Quentin, you have put Margot Robbie,
a very talented actress
– actor – in your film.
She was in the Leonardo ...
With Leonardo in Wolf of Wall Street,
I Tonya, this is a person with
a great deal of acting talent
and yet you haven't really given her
many lines in the movie
and I guess that was a deliberate
choice on your part.
And I just wanted to know
why that was that we don't
hear her actually hear her
speaking very much?
And Margot I wanted you
to also comment
about being in the film
and this part.
– Well, I just reject your hypothesis.
– Like I said earlier, I always look
to the character and what
the character is supposed
to serve to the story.
I think the moments that I got
on screen gave an opportunity
to honour Sharon
and the lightness.
I don't think it was intended
to delve deeper than ...
Like Brad also mentioned,
I think the tragedy ultimately
was the loss of innocence
and to really show those
wonderful sides of her, I think, could
be adequately done without speaking.
I did feel like I got a lot of time
to explore the character
even without dialogue specifically,
which is an interesting thing
because I often do look to
the interaction
with other characters to inform
me on the character.
Rarely do I get an opportunity
to spend so much time
on my own as a character
going through a day-to-day existence.
That was actually an interesting
thing for me to do as an actor.
I actually really appreciated
the exercise and felt
that I could deliver what
I wanted to on screen.
