Hi my name is Sandra Savita I work at
Mar Jack scripts and I am both an agent
in a foreign rights manager
I myself represent mostly commercial
fiction genre fiction sorry I do
apologize for my voice as well
commercial genre fiction which is
anything from ya2 crime to SFF but as a
company we would like to think that we
represent pretty much every genre
available so my wonderful colleagues
represent a crime and non-fiction
literary fiction upmarket women's
fiction so and children's from middle
age up so I mean I think we kind of cover
every genre l possible I think I'm quite
open-minded I do have this light
penchant for weird things I'd like to
think so in that sense maybe a little
bit more leash but I like dark things
especially in YA so that would be like
what upper end crossover titles and
anything that puts me in a head of a
person that has completely different
experiences for me so anything with an
exotic setting or an experience that I
wouldn't have had in my own life would
be something and that would get me
interested. Obviously a great writing is
a plus I don't like too many rhetorical
questions at the very beginning I would
like to or exposition I like to be
straightened in the story in the scene
rather than having a huge explanation of
why the writer is describing this
sentence or this justice scene so I'm
anything that's immediate and gripping
is good for me my slight secret is that
I very rarely reads synopsis because they
are full of spoilers and I like to be
surprised by what I'm reading so I very
occasionally
look this and synopses when when I
finished the book to see how to fix
things sometimes it becomes quite
apparent where a scene can be moved
somewhere else or cut out because
there's no hiding in the synopsis so
that's that's that's how I use them so
they're obviously very important but
everyone will have a different view on
once reader and how to read it and what
a good synopsis really is. I think a
clear and concise comparisons are always
good so if you say that a book is like
the road but with a more commercial
angle about I don't know with more
adventure and then that's that's more
that that's pains a clearer picture of
what you're writing and what your
readership would be getting into detail
about side thoughts maybe not so much
because that is that gets confusing very
quickly and we just want a general idea
and want to know that you as a writer
have an idea where where your book would
be placed
you
you
