♪ 
>>> SPENCER, GO.
>> Jimmy: THAT HAPPENED.
[ CHEERS AND APPLAUSE ]
CLINT EASTWOOD IS HERE.
OUR NEXT GUESTS ARE BRAVE 
REAL-LIFE HEROES WHO PLAY 
THEMSELVES IN CLINT EASTWOOD'S 
NEW MOVIE "THE 15:17 TO PARIS."
PLEASE WELCOME SPENCER STONE, 
ALEK SKARLATOS AND 
ANTHONY SADLER.
[ CHEERS AND APPLAUSE ]
WELCOME, WELCOME.
BOY, LAST TIME I SEE YOU GUYS 
YOU WERE HEROES, AND NOW YOU'RE 
MOVIE STARS.
>> WE'VE BEEN BUSY, JIMMY.
>> Jimmy: AND IT'S GREAT TO MEET
YOU, ALEK, ALSO.
ACTUALLY, CLINT REFERRED 
EARLIER, SPENCER, YOU WERE HERE 
SHORTLY AFTER THE INCIDENT.
>> YEAH.
>> Jimmy: AND THIS STORY IS -- 
IT'S AN UNBELIEVABLE STORY.
JUST TO START WITH ON THE TRAIN,
ALMOST MORE UNBELIEVABLE THAT 
YOU PITCHED THIS TO CLINT 
EASTWOOD AND HE DECIDED TO MAKE 
A MOVIE OUT OF IT.
WHO PITCHED IT?
>> YOU DIDN'T THINK YOU WERE 
GOING TO SEE US AGAIN, HUH?
>> Jimmy: I WAS HOPING I'D SEE 
YOU ON PUBLIC TRANSPORTATION.
THAT WOULD BE IT.
SO WHO HAD THE IDEA TO PITCH 
THIS TO CLINT?
>> WELL, WE ALL KIND OF HUDDLED 
UP AND WE SAID, YOU KNOW, THIS 
IS WHAT HE DOES, IT'S RIGHT UP 
HIS ALLEY.
SO I WENT BACK THERE AND KIND OF
TOOK THE LEAD AND KIND OF SAID 
IT JOKINGLY LIKE HEY, MR. 
EASTWOOD, WE'RE WRITING THE BOOK
RIGHT NOW, YOU SHOULD MAKE IT 
INTO A MOVIE, HA, HA.
AND THEN IT WORKED.
HERE WE ARE.
[ CHEERS AND APPLAUSE ]
>> Jimmy: CLINT, HOW OFTEN DO 
PEOPLE APPROACH YOU AND SAY HEY,
I'VE GOT A BOOK THAT YOU SHOULD 
MAKE INTO A MOVIE?
>> A LOT OF TIMES.
>> Jimmy: A LOT OF TIMES.
AND HAVE YOU EVER SAID YES 
BEFORE?
>> NO.
[ LAUGHTER ]
>> Jimmy: SO THIS IS PRETTY 
REMARKABLE.
AND ALSO, CLINT MENTIONED THAT 
THE CAR, THAT WE GAVE YOU A CAR 
WHEN YOU WERE HERE, SPENCER.
I'M SORRY WE DIDN'T GIVE YOU 
GUYS CAR.
>> IT'S OKAY.
>> Jimmy: THAT CAR IS IN THE 
MOVIE TOO.
>> UH-HUH.
IT'S IN THE OPENING SCENE.
>> Jimmy: IT'S ONE THING TO PUT 
THE REAL HEROES IN THE MOVIE, 
BUT THE REAL CAR TO BE IN THE 
MOVIE, THAT'S AUTHENTICITY.
[ CHEERS AND APPLAUSE ]
I MEAN, THAT IS -- ARE YOU 
GUYS -- YOU'RE NOT SORE ABOUT 
THE CAR?
>> I'M VERY SORE.
>> Jimmy: YOU ARE SORE.
>> THE WORST PART ABOUT THAT IS 
I GOT A E-MAIL FROM ONE OF YOUR 
PRODUCERS SAYING HEY, ALEK, WE'D
LOVE TO HAVE YOU ON THE SHOW 
WITH SPENCER.
AND I'M LIKE, COOL.
HEY, SPENCER, CAN I GO ON THE 
"JIMMY KIMMEL" SHOW WITH YOU?
HE'S LIKE NO, I WANT TO DO THIS 
ONE SOLO BECAUSE WE'D DONE 
OTHERS TOGETHER.
>> NO BIG DEAL. 
>> THEN I GET ANOTHER E-MAIL, 
ARE YOU SURE?
WE REALLY WANT YOU HAVE TO ON 
THE SHOW.
I'M LIKE SPENCER, I REALLY WANT 
YOU HAVE TO ON THE SHOW.
HE'S LIKE NO, I WANT TO DO IT 
SOLO.
SO I'M WATCHING IN THE HOTEL AND
HE GETS A CAR.
[ LAUGHTER ]
>> HE CAUGHT ME BACKSTAGE AS HE 
GETS THE CAR AND I'M BACK THERE 
LIKE MM.
>> I'LL TELL YOU WHERE THE FAME 
GOT TO HIS HEAD A LITTLE BIT.
>> Jimmy: BUT IN FAIRNESS, WHEN 
THE GUY WITH NO SHIRT ON HAD THE
GUN IN HIS HANDS, SPENCER WAS 
THE ONE RUNNING AT HIM.
AND I'M GOING TO BE HONEST WITH 
YOU.
EVEN IF A GUY HAD NO GUN IN HIS 
HAND AND HAD NO SHIRT ON, I 
WOULDN'T BE RUNNING AT HIM.
I'D BE LIKE, NO, THANK YOU.
[ APPLAUSE ]
SO I'LL THROW THIS TO ALL OF 
YOU.
WHAT WAS IT LIKE BEING DIRECTED 
BY CLINT EASTWOOD IN A MOVIE?
NONE OF YOU HAD ACTED -- HAD YOU
ACTED IN ANYTHING BEFORE?
>> NOT EVEN A SCHOOL PLAY.
NOT EVEN A SCHOOL PLAY.
>> Jimmy: WHAT WAS IT LIKE?
>> IT WAS WEIRD BECAUSE THE 
DYNAMIC AT FIRST, HE'S SUCH AN 
ICON, SO YOU'RE LOOKING FOR A 
GOOD JOB.
AND I LOOK OVER AT HIM LIKE 
AFTER MY FIRST SCENE AND HIS 
FACE IS REALLY NEUTRAL.
SO I'M LIKE, HE HATED IT BECAUSE
HIS FACE JUST LOOKED LIKE HE 
HATED IT.
BUT THEN I REALIZED THAT HIS 
MODE IS JUST TO MOVE ON AND 
THAT'S A GOOD JOB IN AND OF 
ITSELF.
THE FIRST TIME HE TOLD ME GOOD 
JOB I WAS LIKE PROUD DAD MOMENT,
LIKE YES.
>> Jimmy:
>> Jimmy: SO YOU DON'T TYPICALLY
COMPLIMENT THE ACTORS AFTER EACH
SCENE?
[ LAUGHTER ]
[ APPLAUSE ]
AND BY THE WAY, THE GIFT THAT 
YOU'VE GIVEN THESE GUYS.
I KNOW YOU GUYS DID A GREAT 
THING AND YOU DID A GREAT THING.
AND THANK YOU AGAIN ON BEHALF OF
THE WHOLE COUNTRY FOR MAKING US 
LOOK GREAT.
[ CHEERS AND APPLAUSE ]
BUT THAT SAID, I SEE NO WEDDING 
RINGS ON ANY OF YOUR FINGERS 
RIGHT NOW.
AND IF I WAS YOU, EVERY TIME I 
MET A WOMAN I WOULD HAVE THAT 
MOVIE PLAYING.
[ LAUGHTER ]
I WOULD GET A HAT WITH AN iPAD 
ON IT.
I'D HAVE THE MOVIE RUNNING IN A 
CONTINUOUS LOOP.
I'D BE POINTING AT IT.
I MEAN, REALLY, YOU COULD NEVER 
SEE ENOUGH OF THAT MOVIE AS FAR 
AS I'M CONCERNED.
WHEN YOU ARE ON THAT TRAIN 
SHOOTING THAT SCENE, 
RE-ENACTING, RELIVING THAT 
SCENE, WAS IT UPSETTING?
DID IT FEEL WEIRD?
>> IT WAS A LOT OF FUN.
>> Jimmy: IT WAS FUN?
>> YEAH.
A LOT OF PEOPLE THINK IT'S 
DRAMATIC FOR US.
BUT WE'RE LUCKY THAT NOBODY LOST
THEIR LIVES ORIGINALLY.
SO BASICALLY, TO DO A REUNION 
WITH ALL THE PEOPLE THERE ON THE
TRAIN AT THE SAME TIME.
>> Jimmy: SO THE OTHER ACTORS 
ARE THE PEOPLE WHO WERE ON THE 
TRAIN?
>> A LOT OF THEM.
>> EVERYBODY WANTED TO COME 
BACK.
>> Jimmy: WOW.
[ APPLAUSE ]
>> THE DETECTIVES.
THE COPS THAT CAME.
EVERYBODY WANTED TO COME BACK.
>> Jimmy: YEAH, OF COURSE THEY 
DID.
YOU'RE DIRECTING A MOVIE.
[ LAUGHTER ]
>> BUT I THOUGHT MAYBE THEY 
WOULDN'T WANT TO, IT WOULD BE A 
BAD MEMORY OF SOMETHING.
BUT IT ACTED AS A CATHARSIS FOR 
SOME PEOPLE.
ESPECIALLY MARK BECAUSE HE GOT 
SHOT.
>> Jimmy: HE'S THE ONE WHO GOT 
SHOT.
>> HE FELT LIKE IT WAS GETTING 
RID OF SOMETHING.
>> Jimmy: HE DID.
INTERESTING.
AND HOW IS HE DOING?
HE'S DOING WELL, I ASSUME?
>> VERY GOOD, YEAH.
>> Jimmy: DO YOU KEEP IN TOUCH 
WITH THESE PEOPLE?
OH, HE'S DEAD, THAT WOULD BE A 
BAD ENDING TO THE SEGMENT.
>> SPOILER ALERT.
>> Jimmy: HOW ACCURATE WAS 
THE -- HOW STRICTLY DID YOU 
STICK TO THE EVENTS AS THEY 
HAPPENED?
>> SO IT'S SO ACCURATE.
THAT'S I THINK PROBABLY THE 
GREATEST THING ABOUT MR. 
EASTWOOD DIRECTING THE MOVIE, IS
THAT HE REALLY CARED ABOUT THE 
STORY AND EVERY LITTLE DETAIL, 
ESPECIALLY ON THE TRAIN SCENE, 
IS SPOT ON, WHERE WE COULDN'T BE
MORE HAPPY WITH IT.
>> Jimmy: AND CLINT, LU USE 
THESE GUYS IN ANY OF YOUR OTHER 
MOVIES GOING FORWARD?
>> NOT A CHANCE.
[ LAUGHTER ]
[ APPLAUSE ]
>> Jimmy: WHAT'S THE PLAN NOW?
DID YOU LIKE IT SO MUCH THAT 
MAYBE YOU WANT TO KEEP ACTING?
>> FUNNEST TWO MONTHS OF OUR 
LIVES.
>> WE CAN'T WASTE THIS 
OPPORTUNITY.
IT MIGHT BE ALL DOWNHILL FROM 
HERE.
CLINT EASTWOOD IS YOUR FIRST 
ONE, YOU MIGHT BE ALL DOWNHILL.
>> I WAS ACTUALLY AT AN AUDITION
AN HOUR AGO.
>> Jimmy: YOU WERE.
HOW DID IT GO?
>> WELL, I HOPE THEY WATCH THIS.
[ LAUGHTER ]
>> Jimmy: WELL, THANK YOU GUYS 
FOR BEING HERE.
THE MOVIE AGAIN IS CALLED "THE 
15:17 TO PARIS
