-I'm so psyched to see you.
-Yeah, you too.
-You know,
I'm a fan from "Fleabag."
-Thanks for having me back.
-Oh, are you kidding me?
Come on. Well, I saw you the
other night at the Met Gala.
-Yes.
-The beautiful --
-The Met Gala.
-The luxur-- I mean, was it fun?
Did you love it?
-It was amazing, yeah.
-It was fantastic.
-Yeah, very much my first time.
-What was your highlight
of the evening?
-Well, I mean, I had a few.
-Yes.
-But I think
the best moment, actually,
was when I was leaving,
and I was with Christopher Kane,
who was the designer
of my amazing dress.
It had two people having sex
on it, so good job there.
-Hey, now, that --
-Thank you.
Heavenly bodies was the theme.
-That's all right.
-And I was walking home, and
because the traffic was too --
Yeah, you know.
-Oh, yeah, yeah.
-The traffic --
The traffic was too bad,
and the hotel was only
a couple of blocks away,
so I thought, you know,
I'll just walk.
And I'd taken off the shoes, and
we were walking down the street,
and we were really relaxed,
and the kind of
madness of the night
had just kind of dissipated,
and it was this quiet street
away from the Met.
We were so quiet.
And just walking down the
street, two or three steps.
Suddenly, there was an "Aah!"
And this crazy man
jumped out of a bush...
and it was him!
[ Laughter, cheers, applause ]
It was him!
-Well, I was walking --
I walked the other way, too.
-It was so weird.
-No, I walked out, too,
because I -- traffic was crazy,
so I go, "I'll just walk."
It's New York City, so I walked.
Then, I walked the wrong way.
So I go, "Ugh.
I got to go back."
Get in that bush, and...
-No. It wasn't really a bush.
-I wasn't hiding in a bush,
surprising you,
but I did see you, and I was
like, "I could scare you."
[ Laughter ]
"So, I might as well do it."
-It was so quiet.
It was, like --
I just thought it might've been
my anxiety about coming on here
that I've been making it all up.
-Oh, please.
Oh, my gosh.
-But it was really you.
So thank you for that
frightening moment.
-That's a good highlight.
Yeah, exactly.
I was wondering if you went
to karaoke or not.
'Cause you said that normally
your nights end in karaoke now.
-Oh, they do, yeah.
Almost 99% of the time.
-Really?
-Yeah.
-What got you started with that?
-Well, my best friend, Vicki,
she kind of brought me
into the world of karaoke.
And then --
We just kind of
got hooked on it together.
And most of our nights, even
if it's quite a chill dinner,
ends up with just the two of us
in a small karaoke booth
just serenading each other
until like 4:00 in the morning.
-Wait. So you get,
like, a private room?
You don't do the public one?
-No, no, private room.
So we can really
eyeball each other.
[ Laughter ]
Be as weird as we possibly can.
-Can you tell --
You can tell a lot
by what karaoke songs people do?
-Oh, yes.
It's very revealing.
You can basically tell
if someone's a good person
or a bad person by...
-What are you talking about?
-...how they behave in karaoke.
-Why? How?
-You know what I mean.
Like, when someone's --
Well, if someone's singing,
and there's always
the guy or the girl,
who is just focusing on what
they're gonna sing next.
So they're just up
by the machine, like,
"Mm, shut up, shut up."
-Yeah, yeah.
-They don't pay any attention,
they don't applaud,
they don't hug you after a song.
-Oh, yeah.
I know those people.
They're just like --
They're zoning out, like,
"I got to score.
I got to score."
-And then, you get the ones
who say they can't sing,
and then they can sing.
-Oh, I know those people.
-They're the worst people.
-I hate those people, yeah.
[ Laughter ]
-Oh, please.
They're like, "Oh, I don't know
if I can really do it."
And they're like...
♪♪ Hello from the --♪♪
Yeah, yeah.
-They always do Adele!
-They do Adele!
-They always do Adele.
-And they crush Adele.
And they're fantastic.
-Yeah, they crush it.
-No, I hate that.
-But anyone who picks Adele,
you know there's trouble.
-No, that's when I leave.
That's my cue to leave.
-Get out, get out, get out.
But then there's those
glorious moments
when the shy person is like,
"I don't like karaoke,"
and you drag them in
by their collar anyway,
and you're making them have fun.
And then they get up,
and they do it,
and they realize they love it,
and then everyone's
applauding them,
and they're hugging them,
and they love it!
-Come on!
-That's the best feeling!
That's the best person!
-That's the magic person!
-I love that person!
-Yeah, I love that person.
Yeah, that's never me.
-Speaking of
"I love that person."
I love you,
and I love that you're in --
Dude, you're in
a "Star Wars" movie.
-I know.
-How cool is this?
-I still can't believe it, yeah.
[ Cheers and applause ]
-Believe it.
Forever, in history.
-I know, forever.
-"Solo" --
this is the Han Solo story.
You play a droid named -- -
L3-37.
-L3.
Also known as L3-37.
-Oh. Yeah.
-That's you.
-Yeah.
My body has never looked better.
Honestly, I'm absolutely --
[ Laughter ]
-But this is --
I go, "Oh, that's cool."
I go, "You just --
You did the voice."
And you go,
"No, I did more than that.
I actually acted in it."
And I go, "Really?
What are you talking about?
Because it's just a CGI robot."
But Disney was cool enough
to give us a scene --
a picture of you in costume.
This is for real.
-[ Laughs ]
That -- yeah.
-That's awesome.
[ Cheers and applause ]
-Isn't that amazing?
-That's unbelievable.
Must be super easy
to go to the bathroom, as well.
-Oh, my God.
No. Do you know what?
It was actually --
we actually got it down,
'cause the --
I had to get in and out
of the suit in, like,
a record amount of time.
So we started off
about seven minutes,
and then the model-makers
would kind of jump on me
and unscrew me.
And I'd have to get out.
And we got it down to like
3 1/2 minutes.
But then there was one moment
when I had to be on set,
and I needed the loo so badly,
and they were like, "Okay.
We can get the legs off,
but can't get the arms off,"
and I was like,
"Do it, do it, do it!"
So we had a minute,
and they just took my legs off,
and then I'm this
little thing just, like,
running through the corridors,
just like, "Aah!"
And, like, they got to put
a whole bag over the top of you
because you can't show
what character you are,
in case there's
any paps anywhere.
So I was just little green legs,
like, running around.
And it was like,
"Someone show me!
Someone show me where it is!"
-With a garbage bag over you.
-Yeah. Garbage bag over my head,
little legs, and then I get in,
and I was so pleased,
because I'm basically
like this the whole time.
And I was like, "Yes!
I'm gonna nail this."
And I got in, and I just
backed in to the loo like this,
going, "Nailing it, nailing it,
nailing it, nailing it.
And then I got down, I managed
to get my little tights off
and all that kind of stuff.
But then, because
I was stuck like that,
I couldn't actually
reach the loo paper.
[ Laughter ]
So I was just like this.
I was so pleased with myself,
and eventually it was just...
"Guys?!
[ Laughter ]
"Guys!"
-"Can someone spare a square?"
[ Laughter ]
I'm so psyched for you, pal.
This is a giant --
I recommend going
and seeing it in IMAX
because this is
a big, big, big movie.
-Yeah, it's gonna be amazing.
-It's so fun.
I want to show a clip.
Here's Phoebe Waller-Bridge
in "Solo: A Star Wars Story."
Take a look.
-Excuse me.
Get your presumptuous ass
out of my seat.
Ugh.
Ugh, my occipital circuit
is sticking.
You're gonna have
to do that thing again later.
-Yeah.
-All right.
Course to Kessel is set.
Plugging coordinates in now.
Just keep
your pinky on the yoke,
and try not to mess anything up.
-Whatever you say, my lady.
Just let me know
when you're ready to jump.
-Ready in --
[ Beeping ]
Ready.
-It's just a simple jump to
hyperspace, and we're there?
What's so tricky about that?
-Plenty. Can't plot
a direct course to Kessel.
You have to thread through
the Si'Klaata Cluster
and then,
pass through the Maelstrom.
-You done flirting?
I'm still ready.
-You might want to buckle up,
baby.
-Yeah, come on!
-Yeah
-Phoebe Waller-Bridge,
everybody!
