>>>
>>> ALL
>>> ALL RIGHT,
>>> ALL RIGHT, FOLKS.
>>> ALL RIGHT, FOLKS.
IT'S
>>> ALL RIGHT, FOLKS.
IT'S TIME
>>> ALL RIGHT, FOLKS.
IT'S TIME FOR
>>> ALL RIGHT, FOLKS.
IT'S TIME FOR WEDNESDAYS
IT'S TIME FOR WEDNESDAYS
IT'S TIME FOR WEDNESDAYS
EDITION
IT'S TIME FOR WEDNESDAYS
EDITION OF
IT'S TIME FOR WEDNESDAYS
EDITION OF THE
IT'S TIME FOR WEDNESDAYS
EDITION OF THE A
IT'S TIME FOR WEDNESDAYS
EDITION OF THE A SCENE.
IT'S TIME FOR WEDNESDAYS
EDITION OF THE A SCENE. 4@4@
EDITION OF THE A SCENE. 4@4@
EDITION OF THE A SCENE. 4@4@
RICHARD
EDITION OF THE A SCENE. 4@4@
RICHARD JEWELL.
RICHARD JEWELL.
RICHARD JEWELL.
THE
RICHARD JEWELL.
THE NEW
RICHARD JEWELL.
THE NEW MOVIE
RICHARD JEWELL.
THE NEW MOVIE DIRECTED
RICHARD JEWELL.
THE NEW MOVIE DIRECTED BY
RICHARD JEWELL.
THE NEW MOVIE DIRECTED BY CLINT
THE NEW MOVIE DIRECTED BY CLINT
THE NEW MOVIE DIRECTED BY CLINT
EASTWOOD
THE NEW MOVIE DIRECTED BY CLINT
EASTWOOD ABOUT
THE NEW MOVIE DIRECTED BY CLINT
EASTWOOD ABOUT THE
THE NEW MOVIE DIRECTED BY CLINT
EASTWOOD ABOUT THE 1986
THE NEW MOVIE DIRECTED BY CLINT
EASTWOOD ABOUT THE 1986 ATLANTA
THE NEW MOVIE DIRECTED BY CLINT
EASTWOOD ABOUT THE 1986 ATLANTA@
EASTWOOD ABOUT THE 1986 ATLANTA@
EASTWOOD ABOUT THE 1986 ATLANTA@
BOMBINGS.
BOMBINGS.
BOMBINGS.
I
BOMBINGS.
I SPOKE
BOMBINGS.
I SPOKE TO
BOMBINGS.
I SPOKE TO EASTWOOD
BOMBINGS.
I SPOKE TO EASTWOOD AND
BOMBINGS.
I SPOKE TO EASTWOOD AND THE
I SPOKE TO EASTWOOD AND THE
I SPOKE TO EASTWOOD AND THE
STARS
I SPOKE TO EASTWOOD AND THE
STARS ABOUT
I SPOKE TO EASTWOOD AND THE
STARS ABOUT THIS
I SPOKE TO EASTWOOD AND THE
STARS ABOUT THIS GEORGIA
I SPOKE TO EASTWOOD AND THE
STARS ABOUT THIS GEORGIA FILM
STARS ABOUT THIS GEORGIA FILM
STARS ABOUT THIS GEORGIA FILM
PROJECT
STARS ABOUT THIS GEORGIA FILM
PROJECT AND
STARS ABOUT THIS GEORGIA FILM
PROJECT AND QUESTIONED
STARS ABOUT THIS GEORGIA FILM
PROJECT AND QUESTIONED HIM
PROJECT AND QUESTIONED HIM
PROJECT AND QUESTIONED HIM
ABOUT
PROJECT AND QUESTIONED HIM
ABOUT THE
PROJECT AND QUESTIONED HIM
ABOUT THE CONTROVERSIAL
ABOUT THE CONTROVERSIAL
ABOUT THE CONTROVERSIAL
PORTRAYAL
ABOUT THE CONTROVERSIAL
PORTRAYAL OF
ABOUT THE CONTROVERSIAL
PORTRAYAL OF KATHY
ABOUT THE CONTROVERSIAL
PORTRAYAL OF KATHY SCRUGGS.
PORTRAYAL OF KATHY SCRUGGS.
PORTRAYAL OF KATHY SCRUGGS.
IT
PORTRAYAL OF KATHY SCRUGGS.
IT INFERS
PORTRAYAL OF KATHY SCRUGGS.
IT INFERS SHE
PORTRAYAL OF KATHY SCRUGGS.
IT INFERS SHE SLEPT
PORTRAYAL OF KATHY SCRUGGS.
IT INFERS SHE SLEPT WITH
PORTRAYAL OF KATHY SCRUGGS.
IT INFERS SHE SLEPT WITH THE
IT INFERS SHE SLEPT WITH THE
IT INFERS SHE SLEPT WITH THE
AGENT
IT INFERS SHE SLEPT WITH THE
AGENT TO
IT INFERS SHE SLEPT WITH THE
AGENT TO LEARN
IT INFERS SHE SLEPT WITH THE
AGENT TO LEARN OF
IT INFERS SHE SLEPT WITH THE
AGENT TO LEARN OF THE
IT INFERS SHE SLEPT WITH THE
AGENT TO LEARN OF THE LEAD
AGENT TO LEARN OF THE LEAD
AGENT TO LEARN OF THE LEAD
SUSPECT.
SUSPECT.
SUSPECT.
>>
SUSPECT.
>> WHY
SUSPECT.
>> WHY DID
SUSPECT.
>> WHY DID YOU
SUSPECT.
>> WHY DID YOU CHOOSE
SUSPECT.
>> WHY DID YOU CHOOSE THIS
SUSPECT.
>> WHY DID YOU CHOOSE THIS FILM
>> WHY DID YOU CHOOSE THIS FILM
>> WHY DID YOU CHOOSE THIS FILM
TO
>> WHY DID YOU CHOOSE THIS FILM
TO DIRECT.
>> WHY DID YOU CHOOSE THIS FILM
TO DIRECT. 4@
TO DIRECT. 4@
TO DIRECT. 4@
I
TO DIRECT. 4@
I LIKED
TO DIRECT. 4@
I LIKED THE
TO DIRECT. 4@
I LIKED THE STORY.
TO DIRECT. 4@
I LIKED THE STORY. I
TO DIRECT. 4@
I LIKED THE STORY. I THOUGHT
TO DIRECT. 4@
I LIKED THE STORY. I THOUGHT IT
I LIKED THE STORY. I THOUGHT IT
I LIKED THE STORY. I THOUGHT IT
WAS
I LIKED THE STORY. I THOUGHT IT
WAS AN
I LIKED THE STORY. I THOUGHT IT
WAS AN AMERICAN
I LIKED THE STORY. I THOUGHT IT
WAS AN AMERICAN TRAGEDY
I LIKED THE STORY. I THOUGHT IT
WAS AN AMERICAN TRAGEDY THAT
WAS AN AMERICAN TRAGEDY THAT
WAS AN AMERICAN TRAGEDY THAT
SHOU4@LD
WAS AN AMERICAN TRAGEDY THAT
SHOU4@LD BE
WAS AN AMERICAN TRAGEDY THAT
SHOU4@LD BE RECTIFIED.
SHOU4@LD BE RECTIFIED.
SHOU4@LD BE RECTIFIED.
>>
SHOU4@LD BE RECTIFIED.
>> YOU
SHOU4@LD BE RECTIFIED.
>> YOU PLAYED
SHOU4@LD BE RECTIFIED.
>> YOU PLAYED RICHARD
SHOU4@LD BE RECTIFIED.
>> YOU PLAYED RICHARD JEWELL.
>> YOU PLAYED RICHARD JEWELL.
>> YOU PLAYED RICHARD JEWELL.
>>
>> YOU PLAYED RICHARD JEWELL.
>> I
>> YOU PLAYED RICHARD JEWELL.
>> I AM
>> YOU PLAYED RICHARD JEWELL.
>> I AM THE
>> YOU PLAYED RICHARD JEWELL.
>> I AM THE VOICE
>> YOU PLAYED RICHARD JEWELL.
>> I AM THE VOICE AND
>> YOU PLAYED RICHARD JEWELL.
>> I AM THE VOICE AND 4@LOOKED
>> I AM THE VOICE AND 4@LOOKED
>> I AM THE VOICE AND 4@LOOKED
DOWN
>> I AM THE VOICE AND 4@LOOKED
DOWN AND
>> I AM THE VOICE AND 4@LOOKED
DOWN AND HOPEFULLY
>> I AM THE VOICE AND 4@LOOKED
DOWN AND HOPEFULLY I
>> I AM THE VOICE AND 4@LOOKED
DOWN AND HOPEFULLY I GET
>> I AM THE VOICE AND 4@LOOKED
DOWN AND HOPEFULLY I GET THE
DOWN AND HOPEFULLY I GET THE
DOWN AND HOPEFULLY I GET THE
SPIRIT
DOWN AND HOPEFULLY I GET THE
SPIRIT OF
DOWN AND HOPEFULLY I GET THE
SPIRIT OF RICHARD
DOWN AND HOPEFULLY I GET THE
SPIRIT OF RICHARD JEWELL
DOWN AND HOPEFULLY I GET THE
SPIRIT OF RICHARD JEWELL DOWN.
SPIRIT OF RICHARD JEWELL DOWN.
SPIRIT OF RICHARD JEWELL DOWN.
>>
SPIRIT OF RICHARD JEWELL DOWN.
>> WHAT
SPIRIT OF RICHARD JEWELL DOWN.
>> WHAT WAS
SPIRIT OF RICHARD JEWELL DOWN.
>> WHAT WAS THE
SPIRIT OF RICHARD JEWELL DOWN.
>> WHAT WAS THE MOST
SPIRIT OF RICHARD JEWELL DOWN.
>> WHAT WAS THE MOST MEMORABLE
>> WHAT WAS THE MOST MEMORABLE
>> WHAT WAS THE MOST MEMORABLE
FOR
>> WHAT WAS THE MOST MEMORABLE
FOR YOU
>> WHAT WAS THE MOST MEMORABLE
FOR YOU FILMING
>> WHAT WAS THE MOST MEMORABLE
FOR YOU FILMING THIS.
FOR YOU FILMING THIS.
FOR YOU FILMING THIS.
>>
FOR YOU FILMING THIS.
>> WE
FOR YOU FILMING THIS.
>> WE TRIED
FOR YOU FILMING THIS.
>> WE TRIED TO
FOR YOU FILMING THIS.
>> WE TRIED TO DO
FOR YOU FILMING THIS.
>> WE TRIED TO DO EVERYTHING
FOR YOU FILMING THIS.
>> WE TRIED TO DO EVERYTHING AS
>> WE TRIED TO DO EVERYTHING AS
>> WE TRIED TO DO EVERYTHING AS
AUTHENTIC
>> WE TRIED TO DO EVERYTHING AS
AUTHENTIC AS
>> WE TRIED TO DO EVERYTHING AS
AUTHENTIC AS POSSIBLE
>> WE TRIED TO DO EVERYTHING AS
AUTHENTIC AS POSSIBLE AND
>> WE TRIED TO DO EVERYTHING AS
AUTHENTIC AS POSSIBLE AND WE
AUTHENTIC AS POSSIBLE AND WE
AUTHENTIC AS POSSIBLE AND WE
WENT
AUTHENTIC AS POSSIBLE AND WE
WENT TO
AUTHENTIC AS POSSIBLE AND WE
WENT TO THE
AUTHENTIC AS POSSIBLE AND WE
WENT TO THE PARTLY
AUTHENTIC AS POSSIBLE AND WE
WENT TO THE PARTLY WHERE
AUTHENTIC AS POSSIBLE AND WE
WENT TO THE PARTLY WHERE BOBBY
WENT TO THE PARTLY WHERE BOBBY
WENT TO THE PARTLY WHERE BOBBY
JEWELL
WENT TO THE PARTLY WHERE BOBBY
JEWELL IN
WENT TO THE PARTLY WHERE BOBBY
JEWELL IN THE
WENT TO THE PARTLY WHERE BOBBY
JEWELL IN THE PARK
WENT TO THE PARTLY WHERE BOBBY
JEWELL IN THE PARK PEOPLE
WENT TO THE PARTLY WHERE BOBBY
JEWELL IN THE PARK PEOPLE WERE
JEWELL IN THE PARK PEOPLE WERE
JEWELL IN THE PARK PEOPLE WERE
SO
JEWELL IN THE PARK PEOPLE WERE
SO GREAT
JEWELL IN THE PARK PEOPLE WERE
SO GREAT ABOUT
JEWELL IN THE PARK PEOPLE WERE
SO GREAT ABOUT GIVING
JEWELL IN THE PARK PEOPLE WERE
SO GREAT ABOUT GIVING US
SO GREAT ABOUT GIVING US
SO GREAT ABOUT GIVING US
PERMISSION
SO GREAT ABOUT GIVING US
PERMISSION T4@O
SO GREAT ABOUT GIVING US
PERMISSION T4@O USE
SO GREAT ABOUT GIVING US
PERMISSION T4@O USE THE
SO GREAT ABOUT GIVING US
PERMISSION T4@O USE THE PARK
SO GREAT ABOUT GIVING US
PERMISSION T4@O USE THE PARK AN
PERMISSION T4@O USE THE PARK AN
PERMISSION T4@O USE THE PARK AN
REBUILD
PERMISSION T4@O USE THE PARK AN
REBUILD IT
PERMISSION T4@O USE THE PARK AN
REBUILD IT THE
PERMISSION T4@O USE THE PARK AN
REBUILD IT THE WAY
PERMISSION T4@O USE THE PARK AN
REBUILD IT THE WAY IT
PERMISSION T4@O USE THE PARK AN
REBUILD IT THE WAY IT WAS
PERMISSION T4@O USE THE PARK AN
REBUILD IT THE WAY IT WAS THEN.
PERMISSION T4@O USE THE PARK AN
REBUILD IT THE WAY IT WAS THEN.@
REBUILD IT THE WAY IT WAS THEN.@
REBUILD IT THE WAY IT WAS THEN.@
THE
REBUILD IT THE WAY IT WAS THEN.@
THE LINES
REBUILD IT THE WAY IT WAS THEN.@
THE LINES OF
REBUILD IT THE WAY IT WAS THEN.@
THE LINES OF THIS
REBUILD IT THE WAY IT WAS THEN.@
THE LINES OF THIS THING
REBUILD IT THE WAY IT WAS THEN.@
THE LINES OF THIS THING MAY
REBUILD IT THE WAY IT WAS THEN.@
THE LINES OF THIS THING MAY BE
THE LINES OF THIS THING MAY BE
THE LINES OF THIS THING MAY BE
DONE
THE LINES OF THIS THING MAY BE
DONE BUT
THE LINES OF THIS THING MAY BE
DONE BUT HE
THE LINES OF THIS THING MAY BE
DONE BUT HE LEAVES
THE LINES OF THIS THING MAY BE
DONE BUT HE LEAVES AND
THE LINES OF THIS THING MAY BE
DONE BUT HE LEAVES AND OPEN
THE LINES OF THIS THING MAY BE
DONE BUT HE LEAVES AND OPEN SO
DONE BUT HE LEAVES AND OPEN SO
DONE BUT HE LEAVES AND OPEN SO
YOU
DONE BUT HE LEAVES AND OPEN SO
YOU KEEP
DONE BUT HE LEAVES AND OPEN SO
YOU KEEP GOING
DONE BUT HE LEAVES AND OPEN SO
YOU KEEP GOING AND
DONE BUT HE LEAVES AND OPEN SO
YOU KEEP GOING AND PEOPLE
DONE BUT HE LEAVES AND OPEN SO
YOU KEEP GOING AND PEOPLE ARE
YOU KEEP GOING AND PEOPLE ARE
YOU KEEP GOING AND PEOPLE ARE
IMPROVISING
YOU KEEP GOING AND PEOPLE ARE
IMPROVISING AND
YOU KEEP GOING AND PEOPLE ARE
IMPROVISING AND IT
YOU KEEP GOING AND PEOPLE ARE
IMPROVISING AND IT IS
YOU KEEP GOING AND PEOPLE ARE
IMPROVISING AND IT IS AN
IMPROVISING AND IT IS AN
IMPROVISING AND IT IS AN
OPPORTUNITY
IMPROVISING AND IT IS AN
OPPORTUNITY FOR
IMPROVISING AND IT IS AN
OPPORTUNITY FOR US
IMPROVISING AND IT IS AN
OPPORTUNITY FOR US TO
IMPROVISING AND IT IS AN
OPPORTUNITY FOR US TO RELATE
IMPROVISING AND IT IS AN
OPPORTUNITY FOR US TO RELATE TO
OPPORTUNITY FOR US TO RELATE TO
OPPORTUNITY FOR US TO RELATE TO
HIS
OPPORTUNITY FOR US TO RELATE TO
HIS CHARACTERS.
HIS CHARACTERS.
HIS CHARACTERS.
>>
HIS CHARACTERS.
>> HE
HIS CHARACTERS.
>> HE HAS
HIS CHARACTERS.
>> HE HAS MOVIES4@
HIS CHARACTERS.
>> HE HAS MOVIES4@ AND
HIS CHARACTERS.
>> HE HAS MOVIES4@ AND WE
HIS CHARACTERS.
>> HE HAS MOVIES4@ AND WE TRY
HIS CHARACTERS.
>> HE HAS MOVIES4@ AND WE TRY T
>> HE HAS MOVIES4@ AND WE TRY T
>> HE HAS MOVIES4@ AND WE TRY T
SET
>> HE HAS MOVIES4@ AND WE TRY T
SET OUT
>> HE HAS MOVIES4@ AND WE TRY T
SET OUT TO
>> HE HAS MOVIES4@ AND WE TRY T
SET OUT TO TELL
>> HE HAS MOVIES4@ AND WE TRY T
SET OUT TO TELL A
>> HE HAS MOVIES4@ AND WE TRY T
SET OUT TO TELL A STORY
>> HE HAS MOVIES4@ AND WE TRY T
SET OUT TO TELL A STORY AND
SET OUT TO TELL A STORY AND
SET OUT TO TELL A STORY AND
HONOR
SET OUT TO TELL A STORY AND
HONOR THIS
SET OUT TO TELL A STORY AND
HONOR THIS GUY
SET OUT TO TELL A STORY AND
HONOR THIS GUY THAT
SET OUT TO TELL A STORY AND
HONOR THIS GUY THAT IS
SET OUT TO TELL A STORY AND
HONOR THIS GUY THAT IS TRULY
SET OUT TO TELL A STORY AND
HONOR THIS GUY THAT IS TRULY AN
HONOR THIS GUY THAT IS TRULY AN
HONOR THIS GUY THAT IS TRULY AN
AMERICAN
HONOR THIS GUY THAT IS TRULY AN
AMERICAN HERO.
AMERICAN HERO.
AMERICAN HERO.
>>
AMERICAN HERO.
>> OLIVIA
AMERICAN HERO.
>> OLIVIA WILDE'S
AMERICAN HERO.
>> OLIVIA WILDE'S CHARACTER,
>> OLIVIA WILDE'S CHARACTER,
>> OLIVIA WILDE'S CHARACTER,
WHAT
>> OLIVIA WILDE'S CHARACTER,
WHAT YOU
>> OLIVIA WILDE'S CHARACTER,
WHAT YOU HAVE
>> OLIVIA WILDE'S CHARACTER,
WHAT YOU HAVE TO
>> OLIVIA WILDE'S CHARACTER,
WHAT YOU HAVE TO SAY4@4@
>> OLIVIA WILDE'S CHARACTER,
WHAT YOU HAVE TO SAY4@4@ TO
>> OLIVIA WILDE'S CHARACTER,
WHAT YOU HAVE TO SAY4@4@ TO THO
WHAT YOU HAVE TO SAY4@4@ TO THO
WHAT YOU HAVE TO SAY4@4@ TO THO
CHARACTERS
WHAT YOU HAVE TO SAY4@4@ TO THO
CHARACTERS WHO
WHAT YOU HAVE TO SAY4@4@ TO THO
CHARACTERS WHO SAY
WHAT YOU HAVE TO SAY4@4@ TO THO
CHARACTERS WHO SAY THERE'S
WHAT YOU HAVE TO SAY4@4@ TO THO
CHARACTERS WHO SAY THERE'S NOT4
CHARACTERS WHO SAY THERE'S NOT4
CHARACTERS WHO SAY THERE'S NOT4
THAT
CHARACTERS WHO SAY THERE'S NOT4
THAT MUCH
CHARACTERS WHO SAY THERE'S NOT4
THAT MUCH RICHARD
CHARACTERS WHO SAY THERE'S NOT4
THAT MUCH RICHARD DONE.
THAT MUCH RICHARD DONE.
THAT MUCH RICHARD DONE.
YOU
THAT MUCH RICHARD DONE.
YOU CAN'T
THAT MUCH RICHARD DONE.
YOU CAN'T LIVE
THAT MUCH RICHARD DONE.
YOU CAN'T LIVE WITH
THAT MUCH RICHARD DONE.
YOU CAN'T LIVE WITH PEOPLE
THAT MUCH RICHARD DONE.
YOU CAN'T LIVE WITH PEOPLE THAT
YOU CAN'T LIVE WITH PEOPLE THAT
YOU CAN'T LIVE WITH PEOPLE THAT
NO
YOU CAN'T LIVE WITH PEOPLE THAT
NO LONGER
YOU CAN'T LIVE WITH PEOPLE THAT
NO LONGER EXIST.
NO LONGER EXIST.
NO LONGER EXIST.
YOU
NO LONGER EXIST.
YOU KNOW,
NO LONGER EXIST.
YOU KNOW, WE
NO LONGER EXIST.
YOU KNOW, WE KNOW
NO LONGER EXIST.
YOU KNOW, WE KNOW AS
NO LONGER EXIST.
YOU KNOW, WE KNOW AS MUCH
NO LONGER EXIST.
YOU KNOW, WE KNOW AS MUCH AS
YOU KNOW, WE KNOW AS MUCH AS
YOU KNOW, WE KNOW AS MUCH AS
ANYBODY
YOU KNOW, WE KNOW AS MUCH AS
ANYBODY KNOWS4@4@
YOU KNOW, WE KNOW AS MUCH AS
ANYBODY KNOWS4@4@ KATHY
YOU KNOW, WE KNOW AS MUCH AS
ANYBODY KNOWS4@4@ KATHY SCRUGGS
ANYBODY KNOWS4@4@ KATHY SCRUGGS
ANYBODY KNOWS4@4@ KATHY SCRUGGS
A
ANYBODY KNOWS4@4@ KATHY SCRUGGS
A VERY
ANYBODY KNOWS4@4@ KATHY SCRUGGS
A VERY INTERESTING
ANYBODY KNOWS4@4@ KATHY SCRUGGS
A VERY INTERESTING PERSONALITY
A VERY INTERESTING PERSONALITY
A VERY INTERESTING PERSONALITY
AND
A VERY INTERESTING PERSONALITY
AND SHE
A VERY INTERESTING PERSONALITY
AND SHE SEEMED
A VERY INTERESTING PERSONALITY
AND SHE SEEMED TO4@
A VERY INTERESTING PERSONALITY
AND SHE SEEMED TO4@ --
A VERY INTERESTING PERSONALITY
AND SHE SEEMED TO4@ -- SHE
A VERY INTERESTING PERSONALITY
AND SHE SEEMED TO4@ -- SHE DID
AND SHE SEEMED TO4@ -- SHE DID
AND SHE SEEMED TO4@ -- SHE DID
DEFINE
AND SHE SEEMED TO4@ -- SHE DID
DEFINE THE
AND SHE SEEMED TO4@ -- SHE DID
DEFINE THE ANSWER,
AND SHE SEEMED TO4@ -- SHE DID
DEFINE THE ANSWER, NO
AND SHE SEEMED TO4@ -- SHE DID
DEFINE THE ANSWER, NO ONE
AND SHE SEEMED TO4@ -- SHE DID
DEFINE THE ANSWER, NO ONE WILL
DEFINE THE ANSWER, NO ONE WILL
DEFINE THE ANSWER, NO ONE WILL
REALLY
DEFINE THE ANSWER, NO ONE WILL
REALLY KNOW.
REALLY KNOW.
REALLY KNOW.
>>
REALLY KNOW.
>> THE
REALLY KNOW.
>> THE PROJECT
REALLY KNOW.
>> THE PROJECT HAS
REALLY KNOW.
>> THE PROJECT HAS BEEN
REALLY KNOW.
>> THE PROJECT HAS BEEN AROUND
>> THE PROJECT HAS BEEN AROUND
>> THE PROJECT HAS BEEN AROUND
FOR
>> THE PROJECT HAS BEEN AROUND
FOR 5
>> THE PROJECT HAS BEEN AROUND
FOR 5 YEARS
>> THE PROJECT HAS BEEN AROUND
FOR 5 YEARS AND
>> THE PROJECT HAS BEEN AROUND
FOR 5 YEARS AND WAS
>> THE PROJECT HAS BEEN AROUND
FOR 5 YEARS AND WAS A
>> THE PROJECT HAS BEEN AROUND
FOR 5 YEARS AND WAS A FAMOUS
FOR 5 YEARS AND WAS A FAMOUS
FOR 5 YEARS AND WAS A FAMOUS
SCREENPLAY4@.
FOR 5 YEARS AND WAS A FAMOUS
SCREENPLAY4@. THEY
FOR 5 YEARS AND WAS A FAMOUS
SCREENPLAY4@. THEY COULD
FOR 5 YEARS AND WAS A FAMOUS
SCREENPLAY4@. THEY COULD HAVE
SCREENPLAY4@. THEY COULD HAVE
SCREENPLAY4@. THEY COULD HAVE
DONE
SCREENPLAY4@. THEY COULD HAVE
DONE THEIR
SCREENPLAY4@. THEY COULD HAVE
DONE THEIR DIGGING.
DONE THEIR DIGGING.
DONE THEIR DIGGING.
IT
DONE THEIR DIGGING.
IT FEELS
DONE THEIR DIGGING.
IT FEELS LIKE
DONE THEIR DIGGING.
IT FEELS LIKE A
DONE THEIR DIGGING.
IT FEELS LIKE A LAST
DONE THEIR DIGGING.
IT FEELS LIKE A LAST MINUTE
IT FEELS LIKE A LAST MINUTE
IT FEELS LIKE A LAST MINUTE
THING
IT FEELS LIKE A LAST MINUTE
THING BY
IT FEELS LIKE A LAST MINUTE
THING BY THE
IT FEELS LIKE A LAST MINUTE
THING BY THE AHC.
IT FEELS LIKE A LAST MINUTE
THING BY THE AHC. I
IT FEELS LIKE A LAST MINUTE
THING BY THE AHC. I WON'T
IT FEELS LIKE A LAST MINUTE
THING BY THE AHC. I WON'T LET
THING BY THE AHC. I WON'T LET
THING BY THE AHC. I WON'T LET
IT
THING BY THE AHC. I WON'T LET
IT BE
THING BY THE AHC. I WON'T LET
IT BE A
THING BY THE AHC. I WON'T LET
IT BE A SHROUD
THING BY THE AHC. I WON'T LET
IT BE A SHROUD OR
THING BY THE AHC. I WON'T LET
IT BE A SHROUD OR OUR
IT BE A SHROUD OR OUR
IT BE A SHROUD OR OUR
CELEBRATION
IT BE A SHROUD OR OUR
CELEBRATION OF
IT BE A SHROUD OR OUR
CELEBRATION OF THIS
IT BE A SHROUD OR OUR
CELEBRATION OF THIS MOMENT
IT BE A SHROUD OR OUR
CELEBRATION OF THIS MOMENT FOR
CELEBRATION OF THIS MOMENT FOR
CELEBRATION OF THIS MOMENT FOR
THE
CELEBRATION OF THIS MOMENT FOR
THE JEWELL
CELEBRATION OF THIS MOMENT FOR
THE JEWELL FAMILY.
THE JEWELL FAMILY.
THE JEWELL FAMILY.
>>
THE JEWELL FAMILY.
>> IT4@'S
THE JEWELL FAMILY.
>> IT4@'S MY
THE JEWELL FAMILY.
>> IT4@'S MY UNDERSTANDING
THE JEWELL FAMILY.
>> IT4@'S MY UNDERSTANDING THAT
>> IT4@'S MY UNDERSTANDING THAT
>> IT4@'S MY UNDERSTANDING THAT
PEOPLE
>> IT4@'S MY UNDERSTANDING THAT
PEOPLE MAKING
>> IT4@'S MY UNDERSTANDING THAT
PEOPLE MAKING THESE
>> IT4@'S MY UNDERSTANDING THAT
PEOPLE MAKING THESE ACCUSATIONS
PEOPLE MAKING THESE ACCUSATIONS
PEOPLE MAKING THESE ACCUSATIONS
HAVEN'T
PEOPLE MAKING THESE ACCUSATIONS
HAVEN'T EVEN
PEOPLE MAKING THESE ACCUSATIONS
HAVEN'T EVEN SEEN
PEOPLE MAKING THESE ACCUSATIONS
HAVEN'T EVEN SEEN THE
PEOPLE MAKING THESE ACCUSATIONS
HAVEN'T EVEN SEEN THE FILM
PEOPLE MAKING THESE ACCUSATIONS
HAVEN'T EVEN SEEN THE FILM YET.
HAVEN'T EVEN SEEN THE FILM YET.
HAVEN'T EVEN SEEN THE FILM YET.
I
HAVEN'T EVEN SEEN THE FILM YET.
I KIND
HAVEN'T EVEN SEEN THE FILM YET.
I KIND OF
HAVEN'T EVEN SEEN THE FILM YET.
I KIND OF FEEL
HAVEN'T EVEN SEEN THE FILM YET.
I KIND OF FEEL LIKE
HAVEN'T EVEN SEEN THE FILM YET.
I KIND OF FEEL LIKE TH4@E
HAVEN'T EVEN SEEN THE FILM YET.
I KIND OF FEEL LIKE TH4@E IRONY
I KIND OF FEEL LIKE TH4@E IRONY
I KIND OF FEEL LIKE TH4@E IRONY
OF
I KIND OF FEEL LIKE TH4@E IRONY
OF THAT
I KIND OF FEEL LIKE TH4@E IRONY
OF THAT IS
I KIND OF FEEL LIKE TH4@E IRONY
OF THAT IS RIDICULOUS.
OF THAT IS RIDICULOUS.
OF THAT IS RIDICULOUS.
KATHY
OF THAT IS RIDICULOUS.
KATHY IS
OF THAT IS RIDICULOUS.
KATHY IS PORTRAYED
OF THAT IS RIDICULOUS.
KATHY IS PORTRAYED BY
OF THAT IS RIDICULOUS.
KATHY IS PORTRAYED BY OLIVIA
OF THAT IS RIDICULOUS.
KATHY IS PORTRAYED BY OLIVIA IN
KATHY IS PORTRAYED BY OLIVIA IN
KATHY IS PORTRAYED BY OLIVIA IN
THIS
KATHY IS PORTRAYED BY OLIVIA IN
THIS FILM
KATHY IS PORTRAYED BY OLIVIA IN
THIS FILM JUST
KATHY IS PORTRAYED BY OLIVIA IN
THIS FILM JUST AS
KATHY IS PORTRAYED BY OLIVIA IN
THIS FILM JUST AS SHE
KATHY IS PORTRAYED BY OLIVIA IN
THIS FILM JUST AS SHE WAS
KATHY IS PORTRAYED BY OLIVIA IN
THIS FILM JUST AS SHE WAS WHICH
THIS FILM JUST AS SHE WAS WHICH
THIS FILM JUST AS SHE WAS WHICH
IS
THIS FILM JUST AS SHE WAS WHICH
IS AN
THIS FILM JUST AS SHE WAS WHICH
IS AN INCREDIBLY
THIS FILM JUST AS SHE WAS WHICH
IS AN INCREDIBLY NUANCED
IS AN INCREDIBLY NUANCED
IS AN INCREDIBLY NUANCED
INDIVIDUAL
IS AN INCREDIBLY NUANCED
INDIVIDUAL TO
IS AN INCREDIBLY NUANCED
INDIVIDUAL TO REDUCE
IS AN INCREDIBLY NUANCED
INDIVIDUAL TO REDUCE HER
IS AN INCREDIBLY NUANCED
INDIVIDUAL TO REDUCE HER TO
INDIVIDUAL TO REDUCE HER TO
INDIVIDUAL TO REDUCE HER TO
THIS
INDIVIDUAL TO REDUCE HER TO
THIS ONE
INDIVIDUAL TO REDUCE HER TO
THIS ONE THING
INDIVIDUAL TO REDUCE HER TO
THIS ONE THING AND
INDIVIDUAL TO REDUCE HER TO
THIS ONE THING AND I
INDIVIDUAL TO REDUCE HER TO
THIS ONE THING AND I THINK
INDIVIDUAL TO REDUCE HER TO
THIS ONE THING AND I THINK IT'S
THIS ONE THING AND I THINK IT'S
THIS ONE THING AND I THINK IT'S
NOT
THIS ONE THING AND I THINK IT'S
NOT FAIR.
NOT FAIR.
NOT FAIR.
>>
NOT FAIR.
>> AGC
NOT FAIR.
>> AGC IS
NOT FAIR.
>> AGC IS CALLING
NOT FAIR.
>> AGC IS CALLING THE
NOT FAIR.
>> AGC IS CALLING THE PORTRAYAL
>> AGC IS CALLING THE PORTRAYAL
>> AGC IS CALLING THE PORTRAYAL
OF
>> AGC IS CALLING THE PORTRAYAL
OF KATHY
>> AGC IS CALLING THE PORTRAYAL
OF KATHY SCRUGGS4@4@
>> AGC IS CALLING THE PORTRAYAL
OF KATHY SCRUGGS4@4@ 4@BASELESS
