yo guys what is going on
welcome to string theory your one-way
ticket to the hall is shred I'm your
host Charlie Smithers thanks for
stopping by
whether you're a guitar player well
you're just interested in music I'm here
to help you out so cheat like guitarra
get comfy
let's give the people what they want he
love to see it grown up cause and how to
use them in music the quarters three or
more notes that combine harmoniously
please the stems moths obvious
off-the-cuff coffee so you want to learn
about grown-up chords you can do this
you remember that last week we spoke
about major mode arpeggios we discovered
that there are four of them major seven
dominant 7 - 7 and finally - 7 flat 5 we
also learned that these arpeggios for
both of chord tones and just to refresh
your memory
Accor times either the root 3rd then or
7th of a diatonic scale or mud for
example this D minor 7 chord we have
deep the roots if the minor 3rd a the
perfect fifth and C B flat 7 so since
arpeggios and chords are both of chord
tones they're essentially the same thing
one being sequential and the other
let's take a deeper look into how we
construct these chords you better put
your sunscreen on is getting hot in here
whoa baby until voles let's do it again
just to recap just to recap we have the
major seven which has the root major
third perfect fit and major seven
dominant seven which has the root major
third perfect faith and flat seven minus
seven which has the root minus third
perfect fit and tell me flat 7 and
finally minus 7 5 5 which has two root
minor third flat 5 or diminished fit and
the flat 7 ah how do we find them
C Ionian right off the scale a number of
one to eight connect notes one three
five and seven and you get it C major
seven so let's apply this technique to
the rest of the C major modes
it's our Theodora Han that gives us a
crunchy D - seven
how about Eve Phrygian right the notes
on ooh
II - seven F Libyan for the ladies F
major seven shout out to Red Dog G
mixolydian g7 or G dominant seven a
Aeolian gives us a minus 7 and finally
be Locrian has to give us a B - seven
flat five eight you love to see it just
like arpeggios four-part quotes have
three different inversions so this look
at C major seven first in root position
first inversion second inversion and
finally third inversion as top as never
was not - - red and what better way to
show off the four-part chords how about
this spicy F major set
how about a G dominant 7 come on man hit
him dirty with that a minus 7 and
finally of course you guessed it B minor
7 flat 5
kazran for a lot of work this week and
it's really easy to get intimidated by
these chords with a lot of hard work and
dedication you guys are gonna get to
hang in this in no time so why don't we
jump right in and have a look at what
these look like on the guitar all shapes
can be found in the description box
below F major 7 in root position first
inversion from a second inversion from C
and third inversion from the major 7 e
hibachi dominant 7 in root position 1st
inversion from B 2nd inversion from de
and finally 3rd inversion from the fats
and a minus seven in root position first
inversion from the minor third see
second inversion from E the perfect
fifth and finally from the flat seven
and she had a minor seven flat five root
position first inversion from the minor
third second inversion from the
diminished fifth and finally from the
flat seven let's have a look at what
these look like from the a string the
same thing applies second inversion the
B flat major seven and third inversion
from the major seven a Sudan and seven
and root position first inversion second
inversion and finally from the flat
seven and third inversion the D minor
seven in root position first inversion
from the minor third second inversion
from the perfect fifth a and finally
third inversion from the flat seven B
flat C E minor seven flat five first
inversion starting on G the minor third
second inversion from the diminished
fifth and finally third inversion from D
because I love you guys so much
I've compiled three different chord
studies for you guys to check out let's
take a look at them the level or ad
we're using the standard all the things
you are is our basis of analysis then
level one we concentrate on all the
chords in root position
this is a great way to start getting
into inversions as it teaches you the
guitar neck paradism
this is also just a great song because
it has every chord we need G major 7
congratulations you made its level 2
level 2 we alternate between root
position and either first second or
third inversion it's kind of up to you
and finally not for the plaintiff
thought I gotta say this one is a bit of
a so good luck
so I guess all that's left is for you to
hit the shed you can find all the
material for this week's lessons in the
description box below next week we are
going to be combining the modes
arpeggios and chords now we might just
need some one law let's just say pretty
special please feel free to leave me any
questions in the comment section down
below and I'll do my absolute best to
get back to you as soon as I can
these videos are only possible with your
support and a link to my patreon as well
as my music can also be found in the
description box so I guess that's it
this is me Johnny Smith listen string
theory your one-way ticket to the whole
of shred we'd love to see it
