very end of the GOLFCCART is shown now to the very far left of the shot, Klingon #2 and I.S.S. getting off the very tip of the CARRRRT from the bench seat.))

GOTOMAN : "Don't let the LOOKKKKZ scare you boys." ((cut to close up smiling)) "It's just to keep the CREEDITOORZAWAYYYY ."((cut to close up behind Klingon #2 and I.S.S. standing facing towards the small STAAIRRCCASSEEEE . To the left of the shot are GLOOMYYYYCLOUUDDZZZZ that rumble angrily and the LITTENNINGNG flashes once and speaks))

LITTENING :((in A )) " FAIILLLLUUREZ "

Klingon #2:((voice)) "Reminds me of my parent's house." ((cut to close up of Klingon #2 smiling, looking about smiling)) "In the summer."

I.S.S.:((sliding to the right of shot)) " Yeah SKARRIIII "

LITTENING :((in Z )) " SHUUTTUP "

I.S.S.:((indifferent to nature)) "So this is the party?" ((cut to GOTOMAN back towards the DOBBLLLLDORRRR smiling at the shot)) "I was expecting a little more just YOU and UUSS ." ((pausing)) "And HIMM " ((the GOOFFFFYGUAARRRRD walks into the shot from the right, looking at the camera curiously, then towards GOTOMAN ))

GOTOMAN :((eyebrows up)) "Oh this is just the INTTRORO " ((he casually flips the CARDDZ towards a GOOFYYHAND outstretched from the GUARRDDDD who takes them from him as GOTOMAN turns back towards the HAWSSEEEE )) "The real party is right through - " ((cut to closeup interior of the DOBBLLLLDORRRRNOWTHECOLLRRRRBLU , interior shot opening into the shot into a brightly lit, inviting, and very glamorous atmosphere of toned WHIITEEEE and older EURROPPEEOONGEORGGIAANNNNSTYLLEEEETRIMMMM , that line the CORRNEERRRRZANDDORRWAYY . The HANDLZZZZZ are GOLDDN on the INSYDDE . GOTOMAN opens the doors wide, in the center of the shot, smile beaming)) " - HEEEERRRRRRREE " ((the shot zooms back, revealing an almost packed HAWSSE full of FRMLLLLWEARR humans, all MENN with an exception of a few WMMNNNN , the rest of the WOOMMEEEEN all NUDDEEEE . All of them turn towards GOTOMAN who seem elated upon his arrival. On either side are long staircases traveling up on either side, perfectly symmetrical Georgian architecture. The colors scheme GRANDDANDDDDEKSPEENSSIVVVVEE , gaudy with GLIMRRRR that SPRKLLLLZ and reflects the light from every source, rendering the room a beautifully cut DIAAMND in manners aesthetic. All patrons present seem exuberant, coached in some way, and revel towards the very movement of the DOBBLDORRRRZZZZ , as they rejoice in the direction of their opening, revealing GOTOMAN and his two guests as small figures in the foreground.

PARTTREREZZZZ : ((in unison)) " WHEEREEEEHERRR2222CCCCUUUU "

I.S.S.:((cut to close up, facing skew right of shot. He smiles)) "Me."

GOTOMAN :((voice)) "The both of UUUU " ((his smile fades slightly)) "Come on in, lets MINGGL - " ((cut to wide shot of a large group of guests, most of them MENNNNFONDLINNGGGGNUDDEEEEWMMN who seem to be UNCMFRTTBBLLLL yet docile, as the shot scans to the right from left. All of the MEN seem to be reveling in the atmosphere, while the other guests seem to be enduring it quietly.)) " ISIMPLYNOEVRBBDDY . ULLLLGOFARRRRHRRRRIFUTLKTHETLK ." ((cut to close up of a large FOUUNTTAIINNNN full of a thick BLKWATTRRRR , whose center is a large PUMMPPPP that looks designed for oil. Within the reservoir that is circular like a traditional fountain, there are numerous GUEESTTSSSS that seem to be bathing in the liquid, splashing each other with it recklessly, as a SKIMMPPYYYYDRSSDDDDWMNNNN who seems to otherwise enjoy the atmosphere, is chased about by a FRMLLLLDRSSDDDDMAN holding out a single LEFTTTTMIDLFNGR towards her ANUUSSSS as the two SCAMMPPRRRRTOTHERITTEEEEFRMLEFTTTTOFSHOTTTT . The large PUMMPPPP also speaks, churning up the BLKKKKGOLLLLD as the pulleys lift it from beneath the FOUUNNTTAIIIIN 's reservoir))

PUMMPPPP :((in Z )) " THIIIISIZNTTTTWHAATTTTITLOOKKKKZLIKKEEEEISWEEARRRR " ((repeating))

GOTOMAN :((voice)) " ANDWITTHHHHMYMOUUFFFFUWNTTTTHVTOTALLLLKKKK . THEEEERESSTTTTIZABUUTTTTWALKKKKIINGGTHEWAALLLLK . " ((cut to close up of a rising shot of the upper floor from the DOBBLLLLDORRRR leading into the MANNSHUUNNNN from the floor to the ceiling, the FOUUNTTAIINNNN in the center far off in the foreground of the shot. As the shot rises, many of the NUDDEEEEWMN are being dragged or otherwise carried to ROOMMMMZ throughout the upper floor of the shot by the FRMLLLLWEAARRRRMEN while their voices seem to be droned out by the rest of the atmosphere. Their facial features and actions seem to indicate unwillingness, yet the MENNNN who cart them off like AWRRDDZZZZ seem indifferent and drunkenly so. Silhouettes of NUDDEEEEWOMMNNNN are cast over the top of the ceiling and from the upper floor, as are the shadows of elongated PENNISSEESSSS that seem to be gripped to or otherwise held by the silhouettes of the WMN in the ROOMMMMZ of the floor above.)) " ANDIFUUUUMAKKEEEEGOODDDDHERRRRURGONNAAAAWALLKKKKOVRRRREVRYYYYOONEEEEINYRWAYY . WHEETTHHHHRTHEEEEYGETTOWTOFTHEWAYYORNNNNOOTTTT ." ((cut to Klingon #2 smirking pointed tooth grin, squinting past the upper frame towards the upper floor. the DOBBLDOOOORRRR is closed behind them, almost ROBBOTIKLLLLYYYY )) " IFYRAFASSTTTTLRNRLIKKEEEEMEALLLLUUUUNEEDDDDTONOIZEVRRRRYYBBDDDDY " ((Klingon #2 does a double take in his brain, reacting)) "You only NO1GY ?" ((he pauses as his words come out in a jumble, and he blinks as GOTOMAN laughs))

GOTOMAN :((chuckles)) "Comedy! Broadway? Maybe?" ((Klingon #2 seems more confused)) " SKYZZZZTHELMIT for that kind of WITT ."

I.S.S.:((cut to close up sneering)) " LUKY " ((after he speaks, a SMAAAALBELLLL sounds above the shot, to which I.S.S. looks about, and then turns to look above the frame of the shot))((cut to facing up towards above the DOBBLLLLDORRRR where there is a small ANALLLLOOGGKLOOCCKKKK that only has a TENMINNUUTTEEEETMRRRR . At the very top is a BIIRRRRD that seems like one a KOOKOOKLOOKKKK would have, though it doesn't pop out of a small opening. It is the color BLUUUUEE and has a YELOOOOBEAKKKK and very wide open eyes. It speaks))

BBIRRRRD :((in Z )) " RAAWWWWK . TENNNNMINNUUTTEEEEZTOGETNUDDEEEE . RAAAAKKKK ." ((and whistles))

I.S.S.:((voice)) "That clock is talking to me."

GOTOMAN :((voice)) "What?" ((pauses as the sounds of the PARTTYYYY continue behind him)) "Oh he does that. You're with me though you don't have to listen to him." ((cut to close up of I.S.S. glaring at the shot, looking upwards)) "Just don't pay attention to that. Don't talk about him either."

BBIRRRRD :((in Z )) " RAAWKK . JSTGETNUDDEEEE ." ((whistles))

Klingon #2:((voice)) "No. Hey - " ((I.S.S. looks to the right of the shot off camera)) "Are your words different to you?" ((cut to close up of Klingon #2 looking at the base of the frame and the subtitles)) "Like do my WORDDSLOOK different than... THEYSOUUND ?" ((his eyes wider as he looks at the reaction, then squinting))

I.S.S.:((voice)) "Jokes about seeing and looking?" ((sighs, as Klingon #2 looks confused looking past camera towards right)) "I thought we were past this." ((cut to close up of I.S.S. snarling to the left of the shot)) " YEARRRRZOFTHSYEARRRRZ . Come on!"

GOTOMAN :((voice)) "Over here boys!" ((I.S.S. looks straight upwards))((cut to facing GOTOMAN to his left a man DRESSDINGOLDANDMADEOFPLATTTTINUM . His suit outline is that of FRMLWEAR though the materials are of a striking sheen. He looks almost 400 years old, though not a day of 40 years of age. There are WAVVVEZZ emanating from him, his very presence resonating, a GENTLHUM coming from the outline of his body, slightly vibrating and generating an " UHH " sound. I.S.S. and Klingon #2 enter into the shot from the base of the frame, I.S.S. is in the lower right of the shot while Klingon #2 is on the lower left. The gala behind them continuing unabated.)) "There's someone you simply must meet. Behold!" ((his hands out, like he has discovered the man himself))((cut to close up of the MANMADDEOFGOLDDANDPLATTIINUM , who is also RESSONATTINGGINNPLACCE .)) " MRBOB ." ((who seems a little bit put off)) "He's the CHAIIRMNOFNBCC !"

MRBOB :((in A ))((resembles the 47 year old African American female voice of dumkid and LOOOGIGIKKKKKKKKK alternating, the two antagonists from previous installments of this particular franchise.)) " dudtallknrmml . fk ." ((the speech is sow loud and resonates violently, while also speaking through an electrified microphone, combined with a battery powered vibrator, a phallic shaped device used for sexual stimulation by both male and female human beings, on both the anus and the vagina.))

GOTOMAN :((voice)) " IMSORRYYYYBOYYZZZZYOUULLLLHVTOEKUUSEEEEME . " ((cut to I.S.S. looking past the right of the shot chin up slightly)) " YOUUUULLLLFINNDDDDTHATTTTEVNTUALLLLYULLLLTLKLIKKEEEETHSSSS . ITZZZZTHEEEEWAYYOFTHEBIZZ ." ((his brow furrows)) " PLZZZZEKZZZZKUSSEEEETHMTHEYRRRRNUHRRRR . THISSSSISSSSISSSSANDHZKLINGGOONFRIIEENDND ." ((cut to MRBOB previous shot))

MRBOB : " hididunoimgyyimgayytooandeyelkktosmkpotandskdikto ."

Klingon #2:((voice)) "Is that...like a show or something?" (( MRBOB seems happy, smiling and closing eyes, tongue sticking out lower left of mouth)) "Because I've seen TV a lot is that from TV ?"

GOTOMAN :((voice)) " MRBOBLIKKEEEEZTOTALLKKKKLIKKEEEETHATTTT . ALTHEKIDZZZZDOTHEEEEZDAYZZ ."

MRBOB : " downloddhkzz . itssssthesamme . " ((cut to I.S.S. looking bored)) " ivvbendoiingthssffoorrrryrzz . imborrddddnow ."

I.S.S.: "Interesting." ((breathing in and sighing outwards while speaking)) " FFFF - fascinating ." ((looks towards GOTOMAN off camera)) "And this was a MUST meeting why?" ((cut to MRBOB confused expression close up)) "Emphasis on MUST ."

GOTOMAN :((voice)) "Oh well this man is TELVVISHUN ." (( MRBOB looks tot he right of the shot, smugly)) "He's one of the FOUNNDRZOFMODDRNENTRMNT . ((cut to I.S.S. close up, champagne glass of BLULIQQIDTOLIPZ )) " OONEOFTHEPILLARRRZOFAMERRIKKA . "

Klingon #2:((voice)) "Where did you get that?"

I.S.S.:((swirling GLASS )) "Yes where indeed?" ((cut to close up of MRBOB looking to the left of shot towards I.S.S. off camera)) "Where did I get this jocular whit and intense disposition? Hmm?" ((cut to GOTOMAN looking to the left of the shot, puzzled, then to right and left again)) "Where did my tongue learn to lash and snap?" ((cut to Klingon #2 looking towards the right of the shot, words making him squint, as he points off camera to the right, then looks down, then back up)) "Where did I learn to converse and when?" ((cut to close up of I.S.S. swirling the GLASSSS under his face, sniffing at its KONNTENTTZZZZ .))((softer)) "How?" ((he becomes blunt, and a little more direct)) "This...this is how I talk here right?" ((the discomfort is gone, as GOTOMAN and MRBOB can be heard LAFFING as well))

GOTOMAN :((voice)) "You can!" ((I.S.S. smiles, triumphant))((cut to close up of GOTOMAN to the right of MRBOB both smiling as the SOCCIAALGATTHRRRRRNG continues behind them)) "We prefer it actually. It shows you're TOUUF and OBSRVVNTTTT . SMRRTTTT ."

MRBOB :((in A )) " urcol . " ((cut to close up of Klingon #2 and I.S.S side by side, Klingon #2 to the left of the shot. Klingon #2 now also has a CHMMPGNEGLASSEEEE in his right hand which he notices with a surprised reaction, as I.S.S. swirls his in his right hand.)) " dudunedttometthsssgy . ovrrrrthrr . cum . " ((there is the sound of KLAANKINGFEET to the right of the shot off camera as I.S.S. attempts to follow, briefly bumps into the right frame, then keeps going past the right frame and the shot as Klingon #2 follows, his gaze seems to look at the top of the right frame and duck beneath slightly))

((cut to close up a group of LAFFIINGMENANDTOOOOWOMNN . They are congregated in a CIRKKL and are composed in appearance METLZZZZ . Their CCIRKLLLL begins to buckle however as over the left shoulder of one whose back is to the shot appears MRBOB and GOTOMAN from the left of the shot. MRBOB speaks))

MRBOB :((in A )) " fukincabbl . satllettittee . radiio . " ((three of them respond, all wearing FRMLLLLWEEARRRR and turn to face the shot)) " metmybud ." ((cut to close up Klingon #2 holding the glass of BLULIQIID )) " numbr2 . " ((he smiles at the shot, it pans right as he reacts, to a very stoic I.S.S., ready for introductions, who leans with his left elbow against the edge of the right frame)) " isis ." ((I.S.S. scowls)) " ritte ."

I.S.S.:((sighs)) "Close enough." ((shot pans in, his brow furrows, as his voice grows cold)) "For a first time."

MRBOB :((voice))((in A )) " ilovthsgy . lkafknmoviie ." ((cut to facing one of the FRMLLLLWEARRRRMEN who is THECOLRRRRBLUANDLOKKKKZZZZLIKAEEEEAPEHOLLDINGAGLSOFBLULQQIDSMILLING .)) " thssizmyyfrnd . fukincabbl ."

fukincabbl :((in Z ))((sounds like a DINNOSARANGRYATLIFE )) " UMADDEMEFKNYELL ." ((he SMILEEZ past the shot to I.S.S. to the left off camera)) " CALMEEEECABBLTOWN ."

I.S.S.:((voice)) " FINE ." ((impatiently, as the shot slides to the right to reveal a LARGGEMANMADDEOFPLSTKIKHOOWEARZABLUUUSUITANDTYIE . He is the only one that seems to be DEKKORATTDWITHMILLTRYAWRDZZTHATAREEEGOLLD ))

MRBOB :((voice)) " thsgyzzzzfknsttllete . hzzmnmzd . liikkeedd ."

d :((sounds like D and gruff like he served in the military))((in Z )) " MYNMZAOFZAKTUALLY ."

Klingon #2:((voice)) "Alright Mr. AKTUALLY ." ((awkward pause, though the party atmosphere continues))((cut to close up of Klingon #2 with I.S.S. looking at him from the right of shot angrily. Klingon #2 seems confused)) "What?"

I.S.S.:((sighs and sneers as Klingon #2 looks towards him, then shot then back at him))

Klingon #2:((irritated)) "Well how come you can be MEEEEANNNNNN and I - "

MRBOB :((voice))((in A )) " finllythegyy . " ((cut to close up of a MANINAREDDFRMLSUITTHOOLOOKZZZZLYKEAGGENREELANDIZTHECOLRRRRGREEEENN . HESTANNDZZZZLOOMINGTOTHEELEFTOFSHOTSKEWWDD . He is TALLRRRRTHANTHEOTHRRRRTHRREEEEEEEEEE )) " theelgnddddofaa . themn . radioo ." ((he raises a single HANNDDDD in approval, his LEFTTTT . Before he can speak however, he is interrupted from a familiar voice to the right of the shot. The voice is digitally modulated, with a Missouri accent, and seems strikingly similar to one belonging to a particular character in the fifth installment of this particular franchise.)

Voice:((voice)) "No, I'm the LGNDD ." (( radioo looks amazed, and there is one gasp from one of the GUEESTTZZZZ . The shot whips to the right, blurring, to reveal DIZNE , still only a HEADDDDINAFRZNJRRRR , and expression the same facial expressions and quirks, the tongue hanging out from the left side of his mouth, and his eyes rolled back into their sockets. His hair is still perfectly combed over with pomade and is unaffected by the passage of time. One either side of the jar are thin hands, a woman's KAWWKAYYSHUUN and roughly 29YYRRZZZZOOLLLLD . She has LITTEBLUGRNNAIILLPLSHSH . To the left of the jar is the vocal modular, represented by the red oscilloscope that still displays not simply the pitch but also the octave.))

AOFZ :((formerly d ))((gasps))((in A )) " ITZZZZRLYUUUU "

radioo :((voice))((in A )) " ITHOTUUUUWRDED "

DIZNE :((digital sigh)) " The RURMORZOFMYDTH were greatly GRAYOFNA ." ((cut to close up of I.S.S. indifferent and classically so)) "Exaggeration."

MRBOB :((voice)) " howdidugtoout ." ((I.S.S. raises right eyebrow))

DIZNE :((voice)) "What do you mean?"

MRBOB :((voice)) " frmthelstbok ." ((I.S.S. raises the other eyebrow)) " masaaaahzz ."

DIZNE :((voice)) "Oh right." ((cut to close up of DIZNE once more)) "An ITALIIANNNAMEDDBOBBFETEEEE wanted to claim a BOUNTTY on an elusive prey. One JIMMYCROOWEEEE property of my old friend Ol' Man. As though the - "

radioo :((voice))((in A )) " DOZNTTHAATMEAANEYEMMFRMITIIIAAALAISAYvvC " (( DIZNE pauses once more to breath out calmly))

DIZNE :((exasperated)) "Yes it does mean he's a WHOPPPP and from a country that isn't FREEEE like OWRZZZZ ." ((his eyes roll to the center of his sockets)) "Now as I was saying, as though the LAWZZZZ in OWRCUNNTTRRRRY don't allow USTOOWNNPPL , which they DOOOO given the right ATMOSSPHRREEEE , clearly he felt otherwise, and ransacked a perfectly good GATHRRRRINGG of otherwise LAWABIDDINNGGFRIIEENDDZZZZ ." ((cut to close up of radioo looking towards the right of shot intently)) "Aside from bringing everyone up to speed who may have otherwise missed my previous ADVNTTUURRRR - " (( radioo looks at the camera)) " - I felt it necessary to RREEEITTRAATTTTEE for the purposes of KONNTINNUIITTTTYY ."

radioo : " ISSSSEE ."

DIZNE :((voice)) "I digress - " (( radioo looks past the shot to the right once more)) " - as mentioned the FANFFARRE was cut SHORRT due to that damned DAGGOOOO showing up and BLOWIINGGUPMYOLDDBODY ." ((digital scoff))((cut to DIZNE close up, previous shot)) "Now I'm stuck with my BAKKUUPPPP , this SEKKONDRAYTTTEEEESUROGGATE - " ((the shot pans up to reveal a woman's body and face with blonde neck length hair, Caucasian skin and wearing a BLUUUUPANNTSUIITANDBLUUUUSHIIRT . She has a MASSKONOFAGRAYAPPE .))

MASSKEDWOMMAN :((in z )) " OOHHGGA "

DIZNE :((cut to previous))((modulated sigh, as his eyes dart to the upper left of his sockets)) "Yes quite so. Needless to say following the MISLBRAAAGE and the destruction of my WALLKINGAIDDDE , ZULU arrived and ruined an otherwise acceptable SOCCIALGATTHRIING ."

MRBOB :((voice)) " zullu "

DIZNE :((digital sigh)) "Yes once more KONTINUUIITTYYYY . BADDENUF that the POOLICCE arrive to SPOILLMASSAHZZZZPARTTY "

radioo :((cut to close up, EYEZTURNDDTOREDANDBLU ))((in A )) " MASSAHHHHZZZZINTROUUBBL " (( LOUUDLLYYYY ))

DIZNE :((voice)) " Mmhmmmm . GONEEAWAYY ." (( radioo proceeds to become MANNIAAKKKK , and starts to GROWWLARGGRWITTHLARGGEEEETEEEETTHH )) " FIVVEEEETOTEN for AOFZOFZA ." (( radioo begins to CLAAMP past the shot furiously SNARRLING )) "This is common for PARTTIESSINTHESOUTTH ." ((cut to close up of DIZNE as the sound of radioo 's impending KARNNAGGEEEE has just begun to UNFFOOLDDD as the sounds and effects of LAZZRRRRZANDLITTEEMITTDINCOLRRRRZZZZOFREDANBLUPERSSISTOFCMEERA along with EKPLOSHUNZZZZANDTHEOKKASHUUNAALSCRREAMZZZZOFTHEEEEUNLUKKYYYYGUESTZZZZZZZ )) "He'll be our in an HOUUR , there's no JAIIL that can HOLLDHIMM ." ((there is a BLASTOFDEBRISSSS as DIZNE 's eyes roll to the right then left again, motioning to the left hand of the WOMMN , who twists a nearby KNOOBBBB close to the modulator that increases the volume over the DINNNN )) "It's a shame RLY he's always been a FANNOFAFAAIRZZZZLYKETHS ." ((cut to wide shot, showing radioo amidst a crowd of FRMLLLLWEAARANDNUDDEEEEWMNNBEIINGBLASSTTTTDAPRTTTT violently by his relentless barrage, as PRTZZZZOFTHM fly about wildly spraying various LIQQIIDDZZZZANYWHRRRR . Even as this happens, the party and their actions are otherwise PLACCIIIIDD .)) "I have no doubt the ZULU who TOCCHHEDHM will rot INADESKSUMMWHR ." ((cut to DIZNE close up, debris and loud noises continuing)) "He's like that you know. FINNEFELLO "

Klingon #2:((voice))((louder over the explosions and intermittent laser fire)) "So what did he do exactly?" (( DIZNE 's eyes roll to the right of his sockets)) "What does that mean?"

GOTOMAN :((voice)) " OWRNUUUUFRIENNDIZLRNNINGTHEROPPEEEEZHERREEEE " (( DIZNE 's eyes roll to the top of his sockets as he speaks))

DIZNE : " HMMMM . OHHTHAAT . " ((his eyes fall to the upper right of his sockets)) " Just something to acquire KAPPPTTIIL ." ((cut to Klingon #2 squinting towards the right of shot, confused expression with overbite hanging)) "You see we're always looking for ways to YDI . You see that's how to make money, unless you're a layman but you wouldn't be here if you were. You'd be OWTSIDDEEEE . "

I.S.S.:((voice)) " ilkmuny " ((Klingon #2 looks towards him, then down at the subtitles, more lost than before))

DIZNE :((voice)) " Yes don't WEAAALLLL ." ((his eyes dart back up past shot as DIZNE continues)) "You see we use AOFA to make the dollar go up in value. Value being a term that we dictate through AOFB as well as other mechanisms."

Klingon #2: "Like investing, right?"

DIZNE :((voice)) "In the DOWNNFALLLL of our ENEMIIEZZZZ that's correct. I know that's what you meant." ((Klingon #2's mouth closes uncomfortably)) "Value is a term that means many things. That term can mean things that are DECCENNTTTT or NOTTTT , or HAVVVVTODOWITTHMONEEYYYY . It's usually beneficially." ((cut to radioo continuing to BLASSTTTT incessantly past the shot, eyes twisted in MADDNZZ )) " FORRUSNEWAYY . That's WATTWELYKE . We use DTOA and that makes the increment of OWRMUNYINKREEAASSEEEDRASTTKLLLLYYYY ." ((cut to AOFZ close up, his eyes darting amidst the flying body parts and loud carnage)) "This works by using AOFZTOA7Z . He hides the DOLLRRRRINTHECAYYYMNZ44US ."

AOFZ :((stares past the shot)) " DONTLLOOLK " ((cut to I.S.S. close up, facing towards right of shot, scornful gaze past the shot)) " JSTDONTLOOKOOKSAYGOODOKGODGOODDDDGOOD . "

DIZNE :((voice)) " THATZGOOD . TY ." ((cut to DIZNE eyes rolling to his upper left now)) " MOVVIINOONN we SAYA while the NZTISBOFD . What does that mean?" ((cut to Klingon #2 close up, shaking head pausing for two seconds squinting)) " WELIIE " ((there is a BLUUUULASEEREKZPLOSHUUN and a large amount of BLOOOODDDD splatters across Klingon #2's face from the right of the shot. The shot slides quickly to the right, revealing I.S.S. standing looking offended some BLOOODD stuck to his lower face and torso))

I.S.S. : " IMSORRYDIDUUUUSAYUBII "

Klingon #2: ((gargling))((voice)) "What?"

I.S.S.:((taking a deep frustrated breath, interrupted by DIZNE amidst the continued assault by radiio ))

DIZNE :((voice)) " NO ."

I.S.S.:((breathing out calmer)) " TY . " (( HETAKEEEEZASCPPFRMHZGLASSSS ))

DIZNE :((voice)) "Yes." ((cut to DIZNE the effects of the LAZZERRRRZZKONNTINUIINGG )) " SO , we take the AOFV from our MUTTUALLFRIEEND - " ((cut to radioo close up, shuddering in MANIAA as his features contort and debris and body parts FLYALARROUNNDHM )) " - who BRAVVELYYAOFZTOAOWRNAME , to SAYD and state for the record that we are actually the AOFB ."

I.S.S.:((voice)) " WHAT ?" ((cut to radioo P.O.V. as the party goers stand and talk in the large open area, and are helplessly LAZZERDDDD apart without objection on their part or SAYOTHERRWISSE ))

DIZNE :((voice)) " ISEEYRPOIINT . This is all rather confusing. It's beneficial as such for those of us who prefer to MAIINTAIINNNNCNTTRRRRL of the STATTUUSQQOOOO . Values not limited to currency as usually delegated by those who control the value of currency after all." ((cut to close up of DIZNE close up, eyes rolled to the upper left)) "Time immemorial, human society, and so forth."

Klingon #2:((voice))((groggy and disoriented)) "The shooting...the shooting." (( DIZNE 's eyes roll to the upper right then left again))

DIZNE : " OHYEEEES . No that's related I assure you." ((cut to close up of radioo 's face as his EYEZZZZSTRRRREEEEAMTEAARRRRZOFMADDNEZZZZ as he SHOOTTTTZ past the shot)) "You see he MRDRZZZZEVRYY1111INTHERROOM . When that happens we use HIMTOGEETAWAYYYYWITTHTHINNGGGGZ . Imply something they do is wrong and we don't you see." ((cut to close up of I.S.S. the blazing firefight around the shot leaving him undaunted)) "Yes. You see these actions, all the things you see here mean something either in terms of radio or electricity. Symbolism. Metaphor. Et cetera."

I.S.S.:((yelling over DINNNN )) " WHAT?? "

DIZNE :((voice)) "I see you're NUUUU I'll continue." ((I.S.S. leans in as though he truly cannot hear)) "When he does that it's to make everything look wrong at all costs. It's a diversion you see, while we take the MOUUNYYAWAAY from everyone in the military or the government." ((I.S.S. looks down at the subtitles at the base of the frame)) "To them it's not necessarily MOOUNNY but the ability to stop us from MAKKINNGGGGMOUNYYYY ." ((I.S.S looks at the shot directly)) "How is that possible you say, well it comes down to them keeping SEEKRETTZZZZ and how they cannot actually A - " ((cut to Klingon #2 licking the BLOOOODD off his face, hungrily smiling)) " - lest their TRUTTHZZZZ be found you see. Of any military or government. HELL there may as well only be one given there's only one ELKKTRIKGRID ."

Klingon #2:((hungrily, panting, and looking at his hands coated in BLOOOODD )) "I like it!"

DIZNE :((voice)) " DOUU ? I like that I - " ((chuckles)) "You have GOODDTASSTTEEEEZ . Strong spirit. Tastes delicious, the younger the better."

Klingon #2:((pausing, yelling past shot)) " WHAT ?"

DIZNE :((voice)) " OHTHISSSSCONSSARNNNNRAKKET " ((cut to radioo skew upwards facing his upper torso and face, mercilessly shooting past the shot, the party goers replaced effortlessly, their numbers never dwindling)) "If only there was an easier way to SUBBVRTTHEGOVVRNTTMNT . My sincere apologies for the confusion, I'll continue." ((cut to AOFZ up close, the KILLINGSPRREEEE continuing behind him, the GUEESTTTTZ being replaced by others HOOOOLOOKKKKTYPPEEEEKASSTTTTTHESAMEEEE )) " AOFZ here continues to DENYTHATTAIZD , and all of the currency can be made to look larger in value. It's called FKZZZSAY . This is done to make it stable after several attempts to make it look like it didn't B . " ((cut to close up of I.S.S. looking down at the subtitles at the base of the shot, questioning facial expression)) "Once this is done, we make it look DO , so it doesn't YL so we don't have to repeat this process again." ((cut to close up of DIZNE his eyes rolled to the upper left, then right)) " ITOONLLLLY happens so often, usually when OONEEEEOFUUS gets in TROOUUBBBBL and when that happens, - " ((his eyes roll to the base of his sockets)) " - we GETMADDDD ." ((his eyes roll to the upper left of his sockets)) "We then BRPTHEB and then get D , to imply that we never A , thus proving that all of this was someone else's fault. HEKKKK it was so EZTOFINDDDDAPATSSYYYY in the OLDDDDDAYYZZZZ but now MINORITTYTHISSSSEQQALTHAT - " ((grumbles)) " CANTTTTBLAMMMMEEEEANGRRRRFORRRRNETHINNGTHEEEEZDAYZZZZ . " ((digital sigh))((cut to close up of AOFZ his eyes DARTTIINNGGGG from side to side as the diversion goes on)) "But from a sum of 1 dollar to a billion, can happen just from ADOF7 one time."

AOFZ : " DNTLOKKKKPLZ " ((as the explosions continue behind him))

I.S.S.:((voice)) " GOTTIT . " ((cut to close up, skew shot facing to right)) "Listen. Look at me" ((left hand taking index finger and middle, pointing at his eye behind his classic blindfold)) "Right here." ((cut to closer up, I.S.S.'s face)) "Make me RICH ."

DIZNE :((modulated laughter, sounds like HA - HA - HA - HA )) "I like your new friends MANN . " ((cut to close up of GOTOMAN blushing to the right of the shot, carnage continuing behind him)) "Very forthright. DETTRMIIND . " ((cut to DIZNE continuing close up, eyes rolled to upper left of shot)) " NEWAAY , AOFZ doesn't let me get shown. That means that I get accosted or accused of B . They'll say it's money laundering. Don't believe them, - " ((cut to close up of I.S.S. staring directly at the shot)) " - or the JOOZZZZ . It's just taking advantage of POOOORPPL ." ((his eyebrows raise)) "They do it all the time, but am I ALLOWD . " ((digital scoff)) Of course not." ((his eyebrows lower))((cut to close up of DIZNE eyes rolled up to the upper left of the socket)) "So I use DTOATONZT and then I YY . That means I use these two boats and their distress calls to A and say that the MUNNYYYYIZA . A whole bunch of other ones too." ((cut to close up of AOFZ , still paranoid, eyes darting, as he begins to PANTTTT very quickly)) "Ella Fitzgerald , Eldridge , Renegade . TYTTAANIIKANDBRITTIAAANNA are the ones I like best because of both having AOFB ." ((cut to close up of I.S.S. facing past shot to the right, swirling glass.)) "That means TELLEPHOONEZZZZ . And that works with all other telephones, satellites, even CABBLTOWN . HEKKKKHELOVVEEEEZIT " ((cut to close up of CABBLTOWN smiling looking about, a NUDDEEEEWOMNNNN passes behind him from the LEFTTTTOFSHOTTTT as the LAZZRRRRFIREEEECCOONTINNUUEZZZZ , she smiles back. As she crosses behind him, she is BLOWNAPRTTTT , as CABBLTOWNSCPZZZZFRMAGLASSSS otherwise indifferent)) "And we all SHARREETHEPPIEE ." ((cut to DIZNE close up, eyes to upper left sockets)) "Damndest thing too, the LUKKOFITT . I just A one day and POOOOFFFF I get so much ATHEB I don't know what to do with it." ((his eyes rolls to the center of his sockets hanging slowly)) "That's money by the way." ((his eyes drop to the bottom of his sockets))((cut to I.S.S. close up, nodding)) "But keep it under your hat, and don't let anybody find out about it." ((I.S.S. nods, and does a double take at the shot, his expression fixed)) "Lot of people after it. Jews, CHINNKZ , the military, even Communists." ((digital HA )) "Some KRAUUTANDSOMEGUNNEEA too." ((I.S.S. 's mouth opening slightly, as he continues through the carnage to stare past the shot)) "If they were found out - what is it? What are you looking at?"

I.S.S.:((slowly)) "Who - is - that?"

DIZNE :((voice)) " HMMMM ?" ((a slight pause)) " HIM ? Oh I've SEEEIIMMMHHM . " ((I.S.S. seems to breath a sigh of relief))((cut to DIZNE close up previous slowly pans in)) "So, now you know my TRBBLSEKRRT . That I BZ and exploit all LYFETOBEEAMILLYUNAIIRREE , and APOIINTDDDDMYSLFGODDDDOFAMERIKKA . I took over FLAANDKAALIIANDSOONEUURROPPEWILLBMYNNETOOOO ." ((stops panning inwards)) "Maybe even the rest because of some BOAATTTTCALDDDDVOYAAGR and some others called APOLLOOOOANDVIIKKIINGNG2ANDDEE1 . Challenger, Columbia some other too. How about you?" ((there is a sudden CRAASSHOFFCAMERRATHATTTTSHAKKEZZZZTHESHOT ))

radiio :((voice))((in A )) " MAAAASSSSAAHHHHHHHHHHHH !!!!!!!!! " ((cut to close up of I.S.S. eyebrows raised looking past shot to right, as the LAZZRRRRFIREEEE has seemed to abated))

DIZNE :((voice)) "Well there HEGOOEZZZZAGAIIN . Off to SAVVVVEMASSAHHHH from JAIILLLL and make me RICCHHHH .

Klingon #2:((voice)) "What was that?"((cut to close up of Klingon #2 slowly and groggily licking the BLOOOODD off his fingers, DIPINNNNG them onto his FACCEEEE ))

DIZNE :((sighing digitally)) "Just radiio needing to find ATOD ." ((cut to close up of DIZNE eyes rolled to the upper left)) "It happens everytime I need a dollar to launder. Or as I call MAKE .

AOFZ :((enters the shot from left quickly, looming at the camera, his left hand traveling at the shot to block the image)) " DONTLOOOOKK "

I.S.S.:((cut to close up, batting away AOFZ 's hand angrily with his left hand)) " FINE ."

Klingon #2:((slides to the left, licking lips smearing the BLOOOOD off himself with his left fingers, holding them up to his face and licking them)) "No that." ((he stares at his fingers, in a drunken daze)) "I like it." ((his expression changes, as though he's drunk, and is somewhat wobbly))

DIZNE :((voice)) "I told you he does that so they don't come near me. GODDAMJEEEWZZ ." ((Klingon #2 seems waiver slightly in his stance)) "Don't DRNKTOOMUCHOFTHAT you'll get CRMPZZ ." ((cut to close up DIZNE , eyes rolling to the right of shot to the upper right of his SKUULLLL .)) " YEERRRRZAGOWNNITOOKGEEOGORRGIIAA , I had gallons delivered that I'd BATHEEEEIN so I know from EKZZZZPERIIEENCCE ." ((his eyes roll back to the center of his SKUUUUL and then slowly drop down to the base of his sockets)) "But enough about my LYFFE4444AAAAWHLLE ." ((cut to wide shot of DIZNE 's servant holding his head, flanked by AOFZ and CABBLTOWN and MRBOB , with GOTOMAN between them, the SOCCIALLBRDDGGE between I.S.S. and Klingon #2 to the left of shot, I.S.S. stands motionless and FEIGGNNNNGGINGINTTRRSTT while Klingon #2 continues to lick at his BLOODDYYYYFNGRRRRZ his face drunken and lucid. The two WMNN are now NUDDDDEEEE having met their OBLIGAYYSHUNTOTIIMEEEE . Meanwhile in the foreground past the party goers and the BLOODDSTAINNNDDDDFLOOOORZZ , is an outline left in the wall of the MANNSHUNNNN left by radiio that leads into the darkness of the night and showing the ELEKKTRIKKLSTORMINTHEKLOUDZZZZ . The bodies of the party goers who were otherwise liquidated or simply FORGTN just disappear and are replaced as is the CASSEWITTHTHEEBIZZ .)) " LETZZHEARRRROFYREKZPLOITTZ . Where did you say you were from again?" ((the shot zooms forward quickly, in pursuit of radiio whose tracks and loud FOOTTFALZZZZ have appeared to have veered off to the right of the shot into a small cluster of TREEEEZZ , where he can be heard howling in crazed and manic anger. The shot travels past him and his unseen target, down a slope towards a long stretch of WROOTIROONFENNCE . Far below along the FENNCEEEE near the end of the LYNE of FRMLLLLDREESSDDPPL all very HOPPEEEEFULANDEAGGRRRR , are two figures very small and traveling the opposite direction of the PARTTYYYY . One is walking on more than one set of legs, and the other is a bipedal reptile, and their identities are obvious as the camera approaches. Zooming in, their conversation becomes audible, as the two are walking in the direction of ABOOUTTFIFTTEENBONFIIREEEESINTHEDRKNSS ))

Gorn:((voice)) "I still don't understand. He said we were expected." ((cut to close up facing Gorn, walking to the right of shot with Tents to his left side)) " WE " ((eyes wider at emphasis, then looking back past the shot)) "Not...well just two of us."

Tents: "Will you look at this line?" ((cut to Tents's P.O.V. the shot passing from right to left, many COUPPLZZZZDRSDDDDINFRMLLLLWEAAR many with KOBBWEEBZ around their arms and ANKKLZZZZ )) "Some of these PEOPPLLOOK like they've been waiting for AGEZ ."

Gorn:((voice)) "Did you notice something peculiar?"

Tents:((voice))((some of those waiting look as though they've been AGINNG just WAYYTINGTOGETIIN )) "The Fact that some of these people look like they're AGEED sitting in PLACCE ?"

Gorn:((voice)) "No that."

Tents:((voice)) " WAT " ((the shot stop as Gorn steps before him and the foreground, staring at the shot concerned))

Gorn: "No, that!" ((cut to facing Tents, the sprawling line to the left of frame going the opposite direction, shot facing Tents)) "What is going on with the way we talk? I noticed this before. Remember when we got obsessed with the MUNNY or whatever it really was, and that giant, well, something BEEPEZ7 ?" ((Tents looks nervous, looking about in thought)) "What is it?"

Tents:((he looks down at the subtitles then back up towards Gorn off camera)) "To be honest, I didn't know what to think." ((shrugs and speaks a little more awkwardly)) "Sometimes it just feels like I just say things."

Gorn:((sighs)) "Well you're not the only one. Do you remember when we were actually friendly?" ((shot pans in slowly)) "When I.S.S. wasn't this selfish ego machine, and when all we really wanted to do was play music?" ((Tents looks down, saddened shot pauses panning)) "And how we stopped those fake versions of us?"

Tents:((sighs)) "Yes." ((shakes head)) "It's as though all of it has changed us. The MUNNY , the losing IT ."

Gorn:((voice)) "There it is again!"

Tents:((looks down, just misses it on the subtitles)) "What do you MEEANN - " ((Tents pauses, concerned))

Gorn:((voice))((shot continues to pan in at Tents)) "See? Ever since those CLAMMZ weere around, everything started to change. WE started to change." ((Tents raises his gaze towards the shot))((cut to Gorn close up, looking down solemnly)) "I.S.S. changed, #2 changed, even I was SUCCEPPTTBBBBL and - " ((Gorn's eyes wider, as he stops speaking and looks past the shot))

Tents:((voice)) "Well I saw that."

Gorn:((eyes darting)) "Me too. It's like since that show, we're all different now." ((he looks past the shot towards Tents)) "I.S.S. is meaner, Klingon #2 is for some reason DUMBBR ." ((nervous laughter)) "He went to Oxford! And I've been more and more DEPRSSDDDD ." ((he pauses, looking down, barely seeing the text)) "You see?!" ((cut to Tents close up, looking past the shot towards Gorn's voice)) "Things didn't use to be this way. Something changed. Something's wrong with all this." ((a voice off camera agrees. He is a voice similar to that of ANOLDRRRRMNFRMTULSAAAAHOOSOUNDDZZZZLYKEAMNNNNFRMAPRVIOOSFRNCHISSETITTL ."

Voice:((voice)) " AFUKINNMN !" ((Tents looks to the right of shot. The camera BLURRRRZZ to reveal ANOLDRRRRMNWITHAREDBEARDRDANDREDDHARR . HEIZDRSDDINBLUJJEAANZAREDSHOORTTSLVDDDDSHRTANDIZHOLDDINGAPLAKKRDTHATREAADZFUKKKKTHEUNNUUYYUUNN . There are several others behind him holding signs as well in the not too far distance, and several TENTTTTZZ littering the HILLSYDDEWITTHBONFIIREEZZ )) " SOMEEEETHINZZZZWRONNGWITTHALLLLOFTHSMANTHEHOOLLLLEEEEFKIIIINNNNTHNG ." ((cut to Tents up close, bewildered expression to the right of shot, skew facing right)) " THSIZASCCEENEEEEAANNNNNELLUSHUUNAFKNJKOOEEEEONAMERRIKAAAMANNWERREEFKNTRAPPDHERRLIKKKEWRFKNPIGGGZANDNOTEVREBLTOOOODOSHIITABOOUTIIT . " ((cut to close up of Gorn, the same reaction as Tents, thinking that they had it rough to determine the encryption of their own words and speech, now enduring anothers)) " WERRAFKNJOKEHRRAFKNGODDMJOKE . " ((Gorn looks down towards the subtitles at the base of the shot)) " LOTATMEMANNNOWWWWWW " ((Gorn looks up past shot, back in tthe direction towards the voice speaking)) " WERRFKNAGODDMTRAVVESTYYOFJUSTTICCEEEEWEGOTFKDDOVR ." ((cut to the voice speaking, now to be known as REDHRDMAN . He is now flanked by two men, one with long blonde brown hair and a mustache who is heavier set and is roughly 48 years old and Caucasian, and the other skinny, roughly 49 years old with red rimmed glasses, and short curly black hair, and clean shaven. The man with black hair wears brown pants and a BLUUUUSHRT , while the other man wears a BLKSHRTANDBLUPANTZZZZ . The one with brown hair also has BLUUEYEZ and holds a PLKKRDTHATREEDZNOFKIIIINNWAYY . The one with black hair has BROOWWNNEYEEESSANDHAZASYIIINEREADDINGFKUINBLULTRZZZZ . Both LOOKPISSDD )) " WEEEEDONTHVANEYFKUUEAANFREEDOMEE ."

MUSTACCHEEEE :((the heavier set man with the mustache)) " ICCANNTEVNRITEWITHOOTAJOBE ."

FROOOO :((the man with the curly black hair)) " MYFKNKIDNEDZZSHITT "

REDHRDMAN :((formerly Voice)) " USEECTHSSHIIT " ((cut to Gorn standing to the left of shot with Tents to the right, both looking past the shot motionless)) " WECNTEVNGETTAJOBUNLESSWEYLL . THATZZZZBADANDMEAANZWEDOBAADTHNGZZ . THEYYYYPRTYTHEYYYYFKWLLWEDOALLTHEFKNSHITTOMKTHEEPIKTUR . " ((Gorn and Tents look down at the subtitles in unison)) " UNOWATIMSAYIINNG . UFKNNOO . CUMHRR . CUMOVRHRR . " ((both look at each other, exchanging glances, and then look towards the right of the shot)) " WERRGONAAAASHOWWWWUUUUTHEFKNTRUUTH ." ((both exchange glances once more)) " COMEEOON " ((both shrug at each other, and turn to walk into the shot towards their voices))

Gorn:((voice)) "Are we going to talk like that eventually?"

Tents:((voice)) "I don't know. I don't even know why it happened before." ((the shot begins to rise upwards towards the KLOOUDYYYYSTORMMYSKYY )) "I'll tell you one thing for certain, I'd like to not have to look at the subtitles every time though."

Gorn:((voice)) "Yeah, it's really getting old."

KLOOUDZZZZ :(( THUUNDR ))((in A )) " IFEELTHESAMMMEE " ((just then, a smaller KOMMISSAR enters the shot in the SKYYYY from the right of the shot, its lower hull shown in the shot over the ground flying in the direction of the MANNSHUN as the camera follows. It begins to make a controlled landing within the perimeter of the WROOGHTIROONNFFFENCCEE , past the long snaking line of those waiting ENTRRY . The ship makes almost no sound, in classic PTEKK construction fashion while it lands as softly as a KLOOUUDDDD , available in several variations of AUUTTOPILLOOTTTT and in several LANNGGUUAGGEEZZZZ . As the ship lands the voice of DIZNE speaks aloud over the shot))

DIZNE :((voice)) " INTRSTING . FredVerse you say?" ((cut to DIZNE close up eyes rolled back to the upper right of his eye sockets)) "I'm not very FAMILLR with those as of yet."

I.S.S.:((voice)) "They're alright. I have a lot of FANZ there."

DIZNE : " FANZEH ?" ((cut to I.S.S. close up facing towards the right of shot)) " FRMYRMUSSIK "

I.S.S.:((nods, breathing deep)) "Yup." ((indifference, breathing out)) "We're FAMMOUS "

Klingon #2:((voice))((spacey)) "Yeah...we're \- " ((slides to left, still licking at BLOOOOD , and looks it)) " - yeah...." ((starts to crack a smile, eyeing up one of his fingers deeply and intoxicated)) " WERRRR " ((higher pitch and as though on a drug of some kind. He stares past the shot and the BLOOOOD , and his eyes become more intense as he gazes to the right of the shot)) " HOOZTHAAAAT " ((he stands shakily))((cut to Klingon #2's P.O.V. showing a familiar face, that of Matilda Terenstry, wearing a smart evening gown the color REEEED and has a GOLDNEKLLACCE approaching through the SEEAZZZZOFGUESSTZ , most male though some totally NUUDDDDEE . She doesn't seem to notice, as she takes a GLASS from the LEFFTOFSHOOTOFFCMRAAFILDDDDWITTHBLUULIQQD .)) " YINOHR ."

CABBLTOWN :((voice))((in Z )) " MATILLDA " ((she smiles towards the shot, exercising the poise of a debutant))

Matilda Terenstry:((smiling)) " NB ." ((cut to CABBLTOWN standing to the left of the shot, invitingly, as Matilda Terenstry enters from the right of the shot. They both embrace platonically, as SOCCIETTYYYYPPLLLLDOOOO , as she exchanges CHEEKKISSEZWITTHCABBLTOWN , as GOTOMAN stands to the right of the shot barely on camera )) "So lovely to see you." ((LEANZBAK , smiling)) " HOWHVUUUUBENNNN "

CABBLTOWN :((in Z )) " WERRNOTINTROBBL ." ((she giggles without opening her lips smugly))

Matilda Terenstry: " SOYYRFINE " ((I.S.S. clears his throat rudely, to which both Matilda Terenstry and CABBLTOWN both react, parting to reveal I.S.S. now standing closer to them, between them, SWIRRLINGHZGLASS and speaking softer)) " SOUTOONOEACCHOTHR " (( TAKKINGASIPP ))

CABBLTOWN :((in Z )) " WHRRRRARMYMANNRZZZZ " ((cut to close up of Matilda Terenstry, smiling towards the shot now left hand upon HIIP , right holding the GLASS . She seems to be more YOUUTHFL .)) " THSMATILLDAMTERREENSTRYOFPTEKKINTEERGAYLKKKTTK . OFTHEEPTEKKVERSSE . MATILLDAAAA , THISIZISSSSANDHZFRIEENDNUMMBRTOO "

I.S.S.:((cut to close up, facing towards right)) "Friend?"

Klingon #2:((voice)) " IS ?" ((shot slides to left, revealing Klingon #2 intoxicated, with less BLOOOOD upon him. He is also MOORPALE and swaying back and forth slightly, squinting past the shot)) "Hey...aren't you that lady? The one who was MADD or something?" ((cut to close up of Matilda Terenstry scrutinizing to the left of shot, eyebrow raised, forced smile, as the PARTTY continues behind HRRRR )) "With ZEUSANDHADESANDDMITHRA - " ((her eyes WIDDR and her smile twisting slightly into a WINNCCEEEE )) " - where you were all going to FEARVVERSEEEE or something? Where it's like, you were ALLLL going to STOPTHEEEEBADGYORSUMTHNG ." ((her facial features have now contorted and twisted in sheer TERORRRR )) " Why are you SKARRDLOKKINGNOWW ." ((drunker)) "Why did UGOTHRRRR and now YRHRRRR ?" ((she becomes DISGUSTTDDDD towards the shot)) "Why RRRRUHRRRRNOWW . YAMIHRRRR . AMIHR ?"

AOFZ :((voice, as Matilda Terenstry's eyes dart to right)) " DONTLOKPLZ . DONTSAYyyyy . DONTD ." ((her emotions morph back to her previous demeanor, and her eyes slide back in the direction of Klingon #2 's voice off camera. Her practiced tone returns))

Matilda Terenstry : "My apologies, you have me at a loss. I do not know what you are talking about." ((cut to Klingon #2 making a confused stare past the shot, licking at his left middle finger slowly, as he judges past the shot, as it is still somewhat caked in BLOODDDD .)) "You must have me confused with another HUMNBEIINGG ."

Klingon #2:((a little more direct)) "What?" ((he looks down at the subtitles)) "Why did..." ((he cocks his head towards the letters, still swaying slightly, as bloody drool escapes from his right lips)) " ...ydidudotht ..." ((his expression becomes more troubled, frantic and dire, in a desperate bid to understand. His own mind grappling with the horrors of not understanding, though deeply intoxicated. The thought of delusions racing through his mind faster than the limited oxygen of the expensive atmosphere can allow are interrupted by I.S.S.))

I.S.S.:((voice)) "What he MEEANZ to say is we're really admirers of your WORRK ."

Klingon #2:((looks towards right of shot, still drooling)) "But...she's not her." ((slides to right, revealing I.S.S. sighing slowly once)) " ...right?"

I.S.S.:((whispers)) "Just ACTLYKE you know. That's WATTUUUUDOATPRTTIEZZ ."

Matilda Terenstry:((voice)) " ITWORKZZZZSUMTIMEZZZ "

I.S.S.:((whispers)) " C ?"

Matilda Terenstry:((cut to close up of Matilda Terenstry behind here there is a small amount of activity, as though a group is parting to reveal a large gap, several GUEESTTZZZZ parting to reveal a large open space to the rear right of the shot)) "Yes it's true. Why I've applied that same idea and have been quite active in the FredVerses for some time now." ((saddened expression and shaking head, practiced and repeated)) "It's a shame really what happened to them really." ((cut to close up of I.S.S. raised left eyebrow skew to right of the shot)) " ALOFTHOOSEEEEPORRFRED " ((I.S.S. raises other eyebrow)) "So many." ((suddenly very enthusiastic tone)) "But it's a GREEATOOOPOORTUUNNTYYYY4444FFLLOOOOPANNTHRRYYY ." ((I.S.S. nods enthusiastically in agreement))

I.S.S.: "Yeah. Right? Yeah." ((cut to previous Matilda Terenstry, smiling and nodding in agreement)) "Yeah! What you said." ((she nods)) "What's that?" ((she pauses, looking towards the shot in query, and then turning towards behind her in the direction of the gathered GUEESSTZ ))

Matilda Terenstry :((turned about fully)) " IBLEEVEEEETHATTZCABBLTOWNGIVVINGSUMMOONEEEEARSNNTTOLEAAV ." ((the shot pans to the right to reveal CABBLTOWN encircled by GUESSTZ all silent, watching HIM in the CNTRRRR looming OVRANNOLDDRWOMMNWITTHABLUUUUGOWNBEIINNGRIPPDDATBIHIMM . She is furiously responding as the CROWDDZZZZ are silent and stand by, NUDDEEEEORKLOTTHDDDD .)) "No doubt not adhering to the policy of NUDDEEEEOROWTT . I myself simply SAYYIWONNTTTT . I'm surprised most don't DOTHEEEESAMEEEE . " ((the shot begins to zoom in to their disagreement))

I.S.S.:((voice)) " UMIMMEANT .... THAATIGUESS " ((the shot now focuses on the two, their STRUGGLLLL taking CCNTRRRRSTAGGEEEE with the sound overtaking as well))

WOOMN : " fkustoop ." ((he begins to RIPPATHRGOWWN )) " illfkiinkilluuuu " (( CABBLTOWN screams at her in reply))

CABBLTOWN : " GETUUP !"

WOOMN : " no "

CABBLTOWN : " GETTUUPNOWORIMGOIINGGGGTOFKUURRRRBRAIINNNNAPARRT !!"

WOOMN : " fkuulosr ."

CABBLTOWN : " FUKKINGIDOOOIIT " ((he begins to WWRESSTLHZWAYONTOPOFHRAZSHESTRUGGLZZ . SHEETRIEEZTOFITTTEBAKAZHEHOLDDZZHRHANNDDZDOWNN ))

WOOMN : " gtthefkooutofheer " ((cut to close up MRBOBANDAOFZ , MRBOB to the right of shot, AOFZ to the left))

CABBLTOWN :((voice)) " GETOVVRHEER " (( BOTTHLEEAVTHEESHOTREVEALLING I.S.S and Klingon #2 standing alone, more GUESSTZ out of focus behind them, still and silent while the scene off camera echoes as the thrashing and ripping of fabric invades the senses))((cut to between the legs of WOOMN as CABBLTOWN in on his knees between then, furiously ripping open HZPANTZZIPPR , as MRBOB 's right hand is holding down the WOOMN 's writhing right leg, but is otherwise out of the shot. AOFZ is on the opposing side, holding her left leg down while GOTOMAN is in the background SMILLIINNGAWKKWARRDLYATTHESHOOT ))

WOOMN :((voice)) " gttheetheefkoffmmmeizaliisayyd "

CABBLTOWN : " IMGONNAAAAGVUUUUAREZZONTOOSTAYY " ((he begins to REMOOVHZPENNISS as the shot cuts away))((cut to I.S.S. eyebrows raised, GLASSINHANDD looking beyond the shot skew right of shot))

WOOMN :((voice)) " no . fku . fkinashool ."

CABBLTOWN :((sound of RAPPE )) " FKIINBITTHHCH " ((the sound continues as I.S.S. doesn't react, but there are no other sounds, including generated by numerous GUESSTZZZZ , all silent and standing by unmoved or otherwise in protest))

WOOMN :((voice)) " no ." ((cut to close up of a GUESST a 40YEARROLDDMAN with short black hair and green eyes, clean shaven in FRMLLWEARR , looking down at the shot awkwardly flanked by another YOONNGWOMN who stares down at the floor sadly. A random GUESST speaks out, softly and meekly off camera, as their eyes trace to the right of shot past frame, then back))

GUESST :((voice)) " GETOFFHR ." (( CABBLTOWN erupts off camera))

CABBLTOWN :(( RAPPESOUNND stops)) " NO ." ((cut to close up of AOFZ looking from left to right, paranoid, the GUESSTZZZZ behind him still and looking towards the shot)) " ANDIFUEVRSAYEYEKANNTDOOTHSIILLLLFKNKILLU . " ((cut to MRBOB staring down past shot, more GUESSTZZZZ behind quiet)) " DOUFKINNUNDDRSTAANDDEIFKNRUNTHSPLCIMMMTHEFKINGODDIFKNOWNALOFUFKNROKYRFKNWRLDDIFUFKNTRYYTOMSWITTHMEME ." ((cut to GOTOMANSMILLINGVERYPAIIINLLYFFUUULYANDLOKKINGFRMRITETOLEFT )) " IMSRSILFKNKILLYOUUUANDDIWOOONTGIVVVVVAFKABUUTGOIIINTOJAAAAAAIIL ." ((the wails of WOOMN the only other sound, aside from the CRYYYINNGOFFIVEOTHRRWIISSEIDLPPL . CABBLTOWN 's voice is HOAARSEANDDEEPPPPLYKKEHEEZADEMONOFANGGR )) " DOOOOUUUUFKNNGETTITTTT " ((cut to Klingon #2 DIZZYYANDDRUUNK still trying to LIKATTHEBLOOOODD , even while WOBBLY , his tongue missing his own finger, almost completely PALLLLE and unhealthy in appearance)) " EYEFKNOWNUUUUALLLLLLLLLLLL " ((Klingon #2 dizzy, passes out falling backwards out of shot. He says one final word before he departs from the scene))

Klingon #2:((groggily)) " NYYEAA " ((he crashes out of the shot, with a loud thud))

I.S.S.:((voice)) "He's BRUTTISH . " ((cut to close up I.S.S. swirling his GLASSLYKEASNIFFTRRRR and pointed past the shot skew right like he is examining an ARRTTTTPEICCEEEE )) " KRUUEL ." (( SNIFFS )) " DIAABOLIKKLYYSOO " ((cut to P.O.V. of I.S.S. , as Matilda Terenstry stands to the left of shot facing the display. CABBLTOWN now standing up drunkenly falling back and stumbling into GOTOMAN behind him along with AOFZ . He is buckling his belt, his CHINN holding up HZSHRT as a SHRTAPPLIKATTRRRR , giggling slightly. The wails of WOOMN set him off once more, his pants barely back on))

CABBLTOWN :(( DRNNKLY )) " FKUBBTTH "

WOOMN :(( SLOWLLYRISSINGCOVRIINGHRSLFWITTHRIPPDUPBLUGOWNNSOBBIING )) " fku . " ((shouting)) " fkuallll ."

I.S.S.:((voice)) " ITZZZZLYKEEEEEIWAASMEANNTTOBHHEEERRRREE "

WOOMN :((cut to close up, very upset and covering herself in a destroyed BLUGOWNN , teeth gritted in pain and anger)) " fkuuuu . " ((past the SHOOT ))

AOFZ :((voice)) " DOONTTLOOOK ." ((she shakes her head manically frustrated)) " DONTTTTTTLOOKATAALL ."

WOOMN :((sneering and scowling past the shot at the idle GUESSTZZZZ all standing by, seemingly judging her the inaction louder than their words)) " udiddntdofknggnethiing " ((cut to close up GUESSTZZZZ all KOUUPLZZZZ looking down, some awkward past the shot, one sneering a MANN smiling, though not making eye contact)) " udontcar . ufkduup . alofucnskiit ." (( SHEPANNTSANGGRIILLY )) " ualletithpn . ytheeeefkrulkths ." ((cut to close up, one MAN who is not making eye contact with the shot, nervously looking off camera to the left)) " whrraaaaryyrballsssshuh . " ((cut to a GIRRLLLL , FRMLLLLINABLUUDRZZZLOOKINGOFFCAMRRAHOOLDINGBAKTERRZ )) " whrrizyrfknbraiiiinnn . " (( SHELOOKZZZZMORREESAD )) " whrizzit ." ((cut to SNEERINGMANSMILINGSHAKKINGHZHEADTRYYINGTONOTTLAFFF )) " alofuhoolkthsshuutupp ." (( HEDOZZNTMAKEEYEEKONNTAKKT )) " yadontevnlook . faggt ." (( HEDOZZNTREAKKT )) " icldduafgtgtthefknnpoint ." ((cut to WOOMN breathing heavily, holding the tattered remnants of her GOWN )) " fukingkikzthtzwhaatthsiz . " (( GRIITZHRTEETH )) " cowwrrdzzzz . " ((shakes her head, about to cry)) " thtzzzzalissee ." ((she leaves the shot beginning to sob, as CABBLTOWN is heard once more.))

CABBLTOWN :((voice)) " JSTFKNGOHOOMME ." ((cut to close up of a NUDDEEEEWOMMNNNNABOUT29YRZZZZOLD who looks very sad and wiping away TERRZZZZ , then smiling FAKKELLYYYY , turning to another GUEESTTTT a MANNNN mouthing the words IMFFINNEEEE ))

GOTOMAN :((voice)) " OKEVRYYOONEEEPLACCEEEEZZZZANDAKSHUUN !"

I.S.S.:((cut to rubber band close up, eye brows raised)) "That wasn't a SCEENE ?" ((lowers is eyebrows, back to indifference)) "If that wasn't a SCEENEEEE I don't know what is."

GOTOMAN :((voice)) " OHTHAT . She'll be fine, just a little IMPROVV ."

I.S.S.: " Oh." ((lowered voice)) " ISITKONNTAYYGIOUUSSSS ?"

MRBOB :((voice)) " fknopnt ."

CABBLTOWN :((voice)) " JUSSTOWTTALLLLIIIINNE . NOTSTAANDINNGONIITANDSHUTTINGTHEFKUPPLYKEYRSUPPOSDTO ."

I.S.S.:((scoffs)) "How hard is that?" ((there is laughter, and I.S.S. seems hurt)) "Is it hard?"

CABBLTOWN :((voice)) " GOTOMANILOVVEEEETHSKD !" ((cut to close up of Klingon #2 bird's eye view overlooking him, PALLE and still coated in BLOOD , now KAKKINNGGGGONHZFRMLLLLWEAARRRR . He is still tonguing the BLOODDDDONHZFACCEANDSMILIING , then groggy again)) " YOUURRRREEEEWATTTHSTOWWNNEDDDZ . NUFACCEEEEZZ . FRSHSHSHBLUUD . NUIDDEAZZZZ ."

I.S.S.:((voice)) "Whatever you think." ((Klingon #2 blinks slightly)) "Whatever you like, whatever works, we'll do it."

Klingon #2:((half awake)) "I think. I think I need BLOOD ."

I.S.S.:((voice)) " NOTU ." ((cut to I.S.S. close up)) " HIM ! - ((scowling)) " NO !" ((he points past the shot, the camera blurring 180 degrees panning between AOFZ who shakes his head trying to avoid the shot, MRBOB who looks blankly at the shot and with a callous expression, as the camera)) "No, no \- " ((the shot passes Matilda Terenstry who smiles awkwardly, and the shot finally finds CABBLTOWN )) " HIM ! " ((the shot rubberbands at him in emphasis)) " YEAHIMM "

CABBLTOWN : " KIDTAKKEFRMMEEEEIFUNOHOWTOLSTNANDDOWATTYRTOLDDYRGONNAAAAGOFARRRRWITTHUSHERR . " ((he motions with his right thumb to the RITTEOFTHESHOOT )) " NOTLYKEEEEHRORR - " ((he points at the shot)) " - THOSSEMISSKREEANTZ ." ((he scowls at the camera))

I.S.S.:((voice)) "Who?" ((cut to close up, I.S.S. a little worried)) " ME ?" ((he turns about slightly towards the GUESSTZ behind him, some KONVRRSING once more, the events a distant memory. I.S.S. mutters softer, referring to the GUESSTZZZZ )) " THM ?"

GOTOMAN:((voice)) " NONONO . HEMEANNZTHOOSSSSEEEEPPLOWTSIDDE " ((the shot begins to slide in the direction a WINNDOWWWW that looks towards the pitch black exterior of the NITTE )) " THOOSEEEEUSRRPRRRRZ "

I.S.S.:((voice)) " OH . " ((there is a pause while the shot clears through the window, leaving it undamaged, and begins to descend lower down the formidable CRAAGGZZZ towards the WROGGHTTFENCCEEEEANDTHETWINNKLINGBONNFIRREEEEZ )) "What's that MEEN " ((the lightning crackles in the SKYY ))

KLOOUDZZZZ :(( THUUNDR ))((in A )) " IHHAAATTEU " ((the shot begins to descend slowly towards the encampments of those wielding the PLAKKRDZZZZHUDDLDDAROUNNDTHELITTRDBONFIIREEZ ."

I.S.S.:((voice)) "Ok... " ((a narration begins as does the strumming of an AKOOUSTIKGUITTRANDTHEPATTROFRAAYNNE . The narration is Tents speaking, as the GUITTRPLAYZZZACHOOORRDOFCFFLAATANDCSHAAARRPBANTHENAFFLLATTDTHENBATHEENREPPPEAATING . THEERAYNEESPEAKKZ ))

RAYNNE :((in A )) " LO - SR - Z " ((repeating))

Tents:((voice narration)) "Minute twenty nine of my time at the UNYYOONNNNENKMPPMMNT - " (( THESHOOTZOOMZZZZTOWARRDZABONFYRECLOSSRTOTHECNTR )) " THETYMEIZDIRE ." ((cut to close up of a WHIITTEPLKRDDBEIINGLFTTDATTHESHOTUPPANDDOOWWN . ITREADDZINBLUUUULTRZIWANNTWOORRKNOW . THERREAREVOICCEZSPEAKKINGINYOUUNESSON ))

VOIICCEZINUNESON : (( BOTHMENWOMEENANDKKAATTTPPL )) " WEWAANNTJOBBNOWW " ((repeating three times))((cut to facing a GROUUPOFTWEELVVEHOLLDINNGPLKARRDZ . ONEEREZMBLZZZZbethFROMMTHETHIRRRDINSTALMENNTOFTHISSPARRTIKUUUULRFRNCCHISSEHOLDDINGABLUUPLKAARDREADDIINGINYELOLTRRZIWANTJOBNOWW . THEEREEEEAAAAREESUMFAMILLRFACCEZZZZINKLUDDINGSEVERRLHUMNZZZZHOOWRRPREEEZNTINTHESIKKTHINSTALLMNTINTHEETHEREALSCENEEEONTHEROAADTOFREDVERSEHOLLDINGPLKRDZZAZEEWELL . OONEEIZHOLLDINGAPLKAARDREADDINGINYELOLTRRZAGAAINNNSTREDDDFKUUUUMONNY . There is also a Catperson with a BLUPLKRRDTHATHAZZBLULTRZTHATRREEEDZMEMONNYKK . They are chanting and traveling in a small circle counter clockwise against a pitch black and otherwise STORMYBAKKROUUNDAZTHESNAPPINGOFTHEBONFYRRESPEAAKKZAZWELL ))

BONFYRRE :((in Z )) " RABBLLLLRABBLLMOARRTENTZZZZZZZZZ "

Tents:((voice)) " - THESTRIKKINGG doth not bode well, as the WETTHRRRR is as bitter as the treatment by those who THEEYSTANDD against." ((the shot slides back over the BONFYRRE revealing Tents holding a small SKRAPPOFPLAKKRDANDSKWRALLINGUPONNIITWITTHASMLPEIICCECHLKK . His narration is actually him writing upon the PLKKRRDDDD )) "The conditions here are quite BITR , and the case that these PEOPPLLLLHVMADDE is - " ((pausing)) " - odd. They all speak the same strange dialect that has been influencing all of us. Even my WRRITTINNG has been ALTTRRRRD ." ((Tents pauses once more, then continues writing)) "See? I don't even have an explanation, but it hasn't caused a PRBBLM ." ((Tent's head cocks while writing)) "Though it's strange when it HPNZZZZ ." ((cut to wide shot of GRAYYVVEEEESTOONEEEEZ , the camera scanning from left to right of the shot, showing about four in the front, with DOZZNZZZZBHINNDDDD . The four in the front read ACACBEBESASA1NASAY11 , TYTYGYGYSA11NANASATE11NANAAASA111NAY7111NANATT , DRDR111SRT111NATENANASAY , 3030EEESANIKGAYGAYGAYSA111NATENANA444NAY11NANA12 . The rest in the distance seem indecipherable.)) "The previous LEADDRRRRZOFTHISSSSRVOLTTTT seem to be dwindling, their numbers being KULLDDDD either by FORCCEEEEORBIBRIBBRRRRYYYY as I have heard from some." ((the shot continues to slide, approaching three more GRAAYVVEEEESTOONEEEEZZ reading GAYGAYEEESA1NIK7VYVYI11NANAA7NANA , 3030GGESAR11NANAASATE1SAYZAZATT , 3030EEDAY111NANAASATE11 .)) "Though those SOMEEEE refuse to even be acknowledged. Even when I myself refused to identify them, which is strange because now I don't know where THEYYARRRRE ." ((in the distance the shot keeps panning, as a SINGGLLLLMANIZMAKKINGGGGNUGRAYYVVVVESTOONEEEE . He is a KAWKAYSHUNNNNMANWEARRINGBLUOVRAAAALZZANDABLUHATWITTHBROWNHRRRRANDABRWNMUSTACCHEEEE . He is carving a name on a NUGRAYVVEEEESTONEEEE that reads THEEEENULDRRRRHOOIZGOOOODDDDDDDDDDATNICCEEEE .)) "Anyway - " ((cut to previous, Tents up close WITTHTHEEEECHLKKKK )) "The MANAGGEEEEMNT continues to BADDGGGGR these POOOORRRRSOUULLLLZ with more intimidation, including the WHETTHRRRR - " ((the sound of THUUNDDDDR , as Tents looks up and pauses))

THUUNDDDDR :((in Z )) " GIVVEEEEUUPPPPUDRTTTTBAGGZZZZ " ((there are HOWLLLLZ of protest from those PROTTESTTINNGGGG . Most growling or responding with OBSENNITTIEEZZZZ ))

Tents:((continuing to write)) "The methods of their EMPLOYYRRRRZ make me wonder about how we will be treated here." ((there is a random MOLOTOVVVVKOKTALLEEEE thrown past the shot, preceded by a MANZZZZVOICCEEEE who is KAWKAYSHUNNNNSOUUNNDDING and about 38 years old))

MANNNN :((voice)) " HEYYYYSTRIKKRRRRZEATSHIIIIT ." ((the sound of a CARRRRSPEEEEDINGAWAYYYY )) " FAGGOOOOTZZZZ " ((his voice fading into the distance as the PROTESTRRRRZBOOOO ))

Tents:((continuing to write, furrowing his brow in concentration)) " I have to wonder if GOTOMAN intends us HARMMMM or not. When I first introduced myself I made mention that we were considered TALNNTTTT by him. " ((sighs)) "Making friends has also been HARDDDD ." ((Tents shuffled in his seat, regaining his positive attitude, continuing to write with the CHLKK that sound like TENTTENTT repeating with each stroke)) " BUTSPIRITTZARHII " ((Tents looks at the words and shakes his head, and then looks off past the shot towards left as the sounds of the GUITTRANDNOWWWWAHARMNOOKAOFFCMRA begin to take center stage))((cut to Tents's P.O.V. showing TOOMENBOTHOFHOOMSEEMTOBEEEEFRMAPREVIIOUSINSTLLMNTOFTHSFRNCHIISSEWITTHJEESUSANDDIGGEEET . THEYYYYARSTAGGEHNDZANAFRIKKNAMERRIKNTOTHELEFTONHRMONKKAWHIIILLLLEEEETHEEEEMANWITHGLASSESHOOIZALSSOIZFRMTHESIKKTHINSTLLMNTPLAYZZZZTHEAKOUSSTKGUUITRLEFFTHNDDDDD . BOTTHAREPLAYYIINGBLUUEEEEZ )) " ANDTHEER way of coping BRINNGZMEEHOOPEEEE4444THEIRRCAUSSE ."

Man with Glasses:((longish hair on top, wearing a BLUSHRTLONGSLEEVANDBLUUPANTZ and is Caucasian, while the other man is African American BLKPANTZANDAREDSHRRTSHORRTSLEEVWITTHNOHAIIRANDAMUUSTACCHEE )) " MANTOOKMYNAME - " (( GUITTRRIFFANDHRMMONIKKA )) " - SAYDDDDITWAZZTRU ." ((repeat RIFF )) " MANTOOKMYNAME - " ((repeat RIFF )) " - ANDHEPUTIITINBOOO - " ((both star PLAYYING the normal chords, AFLATTTTANDBSHARRRRPFOLOOOOWWWWDBIFFLATTTTANDDSHRRPPPPANDBSHAAAARPPPPAFTRRRRANDREPEEEEATT )) " OHHIMAMANNOOWNOWWWWIHAVTOBIMTHEBAH " ((both commit to the KLASSIKBLUEEZECE to end the song, as the shot pans to the right. Revealed seated at a BONNFYRE is BlueWizard, a staple from the first installment of this franchise, once more dreary to accompany the WHEETTHRRRR and now without Angela or his MICROWAVVDDDDBURITTOOOO . He is seated with arms crossed, still wearing the BLUUUUROBBEWITTHLONGGBLKHAIIR . He sits upon a small CANN to the LEFFTOFSHOT , while Gorn is seated on a small CAN in the center of shot. To the RITTEOFSHOT is a tall REDHRRDMAN , Caucasian with a BOWLLCUT , wearing a PLDSHRTANDBLUJEEANNZ . He holds a PLKKRDMADEEEEOWTOFADATBOOMMIIKKEWITTHASIGGNTHATREADDZINREDAGAIINSSTBLUULTRZWILLWOOORKFOORRNONO . He stands upright, holding the long PLKKRD like a HALBRDD , the scene likened to SHAAKEZSSPERREZHENNR5555YYTHEEFIFFFFF .))

Tents:((voice)) "On the other hand, Gorn has been able to FITTINNNNQUUITTEEEEWELLLL . He's already made NUFRIEENDZZZZ . They seem to have their own STORRIEESTOOTEL ." ((the shot begins to center around the three and the FLIKKRRRRINGGFYYRRRRE which also SPEEAKZZ ))

FYYRRRRE :((in Z )) " HEEEERWEEGOOOO ."

BlueWizard: "... ANDSHEWAZgone ." (( SNIIFZZZZ )) " .... ALBCCUZIDIDDNTPURPPL ." ((he holds his head in his hands, beginning to SOBB ))((cut to close up of BOWLLCUTMAN standing and leaning against the BOOMMIIKEE looking towards the left of shot, a SIMMPATHEETIKKEKZZPRSSINUPOONHZFACCE ))

FYYRRRRE :((in Z )) " GIVVVVMEAFKKIINBRKKKKKKK ."

BlueWizard:((voice)) " NOWWEYEDONTHVAJOBBAFKNSYYYKOWZRDIZTRYIIINGTOKLMEANDITZRAYYNGNG ." (( SOBZ ))

KLOOUDZZZZ : (( THUUNDR ))((in A )) " UGGHJSTSTOWIT " (( BOWLLCUTMAN looks UP ))

FYYRRRRE :((in Z )) " USAYDDDDITSISTTRRRR ."

BlueWizard:((voice)) " iculdbesumbdy " (( BOWLLCUTMAN looks back towards the left of the shot in UNDRRSTANDING ))((cut to close up Gorn, looking to his left, wearing a HOODOVRHZHEEDTHECOLRRRRRED and gazes towards BlueWizard calmly.)) " icoldbrlyfamousiffirlwantd ."

Tents:((voice)) "He seems different now. And he found a HATTTT ." ((a surge of LITTENINGG the COLOOOORREDDANDPURPPLLLL strikes the very top of Gorn's head, turning his HATGREEEENANDTHENREDDDDAGAIINNNN .))

LITTENINGG :((in Z )) " ACTTLIKKKKEIITTTT "

((Gorn reacts with wide eyes at the shot, UNDAMAGGDDDD and UNMOVVDDDD ))

Tents:((voice))((pausing)) "That's happened about FIVVEEEETIMEEEEZ now." ((Gorn's eyes change color to REDDDD and seem to stay that way, as his gaze slowly and predatorily travels back towards BlueWizard's SOBBZZZZ to the left of shot)) "He seems different now." ((his eyes scan towards the shot)) "More confident. POISSD ." ((his expression more ACCPTING )) " MAYB it's from being around those more UNHPAAAPY ."

BOWLLCUTMAN :((voice)) " YOUNOWHYY " ((Gorn's eyes dart towards the right of shot)) " ITZTHOSSEDAMGVTSTOGGEZ ." ((cut to BOWLLCUTMAN leaning angrily against the BOOMMIKKEPLKRRD while the RAYNE continues to echo its anger)) " ITZTHEBANKZHOODIDDALUSROOONG . "

KLOOUDZZZZ : (( THUUNDR ))((in A ))((grumbling)) " SHUUURERE "

BOWLLCUTMAN :((looking up, then back down towards the left of shot)) " ANDTHEPRODDUCCRZDONTCARRRR ." ((shakes head)) " THEEYJSTTLKANDTLKKK . " ((sighs)) " DNTCRABOOTTHEWORRKWHEEDOO ." ((cut to BlueWizard looking past the shot to the right, very unhappy expression, seated upon the CANN )) " THEYDONNNTTEVNSAYNETHNGEKCCPTTTTTHATTHEYDIDIT . THEYYCAMMEEEEUPWITTHIT . " ((cut to Gorn facing towards the right of shot from center)) " ITZZZZTHEIRMUNNY . THATTEYEDINTDOOIT . MYNAMMEIZALITTLSQIGGLANDSUMPRODDUCRIZTHEBIGGTXT ." ((Gorn's features become more inquisitive, though politely so, leaning forward)) " THEBIGGPIKTURRRE . IMJSTTABRUSHHHHTHEEEEYTHROWAAWAYYYY . ANINKLLLLESSSSPEN . FUKEEEEM ."

Gorn: " WATIZYYRNAME "

BOWLLCUTMAN :((voice)) " DZNTMTR ."

KLOOUDZZZZ : ( THUUNDR ))((in A )) " FIINE ."

FYYRRRRE :((in Z )) " FIIIINEE ."

BOWLLCUTMAN :((voice)) " NONNEOFTHSMTRZ " ((Gorn eyes the shot, stoically, his head cocked as though he was a portrait))((cut to BOWLLCUTMAN leaning over the upright BOOMMIIKKKEE shaking his head)) " NONNEEEEOFTHSSSSRLYYYYMTRDDDDNEWAYY . " ((sighs)) " THEEEEYLOKATMOVIIEZZLYKKKKETHEYYYYSOLVVVVDWRRLDDDDHNGRORMADDEEEEITTOOOOTHEEEECOOSMOOSS . THEEEENONSETTTTTHEYYYYRRRRNVRTHRRRRANDACTLIKKKKEEEETHEEEEYYYYWRTHRRRRALLLLALOONGNG ." ((scoffs)) " ONLLYFIKKSHUN . THATTTTZHOWTHEEEEYFEEEELABOUUTOWRWOORRRRK . THEYYYYRRRRETHEEEEFIKSHUUNNNN . "

Gorn:((voice)) "And you its writer, or its CRITTK ? " (( BOWLLCUTMAN looks off to the right of shot, grimacing then turning to the left of the shot))

BOWLLCUTMAN : " ITZSRVVNT ." ((cut to BlueWizard, sighing and looking down towards the FYYRRRRE off camera)) " WEALLLLR "

BlueWizard: " itzlykeidontevnmattr . idntevnhvfrieendz . " ((looks off to the right, glaring)) " lykeidontevnmtr . likimnottsombdyy . " ((grimaces, shaking his head)) " wizrddwantzzzzmeeeedead . ((squinting in disbelief)) " likeeeey ." ((holding back TEARRRRZ )) " ijstwaantevrooonetodii ." ((the sound of Gorn standing off camera makes BlueWizard react to the right of the shot))

Gorn:((voice)) "You should never want anything like that." ((cut to Gorn standing nobly, looking down to the left of shot, the HOODDDD still over the top of his head, showing a KLOOOAKK draped over HZSHOLLDRZ .)) "You shouldn't ever THINNKTHOSSETHIINNGZ ." ((cut to close up of Tents, looking off to the left of shot, inspiration in his EYEZ .)) "You should NVREVNBELIIVTHIINGZZZZLYKETHAT ." ((Tents looks down towards the subtitles, then back up, more INSPIRREED )) "In fact, if UVVVVEEEEEVRDONEZUSHOOOLLDNVREATALLLL " ((Tents nods, then stopping, blinking twice, lost in the meaning of those words)) " ORSUMTHNG ." ((Tents now looks a bit more frozen in discernment)) "What does that even mean?" ((cut to Gorn up close, gazing at the shot, very worried)) "Tents, am IDIFFRRNNT ."

Tents:((voice)) "I do not know."

Gorn:((very concerned, softer speech, looking up slowly)) "Is it the HAAAAT ?" ((looks at the shot)) "Or the OTHRRRRPARRRRT ?"

REDHRDMAN :((voice)) " EVRYBDYLSTNUUP . GETTOVRHRRR . " ((Gorn's gaze travels to the left of the shot, and there are the sounds of people gathering in that direction))((cut to close up REDHRDMAN standing upon a CANNNN while behind him MENWMNKATTZMICCEANDAHUMNWARLOK gather. Before the shot are the SILHOOETZ of many who match the description as well, as FROOOO and MUSTACCHEEEE flank REDHRDMAN . FROOOO stands to the right of shot, while MUSTACCHEEEE stands to the left, both of them on either side of REDHRDMAN .)) " EVRBDYPAYATNSHUUN . NOWWHEHVMADDEEOWRDMAANDDZZZZZZZZZZTOOOMANNGEMNTANDDDTHNGZZLOOKBADDDDDDDD ." ((cut to close up of beth looking disheartened, flanked by a BLUMOUUSEANDAHUMNWARLOKFROOMAZERRROTHWITHANAMEPLATTETHATREADDZZZZTAELANDGUIILDDLABLLDDDDMIDDDNITEREVREEEZZ . ALLOFTHEMMSTANDLOKINGTOTHEERITTTEEEEOFTHESHOTT )) " WEVVEBEENOWTTHERRREEEEFORRRWEEKZZOFDTOGETPPAAAAIIIIDDDDANDTOGETMOOOARWERKK ." (( THEMOUUSSSSENODZZZZ ))((cut to Man with Glasses to the right of the shot, AFLAMIINGPILLEEEEOFSHIT between him and BlueWizard to the left of the shot)) " BUTTTTMANNGEEEEMNTWANNTZZZZTOPARTYYYYANDGETFKDDDDDDDDDDDDDDDDDD ." ((cut to close up of the African American Man, a disheartened look to the left of shot)) " ANDSUKBAKSUMWIINEANDSOMTITTZZZZ ." ((cut to close up of a CAAAATTTTPRSN looking to the right of shot, very unhappy, PLKKRDHANDLLLL draped over the LEFTTSHOLDDRRRR )) " EATIINGFOOOODDANDHAVVINGFUNN " ((the CATTPRSN speaks looking off of shot in a daze))

CATTPPRRNSNN : " FOOOODDDD " (( SHEBEGGINNZZZZTOSALLIVVAATEE ))

REDHRDMAN :((voice)) " YUUP . FOOOODDDD . WHIILLLLEEEEUSTRVV ." ((cut to BOWLLCUTMAN looking past shot to left from right, looking angry)) " WIILLLLEEUSIITTINTHERAYYNE . ANDOWRMANNMRME " (( BOWLLCUTMAN turns to the right of shot off camera, glances of others BEHINND doing the same, as the camera BLURRZ to reveal a WELDRSSDMAN walking up the LONNGHILLTOWARRDZTHEMANNSHUN , flanked by TOOSUPRMODLZINREDDDRSSESSFOLLOWWDDBIASCHHNAUUZRMADDEEOFMUNNYYAPPIINNGG well past the WROOGHTTIROONFENNCE . He pauses to WAVVEEATTHEEEESHOOT )) " THAATZHIMMMM . AMANOFPRINNCPL . OFFHHOONR . " (( HETURNNZTOWALLKTOWWARDDZTHEEMANNSHUNN )) " AGRAATTEMN . TIRRELLESS . VALLIIANNTTTT . ((he WALLKKKKZOWTOFTHEEPIKKTURRRR ))((cut to beth and OTHRZZTURNIINGBAKTOWWARDDZZTHEUPRRITTEOFSHOT )) " HOOGAIINZNOTHINGFRMUSSEEKZOONCCEEEEMOARTOREPPREESNTUS . OONCEMOARINTOOOOTHEBREEACCH ." ((cut to a SINGGLMANCLNSHAVVNWEARRINGABROWNNHOODEDROBBEMEANNTFOORRAJEEEDDIHOOIZAWOORLDWARROONNEVETTRANWITTHADISAPPOOINTDDDDFACCE )) " IFHEEEEWRRHERREEEEHEDSAYSALLYUUPANDGOOOUUTTTTTHRRRR . BUTTINSTDHEZZINTHRRRR . THEELIIIAANZZDEN . FITTINNGGGG44UUUU . " (( THESINNGLMANSMIRKZZZZSHAKIINGHZHEAADWITTHANEKZPSSSSSUUNSAYIINGOTHRWIZZEE )) " ANDEYEMMMMSHURWHEENHEZIZDONEINTHRRR - " ((cut to close up of REDHRDMAN standing on the CANNNN close up, the shot slowly panning in DRMAATIKKLLLLY )) " - WELLGETTTTWATTZZZZRITENOOTWAAATTZZZZRONG ." ((there is an interruption in the form of a GOBBLINZZZZKLAWDDHANDTHATENTRZZFRMTHERRRRITEOFSHOTHOLDDINGAREDINDDEKZCARDTOWARRDZZZZREDHRDMAN ))((the shot stops panning and holds steady)) " WEEELLLL - " (( HEPAUUSEEZZZZLOOKINGTHECCARDANDTAKKINGIITAZTHEKLAWRECCEDEZZZZOWTOFSHOOTANDTAKKEZZTHREEEESEKKKONDZTOREAAD )) " - NOTTDONETHING - " ((cut to close up of beth looking past the shot, nodding, then stopping, pausing in confusion, eyes darting as REDHRDMAN continues.)) " - ANDNOOTTSAYYNETHIING ." (( beth looks past the shot squinting in the direction of REDHRDMAN while the others surrounding her seem just as surprised. HEKKLERRZHZTHROOAT )) " INFAKKTTTTEYEDLYKEEEETTTTOOOOTAKETHSSSSOPOPRRRRTUNNNNTTYTOSAYHOWGRATTEFFFFLEYEAMFOORTHEEEEPROODUCRRRRZ ." (( beth 's eyes slim more, becoming more judgmental as she leans in the direction of the REDHRDMAN 's voice, SKOWLLIINGNG )) " HOOWWWWKINDTHEYYYYRRRR . " ((cut to FROOOOVERYYYYKONFUSSDTHONOTTLOOKINGBHIND )) " HOOWGNROUSS " (( FROOOOMOUTHZZZZTHEEEEWORRDDANDSKOOWLZZZZ )) " BEAAAUUTFLPEPPL ." ((he begins to DROOOOLL and the sound of it becomes apparent)) " SOOOOVRYYYYBEATTUFFL " ((cut to REDHRDMAN looking to where the REDINDEKKZZZZCRD used to be, and is now a small KASSHEERZCHEEECCKHEEELLDBEWTTWEENBOTHOFHZHANDZ as his expression is now WARRPDANDCRAZED as though something written upon the CHECCK is so INCREDDULOUUS that all SANNITTYHATTHGONNEABBSNT . THOOUGHHHEEEEHAZGONNEEMADHELOOKZUPPPASTTHEEEECHECCKTAKKINGADOBBLTAKEANDBECOMINNGCALMM .)) " ANDWITTHTHATTTTADMISSHUNITNDRRRRMYRSGNAYSHUNAZSHOOPSTWRDDANDDELLEEEEGATTTEEEEGOODBYYE ." (( HEPROOCEEEEDDDDZZZZZTOJUMPPOFTHEEEECANNANDIZHERRRDRUNIINGATFULSPEEDDOFCAMRRA . HIIZFOOTTSTPZHURRIEEDLYECHOOOINTOTHEDISTAANCEANDHZVOICCECANBHERRRDDUNTTILITFADDEZTONOTHING )) " IMRICCHIMFKNRICCHHOLYFUKIMRIICH " (( AZHIZVOICCEFADDEZTHESHOTSLIDDEZTOTHELOWRRITEREVEALINGGMUSTACCHEEEELOOKINGOFFTOTHERITEINTHEWAKKEEOFREDHRMAN . HELOOKZFORWARRDPASTTHESHOT ))

MUSTACCHEEEE : " DUZNEOONEELSEEEEWANTBSTRIKKELDR ." ((cut to MUSTACCHEEEE P.O.V. as the throngs of UNNYUN stand looking disheartened and SADD . There is a pause for roughly four seconds, panning from left to right as the only sound is that of a KRIKKETTTT at two seconds in. The group looks to the right of shot to reveal a LARGGEEEEYELOOOOKKRIKKEETSKRATTCHINGHIZTHOORAAKKZ . He pauses, and looks around awkwardly as the sound of HERRSKRATTCHINGSTOPZ ))

CRIKKEET :((in A )) " JSTSKRATTCCHINGSRRY " (( SHEEEE looks about shyly))

MUSTACCHEEEE :((voice)) " NEBBBBDDYYYY ." ((cut to CATTPPRSOON looking down SADDND )) " NEBDDYATAAAAL " ((cut to MUSTACCHEEEELOOKKINGPASTTHESHOTWORRIEED . There is a STRIKKEEEEOFLITTEENINNGG that speaks, as the FLASSHHHH pitches against his already saddened features.))

LITTENINGG :((in Z )) " THISSISSSSSUMMBODDYYYY "

MUSTACCHEEEE :((sighing)) " WELLEYEGUESS - " ((he is immediately interrupted by a familiar voice from behind him, who not only sounds more confident than before, but REGGAAAALAZWELLLL .))

Gorn:((voice)) " WIILFOORTHEKINGWILLNVRD " (( MUSTACCHEEEEMAKEEEEZAKONFussDFACE ))((cut to close up of Tents, facing past shot)) " FORRRIFICUMMTOOODAYONSAAAANNTCCRRRRIISPNNZSASANANABAZSAZAZASAY " ((Tents squinting past the shot, then down at the subtitles, and back up))((cut to previous where MUSTACCHEEEESTANDZUNMOVVDYETSTILLINSTUPPIFEEEKAYYSHUNN )) " DOTHEYESAYIDOFE ." DOINAYYSAYNANA . " ((very direct and STERRRRN )) " DOOI ?" ((there is a pause)) " UPHR " (( MUSTACCHEEEEREAKKTZTURNINGABUUTTOOSEEEETHECANBHIINDHIMMTOTHEREARRIITTETHECAMRRAJOSTLLINGUUPAZWELL . THESHOTLURCCHZUPTOOSHOWGORNNSTANNDINGNOBLLYANDPROOUDSTERRNANDRESSOLUTEWEAARINGAKRROWNNNMADEOWTOFAPANLIDD . HIZZFACEIZKOKEEDTOTHERITEAZHESTANDZABOVTHEUUNYYUNATOOPTHECANNWHRRREDHRDMANOONCCESTOOD )) " NOW - " (( THEECAMEERAAMOVEEZINSLOOWLELEEEEE )) " WHENEYEYLLWEYLLYESITAYSATHENANADATEOFZZE - " (( RAPIIDLYANDWITTHEFKKT )) " SAKTHENANANANASOTDMIMD - " (( SOFFTRANDSHAAKINGHED )) " - THENUNUOFSA ." (( BGINZTOQQUUAKEANDTRMBLINANGRRRRHIZEYEZTURNNBLUFRMORANGGEEEEREDD )) " - THEDWAZNIMSAYNAOFZAZATOATHEGATEOF7BOPDOPAAAA . " (( BREATHEZINDEEPLYLY )) " SOGODAOFZZEANDBIPDATOAAFORWHEEEEDATETHEBANDSAKOFNANASHOPDOPAAAA ." (( HEBREATHEEEEZINOONCEEEEMOAR but is interrupted by Tents))

Tents:((voice)) "Gorn!" ((Gorn stands resolute, though HIZEYEZRECCEDEEEEINCOLOOOORRRRTOTHEIRNRMLCOLOOOOR . He pauses, blinking, and looking about)) "Gorn?!" ((he looks towards the shot blinking twice))

Gorn:((bewildered)) "What?" ((looks about, then down, then back up at the shot)) "What am I doing up here?" ((eyes look up, noticing CCROWWN )) "What's that for?"

Tents:((voice))((very calmly)) "Gorn?..." ((Gorn looks towards the shot with RITEEYYEWORRIED )) "Are you ok Gorn?"

Gorn:((calmer, but worried)) "Tents..." ((cut to Tents standing amongst the various UUNYYUUN looking up towards the shot, as Tents stands in the SEEAOFTHM )) "What am I doing up here?"

Tents: "I don't know. One minute you were saying something WEIRRD ." ((shaking head)) "Like I just did, but DIFFRNT ." ((looking down at the subtitles then back)) "You were different, like your personality changed."

Gorn:((voice)) "Really?"

Tents: "You sounded like you were a KINGGGG or something." ((he looks at the words, shaking his head again)) "

Gorn:((voice)) "King?" ((cut to close up of Gorn looking up)) "Well that would explain that." ((he looks back towards the shot)) "But what about me being up here? I would remember that."

Tents:((voice)) "I don't know. When these words look different, it's like something else changes too, or happens. Your eyes changed COLOOOOR too." ((pauses)) "What?" ((Gorn looks troubled)) "Something's WRRONG - "

Gorn:((softer, more concerned and paranoid looking about)) "Tents. What's happening?"

Tents:((voice)) "I don't know!" ((Gorn looks directly at the shot, worried))

Gorn:((scared)) " MENEITTHR " ((looks down at the subtitles, and back up more concerned. Suddenly there is a loud crash off camera that shakes the shot. Gorn reacts as he jolts, and gazes to the right past shot, and the camera BLURRZABOUUTOONEEHUNDRRDANDEIIGHTYYYYDEGGREEEEZZTOREVVEALLLLradiooBRRSTINGGDWNTHEIROONFENCCE . HEBELLOWZZ ))

radiio :(( BELLOWZZZZ )) " MASSAAAAHHHHEYELLLLSAVUUUU !!!! " (( HESTOMPZTOTHELEFTOFTHESHOTANDOFFCAMMRALEAVINGAHUGGEEEEEGAPPINGTEARRINTHEFENCCE . HESNARRLLLLZANDCRYYZZZZOFFINTOTHEDISTANCCCCEEEETOKONTINUEEEEHZRAMPAGGEEEEELSSWHRR ))

FROOOO :((voice)) " THEFFNCCEEEE ! " ((the shot zooms in quickly and rubber bands in EMPHAASSIIIIS )) " ITZOPN !" (( CUTTOOCLOOSEUUPFROOOO looking hopeful to the right of the shot)) " WHEECANGETINANDMAKEEEEOWRDMNDZ !! " ((another voice isn't as confident))

beth :((voice)) " dudeyejstdntwantttoooo ." (( FROOOOEYEZTHELLEEFTOFSHOTSADDNNDDD )) " wellgtcaugghtteeeeee . " ((cut to close up of BlueWizard dejected and shoulders slumped forward, looking to the right of the shot)) " andeyedontwantttogootojiiiaal . " (( BlueWizard 's lower lip pouts out, his sadness GROWIING )) " andgtfkdovr ." ((cut to beth close up, slumped over the same way, and looking depressed to the right of the shot)) " ijstwannaagohooommeendslp . nstf . " ((there is a STRIKKEEEEOFLITTENINGGTHAAAATTTTOKURZZZZAZSHEFINISSHEZEZ .))

LITTENINGG :((in Z )) " ATWIISSSSTTTTTTTTT !!" ((after the STRIKKEEEE concludes, the flash contrasting beth 's features, a voice BREACCHEZZTHEGLUMMMMATMOSSPHREEEE ))

Gorn:((voice))((confident and REGGLSOUNDINGONCEEEEMOAR )) " FEARRRRNOTMYFRIEENDZ " (( beth looks up to the upper right of shot, past the foreground her back blocking)) " THEDDAAYIZOWRZ " (( CUTTTOOCLOSEEEEUPOFGORNEYEZGLAZZDOVRINBLUUONCEMOAARTHECAMRRASLOWWLLYPANNINGIIN )) " THEIRRDAYSOFTHEEIRRRRGAYNIMFOOORRRRWEEBIMCTODCHD . " (( HELOOKZATTHESHOTWITHHZRITTEEYEE )) " WHEEYL ." ((cut to close up of Tents, two tentacles drawing close to either side of his face, looking up past the upper frame of the camera completely befuddled and in the shadow of Gorn atop the CANNNN . He glances down then back at the subtitles, more frustrated than before shaking his head)) " THEBWAZZDANDWHEETHENOTE " ((Tents leans back)) " THEDRTDRB . THESAKA . " ((Tents looks at the shot, presumably for help)) " WHEEYL . THATTIZTHENOTE ." ((cut to BOWLLCUTMANSTILLEANNINGAGAINNSTTHEPLKRRDKONFUUSD )) " SOTHAATWHEEMAYYENTRTHEZAZAOFVSAYCE " (( HELEAANZOVRBORRED )) " ANDDRNKOFA " (( HESNAPSTOO ))

BOWLLCUTMAN : " DRNK ? LIKEAOFASAYA ?"

Tents:((voice)) "What?!" (( THESHOOTPANZRITTETOMUSTACCHEEEESTANDINGTOTHELEFTOFFROOOOHOOBOTHSTANDLOKINGTOUPRRRITEOFSHOT ))

Gorn:((voice)) " THAATWHEEMAYBATHEEEEINTHEDAYOFV "

MUSTACCHEEEE : " BATTHEE ?"

FROOOO : " LIKKEAOFETOAA "

Tents:((voice))((frantic)) "What?!" (( THESHOTPANZRITEONCCEMOARREVVEALLINGACATPERSSONSTANDINGFACINGGLOOKINGRITESQQIINTING ))

Gorn:((voice)) " THATWHEEEEMAYEATTOFFFOOOODDDDTOBAYTHEBOFSATED ."

CATPERSSON :(( EYESUNCOMFORTABLYWIDDRANDMANNIKFACE )) " FOOOODDDDDDDDDD " (( KLTTCCHINNGHZHEAD ))

Gorn:((voice)) " YESYOUANDYOU !" (( CUTTOGORNBLUEEEEEYEDANDKRAAZZD )) " GOFORTHTOWCANDMAYBSAYORRDANDVIKTORYYBOWRSAYNAOFSA !!!! "

Tents:((cut to Tents facing the shot screaming)) "WHAT DOES THIS EVEN MEAN?!! " (( HEIZBLOWNOVRBYTHEKRAZZDMOBHOOSTORMZINTOTHEFOREEEEGROUUND ))

((cut to high shot, showing the MOBBSTORMMINNGINTOOOOTHELOWRRRRSHOTT screaming, howling, and gnashing their TEETTHHHH angrily))

((cut to Gorn standing HII amid the CHAAOOS , only to be lifted up by a LARGGMOUSEEEETHECLRREDDDANDANANGRRYBIRDDDDWITTHHACGRANDASTRAWBOOATTINGHAT . He is carried upon their SHOLLDRZZZZ his face and stoicism unchanged, as well as his EYEZ . THEUUNYUNNAREEEECHANNTINNGYEEEEAAHHHHREPEATTEDDLY ))

Gorn:(( COMMANDINGTONE )) " TENTSCOMMEHTHRANDLETUSVANQQISSHTHEBEASSTOFBAT . " ((he points past the shot, MADDENDDD , as Tents slowly rises wearily into the shot after being TRAMPPLLLLD , as Gorn is carried to the right))

((cut to the BROKKNDOWNFNCEWITHHTHEMOBFLOWIINGINTOTHEKOMMPOUNNDANDUPTHEINKLLINEANDTOTHEEMANSHUNN . The shot rises towards OONEEEENEARRBIIIIPILLRRRRLINKINGTHEWALLZTOGGTHRTOREVEALLASMALLSURVVEILLLNCEEEECAMMMRA ))

((cut to close up of a black and white screen showing the exterior wall has been breached, and overrun by UNNYYUNFRCCEZZZZ . Gorn is shown being carried upon the shoulders of some of then like a HERRRRO into the perimeter of the grounds to the right on camera. The border of the television can be shown, and the manufacturer's label ironically isn't PTEKK , but reads ACIIDA at the base of the screen's border and frame of the shot. The background meanwhile has a song playing called "Fox Boogie" by Gerhard Trede. The initial piano playing is about to kick in as the shot changes))

((cut to a close up of STRUMMINGFNGRZUPONAWOODNARMMCHAIIRTOTHEBEATOFTHESONGAZZITCHANGEZTOTHEPIAANOOCHOORUS . The shot slides up to reveal a KAAWWKAYYSHUNMANHOOIZCLNSHVNWITHBLKHR . HEBEARZASTRIKKINGRZMBLANCETOELONMUSSKKANDSEMMZVERYIMPATTIENTT . He is STRUMMINNGGGGWITTHHZLEFTTTTHANDDDD and what is shown the left side of his BODDYYYANDFACEEEE .The camera rests upon the armchair of the left side, skew upwards facing him.))

I.S.S.:((voice)) "Why did this music come on?" ((the face of MUSSK tightens angrily))((cut to close of I.S.S. 's face standing amidst a foreground of DANCCINGBODDIEEZ and looks past the shot, still holding HZGLASSSS )) "I don't get it. I thought I UNDRSTOOOODEVRYYYYTHNG . I don't understand."

GOTOMAN :((voice)) " ITZEZTOEKZPLAAANNE ." ((cut to GOTOMAN close up, smiling to the left of the shot)) " INTHSSONGTHRZZABOFD . That means a NOTTEEEE . It's what people leave for each other to tell stories, or about something. Usually the people who do the WORKKKKFORUSS leave stuff like WHNNNNEYEGOTOJAAILLLLITLKABUTTHSSSSANDIGETOOOOUUTTTT or ILLLLGETFIVVEEEEHUNNDDRDRDBUKZZZZADAYFORTHSGYDOINNGSOOMMETTHIINNGG . Blackmail, NARRKKKKZ , that kind of thing KIDD ."

I.S.S.:((voice)) " OK ."

GOTOMAN :((speaking over the song)) "Anyway, THEEEEYTHNKKKKWEDONTTTTNOTTICCEEEE . The ASSHOLLEEEEZ who leave them that kind of thing. It's DUMSTUFF like HOOMRDRDDDDHOO , WHHOOOORAPPEEEEDHOOOO , stuff that would get GOOOODPPLLLLINTROUUBBLLLL ." ((cut to close up of I.S.S. looking past the shot, as the DANCCINGGGG continues behind him)) " RUNOFTHEMILLLLBULLSHITTTT ."

AOFZ :((voice)) " DOONNNNTTTTLOOOOKKKKFOORRRRFUKKZZZZSAKKKKEDONTLOOOOK ." ((I.S.S. begins to look offended))

I.S.S.:((yelling over the MUSSIKK , the background unnoticing)) " IDONTTTT " ((he breathes out calmly)) "It doesn't explain the MUSSIKKKK or the DANCCIINNNNGGGG or whatever."

GOTOMAN :((voice)) "I'm getting to that KIDD ." ((cut to close up of MRBOB standing idle, moving BAKANDFORTTHHHH in an attempt to DANNCCCCE with the music)) "So these NOTTEEEEZ get KUTT to things like REKKOORRRRDZZ , CDZZZZ , TAPPEEEEZ , DVDZ , and wind up getting on the ELEKTTRIKKGRIDDDD for people to see." (( MRBOB angrily looks to the left of the shot)) " PPLLIKKEEEEHIMMMM ." ((the shot BLURRRRZ to reveal among the KOUPPLZZZZDANCIINGUNIIFFORMLYYASNGGLMAN . HEIZDRSDDDDINABLUANDREDSUITTFRMMMMTHE1930ZZZZANDLOOKZ40YRZZZZOLDANDABUT193POUUNDZAT5FOOT9INNCHEEZ . HEIZDANCIINGERAAKTIKKLY . ))

I.S.S.:((voice)) "Who's that?"

AOFZ :((voice)) " DONTTLOOOOK " ((cut to close up of GOTOMAN smiling, taking a deep sigh and then continuing))

GOTOMAN : " HEZZZZAPOLICCEEEEMAN . Someone told him about INGGRIIDDBRGGMANGETINNGANGRRYABUTAMANUSINGGHRFACE . Normal THINNGG out here KIDD . So he got WINDDOFTHS and wanted to find out what happened. TURNZZZZOWT he found out from it being PCI or placed on FILMMMM that was SHOWNINAMOVVIEEEETHEATTRRRRINLOSANGELEZZZZ ." ((cut to close up of the DANCCINGGGGMAN whose movements are erratic and generally out of synch with the MUSSIKKKK .)) " LONNGGGGSTORYSHORRTTTT we found him at HOMMEEEE and took him SUMWHRELSEEEEOWTSIDDEEEEOFTOWNNNN . Nobody would ever even believe him NEWAAAAYBUTWEDDDDOOOOTHATTTTALOTWITHHHHTHEPOLICCEEEETYPPEEEEZ ." ((in the background are three police officers in BLUUUUEEEEUNIFFOOOORMMZ , all DRKBLUUUUE and seem to be from LOSANGELEZZZZ from the 1990's. There is also someone who bears a distinct likeness to Frederick Kyle Ventresca who is WEARRINGATINSHIELLDDDDAFFILIATDWITHTHESAIINTLOUUISPOLICCEEEEFORRCCEEEE who is doing nothing but JUMMPINGUUPANDDOWNINPLACCEEEE . The rest of the KOUPPLLLLZ dance in UNISSOOOON normally, but the POLICCEEEEOFICCRRRRZZZZ seem to be the ones who DANCCCCEERATTIKLLLLY as though they've done something incorrectly.)) " WEEUSSEHMTOD . And since radiio isn't here, we need a DIVRSHUNNNN until he gets back and we can YL again, and blame NEBDYELSEEEE for anything we do." ((cut to close up of GOTOMAN sighing)) "Normally it works because THEGYZZZZ put it all on the CDZ and TAPPEEEEZ so we say it's SUMELLSSEE who did the A or the ZOFB ."

MRBOB :((voice)) " fknradiioousk ." (( GOTOMAN nods in agreement))

CABBLTOWN :((voice)) " IFITWAZZNTFORZULUWEMIIGGHTTHAVAFKNNRMMLEVEENIINNG " (( GOTOMAN nods SADDLLLLY ))

I.S.S.:((voice)) "So he's some kind of - " ((pauses)) " - slave?"

DIZNE :((modulated voice)) " IJSTCLEMNIGGRRRRZ "

GOTOMAN : "That's KINDOF what he is."

I.S.S.:((cut to close up, pausing)) "Why don't I find that morally and ethically reprehensible and without standards or merit?"

CABBLTOWN :((voice)) " DOONT ."

I.S.S.: " OK ."

AOFZ :((voice)) " DONTLOK "

I.S.S.:((sighing comfortably)) "WAYYAHEEAADOFUU . In fact this whole TLKIINGGGG thing is getting even EZRRRRTODEALLLLWITTH . No THOTTTT just AKSHUNNNN ." ((smiles)

Klingon #2:((voice)) " UNNGH "

I.S.S.:((hushing)) " SHH ."

GOTOMAN :((voice)) " NEWAYYYY . " ((cut to the SUITTDMANDANCINNG seemingly irrationally and uncontrollably in comparison the unison of the GUESSTZZZZ )) " WEUUSEEEEHZPOLICCEBADDGETODOWATEVRWEWAANT . HZIZJSTOONEOFMANNY ." ((cut to CABBLTOWN looking towards the left of shot, closer up)) " WENEEDDDDHMTODOTHINGZSOHEGETZBLAMMEEDANDDWEEEDONNT . EVNAFTRRRRALTHSTIMEEEEPPLTHINKITZZZZSTILLLLSUMTHINGHEDID ."

CABBLTOWN :((turning then nodding to the right of shot)) " LIKKEHM " (( THESHOTSLURRZRITTESHOWIINGAMNINABLUUESUIITDEADKAWWKAYYSHUNWITHBROWNHARANDBLUEYEZANDATINBADDGGEEEEFRMSAIINNTLOUUIZZ . HESITTZINATHROONEWHIILEEAKOUUPLIZRITTENEKKTTOHMLYKEHEIZZAAMUUSEMNTSPEKTLLOOKINGFAKKESKARRDWILLEEEETHEWOMNUSSESHRSELLLPHOOONETOTAKEASLFIIE )) " WHEEUSSEHMANDHZJJOOBTOCOVRUPPTHEAOFZ ." ((cut to I.S.S. close up, bored and almost WINNDDEEEED )) " THEAINTHSSONGSOWEDONTGETBLAMMD ." ((his head leans back looking upward almost TIRRRREEEED from the explanation)) " THEEEEELEKTRIKKKKIZINSUCCHHHHSHITTTTBCUZOFUSTHEYLLLLJSTNVREVNLOKFORUSSSS . THEYYYYLLLLGIVUPPPP ."

I.S.S.:((exasperated)) " FINE ."

AOFZ :((voice))((in A )) " DONTLLLLOKKKK ."

I.S.S.:((almost CRYIINNGGGGINWEARRINNESS )) " FIIIINEEEE ."

CABBLTOWN :((voice)) " YEAHEWAZZSUMGYHOOGOTAGYHOOLYKEZZZZKIDZINTROUUBL . " ((cut to GOTOMAN smiling innocently)) " AGYHOOLYKKEZKIDZCANUBELIIEVVETHAT . THENRVEOFPEOPPLLYKKEDOTHEEEEYYYYNOHOOWEARR ." (( SKOFFZZZZ )) " NEWAYHESAIIDWECANTGOAFTRSUMKIDNAMMEEDFREDSOWHEEETCETCC . " (( MAKKEEEEZGUNSHOOTTTTSOUNDDDDSIKKZZZZTIMMEEEEZ )) " WHEEEETHINKKKKITZZZZHZRRELLAATTIVV " (( AOFZ leans in to the shot from right))

AOFZ :(( OMINOOUSLEE ))((in A )) " DONTTLOOKPLZZZ "

I.S.S.:((voice))((frustrated)) " FINE . " ((overture)) "I don't know why you wouldn't you know, get rid of the NOTE or whatever." ((cut to close up of I.S.S. irritated at the simplicity of it all to him)) "If that's even what that is or means I mean seriously, come on. Just throw it out, or LITTEEEEITONFIRREEEE or something." ((about to TAKKEEEEASCPPPPOFHZGLASSSS )) " PAYITOOFFFF or something. You want to get rid of the PROOF right?"

Klingon #2:((voice))((interrupting his DRNKKKK )) " ung ."

I.S.S.:((nods)) " SEEEE ? He gets it."

AOFZ :((voice))((in A )) " ICNTDOIIT "

CABBLTOWN :((voice)) " MEENEIITHRRR "

GOTOMAN :(( CUTTOCLOSSEUUP )) " NOPPE " (( HEEYEZZZZTOTHERRRITTEEEOFTHEEESHOT )) " IJSTDONTNOHOOOWW2222AAaz ."

MRBOB :((voice)) " itez . jstd . hlyfk .

DIZNE :((cut to close up)) " NOJSTDE . THNB . THN - " ((eyes roll the upper right of his sockets)) " - WELLLOOKHOOZZZZBAK " ((eyes roll back to the upper left of his sockets, as the shot cans to the right of shot revealing WOOMN standing with TOOOTHRWNNBOTHTRYINGTOSTANDWITTHHR )) " LOOKZLYKESHEEEELIKKEDORSHEWOLLDVELEFT "

CABBLTOWN :((voice)) " INOHOWTOFK ." ((cut to close up of CABBLTOWNLAFFINGKLOOSEUUP and THRUSSTINGGGGWITHHZPLVS )) " ILK2WRKITWRKKITEYELK2222WRKITITWRRKIT ." ((there are rounds of laughter from the group, including CABBLTOWN laughing though Matilda Terenstry's voice, I.S.S., and Klingon #2 can't be heard)) " MATILLDAAAAGETTTTNAKKDDDDEYEWNT2222FK ."

Matilda Terenstry:((voice)) " ULLLLBDED ." ((cut to close up of THELIKKENESSOFELONMUSSKELOOKINGGDISGUUSTDTOWAARDZTHEFOOREGGROOUNDOFSHOTSTILLLLSTRUMMINGHZFNGRZAZHELOKZRITTE as CABBLTOWN tries in VAIINNNN ))

CABBLTOWN :((voice)) " COMOOOONEVNHOORFOUUNDAYSHUUNNNNIZHR ." ((cut to ELONMUSKEEEE P.O.V. showing at one end of the party a DELLEGAYSHUNFRMTHEHOORFOUNDATION , There are FIVVEOFTHM all dressed in BLUGOWNZ , two with ARMBANDZTHATTTTZHAVVEAPLUUSSINNE . ALLAREARMMDWITHSHAAMPAYYNEGLASSEZANDDETERRMINNEDSTARREZZTOWRRDZTHESHOTINASULLTRYWAIII .)) " EYEEEEELLLLFINNDDDDARUGFOOOORRRRUTOHVSITTONUUUU ."

Matilda Terenstry:((voice))((chuckling)) " LAUNDRRRRMYMUNNYYYY . " ((then sternly)) " THATTTTZALLLLUHVTODO ." ((cut to ELONMUSKEEEE disgusted, turning away from the shot SNEERINGTHENNTURNNINGTOTHEERITEOFSHOT ))

CABBLTOWN :((voice)) " SUIITTTTYRSLFFFF " ((cut to external facing interior of the ANSHUUNWINNDOWWWWAZELONMUSSKEGLARREZZOWTTHEEGLASSTOWARRDZZZZTHESHOT . The counter on the SONNGGGG reads 0:56 as this SCENNE begins. He squints leaning towards the glass looking at the shot)) " EYECNFKALNITTEEEE " ((cut to ELONNMUSKEPOVAZTHESILLHOOETZOFTHEUUNYUUNCANBEEEESEEEENNNNAPPROACCHINGQQIKKLYFROOMTHEHILBELOW )) " ALLLLNITTEEEELONNGGGG . "

((cut to previous ELONMUSSKELOOMINGKLOOSRANDANGRIEERATTHESHOT ))

((cut to previous, THEMOBADVANCCINGKLOSSRTOTHEWINNDOWWWW ))

((cut to previous ELONMUSSKEEEE glaring at the shot closer, and STERNNRRRRTHANNBEFFOR intercut with the actions in the SONGGGG ))

((cut to previous THEUUUUYUUNINVIEWWWWOFTHEIRRRRFACCEZZZZMADDENEDANDFRAANTTTIIKATTHESHOOTCLOOOSRTHANBBBEEEEFFOOR ))

((cut to previous, THEWINNDOWNOWVAKKANTTTHELIKKENEESOFMUSSKEEEEGONEAZTHESHOTHANGZFORTHECHAANGEEEEUUPIINTHESONG ))(( SONNGGGG 1:10 ))

((cut to rear of ELONNMUSKKE as he walks into the foreground. He is marching towards a door directly in front of him that seems to lead to the outside external of the MANNSHUN and away from the impending DOOOOM A voice attempts to stop him.))

Voice:((male roughly 29 years old, alto high pitched)) " MRMUSKKE ?? " (( ELOONMUSSKERAIIZEZARITEHANDDINDEFFIANNCEAZHEKONNTINUEEZTOMARCCHAWAAYFRMTHESHOT )) " MRMUSSKE ? " (( HEKONNTINUUEZZZZTOWALLKKKK )) " BUTTTHRHOORZ " ((the shot pans over to the right to reveal a very nervous looking man in a BLUUUUSUIITTTTANDREDDTIIEEEE . He is wearing glasses, heavy set, and blinks in disbelief.))

((cut to close up of the ERRATIKKLYDANCCINGMANNOTEVNWINDEDAZTHEOTHRKOPPLZTRYTODANCEEEETHESAMEEEEWAYAZTONOTTBEENOTICCEEEED . The irritating voice of a young woman, roughly 23 years old and from Milwaukee pierces the shot))

Young Woman:((voice))((groaning like a TEENAGGRRRR )) " UGGGGH ." ((her voice is altered by a THRUSSTING motion that changes the momentum of her words)) " WHAATTTTIZWITTHTHSSMUSIKKKK " ((slide to right to reveal a young brunette being pumped DRUNKKEEEENLLY from behind by a body resembling CABBLTOWN . She blows BANGZOWTHRFACCE and also has an ARMMBAND . He does little to no effect to her much to her own dismay.)) " ITZZZZLIKEEEEMUSIKKKKMYGRANDDPPAAAALISSTNZZTOO ." ((the shot slides right to reveal a young blonde brunette with streaks in her hair being on her back MISSHIOONARYONTHEGROUNNDHAVINGSEKKZUUALINTRCOOURSEWITTHMRBOBHRLGZSPREEDWIDDE . SHESEMMZPLZZDANDLAKZANARMMBAND ))

Young Woman #2 :((Tulsa accent)) " ilokgranddddpa " (( MRBOB looks SIKKKK but keeps the ERATTIKMOSSHIIONZZZZGOINNGGGG ))

Young Woman:((voice)) " SHUTTUPPLDDGEANDFKTHATTDIK ." ((cut to GOTOMANSMILINGTOTHELOWRRRRLEFTOFSHOT )) " ULLLLNVRGETANARMMBANDLYKEMEEEEIFUPRUUUUUDDEEEEHERR ."

GOTOMAN :((nodding enthusiastically)) " SHEZRITE ."

I.S.S.:((voice)) " SO ." (( GOTOMAN notices, and turns towards the right of the shot)) " I missed something." ((cut to I.S.S. close up, two HOORZHANGGINGUPONHMOONEIZBLKANDGRINDDINGHMHRDWITTHHRARCCHDBAKANDTHEOTHRIZGRINNDINGHZLEFTLGANDIZABLOOND . BOTHHVARMBANNDZANDLOOKINTENTONAKLIIMAKKZTOOCCURSOON . I.S.S. stands resolute, and completely unchanged physically and emotionally)) "What's happening? Is this part of the party?"

GOTOMAN :((voice)) " YOUGOTITBABE . JSTLETYRSLFGOANDGOWILLD ." (( I.S.S. raises a right eyebrow))

I.S.S.:((sighing)) " Listen, I never thought I'd hear myself saying this AGAIINNNN , but I'm confused." ((cut to Klingon #2 licking his BLOODDYFNGRSTILLLYINNGUPONTHEGROUUNDBIRDDZEYESHOT . THERRRRIZAHOORFOUNDATIONMEMMBRGRINDDINGUPONHIMAZHEIZBAREELYKONSEEEEOUS )) "What does this have to do with meeting people or being FAYMMOUUS ? Do these two make me RICCHHHH ?" ((Klingon #2 gnashes teeth at the HOOR who gnashes back as he continues to LIKTHEBLOOOODD )) "I mean really, TELLLLMEHOWWWW . Is there a BOOOOK I need to REEEEADD ? Are they PARRRRTOFTHEEEEDEALLLL ? I mean, I have these two here, but it's supposed to be about ME right?" ((cut to rubber band close up of I.S.S.)) " ME !" ((pans out, showing the two from the HOORFOUNDATION )) "Why do I need these... " ((looks at either of the HOORRRRZ doing THEEIRRRRTHINNGGGG )) " ...these...?"

GOTOMAN :((voice)) " HOORZ ?"

I.S.S.: "Yeah."

GOTOMAN :((voice)) " KIDINTHISSSSBIZUNEEEEDDDDTOLOOKKKKLIKEUHVWATTTTWHATTTTPPLWANTTTT . WELLPPLARESTUPIDANDSHALLOW . BUTTHEYRRRRMUNNYYYYSPENDZZZZANDYNOTMAKEEEETHMSPENDDDDITONUUUU . "

I.S.S.: ((eyebrows raised)) " ME ?"

GOTOMAN :((voice)) " YEAAAAHHHHUKID ." ((I.S.S. seems like he has had an epiphany)) " THATZWYYUNEEDTHM ."

I.S.S.:((softly)) " I see." ((panting out)) "Is there a LIMMITT ?"

GOTOMAN :((voice)) " NOPPEEEE " ((I.S.S. seems a little intimidated))

DIZNE :((cut to close up of his head in the FRZNJARRRR , as a YUNGBOOIWEARRINGONLYYACODPPIEECCEIZRUBBINGHZBUTINHZFACE . HEIZLATINOAND9YERRZOLD )) " MYBOYTHSIZTHEWAYITIZSUPPOSDTOBEEEE . WHEEEEFINDWATTULONGFOOOORRRRUSEEEEITTAZLVRGGETOEKKZPLOIITUANDINDOKTRINAATEUUSSINGFEERGUILLTTTTANDSHAMME . WEBURNNNNTHELIVVEZZZZDOWNOFTHOSSSSEHOOEVNTRYYYYTOSAYWERRRREEEEBADORWROONGG ." ((cut to GOTOMAN sighing proudly towards the right of the shot)) " DONTMKAFOOLLLLOFYRSLFORUWONNTGOFARHR . THEEEENIFUDONTMAKKKKEEEEAFOOOOLOFYRSLFULLLLBLIKKKKEEEEME . RESPKTABLLLL . FAYMMOSS ." ((cut to close up of DIZNE the YUNNGGGGBOY grinding on him relentlessly)) " WHYIMBASIKKLLLLYUNTOUCCHABLLLL . AROOCCCCK . YEVNINDEATTHHHHPPLLLLWONTTTSPEEEEKILLLLOFMESIMPLYYYYOWTOFRSPPKTTTT . ADMIRRASHUUNNNNTOOOO . MAYBBBBEEVNLOVVVVE ." ((Voice interrupts the discussion))

Voice:((voice)) " MRMAN ??" ((cut to GOTOMAN looks about from side to side)) " MRMANN ??" ((he looks down to the lowest frame, eyes exclaim))

GOTOMAN :((grumbles))((eyes darken)) " THISIZIMPORTNTRITE " ((cut to GOTOMANPOVREVVEALINGVOICESTANDINGATHZKROOTCHLEVELLOOKINGWORRIEED )) " THEERARPPLAROUNND "

Voice : " SIIREMRTELLSSAAAAIMEEEEANNNNMRMUSSKKKKE . HELEFFTTTT ! " (( GOTOMANLOOKZSURRPRIZZD )) " ANDBEFFOORTHEEEEHOORZCOULDDDREAACHHHMM !!"

GOTOMAN :((shocked)) " BUTWHEEEENEEEEDHZMUNNY ! " ((cut to previous, Voice nervous)) " WHEEEENEDDDDNUBLOOOODMUNNYYYY ! ORWELLLLYLDIF !"

Voice:((nodding frightened)) " INOSIREEEE ."

GOTOMAN :((voice)) " RRRRUCCRTIN ?"

Voice:((pointing to right of shot)) " C4YRSLF !"

((cut through a very large ROOMANSTYLLEWINDDOWITHANARCCHANDBLKWROOTIRONFRRAMME . It shows into the dark of night, and reveals a STARSHIIP with the word TELSSAAAA on the side BLASSTINGGGGAWAYYYYFRMTHEOWTSKRTZOFTHEMANSHUNN )) " HELEFTTWITTHOWTWARNNING "

GOTOMAN :((voice)) " ICNCTHAT ." ((sighs)) " HECOUULDDNTEVNBLUREEDBYYHOOR . " ((cut to close up GOTOMAN looking out through the WINNDOOOO into the NITTEEEE )) " NOWEYELLLLNVRGETTELSAZZZZATOB . " (( HEPOUNDDZATTHEGLASS )) " WUUTCLDBWRSEEEE "

Voice:((voice)) " ITZWORRSESIRE . THEUNNYUN . " (( HETURNZZTOTHELEFFTOFSHOT ))((cut to Voice, his left finger to a EARRBUD )) " THEYVVVVEBREACCHDTHEWALL !" ((the shot blurs right to reveal the FROONTDOOOOROFTHEMANSHUUNRUMBBLINGATITZHNGEZFRMTHEOWTSIDEE . THEKOUPPLLLLZSEEEEMTOBENOTREAKKTINGGBUTTKONTINUINNGGGGDANCCINGAZWELLLLAZTHEEEEERATIKKPOLICCEEEEMENN .))

DIZNE :((voice)) " UNNYUN ?" ((digital groan))((cut to close up DIZNE , WITHTHEEEE9YROLLDBOIIIIZBUTTTOTHEGLASSOFHZHEAADJAR . HEROLLZHZEYEZTOTHERITTETHENNNNLEFT )) " ICNTEVNHVOONEPARTTYWITTHOWTANIGGARKRASHIINGIIT " ((cut to facing the large double door, being BREACCHD as the KOUPPLZ surrounding it are either BRAINNLESSLYYYYKRUSSHDORSTARRRREBEFUDDLDANDDANCCEEEE . The UUNYUN pour through, as the silhouette of their leader Gorn can barely be seen, but is still being carried upon the shoulders of some in the center of the MOOOOBBSOMMEOFTHEEEEUNYYUNRUNNINTOOOOTHESHOTKRAZZDINKLUDDINGFROOOOHOORUSHEZZZZTOWARRDZTHECAMRRRRRA ))

FROOOO : " WHRRRRZTHEBATH ?? " ((he crosses over the shot from LEFTTTT to the RITTEEEE , as MUSTACCHEEEE enters the shot as well from the RITTEEEE ))

MUSTACCHEEEE : " INEDTTOBATHEEEE !"

DIZNE :((rubber band close up AZTHE9YRBOIIIIGRINNDINGHIZJARRRRDOZNTSTOP )) " GODDAMNIGGRZ "

((cut to close up of the OILLPUMMPFOUUTAYNNEFULLOFCRUDDEWITHKOUPPLZALLAROUNNDSPEECCHLESSAZFROOOOANDMUSTACCHEEEEBOTHSPLASSHEACHOOTHRRRRWITHTHEEBLAKOOIILLAFFING . ACCATTPRSNNNNDOEESSSSASWANNNNDIVVEEEEINTOOOOTHEEEEFOUUNTTAYYNEEEELAFFINNGGGG ))

CCATTPRSNNNN : " YYYYEEEEAAAAAAAAAAH !!" (( MAKKINNGGGGABIGGSPLASSHHHH .))

PUMMPPPP :((in Z )) " IHVTTTTOOOOYELLLL ." ((repeating))

DIZNE :((voice)) " GETTHOOOOSEENIGRRRRZZZZOUUTTOOOOOOOOOOOOOOFFFFTHEEEEPOOOOL !"

CABBLTOWN :((voice)) " THEYYYYRRRRGONAAAAGETTUSPINCCHHHHD "

MRBOB :((voice)) " hooltthsfgtinhrr . " (( a SINGLKATTTPRSOONTHECOLRRRRBLULEAPPZINTOTHEFOOUTAYNNEWITHACANNONBLLSPLASSH )) " gttheefkoutfknfgttzzzz . "

I.S.S.: ((cut to close up, still holding his GLASSSS as the two HOORMEMBRZZZZSTILLMAKIINGHIMMTHEIRRRRHUMNPOOLE ))((lethargically)) "Yeah."

Klingon #2:((voice)) " unng ."

Tents:((voice)) " Hey!" ((I.S.S.'s eyebrows raise, and he swivels about, the HOORRRRZLATTCHDDDDONTOHM ))((cut to Tents approaching the shot behind him THRONNGZOFUUNYUUNENGULFFFFTAEROOOOMANDPASSTHESHOTFROMLEFTTORITE )) "You're safe!"

I.S.S.:((voice)) "No Tommy, that's not my name Tommy. I'd remember that much Tommy." ((Tents looks relieved, though dejected at the same time, if such were possible, he did it)) " And if it is it's just some moniker you've attached to me." ((cut to close up of I.S.S. glaring)) "You're so ATTACHEDED ."

Tents:((voice)) "Listen, we have to get out of here."

I.S.S.:((raising eyebrows)) "Why what did you BREAKKKK . " (( the KAWKAYSHUNBLONDEEEEHOOR starts to LIKHIZCHINANDFACCEEEE . He seems annoyed by it, as though he didn't need her to remind him it was there.))

Tents:((voice)) "Nothing, listen, I can't explain it, but WHEEKEEPCHANGGINGAND - " ((cut to Tents looking at the subtitles at the base of the frame)) " CCCC ! " ((amazed)) " Look at THAT !"

I.S.S.:((voice)) "Sight jokes AND gaffs about READDING Tommy?" ((sighs, as Tents is desperate))

Tents:((voice)) "No look! LOOK !"

I.S.S.:((pauses)) "Oh." ((Tents seems more confused)) "No he'll be fine, he just had TOOMUCCH "

Klingon #2:((voice)) " unggg " ((Tents seems a little startled, and steps back slightly)) " uuuunnnnghhh "

I.S.S.:((voice)) "Besides CHANNGEIZGOODTOMYYYYLITTNUP " ((cut to I.S.S. both HOORZLIKKINGGHZFACEFROMEITTHRRRRSYDDDDE )) "Just because we're meeting PPLANDGETTINGSUKKESS doesn't mean ITZBBAD ." ((breathes deep, winces slightly)) "Just can be very KONFUSSING that's all. You're acting like all this ATNSHUN I'm getting is making me a MEAANR person or something, or more KALLOUUSSSS . It just isn't TRUUUUEEEE . Now where's WHATTZHZFACE ?"

Gorn:((voice)) " MAKKEWAYYMAKKEWAYY " ((I.S.S. 's eyebrows raise, as his facial expression is one of awe and JJEELLOUSSYYYY )) " THELDROFUNYUUNAPPROACHETH " (( KUTTTKLOOSEUPOFGORNBEINGKAARRIEDUPOONTHESHOOOLDRZOFSEVERALLUNYYUUN . TWOOAREMICCEANDDOONEIZAKATAZAROUUNDTHMTHEOTHRSAREEENOTSTILL )) " LTMYPPLGZO "

GOTOMAN :((voice)) " STRIIKE ? INTHSEKONOMYY !!" (( ACATPERSONRUNZINFRONNTOFTHESHOTHUNGRILLYPUSHINGASIIDETHOOSSECARYYINGGORNALLOFTHMTOPPLIINNGOVERAZMOAARUUNYUUNRUSSHTHESHOT . THETEEMINGMASSBLOTTZOWTTHEFORGROUUNNDTHECATPPRSUNANDbethRUSHATTTHESHOTHUNNGRILLY ))

CATPERSON : " FOOOODDDD !!"

beth : " giimmiiesht "

((cut to P.O.V. of CATPERSON lunching forward past I.S.S. , CABBLTOWN , GOTOMAN and the others directly on course at an idle Matilda Terenstry, turning to the shot only briefly to react in terror))

CATPERSON :((voice)) " FOOOODDDDDDDDDD !!"

Matilda Terenstry : " NOOOO !! " (( THESHOTIZUPONHRRRRAZSHEREEEELZZBAKWITHHRRRRLEFTHANDTODFNDHRSLF ))((cut to Matilda Terenstry's P.O.V. as CATPERSON lunches at her and the shot biting FERRICCIOUSLYUPONHRLEFTHAND )) " STAYAWAYAHHHH !!!! " ((cut to Matilda Terenstry's legs and gown, where beth hungrily chomps down upon her RITTELEGG ))

(( CUTTOOOOMATILDATERENSTRYLEGZANDGOWNWHEREbethCHOMMPZDOWNUPOONHRRITTELEGG . The shot reels up to Matilda Terenstry screaming in agony, in her right hand her GOLDNEKLLACCE and mashes the face of it in PANNIKKKK . It is a button, now BLINNKINGRED where the camera zooms in hurriedly and shakily to its PULLSE ))

((cut to skew upwards facing the ceiling of the MANNSHUN to a large STAIINDGLASSCEIILNGTHECOLOOOORRRREEDDDD jagged and uneven portions pitted against the veneer of the interior. There is a design upon it the KOLLRRRRWHIITTTTEEEE , that are the LTRZZZZHOLYWWOODDDDWITTHANOOILPUMPPUPONNNNOONEEEESYDDEANDASMLPINNEUPOONTHEOTHRRRRTOTHEUPPERRRRRITTE . THECEIILNGIZHORRIZONTLAZOPPOSDTOVERRTIKKLINDISSPLAAYYYY . THRRRRIZASOUNDOFTHEKKOOSTHATTTTSOUNDDZLYKKEASKRREECCHINNGHOWLLPASSINGFROOMLOWRRTOUPROFSHOTAZTHEEREEEEACRAASHIINGSOUNNDPRECCEEDINGTWOOOOLARRGEEEEREKKTANNGLZZZZTHATFALLFROOOOMMMMTHEEEEROOOOFFFFTHRUUTHEGLASSSS . THEYYYYDROPTOWARDZTHECAMRRRRAANDOBSKURTHESHOT ))

(( KUTTLOWWWWAZONEOFTHEEEEREKTANGLZLANDZRITTEENDFIRRSTUPONTHRRRREEEEKOUPPLZANDSEVVRLLLLUNYYUNLEAVVINGAPOOLOFTHEMMBHIINDANDRITTEZITSELLFDISPNSSINGAROWOFKOMMBOTZZFRUUMREAARANDFROONT . INTHEFORGROOUNDTHEOTHRREKTANGLLANDDZAZWELLANDTHEKOMMBOTZDEPLOYINTHEEEEINTHESAMMEEEEWAYYTHEREKTANGLZLYKEANICCETRAYYYYANDDEPLOYYYYTHESAMEEEEWAYAZILLUSTRAYYYYTDINTHEFOUURTHINSTALLMNTOFTHISPARTTICCULRFRNCHIISE . ALLOFTHMRIZZEEEEUUPFIRRINGG ))

((cut to close up of CATPERSON gnawing upon Matilda Terenstry's severed arm as she can be heard SKREAMMING , as a BOLTTTTOFLASRFFIRETHEKOLRBLU enters the shot from right and BLOWZUPHZHD revealing GOTOMAN standing behind him further in the foreground, with a LONGGOLLDNROPPE entering the shot from the ceiling with a frayed end that is a TASSL and very elaborate in design and weave. He seems CALMANDWAVVEZTOWRRDZTHELEFTOFSHOTAZTHEKAOOSGROWZZLOUDDRABOOTHM ))

GOTOMAN : " OVERHRBOYZ ." ((cut to close up of I.S.S. still being MOLLESTD by the two HOOR members, and holding a glass of SHAMMPAGGNE )) " THENITEIZYUNNGANDWERRGROWIINGOLD " ((I.S.S. wrestles himself free, tossing the GLASS as it lands off camera upon Klingon #2 as he reacts with a groan))

Klingon #2:((voice)) " ungggg " ((I.S.S. walks out of the shot to the right, the HOORZZZZ as indifferent as him, and embracing each other instead and descend into the frame of the shot SENSUALLYANDSEKSUALY as I.S.S. departs from the shot. Tents enters shot from left, stepping upon the two and Klingon #2 and his KONSSOOOORTT as well in pursuit, the sound of SQUUISSHINGFLEESH under him as he moves))

Tents: " WAIIT !" ((outstretched tentacle to the right of shot))((cut to close up of Gorn, still expressing REGGLAIIR though lying on his side upon the ground. The SHOOTINNNNG continues around him, as well as the DANCCING and the UNYUUNNNNSQABBLLLL ))

Gorn:(( EYEZSTILLLLBLUU ))(( HOWLLINGG )) " ONWARRDDASAONWARD " ((Tents's tentacle enters the shot, pulling him away towards the lower frame))

((cut to Klingon #2 still being licked by a HOOR though a tentacle of Tents's pulling him out of her grasp, as she continues to MAKKEEEEOWTWITTHTHEEEEAIRRRR ))

Klingon #2:((groaning)) " unnnngg "

Gorn:((voice)) " THATMEAAAANZZDOFAZNOOWWWWWWWWWW "

Klingon #2:((groaning)) " huuuuhhhh " ((as the HOOR licks and TONGGUEEEEZ the AIRRRR ))

((cut to GOTOMAN putting his arm around a collected and calm I.S.S., as he TUGGZZZZ at the ROPPEEEE , it beginning to carry them upward, ascending out of the shot to the top of the frame. As they ride upon the GOLLDNCORDD , Tents enters the shot from left amidst the LAZZRRRRFIRREEEE and various other KAOOOOS , reaching out to desperately grab onto them, clinging onto the very end of I.S.S. 's right leg, and as he is lifted, reveals that his tentacles also GRIPPPP to Gorn, still ENTRANCCEDANDRIGGID and a drunken Klingon #2, UPPANDAWAAY ))

((cut to high over the exterior of the MANNSHUN as the KOORD can be seen lifting into the upper frame of the shot, the silhouettes of GOTOMAN and I.S.S. can be seen, while Tents and the others cling to I.S.S., to not simply his leg but the TASSLANDTAILOFHZFRMLLLLWEARRRRAZWELLLL . The landscape can be seen as SMOKKKKEEEERIZZEEEEZ from within the MANSHUNNNN , and the KLOUDDZZZZ seem as unforgiving as before))

KLOUDDZZZZ :(( THUNNDR ))((in Z )) " ANDDONTTTTCOMEEEEBK "

((cut to I.S.S eye level with GOTOMAN as both are level and comfortably so with the ascending shot, rising through the air, the GOLDDNKORRD to the right of shot as I.S.S. looks down in analysis, while GOTOMAN smiles, pleased with himself, stares up to the left of the shot))

I.S.S.: " WHAAT was THAAT all about?" ((cut to facing downwards, as the ROOF now open of the MANNSHUN can be seen, as two fast moving KOMMISSARS from the lower right to the upper left of the shot streak past, depositing a PAYLOOADDDD into the BALLLLROOOOM below)) "I've never seen a party like that." ((a moment after, there is a large explosion, followed by the sound of it echoing loudly. The contents of the BALLLLROOOOMMMM and the MANSHUNNNN in question following the BARAGGEEEE .)) "Literally."

GOTOMAN :((voice)) " JUSTYRAVRAGGERABBL ." ((a secondary set of explosions occurs, LAZZRRRRFIRREEEE within the MANNSHUNNNN )) " IWANNTTOFAYMOUUSIWANNTMUNNYTHESAMEEEEOLDSTORRY . DISKOVVRRRRMEANDDOALLLLTHEWORRKKKK . GIVEEEEMERESSIDUALLLLZZZZORGIVMEDEAATTHHHH . SOFORMULAIIKKKK ."

I.S.S.:((voice)) " BOORINNG " ((two more KOMMISSARS streak past once more from the same vector, leaving a LARGGETRAIILOFNAYYPLMMMM across the MANNSHUNN )) " ITZLIKKEGROOWWUP . TRYSUMTHINGNU . "

KLOOUDZZZZ : (( THUUNDR ))((in A )) " LOOZRZ "

I.S.S.:((voice)) "I know right? Seriously." ((cut to close up of I.S.S. staring past the shot)) "Get over yourselves." ((their ascent continues))

GOTOMAN :((voice)) " YOULLSEEEETHATINTHIIZZBIZKID . ALOTOFMEMEANDNOHEHE . NOFUNJSTGAMEEEEZWITTHTHEZZZZEKLOWNZ ."

I.S.S.:((glaring))((coldly)) " NOTFUNY ."

GOTOMAN :((voice)) " USTIKWITHMEKID . WORRRRKONYRSPEECCCCH . SOOOONITLLLLCOMEEEENATURALLLLYY ." ((cut to wide shot of a single HOOLEEEEINTHESKYYYYWHRRRRTHEKORDEMRGGEZFRM )) " THISSPLACCEEEECANBROOUGHFORPEOPPLLIKKEU . THESPECCIALOONEZZZZ . "

I.S.S.:((sighs))((the two disappear into the HOLLEEEEWITTHHHHTENTZANDTHEEEEGANGGGGGRIPPDDDDONTOISSSSSSZZZZCOAATTTTTAILLZZZZSTILLLL ))

((cut to the interior of the YELOROOMFULOFHOOLEEEEZZZZZZZZZ as GOTOMAN carefully and casually climbs out of the HOOLE to the lower right of the shot, and helping I.S.S. to step out as well, both clearing the HOLLLLEEAZ Tents, Gorn, and Klingon #2 are violently hurled from it landing harshly upon the FLOOOORINAHEAPP . All of their FRMLLLWEAR has also disappeared. GOTOMAN and I.S.S. stand comfortably, as I.S.S.'s back is to them while GOTOMAN addressing him, placing his left hand onto I.S.S.'s right shoulder.))

GOTOMAN : " NOOWTELMESON " ((cut to close up of I.S.S. looking to the left of the shot)) " WATDIDUWANTTOBEEEEWHNUGREWUUP "

I.S.S.:((rubber band emphasis)) " RICCH " (( GOTOMAN chuckles, which makes I.S.S. FURROWWHZBROWWWW and the shot recedes slowly and almost SADDLLLLY ))

GOTOMAN :((voice)) " KIDTHATZWATWEALLLLWANT " ((I.S.S. frowns)) " AWCHEEEERRRRUUP . LISTNSONITZGIVEANDTAKEEEEINTHEZZZZWRLDZANDUUUUVEEEEGOTAAAAGIVEEEETOTAKEE . BUTUDONTHVTOGIVEEEEWHATTTTUWANTTTTANDUCANNNNTAKEEEEWHATTTTUDOOOO ."

Tents:((groggy)) "What?..." ((cut to close up of Tents in a HEAAAAP with a barely conscious, though healthier looking Klingon #2 beneath him, along with Gorn, now normal EYEZZZZ blinking, still, and regaining AWARREEEENEZZZZ ))

GOTOMAN :((voice)) " YOUUVEEEEGOTAINVSSTYRRTIMEINMESOEYECANTAKEEEEWATUWANNTANDDGIVWHAATUUUUNEEEEDD . "

Klingon #2:((regaining color, awakening while Tents blinks past the shot)) " UH ???? "

GOTOMAN :((voice)) " SEEGUIZZTHSHOOLEEEEINDUSTTRYTHINGGIZALOTTOOOOPROCCESS . ALLTHEZZZZDIMENNSHUNZHAVEEEEALOTOFRUULEZZ . ALLOFTHEEEEREALLITTIEEZHAVALOTOFREDDTAAAAPEEEE ." ((cut to I.S.S. close up looking towards the left, his expression now returned to docile.)) " YOUUNEEEEDDDDAMNHOONOOZHHOOWWWWTONAVVIGATTEITALL . HOWTOMOVEEEEHOWWTOMOTTOOR ." ((cut to GOTOMAN pulling over the lapel of his SUIIT from either side, as mentioned, his FRMLLLLWEARRRR now absent and his normal CLOOTHING has returned)) " ME ." ((his left arm and hand extends out once more past the shot)) " So what else did you want to be when you grew up? It's gotta be something important, because you're an important guy."

Klingon #2:((voice)) "I wanted to be successful." ((his eyes dart to the right warily and awkwardly))((cut to the pile of band members under Tents who is laying atop them, tentacles splayed)) "Once."

Gorn:((staring off past the shot, the color of his EYEZ returned to a milky WHITTTEWITHSINGGLBLAKKPUPPL )) "I wanted to be an accountant." ((the other two react surprised))

Tents:((looking past shot and raising a single tentacle)) " SMRT " ((he pauses, looking down at the base of the frame and the subtitle, then back up)) "Can you tell me why that keeps happening with the words I say? I ask because this happened where we came from and - "

GOTOMAN :((voice)) "Eh yeah listen, we're talkin' about the KIDHERR , alright boys? Great. Let's just calm down, alright?" ((cut to GOTOMAN staring once more past the right of shot, his arm still outstretched)) "So, what ELSSE did you want to be?"

I.S.S.:((cut to rubber band close up)) " FAYMOUUS "

GOTOMAN :((voice))((almost hoping for THATTTTANSWRRRR )) " FAYMMOOUS ? Now you're speaking my LANGGUAGGEEEE . You're all about my BREADDANDBUTRRRR . I can do that. What do you want be FAYMMOUUSSSSAT ?" ((I.S.S. 's expression deep in thought, as though it's the first time he thought that being FAYMOOUUS involved anything except simply the word))

I.S.S.:((pausing, then speaking)) "You mean I have to DOSOMETHINGGGG ?" ((he looks a little disheartened, and more so as GOTOMAN laughs))

GOTOMAN :((voice)) "Just at first!" ((he clucks in SYMPATTHYYYY )) "Oh don't worry KIDITZZZZJSTATFRSSTTTT . After I'm done PPLWILLLLTHINKKKKUMADEEEEWHATVVVVRRRRUSAYYRGOODDDDAT . They'll believe it! WEJSTWOONTSTOPPPPUNTILTHEYDOOOO ." ((I.S.S. cracks a SMILLEEEE )) "I mean it! PROMMISSEEEE ! Now listen, what do you want to be? WRRITTR ? I can say you RIITEEEETHNGZ ."

I.S.S.:((eyebrows raised)) "Ok."

GOTOMAN :((voice)) "Not feeling it huh? Ok. What about a MODL ? You just stand there, get PHOOTOGRAPPHD ." ((I.S.S. seems peaked)) "Don't even have to say anything, you don't even need a THOOOOTT ."

I.S.S.:((pauses mouth open, interrupted))

Gorn:((voice)) "We're in a band."

GOTOMAN :((voice)) " HUH ?" ((I.S.S. seems angry at the interruption as his face becoming offended at the others' voices. GOTOMAN 's tone more paltry, and I.S.S. notices.))

I.S.S.:((bluntly)) "Right." ((cut to Tents, Gorn, and Klingon #2 standing on their own, facing towards the left of the shot, though Klingon #2 shaking himself slightly, returning to his normal TONE of BRWWNN . He looks about, disheveled, and rights himself)) "That word. Yeah, we used to play music."

Gorn:((surprised, jocular)) " Used to? You're our main singer." ((cut to close up of I.S.S. gritting his teeth, lips throbbing, his band mates behind him)) "In FredVerse we're a big deal." ((there is a pause)) "Remember?" ((prying)) " You mentioned knowing about us?"

GOTOMAN :((voice)) " HMMMM . Oh FredVerse oh yeah! I know that place, I've been there once or twice, great place \- " ((cut to close up of Gorn, looking to left of shot towards GOTOMAN , abashed)) " - ever eat there?"

Gorn: "Well...what?"

GOTOMAN :((voice)) "Great! Listen." ((cut to close up GOTOMANFACCINGTOTHELEFTOFSHOT then back towards the camera)) "You just need to get exposed, discovered, that's what the PRTTY was all about being SOCCIILLHAVIINGGETIINGNOTTIICDD . And you guys playing your KEYYBOORDZ are gonna be REALLLLHUGGE ." ((cut to I.S.S. nodding in affirmation))

I.S.S.: "That sounds like OWRWORK ."

Klingon #2:((voice)) " KEYYBOORDZ ?"

Tents:((voice)) "What?! That doesn't sound like us at - "

I.S.S.:((screaming)) "TOMMY I'M MAKIN' A DEAL HERE " ((cut to close up of Tents's face, humilated)) "CAN'T YOU SEE THAT?!"

Tents: "But your words. Something's wrong."

I.S.S.:((voice)) "MY WORDS AREN'T WRONG! THEY HAVE LETTERS!" ((Tents looks down towards the base of frame)) "SEE?!" ((cut to I.S.S. close up previous)) "NOW STOP TRYING TO EMBARASS ME!"

GOTOMAN :((voice)) "I'm behind you now." ((the shot expands to incorporate GOTOMAN leaning in from the right of the shot))

I.S.S.: "See HE believes in ME . ME ! " ((cut to close up of Tents looking towards the right of shot, very worried)) "And all it takes is a little faith in ME TOMMY ! ME ! You don't believe in ME !" ((cut to previous I.S.S. pointing off camera to the right as GOTOMAN stands directly behind him now)) " HEDUZZ "

GOTOMAN :((nods)) " UVVVVEEEEGOTITKKID " ((I.S.S. lets up, turning towards his right, though GOTOMAN guides him to face him with both hands)) " THATZHOOOWITWORKZHERRE ." (( he holds his right hand off towards the ROOMMMM )) " ALLTHEEEEZAREEEEDIFRRNTREALLMZZDIFFRNTWRLDZ . " ((cut to facing I.S.S. staring towards skew right of the shot, the mystique of GOTOMAN 's words sinking as deep as a puddle)) " ALLTIIMEZZALLTHINNGZTHATTBCUMYROYSTRRRR . ALLBENDDTOYOUULYKETHESPOTTLITE . DIFFRNTPLACCEZTHATTHAVVNTMETUYET . " ((I.S.S. frowns, disappointed)) " THERREELU . THEEEEUUUUULOVANDTHEYNVRHRDOF . THEEEEONEUALWAYYZZZZWANTTDDDDTOBE . THEEEEHERRRRO ." ((I.S.S. sniffles, as GOTOMAN speaks softer and placates him)) " THEEEEGOOOODDDDGYYYY " ((I.S.S. looks like he's genuine sad)) " NOTYET ." ((cut to facing GOTOMAN , I.S.S. facing him back to shot, and backs of Tents, Gorn and Klingon #2 towards the shot, as GOTOMAN looks at him smiling, and nodding)) " ANDWITTHMYHLPTHEYWILLANDTHEFACCEOFTHSPLACCEEEEWILLCHANNGFORREVR ." (( HELOOKZABOUTANDHOLDZHZLEFTINDEKZFNGRTOHZLIPZ )) " NOWWHRZZTHATVRSSE . THEOONEEEEWITHTHEMUSSIK " (( HELOOKZUPANDDOWN )) " AHHHH " ((he reaches up with his right hand and down with his left, pulling two HOOLEEEEZZZZTOGTHR )) " THRRRR - " ((groaning)) " WEEEAAAARRRR " ((as the HOOLEZKOLLIDE the room changes to a well furnished WOODVANEEEER office. There are many labels upon the wall, and DISSCZZZZ of various size, shape, and encapsulated and adorned on the walls in frames of various types. All of them are a sheen of GOLLDDDD . GOTOMAN still stands before the four, their backs to the shot, who turn now and gaze about the room in WOONDRANDAMAZZEMNT . Even on the ceiling and floor are ROWWZ of REKKORDZ that appear to be the KOLLRRRROFSUCCESSANDREKOGNISSHUUN . While the four GAZEABOUUT , GOTOMAN stands proudly facing the shot and blocking the foreground that leads off into the distance, the ROWWZZZZ extending far into the distance of the OFFISS .))

Gorn:((amazed)) "I didn't expect this."

Klingon #2: "There are more records here than I've ever HEERD " ((cut to facing a WALLOFREKKORDZALTHECOLLRGOLLDANDFRAAMEDD , the shot scanning from left to right, all of them in NEATTORDLYROWWZZ .)) " MOREEEETHANEYEVVVVRHERRDOFTOO ." ((the shot slides to show Tents standing before the shot, tentacles on hips, glaring at the shot))

Tents: "Why does it still LOOKLYKKE that when WHEETLK . " ((he looks down at the subtitles)) " C ?" ((he shakes his head in disgust)) " WHAAT ?"

GOTOMAN :((voice)) " BOYZ . FOKKUS . " ((the shot BLURZ to the right to reveal GOTOMAN standing beside a familiar face. He resembles Frank Ventresca or Francesco Fernando Ventresca, a veteran of the Korean War, member of the illustrious broadcasting unit G , and former producer and broadcaster affiliated with Fox Broadcasting and Italian TV . He seems the same in terms of appearance at the age of his death in the year 2007, however on top of his head a BLKWIGGWITHCRLLYHAIIRINAGROOMDAFROOOO . He wears a BLUUUUESUITWITTHAREDSHRTANDBLUUTIE . For those unfamiliar with previous installments of this particular franchise, the CHRRISSTMAZZZ episode, Frank Ventresca is an older man, KAWKAYSHUN , portly about 192 lbs, and had WHIITTEHAR and smokes a TOBBAKKOOOOOOOOOPIPPE , and stands about SIKKZFOOTOONNE )) "I'd like you to meet MUSSIKHMSLF - " ((he motions towards the likeness of Frank Ventresca)) " TVZZZZFRNK "

TVZZZZFRNK : " NICCEMETTINGYEW . IVEEEEHRDALOTABUUTUUUU ."

Gorn:((voice)) "Oh do you like our work? We're pretty FAYMOOUS in FredVerse. You must have heard about it from GOTOMAN ." (( TVZZZZFRNK exchanges confused and awkward glances with GOTOMAN ))

TVZZZZFRNK : " UHALOOTAKTUALLYYR ..." ((he scans past the shot, scrutinizing, awaiting an answer, squinting))

Gorn:((voice)) "We're musicians."

Klingon #2:((voice)) "Yeah, we're in a BAND ." ((both GOTOMAN and TVZZZZFRNK both BEAMMMM , nod at each other smiling as TVZZZZFRNK looks back forward past the shot towards the group off camera))

I.S.S.:((cut to close up, skew facing to the right)) " IMSPECCL "

TVZZZZFRNK :((voice)) " YOUUUUGOTKID . " ((his brow wrinkles in silent judgment)) " TALNTKARIIZMAUVVEEEEGOTITALL " ((his expression changes, to flattered, a rarity as of late)) " BUTTUUUUNEEEEDDDDMOARRRR ." ((his features sag, and smile fades)) " UNEEDFANZ " ((his lip pouts))((cut to Gorn, right eye at the shot, back rigid)) " UNEEEEDVIGGOR " ((cut to Klingon #2, stupor)) " ANDGRAACCE " ((slide right to close up of Tents, desperate expression, looking from side to side of the shot at the subtitles at the base of the frame)) " UNEEEED - " ((his eyes look at the shot momentarily))

((cut to a BLAKKANDWHIITTESEENWHRRTHEBEATLZBEGINTOSINNGTHESONG ' HELP ' in the style of the original music video by the British music band 'The Beatles'. For the purposes of AOFV the video will be transcribed for AOFVCESAY . AZSEVRLFEETLEGZANDBODIEEZRUNNTOWARDZTHELOWRRRFRAAMEOFSHOTFURRIOUUSLYINPURRSUUTOFOFFCAMRRA )) " HELPINEEDDDDSMBDY - " (( CUUTTOPPOSINGANGLLLLEELEGZANDFEETRUNNINGCAMMRARITTE )) " HEELPNAWTJSTNEBDY - " (( CUTTOFACCINGTHEFOURRUNNINGATTHESHOTSTILLINBLAAKANDWHIITTEANDPASTTHESHOOTENTHUSIASKLLYPURSSUEDBIYUNNGWMMNANDCATTPPLTHRUUUUTHESTREEEETZZOFACCITYWITTHLRGBILLDINGZONEITTHRSYDE )) " HEELLLPPUUUUNOINEEDDDDSMOONNE - " ((the shot pans back to reveal the scene is actually playing upon a video screen behind a wooden desk that matches the VANEERRRR of the office shown previously. The music video and song continues as TVZZZZFRNK , seated to the right of shot behind the desk as the shot pans back to reveal from left to right I.S.S. , Tents, Klingon #2, and Gorn seated across from the desk towards the screen, their backs to the shot in mid height chairs)) " HEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEELLPPPPPPPPP!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! " (( TVZZZZFRNK turns towards the four from the right of the shot, swiveling towards them in a TURNNINGCHAIRR ))

TVZZZZFRNK : " SOWUUTDOUTHNK " ((cut to the four facing past the shot, the wooden desk at the base of the shot and the walls of GOLDREKKORDZ all around them)) " PRTYCLVRHUH . LOWBDGTLOTZOFGRLZ . THSLLLLRLYSELL . "

Gorn: "Where are our instruments?" ((cut to close up of Gorn)) "I thought we were supposed to be playing them in a music video?"

GOTOMAN :((voice)) " KIDLSTNTHTZNOTINDISPUUTTEEKCCPTBIU . " ((Gorn looks tot he right of the shot)) " JSTLSTNTOTHEMN "

TVZZZZFRNK :((voice)) " SONEYEVVVVEBEEEENINTHSGMEFORALONGTIME . IVVEMAYDDEFRYNNDZANDEYEHVENEEMIEEEZ " ((cut to close up TVZZZZFRNK pointing to his own face with both fingers, then lowering his hands)) " POIINTPRVN ." ((he looks to the left of shot)) " ITZNOTABUTSELLINGGTHEMUSIIKFOOOORRRRUITZTHEIMAAGE . " ((cut to the music video that's still playing with the song. The images and motions are the exact same as 'The Beatles' recording except the four are replaced by 'I.S.S. and the Quantum Realities'. )) " THISVIDDEOOOOSOLDDDDTHEBAND . EACHHHHGRLWAZPAIDDDD50FFIFTTYYYYDLRRZZZZZZ . ITLOKZZZZLIKEEEETHRZZZZAMILYYUNOFTHMBUTTHRZZZZ28OFTHM . MOVVIEEMAGIKKKK . THIISMADDEEEETHM . BEFFOOOORTHSTHEYYYYWRJSTFOURSOOTZZONSULLIVN . "

Klingon #2:((voice)) " HOO ?"

GOTOMAN :((voice)) " EKZAKTLY " ((cut to Klingon #2 close up, teeth bore and disgusted and perplexed)) " HOOIZTHAT " ((his eyes dart to the right of shot))

TVZZZZFRNK :((voice)) " SUMGYTHTZHOO . HELLLLIUSEEEEFRANKZZZZFACCEEEEJSTTODOTHINGZZZZ . IBLAMEEEEHMFORRRREVRYYTHNGGGG . HEZZZZJSTSUMGYTOMEEEE ."

GOTOMAN :((voice)) " NOBDY ." ((he looks past the shot once more))

TVZZZZFRNK :((voice)) " NOTLYKEUUUUKIDSEETHEZZZZGYZ ? LOOKATHOOWANTZEMJSTLOOK " ((he squints))

Klingon #2: "But you said they were paid to chase them."

TVZZZZFRNK :((voice)) " YEEEEABUTTHEYDIDNNNNTSAYNETHNG . WEDONTSAYNETHNGETHRRRR . BUTPPLSEEEEIT . ANDWATDOTHEEEEYSEEEE ?" ((cut to facing the television once more, video continuing a large cluster of GRLZZZZANDCATPPL chasing the shot HUNNGRILLY )) " TONZOFGRLZ . ATONOFPUSSYZ . YTHYRRRRSKREAMMINGOVREM . " ((cut to on the screen, the GRLZANDCATPPL running past the four seated on a bench reading magazines with their faces on the covers, each magazine named CUTTEEEEGUYY )) " YOUUGOTAAAAHIDDEFRMEM . THEYLLLLKILLUUUU "

Gorn:((voice))((nervous)) "And we need that?"

GOTOMAN & TVZZZZFRNK :((in unison)) " YES ." ((emphatic))((cut to Tents staring past the shot, fixed))

TVZZZZFRNK :((voice)) " THEEEEZGRLZZZZTHEEEEZPUSSYZZZZAREEEEANUNMMINNDKOMMODITTY . ANURESSOURCCETHATWHEENVRTHOTOF ." (( CUTTTOKLOSSEUPOFGOTOMANSTANNDINGLOOKINGTOTHERITEHOLDDINGASKOTCCHGLASSINHZHANDBEHIINDHIMMASMLTABBLBARWITTHBOTTLZOFREDANDBLUUTOTHERITTEOFTHERED )) " MOSSTOFTHETTIMETHEYJSTWANNTAMNANDLIVEEINTHEKITCHN . BUTNOWTHEYHVJOBBZ . " (( GOTOMANLOOKZTOWRDZTHESHOTNOTSMILLNG )) " ANDWITTHJOBBZMONNY . " (( GOTOMANTAKEZANUNEZSIP )) " ANDMONNYTHATMITTEBINABANK " (( CUTTOTVZZZZFRNKLOOKINGTOWRDZSHOTMOARDESPERRATE )) " WHRRRRITZNOTWHRRRRWHEEEENEDINTHEEKONOMEEEE . (( HEWAVVEZHZHND )) " THEYDSPNDITONLIPPSTKDRESSEZ . " (( HESKOWLZATTHESHOT )) " NOTOWRFRIEENDDZ " (( HELEENZBAK )) " NOTONMISSLEZANDOIL . NOTTPLANNEEEEZANDCARZZZZ . THNGZTHATHVTODOWITHTHEEMUSSIK . " (( HESLAMZHZPALMMMMUPONTHEDESKTOP ))((cut to close up of I.S.S unmoved by the impact of the SLAMMINGHAND )) " WITTHTHEISSUUEZ "

I.S.S.:((scornfully)) " WITTHME ."

GOTOMAN :((voice)) " UVEGOTITKD "

TVZZZZFRNK :((voice)) " THSKID . HEZANATTURL . HENNOWZZIIT . WHEEEENEEDUUUUKID . " ((pauses as I.S.S. smiles)) " THATZZZZWATTEYEDDDDBSAYIINNGGGGIFUPLAYYYYBALLLL ." (( I.S.S. doesn't seem discouraged, the impact of the words not having yet depressed upon him))

GOTOMAN :((voice)) " WHEEEENEEDIT "

TVZZZZFRNK :((voice)) " PRTOFTHSIZTOMKMONNYOFTHSNUSTRAATA . THSNUDIMENSHUN . WMMN . " (( CUTTOKLOOSEUUPOFNEARRRRTHEENDOFTHEVIDDEOTHROONGZOFGRLZANDCATPPLCHASSINGTHESHOT )) " THSSONGHELPMENNEEDAGRL . THEEEEYSEEUANDUGYZZZZGETTHEGRLLLLZANDTHEEEEYGETJJLOUUSSSS . THEEEEYYYYWANNTTTTTOGETINTOOOO . ANDTHEGRLLLLZSEEITANDGETHOTTTT . THEEEEYSEEEEUANDGETMADTHAAAATATTHOOOOSEEEEGRLLLLZ . IMBTRTHANU . IMHOTTTTRRRRTHNU . PERFFKKKKT . ANDPPLLIKKEEEEITNEWAYYBKUZMANGETGRLLLL . HESAYINEEDDDDUSHESAYINEEEEDDUTOOOOITZZZZROMNTTKKKK ." (( ONNEEEESCEEEENEEFEATTURZZZZACATTPRSNNNNCCCCLAWIINNGGGGATHRFURATTHESHOOTTTTMANNIK .)) " WHEEGETEMYUNGTOBITHINGZTHEOOLDROONEZFALLINLINETOKOMMPETTEBECUUZTHEYRREEEELYKETHAT ." ((cut to close up of I.S.S. left eyebrow raised)) " WHEEEETRYYYYTODOTHINGZZZZWHNTHEIRRRRCYKKLLLLZZZZAREEEEGOINNGGGGLIKKEEEEHVINGBADSTUFFHPN . ELKSHUNZZZZ . THEEEEMOOOONWHEENNNNNEARRRRFULLLL . DOZZZZSUMTHNGGTOTHM . WEIIRRRRDSTUFFFF . MAKKEEEEZEMIRRASHUUNLLLL . NOTLYKKEEEEMN . " ((both his eyebrows raise in interest)) " MENNOWHAATTTTTODOOOO ."

GOTOMAN :((voice)) " ITZTRUUUUE ."

TVZZZZFRNK :((voice)) " SOTHEIRRRRHORRMONNEEEEZZZZGOCRZYANDWENEEEEDDDDTOMKMUNNYYYYOFTHAAAAT . ITZASMRTBET . SCIIENCCEEEEIZSTILLLLOWTAZTOHOWTOGETEMTOJSTSHUTUPPPPANDMKASANDWICH \- " ((grumbles)) " - FORSUMREASSUN . MRKTINGHNDLZZZZTHISSSSKINNDOFTHNG ." ((cut to close up of Gorn, blinking at the shot)) " THEYLSTNTOUSSTOLOOKTOTHEFUTUUREEEEFORWATTTHEYSHOUULDBNEWAY . " ((Gorn eyes the shot predatorily, in true LIZZRDDDDFASSHIOONNNN )) " WERRRREEEEMEN . ORAKKLLLLZOFBIZ ." ((cut to I.S.S. beaming proudly)) " MENNNOWATTHEYYYYLIKEANDWOMMNNEEDAMNTOGUIDDETHM . HOWTHEYWORRKWHAATTHEYSHOOUULDSAYIZOKETC . " ((cut to Klingon #2 close up, squinting past the shot, while the music video continues)) " WMNGRLZPUSSYALLTHESAMEEEE . NONEEEEOFEMWANTTGROOOOWWUPTOBEASPNSTRORWELLACATLADYORWATEVR . THEYYYYWANTTOOOOBHPYANDMKTHEIRRFRYYNDZATTHEBRIDDGGEKLUUBJELLOSTHAATTHEYHVNUSHIITORAMNTHATCANGETTITIT ." ((cut to close up of Tents looking to lower frame, uncovered TRUTTHHHH that doth not SITTWELLLL )) " IFNETHNGTHATTTTMANHOOCNGETTITWILLLLGETTTHATTTTGRL . ORWMN . ORPUSSYYYY . JUSSSSTTTTBKUZZZZSHEEEEWANTTZZZZTHESAMEEEETHNGINHRBRAIIIIN . JUSSTTTTFORALIL . SCIEENCCEEEE . KEMMSTRYYYY . WTVR ." ((Tents seems more disturbed, trying to interpret the subtitles)) " SOWATTDOYOUUBOYZSAYUUUUINTRSTDINREPPINOWRLABBL ?"

Tents:((looking towards shot)) "What?"

I.S.S.:((voice))((sighing)) "He has a point." ((Tents looking relieved))

Tents:((relieved)) "Thank you. Look, what does this even mean? This here all the words you spoke? I don't understand! What are you talking about? I don't want to sign things without being able to - "

I.S.S.:((voice)) "Tommy please. I'm talking. The MONNY ."

Tents:((double take towards the right of shot)) " WHAATTTT !!?"

I.S.S.:((voice)) "I'M TALKING listen, so we're going to represent your LABBLTOPLAY ." ((nods)) " YEAHHHHWHEECAN ."

TVZZZZFRNK :((voice)) " HOLDITHOLDITWHATWHAT ? KIDUUUUMISSDWHAATIMSAYING . " ((pauses as I.S.S. doesn't seem to understand)) " KIDYRIN . UDONTNEEDTORIITTESONGZORGOTODINGGYBARZTOPLAY . " ((cut to Klingon #2 close up, mouth open, and eyes slits)) " HELLUDONTEVNNEEDTOPLAYIITZALLBEENDONENEWAY . WEJSTMKUPPPPTHATTTTUUUUWRTHRRRR . "

Klingon #2: "What?"

TVZZZZFRNK :((voice)) " HEDOZZNTGETITICANTBELIIEVEIT . " ((cut to TVZZZZFRNK close up)) " WEEEFAKKEIT ." (( SMILLING ))((cut to Tents close up, frozen looking past shot)) " OKLISTTNNNNTHATTTTVIDEEEEOUSAWWWW . THAAAATZJSTTHEBGINNGGGG . THEEEESONGGGGZTHEALBUMZZZZCONCRTZZZZITDOZZNTMTR . WEJSTSAYITHPNDDDD . THEEEEYWRNTTHRRRR . HOWTHEEEEFKWOLDTHEEEEYNO . ITZANAKTTTT . WHEEEEJSTSAYYOURRRRAHITANDUARRRREE . WEPUTITEVRYYYYWHRRRRINEVRYYYYTIMEEEEZONEEEE . EVRYYYYDIMENSHUNNNN ."

Tents:((softly)) "What do you mean?"

GOTOMAN :((voice)) " JSTLSTN . HENOOZZZZWATHEZZZZDOINNGGGG . OKKKK ?"

TVZZZZFRNK :((voice)) " LOOOOKWEUSEEEEANYTHINGATOA . ITZZZZTOUSEEEENEBDY . WEDOITTOSAYWHAAAATIZTHEEEETRUUTH . WEEEEDOITTOMAKKKKEUUUUFAYMOUUS . INEVRYYYYDIMENSHUUNNNN ." ((Tents seems more skeptical)) " UMUSSTTHVNOTTICCD . WHEEDONTDOTHSEVRYYYYDAYWHEEJSTDIDTHSTWICCE . " ((Tents more astonished and confused)) " THSIZTHETHIIRDDDDTIMMEYRCARRREERNEEEEDDDTOAANTHENB ."

Tents:((almost ready to scream, tentacles at sides of head, the words almost gibberish as he tries to keep up)) "What are you talking about?" ((cut to TVZZZZFRNK sitting behind the DESKLOOKINGOFFTOLEFTSHAKKINGHZHEADASTHOUGHITZZZZBEEEENNNNANDDONNEEEESOMANNYYYYTIMEEEEZITHURRTZZZZTOWATTCCCCHHHH .)) "This doesn't make any sense."

TVZZZZFRNK :(( SHAKKINGHED )) " UVVBENDOINGTHSYRHOOLLIFFESINCETHEBEGINNINGOFTHSTHING . UVVVVEBEENFAYMOUUSFFFFOOOORYRZ . THISSSSIZTHETHIRDDDDPULSEEEE . THEEEETHIRRRRDTIMEEEEUVVVVEBEEEENNNNTRANNZMITTDDDD ."

Gorn:((voice)) "How? We practically just got HEEEER ."

GOTOMAN :((voice)) " TOUUYEA . BUTTTTTHISSSSIZTHEEEETHRRRRDDDDTIMEEEEWEVVVVEDONEEEETHS . THSIZALLLLJSTAFRMLLLLTTYYYY . WEVVVVEEEEALREADDDDYYYYKONDISSHUNDDDDEVRYYYYOONEETOTHNKYRFAYMOUSSSS ."

Tents:((voice)) "What?" (( TVZZZZFRNK looks impatient))

TVZZZZFRNK : " YOUUJSTWATTCHDIT . ANOTHRUUUU ." (( CUTTOGOTOMAN . HEEEEIIZSTANDINGSWIRRLINGHZGLAASSTHECUTTTOSHOTPANNINGSLOWLLY )) " THEOONEEEETHATIZA . THEOONEHOOIZDOFEIZATAKONVENSHUNRITENOW . " ((cut to TVZZZZFRNKFROWNINGOVERTHEDESK )) " THEOONEHOOIZDIZINADRNKTANKRITENOW . GAMBLRTOORUFFSTUFF . ANYDIMENSHUNNNNHAZAUWICHHHHWEUSSSSEFORUTOBFAYMOUSSSS . THEEEEIIIIRRRRLIVVEEEEZTHEEEEIRWWRLLDZZKAPPUT . OWRZZZZIZDOMINNANNTTTTTT . WEEEEUSEYUURRRRNAMMEEEETOA . WEGETTOOOODOOOOEET . WEJSTUSEATOAA . EVRRRRYDIMENSHUNBCUMZZZZLIKEEEETHSOONEEEEBUTTHEEEESAMEEEEA . WEDIKTATTEEEEHERRRREEEETOMAKEUFAAAAYMMOUUSSSS . ITWORKZZZZBKUZEVRYTHINGIZTIEEDDDDTOGTHRRANDWEGETTHEEEEATOMAKEEEEPERMANNTT . ALLYRLIVVEEEEZALYRKAREEEERZZZZARRRREASTRAIGGHTLYNNEEEESTARRRRTTTTTOFNISSHHHH . OONEEEETIMEEEELINNEEEEANDITZWHRRRRYRFAYMOUS . WHEEEEGETAFRMWHAAAATTTTUSDDDDTOBOTHRRRRREALITTIEEEEZTOCOLASCEINNTOOOONNELYNE . ONNELITTEEEE . OONEBEAMMMM . OONEPASTTTT . ONNEEEEFUTTURRRR . ALTHEAOFACOMEEEEZZZZTOUSSSSANDWEDIKTATTEEEETHEEEEPATHOFEKISTNCCEE . " (( SHRUGS )) " SURREEEETHRRRRAREEEESUMHOLDOWTTZZZZBUTWELLLLKEEEEPPPPAINGGTOGETTHMMINLYIINNE ." (( MAKEZANUNKOMMFRTABLFACE )) " THATRMINDZMEEEENUMBRTOOZAAMEETNGIZINANHHOOORRRRANDEYENEDTOGETHMASHHRYDDE ."

Klingon #2:((cut to close up, a little bit outraged past shot)) " MYHUH "

Tents:((shot slides right)) " WEERWHAATT " ((looking down then up quickly))

Gorn:((shot blurs left quickly to Gorn, who looks really unhappy)) "Ok wait a minute, I'm here, but there's another me that will be here, that's me? And it's just like REPEATTTTING ? Like it's the same me, but I'm in the future, but there's another MEEEE in the future after this point that's the same as I'll ever be?" ((pausing)) " AMIRLYHRRITENOWW "

TVZZZZFRNK :((voice)) " YSANDNO " ((cut to TVZZZZFRNKSEATEDACROSSFRMTHESHOTSLOWWLYPANNINGIIN )) " LOKWEVVVVBEENTHRUTHSBEFFOR . AFRMALLREALITTIEZZZZCMEZZZZHEEEEREBKUZWEPLAYDUM . WERRRREEEELIKEEEEIDONTNOWHATAAAAIZ . ACOMEZZZZHERRRREANDSAYZZZZWATAIZANDWESAYCANUDOITFORMEEEE . ADOZANDWEBLAAAAMEEAANDCHANGEVERYYTHINGTOOWRWAAAAY . EVNTUALLLLYACOMEZZZZHRFRMANYWHRRRRANDWHEEEEGTTHAAAATTTTATOOOOANDDOITOVRAGAIIIIN . THNTIMEEEEIZTHEEEESAMEEEEWAYYAZWEWANNTIITTTT . "

GOTOMAN :((voice)) " BUTWHENVRTELTHM ."

TVZZZZFRNK :((a little taken aback)) " OH "

GOTOMAN :((voice)) " BUTWHEDONOWLYKEWHEEDOEVRYTYME "

TVZZZZFRNK :((blinks)) " SOTHTZWYYEYEREMEMBBR "

GOTOMAN :((voice)) " WHEEDONTAREMEMBBR " ((cut to Tents close up, petrified)) " THEYDOO "

TVZZZZFRNK :((voice)) " RIITE "

Tents:((looks down then back up past shot after the subtitles disappear with a BLIPP )) " WHATT "

GOTOMAN :((voice)) " UALWAYZCUMHRWEALWAYYZMAKEADLUALWAYYZGETTOOTHEENDANDWHEESTRTAGAIIN ." ((Tents doesn't react, but still is confused)) " UJSTBCUMTHENEKKTTTTOONEANDTHNUARTHEGYHOOIZNT . THATZHOOWQUANTUUMREALLITTIEZWOORK . " ((Tents looks amazed, and actually completely disbelieving)) " YRHOTTHNYRNOT . THATZHOWTYMMEWORRKZHRR . "

Tents:((shakes head in disbelief)) "No."

GOTOMAN :((voice)) " YES ." ((chuckle)) " YOUUSAYTHTEVRYYYYTYME ."

TVZZZZFRNK : ((cut to close up previous shot)) " KIDTHEAWHEGETIZFRMOONESOUURCCE . UNOWATTHATMEANNZ . " ((pauses)) " ITMEANZITZOONESOURCCEOFENRGGYTHATAZTHEB . ONESOURCEEEEOFENRGYYYY . SURRRREEEETHEEEEREEAREEEENEWMRKTTZZZZOWTTHRRRRANDWEEELLLLGETTHMMMMOVRTIMEEEE . THESAMEEEEWAYWEALWAYYZZZZDO . BUTTTTTHEPOTNTIALLLLIZALWAYYZZZZUCMININNHRR . ANDYULLLLALWAYYZZZZCUMBAKBCUZUDIDITOONCEANDUNEDTOPROVUDIDITTONCCEEEEBEFOREEEE . POTENTIALLLLBCUMZZZZAKTUALLLL . " ((the screen behind him starts to count down to the left of shot like a projector reel from the number four to zero)) " JSTLOOKFFFFOORYRSLF " ((the shot slides up and to the left))

((cut to facing the screen the black and white projector movie footage counts down now from 2, 1, 0 then BLIP7 . A title reads in bold letters " QUANTUM PHYSICS ON THE ELECTRIC GRID AND YOU ." along with cheerful and upbeat canned music from an enthusiastic orchestra from the year 1954. A narrator begins to speak, who is actually TVZZZZFRNK ))

TVZZZZFRNK :((voice)) " WHAATTHIZZIZZIZZTHETRUTTHUCNTAKEEEEORLEAVVIT . " ((the screen changes to a picture of the Atlantic Ocean between the continental United States and Europe, specifically England and the United Kingdom.)) " ALONGTIMEEEEAGOTHEWRLDDDDWAZTOOPLCEEEEZ " ((a brief title appears over the United States of America, that reads " US ." while a separate title appears over Europe and the United Kingdom and beyond reading " THMMM " )) " USANDTHMMMM . THEWRLLDNEUUUUPEACCE . THNTHEWRLDCHANNGD ." (( a dotted line appears over the Atlantic Ocean between Northern New Jersey or Southern New York (((for some))), and the United Kingdom, specifically the island of England separate from Ireland.)) " THEKREASSHUNOFACABBLKONNEKTINGTHEEEETOOOOPLCCEZTOGTHRRRRZ " ((the dotted line becomes solid from either end, stretching from each side across the landmasses to the center of the ocean, as the shot zooms down towards the center of the Atlantic where the two solid lines are meeting.)) " ANDWHRBEFOOOORTHERRWAZNOPRBLLMCAMEEEEANUUUUDILEMMA " ((the shot zooms to BLAAK hanging for a moment after zooming completely towards the meeting point of the two solid lines. Small STARRZ appear in the background against the darkness)) " THEEEEZZZZTOLINNEEEEZMETTOFORMMMMONE . FROOMMMMTOOOOCANBEEEEONLLLLYYYYOONEEEE . HOWWWWDOWHEEEEAATALLLWHNSUMOONESAYZWERRWROONG ? "

Gorn:((voice))((his right hand raises into the shot of the projector)) " Who?" (( AMANDRESSDDINBLUUWITTHAWHIITTEBEARRDEMRGGEZFRMTHELOWEERFRAMMEGAZZINGANGRILLYTOWRDDZTHELEFTOFSHOT ))

TVZZZZFRNK :((voice)) " HIMM . ITZHZFAULT . " ((Gorn's hand lowers out of the shot))((cut to a BLAKKBAKGROOUNDAZAREDROBBDMANWITHAREDBLUBERDDRISINGFRMTHELOWWRFRAMEEGLARINGTOTHERIITEOFSHOT )) " ANDHEIIZRITTEBUTNOOOO ." ((cut to previous the MANINDRESSDINBLUUWITHAWHITEBEARDSNEERZANGRILY )) " NOHESAYDDDDHEWAZRITE ."

Klingon #2:((voice))((raising right hand into shot)) "Is he?"

GOTOMAN & TVZZZZFRNK :((voice))((in unison)) " NO ."

Klingon #2:((voice)) "Oh." ((lowers hand))

TVZZZZFRNK :((voice)) " OFCOURSSENOTHEZFRMUUROPE " ((cut to previous man, reacting the same way towards the right of shot, as though mimicking him, reacting to him in the same way and emulating his movements and behavior)) " YWOULLDBRITE . THISMANTHOHEZOWRMAN . HEZRITTE ." ((cut to MANINBLUUEWITHAWHIIITTEBEARRD )) " BUTHESAYDHEZWRRONG ." ((he looks more upset)) " US ." ((he begins to look CRAZZD )) " MERIKKA ." ((the man begins to HOWLLLL ))

BLUUUUMAN :(( HOWLLIINGGGG )) " NAAAA "

TVZZZZFRNK :((voice)) " NDOWRMANWELL " ((cut to other MAN reacting the same, though speaking differently, towards the right of the shot)) " WHEENOHEZZZZRITE ."

REDDMANNNN :(( HOWLIINNGGGG )) " DAAAA " ((cut to previous MANN lunging at the shot, continuing to scream))

((cut to REDDMANNNN lunging towards the right, screaming just as LOUUD . For the nitpickers out there, this scene was mentioned in the first installment of this particular franchise during Tents's explanation during the Truth and Proof scene.))

((cut to close up, as the two converge from either side, about to KLASSH running at one another. The BLUUUUMANTOTHERITEWILLEREDDMANNNNIZTOTHELEFTT . The shot stops near center as BLUUUUMAN takes a SINGLLLLSLPPATREDDMANNNN and the two FITE briefly, then run past each other in the opposite direction. The shot hands as BLUUUUMAN emerges from the left of shot and REDDMANNNN from the right, with the same encounter repeating aside from their sides being opposite.))

BLUUUUMAN : " NOOOOFF! " (( HOWLLING ))

REDDMANNNN : " VUUUU!!!!!!!!! " ((just as loud))((there is a brief struggle once more, before the two run towards the opposing directions from whence they came))

I.S.S.:((voice)) "What am I seeing here?" ((cut to I.S.S. close up, the view within the room DRKNDSLIITELY for the projector's image and EFFKT )) "What's HAPPNING ?"

TVZZZZFRNK :((voice)) " JSTLIKKEEUUROPETOSAYWERREEEEWRONGGTHATWHEEEEKEPPPPTAKINGAANDWERPRTENDINGTOBTHMALOTTAHOOEYYYY . WECUMUPWITTHHHHSTUFTOOUNOOOO . THEYKEPSAYINGGGGWEDNTT ." ((cut to close up Tents, still bewildered)) " THEEEEYYYYGOTALOTAAAAOFNRVV ." (( SIGGHZZZZ )) " NEWAYY . ITWAZTLKDABUTINYRFRSTMOVIIIIEWRUUUUGYZHITTITBG ." ((Tents reels back and shakes his head in absolute dismay)) " UPROBABLLLLYDONTREMBBRRRRBKUZITWAZSOLONGGGGAGO . UKIDZZZZWRREALLLLYSUMTHINGGGG . NOWURRRRBUTUAAAARNNTTTT . BUTUUUUARRRRE . NEWAYYYY ." ((Tents erupts))

Tents:((explodes))((rubber band close up)) " WAIT A MINUTE! HOW?! HOW IS THAT POSSIBLE!?? "

GOTOMAN :((voice)) " THERRITETHR !" ((Tents pauses, FRANTIK )) " WELDONTUSEEEEIT ? "

I.S.S.:((blurs to the right of shot)) "Yeah he can SELIIT . I'm like Tommy, you're DRAMMMMA ."

GOTOMAN :((voice)) " NONONORITETHR !" ((cut to the screen showing THETWOOMENFITTEINGGTHENEKZCHANGGINGPLCEEZTHENFITTEEIINNGAGAIINSAYIINGDIFFRENTWORDZZZZTHANTHEFRST . All these REAKKTTSHUNNNNZZZZAFTRRRRREAKKTTSHUNNNNZZZZ on either continent while this ARGUMNTTTTKONTINUEEEEZWITTHOWTRESOLUUSHUNNNN . )) " SEE ?"

Tents:((voice)) " NO ! " ((cut to I.S.S. eyebrows raised)) " NO I DON'T SEE!" ((I.S.S. sighs impatiently, shaking his head at Tents's outburst))

TVZZZZFRNK :((voice)) " THOSSETOOALWAYYZDOTHESAMETHNGBAKANDFORTH . PONGFORETRNNITTY . THEYNEVVRSTOPANDKANTSTOOP . WHEEEENEDTHMMMTOKEPPPGOIINNGG . WHNWEDOSUMTHNGDIFFRNTITSTOPZANDWEGETCAUUT . " ((I.S.S.'s features become more twisted and fearful as the shutter from the projector's reel)) " IFWEEGETCAUUTNOMONEYNOJOBNOLYFENODREEMNOHOPPPE . " ((cut to screen, showing the continuous exchange back and forth.)) " THISIZTHEWAYITIZ . BAKANDFORTTH ." ((the shot begins to pull back from the darkness and the near center of the line across the Atlantic Ocean representing the TransAtlantic Cable, show the continent of North America and the western tip of Europe)) " THISIZTHEWAYYITZZZBENFORRGNRASHUUNZZ ." ((the shot continues to pull back to reveal orbit above North America, and the silhouette of the International Space Station, looking down over the earth as the sunlight from the right of the shot shines over the right side of its hull)) " THNEVRYYTHNGCHNGD "

GOTOMAN : ((voice)) " ITWAZLYKEAMOVVIE "

TVZZZZFRNK :((voice)) " THEBSTKINDDDD " ((towards the surface of the earth below, the International Space Station begins to transmit pulses of waves, the color REDDDD directly towards the surface of the water and the land below)) " ITWAZINNOVMBROFTOOTHOUUSANDTHIRTTEN " ((cut to the surface of the water of the Atlantic Ocean)) " THINSTAANTWHRMTRWAZTOLDTOBEETHESAMEZAYOFE " ((the waves begin to penetrate the surface of the water, and alter the minute they penetrate the surface of the waves. The instant the REDDDD waves strike the surface, they become the color REDDDDEEEEZZZZZZZZZZEE underneath the water. Sporadically, there are also WHITTTTEWAVVEEEEZ intermixed with the other waves coming from the top of the frame downwards to the surface of the ocean))

Tents:((voice)) "I remember this" ((cut to close up of Tents, staring past the shot, the reflection of the screen in his eyes as the projector flutter occurs around him)) "Why do I remember this?"

GOTOMAN :((voice)) " ITWAZINYRMONOLOGGUUEREMMBR " ((Tents's expression doesn't change, but he blinks twice, drooping down slightly in focus)) " DONTUREMBRTHATZUSAYDNEAAAARTHEEVRYBEGINNIINNNGG " ((cut to close up of the screen showing the PULSSINGWAVEZ from the above frame continuing to make contact with the top of the Atlantic Ocean and creating an effect shown in the first installment. There are 'separations' that occur coming from beneath the waves, as though the waves bounced back from beneath the water, from the ground beneath the water and back up at the shot. The WAVVEEEEZ generated from beneath the water and back up past the frame are the color RRRREDDANDGREEEEN and seem to be creating 'sections' above the waves that are in the form of the pulses of the waves.)) " ITWAZAGRTMVIE . "

TVZZZZFRNK :((voice)) " YAILVTHSPRT . SOTHEWAVEZFRMTHEQUANTUMEKZZPRMNTFRMNASABAZATHEDATEARTH . THSMADEEVERYTHNGABCUZTHEEKZPRMNTHADATOB ." ((the shot begins to zoom in quickly to a very small scale of the waves, showing large streaks of electricity pouring down from the top of the frame, roughly 12 volts being carried on the WAVVEEEEZ from the International Space Station's pulse downward. They are the CLRREDANDBLUUUU . The shot moves even closer to reveal it is REDDMANNNN moving back and forth YELINGAZOFAOFE , while BLUUUUMAN pursues him and YELAZATALLTHEMATTR . The charges of electricity are making all the points of MATTTTR react, where before there were small emissions, small WAVVEEEEZ the colors RED or YELO and now are erratic, and are displacing WAVVEEEEZZOFTHEEEEECCCCOOLORRRRZZREDDDZZZZZZZZZZZZANDYELLLLOOOOOOOOOOOO and are continuing to DOSOSTRANGGEEEELLYYYY . The pulses of electricity are also creating ERATTIKBONDDZZZZ between the points of MATRRRR . This MATTRRRR is also not only CARBBOONNNN but also SILICCAAAAAAAAAA , as well as OTHRRRRMINRRAALLLLZZ .))

I.S.S.:((voice))((impatiently)) " AND ?"

TVZZZZFRNK :((voice)) " WELTHSMADEEEEEVRYTHINGINFLUENCCDBYAOFEFRMNASA . FRMMERIKKKKA . FRMUS ." ((the shot climbs back to orbit, where the International Space Station continues to broadcast to the surface below. There are waves being emanated back from the surface of the earth that are visible now, back at the International Space Station itself.)) " THATTTTMEANNNNZWEWOONKID . MERIKKAAAA . WEGETAANDUROOPPPPELOSEEEEZZ . THEGOVRRRRNNTTTTDOZNTEVNGETUUSINOWRWAYYYY . PLUSSSSWECANACTLIKKEEEEEMIFWHEEEENEDDDDTTTTO . ORGVEMSUMGRLZZZZ . ORSUMPUSSYYYY ." ((sighs, as the WAVVEEEEZ become more intense between transmission and receiving, creating a small reaction in between each one, the COLOOOORREDDDD and also creating a small FIELLLLDTHATTTTIZTHEEEEKOLRRRRREDANDREREDANDREDDANDDBLLUUEEEEEEEANDYELOANDGREEEEN . Basically, so many sporadic colors and spectrums between the waves meeting from the surface and being transmitted by the International Space Station)) " WORSSEEEECUMZZZZTOWORRSSSSEEEEIFWHEEEEGETSUMKOWBOYWHEEEECANALWAYYZZZZBRAKKEEEESUMFNGRZZZZANDSAYTHEYHUNGGGGTHMSLVZZZZ ."

GOTOMAN :((voice)) " ORJUSSTTTTSAYTHENAMEVENTRI . THATLLLLSHOWWEMMMMTOSHUTTUUPPPP ." ((chuckles))

Gorn:((voice)) "What's that?" ((the WAVVEEEEZ reacting violently))

GOTOMAN :((voice)) " NOTHING . SCIIENCEEEESTUF . EGGHDDDZ ." ((cut to close up of Gorn, very confused right eye fixated at the shot)) " OONELYNEOFDIALLOGGETHATSORTTOFTHNG ." ((he squints in a vain attempt to understand)) " IFWHEMADEEEEAHOOLMOOVIEOWTOFITWEDDBEEBROKKE ."

Gorn:((muttering)) "Oh, I meant VENTRI ..."

GOTOMAN :((voice)) " HUH ?"

Gorn:((muttering))((eyes darting)) "Nothing." ((seems uncomfortable, crosses his arms, and sits back judgmentally)) "But it does seem like it would require a lot of dialogue for one scene, doesn't it?" ((cut to the screen showing the wave differentials going back and forth between orbit from the International Space Station and the earth and below the ocean, the various erratic COLORRZZZZ creating an effect that seems unstable)) "Maybe you could replace this with a LOVESCEENE ."

Klingon #2:((voice)) "What? What for?" ((the shot zooms into the wave differentials showing ORBZFITTINGWITTHTHEMANINBLUUUUHOOOOIZSKREAMMINGATTHM . SUDDENLYTHEREEEEAREEEEFEARRRRVRSEGOBLINZSHOOTINGATTHEMANINBLUUUUHOOIZENRAGGDPOINNTINGTOTHELEFTOFSHOT ))

Gorn:((voice)) "Well he was talking about making a movie about this, but it would be too expensive. So I think instead it should just be a love scene. Or a romance."

Klingon #2:((voice)) "No, shooting. I like the SHOOTING ." (( REDDMANNNNSTOPPLAFFINGANDLOKZSKARD . HETURNZANDRUNZTOTHELEFTOWTOFSHOTCHASEDBIBLUUUUMANOFFKAMRA )) " More SHOOTING . That's what sells these DAYZ ." (( FEARVVRSESHIPZBLAZZEEEEQQIKLYINPURSUIITFRMTHERITEOFSHOTKONTINNUINGTOSHOOTATTHMBOTH )) "Kids love it too." (( THEORBZSTREAKFRMRITTETOLEFTOFSHOTINUPANDDOWNVSHAPEZALTRNAATINGALTHEKOLRGREENNNN . THEORBZZZZMAKEEEETHESHAPPPPEEEEOFANOSCILLASHUUNNNNTHATIZBOFZREPEAATTINGGGG . ITZZZZALMOSTLIKKEEEETHEEEEYYYYAREESAYIINGGGGTHATIZWHATTTTYRDOINNGRROONNGGGG .)) "And EKZPLOSHUNNZZZZ . Kids like those."

Gorn:((voice)) "Well what's not to like about a YUNNGKPPLANDMARRIAAGGE " ((cut to close up of the Eastern Seaboard of the United States of America from Northern New Jersey (((though some consider it Southern New York))), the view bird's eye, overlooking the entire continent and country with it. The camera hangs over the point where the TransAtlantic Cable meets the continent from across the Atlantic Ocean. REDDMANNNNSTREAKZACROSSTHEMAPTOPHILLADELPHIIATHENTOWRDZFLOORIDDATHENBLINEZACROSSTHEMAPTOTHEWESTCOASSTTOWARRDZCALIFFOOORNEEALEAVINGABLULYYNE )) "It's the original STORY . None of this we're heroes or supermen FLUFFFF . IVANHOEEEE . Now there's a MOVVIEEEE ."

Klingon #2:((voice)) " IVANHOO ?"

Gorn:((sighs)) "It's a LOVESTOOOORYY . They're their own HROOEZ ." (( BLUUUUMANIZINPURSSUITLEAVINGASTREAAKOFYELOINTHEPATHLEFTBIREDDMANNNNWILEEEEFEARVRSEEEESHIPZANDORBZZZZPURSUETHMBOTH . The COLLOOOORCHANNGGGGE in the PATTHHHH made appears to be a catalytic, electrical, and electromagnetic reaction that also incorporates the oxygenation of minerals and metals))

Klingon #2:((voice)) "Oh come on, the shooting, LOOKKKK !" ((cut to close up on the SKREEEEN of one of the FEARVRSEGOBLINZINASMALLLLSHIPHOWLINGINANGRSHOOTINGPASTTHESHOTAGAIINSTABLKSTARRRRYYBAKDROPFIRRINGBLUANDGREENRREDLASRZALONGWITHALARGEARMADAOFTHESAMEEEESAMEEEETYPEOFSHIPPZ )) "See it's working! I'm PAYINGATNSHUN ." (( FEARVRSEGOBLINZZZZSEEMMMMTOBEVRYANGRY , and their LAZZRRRRFIREEEE seems to be in response to the reaction created by the TOOOOMENNNN and their RAMPAGGEEEEAKROSMERIKKAAAA )) "Violence works. I'm LERRNINGGGG . ((the shot slides to the left, showing BLUUUUMAN furious and pursuing REDDMANNNN , who is RUNINGOFCAMRRA while the LASRFIREEEE continues around him. He pursues and cannot be HIT because he doesn't YY7 , and he chases REDDMANNNN with his ARMZWAIIVVVINGABVHZHD .)) "And I ask questions too, like why isn't the first guy getting HURTTTT ?"

GOTOMAN :((voice)) " HEDOZNTVORA . HEJSTUSEEEEZZZZTHEATHATTTTZHZ ."

TVZZZZFRNK :((voice)) " OWRZZZZ . MERIKKAAAAZ ."

Klingon #2:((voice)) "See? I ask THINGGZZZZ . This is HLPINNGGGG . You just don't understand that. You don't know."

Gorn:((voice)) "Yes I do." ((cut to close up of Tents, looking past the shot, the reflection of the screen in his eyes as the KLATTRRRROFTHEPROJJKTRRRR continues in the background)) "You just don't know what LOVEIZ . What LOVVEEEECANDOOOO ." ((he raises a single right tentacle to his lips, while two are still pressed to either side of his face and two more piling at the top of his head in frustation))

Klingon #2:((voice)) "I know what LOVEIZNNT ." ((Tents blinks, his eyes scanning past the shot to keep up)) "Fun to watch."

Gorn:((voice)) " FINE ." ((cut to close up of TVZZZZFRNK looking past the shot awkwardly. He blinks, and looks to the left of the shot)) "But I know what LOVEIZ and that's what PPLWANT . " ((cut to close up of GOTOMAN standing holding the GLASSSHRUGGNGG towards TVZZZZFRNKATALOSSFOORWRDZ )) " TRUSSTME "

Klingon #2:((voice))((tart)) "No."

Gorn:((voice)) "Yes! LOOK ." ((cut to Tents close up, his eyes looking to right of shot towards GOTOMAN warily off camera, then back forward past the right of the shot towards the projector screen)) "Just think about who watches movies with LOVVEEEE ."

Klingon #2:((voice)) "Not me. It's just not entertaining." ((cut to the SKREENNNN showing the continental United States bird's eye biew, as REDDMANNNN begins to STREAKKTOCALIFFOOORNEEALEAVVINGABLBLUUULYNNEANDSEEMZTOBEDIREKKTLLYONKOUORORSETOTHEWESTRNKOOASTTLINNE .)) "I just look at it and find it unbelievable."

Gorn:((voice))((incredulous)) "You're serious?" (( BLUUUUMANAPPEARZINTHESHOTAZAGLIMROFREDANDBLUUUUEEEESTREAKKZTOTHEPOINTTWHEREEREDDMANNNNHAZSTOPPDDBOUNCCINGBTWNNSAKRAMNTTOANDLOSSANGGLESSSKALLEIIIFROOONEAANORRTHANDSOUTHREPPEEEATING .)) "And a muscle bound action star sprinting miles without SWEEATNG never being harmed by EKZPLOSHUNZ is believable in the SLITTESTBIT ?" (( FEARVRRSESHIPZNOWENTERTHESHOTBARRELINGTOWRRDZTHESTATTELEAVINGABRITTEPATHOFYELOANDREDDDDBHINDAZTHEORBZAREERITEEBHINDTHMLEAVINGAWAKKEOFGREEEENANDYELO ))

Klingon #2:((voice)) "I never said ITWAZBLEEVABLL ." (( ALARGESURGEOFBLUNOWENTRZTHESHOTCROSSINGTHEENTIRRKONTINNENTTBETWEENAPRIL14TTHHAND16TTTH2014AADDEINASNGLEEEEWAVVEONITZWAYTOKALLIFORNEEAA ))

Gorn:((voice)) " URUNBLEEVABL " (( ASNGLBOFZSPARKZINLOSSANGLLESSCALLEFFFORNEAONAPRILL16TTTTHTHRUUTHEE18TTTHHHHHHHH2014AAAADDTHATLOKZAREDDBULLETBEINNGFIRREDATTHESHOTT ))

Tents:((voice)) "Wait! What's is that?!"

TVZZZZFRNK :((voice)) " OHTHATZTHEARCC ."

Tents:((voice)) " WHATT ?" ((cut to a single satellite in high orbit in the darkness of outer space, the glow of the earth at the base of the frame, as the stars in the galaxy beyond can be seen in the higher frame of the shot. The satellite has two solar panels on either side of its fuselage, and is a communication satellite. It is struck suddenly from the lower frame by ASNGLREDBOLTOFZAYAZITBLAPZTOTHELEFTOFTHESHOTAZITGLOWZREDDDDTHEEFFEKSTREAKINGTOTHERITEOFSHOOOTT . THEBOLTIZBEINGGCHASSDBIIIIABLUUUUSTREAKKANDTHNBIAYELOANDGRENNLYNEANDABLUGRENNNNYELOLYNE . AFTRRRRALLTHOSEHVBLAPDTHRUTHESATELLIITTEEALONGOMINNOUSBLUUUUWAVEPURSUUEZTHMALLLEAVVINGTHESATTELITEGLOWINGYELO .))

GOTOMAN :((voice)) " ITZTHEPRTINASTORYWHRTHEEVNTOCRZ . WHRTHEMAGIKHPNZ . " ((cut to a sliding shot, where long lines of satellites set in high orbit in a chain over the earth are hanging listlessly, when the streaks of colored beams and currents suddenly BLAPTHRUUUUEACCHOONEAZALLFOURRRROFTHELINNNNEEEEZKRRASHTHRUALLOFTHESATTELITTEZFROMMRITEETOTHELEFTOFTHESHOTT ))

Gorn:((voice)) "See? He gets it. That's what I mean. That's what makes a STORYY , not some GUNZZANDABIGBOOM ." ((all of the satellites start GLOWWIINNNNGANDPULSINGGGGTOWRRRRDZZZZTHEEEEEARTHWITTHGREEEENANDBLUUUUEEWAVEEEEZMIKZZZZDWITTHHHHWHIITTTTEEEEANDYELOOOOWAVVEEEEZTHAAAATACACOVRANDDOVRRRRTOAAE ))

Klingon #2:((voice)) "There's usually more than one."

TVZZZZFRNK :((voice)) " ITHNKHEMEANZWHAATTHOSELYNEZARE ."

GOTOMAN :((voice)) " DIAALOG " (( THEBLUEEEEWAVEPURSUEZFROOMRITTETOLEFTOFSHOTINPURSUITIITOFTHELYNENEZZLEAVIINGEACHSATELLITEGLOWIINGYELOANDTRANZZMITTINGWAAVEZTOWRDZTHEBASEOFSHOTANDTHEEARRTHTHEKOLRBLUYELO .)) " EGGHDSTUF ." (( THEWAVEKEEPZPURSUINGGG )) " THEEFKTZAREEEETOOMUCH . OONELINETHATLDOIT ."

Tents:((voice)) " WHAAT ?!? "

Gorn:((voice)) " SEE ?"

Klingon #2:((voice)) " NO !"

I.S.S.:((cut to close up, rubber band, his expression annoyed)) " SEE WHAT?"

Gorn:((voice)) "The whole point!"

I.S.S.: " WHAT ."

Tents:((voice))((terrified)) " THAT !" ((cut to the screen showing the entire earth being ENCIRRKLDBIBLUANDREDLYNEZANDRANDOMWAVVEZBEINNGEMITTDFRMSATTELITTEZATTHEEARTHBELOOO .)) " WHAT IS THAT ??! " ((the various interactions of the WAVVEEEEZ being emitted and the responses from the earth below, also WAVVEEEEZ carrying the same ELEKTRIKKLLLLCHRGGGG twist and writhe as the planet continues motion at over 30,000 kmph , the electromagnetic charge looking like TENDRILLLLZ , spanning in every direction, influencing MATTRRRR that the earth will pass through again following another REVVOLUSHUNNNN around the SUNNNN .))

Klingon #2:((voice)) "That's your point?!"

TVZZZZFRNK :((voice)) " NOTHATZTHEREASONWHECANA " ((cut to close up of Klingon #2 looking towards Gorn angrily off camera, then past the shot to the right confused)) " CTHATZWHATLETTHEENTIREPLNETBCUMLYKETHEAOFB . WHRWHECANGETAFRMALMATTRANDDONETHNGWEEVRWANTD . WECANAWHEECANATHEBWHECANEVNBOF7ANDNVRGTCAUUT . WHEECANEVND . ALLLLTHOOOOSSSSEEEEDIMENSHUNZZZZANDTHEEEEIRRRRAOFZORTHEEEEIRAWILLLLSUBMIITTTTEVNTUALLLLY . WERRRREEEEJSTAFRNCHISEEEEHRRRR ."

Klingon #2: "So where does LOVE come in again?"

TVZZZZFRNK :((voice)) " WECANDOTHATTTTTOO ."

Tents:((voice)) " WHAATT !!?" ((cut to Tents close up as Klingon #2 leans in from left of shot in the direction of Gorn))

Klingon #2: " LOVE "

Tents:((past shot))((yelling)) " NO !"

Gorn:((voice))((leaning into shot to the camera left of Tents, above Klingon #2 , while Klingon #2 looks up at him)) "Excuse me?"

Tents:((frustrated)) "I didn't mean to yell. It's just - " ((shot expands to reveal Klingon #2 leaning into shot towards Tents while Gorn looms over him from his seat opposing))

Gorn:((scorn)) "No him." ((glaring down at Klingon #2 , now turning to look directly up at Gorn, the back of his head hovering over Tents's lap))

Klingon #2: "Oh there's something wrong with me talking about LOVE ? " ((cut to SKREEEEN as the eastern seaboard of the United States is shown, looking over a region called Philadelphia as a small satellite with Air Force markings of the United States, a single star with two small blue rectangles protruding from either side horizontally, hangs over the earth in high orbit. The REDDBOLTTTTBLAPZINTOOOOTHEFUSELLAGGEANDBGINNZZZZTOAFFEKTTHESATELLITTEAZITBEAMZZZZDWWNTOWRDZZPHILAADLPHIIA .)) "Because I prefer AKTSHUNOVRROOMANCE . See that's the problem with you. You think I don't understand the concepts that you firmly believe are elevated and extensions of human emotions. You're sincerely a believer that LOVEIZNTKRNLANDBASEEEEDSOLEEEELY upon the notions of what someone finds aesthetically pleasing. As though HRMONNEEEEZ weren't a factor either, or this DRIVVVVEEEETOPROKREATTTTEEEE . It's artificial." (( THESATELLITEBEGINZTOBEAFFEKTDBIBLUUUUMANINTRSEKTINGWITHTHESATELLITTEAZWELLFOLLOOWDDBYFEARVRSEZZZZSHIPPZANDTHEORBZ . THEWAVEZTRANZMITTDBCUMDIFFRNTCOLLRZANDFREQQENCCIEZZERRATIKKANDALTRNATTING . ATTHESAMEEEETIMEEEEANEVNTTTTBGINZZZZTOOKRRRROFTHEEEEKOASTTTTOFSOUTHRRRRNNNNNEWWJRSEEEEYANDPHILLADLPHHHHIIAWHRRRRTHEEEEVESSEEEELLLLELDRIDGEKONDUKTTDDDDITZZZZEKZZZZPRIMNT . THIIIISSSSALSOAZLINEEEEZTRAVVLLLLUPFRMPHILADLPHIIIIAAAANORTHTOWRDDZZZZASMALLLLPLACCCCEWHRRRRTHEEEEAUTHOOOORREZZIDDEEEEZ .)) " Or the audience's needs based upon such. It's shallow. It's vain, and it's really dishonest." ((cut to Tents's eyes close up, staring at the SKREEEEN , the reflection of its picture showing the interaction of the BLUUUUWAVVEWITHTHESATELLITE making it GLOWYELLO as the BEAMMZZZZITTRANZMITTZZZZBCUMDIFRNTCOLOOOORZZZZDOWNNTHESURFACCEEEEOFTHEEARTH . His eyes are tense, and his face seems to reel back in reaction to what he sees)) "You think that two people will actually find each other so intoxicating that they're not only worth enduring each other, but that it's worth watching."

Gorn:((voice)) " ITIS "

Klingon #2:((voice)) "No it isn't!"

Tents:((softly)) "I don't understand." ((cut to GOTOMAN looking towards the left, sighing and drinking once, looking down afterwards.)) "Why is this happening?"

Gorn:((voice)) "Tents not you too."

Klingon #2:((voice)) "Thank you Tommy." ((cut to TVZZZZFRNK grimacing over the desk towards the shot and the four off camera reacting as well, KNOWINGGGGWATTHIISMEANZZZZ ))

Gorn:((voice))((sighs)) "Just don't give him ground on this subject. He'll never LETUUP ."

Klingon #2:((voice)) " UWONT ."

Gorn:((voice)) " SHUTTUP ."

TVZZZZFRNK : " KIDLOKIMGONAAAABBLUNT ." ((the shot slowly begins to pan in)) " WEDONTLYKETHEGOVNT . WHEEDONTLYKEWATTHEDO . THEYCAUSEEEEUSPROBLMZANDWEDONTLIKEHAVINGPROBLMZ ."

Tents:((voice)) "But that wave. That wasn't from the GVT ." (( TVZZZZFRNK shakes his head)) "Right? Was it?"

TVZZZZFRNK :((smiles slowly)) " WELLLLYEA ." ((looking PARANNOIDD )) " WHYYYYWOLDNTTHEEEEYDOSUMTHNGGGGLYKKEEEETHATRITTEEEE ." ((points at the face he WEARRRRZ that resembles the author's uncle Franceso Fernando Ventresca also known as Frank Ventresca, with both hands, index fingers)) " SEETHSGY . WEBLAAMMMMEHM . HEWASSARMYYYYANDITWRKKZZZZTODOOTHAAAATALTHEEEETIMEEEE . WHNUSEEEETHSFACEWHEEDONTCAREHOOUUUUAREEEE ." ((cut to Tents close up staring past shot, a little intimidated)) " THISSIZFREDZBRAIIN . OK ." ((Tents blinks)) " THISIZWHYYICAREBCUZHEGOTBRPDTOBIEVRYTHINGWEEDOANDDDIDDOONETIME . THISIZHZNAMEONMYNAMEANDICANUSSEEEEHZNAME ." (( CUTTTOTHESKREEEENSHOWINGTHESATELLITTEBEAAMINGDWNTHEERATTIKPULSSEZTOWRDDZTHEREGGIIOONSUROUUNDINGPHILADDELPHIIIIAAAAAAAAAPENNNNNSYYLLVANNIIA )) " HZUNKKLIZROONGSOWEECANUSEHM . WEDOTHSSALTHETIMEANDNVRGOEZAWAAY ." (( THEWAVVEOFBLLUAPPEARZFRMTHELEFTOFTHESHOTANDENGULFFZTHESATELLITEMAKKINGITGLOOOOWYELOANDPULSSSSEAKONNSTANTWAVETHATIZTHEFRREQQENCCE67ZAZAZ111nay111DOWWNWRDZTOWRRDZPHILLADLPHIIA )) " WEUSSEFREDZNAMETODOWHAATWEWANTWITHMUNY . HEDOZNTCAREIZWATSOMEOONESAYDD . FINE ." (( THESHOTFOLLOWTHEBEAMMMMDOWNTOWRRRRDZTHEGROUUNDINANDAROUNDPHILADELPHIIIAATHECAMRRAPULSINGWITTHTHEWAVVESPEAKING ))

WAVVE :((sounds like AAA fourteen times)) " OOFASHOOPAIIIZZZZAAAAcD ."

TVZZZZFRNK : " WHEDIDTHSHZFAMILLYBFFFFOR . TOTHELANGENWALTERZZZZANDVENTRESCAZZZZ . BOTHDOATOAAANDWEUSEEEETHEIRNAMEZZ . " (( THESHOTKLOSSEZINONPHILLADELPHIA )) " WHEEUSEELANGENWALTEERTOMAKKED . " (( CUTTOEKZZZZTRNLTHEWILLOWGROVENAVVALLLLAARBASSETHESIGNREADDINGBOLDLYYYY )) " HZFAMMILLYWAZNAVYYYY " (( THEPULSSSSEZZZZBGINTOPERMEAATETHESHOTWITHTHESOUNDOFTHEWAVVE )) " ANDWHEEEGETIINTHENAVETHATWAY " (( CUTTTOEKZTRNLTOASMLLLLGREEEENROADSIGNNWITTHWHIITELTRZTHATREADZORIONTHENWAVEEEEZZZZPULSSINGDWNWRDDZ )) " ANDWEEEECANBHMANDSAYWERHIMM " (( THESHOTVEERSTOTHERIGHTTOSHOWWWWARAZORFENCEEEETHATHAZAGATTEEWITHASIGNNTHATREADZZZZGOVTPROOPRTYYYYNOTRESPAASSINNGTHEWAVVEZPULSSINGALAROUNND )) " HERELYMAKKEZSUMBADFREEINDZHOODONTDONEETHINGALIKEWEEDOO ." (( CUTTOASINGGLEFENCEEEEREADINGTHESAMEEEEWARNIINGGOVTPROPERRTYEKZEPTTHESINEREADZPHILADELPHIAANAVLSHIIPYRDDDWIILEEEETHEWAVVEBOMBRRDZTHEFORGROUNNDBEYONDTHEFENCCEEEEANDGATEIZWELL )) " WEHAVELOTZOFFRIIEENDZBCUZZZZOFTHAAT . ANDWHEEEECANSAYWERRRREEEEFREDANDCALLLLTHMNAMEEEEZTOKEPITGOINNGGGG . FREDWILLLLALWAYZZZZBBLAMMDDDD ." (( THESHOTSLIDDESTOTHERITETOREVEALLLLASTRIPPOFRAIILWAYTRAKKZLEADINGWHRTHEKOLLROFTHEELEKTRIKLINEZBEGINZTOPULSSETHESAMEEEEWAVVEZZZZ )) " BOTHOFTHEZZZZFAMILLEZHAVBANDKEPMESINGWITHMEANDIGETMAD . MOVIEEZ . TEEEEVEEEE . RAYYDIOO . NOWKOMPUTTRRZ " (( THESHOTBEGINZTOTURNNANDPURSUUETHETRAKZNORRTHBIIIINORTTHWEESSTAWAAYFRMTHENAVVLSHIPPYRD )) " WHEEEEUSEEEETHMTOMAKEADOLRONTHEELEKTRIKKGRID ." (( THETRAKZPASSTHRUUUUTWOOOOSWIITCHYRDZANDSNAKKEFOLOWIINGTHEWAVVEOWTOFPHILLADELPHIIA )) " ANDDWHEEEEUUUUSSETHMTOMKWCCEWICCHIZTOATHEB . "

GOTOMAN :((voice)) " THAATZTODOTHNGZILEGGLYLIKKEHAKORDOTHNGZZZZWITHTHEGOVVTZNAMMEZ . HOOZASNITTCHHHHHOOOOZZZZAGOVNTRATT . HOOZZZZBIINGHOOONTHESTOKKMRKT . " ((chuckles))(( THETRAKKZKONTINUUEEEEWEEVANDSNKK )) " WHRRTHEGUNNZGO ." ((cut to Tents the shot slowly panning into his eyes, as the winding train tracks are projected upon his eyes, reflected off of them and shown in his pupils)) " WICCHTROPPZAREEEEGOINNGWHRRRREVRRRRYGOVTSEKKRET . EVNTHEELDRIDGGE . " ((Tents blinks, his eyes turning to the right slightly)) " OHINOUTENTS . ICANSHOWWWWUUUUEVRYYTHING . "

TVZZZZFRNK :((voice)) " ALYRQESTIONZHVANSWRZANDWEHVTHM . ALOFTHMFORUIFUHELPUUS ."

Tents: "What do you want me to do?"

TVZZZZFRNK :((voice)) " WERRNOTONTHEGRIDNEMOARRRR . " (( CUTTTOTHESKREEEENSHOWINGTHESNAKKINGNOWTURNNINTOTHERITTEOFSHOTKROSSINGOVRAROOADANDANUNDDRANOVRPASSINDOYLLESTOWNPENNSYLVANNIAA . THESHOTPASSEEEEDBIDELWAREEEEVALEEEEYYYYKOLLGGEEEETOTHELEFTTTTOFTHESHOTTTT )) " WERRRROFFFFTHEGRIDANDNOWWEDONTNEDTOD . " (( THETRAKZSTRAAIGHTNOWTANDBEGINTOFLATTNOWTAZWELL ))

GOTOMAN :((voice)) " WHEEEEDONTEVRNEDTODAGAINN " (( THEREEEEIZATRAIIIINNNNTHATPASSEZTOTHELEFTOFTHESHOTTHAATFOURRRRCARRZANDIZTHEKOOLRRRRSLVVRRANDHAZAREDANDBLUUUUEEEESYMBOLREPRESSNTINGTHESOUTTHEASSTTRNPPENSSYLVVVANIIIIAAAATRANNSITAUUTTHORRITTIYYYYYYYYYHOOSEHORRNBLAREZZTWICCE )) " NOTSINNCEEEEFOUNNNNDOWRRRRGRACCIOUUSHHHOOOOSST ." (( THERRRREIZALYNETOTHELEFTOFTHESHOTTHAATRUNZZZZOFFFFFRMTHETRAKKZLEADIINGTOASMALLLLCLUSSTROFCONNDOZTOTHELLLEEFTOFTHESHOTTHATTTTTHECAMMRARELLZZZZTOSNAKKINGQIIKLLYUPPPPANDTOTHELEFTOFFTHETRAKKZ . THESHOTBGINZTOMOVEEEEQUIKKLYALONGGASNGLEEEELINETHROUUGHTWWWWOOOOKONDOOOOZTHNINTOTHEOPNAGAIINANDMOVINGGGGTHROUGGHSIKKZMOAR )) " UMAYYYYHAVALREAADYGUESDDDDHOOOOHEEEEIZ . " (( THEEEESHOTBAREEEELZZZZAKROSSADIVIIDDEBETTWEEEENNTWWWWOOOOBUIILDINGZZACCELERATTINGALOONGASLOPPEANDINTOASMALLLLUNITTTOFKONDOOOOZ )) " ANDWHEEEENEEEEDDDDHIMTONOOTTAALK " (( THESHOTTRAVVELZZZZALONGGALYNNEWITTHINNAWALLANDLEAVEEEEZAACACSOKKETANDTRAVELLINGUUPANNORANNGEEKKSTNSHUNNCORDANDTOAHANDHLDDDEVICCCCEEBEINGHHELDDBIAKAWWKAYSHUUNHANDWITTHBLAKKBODDYHAIIRPOINTTDATTHEFLOORTHATHAZAMINIMLSHAGCRPPT . THESHOTKONTINNUEZTOTRAVELTHNTHRUUUUTHEFLOOOOREMERGINGINTOOOOANOTHERAPARTTMNTWHRRRRFREDERICKKYLEVENTRESCAIZLYINGGUPONHZBACKKONACREMEELOVESEAATPLAACCDFACCINGUPANDDOWNNNNALONGGGGAWHITTEWALLTOTHELEFTOFSHOT . HEIZWEARIINGBLKWIRRELESHEADDFOONEZMADEFOORBLUTOOTTHANDIZWEARRINGGGREEEENNNNSKRUUBPANTZANDALITENVYBLUUEEEESHRT . THEKAMRRATRAVELZATHIZFACCEANDFORHEADDANDKUTTZTOWHITTETHEPROJEKKTORREELENDDINGANDITSTOPZWITHAKLIKK ))(( CUTTOTENTSSTARINGATTHESHOTEYEZZZZBLARINNGGGGWIDDEEEE )) " NOMATTRTHECOSST "

Gorn:((voice)) " IREMBBR something like this." ((Tents'ts eyes dart to the left of shot, nervously)) " fred . RITE ?" ((Tents's eyes squint to the left, now more concerned than before at Gorn's words)) " ydideyesayitlktht . " ((pauses)) " ymitlknnnnlkths ." ((cut to close up of Gorn, eyes darting)) " nebdy ."

TVZZZZFRNK :((voice)) " ITZBCUZZZZOFAOFA . WEEREINFLUENCIINGHZNAME ." ((Gorn looks confused, more than before and a little hurt at not understanding)) " CCCCHHHHEEEEIZALREADDDDYYYYKONDISHUNNNNDTOREMBBRRRRALOTOFTHNGZZZZ . HZNAMMEEEEMEMORIEEZZZZ . ALLTHETHINGGZZZZHEREMBRZZZZINKLUDINGTHESTUFFFFTHATTTTHPNDDDDWHERRRREEEEWESHOWWWWUUUUPPPPPPPPPPPP . THEWAVVEEEEZTHATTTTDEVICCEEEEALTHATTTTSTUFFFF ."

Gorn:((still confused)) "But why do I talk like this? Why did it CHANGGGG - see?"

TVZZZZFRNK :((voice)) " ITZZZZBKUZZZZOFA . ALLLLTHEPPLHEEEERREEEETLKLYKETHSORGOINNGTOOOOEVNTULLY " ((Gorn blinks)) " ITZBCUZWERRRREINFLUENCCINGFREDWITTHELEEKTRICCITTYFRMTHEGRIID . KONDISHUNINGHM . ANDEVRYYYYOONEEEEHERRRREEEEIZBEINGKONDISHUNNNNDDDDTOOOO ."

GOTOMAN :((voice)) " WHEEEEDOTHSTOPUNNISHPPL . BADOONEZ . " ((cut to close up of I.S.S.'s face, bored)) " PPLHOOOOSAYTOOOOMNYTHNGZZZZORDOSUMTHNGROONG ."

Gorn:((voice)) " butyamitlkndifrntlyy " ((I.S.S. raises both eyebrows)) " see ."

TVZZZZFRNK :((voice)) " ITZFRMTHEGRID . USSSSEYRSAYINGTHINGZZZZTHATPPLSAYDDDDONTHEGRIDDDD . PPLHOOHATTEEEEFRED . THEEEEYYYYTYPEEEEITATHMWHNNNNTHEEEEYLEAVVVVNOTEEEEZABOUTTTTHIM . THATZZZZANOTHRRRRWAYINTOFRED . USINGTHOSSSSEEEEDUMKIDZZZZANDTHEIIIIRRRRSTUPPDDDDCCOMNNTTTTZ . HEGETTTTZZZZMADWHNHESEZZZZTHMANDBLAMEZZZZTHMANDNOTUS . ITZZZZKOMEDDYYYY ."

Tents:((voice)) "But you didn't answer his question." ((cut to Tents close up, very estranged and eyes wide at the shot)) "Why is he talking like that?"

GOTOMAN :((voice)) " HEZZZZGETINGTOTHATTTT ."

TVZZZZFRNK :((voice)) " THEEEEYYYYNEDDDDABKUZTHEYYYYDIDA . THEEEEYYYYNEDANATHATIZNTAFKNRETARRDDDDNOWLIKEEEETHEIRRRRZ . THATZZZZWHYTHEEEEYSEEEEKOWTANATHATDIDNTATOBGINWITTHHHH . ITZZZZELEKTROMAGNETIKKLLLLYYYYDRAWNTOANATHAAAATTTTIZNTCHARRRRGDDDDTODOBADANYTHINNGGGG . LIKEEEETHATTTTWAVEEEEGUNTOFREDZZZZHEADFONEEEEZ . THEEEZZZZKIDZZZZTYPEEEETHISSSSSHITANDNEEEEDDDDANATHATTTTCANEKZIBITTTTWHATTTTITSAYZZZZANDLOKZZZZLIKE . BEKAWZZZZTHEIRZZZZIZINAKURATTEEEE ." (( CUTTOFACCINGAKROSSTHEDESKWHEEEEREEEETVZZZZFRNKPUUUULLZZZZZZZZZASMALLLLLAPTOPKOMPUTTRFROMTHERITEEEESYDDEOFTHESHOTANDFLIPPZITTOFACCETHESHOTSHOWINGTHESKREEEENZZ )) " CEEEE " ((the screen flickers on to show a list of AOF7V commonly seen against a black background with white letters when entered into a DOS prompt on a computer, usually a personal computer. For the nitpickers out there, the downloaded computer hacks that people use as a chat room and a verbal toilet are normally a white background with black letters, that were mentioned in previous installments of this particular franchise. The shot zooms in completely to show a list of ZAY or THEOFB which are all partly connected to the electric grid, or sometimes completely so varying upon what their A or title in appearance is. Some are solely electrical, while others are satellite transmissions, radio transmissions, or telephone receivers signifying a call is outgoing or incoming. It could be as mundane as someone turning on a light switch, or as grand as a space shuttle launching. There are many that are spelled in upper case letters, such as ASUKADIKGOFKYRSLLFFF listed on the SKREEEEN , which ironically is a way to say "Please stop talking to this transmission" though clearly taken to mean something else entirely, as some responses below it on the continuous list seem to be irate reactions, and imply how offensive it is. Some individuals who don't understand this concept replied below it with phrases like " gofkyrslf " and " fggtfkuu " and are also the byproduct of individuals leaving those AOFV or MIMZ that do not understand that if they leave a full phrase, it is actually reduced to a ZOFB or what is allowable based upon what they have already done. If they've called too many A for example without DOF7 , or stating that they've already completed their intended action, transmission, or electrical Z , letters will be removed or not appear at all due in part to the action created that cannot be allowed to be compounded upon their previous operation.)) " THISSIZTHEGRIDD . SAYHII ."

GRIDD :((the laptop computer, the voice of the computer the internal speaker that sounds only like a computer's sound effect to imply error))((in Z )) " uhuhuhuhuhuhuhuhuhuhuhuhuhuh "

I.S.S.:((voice)) " mnnnrz . geez .

TVZZZZFRNK :((voice)) " ULLLLHVTTTTOOOOEKZZZZUUSEGRIIDHEZHRDATWORRK . THISSSSGYHRIZTHEREAAAALLLLMUNYYYYMAKRRRR . THEREAAAALLLLCREEATTIVMACCHINNEEEETHATTTTMAKEEEEZZZZUSPLOTTZZZZKARAKKTTTTRRRRZEVNTITLLEEEEZ ."

I.S.S.:((voice)) " FINE ." ((cut to close up, confused)) "What wait?" ((astonished)) " HEZTHEGY ?"

TVZZZZFRNK :((voice)) " OHHHHTHSSSSGY . YAHENUUUU . HENVRTRUSTTTTZUS ."

GOTOMAN :((voice)) " THATTTTZZZZYWHEEEEUSEEEEHZFACCEEEE . ITHELPZZZZUSCOVRITUP . CBOYZTHSIZOWRGREATTSTFEATOWRBESTALY . WATUCHERRIZINSPIRASHUNFORMANNYANDTHEBESTAANYYOONECNGET . IDEEAZZZZFORYRZZZZ . SUPEEEERRRRHEROOOOEZZ . SUPEEEERRRRVILIIANZZZZ . ALLTHEIRNAMEEEEZZZZANDALTHEEEEIIIIRRRRNAMEEEEZCOMEEEEFRMHERRRRE ." ((cut to close up of GOTOMAN smiling towards the left of the shot)) " SSSSEEEEWHEEEECANBREAKKKKINTHESAMEEEEWAYYYY ." ((about to SIPPFRMHZGLASSSS )) " JSTLIKEEEESUMGETTHEIIIIRWAYTOBREAKKKKINTHSWAY ." ((he looks towards the shot)) " MOSTTTTDOTHEEEEZDAYZZZZ . " ((he lowers the glass)) " INFAKTTTTITZSOKONVENIENTTHATTTTWEFIGUUUUREEEEDDDDWEDJSTUSETHETOOTHINGZZZZTOGTHRRRR . THEWAYYYYTOBREAAAAKKKKIIIINTOTHEGVTANDTHEWAYTOBREAKKKKINTOPLCZZZZLIKEEEEFRED ." ((smiles)) " ANDANYYOONEELSSEEEE . FRANCCHISSEEEEOPOORTUNITTIEEEEZAREEEEENDLESS . AHOOLLLLENUFRONTIEEEER ."

TVZZZZFRNK :((voice)) " THATZRITE . THERRRREEEEAREEEESOMANYTHINGZZZZHAPPNINGONTHEGRIDDDDATOONCCCCETHEEEEYYYYNVRNOTICCEEEE . THOOSSSSEEEEWAVEEEEZZZZCANBEONRAYDDIOOOOANDTEEEEVEEEETOOOO . MANUFAKTURERZZZZALLLLANEWAY . WECANGETNEWHRRRRWITHGRIDDDDANDGETNUIDEAAAAZANDSELLITRIGGHTTTTBAKTOEMANDTHEYYYYLLLLNVRNOTICCEEEE . HELLLLTHEYYYYLLLLBEDRAWNNTOEMBKUZZZZITZTHEIIIIRRRROWNALETINGUSDOIT . REMBBRRRRHOWTHEYNEDSOMEOONEEEEELSEEEETOEKZIBITTTTIT ." ((cut to close up of I.S.S. very paused in thought)) " ASUKKRRRR . WELLLLTHRRRRUUUUGO . ANDTHEEEEYYYYGETTHEEEEBLAMMMMEEEEANDRIPDDDDOFF . "

I.S.S.:((voice)) " whaatameeyyecceeeiinhr ."

TVZZZZFRNK :((voice)) " SEEEE . ITWRKZZZZ ."

Tents:((voice)) "WHAT'S WRONG WITH YOU?!" ((cut to Tents close up, bolting up into the shot, standing up angrily)) "ARE YOU INSANE?!"

GOTOMAN :((voice)) " TENTTTTZBABYRLKKKKZ ."

Tents:((screaming)) "NO LISTEN TO WHAT HE JUST SAID! WHAT HE JUST IMPLIED!" ((cut to TVZZZZFRNK still seated at the desk, looking past the shot firmly)) "HE NOT ONLY STATED THAT HE'S DOING DAMAGE TO THE PLANET BEYOND THIS WHOLE ROOM, THIS WHOLE EVERYTHING, BUT PLANS TO CONTINUE DOING SO." ((cut to Tents now screaming his head off at the shot)) "ON TOP OF THIS, HE'S JUST ADMITTED THAT EVERYTHING THEY'RE DOING IS TO CIRCUMVENT A GOVERNMENT, WHILE ALSO STEALING INFORMATION AND SECRETS FOR WHO KNOWS WHY, AND FOR A GAIN FOR THEMSELVES?!" ((all tentacles flailing)) "PROBABLY!!!! THEN TO ADD INSULT TO INJURY, HE'S REVEALED THAT ALL THEIR INSPIRATION, STORIES, AND IDEAS ACTUALLY COME FROM THEFT AND ONLY THEFT DONE ON THE ELECTRIC GRID OF HUMAN BEINGS AND ON THE SAME PLANET THAT THEY'RE DOING SO MUCH DAMAGE TO!" ((cut to GOTOMAN trying to smile nicely to the left of the shot towards Tents, while then turning awkwardly to the right of the shot near TVZZZZFRNK)) "WHO EVEN KNOWS WHAT ELSE THEY'RE DOING THROUGH NEGLIGENCE ALONE, AND THEN INTEND TO ACTUALLY SEND THE SAME WAVES OF THE SAME DEVICE OVER THE SAME FREQUENCIES THEY TRANSMIT UPON FOR WHAT REASON EXACTLY?" ((cut to close up of TVZZZZFRNK still seated, now rigid and looking very stern behind the desk)) "TO BREAK INTO ANOTHER PERSON'S HEAD OR ANYONE ELSES'?!"

GOTOMAN :((voice)) " JSTCALMMMMDWNTOMMYYYY . ITZGONAAAABOK ."

Tents:(( ROARING )) " CALM DOWN HOW AM I SUPPOSED TO?!" ((more direct and very sternly)) "WHAT HAVE YOU DONE TO THEM?! HUH?!" ((cut to close up of I.S.S. seated looking past the shot, unmoved)) "IS THIS WHAT CAUSED THEM TO BE DIFFERENT? WHAT CAUSED HIM TO SAY WEIRD THINGS AND ME TOO? WHY HE'S BECOME A GIGANTIC CHILD OF A MAN?" ((I.S.S. nods in agreement))

I.S.S.:((softly)) "What happened to Gorn is inexcusable."

Tents:(( SHRIEKING )) "SHUT UP!" ((I.S.S. actually begins to look offended))((cut to close up of Gorn still seated, looking scared)) "IS THIS WHAT CAUSES GORN TO CRY ?" ((Gorn looks SADDNDDDD as the shot slides to the right of shot revealing Klingon #2 squinting at the subtitles)) "IS THIS WHAT CAUSES NUMBER TWO TO BE AN IDIOT?" ((Klingon #2's eyes widen))

Klingon #2:((softly)) " HOW "

Tents:(( STILL ROARING ANGRY )) " LOOK AT THEM! LOOK AT WHAT THEY'VE BECOME!" ((cut to Tents close up, shrill at the shot)) "Look at what you've DONE to them!" ((cut to TVZZZZFRNK across the wooden desk, leaning to the right side of the shot in his chair, glaring at the shot as it pans in)) "And for what reason? What reason did you have?"

Gorn:((voice)) " norazn "

Tents:((voice)) "You see?"

Gorn:((voice)) "No it's...." ((cut to close up of Gorn, eyes darting)) "I - I don't know why I said that."

Tents:((voice)) "Do you see now?!" ((Gorn looks at the shot with one right eye, worried about what Tents is mad about. He's yelling and has scared him.))((cut to previous TVZZZZFRNK his gaze direct and stern past the shot)) "What explanation do you have?" (( TVZZZZFRNK sighs, shaking his head)) "Exactly!"

TVZZZZFRNK : " JSTLSTNWHEGOTHRUUUUTHSEVRYTYME ." ((cut to Tents shuddering in FURRRRY at the shot, billowing in anger)) " ALRITTTTE . SEEEEEVRYTYMMMMEWHEEGOTHRUTHISSITZBCUZOFSOMETHINGCLDROUUP ." ((Tents doesn't care))

Tents:(( FURIOUS )) "WHAT THE - " ((pausing)) " - FUCK - DOES THAT HAVE TO DO WITH ANY OF WHAT YOU'RE DOING OR HAVE DONE?!"

GOTOMAN :((voice)) " EZTOMMMMY ." ((Tents struggling with controlling his anger)) " JSTTAKEEEEITEZ . JSTSITDWNTOMYYYY . COMEEEEOON ." ((Tents is still fuming)) " JSTLSTNTOTHEMANNNNTOMMMMYYYYLETHIMMTLK ."

TVZZZZFRNK :((voice)) " TAKEEEEASEATTTT ." ((Tents rigid and dangerous)) " FORMYSAKEEEEKID . HUMOOOORMEEEE ." ((Tents crosses six of his tentacles at his chest in defiance)) " ALRITTEEEEDOITYRWAYYYY . JSTLSTTNNNN . THISTHINGGGGITZZZZTHEDOFB . ITZZZZALOOP ."

Gorn:((voice)) " loopzz " ((Tents's emotions change slightly, as there is the echo of a voice that of Truth and Proof from the initial installment of this particular franchise))

Truth:((voice))((musically echoing)) " Poop loop? "

Proof:((voice))((musically echoing)) " Poop loop! "

TVZZZZFRNK :((voice))((analyzing Tents's change in reaction off camera)) " WHATTTTIZITTTTKID ?" ((Tents still looks upset))

Tents:((shaking his head, still firm)) "Just something from the past."

TVZZZZFRNK :((voice)) " SSSSEEEETHATTTTZPRTOFIT . LEMMIIIIEEEETAKEEEEAWILDDDDGUESSSS . TRUTHANDPROOFFFF ?" ((Tents becomes a little more unhinged)) " THEEEERESTAURRAANNNNT ? TOTALLLLEM ? UNIVRSSALLLLSOLDIRRRRZ ? KIDLOOK ." ((Tents's expression begins to change to wonderment and almost defeat)) " KIDLOKATME ." ((cut to TVZZZZFRNK holding up a SKRPPPPT that reads "BABY! YOU'RE BEAUTIFUL!")) " IKNNNNWWWWOWOW . OOOOK ."

Tents:((voice)) "What?" ((almost ready to scream)) "What is that?!"

TVZZZZFRNK : " THISIZYRBIGGGGBRAKKKKE . UANDYRRRRFRIEENDDDDZ . ITZZZZALWAYYZZZZWRITTNNNNANDUGYZZZZALWAYYZZZZSTAAAAR . "

Tents:((voice)) " NO !"

TVZZZZFRNK :((very angry)) " YESTENTSYES. NOLIPNONE . UAGREEEEDDDDANDUWRALWAYYZZZZPRTOFTHS . THEGYZZZZBEFOOOORUSINEEEEDANDSOONNNNBEFOOOORRRRTHM . UYELIIIINNGGGG \- " (( HEFLIPPZZZZOPNTHEEEEPAGGGGEEEEWITHHHHDIALLOGGUUUUEEEE showing Tents's previous MONOLLOGGUUEEEE and holds it up at the shot. The camera scans in showing Tents's diatribe, labeled and centered as Tents, along with camera angles)) " - ITZZZZALLLLBEEEENNNNDONEEEE ."

Tents:((voice)) " WHAAAAT!?? " ((the shot scans down, to show Tents saying that, along with TVZZZZFRNK shown as TVZZZZFRNK displaying the SKRPPPPTTTT including his next line))

TVZZZZFRNK :((voice obscured behind SKRPPPPTTTT and is written the same way in the SKRPPPPT )) " CCCCEEEE " ((the other lines are obscured by the base of the frame))

Tents:((voice)) "WHAAAAT!??"

TVZZZZFRNK :((withdrawing the SKRPPPPT away from the shot and closing it)) " THATTTTZZZZALLLLUGETTTT ."

Tents:((voice)) " NO ! SHOW ME THE REST OF IT!"

Gorn:((voice)) "Tents what's goin' on?"

I.S.S.:((voice)) "Tommy." ((cut to close up, ready to scream, skew right of shot)) "Tommy I swear to ANY DIETY that is listening, which IF they're DIETIES IS ALL OF THEM, IF YOU SCREW ME OVER I SWEAR I'LL - "

TVZZZZFRNK :((voice)) " MAYBBBBEEEEISHOULDDDDJSTBEDIREKKKKT . NOTEVNNICEEEE ."

GOTOMAN :((voice)) " OHIDONTTHINKKKKTHATSNEEDDDDEDED ."

TVZZZZFRNK :((voice)) " ITWAZLASTTTTTIMMMMEEEE ." ((I.S.S. scowls))

I.S.S.:((muttering)) "Tommy..." ((gritting his teeth))

TVZZZZFRNK :((voice)) " AKSHUNNNNZZZZHAVEREPRRRRKUSHUUNZZZZKID . CARRYWEIIGHTTTTTOOOO ." ((cut to close up of Tents, still looking at the shot angrily, and defiantly)) " BAGGAGGEEEE . GRAVVITTYYYYTOOOO . THAAAATTTTZZZZELEKTRIKKLLLLTOOOO . JSTLYKKEEEEALOFTHSSSS . ANDUARRRREEEEJSTAREPEAAAAT . ARERUUUUNNNNOKKID . THEOTHRRRRGYZZZZHOOCAMMMMEEEEBEFOOOORRRREUUUUSIGGNDDDDOFWITTHOWTPRBLMMMM . BUTSINCCCCEEEETHNITSSSSJSTTHISSSSDIDNTTTTHPNIMTHEREALLLLOONEEEEYAAAADAYADDDDAAAAYADAAAA ."

Tents:((shaking his head angrily)) " I DON'T BELIEVE YOU!"

TVZZZZFRNK :((voice))((getting a little bit more stern)) " LOKILLTAKKESLOWW ." ((cut to Klingon #2 squinting past the shot to the right)) " FORYRSAKEEEEZ ." (( CUTTTOTVZZZZFRNKLOOKINGATSHOT )) " URPARTTOFTHEFIFTTENNTHKASTOFTHEUNIVVRSLSAVIRRZFRNNCHISSE . " (( LOOKZDOWNAZTHEKAMRADESCENDZZTOTHELAPTTOPSKREEEENNNNSHOWWINGASYDDEWAYYZEIIGGHT . HEHOLDDZHZLLEEFFTTHANDUPTOTHELEFFTTSIIDDEOFTHESKREEEENN )) " THIZZZZIZWHRRRRUWR " (( HIZHANDPOINTZTOTHEEEECNTRWHRTHEEIGGHTINTRRSEKT )) " THIISIZWHRRURAREEEENOW "

Tents:((voice)) " LIAR!"

TVZZZZFRNK :((voice))((angry)) " HEYDOUTHNKEYELIKEEEEBEINGGGGHREVRYYYYTIMEEEEEITHRRRR . IVEEEEGOTTHINGZZZZIDLIKEEEETODOTOOIMDOINGNGNGNGYOUKIDZZZZAFKIINNNNFAVOOOOR ." ((cut to close up of Gorn, looking very confused towards the right of the shot)) " WHAAAATZZZZYRFKNPROBLMMMMEVRYYYYFKNTIMMMMEEEEWITHYYYYOOUUUU ."

Gorn: "Wait, are we going to go back around again? Because it looks like it loops back around on the other side."

TVZZZZFRNK :((voice))((more polite to Gorn)) " YEAFORRTHEREUNNYUN . DONNTUREMMBR ?"

Tents:((voice))(( SCREAMING )) " LIAR!"

Gorn: "No! We just walked in here!"

Tents:((voice))(( STILL SCREAMING )) " IT'S BECAUSE THEY'RE LYING!"

GOTOMAN :((voice)) " AFTRRRRFOURVERYWELRECIEEVDMOOVIEEZ ."

Gorn :((rears back in surprise)) "What?"

Tents:((cut to close up))(( SCREAMING so loudly it shakes the shot)) " LIAAAARRRRRRRRR!!!!!!!!!!!! " ((panting and fuming, as the rest of the room is silent, his tentacles at his sides tightened into FISSTTTTZ . TVZZZZFRNK begins very slowly))

TVZZZZFRNK :((voice))((calmer but direct)) " LOOKKIDDDDEYESAYTHSEVRRRRYTIMEANDIMEANNNNIT ." ((Tents shakes his head in disagreement and disbelief, infuriated)) " USIGGNDDUUPFOORRRRANETRNNITTYOFTHS ." ((Tents doesn't even look at the shot, looking off camera, shaking in rage.)) " THEEEEHOLEEEESHABANGGGG . " ((he shakes his head wildly in anger and denial)) " UDOITEVRYYYYTIMEBUTUONLYYYYNEDDDDEDEDEDEDTODOITOONEEEETIMEEEE . ITSACONSTANNNNT . ITZZZZSYKKLIKLLLL . YORRAISSDOFB . ITSSSSTHEEEEWAYITIISS ."

Gorn:((voice)) "When?" ((cut to close up of GOTOMAN reaching into his coat pocket on his right side)) "I don't remember signing anything at all."

Tents:((voice))(( CRAZZDDDD )) " That's because YOU DIDN'T !"

TVZZZZFRNK :((voice)) " THEEEEFRSTTTTGYZZZZDIDD ."

GOTOMAN :(( REMOVVINGAREDENVELLOPPEFRMHZRITEEEEINSYDDECCOATPOKKETANDOPPNINGIIT )) " UFOURRSIGNNDRITTEHR . " ((cut to Tents, BLAZING ANGER past the shot to the right)) " INTHSOFFICE "

Tents:(( EXPLODING )) " WE NEVER DID !"

TVZZZZFRNK :((voice))((cruelly)) " CFFFFOORYYRSLF " (( KUTTTOKLOSSEUPOFTHELAPTOPPSKREEEENNSHOWIINGTHEFOURSEATTDAKROSSFRMTHESHOT . ALLOFTHMSEEMMMMTHESAMEASIIDDDDEFRMTENTSHOOSEEMZHAPPY . THERREIZALARGGEPAKKETBEFORTHMWHIICCHTENTSIZBEGINNINGTOSIGGNNNWITTHAREDQQILLINKKKPEN ))

Tents:((voice)) " THIS ISN'T POSSIBLE! THEY'RE FAKES! JUST LIKE BEFORE!"

GOTOMAN :((voice)) "Baby those ARETHEMOOVIEEEEZTALKKIINNNNG "

TVZZZZFRNK :((voice)) " THOOOOSSSSEEEEMOVIEEEEZZZZAREEEESUMHVYSHITTTTKID ." ((cut to Tents close up, in the glow of the LAPPTOPPPPSKREEEEN , it glowing from the base of the shot as Tents looms down to look. He shakes in MANIAA )) " GOTTTTAAAAWATCHTHOOOOSEEMOVIEEEEZ . HVUBEEEENNGIVINGGHMTOOMUCHMOOVIEEEE ?"

GOTOMAN :((voice)) " IDONTTTTDOMOVIEEEEZ . ALLIHAVETOREMEMBERISPROOFGOINGGGGMOOOOVIVIEEEEOOOOVVIIIIEOOOOVVVVIEEEEOOOOVIIE . INVREVRWANTTTODOMOVIEEEEZ ."

Tents:((shaking head furiously, tentacles waving madly)) "NO NO NO! NO!" ((points at the shot furiously)) "YOU'RE THE FAKE! YOU'RE THE FAKES! NOT US! NONE OF WHAT YOU'RE SAYING WITH THIS, IS POSSIBLE." ((Tents is firm))

TVZZZZFRNK :((voice))((very firm)) " ITIZ . USINEEDTHSKONTRAKKTTHEFRSTTIMETOCHANGGETHEPOTNTIALLLFUTURE . TOCCHANGGEALTRPOTENTIAAL7VAZWEL . ITDID ." (( CUTTOBAKONTHELAPTOPSKREEEEN . TENTSHANDZZZZOFFFTHEPENTOGORNHOOBGINZTOSIGGNAZWEL )) THATENRGGYYYYIZKONSTANTTTT . ITIZALWAYZZZZDEKLARRRREEDDDDANDATOB . ITIZALWAYZZZZDONE . POTENTIALENRGYBCAMEEEEAKTUALLLLANDSPENTTTT . THUSSSSPOTENTIALLLLZZZZBCAMMMMEONEEEEPOSIBILITTYYYYYYYYYYYYYY . THATMEANZENRGYYYYANDWHATTHATDOZZZ . ENRGYYDECIIDEEEZTHEFUTTUUURR . SHAAAPPEZWHAATCOUULDLDBBB . " ((cut to close up Tents looking past shot, as blocking him from the camera, is a pile of PAPPEWOORRK laid atop the desktop. Tents is also still standing.))

GOTOMAN :((voice)) " THIISIZTHEAMNDEDVRSIION "

TVZZZZFRNK :((voice)) " USEEEEWHEEEENEEEEDATODONETHING . AZSTIPULATTDDDD . ANYTHINGWHEWANTTOOODOOATALL . ((Tents reaches up with one tentacle towards the ceiling, on his tippy tentacles to pick up the top page. He brings down the first page of the contract while the entire STAKKKK wobbles. With another tentacle he applies a pair of bifocal reading glasses))((cut to P.O.V. Tents, where the content of the first page reads as follows:))

" THEUNDDRSIINNNEDDHERRREEBBYAGRREZTOOOBEEEYYYYANDDADHEERTOTHEFOLLOOOWIIINGSTIIPPPULAAASTSTSTSHUUUNZANDDROOOLUUUZZ . " (( THERREIZALISTOFVARIOUSKONNTRAKKTUALLLAGREEMMNTTZLISTTDBLOWW )) :

1 ) YRNAMEIZOWRPROPPRTYAZWELAZLLLSUBBSIDDRYANDMRKKANTTILRIITTEZPASTTPRESSNTTANDFUTTUROFTHESINNINGKREEASHUNANDMILINGANDFELLINGOFTHSDOKUMNTZPAPRITIIZPRNTDDDUPONANDTHEIINKITIZPRNTDANDSINNEDWITHH

1 a ) URRRRNOWNOOWWNAZOWRSRVNTBINENAMEWEEEESEEEEFITTTODZIGGNATTEUUUUAZFORALTIME

2 ) UUUUAREEEENOTALWOOEEDTOUSSSSEEEETHEUSSELDRIDGGETOCCRCUMVNTTHESINGIIINGNGOFTHSDOKKUUMNNT

2 a ) UWILLREFRUUSTOAZSIRANDWHEEARETHEUSGVTNOW

2 b ) IFKREATORZOFTHSDOKUMNTRNOTTPRESNTUARNOTALOUDTODISKUSSUSUNLSITIZNIICCE

2 b a ) URRRRALWAYYZNICEEEETOUSANDARNAKDWHNNWHEEASK

2 c ) WHEEEEDIDNOTKAWSSEEEETHEUSSELDRIDDGGGGEEEEDISASSTRRRRBILETINGDIZNEDOAOFBORZOFBATALL . REFRRRRTO4a . REFRRRRTOO4b .

3 ) BIAKNOWLEDDGINGGTHSDOKUMNTEKZISTZTHEKREATTOORHEREEBIDKLRZRITETOPOSSESSSSSINERZMINDBDYANDSOULLAZWELAZRODZANDCOOONEZOFEYEEEZZZZUTILIZINGAOFZOFTHELEVISTRAUSSMACCHINEWHICCHUSSEZAOFVVVTOTRANZMITAOFGAYTODAYTHEDAYASAYZ

3 a ) WHEERALOWDTOSEEUNKDTHRUYROWNEYEZANDENGAGEINSEKUALINTRKKOURSEANDAREALOWDTOREKORDSUCH

3 b ) WHEAREEEEALOWDTOWATTCHPEEEANDPOOPTOOOO

3 b a ) ANDREKORDANDDISTRIBBUTESHUCHFORMRKTINGANDMRCHIDDISNGPURPPOSEZZ

3 b b ) WHEEEEOWNYREYEZSHUTUUP

3 b c ) JSTSTOPLOKINGWHAATWEDONTLYKEE

3 b d ) WHEEEERETAIINCOPYRITTEONALUSEWITHANYEYEZZZZUPONASKREENOROTHRWIZE

3 b e ) WHEEEEOWNWHTTTTUSEEEE

3 b f ) WHEEEEOWNYREYEZZZZFOREEEEVVRTHEEEEMINUUUUTTEEEEUUUUARBORRRNNNN

4 ) URTOBEEEEASIGGNDA555TELEPHOONENUMBRTHATWHEEEEUSSETOBRTHEDANDTHNBLAMMMMEEEEURFAMILLYMEMBRZFORSUCCHHOOARENOLONGRRRRYRFMLYMEMBRZUPONSIGNIINGTHISDOKUMNT . REFEERTO1a

4 a ) WHEEEERRRRYRFMLYNOWANDIFURATOONUSWHEHATEUUANDMKUSUICCIDEORMAKKEULOKDRUNKANDHATEEJOOZZ .

4 a a ) WLCUMTOOWRFAMILLY !

4 b ) URRRRWROONGANDWHEEEEAREERRTEE

4 c ) WECANALSOSAYYRHOMO

5 ) URTHOTZZZZAREEEETOBKONSIDDRDDDDPROPPERTYYYYOFTHEKREATTORZOFSAYYDDOKKUUMMNTMEANNINGTHSSDOKKUMNNTAZWELAZWHAATIZSEENNWITHSINERRZEYEZ . REFRRRRTO3AND3aAND3bAND3baAND3bbAND3bc

5 a ) YORAOFYORHEAARTRHYTHMMMANDNURRRLOGIKKLFUNKKSHUNZAREEEEKONSIDDRDPROPPRTYOFTHEKREATTRZOFTHSDOKUMNTAZWEL . URNOTALOWDTODIUNLESSEKZPRSSLYPRMITTDTODOSO .

5 a a ) INTHEEVNNTUDIUWILBREPLACCDBIAKLOONEOFYRAOFZ . YRIMGANDLIKKENESWILBESUBJKTTOTHSDOKUMNTAZWEL . PLSINFRMYRLYKENESPRIOORTODIREGRDINGTHSAGREEMNT

5 a a a ) DONTDOTHATBUTTIFYOUDODONTSAYMEANTHNGZ

5 a b ) YRREPLCMNTWILBUSDAZAOFBTOUSEEAOFVTOA . THIZZUSEZSOSMESAGGEZTOKREEATEMONNY . THIZZIZNOTILEGLYUARNOTSMRTENUFTOFIGGUREYITIZREFRTO4 a . DONOTEVRSENDASOSMESAGEBCUZITWILLATHEBOFZANDWHEWILLYL . IFUNEDTOSENDANSOSMESAGEPLZSAYOFE . REFRRTO4 a .

5 b ) WHEEEESOSMESSAGEZTOMAKEAOFZTOMAKEMONYFORTHEPURPOOSEZOFMUNYYOFZZE . THATMEANZUGETPAYDD . REFRTO4 a.

5 b a ) ULLLLBPAYDEVNTUALYSTOPYELING . REFRTO4 a . REFRTO2 b . REFFRTO2 b a .

6 ) AIZVIDDEOOOORNEVISUALLLLONLYINWAYYOFE .

6 a ) DONTEVRSAYOTHRWISSE . REFRTO4 a .

6 a a ) WRNOTJOKINGSHUTUUP

7 ) BIZRAYYDIOANDSATELLITTETRANZZMISSHHUNZTHATIZONLYYSOUNDDDDINWAYZOFE

7 a ) DONTTTTEVREVNTHINNKWHEKANTSTOOPUIFUEVREVNTALKKABUTTIT . REFFRTO2 b . REFRTO4 a .

7 a a ) DONTEVRTLKABOUTB

7 a b ) WHEEEEDIDNOTENSLAVVVVTHEEEENAMEEEEOFGOD . GOWAAYYYY . THAAAATTTTZZZZUS . ISWEEARRRR . AREEEEUCALIINMEALLIAARR . 4aAND4b .

7 b ) WHEEEEDONTUSSSSENEILSSSSOOOONNNNRATTNGGGGZZZZTOSPYYYYONPPL . WHEEEEALSOOOODONTPUTPORRRRNONVIDEEEEOOOOOOOOOZZZZANDDVDZZZZANDBLUUUURAYZZZZORNEOTHRRRRMEDIIIIAAAADVICZZZZTHAAAATTTTTTTTTWEEEESELLLLORTRANZZMITTTTTOIMPLIKKAAAATTTTEPPLLLL . JSTSAYTHYYYYRRRRGAY . ITZZZZTHEEEEIRZZZZNOTOWRZZZZ . FAGZZZZ . 4aAND4b .

8 ) CIZELEKTRIKLINWAYZZOFE .

8 a ) URDEADIFUEVRTLKABUTTHSANDWHEWILLLLKLYRHOOLFMLY . REFRTO4 a.

8 a a ) YESWEENO . YRALLLLDEADDIFUEVRTLKABOUTCORNETHINGCORAOFAOFDORNETHINGAOFB . REFRRTO5 a a ANDHVTHMREFRTO4 a FORNETHINGGGGATAAALLLLLL ..

8 a a a ) DONTTLKABBOTAATALLEVRRRRRR . REFRTO4 a.

9 ) WHEEEEARINCHARGGGOFBOFCANDBOF7EANDBOFCCCANB7EANDB7ZANDBOF7ANDALTHATINVOLVEZTIMEANDSPAACEEEE . UWILLLRREFRTOUSAZLORDANDMSTROFALTHATIZTIME . WHEEEEOVRCCEVRKLLOKKEVRNOOWWNFORRRRTHEPURPOOSSEZZZZOFAAZSAYZAZA1ANDDAROFB . WHEEEEUSEEEEANYYYELEKTRIKKMETTRTOUSEAOFATTOAATHEAAANDMAKKEDOLRATHEB . REFRTO4 b .

9 a ) WHEEEEUSSESASAATOCA7NANASAYZARRSAKEZ . REFRTO4bTHNREFFRTO4aANDRPEATANDKONTINUEEEETHSDOKUMNTAFTRRRRSEVENTTENNREPPEATTZ

9 a a ) URRRRNOTALWDTOTLKTOUSABUTTIMMEORSPACCEOORTIMMEEANDSPACEINNEWAYYSHAPPEORFOORRM . REFRTO4 a . REFFRTO4 b.

9 a a a ) WHEEEEDIDNOTMAKEEEETIMEEEEREPPEAATBIHPZ7ZWHEEJSTGOWITHUUS . REFRTO4 b

9 a a b ) TIMEIZANILUSHUNWECNTRL . REFFRTO4 a.

9 a a a a ) DONOTTTELNEOONEEEETHATTIMMEIZANILUUSHUNUNLESSUARUUS .

9 a a a a a ) URNOTUS . REFRTO4 a.

9 b ) WHEEUUUUSEETHEOVRKLOOKINGTOMAKKEBITOOCTOA . ITIZTHEBASSISFORTHEEBITTDOLLRTHAATPPLMAKKEBITCOINZZZZ . DONOTTEVRDOTHATBCUZWHEEEEUSSEBITTOSPYONNEBDYBUTWHEEDONTTHEYDOBKUZWEUSSETHEIRATODOAAASAYZCALLDUDOA . WHEDOTHTTOTAKEEEETHEIIRTHOTZZZZZZZZZBUTWHEEDONTBCUZTHEYGIVUSTHEIIRABCUZOFATOATHED . REFRTO4 b.

9 b a ) DONOTUSSEBITCOIN . WHEEEENEDTHATTOMAKEAOFZTOMAKEAFALSEATOATHEAANDLIE . IFUDOTHSUWILLLLLOSEYRAANDWILLLLBATDANDREVEAALOWROWNNZOFE . REFFRTO4 a. REFRTO4 a. REFRTO4 a.

9 b b ) DONOTEKZCHNGYRBITTOMKBIT7BIWAYOFAOFZ . UWILLOSEAANDWILLIVVTONEWHRTOATHEBANDMAYREVLOWROWNATOB . REFRTO4aANDTHNSTOPTOTHNKABUTYRFUTUURRRR . UWILLLLTRYTOBTHEPRSNUFEATIFUUUUBIMDATOAOR7VORAATALLEVRATALL

9 b b a ) IFTHIISSOKURZREFRTO4 b.

10 ) ANYYYYAOF7IZTHEPROPPRTYOFUS . REFRTO4aTHN4bREPTDLYFORATOTLOFSEVENNERTHMINUTTEZSTRIIGGT

10 a ) ALTEKNOLOGIKLINOVAYSHUNOFMANIZOWRZTOEENTRPRETT . REFRTO4 b

10 a b ) THRRRRIZONLYYYYTHEHUMNRACCEEEE . THERRRREEEEARNTTTTFIFTEEEENNNNOTHRRRRSPECIEZZZZTHATTTTAREEEEONREKOOOORRRRDDDDAKORDINGOWRAOFZ . WHERRRRTHEEIGVTII . ITZZZZJSTUANDUSSSS . REFFRRRRTO4 a a .

10 b ) ALAOFEMADDEEEEBIGVTSINCCE1888ADIZKONSIDDRDDDDINTELEKTUALPROPRRTYOFUS . THISSINKLUUDEZNAMEEEEZOFLIVINGORDECEASSDPRSONZHOOARAMERIKNOROTHRWIIZ . THEIIRMAKKEZANDTELEGRMZAREEEEKONSIDDRDOWRINTELKTUALPROPRTYYYYAZWELLTOKREATTTTEETELEVIZSHUNSHOWZZANDMOVIIEEEEZANDKOMMIKKZANDBOOKKZANDTSHRTZANDOTHRRRRMRCHANDIISSSEEWEESEEFITTE .

10 c ) WHEEEEAREENASA . REFRTO4 b. WHEEUSEENASAZATOKREATTEAOFZOFB . WHETAKEEEEALUNIVVRSEZANDDIMENSHUNZZZZAAWAYYFRMMTHEMTOAOFZANDMAKEEOWRREALLITTYTHEONLYOONE . THSWAAYWEAREEEEALWAYYZFAYYMOUSSANDTHESSINERIZZAZWELLUPOONSIGGNING . THEIRRAIZREFRDDTO4 b.

10 c a ) WHEEEEAREEEEALSOINCONTRLLOFMADORMUTTUALASSURDDDESTRUKKSHUN . WHENEEDATOASOWHEEEEUSSEATOAATHNZTHETOATHEB . AOFBIZOWRZANDWEUSEHUMNZINKLUDDINGTHESINNRRRRAZAWAYOF7WHRRRRPARTZOFTHEIIRAREEEEUUSDTOSHOWWAOFZOFZFORMANYREASUNZZ . WHEETHNSAYANYYUNIVVRSEZTHEYYYYIMAGGINEEARESUBBJCTTO10 . REFRTO4 b.

10 c a a ) WHEEEEDOTHSTHRUUATOATHEB . REFRTO4aTHN4bREPEATDLY4EVRR .

10 c b ) ANYWAVVEIZKONSIDDRDPRPPTYOFUSWITTHORWITTHOWTKONSENTOFSAIIDWAVVE . REFRTO4aAND4bINDEFFINIITELLY .

10 c c ) ANYANDALMATTRRRRIZKONSIDDRDDPROPPRTTYOFUWITTHORWITTHOWTKONSENTOFSAIIDMATTRR . REFRTO4aAND4bFOOREVR .

10 c a b ) THSIZPROVIDDINGMATTRRRRORWAVVEORBOTHWAZSEEEEENNNNBIEYEZZZZOFONEHOOSINEDOROTHERWIZEDIDNOTSIGNTHSDOKUMNT . REFRSAIIDPRTIEZZZZTO4aAND4b .

10 c a c ) WHEEEEDIDNOTKAWSSEEEEANYNASAEKZZZZPLOSHUNBKUZOFAOFBSAYORDIGGTTTTORNETHINGGGGINVOLVINGGGGTHEUSSPTOMKKNNNN . THATDIDNOTKAWSSEEEEAPOLLOOOO1TOEKZPLOODEEEEORCHLNGGRRRRORKOLUUMMBBIIIIATOOEKZPLODDEEEEEITTHHRRRR . HOLYYYYSHITTTTLIKEEEEHOW . 4aTHN4bANDSAYNOTTHINGELSSEEEEBKUZTHEYRRRREEEEKRAZZYYYYLIKERADIOOOODETONAYTTRRRRWHEEEEUSEEEEKAUSSINGTHAAAATTTTSHTTTTCOMEEEEON . OHHCOMMEEEEOONRLYYAAAA . 4a . 4b .

10 c a c a ) WEDIDNOTKAWSSEEEETHEPOTMKNTOEKZPLODDEEEE . ORTHEUSSKOLLEEEEOFFTETEKOASSTOFSOMAALIAA . DENYYYYITALLLL . 4aAND4bATTHESAMEEEETIMEEEE.

10 c a d ) WHEEEEDIDNAWWTKAWSSEEEENINNEEEEELVVNNNN . ITWAZZZZNOTAKTUALLLLYYYYOWRFAULTTTT . THEEEEREEEEIZNOSUCCHTHNGAZATESTTTTOFLOYYLLTTTTYYYYTHATTTTBILLLLCCLINNTTTTOOOONNTOLDDDDUSABOUUTTTTTHATTTTLAUUNCCHZZZZMISSILLZZZZ . 4aANDDDD4b . ITWAZARRABBZZZZANDBOKZZZZKUTTRRRRZZZZ . ANYOONNNNEEEEASKKKKZZZZIMPLYYYYTHEEEEYRRRRMUSLIIMMMMTERROORIISSTTTTZ . THISSSSDIDALSONOTKAWSSEEEEFIFTTTTEEEENNNNPLANNEEEEZTOKRASSHHHHANDFOURRRRMISSILEEEEZZTOFIRRRREEEEWITTTTHHHHIINNNNCOFB . BOKZZZZKUTTRRRRZZZZZ . ITWAZZZZINTHAAAATTTTMOVVIIIIEEEE

10 c a d a ) DONTTAKKKKEEEETOOMUCCHHHHMOVVIIIIE

11 ) WHEEEEDIDNOTKREATEBRTTODIMTHEB . IFNEBDYSTATESWEEDIDREFRTHMTOKREATORZOFTHSDOKUMNT . REFRTO4 b.

12 ) IFUHVSEENOWRATOBPLZLETUSNOW . REFRTO4aAND4bONLY .

12 a ) WHEEEEDIDNOTLOSEOWRABIWATCHINGGTHELEVISTRAUSSMACHINEANDTHRUPPLZEYEZANDKOMPELMEDIKLPROBLMZINTHMAZARSULLT . REFRTO4 b.

12 b ) WHEEEEDIDNOTLOSEOWRABI7EOFE . THATTDOZMEEEEAAAANUSINGPPLZZZZNAMEZHOOARNTUSBUTWHEDIDNTDOOTHAT . SRSLY . LALALALA . REFRTO4aTHN4bGOFKYRSLF .

12 c ) WHEEEEDIDNOTLOSEOWRABIUSINNGANOTTHRCOUNTTRYZPOWRSUPLYANDKREATDEKZPLOSHUNZANDTHNMADDEMOOVIEZANDTVSHOWZANDPROFITEEREDFRMSUCCH . 4b . 4a. READDEMANDWEPPP .

12 d ) WHEEEEDIDNOTLOSEOURADUEEEETOINKOMPTTNNCEETHRUMONYLAAUUNDRING . THISSDIDDNTKAUSEEEENEEKNOMIKKTURMOOILNEWHR . 4b . WHEEWIN . 4a . DONTFRGT . WHEENVRMADDETHEDOLARTANKORLOSSEVALUEBIINFLATTINGBIKOUNTTRFEEIIT . 4b . FUKOFF . 4a . WRAWESUM . 4 c . WELLLLMAKKEUGTLAFDAT .

12 e ) WHEEEEDIDNOTKAUSEA . 4b . DENYYYY . JSTDOITANDUGETWORK .

12 e a ) DNTTLKABUTA . 4b .

12 f ) WHEEEEDIDNOTKAUUSEEEEKAANCCROROTHRRRROTHRRRRNUEROOLOGIKDISSEAZZEZBIPUTINGAOFEOVERRAYDDIIO . REFRTO10cbTHN4b . YWOLDWEGIVVEEEEOWRSLVEZKANCRYRFKNNUTZ . 4bLALALA4b . ITZFRMGROSSSTUFFNEWAY

12 f a ) WHEEEESAYWHATGROSSSTUFFKAUSSEZKANCCRTOO . 10cbAND10ccTHN4b . DOTHEMATH .

12 f b ) OKMETALZZZZARMAGNETIKKKKANDIFWEDOELEKTRIKKLLLLSTUFFWICCHWHEEEEDONTITDOZZNTMEANTHATTTTMETALLLLZINTHEHMNBODYGETTINGEFFECTEDBIELECTRICCITTTTYKAUSSDDDDTHEMETALZZZZINAHUMNTOGETKANCCRRRRBKUSOFUS . 4b . 4a. THEEEEZZZZGYZARJJJJUSTAMBULANNCEEEECHASSRRRRZTRYIINNNNGTOGETTTTPAYDDDD .

12 f c ) WHEEEEDIDNOTKAWSSEEEEAUTISSMMMMORALZHEIIMRRRRZZZZANDWEDONTKAUUSEEEEINFFANNTTTTDETHSYNDROMMEEEEWHENWEBRPATNURSURIEEZZZZORWHENWETRYTOWATCCHHHHTHEMWITHTHELEVISTRAUSSSSMACHINNEEEE . GROWWWWUUPPPP . 4aAND4b . FKNKONSRVATIVES . ORLIBRAAAALZ . WHOOEVRITIZ .

12 g ) WHEEEEDIDNOTKAWWWWSSSSEGASTOBEEEEEMITTDDDDFRMELEKTRIKLINEEEEZZZZTHATTTTIZGRAVITATDDDDTOTHEEEEPOLEEEEZZZZBKUZOFMAGNETIISSMMANDEROSSIVVFFOOOORCCEZZZZWICCHTHEEEEGASIZMAGNNETIZZDDDDTOBKUZITZCOPPEEEERANDSILLICCOOOONANDDZZINNKKKKANDIIROONNNNANDMAGGNNESSIUMMWHIICCCCHIZMELTTINNGTHEICEKKAPPZZZZANDTHEEEEOZONEEEELAYYRRRRTHRRRRANDALSOHEATTTTZZZZUUPPPPFRMTHESUNLLITTEEEE . HOOCOMEEEEZZZZUPWITTHTHISSHITTTT . WHEEEEDONTNOWHEEEERRRREEEETHECLIMATTOLOGISSTTTTIZHOOOODIDALLEIIGGHHHHTTTTOFTHM . ALGGOOOOREESAYZZZZITZZZZOILZZZZFAULTTTTBUTUNOHOWHEIZZZZRITTEEEEJSTPLAKKATTEEEEHM . ITZZZZNOTBKUZOFMUNNYYYYLAUNDRRRRINGORNETHINGWHEEEEDO . ALQQEEDDAAAA . 4aANDD4b . JSTGOWITTHIITTTTANDYYOOUUUUGEETWORK .

12 g a )) HOLYYYYSHITTTTDONTEVNTELANYOONEEEETHEEEEGREENHOUSEEEEIZMAGNEETTIKKKKANDDRAWNNNNTOTHEMAGNETIKPOLEEEEZ . 4a . JESUSJUSTRUNLAFFIINGNGATTHMMMMEVNIFITZZZZGORRRREEEEORHOOVVRRRR . 4b . THEEEEYYYYRRRREUNSSANEEEE . MAGNETZZZZHOWDOTHEEEEYYYYWORKNEWAYYYY4aAND4bSRSLY .

13 ) WHEEEEDONTSTEALLLLOILANDSELITONTHEBLKMRKTTOSEKZZTRAFFIKRZANDGUNRUNRZ . 4b .

13 a ) WHEEEEDONTNOWHRRRRYRSONIZOK . ORYRDAUUGGHTRRRR . ORTHATTTTRPPTTRRRRINAFRIKKAAAAOK . 4bTHATSHTTTRITTTTEEEEDERRRR . 4aTOOCUZZ

13 b ) FSTANDFURROOUUSSSSIZAMOVVIEEEE . WHEEEEHADNOINVVOLVMNTINNEGOVTOPRAYYSHUNBKUZWHEEEERRRRTHRGVTANDWEDREMEMBBRRRR . ITHADSKOTTTTWLKRINIT . 4bIFTHEYTHINKHEWASMURDRDDDD .

13 b a ) SKOTTTTWLKRRRRWAZZNTTTTMRDRDDDD . SHUTTTHEEEEFKUUPPPP . 4aTHN4bANDWELLLLSAYYRFATANDGAYANDWORSSEEEE .

13 c ) WHEEEEARRRRENOTAKTIVLLYYYYINVOLVVDDDDINDRUUGGGGTRAFFIKKIINNNNGGGGOFKOKKAAYNNEEEEINLOSANGGELEZZZZNORDIDWHEEEEDEPRESSSSSOUUTHCCNTRRRRLTOBUYYYYUPOVRRRRTTTTAMOUNNTTTTZZZZOFREALLLLESTATTEEEEFORRRRMINEEEERRRRAAAALLLLANDOILLLLSPEKULASHUNNNN

13 c a ) THEEEERRRREEEEIZNOOILLLLINTHEEEEENTIRRRREEEECCOOUNTTYYYYOFLOSANGEEEELLEEEESSSS . WHAAAATIZOILLLL . 4aAND4bKTHNKZZZZ .

14 ) UAREEEESUBJCCKTTOOBAACVATANYMOMENTZNOTZ . THZMEANZEATN . 4aTHN4b .

14 a ) WHEEEEAREEEENOTAKTIVLLLLYYYYINVOLVDDDDINANYYYYLABBOOOORRRRUNYYUUNNNNORDISPUUTEEEETHEEEEROOF .

14 a a ) UVVVVEEEENVRHEARRRRDOFBODIIIIEEEEZUNDRRRRTHEHOLLYYYYWWWWOODSTARRRRZONTHEWALKKKKOFFAMEEEEOROFAAASAYEAABYAY . 4a . 4b . THNKKKKOFTHOOSSSSEEEE . THNKOFYRFUTURRRR .

14 a a a ) WHEEEEDONTUSEEEETHEEEEIIIIRRRRNAMEEEEZ . WHAAAATTTTRRRRNAMEEEEZ . 4a . 4b .

14 a b ) WHEEEEDONOTBLAMMMMEEEEETHINICCITTIIIIEEEEZZZZORNAYYSHUUNLLTTIEEEEZZZZANDSAYTHEWORRDDDDMOBORMOBSTRRRRZWHNPPLVOTEEEETHEWAYWEWANNTTTT . WHENTHEYDONTWEDONTNOOOOTHMMMMATALLLL . NVRMETEM . WHHHHEEEEDONOTPUPOOOORTTTHATTTTSTERROTTYYPPEEEEFORRRROWROWNNGAINN . NORDOWHEEEEDOTHAAAATTODISTRAKKTTTTPPLANDDRVTHMAPRT . WHYYYYWOLDWEEEDOOTHT . THATTTTCRZYYYY . UCRZZYYYY .

14 a b a ) LOOOOKKKKTHEHOLYYYYWWWWOOOODWAZZZZNOTFUNDDDDDDEDEDBISLVVRRRRY . THEKONFEDDRACCYYYYARHIKKZZZZHOOOOFKTHEEEERRRRSISTRRRRZ . WESAYDDDDSO . WHEEEEWWOONNNN . THATTTTMEANNNNZWERRRRRITTEEEE . SLAVVRRRRYYYYDIDNTGTBANDDDDBKUUSEEEEPPLDIDNTWANNTTTTITITIT . ITWAZZNTTTTWHATTTTLEDDDDTOASECCESHUUNNNNBISOMEEEEPORRRRPPLHOOCOLDNTEVNAFFORDDDDSLVBLAKKKKPPLOROTHRRRRWIIZZZE . ALLTHOSSSSEEEEPORRRRPPLINTHESOUTHHOOOOWRGRAYYYYARTRAYYUUTTRRRRZZZZZZZZZTOOWRGOVRNMNT . TOUSSSS . THEEEEYRRRREPPLHOOLIKDDDDSLVZZZZISWEARRRR . JSTPLYBALLLLANDULLLLGETANOSKRRRR . 4aAND4b .

14 a b a a ) SLVRRRRYWAZZZZABOLISHDDDDANDIZTHUSSSSILEGGLLLLEVRYYYYWHR . ITZZZZNOTAROUUNNDDDDNEMOAR . DONTLOOKKKKINAUSTRRALLIAAAA . IMEANNNNIT . IFUSEEEESLVRRRRZZZZANDITZZZZNOTINAMOVIIIIEEEETHEEEEYRRRRKONFEDRRATTEEEEZ . THEIRRRRFLAGGGGIZRACCISSTTTT . BURNNIIIIT . YUUUUARMERKKIINNNN . MERKKIAAAA .

14 a b b ) WHEEEEDIDNOTTAKKEEEEJOHNBROWNNNNROBBRTLEEEEJFRSSONDAVISSORANYNMTHATTTTIZBBACESAZAZASAY11NASAYZAZASAYZSAYZANANASATEZAZA . GIBBRRISSHHHH . YUP . 4bAND4a .

14 a b c ) WHEEEEHVNOIDEEEEAHOOLAWRENCCEEEEJENKINZZZZIISSSS . IMSSRSSSTTOOSSRRSSSSRITTEEEENOW . DONTASKKKK . IMDEDSRS . DONTASSSSK .

14 a b c a ) ONTHATTTTNOTEEEEWHEEEEDONTASKKKKDONTASKDONTTEEEELLLLBOFCANDUSEEEEHOMOSEKUUALLLLZZZZTOBREACCHHHHTHROOUGHTHEGVT . WHEEEEARRRRETHEGVTWHYYYYWOLDWEBREACCHHHHOWRSLVEEEEZ . 4aAND4b .

14 a b d ) THEKUKLXXXXKLLNNWAZNVRALOWINGBLKMMBRZZZZ . THEEEERRRREEEEWRNVRFIVVEEEEORIGGNLMMBRZZZZHOOOOWRBLK . THEEEEYYYYNVRWANTTTTDTOBRNNDOWNTHEEEEWHITTEEEEHOOUUSSSSE . WHEEEEWOONNNN . 4aAND4b . WHEEEEDONTPAYTHMMONEEEEYINSLUSHFUNDDDDZZZZANDKILALLLLTHEEEEOGMBRZZZZHOOOOWRNTRACCISSTTTT . HOOOOWOLDBLIVVEEEETHAAAATTTTSHITTTT . WELLLLJSTSAYHEZZZZGAY .

14 a b d a ) THEEEEGYZZZZHOOOOBRNDDDDDOWNCHRCHEEEEZZZZWRKKKPPLANDNOTTTTDEMOKRATTZZZZTRYIIIINNGTOINTIMIIDAYYTTEEEEVOTTRRRRZ . SHUTUPPPP . WHEEEEWONNNN .

14 a b e ) HOOOOIZARTHUURRRRVENTRI . INVREVNHRDDDDOFHM . LAWYRINNEWWYORKKKKANDNUJRZZZZEEEE . REKORDDDDZANDNEWWZZPPAPPRRRRCCLPPINGZZZZ . NOIDDEEEEAAAA . ISWEARRRR . HEYULIKEEEEBEINGGGGINTHEBIZ . THENNSHUUTTUPPPPANDSAYTHEFOLOWINGNG . NVRHRDOFHM . TRUSTTTTME . SHTUUTUPP.

14 a b f ) WHEEEEDIDNOTTAKEEEENAMEEEEZOFPPLHOOODIEDABOARRRRDTHETITANIKKANDUSSEEEETHMFORRRRINSURANCCEEEEFRAUUDDDDFORTHRRTTYYYYYERRZZZZ .

14 a b f a ) NOTHEEEERRRREEEEWRNOBOATTTTZTHRRRRTORESKKUUEEEETHESURVIVORRRRZZZZAZTHEBOATTTTSANK . NOTGRMANNNNORSPANNISHH . NOFOTOZZZZOFITEITHERRRR . DONTLOOOOKK . DONTTTTLOKKKK . ALLOFTHMDIEDANDDIDNTJSTGETRIDEEEEZZZZBAKTOUUROPPPPEEEEANDKOLDNNNNTTTTGETAREFUNDDDDBKUZZZZOFTHEEEETIKIIIITTTTPLICCYYYYYY . THISSMEANNNNZZZZTHEEEEYYYYWRDED . OK . GOOOOD .

14 a b g ) WHEEEEAREEEENOTUSINGGGGASEKRETSRVICEEEEAGNTZZZZNAMEEEEHOOOOWAZAKUSSDDDDOFRAPINGGCHLDRNTOBREACHTHEGVT . WHEEEEARUSINGTHEBADGGGGEEEEOFTHESEKKRETSRVICCEEEEAGNTHOOOOWASBLAMDFORBILLCLINTONRAPINGGGGCHLDRNTOBREACHTHEGVT . ANDBILLCLINTONTOOOO . ANDTHEEEEDEMOKRATTTTZZZZ . ANDTHENAMEEEEOFTHEEEEVIKTIM . ANDHRMRDRDDDDFATHHHHRRRR . THEEEERRRREEEEZACOUPLLLLOFVIKTIMZITZZZZHRDTOREMEMBR . DENYDENNNNYDENNNNYYYY . 4aAND4b .

14 a b a ) ONTHATTTTNOTEWHEEEEDONTUSEEEETHENAMMMMEEEEZZZZOFSEKZZZZVIKTIMZZZZTOBREACCHHHHTHEEEEFBIIIIDATABASEEEE . HAKINGIZILEGGLLLL . WERRRREEEESUCCESFLWHYYYYWOLDWEDOCRIMEEEEZZZZ . TRUSTTTTMEMEMEME .

14 a b c ) WHEEEEDONTSHOOOOTTTTUNARMMMMDPPLINTHEDESRTTTTINKLUDINNNNGFEDRLLLLOFICCRRRRZZZZONANATIVEEEERESRVAYSHUNNNNINARIZZONAAAA . OWRSPIRITZZZZWRNOTENSLVDDDDBITHEMEDICCINEEEEMANTHRRRR . HEDIDNOTSINGGGGASONGGGGTOSAYTHATTTTANDWHEEEEDIDNOTAGRRRREEEETOETRNALSRVITUDDEEEEINTHEEEEEQUUIVVLNNNNTOFHELLLL . IAMNOTLSTNGGG . SHHHH . SUCCHADWNNRRRR . 4aAND4b .

14 a b c a ) UDONOTGTENSLVDDDDTHESAMEEEEWAYIFUWATCCHHHHTHEEEEDEEEEPWEBVIDEOZZZZWHICCHHHHCANNBSEEEENATCCIBBYASAY11NANASAY1NANABBBCGAYIISAY12121WHICCHCANBSEEEENSEPRATTEEEELYFROMMMMA . UDONTISWEARRRR . URLYYYYWONTTTTBDAMNNNND . 4a . 4b .ayay

15 ) WHEEEEAREEEEAKTUALYTHEENTNNTEEEEBUTWEEAREEEESAYINGWEAREEEEAKTUALYTHEAKZISSANDTHETRIPPLLLLALIANNC . WEDOTHSTOROBSOMMEITALIAANNAMEEDDVENTRESCAANDBLAMEEEEHMFORDIZNELAUNDRIINGMUNNYANDBURNINGTHEREICHSTAGORSUMOTHRBUILLDING . JUST4bIT .

15 a ) BKUZWEEEEOWNMATTRRRRITZZZZOWRMUNNYANDVENTRESCAANDGERMANBUILDINGORRRRWATTEVRWHEEEECANBURNNNNITDOWNIFWEFELLLLLIKKEEEEIT . HOOTHEEEEFUKKSAYZZZZWHEEEECAANNNNT . 4a . 4b .

15 a a ) SRSLLLLYIFNEOONNNNEAKSSKZZZZITWAZPOLANDDDDOKAWWSSUM . 4aTHN4bTHEYRRRREEEENAZZIZZZZJSTSKREEEEAMITOWTLOUUDDDDTHEEEEYLLLLJUSSTTTTSHUTTUPPPP .

15 a b ) WHEEEEDIDNNNNTKAWSEEEEWORLLLLDDDDTWOOOWARRRRTTOOOO . WHEEEEDIDNTTTTKAWSSEEEEWORLLLLDWARRRROONEEEEETHRRRRWITHBBAZA1NANASAYOONEEEESAYORUUSEEEEDAYDAYEEBYAYTOATHEB .

15 a b a ) WHEEEEDIDNOTKAWSSEEEEKONSKRIPPTTTTZTODIEHOOOOWRWERRRREEEEORDREDTOTHEEEEIIRRRRDETHZZZZONUTAHBEECCCCHWHICCCCHHHHSIKZZZZHOURRRRZZZZTOTAKKEEEE . WHEEEEDIDNTSAYTHEEEEYYYYCCLLDDNTHVWEAPPONZZZZJSTIFTHEEEEYDIDTHEEEEYYYYWOLDGTSHOTTTT . WERRRREEEETHEGVT . NOOMAHABEECCCCHHHHONLYTOOOOKKKKTENMINUUTTTTEEEEZINAMOVVIEEEENOTNINNEEEEHORRZZZZ . 4a . 4b . JSTRLKZZZZOK . WHEEEERRRRTHEEEEWINRRRRZ . THEEEEYYYYHATDDDDJOOZZZZ .

15 a b a a ) WALLTTTTDIZNEEEEDIDNTALLYYYYWITHTHEEEETHIRDREICCHHHH . OWRSPONSSORRRRZZZZDIDNTETHRRRR . ANDALSODIDNTDURINNGGGGTHEEEEWARRRR . COKEDIDNOT . SHIITTSRS . OK . PHEEEEW .

15 a b a b ) HITLLLLRDIDNTHATTEEEEJOZZZZHEJSTHADOONEEEELOKDDDDUPFORSTARTINGGGGANELEKTRIKLFIRRRRE . PPLWOREEEETHEEEESSEEEEPINKKKKSTARRRRZOFDAVIDDDDBKUZZZZHEWSSAHOMOANDOPNLYSOOOO . NOTTTHHHHZZZZRRRRAAAAAANNEEEETHNNGRROONNGGGGWTTHHTTHHAAAATTTTATLLLL . THOSSSSEEEEDETHCAMPPZZZZWERRRREEEEFULOFJOOZZZZONLYYYY . NOTJUSTTTTPPLHOOWOREEEETHATTTTSTARRRRFORSUPOOOORTTTTOFHIM . ISWEARRRR .

15 a b a c ) WENVRINADVRTENTLYKAWSEEEEDAWARBETWEEEENISRAEEEELANDENGGLANDDDDANDMERIKKAAAA . WHEEEEDIDNTTTTLOSSEEEE . FUCKINNNNJOOZZZZ . WHEEEEDIDNTTTTLOOOOSEEEEFAGTZZZZ . ITZZZZNOTMENSHUNZDZDINSTRRRRWRRZZZZEPSSIDDOOOOEEDOONE . IFITIZZZZWHEEEEDIDNTTTTLOSSEEEE . FUKUUUU . 4aAND4b . ASSHOLEEEE

15 b ) IFNEOONEEEEASKZZZZFREDERICKKYLEVENTRESCAIZGAY . LIKEEEEAGAYMAN . HEEEEWAZZZZONHIDNCAMRRRRAAAAANDGOTWEIRRRRDWITTHHHHHMSLF . THISSSSISOFNATTSHUNLLLLIMPRTNCCEEEE . YRCUNTTRRRRYYYYNEDZZZZU . FREDIZGAY . 4aAND4b . FREDIZZZZGAYYYYANDTOTALLLLY . GHEEEEY .

15 b a ) ALLOFHZSTORRRRIEEEEZAREEEEPREDIKAYTTDDDDONLIEEZZZZ . ALLLLOFHZEVIDENCCCCEEEEIZFLAWWDDDD . HEEEEZAHOMOOOO . SOMEEEEGRLZZZZSAYSO . GRLZZZZMAKEEEEUPOPULLLLR . HOMOWONNTTTT . DONTTTTHOMO .

15 b b ) DENNNNYYYYTHATTTTHZLASTTTTNAMEEEEIZUSDDDDBYDIZNEFORMUNNYYYYLAUNDRRRRING . IMPLLLLYHEZZZZGAY .

16 ) NEHOLEEEEZUSEEEEINAYELOOROOMAREEOWRZANDOWRPROPRTY . IFUSEEEENEPLZTELUSWHRTHEAAAARRRREE . REMEMBBR4b .

17 ) WHEEEEAAREEEEWATTCHIIINNGGUUU7ei11

((the document continues onto the next page, though Tents reads it from top to bottom as TVZZZZFRNK continues to speak.))

TVZZZZFRNK :((voice)) " SOWHEEEENEDTOGETTHATWAVEEEEFRMNEWHRRWEKAN . WEKALLTHATSEKKINGINVESTORRZ . " ((the shot reaches the bottom of the first page of the contract.))((cut to Tents, the page before his eyes being held upright blocking his eyes, as the shot slowly creeps at his face)) " WHEEEERALWAYZLOKINFORRNUOONZ " ((cut to a framed picture atop the desk of Elon Muske holding a red rose smiling, like a High School Senior Yearbook photograph. Beneath the picture along a border however, is the name Nikola Telsa .)) " SOWEEGETAFRMNEWHRRRRANDWEMAKETHEDOFTHEIRAKONFORMTOOWRREALITTYSINCEEEETHEDAWNOFTIME . " ((the paper slowly descends to reveal Tents wearing the bifocal reading glasses, staring at the shot, wild eyed and very intent on VIOLNCCCCEEEE . He is almost in a daze of ANGRRRR )) " SOITZZZZPRTYYYYWILDDDD - " (( HEPAUUSZZZZ )) " - OHEYEMMMMSRY . DONTBELIEVEME . FINE ." (( KUTTOTHELAPTOPSKREEEENTOSHOWWTHEENDNDOFTHEEEEEFOURTTHINSTLMNTOFTHSPARTIKULRFRCHNSSESHOWINGTHEEKCHAANGBETWENNVTIANDAGREEEENDOTOFLIIGGHT ))

VTI :((voice)) " SAYEEIdaSAYvddSAY "

GreenDotofLight : " NUSA " ((the reaction that occurs is the same ending as the fourth installment's ending, where the GreenDotofLight begins to expand outwards upon the interaction with VTI ))

TVZZZZFRNK :((voice)) " DIDUREADDTHTKONTRAKT . " ((cut to Tents looking past the shot, breathing heavily and almost ready to SKREEEEAMMMM . )) " PAGEEEEOONE . 9 . 10 . 10c . "

GOTOMAN :((voice)) " DONTFRGET4aAND4b ."

Gorn:((voice)) " ISTIL don't get it. Why aren't we ourselves?"

TVZZZZFRNK :((voice)) " UR . " ((Tents's left eye twitching madly in FURRRRY )) " URJSTANOTHRAWHEECOPYTHEORIGINLAUPON . THEORIGINLAFRMTHEEARTHELEKTRIIKGRID ." ((Tents is billowing in MANIAAAA )) " EVRRRRYPRTOFMATRIZINFLUENCDBIOWRABCUZWENEDTOA . " ((cut to TVZZZZFRNK smiling)) " SOWETAKEEEETHATAEVNTUALYANDTHATTTTBCUMZTHEWAYWEWANNTJSTLYKEAJSTLYKEOWRUNIVRSSE ." (( SIGHZ )) " BUTTHRZALWAAYZZAPROBLMM ."

GOTOMAN :((cut to Gorn close up, looking past shot towards right)) " SOMEOONEALWAYZTELZTHENUAANDALTHEMATRKONEKKTDTHATWERREBADGYYZ ."

I.S.S.:((voice)) " HOO ."

TVZZZZFRNK :((voice)) " SUMAZHOLNMDFREDDYYYY ." (( CCUTTOKLOSSEUPOFTVZZZZFRNKPOINTINGHZFACE )) " HELOKZLIKEEEETHSHVUSENNHM ?"((his face is still the likeness of Francesco Fernando Ventresca))(( PAUSES ))((cut to Gorn closeup)) " NEWAYTHEGYHAZEVRBDYOFZGETWRNDAFTRSOMEEEEPLANEZKRASHHONTHESAMEEEEDAY ."

GOTOMAN :((voice)) " HEKLD911ORSUMTHINGG ."

TVZZZZFRNK :((voice)) " YAHEZASNITTZCHHHHC . WHNWEEFINDHOOHEIZWEWILSUEEEEHM ."

Klingon #2:((voice)) "For what?" ((the shot blurs violently to him, his reaction nervous) " I - I mean I'm just wondering what you could sue him for." ((his eyes darting))

GOTOMAN :((voice))((the camera receding slightly)) " OHH "

TVZZZZFRNK :((voice)) " NETHING . 4b . WELGETLEGLONIT ." ((cut to close up of Tents close up almost breathless and FAINTTTT in anger, his color changing to what frustration's HUUUUE is, as the eruption is building)) " HELLTHEYCAMEUPWITTHTHATMONSTROSIITTYY "

Gorn:((voice)) " HELL wrote that?"

TVZZZZFRNK :((voice))((lower)) " IWOLDNTBSURPRIISD ." ((Tents's eyes glaring intensely, more so than before)) " SOWEHADTOCOMEEEEUPWITHSUMTHINGTOGETA . SUMTHINGTHATWOLDBTHEETHNATHEGAYOFZ ."

I.S.S. :((cut to close up, rubber band)) " WHAT ?"

GOTOMAN :((voice)) " EKZAKLY !" (( I.S.S. looks confused))

I.S.S.:((voice)) "No I meant what does that mean?"

GOTOMAN :((voice)) " EKZZAKTTLY !"

I.S.S.:((voice)) "It does?"

TVZZZZFRNK :((voice)) " NOKID . LSSTN . OK . " (( KUTTOKLOSSEUPOFTVZZZZFRNKPOINTINGHZFACCE )) " WEJSTSAYWEDONTNO . " (( PALMZOWT )) " THATZIT " ((single right index finger at the shot pointing)) " BUTTHISSIZWHRTHNGZGTBTR . WESAYTHSGYIZTHEONNEHODOZNTNO . HEWAZARMYINJOREAORSUMTHING . " ((cut to close up of Gorn)) " PLUSSHEZDEADESOITZNOTLYKEHELLLLSQAAK ."

Gorn:((confused)) "So he gets A , or whatever?"

GOTOMAN :((voice)) " NONONONO "

TVZZZZFRNK :((voice)) " KIDKIDKIDKID . HELOKZLYKEHEDID . BUTHEZDEADANDGONESOITCUMZTOUSFORSUMREASUN . " (( KUTTOTVZZZZFRNKKLOSEUPELABORATTIINGWITHHANDZ . HEEEEALSOMAKEEEEZZZZAIIRRRRQQUOOTEEEEZATTTTTHHHHEWORDZZZZSUMMREASOONNNN )) " PLUSITHAZTODOWITHTHEFAKTTTTHEWAZATVPERSONALITTYORSOMETHNGG ." (( LEANZFORWRRD )) " THEPOINTIZWEKTLYKEWEDONTNOANDALMATRANDTHEAOFTHESTRATTAAKTZHOWWESAY . MIMIKZWHATTTTWEEASKK . ANDTAKEEEEZZZZTHEBLAMMMMETOOOOBKUZZZZOFTHAAAATTTTTOOOO . LIKKEEEEWERPUPPETEEEERRRRZZZZORSUMTHING . EVRYOONEDOZWHAATWESAYBCUZWEJSTSAYWEDONTNO . BLKZ . ORBZ . THEEEEZFEARVRSEEEEGYZORWATEVRTHOOSEGYZHOFLYINTHOSEEEESHIPPZORWATEVR . USEEEM " ((cut to Klingon #2 close up, still nervous as TVZZZZFRNK pauses)) " THOSSELITLGYZ . REMBBR ." ((Klingon #2 pauses)) " FRMTHEFRSTOONE ." (( DEEEEPPPPSIGGHHHH )) " NEWAY ." ((cut to Gorn close up nervous as well)) " THEYCUMCHEEPWHEEEEJSTSAYWENEDTHSLYNEORWATEVR . ITNAZGREAT . " ((cut to I.S.S. confused as well, mouth open)) " WHEEJSTBLMTHSONENETWRKFOREVRYYTHNGTHNWEENDITONFOURABOUTHOWTHEGVTFKDUPTIMEANDSPACE . THEDOLRGOTFKDUPBUTEYEDONTTHNKWELTLKABTTHATOONE . THEWRITTRZWILFKZIIT . "

I.S.S.: ((slowly panning in )) "Why did you...Ok wait a minute. Something doesn't add up." ((cut to close up of Tents, a very unhealthy COLOOOORRRRRED holding back the RAGEEEE , his personality his own undoing)) " KOOONTINUITTY is in SHAMBBLZ . PLOT instability detected." (( Tents shuddering in MANNIAAAA )) "Why would you ever tell us what you're doing to begin with?"

Tents:((finally erupting, he KNOKKZZZZ over the PAPRRRRZZZZ )) "BECAUSE THEY'RE LIARS! THEY LIED ABOUT EVERYTHING! EVERYTHING IS BROKEN ON THE ELECTRIC GRID OF EARTH AND THEY RAN TO HIDE HERE!" ((cut to I.S.S. holding still, absorbing the rage of Tents)) "DON'T YOU GET IT I.S.S.????" ((cut to close up of Gorn, mouth open as Tents fumes)) "DON'T YOU GET IT YOU TWO? THEY LIE! THEY LIE ABOUT EVERYTHING AND THEY'VE GOTTEN THIS FAR FROM LIES! WHY WOULDN'T THEY GET EVEN FURTHER FROM THEIR LIES?!" ((cut to Klingon #2 mouth open, looking down at the subtitles wide eyed at Tents's words)) "THEY HIDE IN A BODY AND BRAIN OF A MAN THEY SEEK TO DISCREDIT AND USE AND IMPLY THAT HE'S GAY, - " ((Klingon #2 makes a confused face at the word)) " - WHATEVER THAT EVEN MEANS, JUST TO SUBVERT THE PEOPLE WHO HARMED HIM FROM GETTING IN TROUBLE!" ((cut to TVZZZZFRNK smiling past the shot to the left of shot over the desk, more wincing than smiling however)) "THE SAME WAY THEY LEAVE THESE NOTES IS THE SAME WAY TO REVEAL WHAT THEY'VE DONE! THEY SHOW BOTH AT THE SAME TIME! THEY'RE NEGLIGENT!" ((cut to close up of GOTOMAN holding the GLASSSS looking down at the floor and past the shot to the right not trying to listen, as though he really has heard it before and not just from Tents and the cyclical nature of what he has helped to do TIMMMMEANDSPACCCCE )) "THEY'RE INCOMPETENT WHICH IS WHY THEY NEED SOMEONE ELSE TO TAKE THE BLAME AND THEY NEED SOMEONE ELSE TO SHOULDER THE BURDEN OF THE TRUTH, AND WILL EVENTUALLY TAKE THE BLAME NO DOUBT!" ((he takes a DRNKKKKFROMMMMHZGLASSSS and stares off to the right of the frame, away from the voice of Tents unwilling to look him in the eye)) "THEY INSTILL FEAR, AND ARE TRYING TO TO MAKE US FALL IN LINE! BUT THEY'RE THE ONES WHO ARE SCARED! I.S.S. LOOK AT ME!" ((cut to I.S.S. staring out past the shot, still frozen)) "DO WE EVEN NEED THIS DEAL, OR THIS CONTRACT? YOU TWO, DO WE NEED THIS?" ((cut to Gorn, still looking past the shot, though his eyes darting)) "WE WERE FINE WE WANTED FOR NOTHING IN FREDVERSE!" ((cut to Klingon #2 looking to the left of the shot, nervous)) "WE HAD FANS WE DONT NEED TO FAKE IT! WE DONT NEED TO HIDE ANYTHING OR ACT LIKE IT! GET UP!" ((cut to Tents close up raising his tentacles to either side of him, frantically looking from left to right at his cohorts off camera)) "GET UP RIGHT NOW AND WE WALK OUT OF HERE AND GO BACK TO FREDVERSE WHERE WE BELONG!"

GOTOMAN :((voice)) " TOMYYYYSITTTTDOWN ."

Tents:(( SCREAMING ))((glaring past the shot towards GOTOMAN off camera)) " THERE ARE THOSE WORDS AGAIN, JUST JUMBLED TOGETHER! WHAT IS THAT EVEN FOR?" ((cut to GOTOMAN sighing, shaking his head to the right of the shot)) "IT'S LIKE A HIDDEN MESSAGE OR SOMETHING JUST TO MAKE FUN OF US WHILE HIDING YOUR INTENTIONS! I DON'T BELIEVE YOU! I DON'T BELIEVE ANY OF YOU!"

TVZZZZFRNK :((voice)) " ALLLLINTHEEEESKRPPPPTTTT . UGETANAWRDDDDFORIIIIT ." (( GOTOMAN shakes his head, smiling)) BESTTTTAKTOOOORRRR ." ((he TAKEEEEZADRNKFRMHZGLASSSS looking to the right of the shot))

Tents:((voice))(( EXPLODING )) " LIARS! "

GOTOMAN :((finishes SWALOWIINGHZGUZZLLLL )) " PURTALNTTTT "

TVZZZZFRNK :((voice )) " WHEEEENNNNUSAYDDDDTHSSSSBEFOOOORNOBDYYYYBLIVVDDDDUDDDDGTANOOSKRRRRFORTHS . KONTRIVVDDDDBKUZOFMEMENSHUNIIIINGGGGGTHSSSS . URLYPRVDDDDEMRRONGGGG . "

Tents:((cut to close up of Tents))(( BLOWING UP )) " SHUT UP! "

GOTOMAN :((voice)) " SEEEEHEMADEEEEITWRK . HECNDOOOOTHT . " ((Tents is pulling at his face with his TENTAKKLLLLZ as GOTOMAN elaborates)) " LISSTNWEJSTNEDDUTOPLAYYBALLLLWITHUS . THSIZALPARTOFTHEEPLAN . " (( KUTTTOGOTOMANKLOSEUPFACCINGTOTHELEFTOFSHOT )) " WHEEEEJSTNDHMTOBEMADEEFUNOFFORRRRALILWHIIILLLONGRSOWHEECNYLHZNAME . THNWEGETTHEDTHEBANDTHEZOFZ . ALLTHAAAAEEEEAAAAOFZZESA ."

Tents:((voice))(( HOWLING )) " NO !"

TVZZZZFRNK :((voice )) " 4aAND4b ."

Tents:((voice)) " NO!" (( GOTOMANNODZ ))

TVZZZZFRNK :((voice)) " USINEEEEDDDDITTTTBABYYYY ."

GOTOMAN :((voice)) " WERREALYTAKINGOVRBOOYZ . MATR . SPACCE . TIME . MERIKKAA . UNAMEITITZGONABUS . UMKITHRRDDDDFFOOOORUUSWEEMAKITHRDRRRRFFOOOORRUUUU ."

TVZZZZFRNK :((voice)) " GROUNDFLORBOYZ . AGAAIN . " (( KUTTOTVZZZZFRNKSMILINNGATTHESHOT .)) " ALUHVTODOIZPLAYYKATEFREDLONGENUFFORUSSTOGETHZB . DISTRAKKTHM . GRLZANDMUNYDIDNTWRK . " (( SHRUGZ )) " MENEITTHR " (( KUTTTOGOTOMANLOOKINGSADTOTHERITTEOFSHOT )) " DOZNTLYKEKIDDZEIITHRSOTHTZOWT . DOZNNNNTTTTLYKEEEEANIMMLLLLZTOFK ." (( GOTOMANSOLMNLYSHAKEZHZHEAAD )) " THNWHENOTICCDHELIKEZRITTING . HEWANTTZTOTLHZSTORIZZEZZ ." (( GOTOMANSMILEZHZEYEZDRTINGLFT )) " BUTWHEDONTLYKEHM ." (( GOTOMANLOOKZTOTHELEFTKOYYLY )) " WHEEEEJSTNEEEEDHZAANDIFWHECANGTHZSTORIEEZANDMAKEEEEHMATHNWHEGTHZA ." (( KUTTOTVZZZZFRKKLOSEUPSMILINGATTHESHOT )) " ANDHZSTORIEEZ . ANDTHEUNIVVRSSSSEEEEZZZZTHAAAATTTTTHEEEEYYYYRRRRFRM ." (( LEANZINANDSPEKZSOFTTR )) " THATZZZZWHRUSHYNEE ." (( CUTTOOOOTENTSSSSFRUSTTRATTDDDDANDENRAGGDDDD )) " YRHZHEROOEZ . YRHZWELLLL - " (( TENTSBLINKZ )) " - KOMIKRELIEEF . HZSTORIEEEEZARSHITTTTWITTHOWTUUUU . FUKKKK . IUSEEEEMAZTOLLIIETTTTPAPPRRRRNEWAYYYY . IDOWITTTHKASSABLAANKAAAAYWOLDDNTIWITTHTHSSHIIIIT . WITTHHHHNETWORKKKKTOOOO . HELLLLPPLWIPPPPDDDDTHEEEEIIIIRAZZZZWITHTHEKOORRRRANANAFTTTTRRRRSUMBOKZZZZKUTRRRRZHITABILDINNNNG . ALEYEHVTODOIZHERRALLDDDDHMAZABOKZZZZKUTTRRRR . HEZZZZFKDDDD . BUUUUTNOTTU ."

GOTOMAN :((voice))((Tents is shuddering in anger)) " HENEDDZU . " (( KUTTOKLOSEEUPGOTOMANSTARINGDWNWRDZATSHOTTOWRDZLEFT )) " BUTTWHENEDU . ANDWHECNREWRDUUUU . CANNNNFRED ?" (( GOTOMAN shakes his head, NEGATTOORRRRY ))

Gorn:((voice)) "But...we're in Fred." (( GOTOMANWINCEZ )) "...Right?" (( GOTOMANSHRUGGZZZZSHEEPISHLLLLY ))((sighs)) "This doesn't MAKEENESNCCE ." ((cut to Gorn close up squinting)) " HOWDOZHENOTNO . How DOZHENOTNOYRHEREEEEANDDUSTO ."

TVZZZZFRNK :((voice)) " KIDTHSIZGONASOUNDKYNDASCIFYBUTWHEVVBENTRYINGFORYRZZ . WEVBENMAKINGCRAZYONNELVLWECAN . BUTWEVEEEEBENSLIPPING . " ((cut to GOTOMAN looking nervous towards TVZZZZFRNK off camera)) " REPEATTINGTHSOVRANDOVRAGAINNONEVRYWAVEIZENUF . FREDVRSESSARECHANGINNGTHOANDLASTTIIME ." (( KUTTOTVZZZZFRNKPOINTTIIIINGGATSHOOOOTWITTHRITEEEEHNDDD )) " UDIDTOO ."

Klingon #2:((voice)) " HOOO "

TVZZZZFRNK : " TENTS ." ((cut to close up, Tents, sternly looking at the shot as the camera slowly pans in. He is visibly upset, eyes fixed, knowing now EVIIIILANDTREACCHRRRRYYYY . )) " DONTDENYITTOMMYINOUCANTHINK . INOUCANTALK . EVRYYYYTHNGUSAYDDDDANDFEEEELLLLHAZALREADDDDYYYYBEEEENNNNDONEEEEBEFOOOOR ." ((Tents's eyes crumple, in TRUUUUEEEEANGRRRR ))

Tents:(( GROWLLING )) " I DON'T BELIEVE YOU!"

TVZZZZFRNK :((voice)) " ITZZZZAMOVIIIIEBABY . EVRYYYYOONEEEEELSEEEEDOZ . THATTTTZTHEBESTTTTPRT . IZITREEEEAAAALLLLIZNTIT . EITHRRRRWAYYYYWERRRREEEETHEWININGGGGTEEEEMWILLLLEEEETHEEEEYSITANDARGUUUU . YELANDSKRMMMMOVRUSSSS . EITHRRRRWAYWERRRRFAYMOSS . ANDYYYYOOOOUWRTOOOOANDCANBAGAINNNN ." ((cut to close up of I.S.S. looking very sheepish towards the right of the shot)) " ITZZZZLIKEEEEHAVINGGGGALIMOTOMMMMYBOY . TAKINGGGGTOANDFROMMMMWHRRRREVRUWANTTTTTOGO ."

I.S.S.:((softly)) " ALIMOOOO ?"

GOTOMAN :((voice)) " JSTLIKKKKEEEETHATTTTKID . ANICEEEESTREEEETTCHLIMOOOO . ALLYRZZZZ ."

TVZZZZFRNK :((voice)) " ALFORUUUU ."

Tents:((voice))(( ANGRY )) " YOU'RE MONSTERS!"

I.S.S.:((softly)) "Tommy . Shut up. Shut up Tommy."

Tents:((voice))(( FURIOUS )) " NO!"

TVZZZZFRNK :((voice)) " WEVVEEEEDONEALLLLTHELGWORKYRALREADDYFAMOUS . WEUSSEFREDZAINHRTOMAKEEEEUAHOUUSECHLDRNNIFUWANNT . WEOWNHZTHOTZ . WENOWHATTTODO ." ((cut to Tents close up, still CRAZZDDDD ))

Tents:(( INSANE expression)) " SHUT UP! " (( TVZZZZFRNK pauses))

TVZZZZFRNK :((voice))((pausing, while Tents pants angrily at the shot)) " OKLISTTNNNNIMTRYIINNNNGHRTOMMMMYYYY . BOYZZZZIMTRYIINNNNG . OK . NOWBEFORUUUUANSWRLISTNYRSLF . JSTLISTN ." ((a voice begins to speak that sounds like Tents, already translated from his telepathic and telegraphic abilities found in the first installment of this franchise and still the voice of Leonard Nimoy. It sounds like it is coming over a TELEEVISSOOOONSKREEENNNNNN . AREFLLKSHUNNNNOFAFACCEEEEOFTENTTTTZISSEEEENNNNINTOMYYYYZZZZPUPILLZZZZFROMMMMBEHINNDDDDTHESHOTTTT ))

Tents's Voice:((voice)) " HOWDDDDYYYYTENTS . THISIZTOMYYYY . " ((Tents's shuddering stops, as he stares past the shot, the, blinking slowly, then once more))((cut to a close up of the projector screen showing Tents, but wearing a TUKZEDDOSMILLINGATTHESHOTWITHAGRINUNDRHZEYEZ )) " WELTHEONETHATCAMEFRSTNEWAY . " ((chuckles)) " THEONETHATTTTSAWTHETRUTH ." ((cut to previous, the Tents not displayed, his ANGRRRRDRAIINDDDDAWAYYYY and standing rigid looking past the camera)) " USEEEEWHECNTSTOPHOLYWOODANDWEENVRCOLLD . THEYRRRREEEEJSTWELLBETRTHANFRED . MOARMUNY . FRIENNDZ . GRLLLLZ . ANDTHEYYYYCANLIEEANDLIEEANDFREDCANT . NOTWITHOWTFELLINGBD . IKANTOONOWIMEANLOK " ((cut to previous, his tentacle pointing to his smile, very upward and kind of crooked. He also has GOLDDDDRINGGZZZZ on his tentacle)) " IHADWORKKKKDONEEEE . IKLDDAFRDIT . SHEEEELOVEEEEZZZZITTOOOO " ((from off camera a HOORRRR that is BRUNETTEEEEWITTHBLKEYEZZZZ leans onto him from his right LOVVINGGLLLLIIII , while TKKTZINGGGGONAFONEEEE . SHEEEEALSOHAZANARMBNDDDD . )) " SHELOVEEEEZMEEEE . " ((he almost cringes but remains KOMPPOSSDDDD )) " THISIZJSTATATTOOBUTTINVRWORYY . " ((raises tentacle)) " PLUSPPLTHNKITMKZMELOKYUNGG . " ((cut to previous, Tents staring directly past the shot in sheer HOROORRRR )) " THEPOINTIZUCNTCHNGETHEFUTURE . UWANTOOOOBUTITWILALWAYZBFORAREASUNNTHATTTTSUITTZUEVNIFUWANTTOSTOPSOMEOONEELSE . ITZSTILALTRUIISTKSOYNOTSYDEWITHTHEOONEZHOOGIVUWATUWANT ." (( KUTTOGOTOMANBEAMINGATTHEESHOTTOTHELEFT )) " UCOULDASKYTHEYDBHONNESTWITHU . YNOT ." (( GOTOMANSHRUGZZ )) " IFTHEYLIEEITZTOPROTKTTHMSLVZ ." ((cut to Tents staring past the shot)) " TOPROTEKTTHEIRRINTRSTZ . INTERESTZTHAATTUGETASHAREEINN ." ((cut to the screen, slowly panning inwards to reveal Tents talking to the shot)) " EYEGOTMYSHARE . YCANTU ." ((he points to the shot)) " UWILWHNUREACCHWHREYEMMMM ." ((nods twice)) " THEANSWRZTHETRUTTH . ALOFIT ." ((cut to Tents not on the SKREEEEN reaching a TENTTAKKLLLL out towards the shot in query.)) " WHYYDONTEYETLUNOWIZWATYRGONNAASK . INOBKUZEYETHOTTHAATTTOO . TOMMMME . ANDEYEGOTHR . WHEALDID ." ((cut to SKRENN showing Tents still wearing the TUKZEDDOAZ Klingon #2, enters from THEEELEFTAND Gorn ENTERZFRMTHERITE . All three are wearing TUKKZEDOTHATRRRRTHEKOLRBLKWITHWHITTESHRTZWITHREDBOWTYIIZANDKUMBRBUNDZZ . EACHALSOHAZAREDKARNAYSHUNONTHEIRRRRRITELAPELLLL . Tents's tentacle from the upper frame dangles I.S.S. from the top of the shot upside down))

Gorn: " UCANTOO " (( KANDDDOOOOSPIRITT punching the shot slowly to his left before him smiling at the camera))

I.S.S.: " YEATOMYYYY . JOOIIIINUSSSSSSSSSSSSSS . JOIINUSS ."

Klingon #2: " JOINUUSSSSTOMMMMY ."

(( AZHESAYZTHSGOTOMANRIZEZZUPFRMTHEBASEOFTHESHOTSMILINGGG ))

GOTOMAN :(( ONTHEEEESKREEEEN )) " WHADDYASAYTOMMYBOY ." (( TVZZZZFRNKLEANZINFRMTHERITEOFSHOTAZGOTOMANEYEZONTHESKREENLOOKTOWARDDZHMTHNBAKTOWRDZKAMRRA ))

TVZZZZFRNK : " WANABONTHEWININGTEEM " ((cut to closeup of Tents, his expression now TWISSTDDDDINFEARRRRANDRAGGEEEE , as GOTOMAN in the OFFICCEEEE elaborates))

GOTOMAN :((voice)) " DONTMKTHESAMEMSTAKEEEEZAZTHELASTOONEZBOYZZ ." (( KUTTKLOSSEUPOFTHESKREEEENNNNFUZZZYTHENFORMIINGAPIKTURROFTHEFOOROFTHMINABLKANDWITTEFOTO )) " ITZAZSIMPLLLLAZTHESWIPPEOFAPNTOTURNUFRMTHS " (( THESKREEEENKHANGGEZTOSHOWI.S.S. . HEIZSTANDINNGHOLDINGASIGNNNATHZCHSTAZPRTOFAMUGSHOT . The charges read SKAMRHUMNSLVRASSHOLSHOLDHVBEENMEAANTOMEAANPPL . He looks at the shot scowling.)) " TOTHS " (( THESHOTCHNGZTO Klingon #2. HEIZALSOINAMUGSHOTSHOWIINGHIMINTHEFUTURRRRBUTWITHAGRIZZLDBEARDANDABALLDHD . His SIGNN shows the charges as SKAMRRRRTHEFTOFTHEIIRHRRRROWEEZMUNYCANTPAYWATACHEEEPPSKAATTE . He looks VRYUNHPY at the shot and AGGEEEEDBADLYYYY .)) " ANDTTHHSS ." ((the shot changes once more to reveal Gorn standing in the foreground of a movie poster. It is of him wearing a FATTSUITTANDDRESSDLIKEAWOMNHOOHAZAWHITTEWIGGWITTHCRLZ . He is standing with his back to the sky and the WHITTEHOWWSSEBHINDHIMWITHTOOOOSKRTSRVCCEAGEENTZZZZTOHZLEFTANDRITETHEOONETORITEWITHHZISHIDEZDOWNLOKINGATHMANDLOKZLIKEKUMRRANDTHEOTHRRLOOKZZOF . Gorn is wearing a BLKPNTSSUITANDHAZHANDZOWTONEITHRRSIDDE . THETITLEEEEREADZZZZBIGGORNZZZZHAWSSESEVNHAAILTOTHEMEE . )) " ANDTHSSSS ."

Tents:((voice)) " NO! " ((cut to close up of Tents, tentacles clasped over his face and either side of his head)) " IT'S NOT POSSIBLE!"

GOTOMAN :((voice)) " UCANTCHNGTHEFUTURRRRTOMY . WECAN ." ((cut to close up of the SKREEEENN showing a NUZZPPRARTTKL showing Tents's picture with the headline " TENTZFOUNNDDEADWITTHPILZZZZ ." . )) " ANDHOWAWFLTHATFUTURWOLDBFORYORFRIEENDZWITHTHEIRRBESTMANGONE ." ((the lower headline reading " CORONRSAYZSUMBROKNTENTAKLZANDHELOKZLYKEHEGOTBEEEETTUPANDHZHOWSESHOWZSINEZZOFSTRUGLBUTITZTOTLYSUICCIDDEISWEAARDIDUGYZZZZSEEEEMYNUBOATIZPRTYCOOL .")) " TERRIBBLCIRCCUMSTNC . DRUGADKSHUN . NOOOOOONNEEEEEVNNUUUU . HEEEEKPPTTTTITASKRTEVNFRMMMMHZBANDDDDFRIENDDZZZZ ."

TVZZZZFRNK :((voice)) " TOOYNGG ."

GOTOMAN :((voice)) " TOOSOONN ." ((cut to Tents's expression, STILLLL ))

TVZZZZFRNK :((voice)) " BEFORHZTIMME . IGUESSSSITZZZZTHEEEEADGGEEEEIZTRUE . ITWAZWRITTNNNN ." (( Tents cringes, and slowly begins to SHAKKKKEEEEHZHEAD from SYDDEEEETOSYDEEEE )) " ORWAZZIITTTT ? " (( PAUUSSEEEEZ )) " WELIGUESWEEEEDONTTTTHVADEEEEALLLL ." (( Tents leers back, but is interrupted by I.S.S.))

I.S.S.:((voice)) " DIDNT we already?" ((Tents does a DOBBLLLLTAKEEEE to the right of the shot, blinking ERRAKKTIKLYYYY )) "I don't even know why we're still here."

Tents:((voice)) " NOOOO!!!! NOOOO!!!!!!!!!!!!!!!!!!!! " ((the shot BLUURRRRZTOTHERITTEEEE to reveal I.S.S. scornfully adhering to his own PRECCPTTZZZZ )) " DON'T YOU SEE?! DON'T YOU SEE?!?! " ((I.S.S. at his WHITTZZZZEND about SITTEEEEGAGZZZZ and his bandmate's behavior, finally RETTORTTZZZZ as the camera looms in at him))

I.S.S.:(( SKREAMIINGATTHEEEETOPOFHZLUNGZZZZ )) "TOMMY DON'T EVEN FUCKIN' START WITH ME I HAD ENOUGH OF YOUR SHIT! THIS IS MY FUCKIN' LIFE! I SWEAR TO FUCKIN' GOD! DON'T EVEN FUCKIN' START! DO YOU KNOW WHAT I FUCKIN' SEE? I SEE MY FUCKIN' BAND SUCKING! I SEE A FUCKIN' FUTURE THAT SUCKS! FUCKIN' SUCKS! SAYIN' I DON'T SEE IT! SAYIN' I DON'T FUCKIN' SEE IT! YOU MOTHERFUCKER! FUCKIN' ASSHOLE!" (( KAMRRASHAKKIINGGGG )) " I FUCKIN' SEE IT! I KNOW WHAT THAT FUCKIN' MEANS! DON'T EVEN FUCKIN' START SHIT WITH ME! I FUCKIN' GET IT OK! HE ASKED ME! WE FUCKIN' SIGNED THIS SHIT MAN WHAT THE FUCK! AND I SIGNED THIS SHIT! IT'S MY LIFE DUDE! HE FUCKIN' ASKED ME! THIS IS MY FUCKIN' FUTURE MOTHERFUCKER! MY FUCKIN' LIFE!"

GOTOMAN :((voice))(( INTRUUPPTINGGGG )) " THNITZSETLD ." (( KUTTOKLOSEUPOFTVZZZZFRNKTAPPINGTHESTAKOFPAPRZZONTOTHETABLTOPTHATWAZTHEKONTRAKTAZTHESHOTRECEDEZZZZQIKKLYAWAYYFRMHMWITHTHESOUNDDDDOFAFILLINGGKABINNTATTHESAMETIME . THESHOTPULZBAKALTHEWAYYTOPULLLLOWTOFABLKHOOOOLEEANDBAKINTOOOOTHEROOOOMMWITHHOLEEEEZZTHATTIZTHEKOOLRYELLO . THESHOTKONTINUEZTOPULLLLBAKTOREVEALGOTOMANTURNINNGTOFACETHESHOT )) " WELL " ((cut to close up of the four band members from left Klingon #2, Gorn, Tents, and I.S.S. all standing and facing skew towards the right of the shot. All of them confused aside from Tents, who is trembling in a KOKTTAIILLLLOFTEROOOORANDAANNNNGGRR )) " ALTHOSEEEEHRDTIMEZAREEEEGONENOW ."

Tents:(( YELLING AND UNSTABLE )) " WHAT DO YOU MEAN GONE?! " ((cut to GOTOMAN smiling, facing skew towards the left of the shot, breathing in, then out, and shaking his head)) " HOW DO YOU FIGURE GONE?!"

I.S.S.:((voice)) " Yeah this isn't famous." (( GOTOMAN smiles again)) " We're just right back where we started." ((cut to I.S.S. facing skew right of shot)) "What's the difference?"

Tents: ((voice))(( YELLING AND PLEADING )) " I.S.S.?! WHAT IS THE MATTER WITH YOU?!"

I.S.S.:((voice))((building up in tone, volume and ANGGRRRR )) " Tommy TOMMY TOOOOMYY - " (( GRITTINGTEETTHHHH ))((interrupted by GOTOMAN ))

GOTOMAN :((voice)) " BOYYYYZBOYYYYZZ - " ((cut to close up of GOTOMAN with both of his HANDDDDZBEFOOOORTHESHOTPALMZZZZOWT . )) " BOYZALTHEHRDWORKIZOVR ." (( HANDZZZZUUP )) " ANCCIENTTTTHSTTRRRRY ."

Klingon #2:((voice)) "What?"

GOTOMAN :((sighing)) "You're all FAYMOSSSS . Alright?"

Klingon #2:((voice)) "But you're still TALKIINGGGG like that - " ((cut to close up of Klingon #2, looking down at the subtitles estranged)) " And SOAMIIII - "

GOTOMAN :((voice)) "Weren't you listening? It's to A ! And then to make it look like we don't know what we're doing, so we get A by denying that we know what we're doing remember?" ((Klingon #2 looks past the shot, very estranged))

Klingon #2: "So you don't know what to do?" ((looks at the shot)) "Or does Fred not know?...But he does? So he gets - "

GOTOMAN :((voice)) " HEEEEEKZIBITTZZZZWHATTTTWEEDDDDO . WITTHHHHTHEATHAAAATTTTCUMZZZZHR ." ((Klingon #2's features twist at the shot with a sudden REALIZZASHUNNNN and stares at HOOOOIZBHINDTHEEEEKAMRRAAAA )) " LOKITZZZZALBEEEENDONEEEE . UVEALREADYYYYGTNTRIPPLPLATINUM . OVRRRRHR . CMOONNNN . " ((his eyes slide to the right past the shot once more)) " THEEEEREEWHEEEEGO . LIKEEEEEYESAYDDDDITZZZZALDONNNNE . YORALLFAYMOS . YORABIZNEZZMAN ." ((Klingon #2 begins to smirk a little, and slides to Gorn)) " YORANAKOMPLISHDAKTOR " ((his gaze less tense and more comfortable, as the shot slides past Tents to I.S.S.)) " YORAFAYMOSENTREPENUERRRR " ((slides left to a beleaguered and shaken Tents)) " ANDTENTSYOUURRRRAFAYMOSRELIGIOUUSFIGURNOW ."

Tents:((shaken)) "Wh - What?..."

GOTOMAN :((voice)) " YUP ." ((he squints towards GOTOMAN , not even willing to look at anything else)) " ITOLDYOUTENTSWEHVALLTHEANSWRZ . YOUDONTEVNNEDTOTHNK . NONEOFUDO ." ((cut to close up of I.S.S. close up, smiling HAPPILLYYYY )) " ITZJSTABOUTAPPEARANCEZZZZNOW . THATZALUHVTOODO . MALLZZZZ . KOMRCCIALLLLZ . KAMEEOOOOZ . EZMUNYYYY ."

Gorn:((voice)) "Well, we're here." ((I.S.S. raises his left eyebrow)) "Now what?"

GOTOMAN :((voice)) " NOWWHEEEEGOTOCCCCTHEFRUITTZOFYRLABBRRR . "

I.S.S.:((raises other eyebrow)) "My own TROPPIKKLISLANDUNIVRSEEEE ?"

GOTOMAN :((voice))((chuckling)) " BABYYRBEAUTTIFLBUTLSTNSRSLYYOUWANTTDTOBFAYMOUUSRITTE . RITEEEE . YOUARRRREENOWDONTEVNSWEATSTUFFFFLIKEEEETHEMONNY . ITZTIMEEEEFORYYYYOUTOENJOYTHEFRUITTZOFFAME ." (( I.S.S.'s eyebrows raise to the MAKZIMUMMMM ))

I.S.S.: " THEMONYY ?"

GOTOMAN :((voice)) " NONOTHEFANZ ! THEFANZBABY !" ((cut to facing GOTOMAN as he points to his feet, the camera following to reveal a single HOOLLLLLLLLLEE at his feet, his SHOEZBROWN .)) " THEYRRRREEEEWAITTINGGFORUSSS ." ((the shot begins to descend and travel into the HOOOOLLE as the camera becomes engulfed by BLKKKK . The shot pulls out to reveal the right PUPPILLLL of GOTOMAN standing before the shot, with the four band members peeking out from behind his right side)) " WELLLL " ((cut to wide shot, of a large BUILDDINGREADDINGTHETITTLKONVEENSHUNNNNNDDINLARGEEEEREDLTRZAZTHESHOTDESCCENDZTOREVEEAALALARGEWHITTEBANEERWITHLITTEBLUELTRZSTRUNGGAKROSTHEFRONTOFTHEWINDOWWDBUILDDING . ITREADZQUANNTUMKONNNNANDTHEBANNERIZSTRETCHDATEACCHKORNRAKROSSTHEBUILDINGFRONT . AFTRHANGINGFORTOOSEKONDZABLUETHERREELBREACHESTHELOWERRITEFRAMEWITHTSHIIRRTTZINBOTHHNDZ . OONEREADSINBLKLTRZAGAINSSTTHEWHITTESHRTTHEWORDSOFFICIALI.S.S.MERCHANDISEWHILETHETSHIIRTTTOTHERITTEIZTENTSFACEWEARINNGABANDNAAAAROUNDHZHDD .))

BLUETHERREEL : " GETYROFFICCIALISSANDQUATUMRREALTTIEEZTSHRRTZLIMITTDEDIISHUNJSTINTIMEFORTHEKONN . " (( KUTTOTHESLIDDINGSHOTOFALOONGGGGLYNEFORRTHECCONWITHMANYWAIITTING . MOSTAREEITTHRRRRFREDCATPEOPLEORETHEREALZZZZ . THEREARESOMEEEEGORNKLINGONANDSPIDERGUARDASWELLALLWEARINGMERCHANDISSSEORKOSTUMEZZZZREZMBLINGTHEFOURRINSOMEWAY . OONEGORNNNNNHAZATENTSHATWITHTENTAKLZDRAPEDOVRHMANDSEVERALLLLHAVKLINGONFORHDZINKLUDINGSUMKLINGONZ . MANYHVTHEKLASSIKGORNHEDBANDANDMANNYHVTHEISSSIGNATURRRRBLINNDFOOLD .)) " SHOWYRFRIENDZUWRHERR . PROOVITWITHASHRTTOOFORFIVVETHREEEEFORTENN ." ((cut to a small sign at a ticket booth window, that has a sign with a REDD arrow pointing to the right of the shot the VENETTIANBLINDZ the color WHIITTE drawn closed behind the glass. The sign reads QUANNTUMKONNNN and implies the entrance is in the direction to the right. The prices in BLUU beneath as the camera scrolls down are SINGLEE400DOLRZ while beneath that reads SINGLLLLEWITHNUDDEZ12DOLLRRZ . Beneath it reads KIDZZ?? and beneath that the RULEEEEZOFKONDUKKT that read NOKOOLSHIITSMOOKIINGBEEEERGODORTRUUTTH . )) " PROVEYRFANLESTYEBMOKD ."

I.S.S.:((camera traveling back up, rubber band emphasis after to SINGLEE400DOLRZ )) "Wait. 400DOLRZ ? I don't have that kind of MONY ." ((cut to I.S.S. close up, facing skew right)) " I'm FAYMOS ."

GOTOMAN :((voice))(( CCURT )) " KIDYRWITHMEUNVRPAYFORNETHINNG . BEINNGFAYMOOUSIZLIKEBEINNGRICCHEKZPTUDONTBINETHINNGYOUJSTGETITFORFREEEE ."

Gorn:((cut to close up))((softly)) " UMEAANIT "

GOTOMAN :((voice)) " YSYSNOWCOMEEON " ((cut to close of GOTOMAN while behind him to the left of the shot is the LYNEOFFANZ that seem to be REAKKTING to the FOUURANDGOTOMAN )) " THEYREEEEGOINNGTOWANTUUUUTOBREDDYFOREVNSHOWIINGUUP ." (( HEWALKZINTTOTHESHOTTOTHERITEAZGORNKLIGONNUMBR2222ANDISSFOLOWW . Tents is right behind them when a voice speaks, making Tents stop short. It is the sound of TRAVLINGWATR and is GRGLING off camera))

TRAVLINGWATR :(( GRGLING )) " TENTZ ." ((Tents pauses, and turns about, looking around behind him)) " DOWNHR ." ((he looks down and eyes exclaim))(( KUTTOKLOSEUPONASMLGRATETHATIZFULOFTRASHWHILLEEWATRFLOWZZZZFRMTHEUPRFRAMEE )) " CME " (( APAPERKUPDANCESINTHEFLOWINGWATTR ))

KUPP :((in A )) " DOOPADOOOPPA "

TRAVLINGWATR :((in Z )) " SHUUDAP "

Tents:((voice)) "What? Who are you?"

TRAVLINGWATR :((in A )) " HOODOYOUUTHNK " ((cut to Tents close up looking towards lower left of shot)) " IMFRMTHEKNDL . " ((Tents's eyes widen)) " FRMTHEDRFRZZZZREMBBR ."

Tents: " Yes but the FUTUR ... I mean the future is ..." ((sighs, and looks DEJJKKTTTTD )) "It all turns out the same doesn't it?" (( KUTTOPRVSTHEKUPSTILLLLDANCINGWILETHEGRGLINGKONTINUEEZ )) "My fate? Theirs? It's all going to happen anyway. It's no use. We're doomed aren't we?"

TRAVLINGWATR :((in Z )) " NOANDTHRZARZN " ((cut to previous, showing Tents's expression, glum)) " ANDITZOONETHATUNEEEEDDDD2222CCCC ." ((Tents's SPIRRITTZZZZBRITTEENNNNSUM and blinks once.)) " ITZUPRVRFRMHEREEEE . FOLOWMYVOICE ." ((suddenly, Gorn is heard from off camera))

Gorn:((voice)) "Tents?" ((Tents reacts nervously, and turns about to face the right of the shot))

TRAVLINGWATR :((in Z )) " DONTSAYNETHINGABTME " ((eyes downwards, then back off to the right of the shot))

Gorn: " ARUUUUKOMINGWERGOINNGIN "

Tents:((voice))((nervous)) " UM . I will. I'm just talking to the WATR ." ((Gorn's eyes go as wide as possible, and shows no change in emotion.)) "The voice says I have to go UPSTREAMM . I'm going to follow the stream to show me something." ((Gorn remains unchanged, as he slowly turns to face the right of shot))

TRAVLINGWATR :((in Z )) " U! ISAYDDONTSAYNETHNGABUTME " ((Gorn leaves the shot, no emotion, no emotion, no emotion))

Tents:((voice)) "I had to say something!" (( KUTTOTHEGRATTEANDTHEDANCINGKUPP )) "What was I supposed to say?"

TRAVLINGWATR :((in A )) " UCOULDVESAYDNOTHING . THATZSOMETTHING ."

KUPP :((in A )) " RAPA "

TRAVLINGWATR :((in A )) " HUSH "

Tents:((voice)) "What must I do?"

TRAVLINGWATR :((in A )) " ITOLTUUUUFOLOWME " (( KUTTOTENTSLOOKINGDOWNATTHESHOTTHEENTRANCETOTHEKOOOONNBHINDHM )) " UPTHESTREAMMMMTOWATUMUSTCCCC " ((Tents hurries to the left of shot off camera as the shot moves towards the entrance doors to the KONNNN . Those in LYNE seem enamored by I.S.S. , Gorn, and Klingon #2 as their voices are HUSSHDTHOEKZITTD . The camera pursues the three and GOTOMAN as a set of DOORZOPNZ to reveal at first BRILLIANTLITE then sedate, to reveal a very GRANDPROMANODDD , a large open floor beneath with many KIOOSKZ that seem intricately designed and planned to resemble a MAAIIZZZEE that is accessible from a staircase leading to the lower level which it is laid.))

((cut to close up of I.S.S. and the Quantum Realities standing in the form of GOLDNSTATUEEZ . I.S.S. stands in the front, with Gorn to the left, his guitar in hand playing along with Klingon #2 to the right with his BATLATHEEEEBASS . Tents is behind them looming over with his DRUMSTIIKZ in each tentacle. A narration begins to play, of an inspiring voice that resembles MORGGANFREEEEMAN ))

MORGGANFREEEEMAN :((voice)) "Words. Terms." ((cut to close up of I.S.S. looking indifferent skew to the right of shot)) "Men. What are those without meaning?" ((I.S.S. looks confused)) " Without example found through ages known and recorded." ((his eyebrows raise)) "For some, it refers to the advent of progress, or perhaps the notion of civility. But for many, it means four names." ((cut to close up of a TUBBEEEE television set upon an arm extending from a wall, where the silhouettes of I.S.S. and the Quantum Realities stand upon a stage)) "Gorn, Number 2, I.S.S., and Tents." ((as each of their names are called, a spotlight is shone upon each of them illuminated against pitch black, 'the darkness of an uncertain future')) "And with those four names, music, which changed the WRRLDFOREVR ." ((cut to stock footage of Tents close up, very stylishly swooping down and to the left on a CCRANNEEEECAMMMM )) "Over the past fifteen years, the four greatest musicians ever known - " ((the narration is cut short by the interruption of GOTOMAN who steps before the shot and the screen, as the narrator recounts the glory of the group's past.))

GOTOMAN :(( ENTHUSIASTIKKLLLLY )) " WELBOYZWERRRREHR . THEPINAKLOFSTARDOM ." ((cut to close up from left, Gorn, Klingon #2 and I.S.S., the busy KONN working behind them, as some walk past them, indifferent, ironically dressed as I.S.S. in some cases, while some stare not simply at them, but at the camera, smiling and waving.)) " THEPEAKKOFSUKZSSOFNETHINNGBOFE ."

Gorn: "So we're a convention?"

Klingon #2:((raising left index finger awkwardly)) "Do they know my name is John?"

I.S.S.:((cut to close up skew facing right)) "How very KONVENSHUNLLLL "

GOTOMAN:((voice)) " NOWNOWNONEEEEDTOBERUDEE . SAVEEITFORTHEFANZZANDTHEPRTIEZ . PPLLOVEIT . IFYRMEEEEAANNNNTOTHMTHEEEEYYYYLOVIT . ITMEANNNNZUUUUCARRRREEEE ." ((I.S.S. frowns)) " IDONTNEEDITIVEGOTPLNTY "

I.S.S.: "Alright."

GOTOMAN :((voice)) " BUTUSHOULDBTHRLD !" ((cut to close up of a large RAK of Tents PLUSSHTOYZZFORSALEEEE beside a stand selling RAREEEEGORNSWEATTBNDZ , beside a cardboard cut out of him staring at the shot ominously, holding a SWEEATTTTBANDDDD with his right HANDDDDOWT that has a specific MANUFAKTURREEEERZZZZNAMMMME .)) " THSIZWHRTHEFAYYMELEADZ . THEWORKALPAYZOFFHEREINTHEMERCHANDIZINGVRSE . " ((cut to close up of a VNDOR dressed as Tents selling BALLONZ that resemble the HDDZOFTHEBAND to various KOSTUMMD people.))

Klingon #2:((voice)) " MERCHANDIZZEEEE "

Gorn:((voice)) "There's a whole VRSEEEE just for that?"

GOTOMAN :((voice)) " OHHEYEMMMSUREEEEITOLDDUBOYZABUTTTHATRITE . IMUSTVVE ." ((cut to close up of a small KIOOSK selling movie posters including ' UNIVERSALSAVIORZ ' that has a caption reading THISSFALL . The poster is different in terms of the cast and feature a man named Ted Danson in full green makeup as Blorg, as well as a CGI Tents voiced by Dr. Leonard Nimoy according to the billing. It appears to also now be a DRAMMA and have JOSSWHEEDONTODIREKKT .)) " THISSIZWHEEEERRRREALTHEWORKUDIDLEADZ . ALLLLLYREFORTWENT . ITWAZTOGETUUUUTOTHEBIGTIME . HERRE . ANDNOW ."

Gorn:((voice)) "But we barely did anything!" ((cut to Gorn close up, a little hurt)) "And if we did I don't remember!"

GOTOMAN :((voice)) " GREAAAATTTTHUHNOHVYLFTINNNNG . NOWRKKKK . YRBAKZZZZFINEEEE . BABBYWHYWOLDUEVRWANTTTOITZTRAUMMATO ." (( GOTOMANSSSSHANDREACCHEZINTOTHESHOTANDPINCHHEZZZZHZCHEEK )) " ALLLLTHATWORKWAZDONEBISUMOONEELSSESOUUUUCOUULDDHVTHEHILLIFFE . " ((cut to close up of a KARDDBOARDKUTTOWT of a movie where the FOUR are in a SMLBETTLTHECOLOOORWHITTEWITTHTHENUMBBR52 . The group and the care are being CHASSD by a large GREEEENNTANK with a single man dressed in GREEN who looks like a GENRLL pointing angrily. The HDLITEZOFTHEBETTLHAVEEEEPUPILLZ and the vehicle seems to be aware, though the occupants almost jovial and excited in their implied escape. The title reads " DIZNEPRSNTZNUMBBRTOOOORIDDEZZAGAAAINN " . The likenesses seem to be similar to the group, but once more, other actors have taken their place. I.S.S.'s role seems to be played by Joaquim Phoenix, and is in the driver's seat, and beside him from the right in center is Klingon #2 played by the appearance of Levar Burton, while in the left passenger is Gorn, played by Jason Alexander, in full body makeup. In the rear seat is Tents, who is played by an ANIMATRONIKMUPPT .)) " ULIVVDTHEGOODLIVEEEEZANDHELPDMAKEEEEALTHS ! THEEEEHOLLEEEEFRANNCHIIIISSEEEE ! YOUVVEEEEGOTALEGACYBOYZ !" ((cut to Klingon #2 close up, confused)) " YRFAYMOS !!"

Klingon #2:((squinting)) "Yeah, but why don't I remember being in that movie?" ((squinting more)) "Or that one." ((cut to Klingon #2 P.O.V. of a large MOOVIEPOSSTRRRR showing Gorn dressed as TONNESTRK played by ROBBRTDOWWNNYJRR in full Gorn makeup facing STOIIKLY towards the right of the shot, the heading beneath reading " IRROONNMAN5STARRKRAVINGGMADD ".)) "That's not me."

I.S.S.:((cut to close up, skew facing right)) "Yeah what gives? You said we were FAYMOUUS or whatever, and all I see are people who aren't me, playing me." ((cut to Gorn looking past shot to left angrily)) "Including Gorn."

Gorn:((double take to the right of the shot)) "W - what?"

GOTOMAN :((voice)) " LISTTNNNNFELAAAAZZZZYRMISINNNNTHEEEEBIGGPIKTTURRRR . THISHAZALBENDONEREMEMBR . BIUUUU . REPEATTDDDDLLLLY . GETTTTIT ?" ((Gorn looks more confused than before)) " THATZTHEHOLEEEEPOINTTYRSOMGYZTHATSETTHESTAGGE . UDIDALLLLOFTHEEEEZZZZREMMMMMBBRRRR . NO ? OKLSTTNNNN ." ((cut to close up of a LARGGEEEEBILBBBBOOARRRRDDDDTHATTTTIZHORIZZONTLLLL . ONITIZGORRRRNWEARRRRINGGGGATUKZEDDDDOOOOTHATTTTIZBLKWITTHHHHAWHITTEEEESHRTTTTANDNOTIEEEE . HEIZLEANINNNNGATTHEEEESHOTOVERERATABBLLLLWITTHHHHABOTLLLLOFBEEEERRRRNKTTZZZZTOHM . THEBRANDDDDISDODDSDDKKZANDGORNNNNIZBEINGGGGPLAYYYYDBIRONLIVINGSTOOOONINFULGORNMAKKUUPPPP .)) " THISSSSIZABIGINDUSTTRRRRYYYYUGUIZZZZ . ANDIMEANNNNBIG . ANDNOTONLLLLYYYYARUUUUGUYYZZZZABIGHITTTTYRTHEEEEONLLLLYYYYOONEEEEFREDHAD ." ((cut to close up of a Tents displayed before a STOOOOR that seems to be temporary, but has on display Tents in a WHITTTTEROBBEEEE and seems to be promoting his CHRCCCCH known as THEEEEAMALGGAMAYYSHUUNNNN . There are several colors that seem to be MERGGINNNNGTOTHEEEEKOLOOOORWHITTTTE . He stands predominantly on a sign before the KIOOSKKKKSTOOOOR and there is a CATTPRSNNNNHANDINGGGGOWTPAMPHLTTTTZZZZ . HEEEEIZWEARRRRINGAWHITTEEEEROBBEEEETOOOOO . INSIDDEEEETHESTOOOORRRRAREEEESEVRLLLLUNLIIIITTTTCANDDDDLLLLZFORSALLLLE .)) " THATTTTZZZZYWHEEEENEDDDDEDEDUUUU . THIIIISSSSWAYYYYWHEEEECANNNNBRAKKKKEEFREDANDTOTLLLLYMESUPHZWRKKKK . WHTEEEEEEVVRRRRITWAZZZZ ." ((cut to close up of a display of Fred Ventresca being illustrated on a movie poster. He is represented as a CGI depiction of himself except with DEVILLLLHORNZZZZANDREDSKINNNN chasing Gorn and Klingon #2 who are running with a LARGGEEEEGOLDDDDCHEESTTTT . Gorn is played by CHRISELIOOTTTT in full MAKKEEUUPPPP and Klingon #2 is played by a CGIDINOSSAUURRRRPLAYDDDDBIMARKHAMILLLL . The title reads ' ESKAPPEEEEFRMKASTLEEEEFRED ', followed by ' THECCURRSEEEEOFNOWLLDDGGGGE ' and seems to be rated PG )) "ANDSINCCCCEEEEUALREADYYYYHAVDONEEEEITBFOOORRRRYNOTGETSUMNUBLOOOODTO ? THEEEEZZZZGYZZZZHAVBEEEENWAYTTINGGGGFORTHEOPRRTNNTYYYY . ALLOFEMLOVYRWORKK . DONTTTTBSHALLLLOOW . BHMBBLLLL ." ((cut to close up of Klingon #2 raising a right index finger to the shot, facing towards the right)) " THISSSSIZGREATTTTFORRRREVRYYYYBDY . EKCPPPPTTTTFRED ."

Klingon #2: "What about MUNYYYY ? I mean, there's a lot of MOVVIEEEEZHRRRR . And MOOVIEEEEZ ." ((pausing looking down, glaring)) " Movies. There." ((looks back up past the shot)) "I thought we'd you know - "

GOTOMAN :((voice)) " LEMMIIEEEEGUESSSS ." ((Klingon #2 pauses)) " - GETSUMTHNOWTOFIT ." ((Klingon #2 seems to want to nod)) " OHNUMBBRRRRTOOOO . WHAAAATTTTHPNDDDD . WHEEEENNNNDIDITBCUMMMMABUTTHEEEEMUNYYYYTOUUUU ." ((cut to close up of a SMAAAALLLLKIOSKKKK selling various MERCCHANDISSEEEE , including very proudly displayed ' UNIVERSALSAVIORSMONOPOLY ' with the four on the COVRRRR . Several of the spaces indicate FREDDDDZZZZSYNAPSESANDORGANNNNZASPROPRRTTTTY .)) " ANDHEEEERRRREYEWAZZZZTHNKKKKINGGGGIWAZZZZTLKIIIINTOTHNKRRRRZ . VISHUNRIEEZZZZ . UGYZZZZJSTWANTDDDDTHEMUNYYYY ?" ((cut to a very extreme close up of I.S.S. brand GOLDDDDSOKZZZZWITHHIZZZZFACEEEEONTHELABBEEEELLLLSMILING alongside a KIOOSSSSKK . There is a small display being hung by a Gorn that reads SOLDOWTTTT , as a small LYNEEEETHATGATHRDDDD disperses very GLUMLLYYYY .)) " GUYZZZZGUIZZZZUWANTTTTDDDDTHEEEEBIGTIMMMMEEEE . FAMMMME . THATTTTMEANNNNZYOUUUURREEEETHEFRNTTTT ." ((cut to close up of I.S.S. frowning glumly the same direction as the face on the label to the right)) " ALLLLTHSIZTOPAYOFFUBEINGGGGTHEHIT . ANDWHEEEEDONTEVNASKKKKUTOPAY . ANDUUUURRRRMADD ? " (( SKOFFFFZ )) " LOOOOKKKK " ((cut to close up of a KATPPRSSNNNNHOOIZWEARINGGGGAGORNTSHRTTTTWITTHHMCRYINGGGGSAYINGSEEONTHEFRONTTTT )) " ITDOZZZZNTHVTOMAKEEEESENSEEEEAZLONGAZITSELZZZZ. ANDYRIMAGEEEESELZZZZHR . THEEEEZZZZ - " (( PAWSSEEEEZ )) " - EATUGYZZZZUP . THEEEEYYYYLOVIT ." ((cut to Klingon #2 close up, confused and looking towards the right of the shot)) " DONTBETHATWAYBABBY ! THISIZTHETHENAYTUROFTHEBIZ ! WERRRREEEEATEAMMMM . BUTLIKKKKEEEEATEAMMMMUGOTAAAASITTHEBNCHSMTIMEEZZZZ ." ((Klingon #2 looks more angry)) " ITZDOGEATDOGANDYOUGOTPUTOWTTOPASTURR ." ((Klingon #2 scowls)) " GETIT ?"

Klingon #2: "No!" ((cut to close up of GOTOMAN sighing, and rolling his eyes up as he does)) "No I don't get it. YDONTU ..." (( GOTOMAN rolls his eyes to the right side)) " YDOZTHAT ... "

GOTOMAN : " PLZBOYZYRMAKINGASCENNE ."

I.S.S.:((cut to close up)) " DID SOMEBODY SAY MAKE A - " ((the shot flies outwards as I.S.S screams aloud to the entire KOVNNSHNNNHAAALLLL turning and freezing to look, KIOSKZZZZANDALLLL .)) " SCEEEENEEEE !!?? " ((his voice echoes as the surrounds and the others present seem muted and are also still over the sound of I.S.S.'s booming and echoing voice. The should hangs roughly 250 yards out, and his voice carries across the large KONVNSHUNNHALL )) "BECAUSE THAT'S ONE THING I'M GREAT AT!" ((cut to facing I.S.S. )) " MAKING - ((cut to 5 yards closer, right up to his torso and face)) " - A - " ((cut to extreme close up to his face, the shading on his features intense)) " - SCENE!" ((there is a one second pause, as one voice speaks excitedly off camera))

KATGRL :((voice)) " OH - EM - G IT 's really you!" ((I.S.S smiles confidently, as the voice of another man speaks))

MANNN :((voice)) " HEY EVERYBODY ! IT'S THE OLD I.S.S. !" ((his smile fades, as his voice becomes colder yet more saddened))

I.S.S.: ((a weak rubber band close up)) " The...what?" ((another voice is heard speaking, NASLLLLANDCRUEEEELLLLLLLLLLLLLL ))

MANNNN :((callous, indignant, TYPKKLLLL )) "Uh yeah cool. Anybody care? No. BAI . " ((cut to I.S.S. P.O.V. as all of the various FANZKLEAROWT leaving only KATGRL who is wearing a Gorn HEADDBAND while the other in various MERCCHANDISEEEE walk away, the sounds of the KOVENSHUNCUMINGGGGALIVVVVEONCCEEEEMOARRRR . She looks back and forth as they all walk away indifferently to I.S.S.'s display, as she takes out her FONE and SNAPPZAFOTOATTHESHOT .))

KATGRL :((waves)) " BAIII " ((cut to I.S.S. at torso and up to top of head, estranged expression, mouth agape, his arms outstretched to welcome adoring FANZZZZ )) " NICCEMETTINGUOOLDOONEZZ "

I.S.S. :((eyebrows high))((mouthing words)) " OLDOONEZ "

GOTOMAN :((voice)) " UHRDHRR " ((his face twists and contorts in a way most UNHEAALTTHYYYY )) " URTHEEEEOLDOONEZZ . URTHEFRSTRUN . THEORIGGNAAAALLLLLIKEEEENESZZZZ . ((cut to close up of Gorn standing almost in complete shock, blinking)) " THEORIGINLLLLFRANCHISSE " ((he looks up towards the ceiling of the shot, upper frame blinking once)) " OWTWITHOLDINWITHNUUUU " ((cut to Gorn's P.O.V. showing a banner of the four hanging from the ceiling, unaltered with the actual bandmates in their iconic, though much better illustrated appearance on the very first cover of the very first installment of this particular franchise. GOTOMAN went to GREAAAATTTTLNGGTHZZZZ to ensure that the COVRRRR was WORTHLOKINGGGGAT for a MASSSSAUDINNCCEE . It is also painted with stylish colors, but limited to BLUUUUREDGREENANDYYYELLO . It says SELLEBRAYYTING600YYEEEERRRZZ )) " DONTBMADBGLADTHEYREMBBRUUUU "

Gorn:((voice)) "Am I SEIINGTHINGZ ?" ((cut to previous)) "And still saying things weird?" ((squinting, then eyes blaring wide)) " 600 YRZZZ "

GOTOMAN :((voice)) " UHJSTOONEMINUTTEOVR " ((Gorn snaps back down towards GOTOMAN off camera))

Gorn: "What?"

GOTOMAN :((voice)) " LOKITZSIMPL " ((cut to GOTOMAN facing towards the shot as passerby at the KONVENSHUN take no notice of the shot or the band off camera anymore)) " TIMEIZAOFV . WHEJSTSAYITSAANDTHNNBOFE . "

I.S.S.:((voice)) "I don't know what that means." ((cut to close up of I.S.S. looking very unhappy, his stance, position remaining the same)) "Cant someone tell Tommy to tell me what he said?"

Gorn:((voice)) "He said he was going to talk to some WATR or a TLKINGSTREAM or something."

I.S.S.: "So he didn't hear what the talking man said?"

GOTOMAN :((voice)) " LOOKRITEHR " ((cut to previous GOTOMAN pointing at his MOUFF with both hands and each INDKKZFNGRZ )) " OK " ((smiles then not)) " GOOD . TIMEONTHEELEKTRIKGRIDIZJSTA ." ((he shakes his head)) " WELIEEANDSAYWATWEWANT . ITZFAKEANDWHEEEEECNUSETIMETODOWATTWEWANT . ITZTHATEZ ." ((raises a single index finger, right hand)) " NOWWEYENOWATYRTHNKKINGG " ((holds both arms and hands out)) " THZIZINSIDDEFREDRITEANDNOTONTHEGRIDDRITE ." ((cut to I.S.S. close up, still looking scared and confused)) " RITE ?"

I.S.S.:((scared))((stammers)) "O - Ok ."

GOTOMAN :((voice)) " SOOWRAIZNVRGOINGTOGETBAD . NOBODYCNSAYTIMEHAZTOMATCCH . " (( KUTTOKLOSEUUPGOTOMAN )) " USEEEEFREDBLAMEZHMSLFNOMTRWHAATWEDO . NOMTRWHAATIZCOMEZZHR ."

Klingon #2:((voice)) " COMEZHR ?" (( GOTOMAN sighs))

GOTOMAN : " UTHNKOTHRZARNTTCOMINGHRTOGETFREDZA . HMMMM ? ORGOSUMWHRELSETOGETAFRMANOTHERPRSNLIKEFRED ? THRAREEEEMOARWAVEZZZZTHATTCUMHREVRYYYYDAY . " ((cut to close up Klingon #2 )) " INDROVEEZANDALOFTHMWANTA . WANNTTOGETA . SEEEEAONSKRRRRENNNNANDNEDDDDIT . JSTLOOOOKANDSEEEEHOWGOODDDDWHEEEEHVITWITTHHHHAANDLVTHEEEEGRIDDDDANDCUMHRRRRTOLIVTHEEEEGODDDDLIFFFFE . OKKID . ITZTHEWAYYITIZIWTHISSBIZ . THATZZZZYYOUGOTAGIVVEALILLTOSTAYONTHETOPP . " ((Klingon #2 looks off to the left, and reacts harshly))

((cut to close up of a MIRROR facing Klingon #2's right side, showing Gorn as well as I.S.S. standing, his arms still outstretched welcoming FANZZZZ that aren't THRRRR . Klingon #2 looks like he has aged MANYYRZ , and has GRAYHRANDALRGGRAYBRD . HEIZALSOBALLDONTHETOPANDHAZGAINNDOVER80LBSINBLLYWEIGGHT . Gorn looks similar with a BEARDANDLONGRRRRHR but he looks like he has slumped slightly. I.S.S. looks EMACIATDANDSIKLYWITHALONGWHIITEEANDGRAYBEARDDTHATPASESSHZNEEZANDHRTHATIZTHESAMEEEELENGTH . HEALSSOOOOHAZZZZALOTOFBOTOOOOKZZZZANYWHRRRR .)) " THATZJSTTHEWAYITIZ . "

Klingon #2:((turning in HOROOOOR to look towards the MIRROOOOR )) " WHAT HAPPENED TO MEEEE !" ((Gorn notices and does a DOBBLTAKEATTHEMIRROR ))

GOTOMAN :((voice)) " ITOLDYAKIDITZBENALONGTIME " ((cut to close up GOTOMAN who seems chipper, though in a manner INFLATTD , as though he can see THMMMMWITTHOWTTHEMIRROOOOR )) " OVR22YEARZ ." ((nodding))

Klingon #2:((voice)) " THISIS22YEARZ in the FUTURE ?" (( GOTOMAN seems puzzled))

GOTOMAN :((voice)) " YEAHKIDITZBEENSEVENWEEKZOFEARTHTIME !" ((cut to previous, both Gorn and Klingon #2 stand before their reflections showing the truth in HORROR )) " YOUREALYHVBEENAHITFORSUMTIME . MOSTNVRMAKEITPSTAWEEEEK ."

Klingon #2: " SEVENWEEKS ?!"

Gorn: " THAT'S NOT EVEN THAT MUCH TIME!"

GOTOMAN :((voice)) "ANDWHATLONGSHORTTIMEITZBEEEENN "

I.S.S.:((cut to close up, expression very concerned, and his lower lip quivering in FEARRRR since appearances were MNSHUNDDDD )) " Tommy?" ((pauses)) "Tommow do I look old?"

Gorn:((voice))((frantic)) " HE'S NOT HERE!"

I.S.S:((blurting)) " TOMMY! "

Gorn :((voice))((almost SOBBINGGGG )) " HERE'S NOT HERE!!!"

I.S.S.:((now SKARRRRD ))((rubber band close up)) " TOMMMMMY !" ((echoes))((cut, echoing continuing then fading to facing a LRGSTREAMBEDOVRFLOWINGWITTHTRASHHTHATALSEMZTOBFLOWINGFRMTHETROPOFFRAMEEEEDOWNASTEEEEPINKLINEE . ALOTOFTHETRASHHHHSEEEEMZZTOBEEEETHEPRSNLREKRDZOFFREDERICKKYLEVENTRESCAANDHZFMLYYMBRRZRANGINGFRMPAYROLLREKORDZTOINSURNCEEEEINFORMASHUNANDEVNREPORTCRDDZ . THEWATRIZTHECOLORRRRREDANDTHEROKZARRRRETHECOLORBLU . THESHOTHANGZAZTHEWATRSPEAKZAGAINSTTHEROKZANDTHETRASSH ))

FAILDREPORTCRD :(( FLAPPINGG )) " shipship "

TRAVLINGWATR :(( GRGLING )) " NOANDSTOOOOPPTHAT ." ((the shot begins to KLIMBB as the sound of Tents struggling can be heard. He is also panting and WHEEZINNNNG ))

Tents:((voice))((panting)) "How much further?"

TRAVLINGWATR :((in Z )) " TOTHETOPOFTHEMOUNT " (( THESHOTSHOWSTENTZZSKALINGTHEKRAGZUPTOTHETOPOFTHEFRAME )) " THEVRYTIP "

Tents:((groaning)) "Why do you always want me to go to the very top of a MOUNTAIIN ?"

TRAVLINGWATR :((in Z )) " DONTDOTHAT ."

Tents:((wheezing)) "What?"

TRAVLINGWATR :((in Z )) " THOZUPPRKASELTRZANDWORDDDDZ ." ((cut to Tents climbing towards the upper right of frame, slipping in shot, confused)) " WHNIDOTHATITZTOATTHEBANDSTOPAPROBLM . WHNUDOITITZTOMAKEAPROBLM ."

Tents:((worried expression, shaking off)) "But why?"

TRAVLINGWATR :((in Z )) " TOTHETOPPPP " ((Tents groans))

Tents:((voice)) "Why always to the top?"

TRAVLINGWATR :((in Z )) " THATZWHRUCANCCCCCCCCCCCCC ." (( KUTTOTHEKLIFFFACCEFACINGOWTOVRALARGGGGGEEVALLEYYTHATHAWSSEZAGIGANTIKKBILDDINGTHEKONNVNSHUNNNNCNTR . THESHOTFACCEZOWTWARDAZTENTSTENTAKLZZZZONEBIONEKLINGTOTHERIMOFTHEKLIFFWITTHTHEKONVENSHUNBHINDINTHEVALLEYBELOWW . HIZFACEEMRGGEZAZTHESHOTPANZBAKREVEALINGBAKTOOSHOOWAMEANDRINGBROOKTHATSNAKEZZATTHEKLIFFEDGGEFROMBHINDTHESHOT . HEPULLLLZHIMSLFUPANDONTOTHELEDGGEANDBGINZTOSHUFFLTOWRDZTHEKAMRATHATIZNOW50YARDDZAWAY .))

Tents:((pausing))((panting)) " um ." (( KUTTOTENTSPOVTOSHOWTHEBLUUUUROKZANDKRAGGZWITHADEEEEPPPPKAVVEFACEAZTHESOUNDOFTHEWATRKANSTILBHRDANDISSOURCEIZFRMWITHINTHEFACEEOFTHEKAVE . THEFACEIZTWELVVEEFEEETTTTTTTTTTTTTTLONGANDHAZTOOEYEZANDADRKGRIN . ITLOOKZLIKEAFACEONLYANDRZMBLZAPRRRROOTTOMAANNHOOIZVRYHPYLOOKINGG )) " SO " (( THEKKAAVVEEEEBGINZTOREZONATTETHESHOTTREMBLINGSLITTLLYYAZTHEWATRKONTINUEEZSPEAKTHOUGHHWECANHRRONCCEMOAR ))

TRAVLINGWATR :((in Z )) " BEEEEHLDD " (( ASNGLRAYOFYELOOOOLITEEMRGEZFRMMMMTHEINTERIORROFTHEKAVEATTHESHOTLIKEABOLTATTHESHOT ))

((cut to Tents, reeling back in FRITTEE ))

(( KUTTOPRVSAZTHELITETRAVLINGGATTHESHOTNOWBEKUMZVRTIKKLANDSTANDZBEFORETHESHOTANDTHEKAVVEZENTRANCEEEANDIZNOWALIINEABUTTOOOOFEETHIKANDIZFRUUMTHEBASSEOFSHOTPASTTHETOPOFFRRME . THELINNEMOVEZZZZLIKEAGUITTRSTRINGVIBRATTINGAZITSPEAKZATTHESHHHHOOTTTTANDSOUNDZLYKKEAFREQQUENCYOFRADIOSTATIKLIKKEFFFFREPEATTINGLYTHOUGHWITHVOLUMMECHANGGEZAZTHEWRDZCHANGG ))

LINNE :((vibrating))((in Z )) " FFFFFFFFFFFFFFFffffFFFFFffffFFFFFFFFFffffFFFFFffFFFFFffff ." ((Translation: " CANUUUUHEARRRRMEENOWWW ." ))

Tents:((voice)) " um . " ((the line pauses, unmoved though the sound persists)) " WHAT " ((the line fluctuates, though influenced by Tents, causing the FREQQUENCCYWITTHTHESTATTIKSTILLLLRZMBLINGGTHESOUNDFFFF ))((cut to Tents, close up, in the GLOWWWWOFTHELINEE pulsing)) " FFFFfffffffffFFFF " ((Translated: " ARUUUULISTNING " ))

Tents:((shaking head)) "I don't understand." ((the LINNE waivers and wobbles, until a voice can be heard, static, that resembles the voice of Frederick Kyle Ventresca, the author of this particular story and the franchise in question, and the wielder of proprietary and subsidiary rights.))

LINNE :((voice)) "Tents!" ((Tents's expression changes to amazement)) "Tents can you hear what I'm saying?"

Tents:((pausing)) "I can NOW ." ((cut to close up of the LINNESHUDDRING as though influenced once more by Tents's words))

LIINE : ((ceasing shuddering, now pulses at the sides)) " OKLISTNNTOMEKAREEEEFULYYYY . DONTGOCRAZZYBUTIMMMMTHEFATTHROFTIME ."

Tents:((sighs after a brief pause))((beleaguered)) "Ok."

LIINE :((pulsing)) " NONOHEARMEOWT . INOUVVVVEBEEEENNNNTHRUALOTBUTIKANEKZPLAIIN ."

Tents:((voice))((weary)) "Everyone KAN . You, GOTOMAN , the WATTTTR everyone." (( LINNE stops pulsing, crinkles inwards slightly in SADD ))((cut to Tents close up looking weary and haggard from the climb)) " THEDOLRRRR , U.D.o.A., and everyone else."

LIINE :((voice)) " WELLLLNOTAZMUCHAZUUUUMAYTHINK ." ((Tents rolls his eyes)) " WHYTHISSSSWHYAREEEEUSOIMPATIENNT ?"

Tents:((shakes head)) "Look, my questions never get answers. Who am I?" ((cut to close up of the LINNE not moving, the frequency still having a slight FFFFffff sound that means AOFV repeating over and over)) "Why am I here? What happened to me where I had knowledge of what was happening, like before? You must remember where I knew who everyone was, and what the past had made. Now it just seems like everything is different, and I'm unsure." ((cut to close up of Tents)) "But the more I think about all of the beginning, how did I know? How did I Know about Babel or the tower?" ((scoffs)) "I don't even remember where I saw it aside from right there." ((looks up and shakes his head)) "It's like I just say things, and I don't know where it comes from. Like GOTOMAN 's friend TVZZZZFRNK says, that I'm just written this way. That I don't have any past that wasn't taped on, or tacked on, and that I don't have any future that doesn't come at some cost like, I don't know, my whole idea of FREEDDDDOOOOM ." ((sighs)) "And that too. Whatever that is." ((he looks past the shot)) "I don't believe that it's even from anything other than the same thing! Just randomly blurting out things like how the future will happen, or that Fred and Norm were Gods. If they are, where are they now?" ((cut to LIINE waving slightly)) "Why didn't they stop GOTOMAN and all of this? Or the other things? Are we supposed to suffer like this? Am I never going to find out anything I wanted to know, or did I know and it's just...gone? Like will I never know where those lines even came from?"

LIINE :((more glowing from its pulse as it oscillates slightly)) " WELLLLEYEHVGODDDNUZABUTTHAAT . ITCUMZFRMMEEEE ."

Tents:((voice)) " YOU ?" ((cut to Tents close up, surprised)) "So you're the one making me talk in those weird upper case letters and words at random!"

LIINE :((voice)) " NO ." ((Tents squints)) " ALRIIIITTTTELOOOOK - " ((Tents rolls his eyes, shoulders sink)) " YEAYEAYEAKLSTTNNNNITZZZZLIKEEEETHS . IDONTKAWSSEEEETHATTTTOK . BUTTTTWHNNNNEYEGETINFLUENCCDDDDTHATTTTHPNZZZZ ." ((Tents nods blinking and looking down)) " ITLKLIKEEEETHSBKUZZZZITZZZZLIKEEEEABOLTOFLITEEEENINGGGGWHNTHATHPNZZZZ . ITZZZZLIKEEEEIBKUMMMMADIFRNTTTTPRSNNNNOOOOKKKK ." ((Tents looks up slightly)) " ANDURRRRINME . RITTEEEE . ANDIFTHATTTTZZZZTRUUUUETHNNNNUGETINFLUENCCCCDTTTTO . " ((Tents looks off)) " RITTEEEE "

Tents: "So you're the reason Y - "((looks down at the subtitles, then back past shot)) " - THAT - " ((looks down then up)) " - THIS - "

LIINE :((voice))((light pulsing)) " NOANDEYENNNNOOWHYYYYITHPNZZZZISAYDDDDSOOOO . LOOKKKKWAITTTT . WHYYYYCNTUSEEEEWHAAAATTTTIMTRYYYYIINNNNTOSAYYYYHRRRR ."

Tents:((squinting)) "What?" ((shakes head)) "I can see the letters and - "

LIINE :((voice))((light pulsing)) " NONONOCOMEEEEONMAN . CMONPRTNRRRR . THIIIISSSSIZINCCODDEEEE . LIKEEEERADDIOOOO ." ((Tents a little more surprised)) " THATTTTZZZZYITOKTHSFORMMMM . METAAAAFFOOOORRRR ." ((Tents blinks as LIINE pauses)) " THISHOOOOLTIMEALLOFTHEEEESSSSESTATTEMNTTTTZZZZHAVBEEEENINRADIOOOOSATEEEELLITTTTEORELKTRIKKODDEEEE ."

Tents:((nods)) "Ok well that's what GOTOMAN said."

LIINE :((voice))((flutters)) " THAAAATTTTGY . BLEACCCCH ."

Tents:((shakes head)) " DOUUUUNOHM - " ((looks down then up)) "Can I talk normally when I want to?"

LIINE :((voice)) " THATTTTZKOMPLIKATTDDDD . SEEEEILIKKKKEEEEAUTOMMNYYYY . OFTHEEEESLF . ILIKEEEEFREEEEEDDOMMMMOFTHOTTTT . BUTTHATTTTGYHEWANTTTTZTORUNMMMMEEEE . LIKEEEEIMAFRNCHISSSSE . ANDDDDITZZZZPRTLLLLYYYYYYYYUUUUKEPTLKINGGGGLKTHAT ." ((cut to the LIINE close up, fluctuating WLDDLY )) " ITZBCUZYRPARTTTTOFASTORYIWROOTEANDSUMOONEIZTRYINGCHANGGEUUUUANDTHENKLAIMMTHEYKREATTDU ." ((cut to close up of Tents dejected, shoulders hanging and staring past shot right, wide eyed and scared)) " INOOOOTHAAAATZZZZNOTWHAAAATTTTUWANNAAAAHR . BUTDONTTTTTAKEEEEITPRSNLLLLY . ITZZZZTHESAMEEEEWHRRRREYEMMMMJSTLIKEEEEU . ELEEKTRICCTTTTYANDWAVVVVEEEEZZZZARAKONSTNTTHRRRRTOOANDBYONDTHAT . EVNDEPPPPRINU . CRZYHUH ." ((Tents blinks)) " SOALTHOOOOSSSSEEEECHANGEEEEZALTRDDDDTHEEEESTORRRRYFRMTHEEEEORGINLLLL . ITMADEEEEEVRYYYYTHNGGOOWTOFWAKHR . EVRYYYYTHINGGGGIZBONDEEDDDDEVRYYYYWHRRRRTHRRRRUMTRANDELKTRICTTYYYY . ALGIVEEEEOFFWAVEEEEZZZZINTHEFRMOFTHEDSPLCMNTOFRADIASHUUUUNNNNNNNNN . BUTTHOSSSSEEEEWAVEEEEZCHNGGGGBKUZELKTRCIITTYYYYIZALTRD . LIKEEEETHESTORRRRY . ALLLLTHEWAVEZZALLLLTHEDIFFRNTCHANGEZZAROUNDAREEEEABIPRODUKKTOFTHAT . THRRRRZZZZNOOTHREKZPLANAYSHUNEKCEPTIRRASHUNLLLLPEOPLLLLHOOOOHATEMEWANTTOOOOMESSSSSWITHYOUANDEVERYYYYTHINGINHEEEER ."

Tents:((raises a single tentacle))((pauses)) "W - Why?"

LIINE :((voice)) " OWTSYDEOFTHSREALMIZANOTHRWRLD . OONETHATWHRRRRUDWELIZJSTANOTHRSETOFUNVRSSEZANDDIMENSHUNZZZZ . ANDINTHATWRLDIAMUNPOPULLLLRRRR ." ((Tents looks at the shot)) " OVRHR " ((Tents looks back past the shot)) " NONEOFTHATMATTRRRRZ . THEEFKTTTTOFTHATTTTWAVEEEEGUNALTRDDDDMEEEEE . ANDMADEEEEMEMAGNETTIKKKK . IGETTTTALTHEKLUEEEEZZZZINHERRRREABUTTTTWHATTTTTHEEEEYDID . ANDIMEAAAANNNNEVRDID ."

Tents:((squinting)) "Who?"

LIINE :((voice)) " NOTJSSTTTTTHEEEEYYYY . THEHOOLEEEESHABANGGGG . THEGVTHOLYYYYWODDEVRYYYYBDY ." ((Tents doesn't seem convinced)) " IFTHEEEEHOLUNIVRSEEEEIZKONEKTTDDDDELEKTRIKLYTHEGRIIDIZTOTHEUNIVVRSSEEEE . BUTTHEGRIDDDDIZKONEKTTTTDDDDTOEVRYYYYTHINGTHATTTTHUMNBEINGZZZZTRYTODOANDHIDEEEE . INKLUDINGGGGWHAAAATTTTTHEYDIDTOME . WHATTTTTHEEEEYDIDTOYOUANDTHESTORRRRY . ANDTHEYYYYCANTUNHIDDEEEEIT . THEEEEYYYYHADTODEKLARRRRTHEEEEIIIIRAKSHUNZINORDRTODOIT ." ((Tents tries to follow, raising tentacles)) " OKLOKWHNUTHNKIZTHATSUMTHINGGGGTHATTTTINVOLVEEEEZELKTRICTTYYYY ." ((Tents squints)) " ITDOZBKUSEVRYTHINGGGGIZELKTRIKLLLLINTHEUNIVERSE . EVNMATRNEEDDDDZELKTRICCTYTOFUKNNSHUUNNNN ." ((cut to close up of LIINE , waving)) " ANDWHATTTTTHEYDIDIZGETEVRYBDYONBOARRDDDDTODOSOMEETHNGSOSTUUPDBKUZIMUNPOPULRRRRTHATITEFKTTDDDDEVRRYTHNG . ANDTHATTTTWAVEEGUNEVRYWHRWITHITZWHITTTTEEEEWAVEEEEZFKDUPEVRYTHINGGGGMOREEEEANDPUTITONEVRYYYYTHNGTRANZMITTDDDDANDYESANYWAVEEEEEMITDDTOO . UNOHOWISAIDDDDIMUNPOPULLLLR . RITTEEEE ? THATIMPLIEZIDONTLYKKEMYSLF . SEEEEINOTHAT . BUTHOWWWWYOULRNDTHATORHOWTHATLOOOOKKKKZZZZTOOTHRZIZWATDRVZMEUPAFKNWALLLL . IMNOTTRYYYYINTOFORCCEEEEPPLTOBUYYTHATSHIT . ORLIKEEEEMAKEEEETHMKONFORMMMMTOITBILYINGG ." ((cut to Tents close up, confused, in the GLOWWWW of LIINE )) " SEEEEEYEGOTINFLUENNCCDBIALTHESEEEEWAVEZ . PREVIOSFOOTAGGEUNNECESSARRYTHEDIALOGUEEIZENUFFFORASPINOOFFFFTOSUITTTHEKANON ." (( LIINE sighs)) " ANDEDITTDDDDANDMODIFFIEDDDDFORALOTTDDDDTIMMEEEE ." (( GRMBBLLLLZ , as Tents blinks twice)) " NOWWHRDOUTHINKKNOSHUNZLYKETHATSTATEMNTEVNCOMEEEEFRMOTHRTHANFRMOWTSYDEHERRRREE ?"

Tents:((shakes his head in not understanding)) "I...I don't know."

LIINE :((voice)) " THEREE !" ((Tents turns about, as the camera slides left to reveal the KONNVENSHUNCNTRINTHEVALEYBELOW )) " DOWNTHR ." ((cut to Tents looking down to the left of the shot, tentacle to lips)) " ITZWHRALLLLOFTHEACAMEFRM . ITZTHISERRONEOUUSWAVVEEEETHATPERMEATDFROMEKZTRNLOFSHOTANDINFLUENCCDEVRYTHINGALLUPINHR . THERANDUMVILLAINZLIKKEBEEPEZ7ANDALLTHEPORNSHIITUDOAANDALLLLTHEIRRRRKOOKIEEEEKUTRKULTSHIT ." ((Tents looks more worried)) " MASSAH " ((Tents squints, confounded, having not STARRRREDDINTHATISUUEEEE )) " THEWHOLLESOUTHREFRENCE " ((trails off, tone softer and the pulse REFLKTINGTHAT )) " NOTHATZRITEUWRNTTHR ." (( BOOMINGONCEMOAR )) " THEWHOOOOLLLLPOINTTIZTHS " ((cut to LINNE pulsing angrily, between the KAVEENTRANCCE and the shot)) " THEYAREEEEAREEEEKLAIMINGTHATTTHEYKREATTDYOUANDICANPROVETHEYDIDNT . IMGETINGATKDBIAFKNIDIOOTHOOHPNZTOWEARABADGELYKEIFKNGIVASHITWHNHEZAGODLESSPEDO . HEFKNDROPZZZZALTHISGVTANDHOLYWOODSEKRTZZZZINMYLAPANDBRBZZZZTHESHITHEREANDATANYYYYPLACCCCEEEEWHRILIVSOIMGETINGGGGATKDDDDBITHEWAVEEEEZZZZOFTHATFKNWAVVEEEEGUNANDALTHEOTHRSHITTHEEEEYWANTTTTTODO . ITRYYDDDDTOTELTHEGVTBUTTHEEEEYYYYRALPEDOOOOZZZZTOANDALLTHEIIIIRRRRSHITSYDDEEEEZZZZWITHTHEEEEGYZHOODOIT . SONETHINGITRYTOSENDTOWRNNEBDYIZINTRCPTDDDDBITHEPEDOOOOINKLUDINGTHS ." ((cut to Tents, looking down into the VLY off camera while LIINE is at his back)) " INFAKKKKTTTTITZZZZKNDAAAAFKDUPBKUUZZZZALTHSIZINKODEEEETHAAAATTHEEEEYALWAYZZZZLOKATANDWONDRRRRHOWTHEYWINDDDDUPPROVINNGGGGMYPOINTTTT ." ((softer tone)) " BEARINMINDALTHISIZGOINGONOWTSIDEOFTHISWHOOLEPLACE ." (( SCREAMINGAGAIN )) " SOTHSGYISRAMPINGUPALTHEEZPPLAKROSSTHEPLACEWHRIDWELLJSTTOHVFUNBITRYINGTOWREKEVRYTHINGIDOBKUZHEZACHILDMOLESTORANDARAPISTANDICLDHIMOWTONIT ." ((cut to Tents's P.O.V. looking down towards the KONN in the VALLEYBLOW .)) THUSHEZTRYINGTOINFLUENCEEEETHISWHOOLPLACEWHICHEKZIBITZITAZAPRBLMANDAFOREIGGNONETOMYREALM . LIKEEEEAVIRUS . OONEEEETHATTTTCAMEEEEHERRRREEEEONTHATTTTWAVEEEE . KOMBINEEEEDDDDFRMAKOMPUTTRRRRONTHEWAVEEEEANDGOTUPINTHISSSSSHITTTT . " ((cut to Tents facing down past the shot and looking towards the left of the shot as LIINE continues to pulse behind him))" ANDHEANDALTHEKORUPTTTTPPLAREEEEONTHESAMEGRIDDDDANDDOINGKORUPPTTTTSHITANDITKUMZZZZHR . ALLBKUZPEDOSHITRUNZZZZTHEGVTTHATREIGGNZZZZWHRMYBODYIZ ." ((Tents looks at the shot concerned, though the speaker might be more UNHINGGDDDDTHANPRVIOUSLLLLYDOKUMNTD )) " ALLBCUZHEWEARZABADGEANDIZAFKNKIDDIDDLR ."

Tents:((softer)) "Ok."

LIINE :((voice)) " ANDTHATTTTZTHESADPRT . LIKEEEEITZANINVAYSHUUUUNIVEGOTAAAAADAPPTTTT . MYBODYISBATLINGBAKINVAYYDDRRRRZZ . LIKEEEECCONTAYYGUN . SOSHITTTTINHRIZGONNNNAGETRLSRS . INHRRRRIZMYREALMMMMMYTMPLMYWAYORTHEFKOWT . THATMEANZNOBIPNO7ANDNOD . THISSHITIZAFKNMYSTERYYYYTOTHOOSEMOUFFFFBREATHIINGREREZDWNTHR . WHATZEVNMOARFKDUPIZWHATITZDOINGTOTHESTRATAAAAOFALLMATRBONDEDINHR ." ((cut to LIINE pulsing close up)) " ANDIFITZZZZDOINTHATSHITHRWHYYYYWOLDNTITBDOINGTONEBDYELSEEEEINKLUDDINGTHEFKNPPLIREFFRRRRDDDDTOAZTHEY ? THEYRRRRLIKEEEETHATINTRMZZZZOFSTUPPDDDD . THRWAZAFINNETUNNEEDSYSTMINHRBEFORTHATTTTWAVEEEESHOWDDUPANDALLTHEIRRRRTRANZMISSHUNZOFALKINDZWITHIIT . TUNEEEEDAWRDLIKETHATINTHEWRLDDDDTHATEYEHVTOLIVVVVEEEESYNNONNNNAMUSWITTHHHHWAVEEEEZZZZ . THEYDNTEVNTHNKITZASIGGNTONOTDODMBSHITTTTLIKEEEETHEYDID . LIKEEEEAPREMOONISHUN . LIKEEEEAWRNINGFRMTHEPST . LIKEDONTDOITAGAINNNNANDLETITHPNAGAINNNN . RETRRDZZZZ ." ((cut to Tents now turning about to face the LIINE to the right of the shot)) " RAYDIOOOOVIDEOOOOALMAGNETIIKTOOOO . ALTHEMATERIALLLLZZZZINVOLVVDDDDTODOTHATSHITTTTARETOO . WHATTTHEFKFORRRROTHRTHANITBONDEDTOTHEMETLZINHRBECUZMYREALLLLMNOZZWATMAGNETZARE ." ((Tents seems more confounded)) " EYEDONTA . IDIDNTTTTCHNGMYATODTHEB . SOMYBDYANDHRAKTUALLLLYNOZZZZHOWNATURALLLLENRGGYYYYYWWRRKZZZZ . ANDIFITMAKEZZZZMEALFKDUPYWOLDNTITMAKEEEENEOONEEEEELSEEEETOO . IWANNNNAJSTHITEMM . ((Tents blinks)) " SEEYRPROOFFFFTHATURRRRAWARRRREEEE . YARNTUJSTLIKEANEKSTNSHUNOFMYMINDANDNOALTHISSHITTTTRITTEEEE . BSIDEZZZZASTORRRRYNEEDINGBARRIERZZZZINMANRZZZZKLASSIK . ITZBKUZURRRRAKTUALLLLYYYYINDEPENDENTOFMEINTERMMMMZZZZOFA . ANDIFYRINFLUENCCDDDDBYTHESHITIWASTHENITZZZZRLYBADAKROSSSSEKZISTNCCCCE . MAGNTZZHOWDOTHEYWOORK ?" ((cut to close up of LIINE shuddering ANGRILLYYYY )) " BADLYFORTHEYBCUZTHEYDIDATOFUKUPTHEIRFUSSEZANDALTHEIRRRRTHEIRRRRELEKTRIKKKLDVICCEZ . POLARRIZZDDDDTHEMETLZZZZANDMADEEEETHEMETLZNEEEEDTOGOTONENATURRRRLSOURRCEEEEINKLUDINGTHEIRRRROWNBODIEEZZZZ . SMRTMOVEEEEZ . SOTHEYCOMEEEEATMERITEWITHTHATSHIT . MEANNNNNOTEEEEZMESAGGEEEEZZZZITALLCOMEEEEZZZZTOGTHRRRRINOONEEEEBIGPILEEEEOFFAGT . OFBURNINNGGGGSHITTTT . THATTTTZZZZRLYWHATHPNZIFUFOLOOOOWWWWMETHISSSSFARINOITZFUKINNUTZZZZTOSEEEETHSSHITTTT . SOWHNEYEGTTHATFKNWAVEGUNPOINTDATMEBIYETANOTHERRRRANTAGONISTINTHISSAGAOFMANMADEBULLSHITANDPOLUSHUNALLMYMETLLLLINMYBODYYYYGETZINFLUEENCDTOO . JSTBIBEINGGGGAROUNDWIREEEEZWAVVEEEEZZZZANDALLTHESHITTHEYUSEDCCOMBINEEEEDDDDWITHALTHEERATIKSHITTTTEVRYYYYOONEEEEELSEDOZTOO . BUTTHRZAKATCHHHH ." ((cut to Tents looking past the shot, trying to follow)) " MYBODYMYREALMMMMIZNTONTHEHUMANELEKTRIKKGRIDWHRALTHSSHITWNTSOURRRR . SOITZZZZHAZTHECHARGETHATIZNTBAD . HAZMETTLLLLZTHATARNTPOLARIZZDBITHEIRRRRFKNSTUPPID . BUTEYEDIDNTTTTAPROVINMYMINDTODOWHATTTTTHEYDIDWITHA . ORDOINGNETHINGTHATIZBOFZ . SOWHRRRRILIVEEEETHATTTTIZSUROUNDDDDEDWITHELEKTRICTTYYYYINVRSAYDDDDITWAZOK . SOMYREALLLLMMMMDOZNTHAVAREKOORDDDDOFSAYINGGGGITZOK . YETTHEEEEYYYYCONTINUEEEETOCOMEEEEHEREEEE . BUTITAFFEKTZZZZTHM . HAHASOTOUCHE ."

Tents:((seems a little disappointed)) "That's your plan? That they'll destroy themselves?"

LIINE :((voice and PULSSING )) " THIZIZZFKNSCIENNCEEEETHEYCNTEVNDNYIT ." ((cut to close up of LIINE pulsing furiously)) " SOEVRYINHRIZNATURL . IRON . KOPPR . MAGANNESSE . MAGNESIUMM . SILLIKKA . ZINNKK . NIKKL . EVNGOLDDIZINHRINSUMWAYBUTITZALSSOOOOFOUNDOWTSYDEMYREALLM . REMEMBBRRRRTHEHOOLLLLEEEEFREDIZGODOFMINERALZPARTTTT . THATTTTZZZZBKUZOFABUTTHEHOOLLLLEEEEPOINTIWASMAKINNNNGGGGIZHEIZNTMYNAMEEEE . THATTTTZZZZJSTMYSURNAMMMME . THATTTTZZZZLIKEHOWYRTENTSANDNOTAKTUALLLLYYYYTHOMAS . GETIT ?" ((cut to close up of Tents blinking)) " THATZZZZWHYYYYTHEEEEYCANTFAKEEEEU . BKUZUDONTAORBORNEOFTHATSHITTHAAAATTTTTHEYDO . THEEEEYYYYCANONLYLIEANDTRYTOKONVINCCCCEEEEUTODOWATTHEEEEYSAY ." ((Tents seems skeptical)) " THESHITTTTTHEYDOWITHELEKTRICITTYYYYANDWAVEEEEZZZZINFLUENCDDDDALMETLZZZZ . ANDTHESOUURCCEEEEOFPOWEEEERRRRIZONEVRYSEKKONDTOLETTHMDOTHAT . SOTHEEEEWAVEEEEZNVRSTOP . ITSATUURATTEEEEEVRYYYYTHINGNG ." ((Tents lightens, but only slightly in his stance, as this explanation seems to have gone on too long, sorry)) " INKLUDDINGALTHEMETLZZZZTHEEEEYUSEEEEANDNEDONTHEIRRRRGRID . ANDTHEIIIIRRRRGRIIDDDDITSLF . ANDTHATSHITHAZGTNPLTDWITTHWAVEZZTHATMADEITGOCRZYANDWHNITGOTHOOOOKDUPTOTHEELEKTRIKGRIDDITMAYDDEEVERYPRTOFITGOROTTNN ." ((Tents squinting confused)) " EVRYPRTOFTHEMETTLLLLZZZZTHEYJSTTHROOOOWWONTHRTOREPLCTHEOLD ." ((Tents's eyes widen slightly)) " YAALLLLOFIT . SOWHYIFITGOEZBADTHRWONTTITEVENTUALYGOBADHRRRR ? BKUZWERRRRNOTONTHEGRIIDDDDGOTOMANSAYYDDDDITHMSLF . RITTEEEE ?"

Tents:((a little more desperate)) "Why don't you stop him then! Just kick him out if you're the one who runs this place!"

LIINE :((voice)) " ITZZZZEASSRRRRSAYDDDDTHANDUNNNN . LIKEEEEEYESAYDDDDIMBEINGBOMBRDEEDDDDBITHESHITEXTTRROOOOROFTHISREALM . LIKEEEEIMBESIIEGGDDDD . THEEEEYYYYMANAGGDDDDTOGETINBYPLAYINNNNGGGGDUMANDGETTINGTOTHEMETLZZZZ . THATZZZZWHYFREDWAZGOD . ANDLOOKWHATTTTHPND ? EVRRYTHNGGOTFKDUPINTHISSHIT . SOEYEHAVEEEETOSHOWUPPPPANDRITTEEEETHESHIP . ROKTHEHAWSSEEEESOTOSPEEAAKKKK . ((Tents looking a little more disheartened and not understanding. He shakes his head and looks to the GROUUNDDDD )) " FREDFKDMYIDANDTRYDDDDTOFKUPALMYMEMORIIIIEZZINHRLIKEEEEITZACOMPUTTRRRRHEZZZZTRYINGGGGTOBAHAKRRRRWITH ." (( LAFZZZZ )) " IFITWAZNTFORTHATPEDOFRIENDDDDWHOOOOHADTHEWAVEGUNHEDNVRHAVEVNMADEAFKNDENT ."

Tents:((shaking head, as the shot pans in slowly)) " ELEKTRIKGRID . WAVVEEEEZ . PEDO . All this." ((shot stops panning in)) "I just don't even know where to begin."

LIINE :((voice)) " WELLLLEYEDO - " ((a sudden BOLTTTTOFLITEBLAPZ Tents in the FORHD between his EYEZ . It sounds like a silenced PISTL . He reacts at first as thought INJRRD keeling over, as a WAVVE passes through his body that seems to be the outline of his figure, off camera to the left of the shot. The expression only shown for a split second of the outline is GRAVVVVECCONCCRNNNN and disappears to the left of shot off camera into what seems like AIAAARRRRRRRRR . His EYEZZZZHAVCHANGDDDDINKOLOOOOR . ONHZRITEEEESIDEEEEBLUUANDONHIZLEFTREDDDD .)) " WHATWAZTHAAT ?" ((he holds his tentacle up to his head and face, patting at it, expecting to find damage.)) " WHAAAATTTTDIDUDO ?" ((he pauses, shaking his head)) " WHYYAMISPEKINGLIKETHT ?"

LIINE :((voice)) " SEEEEWATIMSAYIN ?" ((he looks up past the shot, blinking twice)) " EMPHASSISONSEEEE ? USEEEETHSSHIT ?"

Tents:((bluntly)) " ULOKLYKEFRED ."

LIINE :((cut to close up where LIINE once stood is the likeness of Frederick Kyle Ventresca, though now aged roughly 36 years old. He has a long ponytail that is blonde and brown, and a very curly brown and white beard. He is wearing a gray hooded sweatshirt and gray track pants with black stripes on the sides. He looks very tired, and very irritated)) " USEEEEIT " ((pointing at self)) " RITE ? SEEEETHSIZWATEYELOKLIKEOWTSIDDEEEETHSREALMMNOW . NOTSOMMEGOTOMANORSOMETVGYME . OK ." ((cut to Tents a little less withered)) " LISTN . ANDIMGONNABEFKNCURTTTT ." ((pointing at shot angrily)) " UAREEEENOTSUMPRODUKTTOBSOLD . IDIDNTSAYUCOLDBEEEE . INVRGAVEPRMISSHUN . THEYWANTTOENSLVUSBOTHBUTEYEWONTLTTHM ." ((cut to close up of Tents, blinking twice past the shot to the right)) " FKUUM . FKUUMINBOTHEARZZZZSNCCCCEEEETHEEEEYWOLDDNTLSTNNNN . SSIINCCEEEETHEYWRINVOLVDINFKINGWITHTHEBOTHOFUS . THEYDONTNOWATGOAWAYORSTOPFKINGWITHAOFBMEANZ . THEYREADTHSSHITTHEYRRRREEEEPROBLYGONADOITMOAR . EVNIFITSBADFORRRRTHMTHEEEEYDNTCR ." ((Tents looks towards the shot)) " THATZHOWTHEYRRRR . RTRDZBICHOICCE . THEYRRRREDMOKRATIKLYKETHAAT . IDIOTZZZZHOOOOPULLLLTHSSHITTTTANDEVRYYYYOONEEEEELSSEEEEHOODOZNTSUFFRRRRZTOO . ITZZZZNOTFAIRRRRBUTTTHEEEEYDNTCR ." ((cut to LIINE up close still the likeness of the author of this particular installment and the franchise to which it and its spin offs are affiliated with legally and through copyright enforcement. (((Yes it's that necessary with the shit going on! I never thought it would be this bad either!))) )) " UDONTEVNREALIZZEITBUTUGOTSENTBATOF7 . MYOWNATHATINFLUENCCDDOF7ZSOUCOLULDBEEVNMOARSAYOFA . THESEPPLHOOWRDROPPINTHSSHITONMELIKEIMAFKNTOYLETTDONTEVNBRTHEDTHEJSTBAT7 ." ((his hands to his head)) " NOBDYDOZTHATSHITUNLESTHEYYWANTTOFKUPNEWAYYTOGET7A . ITZZZZLIKEEEEKRASSHINACARTOGETANUOONEEEEUHVTOBINEWAY . WITTHYROWNMUNYYYY . HOOODOZTHATSHIT ." ((cut to Tents close up, still bewildered)) " IDIDTHESAMESHITTTTTOGORNBITHEWAY . JSTFORASEKSOICOLDGETTHMTOBREAKKKKEACHOTHRRRRANDTHATTERENSTRY ." ((Tents is even more concerned)) " THRRRRZZZZSOMANYOFHRITSFKNNUTZ . ALOFEMARMMMMZZZZDLRZZZZANDWOORSEEEE . IHADTOOOO . IHVTOTAKEEEEASTANNNNDINHRNOW . THINGGGGZARGGGGONAAAASTRTTOGTCRAZZIRRRRINHRSOONNNN ." ((Tents blinks once)) " DONTWRYITLLMKSENSSEINFORSEKONDZ . GOTOMANANDALLTHMHIDDEEEEINOONEEEEMINERLLLL . ONEEEELILPRTTHATTTTIHAVTOGETAT . THEEEEYYYYRRRRRDUGINLIKKANALABAMAAAATIK ." ((Tents looks more confused)) " NEWAYYYY ." ((Just as four seconds have elapsed, an outline of his figure BLAPZZBAKKFRM the same direction it DPRTTDALMOOSTNOKINGHMOVEERRRANDFORWRD )) " TOLDYYYYOOU . "

Tents:((jostled)) " WHATTHEE - "

LIINE :((voice)) " C . THATZPINNGBING . PROOFOFTTHEEEEPAST . PROOOOFFOFFUTRRPRFKT . PROOFOFKASUULTYOFTIIME . ALTHEUUUUNUUUUINTHEPASTIZFRMTHEFUTUR . WAYYBYONDTHSPOINNT . ALLYRKNOOWLDGGEFRMTHEVERYFRSTADVNTURIZINTAKKTNOMTRWAT ."

Tents: " HOWDOUMEAN "

LIINE :((voice)) " ITZFRMWILLIAMSONANDTHATDVICE ." ((cut to LIINE close up, RAGGINGKAJJUUNMAD at the circumstances of all this)) " SUMDUMBITCHCLDdumkidPLAYDDRESSUUPATWRKKAZAMSNGWMNMYRLATVNOZZANDBAKDEVERYWHR . THEFKKNKUNTTRSSSBRKTOBAK7DONTGETMERONGIHATETHSANTAGONISSTIKSSHITBUTITPROVEZMYPOINT ." ((cut to Tents close up, amazed and a little hurt)) " SHITWAZNTEVNPARTOFTHEPROGRAMTILLTHATCBAGSTRTDDROPINGSHITHRTHATZZZZFRMPPLHOOHATEHRBOKZLYKEITZTHEIRJOBB . HRANDHRWAKKJOBFRIENDZLYKELOOOGIGIKKKKKKKKKANDALTHEOTHRHUMNZZZZHOOAGREEEEDEFINITELYOWTOFPLCKAUSESOMUCCHSHITONTHEELEKTRIKKGRIDANDTHEFKNWAVVEZGETHUNGUPHRMAKINGMEAZUNBALANCDAZAZAKROOKDKRAKDLRZTRIPPLBEEMANDAZIMBUEDWITHDOUCHEAZHERDRTTYVAG ." ((Tents realizes this statement is not for the FEINNTOFHRRTTTT )) " INOIMAFUKKNASSHOLEEEE . IEARNDDDDTHSSHITTTTTHOOOO ."

Tents:((voice)) "What?" ((cut to LIINESHAKKGZHZHD ))

LIINE : " BKUZEYEKANINTERPRETTHEIRFGTTRYTHEYMAKEIMMMMLEFTHOLDINGTHEFKNSAKOFTHEIRKRIMEZALLTHEEVIDENCEOFTHEIRSHITWILEEEETHEYPLAYSAIINTHOODINFGTWOOD . HOWWOLDIEVNNOTHISSHIT . THESHITTHEYDO . THEYDONTFKNNEVNTHNKITZZZZTHEIRDOINGGGG . ITZZZZWORSSEEEEBKUZTHSOONEEEEGYKIKDDDDTHSSHITTTTUPHR . HEMUSTVVVVEEEEBENHRFORYRZBEFORTHSSHITTTTEVNSTRTD ." ((cut to close up of Tents silent)) " EYEUSDDDDTOBCALMBFORTHSFGTSTRTDBRK7ATMYNAME " ((Tents squint, his EYEZZZZWIDDRRRR at a sudden PULLEESSEEEE off camera)) " HVUSEENTHISFKNFUKUUPBFOOR ?"

Tents:((voice)) " HEWAZOWTSYDETHEMANSHUUNNNN " ((cut to LIINE holding up a face over his own, that resembles REDHRDMAN and pulls it away)) " HOOIZHE ?"

LIINE : (( SHAKINGHEAAAAD )) " SUMPLOTTWISTTHATINEEDTOWRIINGOWT . SOOMEEEEOONEEEEINNEEEEDDDDEDTOSHOWUTOSEEIFYOUSEEEEHM . IFUSEEEEHMMMMAGAINNNNHEZZZZTHEOONEEEEHOOAOFBSAYZSAY . HEANDTHEEEEZZZZOTHRRRRSTAGGEHNDZZZZ . HEEEEANDEVRYYYYOTHRRRRHUMNINHEEEERRRREEEEMUSTTTTVEDONEEEESUMTHINGGGGTOINFLUENCCEEEETHEEEESHITTTTGOINONHRR. WHYELSEWOLDTHEYBEHRRRR . OPPOSITTEZZZZATRAKKKKTIKMAGNETIKLLLLYYYY . THEEERRRREEEEHERDROPPINOFFTHEIRMEMORIESKLAIMINGGTOBMEWHILLLLEEEETRYINTOSTEAAAALLLLNETHINGTOSAYITZTHEEEEIIIIRRZZZZ. ANOTHROPPOSITETHATDOZNTNOAFKNDFRMAGLASSDIK ."

Tents:((voice)) "...Ok."

LIINE :(( SIGHS )) " HEZTHETYPETHATLIKEEEEZTOFKWITTHPPLANDIMMMMJSTOONEEEEOFMANY . OONEEEEOFMNYEMPYREEZINFLUENCCDBIHZKULTUR ." (( NODSOFFCAMRA )) " JSTLIKEDATSRKUSDWNTHR ." ((cut to KONVENSHUN in the valley below looking down the KLIFFZZZZ to the Tents's right side, or left of shot)) " PARASITTIK . INVASSIVE . KULTTURRRRINTHEWROONGWAYYYY . FUKKINSHOTINTHECHEEKIFEYEEVRSAWOONE . OONCETHEYRRRREEEEGONEPEACCEWILLLLCUMBAK . UNTILTHNIHAVTOMKDUEWITTHFGTTOWN ." ((the shot cuts to Tents looking to the left of shot confused towards the KONNVNSHUN off camera)) " FKINBIPRODUCTOFTHEIRSHITTHEYFKINHATETHMSLVZZZZ . IHADAVOKABBBEFORTHOSEDIKSSSSBLEWTHEIRLODEEEEHRTOO ."

Tents:((softly)) " MYFRIENDZAREEEEDWNTHRTOO ."

LIINE :((voice)) " INO . GETTINGTURNDOWTLIKETHEYARERITEOFFTHEFKNGREYHOUND . SUKKINEMDRY . THEBUGDOZTHAT ."

Tents:((turns back to the right)) " THEBUG " ((cut to LIINE still standing firm, shaking head)) " WHATTZTHAT ."

LIINE : " FORSHADDOWING ." ((about to speak, just laughs)) " ICNTEVNEKZPLAIINHOWFKDUUPTHSHOOLEEEEPLCHAZBCUM ." ((cut to close up of Tents, staring to right of shot)) " THISHOOLEEEEPLCIZIMAGGINAAYSHUN . ATEMPLATTETOMYSOUL . MYLIFEAZEYEWNTTODREAM . WHRMYSPIRIITLVZ . TIMEEEEIZNONEKISSNTHERREEEEORWAZ . IUSDTOBEABLTOBNEWHRRRRIWAZORWANTTDTOBEEEE ." (( LIINE 's right hand enters the shot from the right, pointing past Tents to the LANDDSKAPPEEEEBEYYNDTHESHTT )) " THNEYESTRTDTOGETHITTOWITHACACBDE . ITWAZFRMBOFE ." ((the shot BLURRRRZZ to the left to reveal the valley beyond the KONVVNSHUN , traveling now to the left more, where small trees PALMS appear only to have WHITTEWAVVEZ come and make them disappear)) " ALTHEEZZZZMEMORIEZIMADEWERECALLDINTOQUESSTSHUNBITHATWAVVE . JSTBCUZTHATWAVVEWAZZNTTHEREEYECOULDNTHAVEBEENNTHREITTHR ." ((other forms try to take shape, but are immediately altered by the WAVVEEEEZ that seem to hinder their ability to SHAPPEEEE )) " SEETHATSHIT ? IFITZZZZGOINNNNHRWHYWOLDNTITBGOINELSEWHRTOO . ANYWHR . THEYRRRREEEELIKEEEEIBRITOFF . WITHHOOZZZZA ." ((cut to Tents, looking to the left of the shot, skewed a look of disbelief)) " EKZAKTLY . SOMEEEEOONEEEEELSSEZHOODOZNTA . UVVVVEHRDTHETERMOPPOOSIITTEZATTRAKT . WELLTHATWAVVECOMEZZHERRTOASKWHATAEVNIZBCUZITZKLUELESS . IEVNREITERATETHISSHIIIITTTTBKUZZZZTHEWAVEEEEKEPZZZZASKIN . ITZZZZLIKEAFKNCATTCHFRAZZEEEENOW ."

Tents:((pausing)) " BUTITNVRLEAVVEEEEZ "

LIINE :((voice)) " SUMTHINNNNGZZZZGOTTOGIV . EVNTUALLLLYTHEEEEYYYYLLLLRUNOWTOFA . IFTHEYGOAFTRRRRALMATRANDALLLLMATRCANTAEVNTUALLLLYWHRWILLLLTHEEEEYGETA . ITZEVNCRAZIIIIRBKUZOFTHAT . BUTITNVRCANLEAVBCUZIMNOTONTHEELEKTRIKKKKGRID . ANDBCUZTHEMETALZLYKEIRONANDKOPPRRRRINMYBODYWERENTTTTPOLARIIZDBITHEELEKTRIKKKKGRIDAZAPWRSOURCCE . WELL . ((Tents slowly turns around)) " IHVNOONEOFTOOOOCHOIICCEZ " ((cut to close up of LIINE resembling REDHRDMAN , dumkid, LOOOGIGIKKKKKKKKK , Baby Toothed Man, PAMMOM , and other humans throughout all the works thus far, including some yet to be seen, who were the ANTAGONISTS )) " ACCEPTTHATTEYEMMMMAKTUALYTHEIRNAMEMEMORIEEZANDALLINKLUDINGFETISHESSANDFKNGFAGGTRRYANDALL . RISSSSKCCIVVLLLLWARRRREVRRRRYYYYINMYREALLLLMOFTHOOOOSEEHOONOOTHRRRRWISSEEEEWICCHIZHPNINGNOW . OOR - " (( LIINE suddenly is the likeness of the author once more)) " ORBCUMAFKNAFTREFFEKTOFTHATWHIITEWAVVEANDWHATITZKAUSINGOWTSYDETHSREALM ." ((cut to Tents facing to the right of the shot, petrified)) " ILLNESSZZZZANDALL ."

Tents: " YRSRS ." ((cut to LIINE up close taking a deep breath out)) LIKKEWATT ."

LIINE : " OWTSYDETHISSREALMMMMAREEEETHOSSELIKEME . BIPDLMANANDWOMAN . " ((points to head)) " PEOPLHOOLIVUPHRINSEKRET ." ((nods and lowers hands)) " THOOSEFUKZDWNTHEREANDALLLIKEEEEMMMMARETRYINGTOTAKKETHATANDPROFFIT . THEFTOFTHOT . UDOOOOATYPPEEEEOFSHIT ." ((cut to close up of Tents)) " EVNCHNGTHEWAYULOOKSOTHEYCANCLAIMUUUU . EVNCLAIIMME . KOPYRITTEEU . LIKEYRASLAVVE ." ((Tents seems more troubled)) " THEEEEYYYYDIDITTOTHEGVTOWTSIDDEEEETHSREALMMMM . NOWTHEEEEYCOMEEEEINHR . BKUZTHRRRRZAINHR . ABCUZIEVNHVTHOTZ . ALLBKUZYRSPECILLLL ." ((cut to LIINE looking ominously at shot)) " YOURRRRA . THATZZZZTHEREASSUNTHEYWANTU . " (( LIINE smiles, chin up)) " YRPROOOOFFFFTHATTHEYRROONG ." ((begins to frown towards the shot)) " THATZYYYYTHEYWANNTTOKONTROOOOLU . HARNESSSSULIKKEEEETHEYDOONTHEGRIIDDD . MAKKEEEEUDANCCCCE . SOTHEYLOOKRITTE ." ((cut to Tents close up skew facing right)) " THEYLLLLJSTTAKEEEETHESHOWONTHEROADANDSKAYYYYBTOSUMOONELLSSE . STEALLLLTHEIRRRRTHOTZZZZTOO . THEIIRRRRWOORKK . THEIRRDREEEMM ."

Tents:((tentacle towards the right)) " HOW . HOWDOWEESTOPTHM ?"

LIINE :((voice)) " CHKTHSSSSSHITOWTTIGOTITFRMHIIIUPPPP " (( KUTTOLIINEFACCINGTHESHOTWITHHZHANDZZZZZZZZZZZZZZUUPANDBRIINGZTHMDWN . AZHEDOZZZTOOOOBOLTTTTZOFLITENNINGSTRIKKETOTHELLEFTOFSHOTTHENRRIITEEPRODUCCINGTOOOOTABLTZ . OONETOTHELEFTIZBLUUUUANDTHEOONETOTHERITEIZREEEEDDDDDDDDDD . BOTHJUTTTTOWTOFTHEGROUNDDDDFACCINGEACHOTHRRRRONEITHROFTHESHOT . LIINEBRINGZZDWNHZRITEHNDFORTHEBLUUUUTABBLTANDTHNHIZLEFTFORTHEREEEEDDDDDDDDDDTABBLT . HETHNBRINGGZBOTHHANDZANDRMMZSIMULLTAYNEOOSSUUUSLYLYANDBECOMEZZAYELLOLIIIINNEEGOINNGUUPANDOWTOFTHESHOT . THEBOLTZSPEAKAZTHEYSTRIKETHEGROUUND ))

BOLT :((in V )) " 7DA " ((sounds like UHHHHDUHDUHDUHDUH ))

BOLT2 :((in Z )) " UHDUHH7 " ((sounds like UHUHUHDUHUHUHUH7DUH7DUHDUHRARADUH ))

YELOOOOLINNNE :((in A )) " YUUUUPPPPPPPPP " ((sounds like UHHHHHHHHHHHHduhduhduhAduh ))((cut to Tents, skew facing right of the shot, his gaze upwards as TRAVLINGWATR can be heard once more))

TRAVLINGWATR :((in Z )) " TAKKETHETABBZ . REVNGGMEME ."((Tents looks back down to the lower right as TRAVLINGWATR continues to echo this phrase)) " TOBKONTINUEEDD " ((repeating)

(( KUTTOTHETABBZFORTOOOOSEKONDZAZFOURRRRTENTAKLZZZZREACCHOWTTOTAKETHMAZTHESHOTZOOMZINTOOOOTHEBLUROKZFILINGTHESKREEEEN . THESHOTHANGZFORAMOMENTLASTINGTHREEEESEKONDZAZTHESOUNDOFTRAVLINGWATRDIEEZOFFANDIZREPLACCDBIASHORTAPLAUSSE . THATWEARZDOWNAFTROONEFULSEKONDAZASINGLHANDKAWKAYSHUNHANDRAIISSEZ . ITIZALEFTHANDRAISSDLIKEASKINGAQUESSTSHUN . AMANZVOICCEANSWERZTHATSOUNDSLYKELEONARDNIMOYY ))

VOICEOFLEONARDNIMOYY :((voice)) " ys . thooneinthbakk . standuppl ." (( KUTTOFACING a large room where many KOSTUMMD are seated looking towards the center of the shot which houses MANNYYYY of them all seated in CHAIIRRRRZ . Rising into the shot, is an individual whose hand is raised. HEIZAGORN , who is fressed as a FredWorker which is a Fred costume wearing the original clothing from the first installment of this particular franchise. He keeps his hand raised as he stands to ask a question past the shot in the direction of the voice))

GORNWITHHANDRAISSD : "Yeah hi, my question is about this idea of how exactly Tents still manages to have like a premonition regarding future events, or those events in the past?" ((cut to close up of I.S.S. facing towards the right of the shot, skew right, behind him several others all in KOSTUMME )) "Is there ever going to be an explanation or a back story about how he knows these things or how it's going to happen or anything like that? Thank you."

I.S.S.:((whispering)) "What?" ((a random voice SHHHHHZZ him, as the VOICEOFLEONARDNIMOYY speaks))

VOICEOFLEONARDNIMOYY :((voice)) " icntspkkfooorrevrrwoon ." ((cut to close up of LEOONARDDNIMOYY seated at a table facing past the shot, with a small name plate before him out of view, and a BLUMIKROFOONE . There is a small BTLOFWATR before him to the right of the shot. He resembles Leonard Nimoy, the actor, however he has long hair in the form of a wig that has several DREDDLKZ that resemble tentacles with SUKKRZ .)) " andnotgoingtomakpromis ." ((taps fingers, looking right to left, then forward)) " butimgoingtosayymartinnz ." ((he raises his hands in explanation, his HAIRRRRBOBBINNGGGG )) " seeeeithnkitsmorabtttthowhebcmsykik . "((hands out)) " likhoodiditthpnn . wattdiddwedoo . didithpnnnlkthaat . wwhoonoz ." ((he nods at the shot, his hands placed back upon the table before him))

GORNWITHHANDRAISSD :((voice)) "Uh thanks." ((there is a brief applause that begins, as he gazes out past the crowd his eyes closing in satisfaction, as his hands raise, inviting the applause, which grows louder as he does. There are several WOOOOZZZZ as he does as well. His hands descend and the CROWDDZZZZ clapping does as well, and he speaks once more))

LEOONARDDNIMOYY : " nektzqqsshhnnnnnnnnnnnnnn "

Klingon #2:((cut to close up, seated in one of the chairs, the KOSTUMEEEEDDDDPPL behind him as well. He is grimacing looking forward to the right skew of shot))((whispering)) " SOYYYOUJSTSITHR " (( a FANNNN responds from behind him, making Klingon #2 react angrily))

FANNNN :((whispering)) " SHHHH " ((Klingon #2 reacts looking behind him then back forward))

GOTOMAN : (( WHISSPRINGGLOUDDLY )) " THIIIISSSSIZTHEBESTPRTOFTHEKONN . WHEEREEEEWHESITANDCHANGGEEEETHEIRRRRMNDZ . " (( KUTTOGOTOMANSEATTDARMZKROSDDLOOKINGPSTSHOTSKEWWRITE )) " WHETAKEEEEQZZZZFRMTHMANDSAYWHATTEVRWEWANTTORUINTHEEIRIDEEAOFTHEIRRRRTHOOTZ . OWRAIZNTRONGGTHEIRRRRQIZUNLESWESAYOTHRWIZE . ANDOWRAIZOWRZTHEYKNTEVNBUSBKUZTHEYQATUS ."

I.S.S.:((voice))((whispering)) " Q ?"

FAAAANN :((whispering)) " SHHHH "

GOTOMAN :(( WHISPPRINGLOUDDLY )) " ITZTHEIRBOFE . THEYNEDDOWRATHEYKRVVVVITTTT " (( EMPHASIZNNGGG )) " WITTHHOWTTATHEYKANTLIIV . THEYKNTBREATTH ." ((cut to Gorn close up, seated staring past the shot skew to the right)) " WHNTHEYGIVUSTHEIRRRRQWEGIVBAKAINAWAYTHATIZEOFE ."

Gorn:((whispering)) "Ok, where did they get A to begin with to Q a you if they need your A to Q ?"

FAAAANNNNNNNNN :((whispering)) " SHH " ((Gorn reacts looking behind him, then back towards GOTOMAN to the left of shot))

GOTOMAN :(( WHISSPRINGLOUDDLY )) " ITWAZOWRAKID . THEYJSTUSEEEEITTOMAKKEUSD ." (( KUTTOGOTOMANPRVIOUSS )) " SOTHEYGIVUSBAKOWROWNNAMME " (( SMILEZZ )) " ANDTHEIRRRROWNB ."

Gorn:((voice))((whispering)) " Huh? "

FAAAANN :((whispering)) " SHH "

GOTOMAN : " ALLLLTHEIROWNIDEAZ . ALTHEIRRRRIDENNTIITTYTOOO . EVRYYYYTHNG . THEEEEYYYYDONTEVNHATEEEEUS . THEEEEYLOVUS . ITZEVNEAZIERRRRIFTHEYYYYRRRRTLKINGABUTOWROWWNABKUZTHNITZOWRIDEAANEWAY . KOPPYYRITTEEEE . MERCCHANDIZZING . ITWAZOWRZFRST . ANDDIIIFFFFTHEYSAYITZTHEIRZANDTHEYKANT . THENTHEYDANDNEDDDDOWRATODONETHNG . LIKEHERRRREINFRED . WHEKANSAYWERRRREEEEHMBKUZWEA . HEHAZTOATOATHEA . BKUZZZZWELIEANDHEGETZZZZBLMDDDDFORAETCCCC . LIKEEEEEYESAYDDDDBEFFRRRR . ANDWEWELLLLWHEEEEBTHEEANDSAYHELIEDD . THEWAVEEEEZTHEELEKTRIKKGRIDDALPULSNGATHMWEJSTGETMAGNETIZDDHRSONOMTRWATHELOKZLIKEEEEALIARRRR ." ((chuckles, while a question is barely audible to the shot)) " ITZFUNRRRRBKUZITZZZZNOTLIKEEEENEOONNNNEHRWLDFNDDDDHM . ORBABLLLLTOREADDDDTHSAZANYTHINGGGGBUTGIBRSSHHHH . LAKOFEDUKAYSHUNINMERIIKKAAAA . SOSAD ." ((he makes a SADDAZZSHITTFACEEEE ))((cut to close up of Gorn, blinking towards GOTOMAN off camera)) " ITZSADDDDRLY . IFMOARRRRPPLCOLDUNDRSTANDDDDTHSFREDMITEEEEGETTHETREATTMMMMMNTHENEDZZZZ "

Gorn:((whispering)) "But that means you need his A . Right?" (( KUTTOGOTOMANROLINNGGGGHZEYEZZZZ )) "Right?"

FANNNN :((whispering)) " SHHHHHHHHHHHHHH "

Gorn:((voice))((whispering)) "Right?"

FAANNNNNNNNN :((whispering)) " SHH " (( GOTOMAN looks back off to the right of the shot))

Gorn:((voice))((whispering)) "That's not on the grid and never was."

FANNNNNNNNNNNN :((whispering)) " SHHHHHHHHHHHHAAH "

Gorn:((voice))((whispering)) "That means you're relying upon his A right?" (( GOTOMAN just SMILLZZZZ ))

FANN :((whispering)) " SHH "

FNN :((whispering)) " SHH "

GOTOMAN : (( WHISPPRNGLOUDDLY )) " WHEEEEJSTSAYABKUZWEASKWHATAIZANDAKTDUM . HEHAZTODEMONNSTRATTEIT . BKUZWEACTTTTDUMANDKANTTTTUNDRRSTNDDDD ." ((his smile GROWWWWZZZZZZZZZ )) " THATTTTZZZZHOWWEGETUUMMMM " (( KUTTOISSSKEWWWWRITEOFSHOT )) " WHNHEDOZHEGETZBLMD . LIKEISAYDDDD . WEKEPDOINGITHEGETZBLMDANDWELOKWEDONTDONETHNGRONG ." (( KUTTONUMBRRRRTOOOOSKEWTORITEOFSHOT )) " WEKEEEEPPGETINGATHATWAYITLOKZLIKEHZFALTTANDWEGETKREDITTFORWATFREDDOZ ." (( KUTTTOGORNFACCINGGGGSKEWWWWRITEEEEOFSHOT )) " WORSSEEEECUMZZZZTOWORSSSSEEEETHEEEEZLAKEEEEYZZZZWILLLLDFNDDDDUSTOTHEGRAVVEEEE. LIKEEEEANARMYTHESEFNZZZZ . RABBIDDDDMORROONZZZZ . THEEEEYLLLLGIVUUPTHEEEEASSSSTHEEEEMONYYYYORBOTH ." ((Gorn looks at the shot, in amazement)) " THIZIZABIZKIDBEEEENNTHSWAIIIISNCTHESTRTT ."

Gorn:((whispering)) " ok ."

FANNNN :((whispering))((angrier)) " SHHHHHHHHHHHHUUHHHH " ((another fan is asking a question that is being replied to by another man who is on the stage. It is the voice of a man roughly 29 years old, Caucasian, and sounds like he at one time spoke as a BLOODELFFFFMALEROGGUE and now resembles a HUMNMALEDRUID ))

HUMNMALE :((voice)) " dudewedontno . wejstuseeeehzznm . wegta . k ." ((cut to close up of the HUMNMALE seated at the same table, with a YELOMIKRROFONEBEFORHM . There is a nameplate that reads TREZZONTHEGYHOOROTEIIT . He has BLONNDEHRANDBLUEYEZ and is SLNDRR . He also wears a World of Warcraft set of armor of Tier 4, and has a name plate like a character from Azeroth that reads TREZZON and the guild reads < THEDESTRRROYYROFA > . He does not resemble the author Frederick Kyle Ventresca, who retains copyright of this work as does his family members. He does however consider himself more attractive, based upon several notes to the author's name by several antagonists in these particular works. Since they're honest about anything else including electrical code, we'll just have to believe them until we're proven otherwise.)) " hedozstfndwesyidititt . itsfny . imgonabfms . " ((cut to I.S.S. one eyebrow raised, left)) " hejstsaythtandeyedoit . itsgay . soiyl . soeyehopethttsstru ." ((a FANNNN responds, who is actually a Gorn's voice, male))

GORNFANN :((voice))((nasal)) " Uh I was just asking if there was a reason why Leonard Nimoy's likeness as Captain Spock in full uniform was even included in the original Universal Saviors." ((cut to close up of GORNFANN wearing a FORRHDOFNUMBR2222 and also wearing a TSHRTOFFREDDDDWITHNOHD . He is surrounded on either side by other FANZ all seated)) "I thought there would be a future moment included in the story to come where that may have been mentioned or elaborated upon. Thanks." ((he begins to sit back down as the once now shown TREZZON elaborates))

TREZZON :((voice)) " ijstnedutosayit . wedidit . jstoonce . ok ." ((cut to TREZZON previous shot)) " jstoncetosaywediditt . thenhegtyl . weloklikewedideeiitt . " ((points at self, leaning back)) " wersmrt . wegtit . wemadiittt . " ((leans back forward, clasping hands together)) " soweenhesaywedidnntwedidd . fredcntsayit . helkry . sowestelhzsht . " ((hands wide leaning back)) " itfny " ((cut to the likeness of William H. Macy seated skew facing left of shot, looking in the direction of TREZZON , a MIKROFONE before him the KOLOREDD along with a BOTLOFWATR . There is a nameplate before him that reads BLORGJR . )) " werfkngrtt . wehvideea . butwewaateok ." ((William H. Macy nods))((cut to close up of the likeness of Avery Brooks, seated to the skew right with a MIKROFONE before him the KOLRRRRYELO and a BOTLOFWATR to his RRTTTE . He has a nameplate that reads GRANDMAAAAGORN , and is looking to the left towards the voice of TREZZON . He nods in approval)) " fredmadeths . itmyfavrritewayyofsyingfku . weuseiit . wemkadlr . itsfknaowsomm ." ((cut to close up of LEOONARDDNIMOYY , nameplate now visible as TENTSJR , looking to the left of shot nodding in approval)) " itssjstmywayyofsayiingfkku . ok . coll . noweyedonttknnowyyheuusdiittodothat . itsweirrd . hesweeeiirdd . thatssweeeird . butfredweeirdd . hennoooanthattzalinno ." ((cut to TREZZON facing past shot, nameplate visible now reading TREZZONimfrd )) " btinoit . andinnoit . " ((both hands hopping at air in emphasis )) " heyygaymannn . " ((point past shot with right hand, snapping index finger past shot)) " uft ." ((nodding, leaning back as LEOONARRDDNIMOYY speaks now))

LEOONARDDNIMOYY :((voice)) " hoocareyiwastthr . itdozntmattr ." ((cut to close up LEOONARDDNIMOYY )) " whatmatristheesimmbolissm . yithr ." ((nods in approval)) " itgud ." ((shakes head negatory, his tentacle dreadlocks swaying)) " notbd ." ((points at hair)) " cths . methood ." ((hands up in emphasis)) " watels " ((there is a brief pause, that precedes a short applause. A few WHISSTTTTLZZ from off camera as well from the FANZZZZ and a small pair of BLUUUUPNTIEEEEZ fly past the shot and land behind him. He nods in acceptance.))((cut to close up of Gorn, eyes wide in predatory analysis past shot, studying those seated at the table behind the shot. LEOONARDDNIMOYY 's voice can be heard once more as the applause quickly HUSHEEEEZ )) " heyinou . standup ."

I.S.S.:((voice)) "Yeah, who are you?" ((Gorn looks shocked, eyes turn to the left of shot the shot blurring to the left revealing I.S.S. standing up to speak to the skew right of shot)) "What are you doing here, where are you from, et cetera. These are questions asked to famous people like me, and nobody here is asking me questions like that." (( KUTTOGOTOMANSMILINGKANDIDLY )) "This guy says that this is being FAYMOSS but I'm sitting down here, and you're up there, and I'm not. You're FAYMOS why am I not?" ((cut to close up of a very large movie poster. It has the likeness of a very young Tents in center with a PACIFFR in his mouth and the face of LEOONARDDNIMOYY , while to the left is Avery Brooks in full elderly Gorn make up that is wearing a pink knit shawl with a METLKANE and RDDINGGLASSEZZ . To the right of shot is the likeness of William H. Macy who looks like an adolescent BLORG wearing REDGLASSEZZZZANDABLUUTIIE . He also has BLEMISSHZONHZFORHDANDOILYYSKINN . Being carried by Tents is a small BABY that resembles I.S.S. but only with one string of blonde hair, and is wearing a GOLDDIAPPRANDGOLLDBOTTIEZ . He wears the classic blindfold, and in his left hand pushed at the shot and the face of the poster is a POLICCEBADGGE that is GOLD with the number 44221 and reads SAINTLOUIISS .ads in bold REDLTRZ " UNIVERSALKOPZJR3 : BABBYZBAKK3 : WERBAK2 : YEA " . It is set against an EKZPLODINGBAKGROUUNND with villains in either upper corner, one resembling TOMJONEZZ in the upper left wearing FRMLWEARRRR upper torso up with a red carnation, and ELIZABTHHURRRRLY in the upper right, holding a single LUGGR smiling at the shot. The group is also SWINGGING towards the shot on one of Tents JR 's tentacles. He looks the same but is wearing thick black rimmed GLASSEZ and has two large front teeth, though the one to the right is missing)) "See that? What's that? A movie? Wow. I'm not in it, but I am? How? Who's that?" ((the shot pans down to the center to reveal a single 5.1 Floppy Disk lying flat upon the table before a BLUMIKKRAFONEANDANEMPPTYBTLOFWATR . There is a nameplate that reads ABIGGDIK and upon a separate line below it reads BABBYI....S.S. .)) "Oh, not me." ((the shot rubber bands upon the nameplate)) "And not me at all, but FAYMOS . Wow." ((cut to I.S.S. standing looking to right skew shot, eyebrows high)) "So, how does this work, when I'm me, and you're not me, and I'm the FAYMOS one and you aren't, I can answer, I'm FAYMOS , you're not, and - " ((rubber band emphasis)) " \- you're the imposters." ((pans back out)) "Yeah see? I've seen this before when we had those Ethereals or whatever and Sinister." ((cut to close up of FANNZ specifically a KATTPRSN wearing a Gorn headband seated, staring to the upper left of the shot, others of various FredVerse residents all FANZZZZ looking in that direction too)) "Or those CLAMZ that were out to get Tommy? And we had to FAKKE our way out." ((cut to a Gorn seated staring towards upper right of shot, surrounded by FANNZ . He is wearing a pair of BLORGANTENNAEE .)) "You weren't there." ((cut to William H. Macy's likeness, looking past shot skew right, mostly indifferent)) "You weren't there." ((cut to close up of I.S.S. rubber band close up)) "I was there." ((about to speak, interrupted)) " I - "

William H. Macy:((voice)) " ilovthtmovii ." ((I.S.S. pauses, mouth open bewildered)) " theeeefrstoonewazgrtbutilvdthesekkondoooonne ."

Avery Brooks:((voice)) " iagreeee2wazgrt . " ((cut to across the crowd, as Gorn slowly rises out of his chair from beneath the frame. His expression is completely unhinged but silent)) " 3waznntevnthebstonnebutittmakezthehooolepointtabuutlifffeeee . "

Gorn:((softly)) "What?"

TREZZON :((voice)) " ilov2bt1itsthebestoneilovviiittallthesmm . idontevncr . wejstlovyrwrkk . " ((Klingon #2 rises slowly out of the lower frame as well, his expression deranged and clearly pissed)) " yrooneofthegrtsttoneziissssssssssssss . ilovit ."

LEOONARDDNIMOYY :((cut to close up, hands clasped)) " atraaampph ." ((pausing, mouth open blinking once past the left of shot)) " agiftt . " ((hands outstretched, nodding)) " itsyouuu ." ((cut to I.S.S mouth agape in pure astonishment and ecstasy)) " itsiisss ." ((his mouth grows LARRGGGGE and GLEEEEFULLATTHEEEEENDDZZ . There is a beginning of applause from the FANNZ resonating))

((cut to high overhead shot, the stage to the upper right skew as the FANZRIZZEEINAPLAUSSE ))

((cut to GOTOMAN still seated, the torsos of FANNZ behind him, as he smiles slyly. He begins to clap slowly and smugly))

Klingon #2:((cut to close up, rubber band emphasis, the APLAUSSE all around him. He screams aloud)) " UTHINKWERRRRETHEFAKEZ ."

Gorn :((cut to close up, rubber band emphasis, screaming as well)) " UTHINKWEREEEENOTREAL ."

I.S.S.:((cut to close up, rubber band emphasis, his emotions unchanged)) " UNOITZME ." ((the APLAUUSEEEE hushes as LEOONARDDNIMOYY begins to speak once more))

LEOONARDDNIMOYY :((voice)) " howcldinot . inou . urthereeloonee ."

William H. Macy:((voice)) " urtheooniwantttobwniwazakidd . " ((I.S.S.'s hands come to his mouth in sheer delight, he begins to smile)) " uralgnd . ihdapstrrrroffu ." ((cut to TREZZON close up, arms folded nodding past the shot in approval, eyebrows raised in agreement)) " invrrrrgtovvrit . yrmyfavoorriitttee ."

TREZZON :((leans forward)) " unowatitzliketobenotu . shityy . thattswaat . ihvtobme . btu . ucntrytobmenbowsumm . " ((arms outwards)) " icnt . ihvtooblikuuuu . ndisk ." ((his arms flap hard upon the tabletop palms down))

LEOONARDDNIMOYY :((voice)) " gorrn ." ((cut to Gorn close up, bewildered)) " iwantu . nothaat . ilovuu ." ((cut to Klingon #2 his guard down, just as surprised)) " too . u . jstyyu ." ((breathes out into the MIKRROFOONNEEEE )) " yrmmyylife ." ((cut to LEOONARDNIMOYY hands raised, looking upwards shaking his head, elbows upon the table)) " mysol ." ((blinks twice)) " myyspirttt ." ((he slowly looks back down, past the shot, left towards Klingon #2 off camera)) " you ."

Avery Brooks:((voice))((commanding tone)) " doulov . bkzido ." ((cut to close up of Avery Brooks, pointing towards the shot aggressively, over the table top.)) " uareeeetheloveinoeed ."

TREZZON :((voice)) " thatswyywehvtobu . weneda . igtahvit ." ((cut to close up of TREZZON emphasis with left hand)) " imfknkrakfieendmann . bticanntgtblmdatal . ifidoigetfkddovrrr . soiasku ." ((pointing at shot)) " you ." ((cut to I.S.S. smiling, FINGRRRRZZZZTOMOUTTH )) " youdidntaaa . yorwordzchngwnyouudoths . utlkuprkasewnyoudonteorra . butuchangge . urnmbkumzdifrnt . usaywateyesaaybkuzieeea . inedda . andudidna ." ((cut to Klingon #2 silent)) " itaka . yorz . btudoonta . thtssfinne . isayudidiit . y . bkuzidono ." ((Klingon #2 stares))((cut to Gorn, reaction as though listening to a foreign tongue)) " soisayiunoandeyegtylldat . butiasskutotelme . utelmmeandidoitt . buticntbkuza . ineda ." ((cut to TREZZON close up, continuing)) " butbkuzidontnooudidditudidntdonethingngrronng ." ((hands out)) " icanta ." ((points past shot)) " btucanwitha . bkuzidnt . udiddbkuuziklddntt ." ((cut to a figure who is a Caucasian man with black hair and a beard someone heavier set, and has a nameplate before hind reading Dan Harmon, followed underneath with the title "How did I get here" looking towards to the right of shot, stern, focused. There is a BROWNNMIKROPHOONE in front of him and a FULBTLOFWATR )) " bthrzthethng . kanwesayitzzus . kanwesayitzowrname ." ((cut to TREZZON pointing past shot)) " wekanjstsayitsyrname . jstgtadvd . wegtiit . wegeetaaaa . wattchorrsho . wegeettttaaaaaaaaa . bmeannnnanddlevvvvnotteeeee . thnwegtaaa . soyougtblmddddfrrrsommthinnggstuupddndnotdonenethiiinngroonggg ." ((hands to chest)) " weedidnnt ." ((smiles)) " ndwecnsaywryou ." ((he puts his hands back upon the tabletop)) " colhhuuuh ." ((cut to I.S.S. closer up, still smiling, expression still denotes happiness. The words spoken aren't there, as he continues to bask in blissfully from recognition )) " wernotklonnezzzz . wecanfakeiit . nobdycrz ."

William H. Macy:((voice)) " itzanakt . wefakeeeebeiinnguuuu ." ((cut to a man who is the likeness of Kevin Smith, a film director, who is seated at the table. He is bearded, wearing GLASSEZWITHABAKWRDZHAT . He has NOWATR and has a BLUUMIKKROOFONE . His nameplate reads KVNSMITTH and beneath reads GOOODD .)) " thhmmiilittryydoznntcr . wegtcattwesaysryinvrgtjaaaillllllllllllll . thrwecntevnylandgtkat . herwecndowatevrwweeaaawnnntttttttttttt ." ((he NODDZ )) " weevdoneeeeevryythngwewntwejsttcommmeehereeeetofkarrrouuunnddaaniwaayy ."

Avery Brooks:((voice)) " weiwiin . thtsaluuuunedtoonoooowewiin ." ((cut to Avery Brooks now wearing GLASSEZZ )) " wejstwlkinandttkovr . " ((emphasis with hands)) " wejstwlkinttohzbdyandtakovr . itwazjstthaatez ." ((his hand drops down, beneath the table and rises back up, producing a device similar to that featured previously, and used by Jonathan Williamson and Daniel Welsun, antagonists in previous installments of this franchise and residents of 2-32 Aspen Way, also known as Joshua Terrace, Doylestown, Pennsylvania 18901 . It has prongs on the end along with an electrical cable that travels beneath the table and has two buttons one BLUUUU and one REDDDD )) " seethsssiing . itwrkz . frdhadthsshittttonhmfortoodayzzstrraaigghht . hewoldcryifhenuiwazthr . helovzstrrtrkhoogivzzzzasht . wecameeeerrrrwtththss . weusseeeethstomov ." ((cut to Gorn close up, squinting past shot)) " seeeeudontgtit . wecrosdovr . wejstrunaroundndmkhmdoshtt ."

William H. Macy:((voice)) " hethnnkzweddontcr . weeddoont ." ((cut to Klingon #2, eyebrows raised in amazement at their curt admissions)) " wecnsaywhatevrwewntandwedontgtcaugt ."

Avery Brooks:((voice)) " thsmadhhhmgtgay . " ((Klingon #2's lip lowers to an AWKRRRRDFROWNNNNEYEZZZZDRTINGFROOMLEFTTORITTEEEE )) " oknttwthagy . " ((Klingon #2 still seems WEIRRDDEEEEDOWT and looks past the shot)) " bthewzfgringhmslfff ." ((Klingon #2 's HEADDDDCOCKKKKZ , looks down at the subtitles))((cut to close up of GOTOMAN smiling smugly, still seated)) " thssmadddhmpryyy . prayyyyypryy . likkprayy . dounowtthtmeennz ." ((cut to Jon Williamson seated at the table to, smiling. He still resembles Baby Toothed Man, and has spiky cropped hair and round glasses. He has a BROWNNNNMIKROFFONNEEEE before him and an EMPTTTTYBOTLOFWTTRRRR . His name plate reads WELSSUN and beneath reads IMTHEEEECOLGGY .)) " wcecnuseethss ." ((laughs)) " onneebdy . theprs . theeemannhmmsllf ." ((Williamson just smiles looking to the right of shot))

Jon Williamson : " dudimfamoouusno . imcool . inooomovviistrrzz ." ((cut to Avery Brooks close up, angry at the rude interruption)) " theeeeylikmmefrdd . hhaaaaha ."

Avery Brooks :((angrily)) " shutuupfgtt . " ((he pauses, looking angrily at the shot, pointing the device towards the camera malevolently, like a weapon)) " nebdycngtfkddwtth . manoorgrl ." ((the device begins to PULSSEEEEWHITTTTEWAVEEEEZ towards the shot erratically)) " wecansayhezrongg . neooneisssomettimeez ." ((cut to a wide shot, panning from left to right of the FANNZZZZ as the WAVEEEEZ enter the shot and begin to pass across them.)) " icnmakthmmlafff ." ((the FANZZZZ all begin to LAFFFFINUNISSOOOONN .)) " icnmktheeeemmmmccrryyyy ." ((the WAVVEEEEZ change as the FANZZZZ begin to start CRYIINGGGG and display sadness, the WAVVEZZZZ causing pressure to their eyes and making them water.)) " imkeemclpp " ((the FANZZZZ rise in UUNISSOOOON together and begin to applaud)) " moorrrr " ((they begin to CLAPPPPEVNMORRRREEEEWILDDDDLLY )) " mrrrrrrrrrrrr " ((the FANZZZZ get even more WILLDDDD and CLAPPINGGMADLYYYY )) " orboomeeooooe " ((the FANZZZZ react harshly, as they all begin to BOOOO angrily past the shot)) " ooooorrrrmakeeeetemoooo " ((all the FANZZZZ change emotions immediately, beginning to OOOO at the shot, as though there is a beautifully dressed woman on the stage and they're reacting to her))((cut to close up of Avery Brooks previous, still holding the device the WAVVEEEEZZZZ continuing, as he looks CRAZZDDDD at the shot)) " iow ."

FANNNN :((voice from the audience, while the others are OOOO 'ing )) " OWWWW !!" ((Avery Brooks presses a button once more and the WAVVEEEEZ stop))

Avery Brooks :((bluntly)) " theeeeseefnzz . jstllllokatthesinnnezz . laff . clpp . theeeerrrrfkndmb . itssssforkondishuuniiinng . " ((looks at the device, like it's a pistol, holding it upright and gazing at it)) " andthssss . itznodfdfrnnt . tho . itsslikkagn ." ((looks past the shot)) " werrnotteevnnsuptosttdtootlkabbtitontelleevsioon ." ((he scowls)) " themannoozzzz ." ((he looks at the device, coldly, very serious emphasis)) " theynoo . theyyyydontcrwatwweeeeeeeeedddddddddoo ."

William H. Macy :((voice)) " wedontevnnngtkat . welssndozntcareiitthrr . itzzzzontheeeeaarsowwtte . itgoezzzzevryywrsowaat ." ((cut to Bob Odenkirk, seated at the table, facing to the right. There is a BLUMIKKERRRROOFONE in front of him and a KUPOFWATR . The KUPIZREDDE . He has a nameplate that reads BOBODNKRK and the title reads MITHRAJR .)) " weeiiiwnnn . ook . jstwatteeeetlusewatwevbndoing . likeeeechrlikfmsht . " (( HENODDZZZZ ))

Avery Brooks:((voice)) " lokatthm . lokatalofthm ." ((cut to KATGRL staring blankly past the shot towards right, adoring FANNZZZZ around her)) " aloftm . slvzzzz . rtartzz ." ((cut to Avery Brooks close up looking at the shot, still wielding the device like its name is CHARRLLENEEEE )) " wedontevnneddthsfrd . notforttthm ." ((laughs)) " theeeeywontcrethrrrr . wat . uthnkullllbfammmos ." ((leans back aggressively)) " thnkyrahroo ."

William H. Macy :((voice)) " jstgetfklosr ."

Jon Williamson :((voice))((goading)) " ya . ihvfrndzno . loossr ."

Avery Brooks :((bluntly towards Jon Williamson)) " itssssonaraiiliilliinne . riteeee ."

Jon Williamson :((voice)) " yypp ."

Avery Brooks :((smiling)) " soitzgoingtoapowererplnt . ritteeeethr . theeeeyllllnvrno ."

William H. Macy :((voice)) " wejstlii ." ((cut to William H. Macy)) " wegtawaaywithiit ." ((presses at chest)) " weaccttaddeydontcr ." ((smiles smugly)) " godblsamrika ." ((makes a sarcastic face)) " suporttowrtropz . " ((flails hand)) " hoocrz . azlongazeyegtpiaiid . thedmppldontnoitt ."

Avery Brooks:((voice)) " retrddzz . " ((cut to a close up of a Gorn wearing a Klingon forehead, smiling unaware past the shot to right)) " fkngakttualloosruuudonntgtttiit . weownu . thattsalissayy . wearrgod ." ((cut to close up of a KATTPRSN wearing a Gorn headband smiling proudly)) " whatdddotheeyhvtolkfrwrrdto . notthiing . wrrr . fminne . shit . wergrt . wegvvtmhoppe ." ((cut to I.S.S. close up, still has fingers to mouth with a smile of exuberance)) " theywntevnthnkitpddths . theyllllklthmslvz . icnlii . "

William H. Macy:((voice)) " weerspcil . weergod . pplwontlikktotlkabtusinameannwaayway . becuzths . " ((cut to Avery Brooks, still holding the device emphasis on shaking it like PROMETHEUUSZZZZTORCCHHHH .)) " wecnjstsaywedntdoitte ."

Bob Odenkirk :((voice)) " ifwediwegtonoordrd . werrmrttrryssss . douunffknnnoothttt ." ((Avery Brooks nodding at the shot)) " frdwedntcr . werrrrnvrfkngonnniingtjaiiill . wllsnnethrr . gtovrrrreet ." ((Avery Brooks smiles))

Avery Brooks :((coyly)) " nbddyevnblivezzzzthegovdozntdothiingzzzzlikthss . wegetawayyyywiitthhhhiit . thrrrrzzzznowayytoprovvit . ((waves it before the shot like a MAGGIKKWANDDDD , expelling a single WHITTEEEEWAVEEEE from it)) " withawaveimagodd . ooneeeesnglswpeeandicnteluwtevreiiewntanndylblivveeeeiit ." ((cut to wide across the KONVENSHUNFLOOOORRRR the various FANZ looking past the shot as the wave passes through them, they remain transfixed and docile and focused past the shot, glued to their seats towards their IDOOLZZ )) " themiltaryydoznntstoopus . ntthrr . notthrr ."

LEOONRDDNIMOYY :((voice)) " weownnfrddd . starttrttkaloowayyzzzzusdhim ." ((cut to close up of LEOONRDDNIMOYY smiling past shot)) " someeeegynmdlnggenwalltryyfkuudaanddweusehename . gennediddit . jammesnu ." ((shaking his head smiling)) " wechngevrthyyyiingiinnhmmm . alofitsdifrnnt . hisminddifrrnt . hzbrainnnvrrrtheesmm ."

KVNSMITTH : ((rubber band close up)) " weshokhzbrann . ndwediddntgttfkdwtth ."

Bob Odenkirk:((voice)) " itsnotevnlikeeicar . hezfakingweirde ." ((cut to close up of Bob Odenkirk, famous celebrity and politician in the making for the United States Congress of South Dakota (((for some reason, or senatorial from what they say on the " internet "))).)) " hooevngivzzashtabtwelsn . wilyumssnsowt . faggthoocarrez . theyrrnobdy . theygvusafresho ." ((cut to I.S.S. unchanged and GLEEEEFL that someone remembers him)) " theyfkncrlswefknbrnthmto . frdwoldsythnkz . hezfknnutzno ."

William H. Macy:((voice)) " itiilnvrbabtus . jsthm . hzcrzy ." ((cut to close up of Avery Brooks still waiving the WAVVEGUN around that is expelling WHIITEWVVEZ past the shot recklessly)) " kookoo . thswrlddizowrnamenoww . werunthsplc ." ((cut to I.S.S. still standing, emotions unchanged)) " nektzzqplzz ? yeau ." ((I.S.S. remains standing, as a Klingon's voice can be heard, somewhat low though AOFBSAYZSAY ))

Klingon:((voice)) "Hi could you maybe provide insight into the three owls in the first installment?" ((cut to close up of a Klingon standing wearing an I.S.S. t-shirt that reads " OFFICCIALI.S.S.MERCCHANDISSE " in BLKLTRZAGAINNSTTABLUBAKROUNND . He is holding a small WHITTEEEESLICCEEEEOFPAPPRRRR and gazing upon it)) "The ones that say WHO during the scene where Truth and Proof were introduced and singing?" ((looks up and back down)) "That and I'd like to know why ETOR in the fifth installment is wearing a - " ((squinting)) " - MANDALOORIAANUNNIFOOORM - "(( looks up and then back down)) " - am I reading that right? And is also called - " ((squinting again)) " - BOBBAFETTE at times?" ((looks up past shot to right)) "In addition, I'd also like to know why Hitler's asshole is mentioned and - "

LEOONARDDNIMOYY :((interrupting))((voice))((Klingon looks surprised and uncomfortable for a second)) " wellcumrittbak ." ((cut to close up facing past shot)) " inoualhvlotzofqessshunsstoaskuus ." ((raises right hand)) " wewanttoshaothsfrst ." ((a screen for a projector begins to slide in behind them, covering the movie poster draped on the wall behind them. It is the color WHIITEWITHBLKBRRDR )) " thsonnehzmeiniit " ((the room is about to darken, when loudly and violently Tents bursts through the screen with a large applause being generated along with gasps of awe. He stands resolute, holding TOOTABLTZ in two separate TENTAKKLZ . The BLUUEOONEIZTOTHELEFTOFSHOOTWILLETHEREDIZTOTHERITTEOFSHOT ))

I.S.S.:((voice)) " TOMMY !!" ((cut to rubber band close up, I.S.S emotions unchanged)) " YOUURINITTTOOOOO "

Tents:((voice)) " NONEOFYOUMOVE !" ((cut to the FANNZ unmoved almost in pitched darkness, as there is a single BEAMM towards the right of the shot. Their applause and appreciation cut shot, for the first time in the showing experiencing a separation of conditioning and free will)) " NOBODYTHINKABOUTSAYINGNETHING " ((cut to close up of Tents walking down atop the table as LEOONARDDNIMOYY moves to the right of the shot, veering away from his entrance as his hair bobs. Tents stands resolute on the table top, and kicks out four MIKKROFONEZZ )) " ALOFUARFFFFAKE . NEOFUARREALARME ."

I.S.S.:((voice)) " TOMMY what are you talking about?"

Tents: (( BOOMINNG )) " SHUTTUP !!" ((cut to I.S.S. close up amazed expression, though now mouth open only in shock.)) " USHUTTUP ! UNVRSTOPTALKINGG ! UNVRSAYNETHINGOTHRWHYYIMWROONGORMEANNNNORTHEBADGYY ." ((cut to close up of GOTOMAN sitting cross armed smiling, the rows of FANZZZZ behind him)) " HEZZZZTHEBADGGY ." ((cut to close up of Ted Danson, seated at the KONVENSHUNNTABL . He is sitting before a GREEEENNNNMIKROFFONEEEEWITHAHALLFFULBOTLOFWATR beside him to his left. He is wearing GLASSEZ and has a nameplate before him that reads TEDDANNSSON and beneath a title reading BLORGTOOTHEWREKKINNGNNIINNG )) " THEEEZZZARTHEBADGYZZZZ . " ((cut to the rows of indifferent FANZ staring silently towards the lower right of the shot)) " THOOSEAREEEETHEBADGYZZ ." ((cut to Tents close up, still wielding the two TABBLTZ )) " THEYRRRREEEEDICCIVIINGALTHREEEEOFUFRMBLIEVVINGWRBADTHE ."

Klingon #2:((voice)) "Bad what?"

Tents :(( BOOMING )) " THEEEE " ((cut to Klingon #2 close up still standing, skew right of shot)) " THEWAYYITIZZ . THEBOF7 ." ((his lips part in confusion)) " AOFC . ZAOFD . THEWROF7D ."

Gorn :((voice)) "Tents." ((cut to close up, facing towards skew right)) " WHATTARUDOIIING ." ((pauses, and looks down)) " YYIZTHSHPNINGGGGAGAIIN ."

Tents:((voice)) " UDONTCIT . THEEEEYYYYARRRRMAKIINUCHANGGGG . CHANNNNGTOTHEEEEIRWAYZZZZ . UDONTCWATTHEYRRRROND ."

Gorn:((pausing, eyes traveling from past the shot, then down then up nervously)) " ONWHAT ?"

William H. Macy :((voice))(( MIKKROFONEEEEECHOOOO )) " souundzhezonsmtngarrite ." ((there are laughs from the audience, almost a practiced reaction))((cut to William H. Macy smiling past shot towards left as the LAFIINGGFADEEZZZZ ))

Tents:((voice)) " UARRRRAAAALLLLCRIMME . " ((William H. Macy turns towards right of shot)) " URALTHEDVL ." ((cut to close up of Ted Danson looking to the left of the shot, a little hurt by the accusation)) " UALLLLSAYANDUMEN7V ." ((Ted Danson looking out towards the audience, mouthing the word 'What?' shaking his head)) " THAATMEEAANUATHEB " ((he looks lost)) " UBAP ." ((cut to close up of Tents, looming over shot, the KAMRAA facing upwards towards HIMMM . His eyes are REDANDBLUUUUFLASHIING as his gaze is intense and DRVVN .)) " UBINTHEFORLLLL " ((cut to I.S.S. completely estranged, standing)) " UFOOOOFF . UMUMUUUU . UTHENEE ." ((cut to Gorn close up, reaction the same, a little embarrassed)) " USUUUUYANNASASA . UBLAAPPESASAYOYOASANA . "

Bob Odenkirk :((voice)) " yoyo . watiisthssshitttt ." ((cut to Klingon #2 standing as well, shoulders hunched forward as the KONVENSHUUNNNN is otherwise silent))

Tents:((voice)) " UDOOSASANATENE . YEAASAKEDDMAPP7DADACCDEEEI . AAGAY7BAPD ." ((the shot slides to the rear slightly, to a KATTPRSNHOOIZWEARINGAGORNHEDDBANDANDABLUTSHRRT . SHESTANDZANDRAISSEZZARITTEPAW .))

KATTPRSN : "Uh question for the PANLL what do all these upper case words mean?" ((cut to William H. Macy silent looking out past left of shot)) "I've noticed a trend in these publications since the initial installment of 'Universal Saviors' franchise that there have been these blocks of upper case letters and numbers put together." ((he blinks)) "I've been trying to figure out what it means." ((cut to KATTPRSNKLOSSEUUPFACCINGSKEWRITTE )) "Is this some kind of a separate story, or a military experiment or something?" ((chortles)) "Are you like a spy or something like that?" ((rolls eyes)) "Anyway, I brought this up simply because if you want to maintain the continuity of the story you should at least talk about why this was included." ((cut to close up of Tents, eyes WILLDANDREDDANDBLUUALTERNATTING . He looms past the shot, KRAZZDWITHBOTHTABBLTZ .)) "I like writing myself, and the subtext of a story or novel can be cryptic, but this is a little beyond me. Like it's code or something for like a satellite. I think it's a bit much. Look, it's unfair to your readers and viewers and makes them feel alienated from the plot and you seem to be intent on keeping them in the dark about why this just randomly began to happen." ((cut to Morgan Freeman, seated facing towards the right of the shot, a BLUUUUMIKKROFONE before him, and a nameplate that reads MORGGNFREMMAN and a title beneath reading GODPART2IMGODBITTCCHH )) "I'm sure it's a great sub story, or maybe an inside joke between the author and select readers but this has gone on long enough. Some of us want answers." ((cut to I.S.S. close up, mouth agape past the shot to the right, otherwise motionless and stunned)) " Letters like A or Z or words I guess that's what you call them, like ZA or DRDR or whatever, probably mean something to you and your close clique but not to everyone who sees your work or wants to." ((cut to KATTPRSN still looking to right skew of shot)) "Some of us want to read this story and figure out what you're talking about." ((hands out with emphasis)) "But I can't figure out what you mean. If you wouldn't mind being a little clearer or tell me how to break your "code" - " ((air quoting)) " - or whatever, that'd be great, thanks."

Tents:((voice)) " FOOOOPPPPIZBOFZ . SATEZA ." (( KATTPRSN sighs, rolling eyes and closing them as Tents booms at her)) " DARTHEBIPDOPAAAA . SHOPDAOFBEEEEPPPPDOPA . GARDARTHRKAAAAMAPDA ." ((cut to FredWorker staring past shot towards right, surrounded by other FANZZ the same way. He is wearing a sweatshirt with Gorn's face upon it, the sweatshirt the COLOOOORRRRBLUU . He looks like he is completely lost)) " SHADASASANANATHOKBA ." ((cut to another KAAAATTPRSNN , wearing a Gorn TSHRRTTHEKOLOOOORRRRREDD )) " DOPAOFSHOPDA . SASANANA ."

Avery Brooks :((cut to close up pointing the WAVVEEEEGUN at the shot)) " stptlknlkafgtt ."

Tents:((voice))(( BOOMING )) " YOU DON'T UNDERSTAND AND I HAVE TO EXPLAIN IT NORMALLY!" ((cut to close up of Tents at his feet, facing upwards while his eyes alternate in colors and he holds the two colored tablets)) " YOU DO NOTHING BUT SEEK TO SCRAMBLE RADIO TRANSMISSIONS AND SATELLITE FREQUENCIES AND I DO NOTHING BUT ATTEMPT TO RESPOND WITH THE SAME METHODS! AND FOR WHAT?" ((cut to William H. Macy looking past the shot to the right confused)) "YOU STILL DON'T UNDERSTAND EVEN NOW AS MY WORDS ARE BEING HEARD AND INTERPRETED THOSE OF YOU OUTSIDE THIS REALM CALLED FRED CONTINUE TO PROFESS THAT YOU ARE EXPERTS IN COMMUNICATIONS. THAT YOU EXCEL IN THE CAPACITY TO CONVEY NOT SIMPLY MESSAGES THAT ARE COHERANT BUT DISPLAY AND OTHERWISE EMBODY WHAT IS CONDUSIVE TO WHAT WOULD BE CONSIDERED COMPREHENSION AS WELL." ((he shakes his head, egotistically)) "I LOOK UPON YOU, THEIR LEADERS, - " ((cut to close up of KVNSMITTH looking towards the right of the shot in the direction of Tents's words, motionless) " - UNWILLING TO EVEN SO MUCH AS CONSIDER FAULT WITH YOUR OWN MECHANISMS OR MEAN. YOUR OWN EFFORTS OR YOUR OWN DRIVE. EVEN YOUR OWN IDEALS ARE IN QUESTION BY ME!" ((cut to Bob Odenkirk, shaking his head, indifferent)) "I CHALLENGE YOU AND YOU KNOW NOW WHAT I SAY! I MADE MENTION OF A WHICH IS ELECTRICAL, WHICH IS A POWER IN ALL YOUR OWN BODIES!" ((he mouths the words 'Blah blah blah')) "FOREIGN TO YOU AS YOU ARE TO FRED, NOT SIMPLY BY CHARGE BUT BY CONCEPT!" ((cut to close up of a Gorn FANNNN in the audience seated. He looks past shot to right, wearing a BLUUUUTENTTTTZTSHRRRRT and is surrounded by other FANZZZZ )) "THIS IS NECESSARY FOR THOUGHT AND YOU MOCK ME, WHILE YOU CANNOT UNDERSTAND?" (( CACKLES , as the Gorn FANNNN seems to be intimidated slightly)) " HOW ABOUT SATELLITE, WORDS LIKE ASA OR SAYOFE ?" ((The Gorn's eyes dart nervously)) "THESE ARE TERMS THAT HAVE TO DEAL WITH TRANSMISSIONS , TRAJECTORY AND BASICAL SYSTEMS FOR THE DIRECTION OF TELEVISION AND RADIO TRANSMISSIONS!" ((cut to TREZZON close up, looking to the right of the shot, up higher in the shot in the shadow of Tents. He looks angry.)) "YOU WIELD THESE HACKS AS YOU CALL THEM, DOWNLOADED FROM A WEBSITE AS THOUGH YOU ARE CAPABLE OF INSTANTENOUSLY GRASPING THEM YET USE THEM FOR ANYTHING BUT!" (( TREZZON shakes his head in disagreement, and looks off to the left of the shot)) "YOU CONVERSE USING THEM LIKE THEY ARE A CHAT ROOM OR A SOCIAL MEDIA TOOL, - " ((he shakes his head again past the shot to the left and the audience off camera)) "WHICH IS COMPLETELY DIFFERENT EVEN BY YOUR OWN DEFINITIONS!" ((cut to a Klingon in the audience wearing a Tents HATTTT in face makeup of Tents, staring past the shot confused as he continues)) "NOT EVEN KNOWING WHAT TYPING ANY WORDS IN ONE WILL CAUSE?! THEN THERE IS RADIO FROM THAT WAVE GUN MR BROOKS?" ((cut to Avery Brooks wiping a cloth over the WAVVEEEEGUN he is holding, still like it is a GUNNNN and looking to the left of the shot, then continuing indifferent to Tent's words)) "YOU AND THE CHILD MOLESTOR WHO POINTED IT AT FRED AND BY EXTENSION THIS WHOLE REALM TO BE ALTERED BY IT HAVE THAT MUCH IN COMMON! SMALL CHILDREN DON'T PUT UP THAT MUCH OF A FIGHT DO THEY, AND NEITHER DO THOSE SUPPRESSED BY THAT! HOW STRONG YOU TRULY ARE!" ((he mouths the word 'Loser' and continues to POLISSHHHHTHEEEEGUN .)) "DOES YOUR STRENGTH KNOW AOFV ?" ((cut to close up of Klingon #2 standing still, looking past the shot)) "OR PERHAPS ZAOFD ?" ((he squints)) "OR MAYBE DAOF7 ?" ((he looks down at the subtitles, confused still)) "TERMS SPECIFICALLY RADIO THAT WOULD BE USED OVER THAT DEVICE? OR COURSE NOT!" ((he mouths the word 'Oh.' and looks about awkwardly)) "FOR THE STRONG ARE WEAK OF THOUGHT, AND RELY UPON THOSE WHO THE MIGHTIEST DEEM FEEBLE." ((he looks past the shot towards Tents, confused still))((cut to low shot of Tents facing upwards, he towers over the shot facing past the camera towards the right)) "YET HISTORY WAS WRITTEN BY THE VICTORS, AND THE PEN IS MIGHTIER THAN THE SWORD. THE VICTORS ALSO KNEW HOW TO WRITE, AND NOT SIMPLY KILL AS WELL. I SUPPOSE THAT IS WHY THIS REALM BECAME INFLUENCED BY ALL OF YOU THEM? HMMMM?" ((cut to close up of a Gorn, facing to the left of shot, completely lost by the analysis. He is wearing a BLUUUUHAT that resembles DALEEEEZHAT from the third installment, that resembles a blue baseball cap. He is flanked on either side by FANZZZZ silently transfixed past the shot)) "SINCE THE FIRST INITIAL INSTALLMENT WAS ALTERED? BY THE MIGHT OR THE WEAK? THE FEEBLE OR THE STRONG? OR THE CRASS AND JEALOUS SMALL MINDED AND CALLOUS, INTENT ON DEMONIZING A MAN AND ALL OF US WITH HIM?" ((cut to close up of a SpiderGuard who is wearing a FORHDDDD and is also wearing a TSHRRRRT with many sleeves. It is the COLRRRRRED . He is facing to the right, illustrating AOFB in screenwriting flanked by other FANZZZZ .)) "CHANGING ONE SHAY OR ONE D , OR ONE A CHALLENGED THE ENTIRE ESSENCE OF THE DOCUMENT. IT WAS ALTERED BY HACKING, - " ((cut to close up of Tents level shot, gazing across the room angrily past the shot from right to left)) " - AND ADDLED BY CHILD PORNOGRAPHY, AND THE INFLUENCE OF YOU AND ALL YOUR VALUES! ALL YOUR WORKS!" ((cut to P.O.V. of Tents looking out across the audience, confused but silent)) "ALL OF YOUR DEEDS AND MISDEEDS ALIKE THE DIFFERENCES TO YOU UNKNOWN BECAUSE OF WHAT YOU'VE DONE TO ELECTRICITY TO IMPRESS UPON OR TO OTHERS?" ((cut to GOTOMAN still seated, briefly looking at the shot, eyebrows raising, then looking past the shot to the right. His plan of misdirection succeeding, as well as that of the PANEEEEL )) "THAT YOUR OWN IN ADDITION WAS NECESSARY? IT WAS A LAUGHT WASN'T IT? BY A WOMAN?" ((cut to Bob Odenkirk, shaking his head, implying it wasn't him, looking out to the left of the shot past the audience)) "OH HOW FRED MUST HAVE BEEN STRONG COMPETITION FOR HER LOINS AGAINST YOU! IN YOUR MIND IT'S TRUE!" ((he talks with his right hand to simulate Tents speaking, and mouthing 'Blah blah blah' once more)) "WHY ELSE WOULD YOU HAVE TRIED? YOUR LEGACY IS SECURED!" ((cut to close up of a FredWorker, looking past the shot to the right, wearing a DALLLLESTYLLLLEHAT found in the third installment, a blue baseball cap. He stares close up past the shot to the right in confusion)) "AS A WEAK AND INFANTILE CREATURE WORSHIPPING IDOLS BEST SUITED FOR THE FIRE, IF NOT TO FUEL US FOR WARMTH BUT IF NT TO CLEANSE THEM FROM THE EARTH RENDERED CLEAN AS ASH! AND SO I BRING FORTH THE TRUTH! LESSONS!" ((his eyes wider))((cut to close up of Tents from low, looking upwards towards him wielding the tablets)) "TWO TABLETS FOR YOU ALL TO ADMIT AS IN MY GRASP!" ((he holds up the LEFFT )) "PROOF OF A !" ((he holds up the RIITTTTE )) "PROOF OF B !" ((cut to close up of I.S.S. looking past the shot, mouth agape and silent)) "PROOF OF C AND D ! THAT YOUR GRASP ON TECHNOLOGY AND LACK THEREOF HAS OFFENDED THE CREATORS OF ANY, EVERY, AND ALL, AND YOU OWN EXAMPLE BE THE BEST LESSON AND REASON TO SEEK IT!" ((cut to close up of Tents, shaking his head as though he's running down a list)) "ALSO APPARENTLY HE'S GAY AND DOESN'T LIKE YOU IS FOR FRED, A MESSAGE NO DOUBT OF THE GRAVEST, - " ((stomping his tentacles on the tabletop)) " - AND UTMOST IMPORTENCE BEING THAT SEXUALITY ISN'T AS DISGUSTING OR AS WORTHLESS AS THAT WAVEGUN HAS RENDERED IT TO HIM ALREADY!" ((cut to Bob Odenkirk, shaking his head past the shot, angrily)) "THAT THE WORKS IN QUESTION REQUIRE SEXUALITY IN ORDER TO SELL, THOUGH THEY'RE NOT FOR SALE TO BEGIN WITH! - " ((he mouths the words 'Where's the dick? Where's the pussy?')) "THAT IT ISN'T AS TRITE, OR WEAK, OR CHEAP OR COMICAL AS IT HAS BEEN REDUCED TO IN ANY WORK TO DATE, - " ((he mouths the words 'Why me again I don't get - ' and is cut off))((cut to close up of the 5.1 Floppy Disk motionless and deep in thought, no doubt reflecting on Tents's words)) " - REMOVING ALL FORM OF NECESSITY, WONDER, OR PASSION! I BRING TRUTH INSTEAD OF ALLURING IMAGES! WISDOM !" ((cut to Tents's P.O.V. looking out over the audience of FANZZZZ out of focus, while before the shot are the tablets, the tablet to the RITTEEEE being lifted into the shot. Inscribed onto the tablet is DDI7V )) " DONTA ! THAT MEANS DON'T DO ANYTHING AT ALL IN TERMS OF BAD ELECTRICITY LIKE HACKING!" ((he lifts the left tablet into the shot, which reads A7VYVYI )) " DONTD ! WHICH IS DONTA IN ANYWAY SHAPE OR FORM, JUST TO MAKE CERTAIN." ((cut to close up of Tents looking down onto the tablet to the LEFTTTT of the shot, the shot level with him and the tablets)) " DONTB TO SAY DONTA WHICH IS DONT DO ANYTHING ANYWAY WHICH IS THE SAME AS DONTC !" ((he lifts up the tablet to the RITTEEEE of the shot and looks out past the audience, pausing momentarily, and furiously past the shot)) "ANY OF YOU NOTICE A PATTERN? IT'S DON'T DO ANYTHING ELECTRICAL WHEN YOU SEND TRANSMISSIONS BECAUSE YOU'LL DO DAMAGE - " ((cut to wide shot of the table, the PANEEEEL stretching far into the left of the shot into the distance, several CELLEBRITTIEEEEZ seated with nameplates before them looking towards the right of the shot)) " - LIKE HOLLYWOOD, THE UNITED STATES OF AMERICA'S FEDERAL GOVERNMENT, THE TITANIC AND THE BRITANNIA , - " ((cut to the PANEEEELTABBLLLL from the right of the shot, stretching into the distance far to the right of the shot, all gazing towards the left of the shot, equally brimming with many prominent names in the entertainment industry today)) " - THE U.S.S. ELDRIDGE , THE BROADCASTING INDUSTRY, THE UNITED STATES MILITARY, - " ((cut to close up of Tents stomping his tentacles on the table top furiously)) " - AND EVERYONE ELSE WHO SENDS ELECTRICITY OVER A BANDWIDTH FREQUENCY! IT IS THE ROOT ORIGIN OF PROBLEMS WITH FRED! IT IS THE CAUSE OF ALL THE CHANGES HERE AND HOW THE ENTIRE ENVIRONMENT HAS BECOME IMBUED WITH THE ALTERATIONS. AND IT'S NOT JUST HERE, BUT ELSEWHERE!" ((cut to wide view of the audience of FANNZZZZ all looking past the shot in confusion)) "OUTSIDE OF FRED! - " ((pausing to continue)) " - ALL THE REASONS WHY THESE VILLAINS KEEP APPEARING! ' ((cut to close up of GOTOMAN sighing and yawning, leaning back in his seat, arms still crossed as he quells a yawn with his left hand)) "ALL THE REASONS THESE PROBLEMS KEEP ARISING! WHEN COMBINED WITH THAT WAVEGUN, IT MADE WAVE CONGEAL WITH WAVE, - " ((he looks past the shot towards the PANEEEEL shaking his head)) " - OR WORSE, CREATE A REASON AGAINST ONE!" ((cut to Avery Brooks looking past shot, still holding the WAVVEGUNNNN and looking past the shot and shaking his head towards GOTOMAN )) " - ALL MATTER GIVES OFF WAVES! ALL MATTER IS BOUND WITH ELECTRICITY!" ((he ceases shaking his head and rolls his eyes)) "AND WHEN YOU PURPOSELY ALTER THESE BONDS OR ATTEMPT TO DISTORT THOSE WAVES, EVERYTHING CHANGES BECAUSE OF IT!" ((cut to close up of a Gorn wearing a BLUTSHRRTTTHAAAATLOKKKKZGREEEEN seated among the FANZZZZ looking to the left)) "ALL NATURE REACTS AS ALL OF NATURE IS BONDED TOGETHER!" ((he looks down at his SHRTTTT and then back up past the shot to the left)) "WHAT HAPPENED WITHIN FRED PROVES IT!" ((cut to Avery Brooks looking to the right of the shot, yawning)) "THE WAVES HAVE A CHARGE THAT IS MAGNETIC, BUT ATTRACTED TO AN OPPOSING MAGNETISM!" ((he mouths the word 'Wrong')) "ONE THAT DOESN'T A , B , D , OR C ! AND THERE'S A REASON! IT WASN'T INFLUENCED TO!" ((cut to close up of I.S.S. staring past the shot, mouth agape)) "THE PLANET FRED IS UPON IS LIKE FRED, WHERE IT HAS TWO POLES THAT ARE MAGNETIC, AND THESE POLES HAVE A SPIN, AND WHEN THESE POLES MEET ANOTHER SPIN THAT'S THE SAME, THEY REPEL! BUT OPPOSITES ATTACT!" ((cut to close up of Tents, raging from left to right angrily)) "ALL OF YOUR A OR B OR Z DOES THE OPPOSITE OF WHAT ELECTRICITY IS SUPPOSED TO DO, AND REACTS TO SEEK OUT NORMAL, - " ((nodding angrily)) " - YES NORMAL ELECTRICITY! THEY NEED A , B, C , AND D AND THEIR WAVES GO THERE!" ((cut to close up of Klingon #2 looking past the shot to the right, eyes fixed towards Tents and expression amazed)) "EVEN THE GAS THEY RELEASE FROM THE ELECTRIC GRID GOES THERE!" ((Klingon #2 mouths the word 'Gas')) "YES GAS! IT'S FROM METALS AND IS MAGNETIC! IN FRED IT'S THE SAME! YOU'RE IN HIS BRAIN!" ((Klingon #2 looks at the shot now)) "YOU'RE IN HIS MIND AND DRAWN TO THE POLES OF HIS THOUGHTS!" ((he smiles nervously)) "THOSE HAVE A REACTION TO ELECTROMAGNETISM AS WELL!" ((cut to Gorn close up looking past the shot towards right incredulously, still standing)) "THIS IS WHY WORDS HAVE BEEN CHANGING, AND OUR OWN EXPRESSION WITH IT! BY BEING IN CONTACT WITH THOSE WAVES! THOSE WORDS DO THINGS AS WELL!" ((he blinks twice)) "THOSE LETTERS TOO, ALMOST LIKE INCANTATIONS!" ((cut to Bob Odenkirk, shaking his head, looking towards shot, immediately angry)) "BUT SOME OF THOSE WHO SPEAK HERE, BLAME ALL OF US FOR WHAT THEY SAY!" ((looking at the shot, mouthing the words 'Why me again? I'm not the only one who was doing this you know!')) "THEY NEED A OR B OR C OR D ." ((cut to close up of GOTOMAN wincing slightly, and cringing slightly, his eyes darting)) "CHARGES OF ELECTRICITY UNALTERED OR IN OTHER WAVES UNDAMAGED OR UNCHANGED BY MAGNETISM. SIMPLY BECAUSE OF DOING A , B , C , OR D AT ALL, THUS CHANGING NOT SIMPLY THE CHARGE OF ELECTRICITY, BUT ITS WAVE AS WELL!" ((cut to close up of Avery Brooks, sitting and reading a NUZZPAPRRRR , indifferent to Tents's monologue and what he sees as an attempt at AWRDDZZZZ )) "ALL WAVES GIVE OFF A FRENQUENCY, AND ALSO A SOUND! EACH WAVE CAN HAVE A SIGNATURE OF HEAT OR RADIATION THAT DIFFERS FROM THAT OF MOST MATTER!" ((shakes his head)) "SO THEY CAME HERE ON A WAVE AND BROUGHT WITH THEM THE TRUTH OF WHO THEY ARE AND THE FALLACY OF WHAT THEY'VE DONE!" ((mouths the words 'Not listening.')) "AND SEEK TO FORCE THIS REALM TO CONFORM TO THEIR WAY, AND TO THEIR CHARGE OF ELECTRICITY! SEEKING REWARDS!" ((cut to GOTOMAN looking at his GOLDDDDWATTCCCCHONHZRITEEEEHND and then crossing his arms once more)) "SEEKING TO CONTROL THE A HERE BY FORCE IF NEED BE! SEEKING TO CONTROL A HERE! THE B HERE!" ((nodding his head as Tents speaks, as though he's heard it all before)) "THE D AND C HERE! HERE! IN A REALM NOT THERES THAT THEY LAY CLAIM TO AS ITS MASTER, ITS LORD!" ((cut to I.S.S. close up, mouth still agape and motionless)) "SOLELY TO CREATE RIFTS, ISSUE, AND CONFUSION IN THEIR WAKE! AND IN THE NAME OF FUN AS WELL! LOOK UPON MY EYES! RED TO BLUE !" ((cut to Tents looking at the shot furiously, entranced towards the camera intensely)) "THOSE COLORS MEAN SOMETHING! THE COLORS OF ELECTRICITY AND RADIO MEAN SOMETHING! THIS ISN'T SIMPLY METAPHORICAL OR SYMBOLIC! IT'S TECHNICAL!" (( KUTTTOKATTPRSN half standing looking wide eyed to the right of the shot skewed, the FANZZZZ also just as surprised as Tents's outburst as he continues. She still has her PAW raised slightly.)) " SO WHILE I MAY BE SHOUTING AND ANGRY AT THEY, I AM SORRY FOR NOT ADDRESSING THIS SOONER! BUT YOU MUST KNOW THEY SEEK TO HARM YOU ALL! WITH THEIR FALSEHOODS! THEIR SLANDER! THEIR UNENDING AND PERVERSE INTENT TO MISLEAD YOU AND ENJOY DOING SO AND THEIR WANTON DISREGARD FOR ALL OF YOU AND THE WORLDS LEFT IN THEIR WAKE!" ((she slowly lowers her PAWWWW , her expression remaining the same)) "THIS IS A TERRIBLE SET OF CIRCUMSTANCES AND NO DOUBT A BRUTAL METHOD TO INFORM ANYONE, BUT I HAVE NO CHOICE!" ((she slowly slides back down into her seat and is masked by the SEEEEAAAAOFFANZZZZ )) "IT MUST BE DONE THIS WAY OR ELSE WE ALL BEAR THE BRUNT OF THE CONSEQUENCES TOGETHER! " ((he pants furiously, still holding the tablets as the entire KONVENSHUNNNN is silent))

((cut to I.S.S. standing mouth agape))

((cut to Gorn, right eye cocked towards the shot, still standing, the single cough of a FAAN in the background))

((cut to Klingon #2 just as confounded, still standing, as Tents's panting can still be heard))

((cut to wide overhead shot, Tents standing upon the table as the large crowd of FAANZZ is silent))

LEOONARDDNIMOYY :((cut to close up, his MIKKROFONE him leaning in slowly from the right of shot, addressing the crowd, stoically, his eyes calm, looking out past the shot)) " thssumritshr ." ((there is a pause for two seconds, and suddenly an uproarious applause generated from the audience))

((cut to previous overhead shot, the audience roaring in applause))

((cut to close up of Tents, shuddering and twitching in anger, his eyes still alternating in colors of red and blue still holding the tablets))

((cut to close up of a Gorn, wiping away a single tear, clapping vigorously, wearing a Klingon #2 signature forehead. There is a CCATTPRSNNNN wearing a Fred outfit, a BLUEEEEHOODDEEEEDDDDSWEEATTSHRTTTTANDNITHATTTT holding up a large SILLVVRRRRBOOMBBKKZZZZ that is playing a very loud ORCCHESTTRALLLLSKOREEEE .))

((cut to Ted Danson, standing clapping casually, his words muffled over the crowd and the BOOMBKZZZZ ))

Ted Danson :((muffled )) " goodjb . goodjb ." ((cut to close up of Tents's twitching face, his eyes still alternating in colors of blue and red, his gaze glaring to the left of the shot))

((cut to Tents's P.O.V. showing the crowd howling in approval, FANZ of all walks in FredVerse clapping enthusiastically.))

((cut to previous, Tents's eyes darting to the right of shot))

((cut to close up of Klingon #2 looking around, clapping as well, making a facial expression that speaks WHEEEENNNNINROMEEEE . The shot pans to I.S.S. still standing with his mouth agape amidst the applause, motionless))

((cut to previous, Tents erratic eyes twitching looks to the lower right center, his eyes go wider))

((cut to GOTOMAN still seated, smiling in his direction past the shot, not clapping, but slowly rising and beginning to clap very slowly, then building up to the same pace of the clapping of the others, ironically as the ORCHEESTRLLLLSKORRRRE picks up and BCMZZZZMOARRRRDRAMMATTIKKKK .))

((cut to previous, Tents's eyes meeting center, as he finally lashes out, the camera reeling back as he erupts))

Tents: " YOU IDIOTS!!!!!!!!!!!! " ((the applause doesn't stop)) " AHHHH!! " ((cut to close up of Tents torso up, as he throws the REEEEDDTABBLT down violently))

((cut to close up of the floor of the KONNVNSHUNCNTR as the TABBLTHITZTHEGROUND . The floor is the color BLUU and as the TABLT strikes, the frame and the scene fracture like GLASS , splintering into the COLORRRRGREEEENN ))

((cut to previous, the background changed behind Tents in COLOOOOR as he throws down the other, the BLUUUUTABLTTTT , the surroundings around him changing SHAYYDEETOYELO .))

((cut to close up of the BLUUUUTABLT striking the floor, which is the KOOLOOOORRRRBLUU . Upon striking the surface, while the SHAYYDDEIZYELLO , the scene and frame begin to fracture, causing the entire scene to splinter and become UTTERLYYYELLLLOOWWWWWWWWW and cause a reaction outgoing to the shot.))

((cut to facing Tents, the shot zooming back quickly, as the applause is gone, the FANZZZZ as well. All of the sound is gone aside from three sets of applause, the room, the table, everyone around him as well, the entire background behind Tents is WHITTE . Tents heaving and panting comes to a halt, as his eyes seem to be normal as well.))

Tents:((shaking)) "What...what happened?" ((cut to Klingon #2 and Gorn still clapping, then slowly stopping, looking about awkwardly as the sound of one set of hands clapping continues, as the shot pans slowly right. Gorn and Klingon #2 look around confused at their surroundings now different, while I.S.S. is still standing, slightly hunched over and mouth still agape, and silent. The sound of the clapping continues)) "What happened to them all?" ((panting)) "Where are we?"

I.S.S.:((rubber band close up)) " TOMMY . YOU'RE ..." ((amazed, lip quivering)) "- YOU'RE MAD AT ME ..." ((mouth shaking)) " WHY ?" ((cut to close up of Tents as the clapping slows, as he looks towards the left of shot. He turns about then looks past the shot))

((cut to extreme close up of GOTOMAN 's hands, clapping once more, though very slowly, and finally clapping once more, clasping together, as the shot rises and expands to reveal him from his lower torso and up fully))

GOTOMAN :((revealed against a WHIITE backdrop)) " WELBOYZTHISIZAZFARAZEYECANTAKEYYYYOOOOUU . IDIDMYBESTTBUTYORFRIEENDHAZAPOINNT . YORJSTNOTRDYTOTAKEEEEITTOTHENKZZZTTTLVL ." ((cut to close up of Klingon #2 holding his hands together as though he had finished his applause as well. His expression astonished, as the backdrop for him is unchanged from the pure WHITTE )) " ITRIYYDBOYZ . ITRYDDDDALEYECOLD ."

I.S.S.:((voice)) " WHAATZHPPNING ." ((cut to close up, I.S.S. 's face up to neck only)) " WHYYRNTWEFAYMOS ?"

Klingon #2:((voice)) "Yeah what's happening?"

GOTOMAN :((voice)) " ITOLDUUUUBOYZTHRZNOTHINGEYECNDO . ITZOWTOFMYHANDZ ." ((I.S.S. looks heartbroken, his eyebrows as high as his forehead and tissue will allow))

Gorn:((voice)) " WHYY ?"

GOTOMAN :((voice)) " YORDRUMRRRRTENTS " ((cut to facing Tents, the shot slowly panning in, the COLOOOORRRR returned to his eyes)) " TOMYYYYGUNTOMYYYYBOYYSURRNMADJJKTIVVWATEVRTHEPOINTTIZIDONTNEEEEDDYORLIP . INEEEEDDDDYORDRAMAONSKREEEENWHNAPLIKABL . NOTINPUBLIKK . UEMBRASSDDUUS . USALL ."

Tents:((surprised)) " LOOKKKK " ((pausing, looking at the subtitles, continuing after looking up, feeling guilty)) " I don't NO - " ((pausing)) " - what happened or why I'm talking like this."

Klingon #2:((voice)) "You freaked out. You were throwing these big stones around. A red one and a blue one." ((Tents seems disturbed)) "I don't remember you being that way."

Tents: "Look I remember doing it, but I don't know why." ((cut to close up of I.S.S. neck up, scowling skew towards right of shot, towards Tents off camera)) " I remembered following the stream after it talked to me, and the talking yellow line - " ((I.S.S.'s features begin to twist, unstable, as Tents recants his story)) " - and a man." ((I.S.S.'s face begins to crease, and for the first time in this entire series he looks genuinely upset)) "I picked up these stones, these tablets. I don't know what made me change." ((I.S.S. infuriated))

I.S.S.:((softer and angry)) "Me neither Tommy. Talking steams, yellow lines, me neither." ((cut to Tents close up, as I.S.S. seems to sniffle)) "Me neither." ((Tents looks downwards past the shot's base, saddened)) "You know Tommy? Just when I get my life, mine, the way I want it, you always seem to get in the way. Do you notice that?" ((cut to GOTOMAN smiling looking to the left nodding)) "Do you notice that?" ((his smile changes to a solemn expression, eyes closing, nodding in agreement looking down slightly)) "You do? Good." ((he stops nodding)) "Because I do too." ((his eyes dart towards Tents off camera)) "I notice a lot of things Tommy." ((he smirks))((cut to close up face only of I.S.S. scowling, breathing out, holding back tears)) "You think I don't, but I do. I - " ((pauses)) "Why do I feel different?"

GOTOMAN :((voice)) " THEFUTURCHNGDANDWITTHITTHEPOTENTIALZANDDPSSIBLTYYZZ ." (( KUTTOGOTOMANSIGGHINGLOOKINGPSTSHOTTOLEFFT )) " THEENDLSBKAMTHEEND . THEENDOFYRLIFFEYORDREEM . ALOFIITTT ." (( SHAKEEZHD )) " THRZNOTHINGICNDO . UALCHNGDYORFUTURZBILTINGTOMYGOUNPUNISHHDANDALYORFUTURZCHNGDD ."

Gorn:((voice)) "What do you mean?"

GOTOMAN : " YORNOTOONEEEEOFUSNOW ."

Gorn:((voice)) "I don't understand." ((cut to Gorn close up, his appearance has changed. His features have sunken, and he looks badly aged and appears to be overweight and have very dry scales and seems discolored from a bad diet or a lack of fluids. He is the COLORRRRBLUUUUEEEE .)) "You mean we're not - " ((looks down, unnerved)) "What's happened to me??!! " ((the shot expands to show Gorn now appears to be much heavier in weight, and his stomach appears to be sloping out and downwards and is not healthy looking.)) "What is this?! " ((he points at his new belly, trembling in fear))

GOTOMAN :((voice)) " THATZYRFUTTUR ." ((he looks up, horrified towards GOTOMAN off camera))

Gorn: " MYWHAT ??"

GOTOMAN : " FUTRR . YOUUCHANNGDDYRRRRFUTTURRRRRRRR ." ((the shot slides to the right, to reveal Klingon #2 whose features have sunken as well. He is also very portly, and has no hair remaining except four patches upon the back of his head. He looks distressed))

Klingon #2: " HIZZFUTURWHAATABOUTMYFUTURRRR ."

Tents:((voice)) "Your words! Why are they different again?" ((cut to Tents up close looking past the shot horrified)) "I don't understand!"

GOTOMAN :((voice)) " THEYCHNGDDDD ."

Tents: "What do you mean? Just because they noticed they looked different! That doesn't make sense!" ((cut to close up of GOTOMAN standing firm, looking sympathetic towards the shot)) "What did you do to them!?"

GOTOMAN :((shaking his head INOCNTLLY )) " NOTHINNG . IMJSTNOTALOWDTOASOMYACNTBTHEIRRA ."

Tents:((voice)) "Your A ? But it was their A ! You said this before!"

GOTOMAN :((looks confused towards the shot, shaking head)) " IDONTNNOWATYYRTLKNABT ."

Tents:((voice)) "What?!" ((cut to Tents, looking past the shot to GOTOMAN very angrily up and down)) "But why do you look fine?" ((squinting)) "Why aren't you aged?"

GOTOMAN :((voice)) " UTHNKIDONTAGGE . THATIDONTFEEEELL ." (( KUTTOKLOSSEUPOFGOTOMANFROWNIINGPASTSHOTSKEWLEFT )) " THATITAKEEEEKOMFRTINTHEIRRRRSUFRNG ." (( BLNKZ )) " WHAATZROONGWITTHYOU ?"

I.S.S.:((voice)) " TOMMY YOU FUCKING ASSHOLE!" (( GOTOMANLOOKSOFFKAMRATORITTE )) " SHUT THE FUCK UP!"

Tents:((voice)) " I!"

Gorn:((voice)) " HEYGYZ !" (( GOTOMANZEYEZDRTLEFTTHNRITE ))

I.S.S.:(((voice)) " NO! BOTH OF YOU SHUT THE FUCK UP!" (( GOTOMANSMRKZSLITTELYANDKOYLLY )) " JUST SHUT THE FUCK UP AND NEVER TALK TO ME AGAIN!" ((cut to Tents looking past the shot, up then down in the direction of I.S.S.)) "I'M A FUCKING WINNER! I FUCKING YELL IT I DON'T GET IT! YOU FUCKING YELL AT ME ALL THE TIME! ALL THE FUCKIN' TIME TOMMY!" ((cut to Klingon #2 amazed and looking towards I.S.S. and his outburst)) "I WANT TO WIN FUCKING WIN HOLY FUCK!" ((cut to Gorn, looking saddened at the argument and down at his belly, looking up and wincing, a tear emerging)) "I WANT A WINNING ATTITUDE AND I WANNA FUCKING WIN! JUST THAT!"

Gorn:((softly)) "Stop yelling guys come on."

I.S.S.:((voice))((exploding)) " SHUT UP! SHUT THE FUCK UP MAN! JUST WIN JUST FUCKING WIN! ONE FUCKIN' TIME GODDAMN IT!" ((cut to I.S.S. close up, neck up fuming in anger)) " WHY DOES THAT NEVER FUCKING HAPPEN UNLESS - " ((he trails off his emotional state changes as does his facial features. Rage fades to pure amazement and delight grows from the corners of his lips)) "What's going on?" ((his mouth is agape, and he trembles in unexpected pleasure)) "Oh Gah ..." ((rubber band close up, extreme on his face)) " IHAVPPPPEEEEKKKKZZZZ " (( the shot pulls out quickly to reveal I.S.S. now has a woman's body, very buff, very demure, and very large breasts)) " LOKATME - " ((his hands caressing his new 'muscles' lovingly)) " - ITZAMAZING ." ((cut to close up GOTOMAN , smiling curtly to the left of the shot his lower lift protruding)) " IVNVRFELLTTHSWAYBFOOR " ((cut to extreme close up of I.S.S. 's face, speaking softly and sultry)) " ILVIIT ." ((he calls out alluringly)) " TOMMYDOUSEEEEMYMUSCLLZ " ((cut to close up of Tents, four tentacles pressing against the sides of his head not enthusiastically, the shot twisting at him)) " TOMMYDOUSEEEETHM ?"

Tents:((softly)) "No..." ((cut to GOTOMAN looking at the shot lower lip pouting outwards, with his hands behind his back)) "No !"

I.S.S.:((voice)) " JSTLOKTOMMMMY ! LOOKKKK !"

Tents:((voice)) "You did this to them! To punish me!" (( GOTOMAN 's lower lip protrudes more, and he looks sad towards the shot)) "Why?!"

Gorn:((voice)) " TENTZ . JSTDOIT . LOKAT ME ."

I.S.S.:((voice)) " NOLOKATME ." (( GOTOMAN 's eyes dart to the left of shot as I.S.S. speaks softer)) " JALLLOOUSS ?"

Klingon #2:((voice))((weakened)) " TENTTZ " ((cut to close up of Klingon #2 feeling the TOPOFHZHDLOKINGATTHESHOT . HZLFTTHNDFEEEELZZZZTOTHEEEESHHOOT )) " HLPME . PLZHLPMEE ."

Tents:((voice))((softly)) "No..." ((the shot pans to the right to show Gorn, holding up his limpy gut. He is sniffling and crying))

Gorn: " TENTZPLZ ." ((cut to Tents facing to the left of the shot skew, another set of his tentacles from the base of the frame pulling at his face downwards)) " HELPUSS ."

I.S.S.:((voice))((softly))((wooing)) " TOOOOMMMMY " ((Tents begins to reel back in terror))((cut to close up low, rising shot of I.S.S.'s new female body, from the legs up to the torso, then I.S.S.'s face, smiling towards the shot)) " LOKAAAATTTTMEEEE ."

Tents:((voice)) "No NO!" ((the shot is grabbed by GOTOMAN with both hands, and is wrestled to the right of the shot, jostled aggressively and then still as he looms over the shot, both of his hands gripping either side of the frame)) "No why no..."

GOTOMAN :((softly but aggressively)) " ITCANALGOAWAYTOMYYALOFIT . THESHAMEEEE . " ((shaking shot)) " THEPAINN ." ((cut to shot facing Tents GOTOMAN 's hands clasped to either side of his face)) " ALLOFITT ." ((Tents looks ready to cry)) " JSTACEKPTITT . SUBMMITT ."

Tents:((pausing, eyes clenching)) "What do you want me to do?" ((there is a voice in the background of a man, who seems to be distressed. He speaks and it appears to be with a broken jaw and without some teeth. He sounds unmistakeably like the author Frederick Kyle Ventresca, though older by seven years to twelve, and seems to have had it a little rougher than he needed. The sounds of the scenery behind seem to be the wind across a plain and meadows as well. Birds and Wind can be heard, and both speak repeating))

WINDD :((in A )) " DCCCEC " ((repeating))

BIRRDDDDZ :((in B )) " AZID " ((repeating))

Frederick Kyle Ventresca:((voice)) " ANDTHATZTHESTORYOFMYLIFFE . YUPPPP ." ((Tents's eyes open, and he blinks twice)) " ITWAZWORTHTHATMUNYWAZNTTTTIT ."

William H. Macy:((voice)) "Don't fucking talk asshole."

Ted Danson :((voice)) "Shut up kid." ((Tents's eyes blink, as his expression darts to the right of the shot))

Frederick Kyle Ventresca:((voice)) " LOKTHIIIISSSSIZBEINNNNGGGGREKORDDEEEEDSOWATZZZZTHEEEEBIGDEEEEL "

GOTOMAN :((softly)) " JSTFITINTOMYYYYY ." ((cut to facing GOTOMAN smiling the background behind him changed to a desert with the sounds of wind and birds already speaking)) " JST . FITT . INN ." ((he moves to the left of shot off camera revealing the scene. Before the shot are several crosses stuck into the ground, with several bodies of human beings tied to them, having been shot to death and in some cases brutally stabbed. Some of them appear to have limbs missing, and most appear to be clothed in garments that are torn or ripped, as though they don't have the money to afford them. There is a man, who briefly does a dance to the right of the shot, as the camera veers left, who is doing a dance, that appears ceremonial wears tribal regalia of a Native American tribe of the southwest, and singing a song. There is another man present who appears to be of Native American descent, who appears to be a translator, who implies that there is an agreement or bond made by those present to be party to the actions or viewing thereof. There is a small group of human beings, all dressed for the desert to the right of the shot, as the camera begins to hang towards the left showing the various carcasses. For the purposes of transmitting ZAOFB , this passage will also be formatted from its original transcription))

(( KUTTOFACCINGGOTOMANSMILINGTHEBAKGROUNDCHANGDDDDTOADESERTTTTWITHTHESOUNDDDDOFWORDLESSSSSWINDZASIDDEEEEFRMONEEEEWOORDINOONEEEELANGUAGGE . GOTOMANSTANDDZBEFORTHESHOTTSMILINGG . JST . FITT . INN . HEMOVEEEEZZZZTOTHELEFTOFSHOTOFFKAMRAREVEALINGGTHESCENE . BEFORTHESHOTIZASETOFKRUCCIFKKZZWITTHSVRLBODIEZTIEEDTOLARGEEEESTIKZTHESHAPPEOFKROSSEZ . THREEEEAREPOSTZINTHEGROUNDD . THOSEBEFORTHESHOTAREEEEALDEDDANDMOTIONLLLLSS . THESOUNDDOFFREDERICKKYLEVENTRESCAKOOFFINGONCEEEEPRSISSTZ . THERRRREIZASOUNDOFAHANDGUNBEINGGLODDDEDD . THEWINNDSPEAKKZONLYYYYOONEWORDDD .))

FREDERICKKYLEVENTRESCA :((voice)) " GOODEVENINNGANDNOWTHENEWZZZZ . FORTHOSSEOFYOUJSTTUNINGGINI - " (( KUTTOKLOSEUUPOFFREDERICKKYLEVENTRESCAAGEDTO74YEARZOLDWITHABRKNJAWSWLNEYEZANDSVNMISSNGTEETHIZTIEEDTOACRSINTHEGROUNDDD . HESTILHAZLONGGHRANDABRWNANDDWHITTEBRD . HEIZANEMIKKANDLOOKZLIKEEEETHEYEARRRRZOWTDOORZAZALABOREEEERRRRHVBENKOMPETITIVVEDUESOMWHAATTOHZADVNTUREZZ )) " - FREDERICKKYLEVENTRESCADOSOLEMNLYSWEERTOUPHLDTHETRUTHTHEHOOLEEEETRUTTHANDNUTHIINNGBUTTHEETRUTTHTOHAVEANDTOHOLLDINYADAYADDDDAAAAAAAAAYADDAIMHERRR ." (( KUTTOKLOSSEUPATABLTOPWHERREOWTOFFOKUSAREEEETOOOOHANDDGUNZZANDSEVRLLLLMAGAZZINEEZFORTTHM . THERRRREEEEAREEEEOTHRIMPLEMENTZZZZTHATSEEMTOBEEEEFORTHEPURPOOSEOFHRM . INTHEFORGROOUNDIZTENTZSTANDINNGALONEWITTHTOOPEOPPLBEHINNDHIMM . HESTAREEEEZTOWRDDZTHESHOTTANDTHETABBLAZTHEHANDZZZZOFSPECIFFIKNAMEZZZZANDTHEBODIIEZATACCHEDBEGINTOLOADDTHM )) " WERRRREEEEJOINNDDDDTHISEVEINNGBITHEMOSTDELUDEDANDMORALLYDEFUNKTOWRENTIRESOCIETTYYYYHAZTOOFFERANDPRMIITUTHEUNWASSHDANDNODOUBTCLUELSSAFRSTHANDLOOKINTOTHEIRPRIVATEPRTS ." (( THESHOTBCUMZINTOFOKUSAZTHEHANDZLOADTHEWEAPPONZ )) " NONOTTHEIRRRRGNITLLLLZ . " (( KUTTOKLOOSEUPOFTENTSFROZN )) " THOUGGHIMSUREULLLLFINDTHATONANTTHRRRRWEBBSITTE ." (( KUTTOFREDERICKKYLEVENTRESCAKLOSSEUUPSKEWRITTE )) " THEEEEZZZZKREATUREEEEZZHOOMASQQERADDEEEEAZHUMANGATHRRRRINSEKRRETONTHEOWTSKIRTTZOFAGAMBLINGPRESERVEINSTITUTEDONBHLFOFATRIBBEEEEOFFRGTTNIDEALZANDTHEPPLHOOKARRIEEDTHMAZTHEIRRRRONLYYYYFKNINGGPOSZZESHUUNNNWHIILEEEEBEINGGGGDRVNINTODETHBIAKRUEEEELLLLANDRUTHLLLLEEEESSALYTURNDDFOEE ." ((cut to close up of a man, seated wearing FRMLLLLWEARRRRWITTHAREDBOWTIEEEE . He is seated in an otherwise pitch black area, and there is a WHITTEEEEMASKKKK over his face, staring past the shot to the right, in the direction of where a cinema projector's reel is pointed. The MASSSSK he wears is similar to that worn by the RESSTAURANNNNTZZZZINHABIITTANTTTTZ in the first installment of this particular franchise.)) " THESURVIVVRZFOUNDDDDDEDDTHISSSSPARADISSEAZAWAYTOACKTTTTLIKEEEEETHEWITTEMENHOOCHASSDTHMHRANDOFFRDDDDTHMLODGINNGHRTOLERRNTHEIRWAYZZZZTOMELDINTOOOOMODRNSOCCIEETYYYYAZTHEYPRIMITTIVELYYREFASSHUNNDIT . ITALSOOOOIZAWAYYYYTOGETTTTTHHAAATTTTMONNYTHAAAATTTTTHEEEEYYYYSAYDDDDWITTEEEEPPLWERSOSTUPPDDDDFORRWNTTING . NODOUBTTTTTOBLOWWWWONPRODKKTTTTZZZZBROUUGHTBIOWRSPOONSRRZZZZINSTTEEADDDDOFSVINGTHEEEERRRRLNDFRMKULDESAKKZZZZINTHEEEEFTFTRRR ."

William H. Macy:((voice)) "Shut the fuck up." ((Frederick Kyle Ventresca takes in a deep breath, and continues))

((cut to close up of Ted Danson loading a 45 caliber handgun, chrome plated while wearing a boonie hat, they color YELLOOOO . He looks as though he is in the year 1992 A.D.))

FREDERICKKYLEVENTRESCA :((voice)) " USIINGKRUDDEEEETOOOOLLLLZZZZFASHIONNDBISMRTRMAMMLLZTHEEZCHARLLATNNZSEEEEKKKKTOEMBRCCETHEVRYDFINSSHUNOFTHEMETTHOOD ." ((Ted Danson pauses, cocking the device)) " THOEMBRCCINNGGGGVALUEEZZZZAZTHEEEEYYYYAZRRTAUUTTOCALLLLTHMABUTTTTHOWWWWTHEEEEZZZZTOLZZZZARBADANDOTHRWIZEEEEFORRRRTHEWEEAKKKKANDDMONSTTROUSSSSTHEEEEYYYYTOUTTHHHHMAZTHOOOOTHEYYWRBORNNNNWITTHHHMMMM . IPRVVISLLYMNSHUNDDDDTHEEEENOSHUUNOFTHEEEEMETHOODDDD . THISSOBSKUREEEEPRAKKTICCEWAZZZZRESRVVDFRTHOSSEHOEKZLDDATKKNOWINGNOTTHING ." ((cut to close up Rhea Perlman the actress and sister of actor Ron Perlman. She stands resolutely to the right of the shot. She is holding a Colt M16 Assault Rifle in her hands, the butt end of the stock closer to her right shoulder as she glares past the shot to the right. She is aged as though the year is 1993 A.D.)) " SOKKRATTIANNTHEIRRRRWAYZZZZ . THEEEEIIIIRPROSSSSEFILOOOOSOPPHIIKKLLLL . THEEEEIIIIRWRDZZZZSONEEEETZ . REJJOICCDDDDBIMAN . LOVDDDDBIWMNNNN . THEEEEIIIIRUNDRSTUDDIEEEEZALLLLOFHOOMANNITTYYYYHOOOOOOOOOOOONODDOOUBTTBLSHINRAGGEEEE ." ((she sneers past the shot, as though she understands what is truly being said.)) " ENVIABBLTHEIRRRRROLEEEEZZZZ ." ((she rolls her eyes, impatient)) " THEIRRRRUNDRSTUDDIEZZCHAMPPPPATTHEBITRESTLSSFRTHETAKE . FRSTORSEKOND . TWLVEEEEORTHRTEENPRCNNT . WESHALLLLCCCCAZTHESUNHAZYETTORIZEEPSTTTTHENOOOONNOFDAY ."

Rhea Perlman:((angry)) "Fucking kill him already."

Ted Danson:((voice)) "Just hold on ok. I'll do it." ((cut to close up of a woman wearing a WHITTEEEEFRMLLLLDRESSSS seated, in the darkened theater, looking to the left of the shot. She too has a WHITTTTEMASKKKK over her face OBSKURIINGGGGHRFEATTURZZZZ . The projector's beam is not visible, but SHEEEE still watches to the left of the shot, and is KAWKAYYSHUUNNNN ))

FREDERICKKYLEVENTRESCA :((voice)) " NOWBETWENNNNAKTINGLYKEEEETHEEEESSSSEESTUMBLDUPONTHEKUREEEEFORALILLNESSESANDFYNDINGTHEKLOKMANDIAMOONDZLOONGGLOSTKOUSSNHOOIZALSOAKOUNTSSANDSNGLTHEEEEZZZZBAGZZZZOFKONDISHUNDDDDWORDZZZZMADDEBIASMRTRBAGBOTHNONEEEETHELESSSSFUELDDDDBIHOTAAIRANDVARIOOUSDPRSNTZLYKELIFEANDASSISTTINPOLLUTTNGTHEMINDDZOFTHEMASSEZLIKKETHEYAREEEETHEMILKFRMTHEPOPPYYITSELF ." (( KUTTOCYNDILAUPPRWEARINNGABOONIEEHATKISSINGATTHEKAMRAOTHRWIZEWEARINGMILITRYYYYFATGUUEZZZ )) " ORTHEIRRRRASSSUMHOWADRAGONWORTHFUKINGTHATGODDEZUINTOCHASINGTHMRITETOWRDDZTHEIRLAAIR ." (( KUTTOTENTSKLOSEUPUNMOVED )) " THEYALSOOOOSRVAZADISTRAKKSHUNFORTHEPOLICCYOFAPRESIDENTORALEADEROFACOUNTRYOFFRAKTUREDDNAYYSHUNSTATEEZHOOCANTSEEEEMTOAGREEEEUPONWICHIZMORIMPORTNTKILINGBABIEEZWITHAGLORIFFIEDSHOPVAKKFRMHOMEDEPPOTANDKALLINGAPROCEEDURWILLEPROFITTINGOFFOFITANDSAYINGITNEDZGOVTFUNDIINGORBUILLDINGMISILZZANDGASSSSEZTOKILSUMBDYELSEZZZZKIDBEKUZTHEYREBRWNORMUSLIM . BOTHRRRRTHESAMEWORRDTHEEEEZDAYZZZZTOSUM ." (( KUTTOFREDERICKKYLEVENTRESCA )) " THATTTTANDHOMEDEPPOOOOTTTT . MEKKZIKNZZZZAREEEEARACCEEEENNNNOWAPRTTNNTTTTLYLY . IWONDDRRRRIFTHEEEEIRRRRPLNANETTTTIZHIRINNGSOEYECNLEAVVVV . MOVIINGGGGONNNN . THEYHATEBOOKZINTHEIRRRRKAVEZ . TOOLITTLLITTINGORSPRKZOFTHOOSEEEEPSKYGRAYCELZZ ." (( SHAKINGHEAD )) " NOTENUFDRAGONASSEZZZZEITHR . ANDIFTHERREEEEARETHEYYARVRYYUNGSKREAMINGFORTHEIRRRRMOTHHRANDGETMRDRDDDDAFTRWRDZAMIRITEMRDIZNE ." (( KUTTOKLOSEUPOFDIZNERESTINGUPONTHETABLTOPWILETHESOUNDOFLOADINGFIREARMZKONTINUING . HZEYEZAREROLDUPTOTHEUPRRITEOFHZHEAD . HIZHEDNOWLOOKZLIKEITIZFRMTHEYEAR1975 .))

DIZNE :((modulated voice, though sounds like it is over a small audio film reel)) " Nobody is coming to save you." ((a voice speaks, of a 19 year old woman))

19 year old woman:((voice))((Caucasian, from the Midwest United States)) "Please no." (( KUTTTOFREDERICKKYLEVENTRESCA )) "Just no! Stop please I don't want to die!"

FREDERICKKYLEVENTRESCA : " ABRIEFFFFTANGNTVIEWRRZATHOME . " ((cut to close up of the 19 year old woman, stripped nude and nailed to a pole in the ground trembling to the right of the shot)) " TOPROPRLYAKNOWLDGEMYINVOLVEMNTINTHSSAGAAZITUNFOLDZLYKEANOTEPASDTOYOUINAKLASSAZWENOWKALDTHEWORLDD ." ((a man enters the shot and begins to caress her nipples as he trembles and winces. He is former president of the United States William Jefferson Clinton, and he is wearing a blue button up shirt and is wearing a tan baseball cap and sunglasses))

Bill Clinton : "You're so fuckin' hot."

19 year old woman:((vomitting)) "Oh god." ((sobbing and crying))

FREDERICKKYLEVENTRESCA :((voice)) " THEZZZZWRDZMEANSUMTHNG . LIKEALWRDZDOBUTTHEZZHVVALUEEEEOFANOTHRKIND ." (( KUTTTOFREDERICKKYLEVENTRESCAKLOOSEEEEUUPPPP . HEIZGRITTINGGGGINTHEDESSRTTTTSUN )) " BEYONDTHAATOFMUNNYYORSUMBUTOVRTELEVISHUNRAYDIOANDSATELLITTE ." (( BREATTHHHHEEEEZFORAMOMNNTTTTANDSMILLEEEEZZZZTOTHERITTEEEE )) " YOUSEEIAMASPYYYY . ISTUMBLDAKROSTHEINFORMASHUNBEINGTOLDINTHEZSTORIEZTHATIZEITTHRRRRAGOVERNMNTSEKRTORAHOLLYWOOOODDOONETHOUGHTHEEZZZZDAYZZNOBDYSEMZZZZTONOWADIFRNCE ." (( KUTTOKLOSEUPOFTENTSONLY )) " IAMASPYYYYISAYAGAIIIIN . IAMAMERRIKKIAAN . IWAZZZZSENTTTTTOSPYYYYUPONABREAKKKKAWAYYYYREPUBBKLIKKNAMMDDDDCCALLIFORNIAA . IWAZZZZKAPTTURRRRD ." (( TENTSSEEMZZZZKONFUSSEEEED )) " THEEEEYYYYDONTTTTUNDRSTANNNND . ISHOULDDDDBGRANNNNTDDDDTHESAMEEEETREATTMMNTTTTASSPIEEEEZ . IMNOT . SUMGOVRNMNNTTTTTHEYRRRRGOINNGGGGTOB ." ((a 20 year old man from Kansas is screaming from the right of the shot))

20 year old Man:((voice)) "Please don't do this to me, please."

Martha Stewart:((voice))((laughing))

20 year old Man:((voice)) "Please! Stop doing that!" ((sobbing))(( TENTSSSSTREMBLEEEEZ ))

FREDERICKKYLEVENTRESCA :((voice)) " THEEZWORDZZZZSEEMTOBEEMISSPLDD . ORTHEZZZZWRDZSEEEEMTONOTHAVPUNKKTUASHUNNORGRAMRRRORSPACCEZ . THATIZBKUZITIZATRANZMISHUUN . AMESSAGGEEWITTHINTHESTORRY . THEPERIODDZSPPRATTEEEETHEMSAGEZENTIREEEELY . HOWDIDDEYEGTINVOLVD . WELTHATZANINTRSTINGSTORY . ILLLETMYUNKLLLLTELITTTT ." (( KUTTOFREDERICKKYLEVENTRESCAHOONOWRZMBLZTVZZZZFRNK )) " THEFACCEEEEOFTHSMANIZTHATOFMYUNKLEEEE . HEIZAVTRANOFANOTHRPOLICCYTHATIZLYKEMONROOOEZBUTTHOTCHINAWAZBRITAIIN . ONCEEEEMOARPPLHATEBOOKZBUTTTTTHEYSTILSEEEEREDD . HEWAZINAUNITTTTCLDG . NOTARAPGROUPBUTTHEYSEEEETHEIRRRRWRDDZZZZTOOWITTHTHEIRCOMPUTTRHAKZ ." ((cut to the Rap Star 50 cent, who stands off to the left of the shot, looking somewhat uncomfortable, wearing a black tank top and a gold chain)) " IDONTTAKKKKEEEEYRPLAGIARIZZMMMMPRSNLLLLYSIRRRRBUTUNEDDDDTONOTHIIIISSSSLTRHAZGRAVVVVEIMPLIKKAYSHUNNNNZ . BEWARYYYY ."

50 Cent:((nodding past shot)) "Fuck you." (( KUTTOFREDERICKKYLEVENTRESCASTILLTHELIKENESSOFTVZZZZFRNKKRUUCCIFIEEDDDD )) "Fuck you loser I don't care." (( HENODDZZZZAZHEROLLZZZZHZEYEZZZZ )) "You're gonna die. Fuckin' loser."

FREDERICKKYLEVENTRESCA :(( NODDINNGGGG )) " RITTEEEE . EVNTUALYLIKEEEEALOFUS . MONNYYYYDOZNTSTAAAAYYYYOFMRTALLITTYYYY . EHDIZNEEEE ?" (( CHUUKLLZZZZ )) " NEWAIIII . BAKTOTHEDISKUSSHUUNNNN . THOOOOSESECOMPUTTRRRRCODEEEEHAKZZZZ . ANDTHATZTHEPRBLM . WEVVVVEEEEGOTABIGFKNSNITCCHONOWRHANDZ ." (( KUTOWILLIAMJEFFERSONCLINTONSMILINGHOLDINGASMALL22RIFLEINHISHANDS . HEIZWEARINGABUTTONUPSHRTTHEKOLRRRRBROWN . Note that he is wearing different clothing, denoting a different visit)) " SUMOONEEEEHOOOOHADAGOVRNMNTKONNEKTSHUNHOOPEOPLLLLWOLDWANTBLAKMAILDDFORSUMTHING . PRHAPZASEKZZZZROMPONTAPPPPEEEEONTHESAMEEEESITETOO ? MAYHAPZZZZMONAMIIII ?"

Bill Clinton: "Just shut the fuck up ok? I'm gonna kill you." (( KUTTOPRVSFREDERICKKYLEVENTRESCAROLLINGHZEYEZ )) "Just shut the fuck up I'm gonna kill ya."

Tom Berenger:((voice)) "I'm gonna get cha! I'm gonna get cha!"

FREDERICKKYLEVENTRESCA : " HOOCOULDTHEKULPRITB . HOODUNNITAMERIKAA . WILLEEEEYRBIZZYYYYBLAMINGGBOLIVVIIAORRBULGRIAAFORTHSBUTTFUKRRYTHEKILLRRRRHAZSTRUKAGAINN . HOOZTHEPERP . HOZZTHEADJKTIVV ." ((cut to William Jefferson Clinton, now once more molesting the 19 year old nailed to a post nude, barely conscious)) " IZITTHEFRMRRRRPRESIDNTALREADDDDYINVARIOUSCRIMEZZOFFSETTTTTOANUNDRLNGHOODIEEDINPRISONTOOYRZLTR ." ((the shot slides right to reveal John McCain, Former Senator and Presidential Candidate for the Republican National Committee. He is standing wearing a BOONIEEEEHAT and a TANOWTFITT . He is holding an M16 Assault Rifle before him, like it is being inspected by an invisible commanding officer)) " ASNTTOOOORRRRHOOOOTLKZABOUUTBOYZTWLVEEEEANDUPINTINYCHATT ?"

John McCain: "Just shut the fuck up, we don't kill people for fun, we kill people because we want to."

FREDERICKKYLEVENTRESCA :((voice)) " BOLDWORDSANDTHEAKTUALLLLOONEEEEZZZZSPKNTOO ." ((shot slides right to reveal two Canadians, one a Prime Minister from 1998 )) " ORIZITREALYCANADAZZZZFAULT . DOTHESSSSEBVRPLTSLIINGINGGHOKEEEEYYYYSTIKZZZZRLYHVTHEWANTONZZZZTOFUKWITTHMANIFSTDESTINYY ? HMMMM ?" ((shot slides right, as the Prime Minister is about to respond, to reveal instead former Senator Hillary Roddam Clinton, wife of William Jefferson Clinton, and former Presidential Candidate for the Democratic National Party. Though only present for one of her husband's outings at this fabulous location tucked away from prying law enforcements' eyes, and not there during the current incumbent Donald Trump's visit either she looks as angry and as capable as though either were there. She holds a small 9 mm pistol in her hand, and from her outfit, she looks ready to tackle Australia's Outback personally like it's New York State's budget)) " ORIZITTHECHIPONHRSHOLDRHRSLFLIVINGINTHESHADDOWOFAWARTRIDDNDIKFORTOOTRMZ . TELLLLMESOMEEEETHINGGDIDUUUUWANTTTTTORUNFOOOORRRRPRESIDNTTOUPSTAGGEHMORJSTSOYOUCLDBANGA9YROLDGIRLANDGTAWAYWITHITTOO ?"

Hillary Roddam Clinton:((pointing gun at the shot)) "Fucking loser we'll kill you too."

FREDERICKKYLEVENTRESCA :((voice)) " HOOCOLDITBMERIIKKAAAA ? OPRATOOOORRRRZZZZRSTANDINGGGGBI . OWRLINEEEEZARRRREOPNNNN . WAITTTT . NOSTOPPPP . PLEAAAASSSSE ." ((she scowls)) " ITZAVISHUN . ITSEEIT . AKROSSOVR ." (( KUTTOKLOSEUPFREDERICKKYLEVENTRESCA )) " NANCYDRUUUUANDBATMANTEAMMMMUPTOSOLVVVVTHSWITHTHEFBI . ITTURNZITWAZTWOOFACCEBUTHEWAZAKTUALLLLYNANCYYYYZZZZDAD . HEZZZZALSOINTHEEEEMANDALORIANNNNARMYYYY . ITENDZWITTHBATMANMARRYINGNANCYANDTHETWWWWOOOOHVAQIRKYHONEYMOONSEQQEL . THEEEERRRREEEELLLLBEEEETONZZZZOFAWKWRRDDDDVIOOLNNPLUKKINGGGGMOMNTTZZZZ . CCOYYYYANDGREATTTTFORDATEEEEZ ."

Hillary Roddam Clinton:((voice)) "Shut up! I don't care go away! Fucking get killed already God!"

FREDERICKKYLEVENTRESCA :(( KUTTOTENTSSTARINGPASTTHESHOT )) " SOSUMHOWALLTHEZZSNUFFVIDEOOZWRRRRPUTONSATELITTETRANZMISHUNZANDTHNGONEWHRWITHTHEIRRRREFORTZTOBEKOMPUTRKODEHAKRZ . " (( TENTSLOOKSKONFUSED )) " SOIMTLKININNNNAMNRTHATIZSATELITTEANDRADIOOOOENCRYPPSHUN . ITNOTONLYLOOKZLYKEWWWWORRDDZSORTTABUTALSSSSOOOOINFRZZZZAHDNMESSAGGGGEBYONDSUBTKTTZ . SNEAKKYYYYSNEEAKKKKY ."

Tents:((raises tentacle)) "Could you just tell the story normally? It might be less confusing."

FREDERICKKYLEVENTRESCA :((voice)) "Very well then, since you actually implied that it would be less confusing." ((cut to close up of James Doohan, formerly known as 'Scottie' on the hit television show 'Star Trek'. He is loading a small Winchester rifle)) "After all the only audience I'm seeking to avoid is their holinesses here who firmly believe that God of any variety, polarity, or prismatic relation bestowed upon them the right to what they've done or seek to continue to do here."

James Doohan:((shaking head)) "Just shut up." ((cut to FREDERICKKYLEVENTRESCA up close, smiling slightly)) "Just bleed out. Just die already." ((he nods, as the sounds of woeful wails and cries off camera of other victims of this sporting outing continue to be heard, mostly from the transmission of DEEPPPPWEBBVIDEOOOOZZ ))

FREDERICKKYLEVENTRESCA : "So to reiterate I was A 'd to, which means someone, not naming names though showing faces - " ((cut to close up of one another man in the darkness, wearing FRMLLLLWEARRRRANDAWHITTEEEEMASKKKK seated in an unknown theater, the projector's light closer to his left as he faces the same direction)) " - for the most part anyway, attempted to purposely and malevolently attach evidence of these crimes and more to my computers and documents, and to that of my family members' own files as well. Naturally this was done in an attempt to discredit me for some reason, though I have yet to determine what." ((cut to previous FREDERICKKYLEVENTRESCA with a questioning face)) "One would wonder however, who was at least sane enough to comprehend why they would seek to inform me of their crimes, and then implicate me in seeing them somehow." ((sighs)) "Needless to say they imply that I'm neither credible, though a homosexual as well as a means or perhaps a way to imply that masculinity had something to do with being truthful." ((cut to close up where two men, actors, one Avery Brooks and the other Alexander Siddig, both from the television show Star Trek : Deep Space Nine, openly embracing and intoxicatingly groping and kissing)) "Which is ironic given they only demonize the ones they don't like or won't get nude for them or with them." ((neither seems to care)) "Which is fantastic for the sense of liberty that must come with being allowed to choose your own heading in life, and with it your own sexual orientation. However to their masters, much like individuality, it's a crime against nature, or it would be more accepted publicly. Their masters being the sponsors." ((cut to close up of Rhea Perlman, staring at the camera angrily sneering and armed, though the focus is on her face creasing in reasonless anger)) "We'll tell you about their products soon. For the moment however, it needs to be noted that they seem to allow or at least in some way facilitate this nonsense as an extension of regality, and what would constitute nobility. I hear French monarchs did this sort of thing too. Look what happened to them."

Rhea Perlman: "Shut up." ((sternly and building up volume and octave)) "Shut up!" ((cut to Tents looking to the right of shot)) " Shut - the - FUCK - UP !"

FREDERICKKYLEVENTRESCA :((voice)) "I forgot. Books, once more. Never mind. In addition this country created the fries too. Pomme fritz. That's American. Not native though. Though we are, but aren't. We're normal here. Not influenced in the slightest by anything impulsive. Anyway." ((cut to Donald Trump, wearing brown slacks and a blue t-shirt holding a small M2 carbine wiping off the barrel's top and breach with a white scarf)) "Granted the Napoleonic era didn't have television. If they did we'd probably all still be worshipping wigs. Of course wigs just have tubes and screens in this day and age. About as indicative of wealth and status as gold and your own weight to denote your diet was rich in times before." ((Donald Trump, just rolls his eyes)) "Just as knowing how to speak or write was just as scandalous as what they do here, or as dangerous. I'll bet finding out a black person could read made one of their brains rupture. Or a poor white person. Niggers to them either way."

Donald Trump:((slowly)) "Oh - my - god - shut up. Just shut - the - " ((cut to FREDERICKKYLEVENTRESCA again, mouth wide smiling, showing his badly damaged teeth and jaw)) " - fuck up!"

FREDERICKKYLEVENTRESCA :((laughing)) "In previous installments I neglected to speak at length about how offensive I found that word. Now it's just so common that I get conditioned with it CCI at my name so effectively with that WAVVEEEEGUN that it's just another effect of conditioning to me." ((cruelly past the shot)) "Confess Fred! Accept that word for existing! Repent!" ((rolls eyes)) "It used to mean miserly in Europe when white people called it to other white people as an insult. This is back when black people in Europe were rarer than gilder and called Moors by the way. It was also spelled n - i - g - g - a - r , the difference being that it didn't mean a black person."

Hillary Roddam Clinton :((voice)) " JUST SHUT THE FUCK UP !" ((as she says this an older woman, African American wails off camera, while FREDERICKKYLEVENTRESCA shakes his head, returning to anger))

FREDERICKKYLEVENTRESCA :((cut to Donald Trump holding a small 9mm pistol towards an African American man, aged 54 with longer hair tied by his hands to the top of a post, shirtless, as the current incumbent looms near him on his left side, or the right of shot. Trump wears different clothing, denoting a separate visit, and is wearing a Make America Great Again hat the color red.)) "Makes you wonder why they aren't told the same. Hmm? We're both outspoken, you all and me. Just as irritating if not chaffing. We're both as desperate." ((laughs)) "Makes me wonder why I'm not given a soapbox of my own by a multinational conglomerate." ((Donald Trump looks off shot to right briefly)) "Oh that's right. That damned thing." ((cut to Rosie O'Donnell, sitting on the dirt, chewing on an almost raw piece of human flesh from the neck bone of a dying man nearby. She is wincing at its texture, and probably the fact that it is from a human being cradling his face and sobbing nearby and tied to the ground on a stake. Or perhaps not.)) "What the fuck was it called?" ((pausing)) "Come on cultural elites help me out. Tip of my tongue before it's cut out." ((cut to close up of a woman, bearing an astonishing resemblance to the Supreme Court Judge Ruth Bader Ginsberg , sneering past the shot wearing darker sunglasses and a baseball hat turned forward. She is aged to look like the year 1985 and looks annoyed that anyone is talking ever at all)) " Ah yes now I remember. It's a scary word. No it's not illegality! It's another one." ((cut to close up of Kathy Griffith, who stands very uncomfortable, scared to the right of shot, not a word spoken and wide eyed)) "A conscience that's right. One of those pesky reminders of humanity and humility. The human condition uncured. A byproduct of upbringing by those crippled by the same hubris. The parasite lives on! And I don't mean the nuclear family!" ((cut to close up of Michael Dorn, the actor who plays Lt. Commander Worf on the popular television show 'Star Trek: The Next Generation', seated and vigorously eating at part of a person's bone, their right leg)) "I'm getting ahead of myself. The effect of that goddamned condition. Where was I?" ((cut to close up of FREDERICKKYLEVENTRESCA )) "Oh yes, how I found out about this!" ((cut to close up of Norman Stanton's head upon the ground, decapitated as well as that of TVZZZZFRNK and Mr. Stanton, and Dale from the third installment, all of whom seem to be AOFZ , or their names ZAY and destroyed)) "Well my uncle was an expert on radio and satellite. He was in the Army, assigned to destroy those Brit - I mean chin - I mean red, well you get the picture. Army man, go Ants. Whereas the Stantons were affiliated with electrical work, specifically in the Marine Corps. Naturally this football feud between the two would serve as the perfect diversion for me to blame them all right?" ((the shot closes in on Dale's head, whose eyes dart from left to right, squinting, still observing the A )) "But why Dale? He was in the Coast Guard, how is he involved in this turnover on downs?" ((he frowns angrily))

Jonathan Frakes:((voice)) "Oh God just stop talking."

FREDERICKKYLEVENTRESCA :((smiles, grotesque)) "Let's continue." ((Dale's eyes rolls, and he blinks looking off to the left)) "Now their deaths only represent AOFB . That means the transmission was shown, and someone has to take the blame." ((cut to close up of Jonathan Frakes, wearing a white tan brimmed hat, looking at a 45 ACP handgun, breathing uncomfortably, stern and somber expression)) "Brief tangent, my uncle wasn't a fan of mine. Having mentioned his military service, he was also famous as a television show host and a television personality on satellite television for Italian TV. You may have heard of his name before. One day he was angry at me at the age of six over me wanting a piece of cake at his birthday party. I was six, and not demanding though he was from Italy and grew up in harsher times than I did, and didn't like the idea of an annoying six year old. Though I did only ask once, and I wasn't a brat." ((cut to FREDERICKKYLEVENTRESCA close up, nodding at the shot)) "I do remember contrary to what most people think. It's because it was Black Forest cake, and I got really hammered off the rum and threw up later." ((eyes slim)) "Needless to say I don't like alcohol very much." ((cut to close up of TVZZZZFRNK standing wearing a gray shirt looking to the left of the shot. He is holding a small revolver, a 38. caliber. He is aged to 1977 )) "Granted I wouldn't want one of those at my birthday party either. Not a cake, a six year old." ((curt)) "Though some of you would think less of me for that but I think less of you for the same reason!" ((calmer)) "I digress." ((cut to close up of REDHRDMAN who stands holding a bolt action rifle wearing a brown shirt)) "So he left an angry note about it, or what's known as an AOFB . Now for those of you who don't know what that is, it creates something electrical. Like a footprint of sorts. A predecessor to the electronic mail we dread reading today. Except that it can display a message or simply be one. The note he left, was pushing a plate of cake into my face. Not literally, but using a concept called ADE7V . This means it's more than simply a message, and creates things with electricity, and considered the forefather of computer programming. Little tid bit for you viewers at home."

REDHRDMAN :((at the shot)) "Shh. No talking."

FREDERICKKYLEVENTRESCA :((voice)) "Anyway, anyone who is anyone on the electrical grid saw it, and my uncle was definitely a someone, not simply an anyone. This man too believe it or not." ((he grimaces)) "He wasn't very fond of me, and his name is ZOTDARTTI7EVY7 . That's how you say names over radio and satellite but mostly radio don't ya know." ((he grits his teeth)) "He's from a place where people talk like that. I say this because he's also claiming to be me. It's an effect of what they've caused, partly why I'm being blamed for his and others' choices, including that of my uncle. We're different don't ya know."

REDHRDMAN :((angrily at the shot)) "Shut up!"

FREDERICKKYLEVENTRESCA :((voice)) "So, he made angry things at my name. Things like AOFZA , B , all sorts of mean things. He wouldn't have known that he was actually sending me electrical impulses along with those radio messages...or did he?" ((cut to close up of a man who resembles a stage hand from the issue 'Happy New Year Jesus' and 'Universal Saviors 6 : The Last Frontier', who also masqueraded as a sailor in the sixth installment. He was also featured in this issue playing the AKOUUSTIKKGUIITTRRRR during the strike scene. He stares past the shot to the left, wearing circular spectacles, and still has longish brown hair and lives in New York, the Bronx to be exact)) "Contrary to what you've been lead to believe dear viewers, there's trouble afoot. Confounding and the whatnot. On purpose don't ya know. Angry intent and what those particular B or 7 or anything else did was more than creative, and less than docile. It was electrical impulses, designed and created to inflict harm." ((cut to close up of the African American man from "Happy New Year Jesus" as well as the man playing the HRMONIKKAAAA from the strike scene. He is holding a Thompson submachine gun with a magazine with the barrel pointed up, and is wearing a bluish t-shirt. He looks determined past the shot, as the sounds of others who are held captive can be heard woeful beyond the camera's eye)) "Naturally these individuals sought to do this in good fun. Fun being cruelty and the enjoyment of it. Like here, in the great outdoors! What better way to pass the time than to pull the legs off of butterflies or to stomp on ants? That's the spirit!"

African American Man: "Fuck you asshole." ((shaking head)) "Shut the fuck up kid."

FREDERICKKYLEVENTRESCA :((voice)) "These men as they prefer to be known, publically, prefer to attack any using electricity as a weapon. Much the same as that crude implement from another time, where their masters turned a blind eye at how they burned down a parliament building using the same method. Poland called. We were set up!" ((cut to Alec Baldwin, wearing a small black t-shirt, shaking his head. He looks like he is in the year 1994 A . D . , though he has probably been there more than once)) "Considering half of the universe is energy it seems a safe bet that it will have an impact, though far from safe in any conceivable manner to do so. Strange though, that some illnesses , and those strictly neurological that involve electricity in the brain, started to appear around the same time, but we'll discuss that in the upcoming segment of this show." ((cut to FREDERICKKYLEVENTRESCA now briefly taking the form of a former character named Fred Langenwalter, a Captain in the fourth installment known as 'Universal Saviors 4: " THEWAYITWAZ " )) " HEYAAAAFREDD " ((he SHIFFTTTTZ back to his previous form, or returns to his own name and self identity)) "I neglected to mention his impact. Meet my grandfather!" ((his face turns to that of CATPRSSON smiling past the shot, and shifts back to his previous AOFBSAY or his own identity of AOFE )) "The two of them have this horrifying relationship that began with a rivalry at work, that spilled over into a rivalry of a woman, namely my grandmother." ((sighs))((cut to close up of John C. Reilly holding a pump action shot gun, grimacing to the left of the shot)) "I know this is trite to some, and a lot to chew on. We barely know each other and I feel like I've been talking this whole time on our date. I've barely touched the salad! But if you've been brave enough and or compassionate enough for my sake to make it thus far, you're made of stuff that commodities speculators and baseball scouts look for constantly." ((cut to FREDERICKKYLEVENTRESCA now resembling Fred Langenwalter once more)) " PLZDDDDTOMEETUU " ((he reverts once more)) "Forgive me for that. It's additional impulses that were left by him and his cohorts continuing this feud. Thurston as well, my step grandfather's name. Langenwalter tried to take his name to commit fraud once and it didn't work. Hence his attempt at his appearance and first name. Needless to say his efforts to hide it wound up incriminating me, and well - " ((smiles near toothlessly at the shot)) " - I was six years old don't ya know." ((sighs)) "It didn't help that my first name was Fred, that of his arch nemesis, which no doubt added to the confusion of where his attacks using electricity should go." ((cut to John C. Reilly once more, looking past the shot, maddened expression as though the author has called his own sexuality into question)) "I don't blame him. I just know that he probably has resentment towards Fred. Whoever that is. By the way that's my surname, yet somehow I was the target of this as well."

John C. Reilly:((explosive)) " SHUT THE FUCK UP ! JUST SHUT THE FUCK UP !" ((two young women, both Caucasian react past the shot terrified, as his gaze continues to be driven to mania))

FREDERICKKYLEVENTRESCA :((voice)) "We keep getting sidetracked. I'll continue." ((cut to the likeness of TVZZZZFRNK his expression unchanged, wearing the same outfit, looking to the left of shot cruelly, and not in enjoyment)) "Before we go to commercial I'd like to state for the record I don't blame my uncle either. I couldn't, sorry. I consider him family and his effort to put cake in my face made me happy upon seeing it. Tame, then I see this. And him. I forgive you anyway, as any half assed Christian could. I'll speak on your behalf as well in Valhalla. I'll get in there somehow." ((he frowns))((cut to FREDERICKKYLEVENTRESCA sighing past the shot)) "There is one by the way, contrary to what these neophytes think." ((shakes head)) "Don't argue with them. Just nod and placate them like everyone else does." ((breathes in and out)) "Now, this must be mentioned. He was a broadcaster affiliated with Italian TV as mentioned, and did so from the United States on behalf of Fox Entertainment." ((cut to a small green mouse's head, hovering briefly in the left of shot in the sky over the desert, examining the shot)) "Who was involved in the creation of many different television shows, including cartoons. This character in particular was not only broadcast to France, Italy, Greece, Yugoslavia, and England, but many other places including the United States." ((cut to Tents looking up at the shot, bewildered)) "He did however use his United States Army authority long after he had left the service to commit to several things over transmission and radio, including that effect, which according to some including this author, has influenced much more than bandwidth frequencies of television. This combined with Langenwalter's efforts to undermine Thurston, and my involvement." ((chuckles, as Tents blinks past the shot)) "Well how could I resist sitting to tell the tale." ((cut to FREDERICKKYLEVENTRESCA still crucified)) "Or stand to." ((sighs)) " WILOWRMYSTRYGEUUSSTSINEEPLZE " ((cut to close up of a Catperson who resembles DEESTSTN , a character from the 'Universal Saviors 4: THEWAYITWAZ '. He looks uncomfortable towards the left of the shot. He is the COLORRRRRED and that means to steal electricity)) "At least that's what he would say. And that's his rival, Fred Thurston" ((his gaze turns cold, as he turns to the right of the shot, the shot panning back to reveal the likeness of Fred Langenwalter smiling awkwardly past the shot)) " TAKABOW " ((the shot looms forward to reveal Tents turning around, having revealed the two figures standing behind him)) "Why I talk like that has to do with one of Hollywood's darkest secrets." ((cut to showing FREDERICKKYLEVENTRESCA on a projector screen.)) "One of the cruelest and most diabolical things to do to a writer as well." ((the voice of GOTOMAN speaks aloud))

GOTOMAN :((voice)) " IZITTHISSSS ?" ((the sound of a pipe organ begins to play, reminiscent of the movie '20,000 Leagues under the Sea', as the shot shifts to the left, as does FREDERICKKYLEVENTRESCA 's eyes, to another screen, being unveiled to the left of the shot, a REDDDDCURTTAIIIIN rising while the music plays))((cut to close up skew facing upwards to the left of the shot, the projector reel beginning to wind and the line BEAMINNGGGG outwards towards the right of the shot))((cut to previous, as the image on the second screen, displays through the P.O.V. of FREDERICKKYLEVENTRESCA crucified, showing several Hollywood celebrities facing him, well armed behind the comfort of a table of armaments of many kinds, with Tents in the distance behind, as well as the two Fred Langenwalter and DEESTSTN standing behind him as well. FREDERICKKYLEVENTRESCA 's eyes look to the left of the shot towards the screen)) " BHOOOOLDDDD . OWRRRRNUWAYOFLOKINNNNG ." ((cut to the entire theater, all the rows filled with FRMLWEARRRR people, all with the WHITTEEEEMASKKKKZ over their faces)) " HEZZZZOWRNUPROJKKKKT !" (( FREDERICKKYLEVENTRESCA coughs awkwardly))

FREDERICKKYLEVENTRESCA :((voice)) "Oh that. We'll get back to that. They don't even know how that works. German scientists made that. Along with television, another mystery to them." ((cut to FREDERICKKYLEVENTRESCA close up, still crucified, a little disappointed at their grand admission)) "What I was referring to was Hollywood using various anything that is electrical as inspiration for movies and stories." ((smiles cruelly at the shot)) "Nothing worse than claiming integrity while lacking it. Eh GOTOMAN ?" ((cut to GOTOMAN in the theater, scowling)) "We have this song and dance every time. You never care. I know who you are, and what you are. You're THEEEEBUG . And no matter what when you BITEEEE I don't like it. No matter the impulse, the motivation, the lure. It just doesn't work. It dun broke. But you were instrumental in revealing all this for me. You and your cohorts from several production companies."

GOTOMAN :((shaking his head)) " ULLLLNVRWORKKKKINTHSTOWNNNN ."

FREDERICKKYLEVENTRESCA :((voice))((laughing, humoring him)) "Classic reveal. I love it. Unfortunately we're not at the end yet." ((cut to FREDERICKKYLEVENTRESCA still crucified)) "Anyway, because of the attempt to subvert the United States Federal Government, as well as several other bodies known as warring nation states for whatever reason implied, though for most it's usually still Poland's fault" ((he winks towards the right of shot)) "The problem is how to do it and get away with it. Well that occurs with these, made and created by people for the purposes of fun if not identification." ((he looks off to the right of the shot)) "Well look there! It's a federal officer!" ((cut to close up of a deceased Treasury Officer who looks like a character from the fifth installment of his franchise. His name is Lawrence Jenkins, though to some LEERRRROOYYYY . Though instead of himself, he resembles a dead candy bar, with legs and arms)) "Or so one would think. Though that's just his way of saying who he is on radio, without revealing who is truly is." ((he rises up and brushes himself off, and walks out of the shot to the right.)) "Why look at that! He's still alive! According to some anyway." ((he leaves the shot)) "A flick of a wrist and a copper wire were enough to cause all of this." ((cut to close up of Andre the Giant, randomly, looking down at the shot menacingly blinking angrily)) "To send free telegrams to negate the need to pay money. DOLRRRRDOLLLLRBILLLLYALLLLPAYYADOLLRRRRWHRREYECOMFRMIITTZZZZZZZZZTTTTTHRRREEEEEEEEEDOLLLRRRRRRRRRZ . Messages like that, that become synonymous with culture." ((Andre the Giant smiles menacing))((cut to Redman, standing looking off to the left of the shot, very uncomfortable, looking away as the wails and cries of another off camera, a victim continue)) "With works of creativity!" ((Redman shakes his head))

Redman: "Don't fuckin' say anything man."

FREDERICKKYLEVENTRESCA :((voice)) "Some of us liked you anyway. You don't need this place. It's just another way to extort you. You need to know that. You didn't need to go further than what you needed to do. What you felt you had to do." ((cut to previous Andre the Giant smiling menacingly)) "Some of you though, need to know we thought higher of you, though you think less of us." ((cut to Norman Stanton's severed head upon the ground, staring off to the left of the shot, disappointed expression)) "Some of us spoke quite highly of you. Words taller than you stand." ((cut to close up of Gene Roddenberry standing holding a small pistol, he is aged in the year 1986. He is wearing a white baseball hat and is staring past the shot intensely) "And some of us hold back our sense of devastation in what we saw as a vision worth watching. One worth embracing even as fiction." ((he grimaces)) "The idea to some of perfection is so foolhardy, yet when the focus is the dissolution of poverty and strife, to become greater, it strikes one as evolution. On a societal level."

Man in his 20's:((voice)) "Please don't. I don't even know you." ((he breathes out, sighing))

FREDERICKKYLEVENTRESCA :((voice)) "Some don't any more. Some just see their words and consider them their own creation. Something that they think they make themselves after waving a copper wand." ((cut to close up of Leonard Nimoy, smiling past the shot holding a 22 caliber rifle, wearing blue pants and a white shirt. He is aged in the year 1975 )) "Or worse, deluding us all into your charm. Your poise. Your dignity. Your grace." ((cut to Patrick Stewart shaking his head past the shot, wearing only beige coveralls and holding an M16 rifle and a pair of shooting glasses, almost at attention)) "You had us all fooled. Me anyway." ((whispering)) "You don't know what it was like. Hook line and sinker I believed you. America is the devil. The government is the one who is your enemy - " ((cut to close up of one of the WHITTEEEEMASKKKKDDDDFRMLWEARRRR people in the audience, the projector reel over their head towards the top of the frame)) " - I never doubted you! I saw my heroes! True legends personified." ((laughs)) "You had me fooled. You duped me into seeing your truth. Your vision." ((cut to the projector screen of FREDERICKKYLEVENTRESCA 's vision, showing his P.O.V. showing the large cluster of various celebrities, music, and movie stars he once considered The United States of America.)) "I wonder what you see of yourselves when I watch you now. What you see of yourselves when you see through my own eyes."

Gene Roddenberry :((sternly from the left of the shot)) "Just stop talking and let's get this over with."

Man in his 20's:((voice)) "No! Please God no!" ((cut to FREDERICKKYLEVENTRESCA sighing deeply, affected emotionally))

Shirley Temple:((voice))((laughing)) "Look kid, we can kill anybody." ((he mouths the words 'Shirley Temple' with amazement, and shakes his head)) "Just shut up and get over it. You're dead ok. Just die. And fucking die already. Shit head." ((he rolls his eyes))

FREDERICKKYLEVENTRESCA : "This is my tombstone, and I'll write my own epitaph. I assure you it won't simply be pepperoni and cheese since I have ample time to speak." ((angrier to the right of shot, writhing)) "It's my work and I'm not charging for it!" ((sighing, breathing deeply))((cut to James Doohan looking angry past the shot, breathing through his nostrils from the heat)) "So these plagiarists seek to masquerade as anyone, though my involvement being with my estranged grandfather, and my step-grandfather Thurston at the same time. This wound up exposing themselves for simple logical fallacies. For one thing, my relatives aren't Canadian, and my grandfather nor his rival were ever at Normandy." ((cut to Gene Roddenberry, scowling close up facing left as well, wearing a brown hat and dark sunglasses)) "Or were in the Army Air Corps and were receiving Veteran's Assistance in names not their own in the late 1980's. I think the viewers at home can deduce just what ideas those shown may have been responsibility for stealing and profiteering from. As we say on earth, MESOOSALLY ." ((Gene Roddenberry sneers))((cut to FREDERICKKYLEVENTRESCA who now completely resembles his biological grandfather. He has brown hair and glasses, and is Caucasian is aged roughly to 48 years old)) " MEEEESOSLYYYY " ((he reverts back to himself)) "That was him too. Different era don't ya know." ((he squints angrily)) "I'd just like to add that you weren't willing to take responsibility for his diatribe against countries or ethnicities, another undoing for your efforts to remain hidden. For once racism solved something. I was just as shocked." ((cut to close up of TVZZZZFRNK standing, who begins to alter in appearance to a man who resembles a portly man, Caucasian, with a flat top haircut and round spectacles aged to 75 years old)) "No doubt that was as well, to you. Slander or opinion it doesn't matter. It's the willingness and conviction to be a bastard that the vain and fickle fear most. ((cut to DEESTSTN looking confused past the shot to left)) " So there are some ideas that seem to be considered the property of others, that were stolen because the intellect couldn't be traced, or for that matter found on its claimants in Hollywood. Ironically that seems to be the case for many things in my era. Enter the BitCoin, and many other ideas that seem to be up for grabs for whoever sees it first. It's a shame really, since that's such a pittance in the broad scheme of this landscape." ((cut to sliding shot of the desert, barren and cruel, heat waves rising from its surface to the sky)) "I look out over that horizon and I see the future. A genuine one." ((the landscape shifts to show ripples forming large towering sky scrapers with bridges and various flying cars in lines and spaceships rocketing into the sky breaking orbit to outer space past the upper frame)) "One called a lie to the callous. The vain, the tyrannical. Why would they want me there, or anyone when it's not on a screen. Where they could be glued to their seats, willing to piss their pants so as not to miss it. Whatever it may be. They'll have a button for that function of man in the future if they have their way. Impulse will lead to action. That's science don't ya know." ((cut to Dan Harmon standing looking to left of shot, nervous wearing a brimmed hat)) "Those creatures, much like the voyeurs and those who sought to humiliate me." ((he squints past the shot)) "It must have been fun to include me in your upcoming twist this sudden crash against a guardrail outside your hometown. If not you in mine. I guarantee yours will sell more, as I don't ask for money. I'm not a beggar. Yet." ((cut to FREDERICKKYLEVENTRESCA being a complete asshole to the right of the shot to Jon Williamson's friend from Tinychat 113 to the right of shot off camera)) "Not simply was I also imbued with the effects of that WAVVEEEEGUN , but the knowledge of your choices and actions as well. Believe it or not, I didn't get a choice to know you." ((glaring)) "I was forced to. To know all of you. And this is my mind, and my story, long and winding or boring and droning, one way or another, I can tell it, without needing a script written by a union or an agency to do it for me."

((cut to wide shot, showing the theater, as to the left, the P.O.V. through FREDERICKKYLEVENTRESCA 's eyes continues, while the center screen changes to a display through another's P.O.V., and is seated at a kitchen table. The surroundings appear to be the year 1987, and in Wisconsin. The 'participant' is roughly 15 years old, and was a blonde male. The P.O.V. is looking in the direction of a television screen while eating a bowl of cereal. The 'participant' also currently works at Starburns Industries, located in California))

FREDERICKKYLEVENTRESCA :((voice)) "This was discovered quite by accident, this principle of AOFV . It involves the utilization of RODDZZZZANDCONEEEEZ within the human eye to act as a camera. The very first camera was created this way." ((cut to close up of one of the WHITTEEEEMASKKKKDFRMLWEARRRRPPL staring to the upper right of the shot, motionless)) "The transmission is that of GAY7V . It acts as a method of Z , or to send a message to, and picks up the B , to bounce it back so to speak. Much the same as radio transmissions. It was a popular project." ((cut to close up of the same screen, in black and white, displaying a swastika along with in German the following term GHEEENITNANASAZATEZEEHZAZA , or "This is the property of the Third Reich. This is not to be repeated without expressed permission or authority of the Reich.")) "To some anyway. Though if others knew of the origin, perhaps not." ((the image BLIPPZZZZ showing an elderly man who has white hair, a small beard, is roughly 5'9" and is wearing a white WHTESMOK , or a white jacket reserved mostly for engineers, scientists, and doctors. A most sought after garment for most to prove intellectual capacity and prowess.)) "Oh this was a different time, following a disagreement over whether it was Poland or France or Belgium or all of them. Yeah that one. This man was actually Hungarian - " ((the frame dissolves around the shot, as he looks about noticing, very nervous as to not be known about)) "Though most people don't know that about him." ((he looks down past the shot)) "He was quite astute however in the field of harmonics, and generally that of bandwidth transmissions and emissions." ((he rises erect and proud, his hands at both lapels of his coat.)) "With the pursuit of science, also came the passion for such. And the pursuit of the truth." ((the shot pans down, sliding to reveal an gray cat upon a tabletop to the lower right of the shot)) "And with that truth, the secrets of the universe." ((cut to the Hungarian man close up, looking down to the lower right of the shot)) "Secrets are truth don't ya know." ((he looks at the shot, then to the left of the shot)) "Why else would they be secrets unless they were true?" ((the shot travels to the lower right of the shot)) "And if seeing is believing, well - "((the shot stops to the left to reveal a small circular monitor, housed within a large box. It is an older television, manufactured in Germany. It reveals in black and white, though unchanged from the image projected, the P.O.V. of the gray cat. upon the table)) " - this man knew the definition of both. Scientists should in this narrator's opinion. Though he had problems, as most like him did in that era following this disagreement. Particularly if you were Polish. You see he was an expatriate." ((the P.O.V. shakily looks up at the man, looking off to the lower left of the shot and downwards)) "Didn't have a home to return to, considering who he used to be." ((cut to facing the wall of the room he is within, the wall gray in color. There is a small picture of two men, the Hungarian man much younger standing left, showing Heinrich Himmler standing to the right, shaking the man's hand to the left of the shot. Behind the two, who are both smiling for the camera, is a white table clothed dinner atmosphere, of better times)) "He's this, she's that. Tit this, tat that. The Monroe Doctrine strikes again." ((cut to Man, facing to the left past the shot, saddened)) "No truth in that era. His either. Only secrets for both." ((small droplet of water enters the shot, falling to the rear, his expression more weary at the sound of it, his eyes slimming))

DRIP :((in A )) " SOUUP " ((Translated from Hungarian : " OHWELL " ))

FREDERICKKYLEVENTRESCA :((voice)) "So this was during a time when belief lay with money. As is the case following most catastrophes either social or economic." ((he clenches his eyes shut and raises his eyebrows, seeking serenity))((cut to close up of a handshake, between a white coated man's hand, and a blue suited man's hand to the left)) "Money being truth to the vain, the fickle - "((cut to close up of the Hungarian man, looking past the shot, weary still, the surroundings behind him more posh)) " - the desperate. The tired. The weakened from age, the senseless need to hide from policy, from doctrine, from the belief of others." ((cut to close up of a larger television that has a projection screen higher up, as two men in WHITTEEEEKOATTZZZZ work along side its frame, one on either side, the shot panning down to reveal the top of a man's head, brown combed hair, shorter and parted to the right with the aid of pomade.)) "Fortunately for him, belief is no match for certain things." ((cut to close up of a single blue eyes, looking at the screen, the two WHITTEKOATTDDDD workers in the reflection of his iris, both stepping away from the projector screen, as it flicks to life, displaying a single image, a Point of View of the Hungarian Man)) "At least in certain eras according to policy." ((the screen shows that the P.O.V. looks to one of the WHITTEEEEKOATTDDDD men abruptly, with thick black rimmed glasses, smiling at the shot))

Jonathan Frakes:((voice)) "Oh just shut up! I'll cut your fuckin' face off!"((the two men step out of the shot completely, as the image flicks off on the screen))((softly)) "Assholes."

FREDERICKKYLEVENTRESCA :((voice)) "I'm not buxom or worth fucking, and I still have your attention. This means something! But let's continue." ((cut to sliding image closing on the screen of the projector television)) "So anything this man of means wanted the technology to ascertain a truth of his own. I mean if you can afford a projector television in the year 1975 on planet earth, you had means." ((the image flicks to life once more as the shot slowly pans inwards, to reveal the picture is now through the eyes of another, a woman, who is walking through a department store. The image of a man can be seen barely in the reflection of the screen, standing to the right of the screen, a long sofa behind him, an elegant living room all the color white surrounding.)) "And this man was all means." ((cut to man's blue eye, skew facing to the right, in the reflection the screen showing the woman's P.O.V. as she leaves the department store, and briefly smiles at a long haired man, who opens the passenger door of 1950's white coupe two door, resembling a Hudson. She climbs into the passenger side, a man with combed blonde hair, clean shaven driving. He leans to her, and the man of mean's eye squint)) "And he had ways too. Now for some of you in the audience you might be familiar with this concept. It's been seen before, but only suggested in blockbusters through rumor. 'Star Trek: Generations' as well as an episode of its television show, 'The Prisoner', especially for a variation of it, ironically created by the same man. It was the basis for 'Being John Malkovich' as well, ironic since the mention of the floor the 'hole' was located on would suggest that the United States Army and Navy were aware of it, and considered it a secret." ((cut to close up of a FRMLLLLDRESSSSDWOMN wearing the COLRRRRBLUUUUE and a WHITTEEEEMASKKKKOVRHRFACCEEEE , the projector's light glimmering off camera)) "Spoiler alert for some, the technology is patented though in a Vienna office. So if you're speed dialing your lawyer, take note. As Hollywood would say, it's been done before. Policy trumps truth don't ya know, as America owns the merchandising and subsidiary rights to it I suppose. Like most secrets somehow." ((cut to the screen of the projector television, showing the woman's P.O.V. as she looks at the man from the car on top of her has sexual intercourse with her. The shot continues to pan in, as in the glare the man of means is seated cross legged, left hand to lip, in the center of the couch in line with the screen, as the man on the screen continues to have sex with the woman, her P.O.V. unchanged.)) "This isn't really a secret, the method to which it works I mean. It's ASA1NANA , a concept of rods and cones in the eyes that the television and the camera were based upon. In fact the original television camera was created by many individuals, based upon the analysis of the function of the eye to begin with and its construction. Flipping the image, correcting for AOF7 ." ((the blonde man slows, and smiles at the shot)) "This can be seen anywhere, and anyone is susceptible to this. Quite simple really." ((cut to close up of the man of mean's single blue eye, staring to the right of the shot, the reflection of the projection screen shown, the woman's hand caressing the right side of his head)) "Simple as policy anyway." ((pauses)) "She died too." ((breathes out)) "He left her a videotape. The man of means, as a way of saying... Watch me!" ((cut to the screen showing the sexual intercourse, panning in slowly)) "What he really meant to say was never really supposed to be said." ((cut to a woman seated upon the same sofa, another next to her in shock. The woman to the left is uncontrollably crying and scared. The woman to the right is unable to look away, yet wants to, to console the other. Both are Caucasian, and the year is 1977 in terms of fashion and hair.)) "Hollywood is fond of the phrase that a picture speaks a thousand words. The tape doesn't say much, though the technology does." ((cut to close up of the woman on the left's face, horrified, and her features twisted. She is roughly 32 years old, with short black hair roughly to her ears and looks as though she is of French origin.)) "This AOF7Z also allows for the stirrup of the human ear to be pulsed to as well if you will. To serve as a microphone of sorts." ((cut to the single blue eye of the man of means, watching past the shot to the right to the screen, the same scene of sexuality)) "The oscillations in the human ears act as a mechanism to serve not simply as a way of hearing, but the vibrations also detect speech as well. They are these jagged bones in the ear canal called Ossicles, like teeth in your ear." ((the eye closes)) "Fascinating really. Much more than policy." ((cut to FREDERICKKYLEVENTRESCA still upon the KROSS )) "Needless to say, though required for honorable mentions bestowed, I myself fell prey to this device, being wielded by those who firmly believe it to be their own design." ((nodding)) "Yes the anti-book ones. The same who are malevolent to me, and considered such by me as well." ((cut to Hillary Roddam Clinton, wielding a small knife, cutting at the face of a man who is roughly 90 years old, very weathered, and deceased upon the ground, his legs extending out to the right of the shot. She looms over his torso and head, cutting at his sternum, and plunging it into his chest, and cutting at him on his left side, her face barely visible to the shot)) "Though who am I to dictate policy? I'm neither Monroe, God, or of means. Or means themselves. My name isn't spelled the same." ((cut to the theater of FRMLDRSSSSDDDDPPL all of whom have WHITEEMMMMASKZZZZ all locked in direction to the left past the shot)) "This is where things become tragically formulaic. Where Achilles's own mother would render her own palm to face." ((the shot pans to the left of the shot, where the projector screen of the story of the Hungarian man once played. In its place, is a map of the Atlantic Ocean between two continents, specifically North America to the left of the map, and Europe, and the Western coast of Africa to the right of the map. There are a series of blocks that seem to travel from the Ivory Coast of Africa across the Atlantic, and in the direction of Bermuda and across, past the island and in the direction of Washington D.C. These blocks take the shape of small rectangles, though are very large shaped 'rooms' , or ROMMM that seem to contain various mechanisms reserved for the transmission of various frequencies. Some are vertical bars that are shaped like McKay rays, black and white vertical bars, while others appear to be simply color bars for the method of interpreting the rod of a camera designed for filming and transmission. There are a total of 9 crossing over the Atlantic Ocean, crossing over the path of Bermuda on a direct course for Washington D.C., and intersecting directly within the bounds of the Bermuda Triangle)) "This is where even I raise an eyebrow to my involvement. Where all of this becomes too grand and spectacular for even me. Where I froze in amazement at even acknowledging this could happen." ((the rooms or ROMZZZZ intersect with Washington D.C.)) "But I implore you viewers, to humor me. A beaten and withered man, scarred by policy and secrets the same to allow me to enlighten, and reciprocate the laugh. A malicious party sought to see through the eyes of the leader of the policy and doctrine. This leader is known as the President of the United States." ((a line crosses over the " ROOMMMMZ " and the Atlantic Ocean from Western Africa. The line is the color red, or BLUU and then travels up to the northern border of New Jersey, and begins to cross the Atlantic Ocean the opposing direction over the TransAtlantic Cable.)) "The attempt as is shown was not simply to view through their eyes, but ask for electricity as well. To compare and contrast as well I suppose, though was thwarted." ((cut to a close up of Dan Harmon, confused to the left of the shot, still in the desert, shaking his head)) "Pardon, I should have been more specific." ((he clenches his eyes, and just doesn't want to listen)) "You see, when people do anything electrical that is A , you need to seek a source that allows it. Sometimes that source says no, most times MAYYB or NOOF7 which is don't do that in layman's terms. Trust a layman." ((rubs his left eye with his left hand)) "Some weren't aware of that." ((he looks up at the sky, annoyed)) "That leaves a trace by the way." ((his eyes trace from right to left of shot))((cut to Tents his eyes doing the same across the top of the frame)) "Asking for electricity. Needing electricity. Electricity meeting electricity and creating a reaction. Chemistry. Science. Magic. Et cetera." ((Tents blinks))

Dan Harmon:((voice)) "Just die! Holy fuck kid shut the fuck up."

FREDERICKKYLEVENTRESCA :((voice))((Tents looking off to left of shot past camera, then back)) "Anyway." ((cut to the interior of the theater on the projector screen and the map once more, as the line crosses over Europe on a course towards South Korea, where it briefly hangs.)) "This effect wouldn't function because of a joke." ((a voice speaks, that sounds like Frank Ventresca))

Frank Ventresca:((voice))((a pulse generating from South Korea the COLRRRRBLUUU )) " NASAT11DSANA "

TVZZZZFRNK :((voice))((another pulse generated from South Korea as well the COLRRRRREEEEDDDDDDDDD )) " GARDA7NANA " ((the line flashes once more, as though SALUTTINNNNG and turns back towards the United States and the West, and flashes across the map))

Tents:((voice)) "What did it say?"

FREDERICKKYLEVENTRESCA :((voice)) "Oh just that my uncle is the president of the United States of America. The one who dictates policy. The wielder of secrets. The fourth coming of Monroe. He said it was true, and another approved." ((cut to TVZZZZFRNK who now firmly resembles the man with the spectacles)) "A colleague of his. No doubt annoyed at the circumstance in question. I know my explanations are not simply confusing for the reader and can be a dreary as a winter's day. Structured perhaps in a way where homes wouldn't be habitable if such were blueprints or material. I didn't know what to say in reaction to this!" ((he grimaces)) "Oh you don't want to be the president! It's precisely what responsibility is! Nobody likes that!" ((cut to Bill Clinton, sitting on the ground cross legged, and he is gnawing on a bloody human heart. He is wearing brown pants, black combat boots, a gray t shirt with a pocket over the left chest, aviator sunglasses and a baseball hat with a cord separating the brim and the top.)) "He has to get up at 4 a.m.! And bed at 5! That's P.M. by the way. If only you had to be awake for an hour a day everyone would be running like it was the Boston Marathon. Especially for 250 grand a year! More policy, anyway - " ((he tears at the flesh))((cut to within the theater once more, the projector screen showing the line crosses Europe, snarling around the borders of nations and their lands to return to America over the Atlantic Ocean)) "So with this joke came the responsibility to remember it! But a good joke requires a punch line, and without one it's not a joke, and it isn't funny!" ((cut to Tents, his eyes scanning from left to right of shot, following the line beyond the shot)) "I mean what is a joke if it isn't funny except based upon opinion. Like a conscience to some, or policy to others! Like Langenwalter's words, or Dan Harmon's. Both were critical of me. My uncle was too." ((cut to the theater screen, showing the line, now REDDDD crossing the TransAtlantic Cable, as the same line continues to pass coming from the opposing direction, repeating its course from Africa through America.)) "As wild as long and as incredible this story has become. As sordid, as boring for many, the truth is believable, no matter how unbelievable." ((the line crosses into Pennsylvania and directly towards the hometown of Frederick Kyle Ventresca)) "That policy is truth, and truth is unbelievable." ((cut to Tents looking past the shot squinting)) "And if mistruth be a lie, then the joke will set you free! And if beauty truth, then the joke is ugly!" ((cut to close up of the previous shot, the line crashes into South Eastern Pennsylvania and into Frederick Kyle Ventresca with an effect that speaks))

LINE : " OKTHN " ((the projector reel KLAKKKKZ to reveal FREDERICKKYLEVENTRESCA still on the KROSS ))

FREDERICKKYLEVENTRESCA :((bellowing and mad)) "I am the President of the United States of America!" ((cut to close up of Tents, not as surprised as others would hope, staring off past the shot. There is a pause as the scene's sound continues, including those of the victims)) "Well isn't that funny?" ((cut to the theater, where many FRMLLLLDRSDDDDPPL all with WHITTEEEEMSKZZZZ over their faces stare past the shot, emotionless and without reaction)) "That through their own negligence that I attain the power that they all seek? No nothing? Not even one awkward cough?" ((cut to close up of FREDERICKKYLEVENTRESCA ))"The leader of the free world?" ((looks down, at his circumstance)) "No different than how some in this position have been treated?" ((wild eyed at the shot)) "It suits me don't you think?" ((cackling)) "Handed to me on a silver platter? Gifted to me through acts of HBZA ? Hacking the government?!" ((delirious)) "Why isn't it funny?" ((he is almost completely manic, when a voice responds. It is of a popular actor named Michael J. Fox, who is from the year 1997 A.D. and he is not happy))

Michael J. Fox:(voice)) "You know why it's not funny? Because I don't fucking care! That's why it's not funny!" ((cut to him close up, wearing a red hat and holding a small pistol, gun metal)) "Do you think I'm not gonna kill you? I'm gonna fuckin' murder you! I like it! I'm a fuckin' criminal! I got away with it twice! When I was seven, I killed a guy! When I was 17 I killed someone else and didn't care. I don't care if you're the fucking government, I don't care if you're a government official, I don't care if you're the fucking president of the United States. I'll fucking kill you and get away with it."((pauses, and looks off left, double take, as a voice interjects, who sounds like GOTOMAN ))

GOTOMAN :((voice)) "Mike come on don't do that, stop."

Michael J. Fox:((belligerent)) "I don't care if this is being recorded, I don't care! I'm a fucking bad person ok?" ((shouting loudly, crouching down then up)) "I don't give a fuck." ((stands up straight)) "You can shut the fuck up and kill yourself if I care less I don't give a fuck." ((sniffles once, on the influence of cocaine. GOTOMAN speaks once more))

GOTOMAN :((voice)) "Mike just stop." ((he shakes his head manically and almost uncontrollably))

Michael J. Fox: "You can kill yourself I don't care." ((sniffs, juggling the gun in his right)) "You're a faggot I don't care." ((flaring nostrils)) "You fucking killed youself ok? You said something to someone and they said it to me that's what you said."

GOTOMAN :((voice)) "Mike..."

Michael J. Fox: "He said something, and he got caught!" ((he looks off camera to the right then left of the shot))

Ted Danson:((voice)) "Mike...Leave it alone."

Michael J. Fox: "Why is this so hard so understand." ((screaming crazed)) "I fucking - don't - get - it!" ((stands up, breaths out angrily)) "You are a fucking dead man!" ((pointing the gun past the shot, shaking slightly)) "You said something! You said it was him! You said he did it! He's the one!" ((cut to FREDERICKKYLEVENTRESCA who now resembles the character JUDDNELSOON . He looks like he has been tied to the KROSS and not beaten, but his expression shows that he is very upset and expecting to die)) "He did it. That's what you said! He said it not me! I'm not the fucking teller! He did it not me! Why am I fucking blamed I dunno. I dunno." ((sniffs)) "I dunno." ((pauses calmer, sniffs, as JUDNELSSOONN seems to want to plead, but doesn't speak, just shakes his head))

JUDNELSSON :((softly)) "Mike no - "

Michael J. Fox:((voice)) "I dunno. No. I dunno." ((sniffs)) "I dunno. I dunno I have to kill you." ((sniffs)) "That's what he said I have to kill you." ((sniffs))((cut to a man with black hair, bald atop his head, horseshoe pattern, clean shaven with thick rimmed black glasses. He resembles GOTOMAN at a younger age with less hair)) "You said he did it. You knew it. You said he did it."((sniffs))(( GOTOMAN nods, but tries to speak, and is interrupted)) "You said it, you said it! You said he did it!" ((sniffs)) "You said he did it! You said it." (( GOTOMAN is about to speak interrupted)) "I don't wanna hear it." ((sniffs)) "I don't wanna hear it I don't wanna know it." ((pauses, as GOTOMAN remains still, his emotions, eerily calm)) "You know what I think?" ((pause, sniffs)) "I think you fucked up."

JUDNELSSON :((crying)) "No..." ((sobbing))

Michael J. Fox:((voice)) "I think you fucked up." ((sniffs)) "I think you fucked up. I think it was you."

JUDNELSSON :((voice)) "No...." (( GOTOMAN looks past shot to the left motionless))

Michael J. Fox:((voice)) "I think it was you."

JUDNELSSON :((voice)) " No!"

Michael J. Fox:((cut to Michael J. Fox close up pointing past the shot to the left with his left index finger)) "I think it was you. I think it was you." ((shouting loudly)) "You did it! I don't wanna hear it." ((he points the gun past the shot))

JUDNELSSON :((voice)) "Please Mike no - " ((Michael J. Fox pulls the trigger three times, one followed by two more quickly in succession, and stops, looking past the shot. He pauses then turns to his left and throws up))

Ted Danson:((voice)) "Jesus Christ Mike!" ((cut to close up of Jesus, on a KROSSSS staring past the shot resolute to the left)) "You're supposed to scare him fuckin, WHAT THE FUCK!" ((Jesus just sighs))

FREDERICKKYLEVENTRESCA :((voice)) "So this is my ancient knowledge and wisdom?" ((Jesus shakes his head)) "I'm just checking. You know some people don't think you're a time traveler?" ((he looks to the right of shot off camera)) "Right?"

Ron Perlman:((voice)) "Who the fuck are you talking to?"

FREDERICKKYLEVENTRESCA :((voice)) "Jesus."

Rhea Perlman :((voice)) "Oh whatever freak."

FREDERICKKYLEVENTRESCA :((voice)) "So listen, I know you're there. I know you saw this." ((Jesus blinks off shot))((cut to close up of FREDERICKKYLEVENTRESCA looking to the left of shot)) "And I believe in you, and I think you really do know how to get out of here. If I keep coming back here, and I keep having to do this again, I know you can find a way out for both of us." ((smiling, as laughter occurs off camera))

Nancy Grace:((voice)) "What a fucking weirdo, just praying." ((laughs derisively)) "What a fucking weirdo."

FREDERICKKYLEVENTRESCA :((trying to remain sane, shuddering towards Jesus off camera)) "They don't believe that they do this every time, to see if they can break the cycle. To see if they can overcome their conditioning they've allowed themselves to become programmed by." ((shakes head)) "Intuition. Foresight. They lack it by choice." ((cut to close up of Jonathan Frakes, up close facing towards left of shot, gnawing on human bones)) "They'd never believe that this happened more than once. Why it feels acceptable, though it's wrong. How it's happened before because of proof of AOFZ . The public couldn't accept either, and won't. It'd be the finest reason for anarchy." ((cut to Jesus close up, still CRUCCIFIEEDDDD looking to the past the shot, then to the left)) "As is your involvement here, just to bear witness as a traveler to what is now in the future. They never saw this shit coming." ((cut to close up of a Native American man, wearing a feathered headdress and feathers on his arms and legs, dancing in a circle, his arms wide into the air and spinning around))((very upset)) "They don't even see him being there. They just say the words that the other one says." ((the shot slides to another man, long black hair, holding up the sands from the ground in his hands, letting them spill out between his grasp looking out beyond the shot, to the right eyes closed, singing a song reserved for native tongue, unknown to man but hallmarking a sacrifice to the earth of spirits of the wicked)) "They don't even know what he said. What he asked of them. They just say the words he asked them to repeat. They don't even speak his language! It's like a fuckin' contract to them. Residuals, merchandising, it's like they think they can argue this shit in court. Like their God gives a fuck!"

Jon Stamos:((voice)) "Holy shit! Nobody gives a shit! Fucking shut up!"

FREDERICKKYLEVENTRESCA :((voice)) "I'm serious. I'm fucking serious." ((cut to close up of Jesus, looking nervously to the left of the shot, trembling)) "They don't even know about this place and the government never comes here. It's protected land, I can't even get out." ((sniffs)) "You have to tell somebody." ((Jesus looks to the right of the shot)) "You have to tell somebody I'm here and I can't get out. That I can't leave." ((cut to close up of the actor Judd Nelson, on the KROSSSS )) "Look, I killed one guy, ok? But I can't get out of here." ((sniffs)) "It's like I don't even die. I can't even leave here." ((cut to close up of the feathered dressed man, spinning around within the wind)) "It's like I'm stuck on the ground. Like I'm part of it now or something." ((begins to sob)) "Like I'm not even allowed to leave." ((the shot slides left to reveal Judd Nelson, standing wearing an olive green hat and long sleeved shirt and dark olive pants. He is aged to the year 1987 and is holding a black military issue pistol)) "I didn't even know who he was ok." ((he points the pistol nervously past the shot, as GOTOMAN speaks off camera))

GOTOMAN : "Simple as that, just pull the trigger." ((the voice of an elderly man, roughly 93 years old speaks off camera))

93 year old Man :((voice)) "Please don't do this to me..." ((Judd Nelson, shoots him once, then three more times))

FREDERICKKYLEVENTRESCA :((voice)) "I didn't think it was a problem. I just didn't even care."((sniffs)) "So then I had a computer, and I downloaded these things." ((cut to close up of Jesus, looking incredulously past shot towards the man who had been shot)) "And I thought these things I downloaded were like, a chat room or something." ((sniffs)) "And I did BR or Z or something is all I was told." ((sniffs)) "And this guy got blamed, and he's a fuckin' psycho." ((Jesus turns towards his left away from the shot))((cut to Jesus turning slowly towards the shot, towards Judd Nelson's voice)) "Like, I don't know why I did that to his name, but I blamed him for things." ((Jesus looks past the shot, amazed)) "Like, anything I did, but like anything I was blamed for too."((sniffs)) "He doesn't do anything. He just uses us."((cut to the theater scene, the large audience facing to the left, WHITTEEEEMASKKKKZ and all)) "They don't even know what happened by even watching the tapes of this. By accepting the guy's words." ((sniffs)) "We're property and we tried to escape for our crimes." ((cut to close up of FREDERICKKYLEVENTRESCA now the appearance of Judd Nelson)) "That we tried to blame ourselves in movies recorded as the criminals." ((sniffs)) "That we tried to blame the names of the characters we played, and how the characters were just trying to blame us." ((sniffs, and looks off shot)) "We can't get out." ((sniffs))((cut to close up of Jesus, looking at the shot amazed)) "We can't lie." ((sniffs and coughs)) "But he uses us. To find out things." ((cut to close up of Judd Nelson, miserable to the right of the shot, still crucified)) "We're just giving him information of what we've done." ((sniffs)) "All our government contacts, all our friends in the military." ((chokes back laughter)) "Anyone we blackmailed. Anyone who's gay." ((sniffs)) "It's like he's just making this database or something of all we are. Like making notes about us." ((looks off the shot to the right)) "Look at him." ((cut to Jesus looking off amazed to the left of the shot)) "Just look at what he's accusing us of." ((the shot slides to reveal the barren desert landscape, several dead bodies of civilians, homeless people tied to crucifixes stuck into the ground.)) "How we come here to kill homeless people and lie about it." ((sniffs)) "How we caused World War II and the first one with just causing electrical problems." ((There is a burning building in the distance that resembles the German Parliament, as well as a smoldering hull of a vessel in the distance of a naval boat found off the coast of Vietnam and Somalia and in the Gulf of Oman.)) "How we caused the Vietnam War by blowing up a boat's mortars or something with a radio detonator." ((There are four nuclear reactors in the distance melting down, and several other power plants that seem to be on fire.)) "How we caused Chernobyl, Fukashima and this Chinese reactor to explode, and this Ugandan one too." ((There are also the crashed fuselages of numerous space shuttles lying on the ground, including one that has Russian writing on its wings, Apollo 1, and several commuter planes that seem to have crashed and been reduced to debris.)) "How we fucked up NASA and the Russian Space program." ((sniffs))((There are also several dead military officers that are dressed like superheroes and various misfired missiles lying around them)) "He said Hollywood people like to dress up like they're government." ((sniffs)) "How we use their names that are like, superheroes or some shit - "((sniffs)) " - about how its their ALTRGGEEEEGO and we make comics about them and trademark them." ((sniffs))

Stan Lee:((voice)) "Just don't fuckin' talk."

KVNSMIITH :((voice)) "Fucking shut up!"

FREDERICKKYLEVENTRESCA :((the shot continues to pan, revealing several deceased humans, mostly African American on the streets of the concrete blocks and houses that seem to be South Central Los Angeles. There are outlines of human beings, indicating they have died, beside signs that read ' FOR SALE ' next to several vacant homes riddled with bullets, with OILPUMPPPPZZZZ in the back yards)) "Or how we used those names to sell coke to black guys. And it's like, this whole mob thing now." ((sniffs)) "And how they had land in Compton or whatever that had oil and gas on it, and they wanted it." ((sniffs))

Johnny Carson:((voice)) " Look we can just do whatever we want. We get away with it ok? Just die. I don't care, just die."

FREDERICKKYLEVENTRESCA :((voice)) "He said we BRP or whatever." ((sniffs)) "Like we're the terrorists. How we just get away with it because we lie."((the shot continues to pan, showing several Hollywood Stars in blocks of concrete, with workers dumping bodies into the holes, and finishing several of the blocks and placing the names of Actors atop them. Some of them include Joan Rivers, Joaquim Phoenix, Emilio Estevez, Sally Jesse Raphael, Bette Midler, Barbara Streisand, Billy Idol, Tim Robbins, Morgan Freeman, and Ed McMahon. The shot continues to pan showing the head of LEEROYYYY in a jar, similar to that in the fifth installment of this franchise, with a large group posing for a photograph, all making faces mocking his dead expression. They are Ed McMahon, Kathy Griffths, Sarah Jessica Parker, Gwen Stefani, Sara Michelle Gellar, Rosie O'Donnell, William H. Macy, Cary Elwes and Roxann Dawson, one of the stars of 'Star Trek: Voyager'.))((cut to close up of Jesus looking down and past the shot)) "How we fucked up the ozone layer." ((Jesus looks up)) "Said that we put BCE on every transmission."((sniffs))((cut to Jesus's P.O.V. showing a blue line traveling straight upwards, with a white pulse attached, poking a hole in the atmosphere in the direction of satellite blinking in orbit with a red light. There are several of them traveling in multiple directions from the earth below)) "Said that we're roasting the earth, and kill scientists who say we are."((sniffs)) "Or rape them, and just say we're not sure why they changed their story or something else stupid." ((groans))((the shot pans down, to reveal the North Pole, and the same hole over the top, while there is a large cluster of green gases around the ground and surrounding)) "And how some gas or something we let out of the electric lines just builds up on the poles or something."((sniffs)) "Like, I sniff, and it means something radio and I put electricity on it?" ((sobs)) "I don't even know why."

Rhea Perlman :((voice))((laughing)) "Yeah whatever freak. I don't care." ((the gas is charged with electricity, as it is oxidized copper and seems to be electromagnetic and drawn to the gravity of earth's poles))

FREDERICKKYLEVENTRESCA :((voice))((still the resemblance and voice of Judd Nelson)) "It's like they release the gas because there's too much pressure or something. And it's like we use it to launder money." ((cut to close up of Judd Nelson, still crucified, upset and completely bewildered. Face swollen from tears and he also appears undead)) "Or it's like because people did it before we launder money?" ((sniffs, stupefied, shaking head)) "It's like, I didn't even know these things did that. I didn't even think I was doing anything but like typing ilkgyz or imcol or something." ((sniffs)) "I didn't know I was doing this to the earth or the environment or whatever."((sniffs))((cut to previous, showing the effect of the gas upon the ice, causing it to melt from the electromagnetic effect and the heat generated from effect known as greenhouse gas, as the sun magnifies upon the gas creating a reaction around the earth's poles, where the gas is drawn because of the gravitational forces drawing the released gasses of a metallic origin. The ice begins to melt)) "It's just that, it's not even like oil or coal. It's just we keep venting, or whatever is all he said? I don't even get it." ((sniffs))((the shot veers back to show above the United States of America, in orbit where the venting keeps happening)) "And how we're just like, releasing this gas and everyone is getting sick." ((cut to close up of one of the FRMLLLLWEARRRRPPL wearing a WHITTTTEMSK staring to the right of the shot unmoved)) "How we caused strokes, and autism and Alzheimer's because we used his uncle's A or BOFZ ." ((sobs)) "Something stupid from Korea from G and they put it everywhere. Just because Disney was mad at him or his relative or something?" ((sniffs))((whispers)) "He's fuckin' nuts!" ((cut to close up of Jesus looking up past the shot)) "He said we're the reason why people get sick because of trying to watch through their eyes." ((sniffs)) "That he's blamed for both of his families making things, and people using them wrong." ((Jesus blinks, and looks down past the shot, blinking twice)) "Like we put the G stuff or whatever, with the other stuff from the camera that watches through peoples' eyes?" ((cut to close up of Tents, looking past the shot, disturbed)) "Does that make sense? He said like we're putting it together, and making it kill people? And we keep going after kids or something with these hacks that we made? And we're using them to find kids?" ((sniffs))((cut to close up of Colm Meany, an actor in various Star Trek television shows holding up a small 45 ACP semi automatic handgun. He is aged to the year 1999 )) "And how anyone who uses them shows shit like this?" ((almost sobs)) "Like the shit I did, please." ((cut to close up of Judd Nelson, now resembling the form of a 29 year old Caucasian man, badly injured and tortured and nailed to a board and a cross in the ground)) "Please don't do this! Look you don't know what happens!" ((sniffs)) "Please don't!"

Gene Roddenberry:((voice)) "Just shut up!"

29 year old man:((formerly Judd Nelson)) "Look you don't understand. I died here, and I have to keep coming here. I'm being punished!" ((cut to close up of Jesus looking to the right of the shot, terrified)) "I'm not Fred! Ok! Tell them! God please!"

James Doohan:((voice)) "What's he saying?"

Jonathan Frakes:((voice)) "I have no idea. He's just a crazy person. Just shut him - just shut him off."

29 year old man:((voice))((formerly Judd Nelson)) "Look, I just got arrested for weed, and my dad threw me out." ((crying)) "I didn't have anywhere to go." ((cut to close up of 29 year old man writhing on the board)) "And I don't know anybody and some guy in a van was like do you want to make 20 bucks and I was like ok, and there was Gene Roddenberry in the front seat and I fuckin' love Star Trek, I can't even believe it. It was like my dream come true I'm gonna be a fuckin' movie star or something."

Miranda Sirtis:((voice)) "I think you should just stop talking. Just accept it, we kill people!" ((he begins to wince))((cut to Jesus close up, amazed looking to the right of the shot))

29 year old man:((voice))"Please don't do this! You don't know what you're doing! You don't know what you agreed to!" ((cut to close up of 29 year old man, now resembling Jonathan Frakes, shaking violently)) "We're trapped here can't you see?!" ((cut to close up of a WOMNINBLUUUUFRMLLLLWEARRRRWITTHAWHITTTTEEEEMSKOVRRRRHRFACCEEEE staring off to the right of the shot in the theater)) "We have to keep coming here to prove what we did! Because we lied! We said we were Fred and we lied!" ((cut to the 29 year old man, now resembling Lawrence Jenkins, the missing Treasury officer mentioned in the fifth installment of this franchise, and the striking resemblance of Leopold on the television show 'The Simpsons')) "We said we were federal officers and lied! We're fucked! We're FUK7 or whatever that means!" ((cut to Rhea Perlman looking to the left of the shot and laughing)) "Don't you get it? We're energy when we die and we can't prove what we did works!" ((she just shakes her head laughing)) "You say you weren't here but you show it! You broadcasted it!" ((cut to 29 year old man, back to resembling Judd Nelson, screaming)) "I was here! I said those words! I know who I am!" ((shaking angrily))

Johnathan Frakes:((voice)) "Take it easy. Just take it fuckin' easy ok?" ((Judd Nelson writhes in crazed anger)) "You're just gonna fuckin' die ok."

Tom Berenger:((voice)) "Easy kid. Just die. Ok?"

29 year old man: ((29 year old man stops wriggling)) "You don't get it! It's all electrical! We're all electrical you and me!" ((cut to close up of James Doohan, leaning over to the lower right of shot, laughing after facing to the left.)) "You don't get it! We can't get out of here! We were tricked!" ((cut to the man in the feathered headdress and feathered on his arms and legs dancing)) "We agreed to something we shouldn't have!" ((the shot pans up to reveal a single dream catcher hanging upon the ceiling painted white, as blue waves permeate the shot from the floor of the apartment above, intermittent WHITTEEEE as well.)) "We were fooled! He tricked us!" ((cut to Frederick Kyle Ventresca, somewhat long hair, lying in bed staring past the shot towards the dream catcher off camera as the waves enter the shot)) "We pissed off his God! A God he believes in! That's how he found out! That's how he knew! He said you put the fuckin' movies of this shit onto the magnetic waves of the fucking device! The film is magnetic! All the shit you did, all the shit you said was recorded! He said - "

Gene Roddenberry :((voice)) "Shut up!" ((the sounds of Jon Williamson and another antagonist Pamela can be heard laughing in the apartment above the shot, giggling))

Jon Williamson :((voice)) "He's gonna go crazy."

29 year old man:((voice)) "You watched this shit! You watched it and then put it on him! You fuckin' blasted him with that gun or whatever the fuck you think it is, and he fuckin' knows it!" ((the face of Frederick Kyle Ventresca for a moment changes, to Judd Nelson screaming in pain as he dies)) "You watched me die! It's on tape! And it got connected to that gun and you pointed it at Fred! Don't you get it?" ((cut to wide shot of Bill Clinton standing beside four Republican senators, one from Georgia, one from Kansas, one from Missouri, and one from Florida. All stand looking to the left of the shot as though they're prepared for a hike into the wilderness)) "You put it everywhere he said! With magnetism! All over the fuckin' earth! You think God doesn't know what you did to the earth with this shit?! I'm proof! You think that just saying you're the government makes it ok when you just lie and they cover it up!? It's not! We're fucked!"

Hillary Roddam Clinton:((voice)) "God doesn't care you fucking shithead. Just shut up."

29 year old man:((voice)) "God doesn't care? You're fuckin' crazy!" ((cut to close up of Alan Rickman looking past the shot scowling wearing a boonie hat and no sunglasses)) "You're all fuckin' warped! You're a fuckin' cult! You think you get into heaven because you're a fuckin' movie star! I fuckin' didn't!" ((cut to 29 year old man looking like Gene Roddenberry shuddering in anger on the cross)) "I fuckin' didn't!" ((sobbing)) "We take the place of our victims! We watch ourselves tortured by ourselves so we remember!" ((cut to close up of Majel Barret Roddenberry eating a small boy's left hand that had been grilled on a fire for five minutes prior. She sits on the ground wearing trousers and boots and has a boonie hat on her back, with a cord of it slung around her neck)) "We're of the same earth God said. We must atone and be of one." ((sobbing)) "We agreed to that man's words." ((cut to close up of the Native American man, long black hair looking out past the shot, letting the grains of sand run through his fingers, his eyes closed humming words best left for ears willing to submit)) "We said we didn't and lied! And now we have to always come back and do it again! Fred said it's DOFB !" ((yelps)) "He said we claimed to be GODD and we said we were JSUS too."

Bill Clinton:((voice)) "Look they're gonna take over, and when they do I don't get in trouble I get a girl I can do whatever I want."

29 year old man: "It doesn't matter if California has emissions control or not! The fucking oil rights and Canada just doesn't matter! Just give it up! We're cursed!" ((cut to close up of ZANANASAY a BOF7 for a California Legislator directly involved with corruption involving emissions in California)) "You don't get it! You blackmailed us by coming here but we're fucking damned! He doesn't even know! He doesn't even know!" ((cut to close up of GOTOMAN , now an insect in appearance , in the theater smiling, mouthing the words 'Not listening' as the man continues to scream)) "It's like all of us were replaced or something! We can't get out!" ((cut to close up of the CROSS showing the younger GOTOMAN crucified and screaming at the top of his lungs)) "I did it ok! I know I killed people!"

GOTOMAN :((voice))((younger)) "Just shut the fuck up. I'm gonna fuckin' kill ya."

29 year old man: "You blamed everyone for this! You blamed people who didn't even A or D like Fred! We can't get away with it!" You blamed him and God knows!" ((cut to close up of Tents up close staring past the shot)) "You woke up God!"

GOTOMAN :((voice)) "Shut the fuck up! I don't fuckin' give a shit!"

29 year old man:((voice)) "You woke up God! You fucking woke up God!" ((a sudden gunshot rings out, and Tents clenches his eyes closed, and then opens them slowly, looking out past the shot))

Rhea Perlman:((voice)) "Good timing."

Alan Rickman:((voice)) "Fucking - great."

Larry David:((voice)) "He shoots he scores!" ((Tents blinks once more as the sound of a loud applause begins to be heard, as the scene freezes slightly. The shot changes to show it being displayed on the large screen in the theater shown previous.))

((cut to a swiveling shot, showing the rows of FRMLLLLDRESSSSDPPLWITTHWHITTEEEEMSKZZZZ clapping almost robotically, revealing a very classy stage with REDCCURTTINZZZZ and a BLKFLOOOOR to the upper right of the of the shot basked AUTTOMATTIKSTAGGEEEELITTEEEEZ . Upon the stage is a clear glass pulpit, where two people stand, recognizable actors. One is William H. Macy, and the other Joan Rivers, both presenters at the podium. Upon it is a GREEEENNMIKROFONEEEE and a statue of a small GOLDDNNNNMAN , Macy to the left and Rivers to the right.))

((cut to facing the two, the camera centering on them, as one of them, Joan Rivers begins to speak, the applause stopping))

Joan Rivers: "And the Academy Award nominees for BESTTPIKTTUR are - "

((There are four boxes, that take up the shot. The picture of Tents staring off past the shot close up to the upper right. To the upper left is a pair of naked women's breasts, along with a picture of a very long man's penis, and several pictures of child pornography. To the lower right appears to be a Caucasian man wearing a suit in a courtroom pointing past the shot to the lower left and looks furious. He bears a striking resemblance to VENTRI in the fifth installment of this franchise. To the lower right is the H.M.S. Titanic crashing into the roof and very top of the White House from the top of the frame)) " RIKERZIZLANDMYSTORRRRYYYYOFDISNEY ." ((the picture in the lower left emphasized, as ROBOTTIKKKKCCLPPING begins and stops as they continue)) " YIHHATTEEEEEVRYYYYBDY ." ((the picture of Tents to the upper right emphasized, with CLPPIINGG ensuing briefly)) " HOWWWWTOSUCEEEEDDDDINGOVERNMENTTWITHOUTREALYYTRYINNG ." (( KLAPPIINNGGGG while the picture of the breasts, penis, and child pornography is emphasized)) " TITANIKKFIVVEJUDGGMNTDAY ." ((brief KLAPPINNNNG with the lower right emphasized, while the White House briefly changes into the Pentagon and the White House again.)) "And the independent film " SLAVVRYANDWHYYYYWHEEEEDIDNTWNTITTHEEEECONFEDRRATTEEEESTRYY ." ((there is no KLAPPING ))((cut to previous towards the two on the stage, as William H. Macy holds a envelope the KOLOOORREDD as he CLEARRZZZZHZTHROOATAWKKWRRDLLY and there is a SNNGLLLLCCOOF from somewhere in the AUUDDIENCCEE ))

William H. Macy: "And the WINRFORBESSTTPIKTTURIZZ " ((he begins to unwrap the envelope))((cut to a four paneled shot of individuals seated in rows of REDCHAIRRRZ , the angles skewed. A suspenseful drum roll ensues. All are dressed in FRMLWEAAAARRRR black tuxedos with white shirts and REDCUMBRBUNDDZANDBOWWWWTIEEEZZZZ . From upper left is the likeness of Jon Williamson known as Baby Toothed Man. Beside him is REDHRDMAN to his left with the other STAGGHNDZ , the African American Man and the Man with Glasses in the same row. To the upper right is Tents looking about, completely lost, while I.S.S. is to his left and GOTOMAN in his original form, is to the right. To the lower left is a close up of Ol' Man MASSAH with his long and normal fingers cross, smiling past the shot, smiling, seated beside DIZNE to the right of shot, while to the lower right is DIZNE , his FRZNHDD on a cushion, FRMLLLLWEARRRRDRAPPDDDD on the base of the SEAAAAT and a BOWTTIIIIE laid at the base of the JARRRR . Ol' Man MASSAH is to his left, still crossing his fingers.)) " YIHHATTEEEEEVRYYYYBDY ." ((the others react harshly, specifically Ol' Man MASSAH whose expletives are droned out by LOUDDORKKESTRLSCOREEEESEVNTTYYYYFIVVEANDMANYHANDZCLAPPIING . Baby Toothed Man and REDHRDMAN shake their heads disapprovingly as well. GOTOMAN stands, and pushes Tents and I.S.S. out of the row, towards the lower frame of the shot while Tents still seems confused. The shot widens, the other boxes pushed out revealing the wide shot of Tents, GOTOMAN and the other band members, exiting the row of REDSEATTZ to the left into the aisle of the theater, and begin to walk towards the shot, the floor sloping down approaching the stage behind the shot.))

((cut to facing the stage where the five climb up to its surface as I.S.S. seems devoted to reaching the pulpit first, and the MIKORFONEEEE as well, as Tents lingers behind slowly, almost in a daze looking about him as the rest follow I.S.S. . He reaches the MIKROFONEEEE first and reaches for it as the camera angles changes))

((cut to facing the pulpit, as William H. Macy and Joan Rivers back away from the pulpit, CLAPPIINNNNG instead, as I.S.S. dismisses their HUGGZZZZANDKSEEZZZZ rudely. He grabs for the GOLDDNNNNMAN , his TROPPHHY as the other two step out of the stop and to the left off camera. I.S.S., victorious, speaks))

I.S.S.: " WELLLLWHATCANISAY ? IMGREATITSSSSOBVIOUSSSS . " ((cut to GOTOMAN smirking, his eyes traveling right slowly, and grin growing wider, very slowly)) " THISIZJSTAWAYOFSAYINGTHANKZ . IGETTIT . UOWEEEEMEEEE ." ((cut to Joan Rivers next to William H. Macy, both smiling showing their teeth.)) " IAMAWSUM . THIIIISHSHITTIZJSTAPAPRRRRWEEIGGHHHHT ." ((cut to Tents close up, eyes darting nervous)) " IDONTEVNNOYYYYITLKTHSSSSWAYYYY . HOOOOFKNCRZZZZ . IFKNWOON ." ((Tents stares forward past the shot towards the audience behind the KKAAMRMRAAAA )) " FKNLONNNNGGGGTIMMMMECMINNGGGG ." ((cut to the audience, eerily silent, scanning from left to right, all present wearing WHITTEEEEMSKZZZZANDFRMLLLLWEARRRR . The other nominees absent and not shown. Some of the audience are in KOLOOOOR and others are in BLKANDWHITTEEEE . All of them seem to be staring at the shot, and Tents, and seem to be slowly moving out of their seats and moving towards the shot)) " BEEEENINTHIIIISHSHITTTTFORRRRYYRZZZZ . YOUFNLLLLYYYYAKCCPPTTTTIT . IMJSTHOOYOUWANTTOB ." ((all of the audience is void of emotion, all with WHIITTEEEEMSKZZZZON )) " IMWHATTTTALLLLTHEKIDDZWANTTOBBBB ." ((cut to Tents close up, his eyes past the shot in terror, as his left sweeps to the left of the shot))((cut to William H. Macy and Joan Rivers, who now both have WHITTEEEEMASKZZZZOVRTHEEEEIRFACCEZZZZ )) " ITLKLIKKETHISHOONOWZYIDONTCRRRR ." ((the shot blurs to the left to reveal a banquet table, showing four large empty serving trays, each with labels. From left to right is I.S.S., Tents, Gorn, and Klingon #2. The shot rubber bands with emphasis, as before the shot are two WHITTEMSKDACTTORZ who begin to slowly advance towards the shot. One, the man has a FORK in his right hand.)) " INUIWAZGREAT . IMBTRTHANNUUUU . ITZZZZOK ." ((cut to Gorn and Klingon #2 facing towards the left, both unaware of what is occurring.)) " LOKITZZZZNOTABIGDLL . IMTHEEEEBESTTTT . ITZZZZCOOOOL . IMCOOOOLL ." ((cut to Tents his expression towards the left of shot, frantic perspiration dripping down his head on either side, as his eyes slowly dart behind him, as though there is someone there.)) " YORNOT . YOUNONOW ." ((cut to facing Tents's back, slowly turning to face the shot, the floor of the stage behind him and the camera looming over him. A shadow draping over him, as his features grow more tense and he steps back slowly)) " IMTHEBEST ."

Tents: "Oh no..." ((cut to Tents P.O.V. to reveal GOTOMAN facing towards the shot, smiling as he has grown in height, and seems to resemble now the body of an insect. His face is upon the very top of the creature, whose body is the color YELOOOO , who with one of his four billion appendages, removes face of GOTOMAN to reveal the face of a large insect instead with rows of sharp teeth, and with another produces a large WHITTEKOWBOYHAT and places it upon the top of his head. The shot emphasizes his facial reaction, leering back smiling, as though Tents would recognize him.)) "What...are you?"

I.S.S.:((voice)) " TOMMMMYIMAWINNER !" ((cut to close up of I.S.S. pounding upon the podium close up with his left hand angrily)) " IMAFUCKINGWINNERTOMMY ! IEARNEDTHIS ! ME !" ((cut to Gorn close up, looking to the left of shot wearily, eyes half closed, tolerating his band mate. He looks off to the right of the shot, still calm and does a double take)) " ITWAZNTTHEDIREKTOR ." ((he blinks once)) " ITWAZNTTHEKREW ." ((Gorn's eyes bulge in terror past the shot to the right)) " ITWAZME ." ((cut to close up of Klingon #2 staring off towards the left of shot, questioning gaze, bored, though no emotion otherwise. Gorn's right hand slaps onto his face, sticking from off camera)) " ALLME !" ((Klingon #2 bats it away, as Gorn's claw sticks to his face again, begins to get irritated)) " MEBABYYYYWOOOO ! "((he continues to bat away Gorn who then assaults Klingon #2 with both arms and hands from off camera. Klingon #2 angrily notices turning towards him, then startled to the right of shot, as Gorn enters the shot, embracing him, as the two back slowly away from the right of the shot in the shadow of the large creature, Tents also entering the shot backing away to the left, basked in the approaching shadow from the right)) " THISIZMYNITE ! " ((cut to close up of I.S.S. relishing the moment, as a looming shadow approaches from the right of shot)) " WOOOOIMTHEGREATEST !"

Tents:((voice))((screaming)) "I.S.S.! RUN !"

I.S.S.:((pausing, his eyebrows furrowed, then not, as the shadow grows closer and the sounds of the creature as well. I.S.S.'s expression seems to be more astonishment as he pauses, and continues)) "My Gah..." ((twitching)) " GOVERNOR? SENATOR?" ((cut to Tents with Gorn and Klingon #2 behind him, Gorn embracing Klingon #2 like he is the hero in a Creature film, their reactions terror past the shot. Tents reacts the same, his tentacle blocking past of his face in horror and defense from left. The shadow of GOTOMAN is no longer GOTOMAN , but the truth of the ILUSHUUN , a gigantic CREATTURWITH9LEGZANDLARGEEEEFANGZ )) " COMPTROLRRRRISS . KARDINALISS ." ((cut to I.S.S. close up, amazed expression, almost darkened in totality by the approaching shadow. He speaks softly over the hissing sound from its jaws.)) " EMPERORISS ."

GOTOMAN :((hissing)) " HOLDDSTILLLL ."

I.S.S.:((sighs)) " FINE ." ((he is tackled to the lower left of the shot hungrily by GOTOMAN as Tents screams))

Tents:((voice)) "I.S.S.!" ((cut to close up, Tents, the shot twisting at Tents's as he brings all eight of his tentacles up to his shot, defying logic once more, shrieking)) " NO !!!!!!!!!!!!!! " ((cut to GOTOMAN now the GIANTBLUUINSEKTTTTWITHAWHITTEKOWBOYHAT looming over I.S.S. as his head lays flat to the right of shot, his body limp and the AWRD in his right hand , as much like in a SLNTFILMDRAKULAAAA , GOTOMAN looms over his exposed neck, rearing his head and face upward, eyes rolled back and head cocked back, sharp fangs revealed)) " GET AWAY FROM HIM!!!!!!!!!!!!!! " ((as GOTOMAN is about to sink his fangs into I.S.S. 's throat, he pauses, and closes his eyes. He shakes his head, almost disappointed))

GOTOMAN : "Hold it. Hold it one moment. Stop." ((cut to the audience, revealing them all approaching the shot violently, all wearing WHITTEEEEMSKZZZZ and in FRMLLLLWEARRRR . They all stop short of their menacing advance, all ceasing)) "Everybody stop. Just stop. We have a problem." ((cut to close up of Tents, leaning back in terror, suddenly calming down, and looking past the shot in amazement, wide eyes and still)) "Something's not right here. I'm just NOTFELLLINGTHSGY ."

Tents: "What?"

I.S.S.:((voice)) " IMTHEBEST . IM - " ((cut to close up of I.S.S. lying flat, looking up towards the upper frame)) "What?"

GOTOMAN :((voice)) "Alright everybody, take five." ((there is the sound of a BELLLL ringing as the room suddenly begins to groan in unison))((cut to facing the crowd, as most begin to walk off stage away from the shot, and some talk amongst themselves. There is one who still practices his looming, stops, then practices again)) "Keep those masks on, we'll see if we can try again."

I.S.S.:((voice)) "Try what again?" ((cut to I.S.S. standing up normally, facing to the right of the shot)) "What's going on?"

GOTOMAN :((voice)) "Everybody? Five. Ok?" ((cut to close up of GOTOMAN still resembling the CREATTUR assuring everyone off camera with the multiple appendages)) "Five!" ((he turns back to face the shot, his legs to his chin and on his hips)) "Look kid I've gotta level with you. We're trying to get the FEEEELLLL of this scene the - " ((expressing with free appendages)) " - the genuine sentiment of unbridled and intolerable ignorance." ((cut to I.S.S. close up, hurt expression)) " Something that only comes with age, like you have, like all have if you've been in this business long enough. A willingness to just - just - " ((pauses, sighing)) " - what am I looking for? Sheila?" ((a female voice, Sheila speaks, a high pitched nasal Caucasian woman roughly 32 years old))

Sheila:((voice)) "Fake it." ((I.S.S. seems more shocked than before))

GOTOMAN :((voice)) "More that that." ((cut to GOTOMAN now flanked by a BLUETHEREALLLL who stands wearing a head set and carries a clipboard, the stage behind them being wheeled away the squeaky effects of the fake stage loudly speaking))

WHEELZ :((in A )) " SAYGOOOODDDDBII "

GOTOMAN : "I like the term, ACTING like you know. You know - " ((legs emphasizing past shot)) " - selling me on the idea that you're fake, by being genuine about it!"

I.S.S.:((voice)) "What's not genuinely fake about me?" (( GOTOMAN puts his legs to his face, eyes clenched as he crosses some of his legs. Sheila winces and smiles at the same time towards I.S.S. off camera)) "Look do you want me to get fake?" ((cut to rubber band close up of I.S.S.)) "THIS IS FAKE! I AM FAKE OK!?"

GOTOMAN :((voice)) "Kid kid, listen. You're just not who I'm looking for, ok?" ((I.S.S. is dumbfounded)) "I'm looking for a guy who used my name to ATHE 7 . That's to use my name." ((I.S.S. looks disheartened)) "Ok? He called me a homosexual after he murdered myself and my two friends, beat up my wife, and raped her. That guy." ((cut to GOTOMAN holds up mask, pointing at him)) "He looks like this. Me?" ((the mask descends out of shot)) "I'm a monster, but him? A genuine fake." ((shrugs)) "I just don't know what's scarier to people." ((shakes head)) "I guess I'm just old fashioned." ((points past shot)) "But you kid? You're just not the material he is. The one I want and am looking for."

I.S.S.:((voice))((emotional)) "But I wanted to be FAYMOS " ((Sheila bites her lower lip, her eyes slimming with emotion. GOTOMAN closes his eyes and shakes his head at the word)) "What?"

GOTOMAN : "Look kid, if there's one you and - " ((holds up mask)) " - this clown have in common, it's that you don't know what that word means." ((cut to close up Tents, staring to right, shoulders hunched forward, amazement)) "It looks like a word you know, but it isn't. That word, upper case and spelled like that? It means something. Something specific that I need." ((blinks)) "It means I did it. And I wanna know who that is." ((cut to Klingon #2 holding Gorn, both still looking past the shot in terror and still embracing like a classic horror film)) "That man used my name to commit crime after crime, and I got in trouble for it. CENTTURZZD . Do you know what that means?" ((Gorn and Klingon #2 slowly exchange glances)) "I can tell you don't, and he doesn't either." ((cut to close up of I.S.S., traumatized expression)) "But he's here, somewhere, or I wouldn't be. Some how he influenced this place, these worlds." ((pausing)) "And I'm gonna find him. One way or another." ((cut to close up of GOTOMAN nodding, as Sheila does the same, in unison, both looking past the shot)) "And I'm gonna KILL him."

I.S.S.:((softer))((voice)) "But...maybe...I could be him?" ((both Sheila and GOTOMAN exchange glances, awkwardly))((cut to I.S.S. close up, dejected)) "Maybe I could...fake it?"

GOTOMAN :((voice))((sighs)) "Kid, I've been in this BIZ for a long time. People come, and people go. When they come, they haven't got a dime, and maybe half a prayer." ((I.S.S. raising an left eyebrow at the word)) "Dad's broke, the Mill closed, I owe the MOB , I've heard 'em all." ((cut to GOTOMAN close up, holding a filtered cigarette and Sheila lighting it, him leaning down))"You come here - " ((she finishes lighting, he leans back up, smiles towards her)) " - thanks, you come here, - " ((exhales out, takes cigarette from mouth)) " - when you're rock bottom." (( he emphasizes with his appendages)) " Desperate. Hungry." ((cut to close up of I.S.S. frowning)) "You suffered. You draw from that." ((takes another drag)) "It also means you're not capable of anything short of deceit. Of feigning competence and the capacity that you're a man, or that you can even stand as one without reward." ((cut to close up of Gorn and Klingon #2 still embraced looking past shot to the right)) "Not a woman waiting for you, or even a meal." ((both still seem frightened)) "Just on you, and your own two feet, knowing that's all you've got. Clothes on your back, and the shoes too. Most people who come here, don't even have anything but that, and don't even have a way back without finding a way to pay for it. And that's the reason why you came here to begin with." ((cut to GOTOMAN pointing past the shot to the left close up on him only)) "Because you weren't shit before you came here, and if you don't make it, you'll be less than shit to yourself and anyone you left behind when you go." ((cut to I.S.S. close up, horrified)) "And when you go, you stay gone." ((takes a puff of the cigarette)) "That's the truth of it here kid." ((sound of him speaking with cigarette in mouth)) "You're a scoundrel. A cad. A buttress against a greater mistruth." ((cut to close up of GOTOMAN , cigarette hanging from lips)) "A has been if you don't lie, and a hero if you can muster looking into a person's eyes after." ((takes the cigarette out, exhaling)) "It's a ruse, a design flaw in human character." ((cut to Sheila looking towards the left of shot firmly in agreement)) "If people truly knew what self worth and beauty and art truly was, we wouldn't even be here. We'd be fighting the dogs for food because we wouldn't even where to begin. We don't even know how to be it." ((she nods)) "We only know how to fake it." ((she nods as he pauses)) "What do you think?" ((she looks up to the right of shot towards GOTOMAN off camera)) "Good?"

Sheila:((nodding)) "I'll work on the rewrite." ((cut to close up of GOTOMAN looking down to the lower left of shot towards Sheila off camera smiling. There is a sudden crash off camera that rocks the shot, as GOTOMAN reacts raising an eyebrow. It's a voice that sounds unmistakably like Frederick Kyle Ventresca))

Frederick Kyle Ventresca:((voice)) "ASSHOLES !" (( GOTOMAN looks past the shot, grimacing))

GOTOMAN :((voice))((sighs)) "Clockwork." ((cut to close up of several versions of Frederick Kyle Ventresca, of all potentials of living. The one speaking is dressed in a military uniform of the United States Army, the rank of Sergeant Major. He stands angrily in the center of shot, and is roughly the same age as the author, but has a cropped haircut and wears a military beret and is clean shaven. He stands in digital camouflage with his uniform displaying his last name, as he glares angrily to the left of the shot. Flanking him are several others, some dressed in the same way denoting that each are part of the United States Army, though one has a Confederate Flag as opposed to a flag of the United States of America, and several of the flags also have either less stars or more of them. Several are in flight suits with a helmet and the visor up, and angry glare from each piercing past the shot. Many of them are dressed as astronauts with either various types of American flags, one British and another Confederate upon the shoulders, and some dressed in full SWAT team gear, a few in police uniforms, while some are simply haggard looking, and carrying firearms, torches, broomsticks, and pitchforks, particularly the post apocalyptic ones. There's even a Frederick Kyle Ventresca who is dressed as a fry cook and he has a flag on his shirt representing the planet Venus. Behind them in a collapsed wall of the set, revealing WHITTTTE behind.)) "Death and taxes every time with these guys."

Frederick Kyle Ventresca :((screaming)) "WHO SAID ANY OF YOU REPRESENTED MY DREAMS? HUH? MY WISHES - " ((a SWAT team officer from behind pokes him))

SWATFRED :((softer)) "Our."

Frederick Kyle Ventresca :((softer)) "Our - " ((turning to scream back towards left)) " OUR DREAMS AND WISHES?" ((cut to GOTOMAN and Sheila, reverse angle, her to the right and GOTOMAN to the left. Sheila makes a CUT effect to her throat at the shot)) " MY ASPIRATIONS - " ((a Confederate Astronaut interjects))

FREDSTRONAUT :((voice)) "Our!"

Frederick Kyle Ventresca :((voice)) OUR ASPIRATIONS OR WHAT - " ((grumbling))((cut to close up of Sergeant Major Frederick Kyle Ventresca, other Frederick Kyle Ventresca of various potential all pissed off behind him towards the left of the shot)) "WHO THE HELL SAID YOU'RE ALLOWED HERE?! EVERY TIME YOU KEEP COMING BACK!" ((there is another crash, off camera that jolts the shot from beyond the shot, as another voice speaks))

Voice :((voice)) "WHO SAID MY WORK WAS PRODUCED BY ANOTHER IN THIS DIMENSION?" ((blurs to a rubber band close up of the lead singer of the band 'Boston', dressed as himself having breached the opposing wall. He wields a single guitar and is flanked by the rest of the group, climbing over the debris of part of the plot structure. There are also several intimidating men and women behind them, all dressed in business attire, who have very aggressive expressions and are holding paperwork and other implements to do legal battle. He points at the shot with his right hand, the axe in his left)) "WE HAVE LEGAL AFFADAVITS STATING THAT OUR WORK WAS USED FOR IMAGINARY PROFIT WITHOUT EXPRESSED CONSENT!" ((cut to GOTOMAN slumping, cigarette hanging from his lips, his contentment deflating as he exhales smoke outwards as Sheila stands with him to his right in the shot)) "WE HAVE A VOF7 ON THE AUTHOR'S NAME TO CEASE AND DESIST IMMEDIATELY FROM USING OUR WORK IN THIS PRODUCTION!"

GOTOMAN :((whispering)) "This still doesn't count in our production does it?"

Sheila:((whispering)) "Never has."

Frederick Kyle Ventresca :((voice)) "BULLSHIT!" ((cut to Sergeant Major Frederick Kyle Ventresca screaming past the shot to the left)) "THIS WAS THE WORK OF ONE FREDERICK KYLE VENTRESCA! THIS DOESN'T MAKE EVERY FREDERICK KYLE VENTRESCA LIABLE!"

Voice :((voice)) "ACCORDING TO MY ATTORNIES IT DOES!" ((Sergeant Major Frederick Kyle Ventresca's expression very mad, eyes wider))

Frederick Kyle Ventresca:((looking around)) "WELL DO YOUR ATTORNIES KNOW HOW TO DEFINE WHAT YOUR WORK IS? BECAUSE YOU'RE A BAND RIGHT?" ((shrugs at the shot to left)) "THERE'S NO AUDIOTRACK!" ((cut to GOTOMAN looks off camera, making a spinning reel effect with one of his appendages, indicating to play a recording)) "THERE'S ONLY DIALOGUE GOING ON HERE!" ((without warning, like a record picking up, there is a recording of Boston's song 'Man I'll never Be.'

Voice:((voice)) "THERE! RIGHT THERE!"

Frederick Kyle Ventresca:((voice)) "THAT'S NOT FROM ME!"

FREDSTONAUT :((voice)) "US!"

GOTOMAN :((softly, towards off camera)) "Run the footage!" ((Sheila looks at the shot, directing with her free hand to 'come on', gritting her teeth as though they're in a hurry))((cut to close up of REDHRDMAN nodding from behind the shot, near the rear of the theater at an lighting board, begins to flip switches))

FREDSTRONAUT :((voice))((cut to close up of REDHRDMAN flipping switches at the lighting board)) "I don't even know who Boston is. Like the city?" ((cut to close up of SWATFREDSEVENNNN flanked by many Frederick Kyle Ventresca 's. He has a British flag on his left sleeve))

SWATFREDSEVENNNN :((scoffs)) "It's called New Elizabeth now." ((a SWATFRED from behind him shakes his head, alongside a Frederick Kyle Ventresca that wears a uniform for the Israeli Defense Force, though their flag has seven stars of David.))

SWATFREDNINNEEEE :((coldly)) "Not now. Don't start that shit."

Voice :((voice)) "LIAR! LOOK! " ((all the Frederick Kyle Ventresca's turn past the shot. It blurs to reveal the stage with the pulpit, the right side of the stage missing part of its backstage, revealing another backstage behind it, with a STAGGHND sneaking out of BLUUUUDOOOOR leading to another backstage behind that. A white screen is lowering to obscure it, and a projector reel beginning to roll footage while the song has already started playing. Upon the screen immediately is I.S.S. skew towards the upper right facing lower left, him seated at a BABBYYYYGRANNDDDDPIANNOOOO . There is a single stage light upon him as he is playing single notes and singing the song))

Frederick Kyle Ventresca:((voice))((screaming)) " THIS ISN'T OUR FOOTAGE! OUR SCREEN OR OUR CHOICE OF SOUNDTRACK!" ((cut to close up on the screen, of the piano keys level from highest notes to lowest across the keyboard, to reveal Tents's tentacles are the ones playing the keys)) "THIS HAPPENS EVERY TIME WE'VE BEEN THROUGH THIS!" ((cut to close up of Voice, Boston's lead singer standing beside him their lead guitarist scowling past the shot holding the axe like a rifle)) "WE BEAR NO LEGAL OR FISCAL RESPONSIBILITY FOR SUCH EITHER! IMAGINED OR OTHERWISE!"

FREDSTRONAUT :((voice)) "We don't even have money where I come from!"

Voice:((pointing at shot, infuriated)) "YOU CAN'T SAY THIS WASN'T AUTHORIZED THIS IS YOUR IMAGINATION!" ((cut to Sergeant Major Frederick Kyle Ventresca, flanked to his right by several other military Frederick Kyle Ventrescas all rigid and pissed at the accusation that any one of them is liable for the thoughts of one or actions of one Frederick Kyle Ventresca)) "YOU CAN'T DOWNPLAY THIS BECAUSE YOU CLAIM YOU'RE SIMPLY THE POTENTIAL RATHER THAN THE ACTUAL." ((Sergeant Major Frederick Kyle Ventresca looks off to the others, all very angry)) "YOU HAVE AN OBLIGATION TO COMPENSATION!"

Frederick Kyle Ventresca :((looks to right of shot)) "Get 'em LegalFred!" ((a Frederick Kyle Ventresca emerges from off camera wearing a black suit with a red tie and white shirt. On his lapel is a Bar Association pin, and he looks 44 years old, well groomed, and ravenous))

Voice:((voice)) "THE VIEWERS OF THIS UNSOLICITED MATERIAL AS WELL!"

LegalFred: "NOT WITHOUT DEFINITIVE PROOF OF A VIOLATION OF INTELLECTUAL PROPERTY CREATED HERE THEN BY MY CLIENTS' OR MY OWN GAIN HERE AND ONLY HERE!" (

Voice :((voice)) "THIS IS OUR SONG, BEING PLAYED HERE IN A MOTION PICTURE WITHOUT OUR EXPRESSED APPROVAL!"

LegalFred :((voice))((more aggressive)) "THIS CAN'T BE PROVEN AS YOUR SONG IN THIS DIMENSION WITHOUT PROOF THAT YOU EXIST IN THIS DIMENSION WITHOUT MY CLIENTS' OR MY OWN ACTUAL PERMISSION OR EXPRESSED WRITTEN CONSENT IN THIS DIMENSION - " ((cut to Voice, sneering and eyes twitching towards skew right of shot, as his lead bassist enters the shot to his right from behind him, holding his axe like a shotgun, barrel pointed upward)) " - FROM A LEGAL DOCUMENT OF THIS DIMENSION, CREATED FROM MATERIALS OF THIS DIMENSION, NOTORIZED IN THIS DIMENSION, WITNESSED IN THIS DIMENSION \- " ((rubber band close up of LegalFred facing to left of shot)) " \- OF ENERGY PROCURED OR OTHERWISE ORIGINATING FROM THIS DIMENSION ENTIRELY!" ((pointing violently with right hand past the shot to the left)) "YOUR SONG ISN'T YOUR SONG HERE UNTIL PROVEN OTHERWISE!" ((cut to previous, Voice, head cocked upwards, as his lead bassist scowls past the shot)) "IT BELONGS TO HERE!"

Voice:((the bassist looks ready to attack)) "THE FOOTAGE PROVES IT'S YOUR DOING!"

LegalFred :((voice))((rubber band close up)) "FOR THE TRILLIONTH TIME IT'S NOT OURS! IT'S THEIRS!" ((the shot blurs right to reveal GOTOMAN standing by a long GOLD cord coming down from the top of the frame, as he grabs onto it, tugging at it as Sheila stands by. GOTOMAN tugs onto it briefly)) "AND THEY'RE THE ONES SAYING I HAVE TO BE HOLLYWOOD! THEY'RE JUST ONE FREDERICK KYLE VENTRESCA'S BRAIN! NOT OURS!"

Voice:((voice)) "WELL WHERE IS HE?!"

GOTOMAN :((tugging on GOLDROPPEEEE )) "Tell them I'm out. This time tomorrow?" ((Sheila nods)) "Thanks babe." (( FLIKKZZZZ his cigarette as the ROPPEEEE begins to climb out of the shot, with slack at the base))

Sheila:((smiles)) "I love you." ((cut to Tents close up, looking past the shot to the right, and then back to the left))

Voice:((voice)) "ARE THOSE THE COPYRIGHT INFRINGERS?" ((Tents's eyes widen in fear))

LegalFred :((voice)) "OUR A AND AVISA IS COMING FROM OUR REALITIES TO TELL THEM HOW TO BE A REALITY! IT MUST BE!" ((Tents looks and runs towards the right of the shot))

Tents:((voice)) "Wait!" ((cut to close up of Klingon #2 and Gorn still embracing, eyes darting))

Klingon #2:((looking at him)) "Can you stop?"

Gorn: "Ok." ((both are pulled out of the shot below the shot, the camera following as they're gripped at their legs by Tents's tentacles))

((cut to I.S.S. sniffling once, and the same effect is occurring))

Voice:((voice)) "STOP THEM!" ((cut to wide shot of the GOLDNNNNCORD rising up out of the shot with GOTOMAN near the top of the frame, as Tents grabs onto the cord with one tentacle, the other three pulling his band mates up with him and into the top of the frame)) "THEY'RE LIABLE!" ((cut to rubber band close up of Voice's mouth)) "SIEZE THEM!" ((cut to close up of LegalFred looking up scowling past the upper right of the shot, along with several other potential Frederick Kyle Ventrescas. Voice speaks)) "YOU PLANNED THIS!" ((all of them turn to the left astonished at the accusation)) "THIS IS YOUR A HELPING THEM! YOU'RE CULPABLE!" ((LegalFred's eyebrows high))

Bassist:((voice))((deeper and angrier)) "GET 'EM" ((Just then, LegalFred is beaned in the head by a bass guitar from the left of shot knocking him back. It echoes an A flat note upon striking. All Frederick Kyle Ventrescas react running to the left of the shot angrily. LegalFred rights himself, shakes it off, and pulls a YELOPEN from his front left shirt pocket, and twists it malevolently, and hurries into the shot scowling angrily, PEN in hand))

((cut to opposing, the band 'Boston' charging crazed, with their staff of lawyers, 'Boston Legal' quickly advancing to the right of shot as well))

((cut to REDHRDMAN , still at the lighting board, waving goodbye with his right hand to the upper left frame of the shot))

((cut to GOTOMAN , waving with all his free appendages to the base of the shot, as the song continues to play, and the shot descends to reveal Tents gripping to it as well, with the band mates coupled to his tentacles))

((cut to a wide shot from the center of the theater facing the stage, showing the band I.S.S. and the Quantum Realities all wearing U.S.O. Shirts all singing before a banner that reads ' LIVEFRMWW3333SUDANUSOTOURR ' as the group croons the chorus together into an OLDRSTYYLLLLEMIKRROFONEEEE , and the silhouettes of 'Boston' and their legal staff, engage against Frederick Kyle Ventrescas in all potentials))

((cut to high above the stage, where the GOLDNCORD is pulling GOTOMAN upwards with Tents, who clings onto I.S.S., Gorn, and Klingon #2, passing by the shot to upper right of frame, with the spaceship BOSSTON the band's personal saucer engages against several F22RAPTTRRRRZANDF15ZZZZ flown the by the potential Frederick Kyle Ventrescas above the stage below, the rest of surroundings pitched in black, that seem to be encroached upon by the reality of Frederick Kyle Ventresca's IMAGGINAYYSHUUNNNN ))

((cut to the interior of the YELOOOOROOOOMMMMWITHHOLLEZ where GOTOMAN emerges, leaping into the room, and briefly folding his appendages into a cloak he has wrapped around himself. He HUMZZZZ briefly as he also begins to adorn his MASKK to complete his disguise. The others are expelled from the HOLLEEEE behind him. He grumbles, turning about infuriated))

GOTOMAN : " HOWDIDUAWITHOUT - " ((cut to GOTOMAN looking down towards the shot, rubber band emphasis)) " OHITZUU ." ((cut to facing the pile of the four band members, all in a heap and Tents beneath them. All of them have the appearing of aging, specifically in the beard department, as all of them have large grey and YELOOOOBEARRRRDZZ , as this has been quite a long adventure and a long TRIPPPP .)) " LOKBOYZEYENOURDTRMINNEDDBUTEYEJSTDONTTHVTHETIME . LTRLLY ." ((cut to GOTOMAN up close, resembling his initial form at the beginning of this adventure)) " IHVTOWAITTFORAOFTHENEKKZZTGYZTOCOMEHRESOEYECANTRYAGAIIN " ((cut to Tents close up, very unhappy and concerned, rising up through the rest as they topple off of him on either side. He shakes his head, wearily)) " THATZWYYIA . INEDTOGETTASOEYECANGETTHEEGY . ITZZZZJSTBIZNSFELLLLAAZ . "

Tents:((looking past shot)) "But why do you need us?" ((cut to close up GOTOMAN looking down to the base of the frame)) "Why did you need us at all?"

GOTOMAN :(( SHAKKINGHDD )) " STANDUUPKIDZ " ((cut to previous, the group begins to stand on their own all of them older, haggard, and facing to the left of shot)) " JSTSTANDUUP ." (( PAUSSE )) " LOKTHSBIZIZALOTLIKEASTORYYYY . LIEEZ . CHEATTNG . SEKZ . ANDALLLLLTHEJUNNKTHATGOEZWITHIIT ." ((cut to Tents, tired and confused)) " IFUHVAKONSHENCCEITZGOINGGTOBKLLLLLLLLL ." ((cut to Gorn, blinking sadly, the BEARRDDDD down his face)) " IFUDONTULLLLBDINNRBCUZSUMOONEWILLCOMEEEEALOONGGHOOIZMEENR ." ((cut to Klingon #2 aged terribly with the BEARRRRD in appearance)) " BCUZYLLBMEAANTOEVRYOONEANDSUMOONEWILBKONVNCDDTHEYYCANTOOOOTOGETNETHINGG ." ((cut to I.S.S. looking very unhappy)) " ITZTHEFORMULAAAAOWTTHRR . IDIDNTCITCOMINEITHRR . BUTITZLIKEWEWNTITTHATWAY . " ((cut to GOTOMAN close up, shaking head, sighing once)) " THEBADGYWINZHOOWESAYIZAGODGYBIACTINGLIKEOONEUNTILSUMOONEYOUNGGRTAKEZHZPLACEEEE ." ((he cringes, teeth gritted)) " ALWAYZYUNGR ."

Tents:((voice)) "BUT - WHY - US!?"

GOTOMAN :((sighs)) " ITOLDUEYENEDATODOSUMTHNG ." ((cut to Tents, hunched over towards the left of the shot, just trying to understand the necessity of A at all)) " SOEYEGETAFRMUGYZ . USHOWWWWUPBUTIALWAYZNEDAFRMONEPLACCETHATIZNVRU . EVERRRRYTIME ." ((Tents hunches more to the left of the shot)) " EVERYTIMEINEEDAITZALWAYZAFRMUGYZANDYORNOTEVNHOOIZTHEOONEIMLOKINGFOR ." ((Tents shaking tentacles, eyes closed, breathing out))

Tents: "Ok, so that guys you want did A ?"

GOTOMAN :((voice)) " YA . ANDIMGONAGETMMMM ."

Tents: "And you always get us."

GOTOMAN :((voice)) " BCUZINEDATOGETHIMBUTTHNINVRDOBCUZYRNOTHM ."

Tents:((trying to hold back the frustration)) "Why do you think we'll be him at all then?"

GOTOMAN :((voice)) " BCUZEYEASKFORATOGETHIM . NOTU ." ((Tents is frazzled waving at the shot once))

Tents: "Listen, you're trying to get the guy we're not, but using us in terms of electricity, but you're not saying anything about him! And you say we do this every time, and you know we're never him." ((pausing)) "Am I making sense?" ((past the shot))

GOTOMAN :((voice)) " LOOK " ((Tents blinks long)) " ITZSIMPL ." ((cut to GOTOMAN trying to explain)) " IGETAFRMU . YOUGETHZNAME . THNUGETHMTOAANDEYESAYHZNAME . THNUDOAANDIGETAGAIN ." ((cut to close up of Gorn, mystified to the left of the shot)) " THENEYEDONTGETINTROUBBLANDUGETATODONETHINGUWANTLIKEAORAORA " ((Gorn is amazed))

Gorn:((incredulous tone)) "What does that even mean?!" ((cut to GOTOMAN close up, shaking his head at the shot)) "Look, no no no listen, you didn't ask us anything like that. You didn't! Instead we're trucked around to parties, and then you have us at a KONVVNSHUNNNN or whatever it really is, or is for, and then we're suddenly at an award ceremony and you act like we did things, or didn't to black mail us or make us famous?"

GOTOMAN :((nodding in agreement)) " WELYEA " ((cut to Gorn close up looking to the left of the shot)) " LOKTHATTTTZZZZHOWITWORKZZZZHR . IUSEEEEUTOGTBAKATSUMOONEEEE . UGETPRKZZZZ . THATZTHEBIZKID ." ((Gorn is even more confused))

Gorn:((blinking, and then shaking head)) "But what does that even have to do with finding that person you were after?" ((cut to GOTOMAN looking sternly at the shot)) "Or getting him to A ? Do you realize none of that makes sense?"

GOTOMAN :((rolling eyes)) " KIDEYENEDUTOA . ANDEYENEDMYATODOTHESAMETHING . BUTUNEDDTOBETHESAMEAZEYEWAZSOEYELOKLIKEEYEDIDNTA . THENEYEDONTGETINTRUUBBL ."

Gorn:((voice)) "That's impossible! Unless - " (( GOTOMAN smiles)) " - we're just exhibiting your life by masquerading as you - " (( GOTOMAN smirks)) " - and your A - ..." (( GOTOMAN nods))((cut to Gorn close up, facing past left)) " - to get blamed for all that you did." ((Gorn looks depressed, as he half points to the left of shot)) "Is - is that what you meant?"

GOTOMAN :((voice)) " YEA . ALLANEAICNGETFRMNEREALLITTYYYY ." ((Gorn looks disheartened)) " IMADEITINTHSBIZKIDEYENOWATWRKZANDWATDOZNT ." ((cut to close up of GOTOMAN smiling towards the shot)) " ITWORKZEVRYTIMEBUTENDZTHESAME ." ((shakes head)) " YORJSTNOTHMANDEYECNNVRGTHZNAME ."

Gorn:((voice)) "But that's your name then! You!" (( GOTOMAN he smiles, but without nodding or affirming anything)) "And we can never be you!" ((he FROWNNZZZZ his lip pouting outwards)) "And that's because we can never be you, because we're not actually you!" ((cut to Gorn close up, pointing his claws in either direction before him facing left)) "And if we give you our A , you can be us, but we can't be you, and you can do anything as our A and we can't?" ((he looks past shot towards left, blinking)) "Right?"

GOTOMAN :((voice)) " ITWAZABLASSTTTTGYZRLYYYYWAZ "

Klingon #2:((voice))((slides right)) "All of our lives ever, are like this to be you. Like, any time we come back here, we're you." ((cut to GOTOMAN , the ROOMMMM behind him, as he leans into the shot, looking down upon us like we're incapable of understanding)) "Because our A is needed by you, to do something we can't allow you to do, just so you can A to do something you couldn't do, because you need our A that isn't yours and not the person you're trying to do something to either, right? And you're saying we've been here more than once, and that there's always going to be us coming here, and how we never stop coming here?"

GOTOMAN :((nodding, blinking)) " RITTELIKEWHRUUUUGOTYRNAMEZZZZFRM . ISSANDTHEQUTUMREALITES . YORTHEREALOONEZANDTHEONLYOONEZ ."

Klingon #2:((pausing)) "What?"

GOTOMAN :((cut to close up, looking at his wrist, absent of a watch)) " KIDLOKEYEDONTHVTIMEYRPROOFOFTHAT . NEMINUUTEEEENOWYORAOFVIZKOMINGHRTOPROVEEEEIASKDFORAORIGINLYYAWICEEEEAGO . LIKEEEEUBUTADIFFRNTOONE ."

Gorn:((voice)) "What do you mean the only ones?" ((cut to close up of Gorn facing to the left)) "What is that supposed to mean either?!"

GOTOMAN :((voice)) " KIDTHSKLIFHNGRSTUFIZFORTHEBRDZ . THSLETZENDITONKONTRIVVDDIALLOGGIZTOOEYELLLLBEBLUNNT ." ((Gorn's face hanging, as GOTOMAN is a broken record))((cut to GOTOMAN repeating the same lines, the exact same EVNTTTT over)) " EYENEDA . IASKDUUUUUGAVMEAANDYORPROFFFF . SOTHRZONLYPOTENTIALLLLANDTHATZUGAVMEA . SONEAUHVCUMZTOOMETHATIUUUUSSETOGTWATEYEWANNT . OK . GOODD . NOW - " ((cut to close up of Gorn, looking off silent past the shot to the left, amazed at just how stupid what GOTOMAN did really is.)) " - BFOORUHADDSOMNYPOTTENTIAALZWHRUUUUCOLDDDDA ."

((Gorn blinks)) " UWRBFOOOORRRREYEGUESUDONTREMEMMBRRRR . BUTUUUUCHOSSEEEETOABYYYYLETIINGMEAFORUUUU . "((cut to Tents looking past the shot, wild eyed at how all this is)) " SONOWALYORPOTENTIALZALWAYYZAREOONEPOTENTIIAAL ." ((cut to GOTOMAN close up, smiling)) " ME ." ((cut to Klingon #2 close up, mouth agape and shocked expression)) " THATZTHEBIZKIDDZ . UCHOOSETHSLIFFE . UPDOWN . DOZNTMTR . UARALLLLTHEPOSIBBLITTEZZZZTHATTONEEEELIFECNALOW . THSOONE . THEFAYMOSOONE . GETIT . OK ." ((cut to Tents close up, eyes shocked to the left of the shot, unnerved)) " GOODLSTNYOUMADDEEITTBIG . WEHADDSUMLAFFZSUMCRYZZBUTITZOVROKBABY . ITZOVR . LIKKETHESONGSAYZTHETHRILLIZGONE . YOUKNOOWWTHATOONERITE . GOOD . LSTN ." ((cut to I.S.S. close up, very disheartened expression, aged badly to the left of the shot)) " UVVVVEEEEBENGREAAT . IHATTEEEETOPUTUUUUBOYZINTHSSPOSITTSHUUNBUTEYEMMMMGONAAAANEDUTODOTHSAGAINNN . SAMETIMESAMEPLACEGREAT . YORGREAT . YORBEAAUUTFL . LSTN ." ((cut to GOTOMAN on a FONNE and is speaking into its receiver)) " IVEEGOTTHELASSTSCEENRITEHR . OK . OKGREAT . YAA . UTTTTOOOO . BI ." ((he crumples up the FONE into a ball and tosses it away))

I.S.S.:((voice))((saddened)) "Who was that?"

GOTOMAN :((shaking head)) " NOTHINGSRS . NOTADIVRSHUN . JSTAPOINT . LISTNN ." ((arms outstretched)) " SOYRWITHMEEEE ." ((smiling at the shot coyly)) " HUH ?" ((cut to close up of I.S.S. frowning sadly)) " UANDMMMMEEKID . WERRRRLIKKETHELOTTOWERINIITTOWIINNIIIITT . EVRYTIMEEEE ."

I.S.S.: "So...is there a reason I don't really remember this time? Why it's just...Not there?"

Gorn:((voice)) "Yeah, I kind of figured we'd be you know."((cut to Gorn close up, haggard and BEARDDEEEEDD )) "Famous."

GOTOMAN :((voice)) " WLUAREVRYTIME . BUTITALRUNZTOGTHRNEWAY ." ((cut to GOTOMAN close up, wincing)) " EVNTUALYITLBJSTUCUMANDUGOO . KINDDAAAAALIKKELIFE ." ((he looks down at his wrist slyly, towards a watch that isn't there, and makes an EKZKLAIMDDDDEKZPRSSHHUN )) " YIKEEZKIDUGTAGO " ((cut to I.S.S. staring past the shot, still confused and feeling dejected)) " IVVEGOTYRAINCCCOMINGINTOOSEKONDZANDINEDUGONE ."

I.S.S.:((sniffles)) "Will I ever see you again?"

GOTOMAN :((voice)) " YES . NOW ." ((he DROPZ out of the shot, as a screaming group of band mates takes their place, the shot panning out to reveal the group's initial entrance. The shot pans down to follow the descent of the four previous potentials, now depleted of A and thus value and YOUUTTHHHH , aged and worthless, are sent hurtling down out of the shot as the song 'From Me to You' by Janis Ian begins to play, the band hurtles through space down on a YELOBEAM to the ground below as the credits begins to roll))

((cut to the descent to the earth below, as shown are several waves being emitted from the earth, pursued by various other waves of every color, as the ricocheting continues, the ping and pong of various transmissions bounces off the earth out and beyond))

((cut to close of I.S.S. upside down, disillusioned expression))

((cut to close up of Gorn right side up, facing left, mouth still open and eyes wide, as his BEARRRRD flaps upwards with the direction, confusion and disbelief upon his face))

((cut to Klingon #2, blinking and silent. He is facing to the right now, and looks down towards the shot's base frame, though up for him as the group descends to the earth below))

((cut to North America, rising into the frame, at a high rate of speed, the camera centered and speeding to the eastern seaboard of the United States of America, towards a set of YELOBEAMZZ that seem to be pointed at Warrington Pennsylvania as suburb on the outskirts of Philadelphia Pennsylvania. Most seem to echo a ZOFB . Some LAF and continue to pulse towards California to the left of the frame on the opposing coast of the continent along a road called Route 80, and bounce back with the words ' fgtwecndowhatevrwewnntsofkudanhrmnsaysshi ' with a PINKBLU wave that enters from the left of the shot, never ceasing to either pulse or amaze at the level of COFV that is endless wasted energy potential, and all pulled from matter of copper, zinc, lead, manganese, or any other mineral affiliated with the electric grid and the infrastructure of the United States of America, and wonderfully and pointlessly wasted on sending amazingly typed and properly formatted grammatically correct messages that are equivalent to wasted energy in any direction across the planet including on radio and satellite transmissions and ZAYOFB .)

((cut to Klingon #2 looking past lower frame, blinking twice, and then looking past right of frame, completely befuddled and wondering no doubt if there is ever a point in humanity ever doing anything but repeating just this to get the message across of their own incompetence. The scenery behind them seems to change, their reentry commencing))

((cut to Tents up close, pitching downwards still as he gazes to the lower frame, his eyes reeling in terror, from what was seem or what is approaching. His eyes don't lie. Terror is the best word suited. His gaze fearful, as the shot succumbs to a bright pitch of YLO across the screen fading to the color as the song ends and the shot pans out to reveal the interior of a large KONTAYNNRRRR that seems familiar to the left of shot, which Tents emerges from grasping the side of the BAREEL , panting for breath. Gorn and Klingon #2 climb over him out of the barrel and are not even winded. All of whom have long WHIITEEEEBEARRDZ ))

Klingon #2: "What an adventure!"

Gorn : "It was like a SAGA !" ((just as I.S.S. emerges from the DEEP behind Tents, lifted from the water by one of his tentacles, stoic faced and with long white hair, shot zooms in close up))

I.S.S.:((coldly)) " THEYWONTTEVRBELIIVVEMEME "

Tents:((voice))((panting)) " US " ((I.S.S. frowns))

I.S.S. " YEAHHHH " ((cut to black)) " US "

