Bruh, Mac, for real for real... That’s family so...
He the sixth Black Hippie. Nah real talk,
whenever you think about going to a Mac session, it’s like going to your favorite cousin’s session, like a favorite cousin house.
It's always gonna be a good time. I
have nothing but praises you know,
RIP to my brother.
It's a good time cos he's like
the little cuz you used to crack jokes with, put him in a noogie, put him in a headlock, you know what I’m sayin’?
I love Mac man.  I mixed his Divine Feminine album.
Man, that was, in my opinion, some of his best work.
What about you Tae because I know you worked on the Swimming album?
Yeah, Swimming and Divine Feminine, actually. Right. “Small Worlds?”
What was that whole session like, that whole process?
“Small Worlds” actually started off as a record called “Don’t Try This At Home.”
It was a lot faster than what it turned out as the final product, but I kept hearing it different.
It had a lot of stuff on it, too. It was just a lot of sounds.
I took a lot of stuff out, slowed it down, played it for him, and then he recorded a new record,
which was “Small Worlds,” changed some of the verses or whatever.
He sat on it for a while. We did another record with Jon Brion,
and then he called me and said, “Hey, John Mayer is gonna play on “Small World.”
Are you cool with that?” I’m like, “What type of question is that?” He’s John Mayer, bro.
It’s nuts. But man, we worked a lot actually, towards the end of the project.
We did another record a couple of weeks prior to his passing, with Young Thug, called “Game Four.”
But he was a real cool dude, man, just really chill, really polite.
Really polite, yeah. He kept you in tune on what was going on, you know what I mean?
If he changed something on the record, he’ll call you and say, “Hey, I changed this. You cool with it?” So I respected him a lot for that.
