 
((the shot is black, as white letters appear over the backdrop, black, as the voice of Blorg is heard, speaking aloud from the previous installment of the franchise, the white letters reading ' UNIVERSAL SAVIORS ' ))

Blorg:((voice)) "It'll take us to FERNVERSE ?"

((white letters appear beneath, reading ' A UNIVERSAL SAVIORS CCHHRRIISTSTMAZ '))

((cut to Jesus smiling looking to the right of the shot))

LawyerBird:((voice))((coos)) "It's the closest south you can get. While we're there we can talk to my cousin STOORK . He's retired from the NAYVVVE . He's all about the chicks."

Jesus: "Well I guess you don't need me to - " ((pans out, reveals the entire group is gone)) " - say goodbye." ((cut to close up, Jesus's face)) "Huh. You know I've never really had time alone for quite a while. Even the E of me is going south for the WNTR ." ((pauses)) "I'm talking to myself and he isn't there to judge me." ((unstable smile begins to crack across his face)) "No." ((back to serious expression)) "No he could just come back at any time." ((cut to wide shot of Jesus's back to shot, walking towards the tall skyscrapers of the Commerce District.)) "I've never even walked around this universe all that much. I remember walking around everywhere before I learned to fly." ((cut to close up, Jesus looking past shot smiling, pausing)) "I'll do that. I'll see what this FredVerse has to offer. There has to be something around here to do while the rest of the Legal Team is gone." ((he walks out of the shot, as a voice identified as Omniscient Narrator begins to speak, and sounds like James Earl Jones))

Omniscient Narrator: "And as Jesus left the shot to DOFB , the rest of FredVerse was aptly responding to a DOFNE , for the U.D.o.A. had come and gone, yet the trace of their purpose still lived on."((the shot slides to the right, to reveal the smoldering remains of the U.D.o.A. building, as there are KOMMISSAR hovering about with spotlights and several FredWorkers combing the remains)) "The rubble of their building still drawing many, while the fruit of their efforts barely a PENNYY ." ((the shot slides right to reveal three adventurers, Diggit, Defino, and Gankatron, all using a device known as a hearthstone, with small green scrolling bars beneath them, as all three suddenly vanish into thin air, the shot traveling forward to reveal a group of four figures, who stand facing to the left of the shot, from the end to closest to shot, Gorn, Tents, I.S.S., and Klingon #2, who is smiling as the remains of the building are to the left of the shot)) "And while four bystanders gaze upon the past, their thoughts seem to dwell on what could not last."

I.S.S.:((sighs)) "All those concessions."

Gorn: "And refreshments." ((cut to behind the four, showing the smoldering remains of the U.D.o.A. headquarters before them, their backs to the shot)) "All burning. Burning and burning down."

Klingon #2: ((cut to close up facing past shot to left, smiling)) " YEEEEAH ."

Gorn:((cut to close up, facing past shot to the left)) "It's so sad." ((sniffs)) "Because I'm so hungry." ((sniffs again, as his words become garbled from drool)) "That's why it's sad." ((staring off past shot, eyes wider as his drool begins to drizzle)) "So...((pants)) " - VERY."

I.S.S.:((cut to close up, facing past the shot to the left)) "The problem with all of this is that I didn't learn anything." ((cut to closer up)) "I'm supposed to learn something. A valuable lesson, or a secret about someone else that gives me authority over them through guilt or shame. ((sighs)) "Or both." ((shakes head))

Tents:((slides to the left, revealing Tents looking past shot to the left, then side to side)) "Well, look on the bright side, we're alive." ((chuckling)) "And our futures aren't a horrible sham!" ((chuckles even more nervously)) "Or too terrifying to behold!" ((laughing becomes more nervous and erratic))

Gorn:((voice with a lot of drool)) "I can smell them." ((violently sniffing)) "Our concessions."((Tents very nervous facial expression, looking to the left of the shot))

Tents:((awkward)) "Yes, but uh, we, we have a place to stay!" ((cut to I.S.S. close up, looking past shot to the left)) "We should count our blessings. We may not have food, but we can see to that!" ((I.S.S. frowns, his brow furrows)) "We'll be fine!"

I.S.S.:((angry)) "I don't like jokes like that Tommy."

Tents:((voice))((sighs))

I.S.S.: "No no listen, that's in poor taste. I don't like being made fun of for not being good at math." ((pauses)) "We have like three right?" ((face scrutinizing))

Tents:((voice)) "Um, uh, well I know there's still some drywall left over." ((I.S.S.'s eyebrows raise))

Gorn:((cut to close up, a sea of drool from his lips altering his speech more, as his eyes are locked straight forward in a manner predatory) "Concessions?" ((panting))

Tents:((voice)) "Uh, yes. Yes Gorn."

Gorn: "Yes. YES. YES, let's go home. Let's go home. Move. Yes move now."

Klingon #2:((walking through shot to left)) "I call first dibs" ((briefly turning at Gorn, then smirking as he walks out of the shot to the left.))

Gorn:((sniffs)) "Daunted." ((sniffs)) "Again."

I.S.S.:((slides to the right of the shot, to Tents gingerly picking up I.S.S. and throwing him over his shoulder, as I.S.S. remains as listless as possible.)) "Well I'd better learn something, and soon." ((cut to close up of face, slung over Tents's shoulder, shot in motion)) "If I have to deal with one more confusing series of events that has only to do with electrical whatever, it's not worth being a party to. I've had it." ((cut to an extreme closeup of I.S.S. looking right at the shot)) "Quit with the gibberish and give me something worth knowing at all." ((shot continues in motion, until passing Gorn, as it hangs on Gorn staring past the shot to the left))

Gorn:((sniffs)) "It was worth it." ((cut to facing behind Gorn, his back to the shot facing the burning U.D.o.A. building, a small plume of smoke fluttering through the air))((sniffs)) "That. That was worth it."

Omniscient Narrator: "The woes of four whose friendship bound, return to their dwelling with no concessions found." ((shot slides outwards to reveal a figure with his back to the shot, staring towards the wreckage of the building as well. The figure is Norman Stanton)) "Though friendship for one be tested this day." ((cut to close of facing towards the right side of Norman Stanton's face, staring to the right of the shot)) "For the one called Norman, whose friend Fred, was NAY ."

Norman Stanton: "Fuck you fred. Fuckin' mouse." ((cut to Norman Stanton P.O.V. showing the destroyed building, the ruins being scavenged and assessed by PTEKK and FredWorkers)) "Fuckin' saying I don't read? Fuck you. The fuck is your problem, we were friends." ((cut to previous, reveals to Norman Stanton face grump,y, to his left is Acolyte Fred, staring past the shot towards the right as well. He is wearing his normal grey robe with hood and holding a candle-lighter with bell snuffer over his right shoulder))

Acolyte Fred: "What happened? Is everyone all right?" ((Norman Stanton looks to his left, as Acolyte Fred reacts looking at him. Norman Stanton turns away, angrily, glaring towards the right of the shot, walking out of the shot to the right. Acolyte Fred is left puzzled to Norman Stanton's departure, as he looks back to the right of the shot, concerned expression))

Omniscient Narrator: "Fate be a strange ally, though still foe to few, and Acolyte Fred himself considered by many too NUUUU ."

Voice:((older woman, mean sounding, raspy, out of breath from 70 years worth of cigarette cartons)) " heyykd ." ((Acolyte Fred looks around)) " kd " ((Acolyte Fred looks straight up)) " doowwn " ((Acolyte Fred looks nervous, turns downward straight down, startled expression, by what is off camera))((cut to Acolyte Fred face looking down into the shot as the voice continues to speak, coughing twice. He kneels down to get closer, the right side of his face and eye cocked down towards the camera)) " commmclsrkidd " ((Acolyte Fred gets closer up to the shot)) " thttzzzzbbttr . indutodosummmthing4me ."

Acolyte Fred: "Are you ok ma'am. I think you need a DOKKTTOR ."

Voice: " imfynnnee . jstdoothss . ook ." ((Acolyte Fred listens intently at the shot)) " tunnnmeoffsoeyedontyl ."

Acolyte Fred: "Uh, I don't know how to do that."

Voice: " lokatmee . jstlokkatttmeme ."

Acolyte Fred: "Ok."

Voice:" nwclseyreyeeez ." ((Acolyte Fred closes both his eyes)) " ndopnyrmofuoanddontlok ." ((Acolyte Fred opens his mouf wide as the camera zooms forward and down his throat.))

((shot slides back out to Acolyte Fred clutching his throat with both hands, the candle-lighter over his right shoulder falling away from his grasp, as he falls backwards, choking and gagging and coughing))

((cut to close up ground, the candle-lighter with bell snuffer hitting the ground, rattling loudly, as Acolyte Fred continues to choke and wheeze, the shot rising up to his face, as his hands are around his throat, his face blue as his hands fall away listlessly, his skeleton rigid and tense, as his hands and arms wave at his sides limp, while his face is locked in terror. The BLUUUU of his eyes becomes a CRIIMMSONREREDDD , and his sickened expression suddenly becomes a GRIIIINN , wide, as his neck and face TWIIIITTCHCH . He continues to writhe in place as the shot turns about to pursue Norman Stanton, in a direction away from Acolyte Fred.))

Norman Stanton:((voice)) "Fuckin' asshole fred." ((cut to facing right side as he walks)) "Saying I don't read or know what that means." ((the shot behind him changing from the smoldering U.D.o.A. remains in the distance to the Commerce District)) Fuckin' FAGT . I've been putting up with a lot of SHTT in this FredVerse and I don't even get that much credit. I knew not to mess with BEEEEPPPPPPPPPPPP or even mess around with anything to become a mouse. What kind of DUMAAZZDR 's anyway?" ((scoffs shaking head)) "If I see the actual fred and not some fuckin FredWorker or some weird alter ego anytime soon I'm just gonna punch him right in the MOUF . " ((there are numerous residents of the FredVerse passing him, all holding GREEEENN slips of paper, excitedly moving the other direction.)) "Hey what's going on?" ((the residents seemingly ignore him, all moving in the direction opposite of Norman Stanton)) "What's all this?" ((one of the FredWorkers hisses and runs off to the left of the shot, as Norman Stanton turns to the left as they pass)) "See? I should just HTHEM . Just fuckin' PPUUNCHhm ." ((he turns about to the right of the shot, angrily, as in the background, there is a large silhouette)) "Why do I even bother?" ((Norman Stanton leaves the shot to the right, as in the background coming into focus, the silhouette, a large upside down FIRRTTTTREEEE , the trunk protruding out of the ground. There are many residents of the FredVerse clustered around it, and look as though they are picking at its foliage. There are small colored ORBBZZZZ that adorn it, and the top of its trunk resembles that afterburner of a ROCCKKEEEET . Norman Stanton briefly reenters the shot to comment on the display, his back to shot)) "Fuckin' retard. Why would you a7 to begin with?" ((promptly leaves the shot))

Omniscient Narrator: "A new arrival to this realm of Fred, its branches and leaves beginning to spread." ((the sound off in the distance of a familiar voice, whose tone echoes across the Commerce District and is emanating from the direction of the U.D.o.A. building))

Bad Lawyer:((voice)) "All of you! All of you! Stop! Stop now!"

Omniscient Narrator: "Though in the distance a voice did cry, a lawyer and his team, ready to NY ."((the shot twists to the left, back in the direction of the U.D.o.A. building, to nearby the rubble where a frantic figure is flanked by three other humanoids and one briefcase, as he points in many directions as the shot zooms in, all around him the activity of salvage work continuing))

Bad Lawyer:((cut to close up, facing past the shot to the left, as FredWorkers pass him in either direction, continuing their efforts surrounding the burning wreckage He is still wearing his U.D.o.A. Gift Shoppe clothing promoting the institution)) "Hey you!" ((a FredWorker ignores him, as Bad Lawyer turns to another)) " Hey! Hey you stop!" ((another FredWorker passes by him, as Bad Lawyer begins to get upset, his fists at his side and his teeth and eyes clenched, relaxing only slightly)) " - STOP! GET BACK HERE! " ((cut to close up)) "Who's in charge of this operation? I demand to NZT !" ((eyes darting left to right)) "I have friends, don't make me UUSSEE1! " ((he holds up Briefcase in both his hands, close up to the shot, with Briefcase's MOUF to shot))

Briefcase: "He's my BALL , I'm HIZCHAAIIN!!!! "

Twin Partner #1 :((cut to behind both, the left sides of their faces shown looking in the direction of the smoldering ruins of the building, both still wearing their Gift Shoppe attire)) "Our inspiration..."

Twin Partner #2 : "Dwindled..."

Twin Partners :((in unison)) " Our HOPPEEEEIZGONE ."

Beer Barrister: ((moves into shot from the left, facing towards the shot, as his FLYPARRAAAALGLLZZZZ around him are still present, and BUZZING in disbelief as he still is donning his Gift Shoppe wear)) "I'm so disillusioned. I quit DRNKN for NUTTING! " ((sniffs))

Bad Lawyer:((voice)) "Enough! All of you!" ((Beer Barrister and the Twin Partners look surprised, looking to the left of the shot))

Briefcase: ((cut to close up, Briefcase facing shot center)) "Listen to ME!"

Bad Lawyer: "No!" ((puts Briefcase at his right side, he faces the shot center)) "We're listening to ME!"

Briefcase: ((sulking)) "Oh."

Bad Lawyer: "Right, everyone! Back to business" ((he RIPPZZZZOFFFF the attire from the Gift Shoppe, that was formerly a TSHIRTTTT and reveals beneath is his standard suit, long sleeves and all.))((cut to Beer Barrister to the right of the shot, and Twin Partners to the left, all doing the same, revealing their previous suits and attire.))

Bad Lawyer: ((voice)) "Right, now - " ((cut to previous, Bad Lawyer recomposed with the wreckage of the U.D.o.A. building to his right as he begins to pace back and forth while the FredWorkers in the background continue their operations)) " As the SANA of this particular branch of BadLawyers , I hereby declare that we ourselves need to seek out a new means of structure."

Twin Partner #1: " STRRUUUUKKKK -"

Bad Lawyer: "Yes! That! One to which I could be chair and ultimately provide a sustainable future for ME , while you do the same, for ME . Now this involves finding an individual or a concern with a desire to seek us retained, rather than rely upon a single case by case basis to let ends meet themselves."

Beer Barrister: ((cut to close up)) "Why don't we just find someone to employ us? What do we need a structure for?"

Bad Lawyer: ((voice)) "Because HE is the structure!" ((cut to close up, eyes darting left to right)) "Or SHEEEE , let's be fair." ((reasserts himself in the center of the shot)) "This STRRRRUKKTUTUREEEE will serve as a vehicle to which we can project ourselves and BadLawyers to be viewed as a force to be reckoned with in the coming LAWWLLSSERAA that we all know will be upon as, as all BadLawyer have planned."

Twin Partner #1:((cut to close up of both, facing the shot)) "How would - "

Twin Partner #2: " - That be?"

Bad Lawyer:((voice)) "By merely stating that there will be, our involvement quashes it, because those who see us as the solution will exalt us as such, due to our recommendations and counsel."

Twin Partners:((makes confused expressions between the two))((in unison)) " OK ."

Bad Lawyer: " Besides, - " ((cut to previous, Bad Lawyer pacing back and forth still facing the shot, deliberating)) " - such a STRRRRUUKKTUTURRRREE will be the BEEEESTST choice for ME and I will never rely upon the necessity to practice at all. Why I'll be so skilled that practice wouldn't have made perfect, a single choice would have." ((giggles)) "How about that? Now, with this in mind, as well as several BZWOORDZZZZ that will no doubt imply our capacity as more than a token sideshow, - " ((sighs)) " - I reluctantly open the floor for discussion as to the future of BadLawyers Chapter 119."

Briefcase:((voice))((gasps)) "What about a POOTLUKK ?" ((Bad Lawyer menacingly glances down to his right))((cut to close up, sitting upright skew facing left of shot)) "Then we could mingle with the COMMUUUUNIT111YY "

Bad Lawyer:((voice)) "What do you mean mingle? Are you implying we should be advocating FUUUUN ? Be engaged with - " ((shuddering noise)) " - people, who aren't clients or paying?" ((Briefcase looks sadder)) "No of course not." ((cut to Bad Lawyer looking down towards Briefcase towards his right side)) "How are we supposed to find the STRRUUKKTURRREEEE I need if you're having FFFFUN ? HHHHM ?" ((stares back past the shot angrily)) "Any further suggestions that I would approve of?"

Beer Barrister:((cut to close up, facing to right, looking up then back down)) "We could FALLLL . That always helps us pass the time."

Twin Partners:((voice))((in unison)) " WEENVRLOOOOSESESESE "

Bad Lawyer:((voice)) "Well one thing is for certain." ((cut to facing Bad Lawyer center shot, as the shot slowly pans inwards towards him, he stands rigid and unmoved with his hands upon his HIIPPZZZZ )) " We must find a new avenue of representation to pursue, lest we find ourselves at the lowest position of the Bad Lawyers. I refuse to allow Chapter 419 best ME again. Now, if you wouldn't mind, I will - " ((from the left of the shot flies a CAWWINGNUSSPPR , attacking Bad Lawyer's right side of face and head. He yelps in a high tone as he is tackled off camera, and shrieks from the ground out of the frame)) " AAAAGHH Get it off! Get it off of ME!!!! " ((the shot descends to Bad Lawyer lying on his left side, as the NUSSPPRRRR is clinging to the right side of his face, wrapping around part of his head, as the sounds of three sets of footsteps, the BadLawyers approach the shot))((cut to close up, skew upwards as Twin Partners and Beer Barrister surround the shot, Beer Barrister to the right and Twin Partners to the left, looming over the camera and exchanging glances))

Beer Barrister: "Should we touch him?"

Twin Partners :((in unison)) " HELLSUUEEEE !"

Briefcase:((voice)) "It's an order from THEEB7 !" ((( THEUNIVVERRSEV )))

Bad Lawyer:((cut to close up head against the ground, writhing, the NUSSPPR grappled to his head, he ceases shrieking a second after the cut, speaking calmly)) "What's it say?" ((gasps)) "It is inflammatory?" ((glares to the behind left of the shot))

Briefcase:((voice))((pausing)) "No!" ((shot slides to rear over the NUSSPPRRRR to show the front page, revealing a four fingered hand, palm out, fingers extended, thumb to the right with a headline reading: " INEEEDIP7DADA7E ")) "It's from a client! I mean a STRRUUUUKKKKTUREEEE !"

Bad Lawyer:((voice)) "READ IT TO ME !"

Briefcase:((voice)) " According to his article, a SYOFD is seeking representation to thwart the EFRRTZZZZ of a creature most unruly who has sought only to AOFC all along."

Twin Partner #1:((voice)) " That's - "

Twin Partner #2:((voice)) " - very illegal."

Beer Barrister:((cut to close up facing to the left of the shot, lower to the shot)) " That'd drive me to BIZN ." ((smirks slightly))

Briefcase:((voice)) "There's more." ((cut to Bad Lawyer, gazing to the left of shot behind, his left side of face squished against the ground, as he remains calm amidst the NUZZZZ )) " This cli - STRRUUKKTTUURRRRE needs only the BEEEEST - " ((Bad Lawyers eyes wide in manic approval, staring off past the shot)) " - who can YY7E "

Bad Lawyer: ((whispering in awe)) " SEERRPPPPEENNDTDTYYYY " ((his tone grows)) "It's MMMME " ((he rises out of the shot without his hands pushing him upwards)) "I'm HERRRREEEE " ((cut to Bad Lawyer rising effortlessly off the ground without aid or hands, as his expression is more than GLEEEEFULLL as he stares off past the shot to the left)) " It's why I became a LITTIIGGATR , to never HV2222B1111 ! It's who I was born to RPSSENT !" ((shuddering in amazement)) " By FKAAZ , I'm going there right now!" ((he stares off to the right of shot in sheer astonishment))

Briefcase:((voice)) "Can I go?"

Bad Lawyer: "You will all escort MEEEE there! I refuse to allow PROOOOTST " ((cut to Briefcase standing on his side, expression excited, MOUF agape)) "As the SANA I am the duly ANOOIITTEDED representative that was no doubt sought! You will all stand beside MEEEE as a WALLLL to protect and BUTTRRRRSSSSSSSSSSSS MEEEE !" ((cut to Bad Lawyer close up, excitedly standing in the center of the shot, as the NUSSPPRRRR still clings to his face, he points proudly off to the left of the shot into the air)) "On ward Chapter 119 to the Glory of Litigation! MEEEE ! " ((there is a pause as he continues his display of cheer)) "Where exactly is the client" ((he pulls at his face lightly without success, then leaning down out of the frame to pick up Briefcase, who he holds towards the right side of his face, level, and with a look of disgust))

Briefcase:((pauses)) "Oh me?" ((Bad Lawyer frowns, grimaces at the thought of Briefcase near his face)) "Let's see..." ((cut to close up of Briefcase's face, round screw eyes squinting)) "It says I'm in the SYOFB . Well that means Commerce District and REDDBILLLDGNG ."

Bad Lawyer:((cut to previous)) "Very well!" ((he promptly drops Briefcase, as the NUSSPPR still clings to his face, he suddenly points to the right of the shot)) "Follow me!" ((he walks out of the shot proudly, only to reemerge a second later walking towards the left of the shot)) " Yes REDDIC " ((the shot veers to the left and passes Bad Lawyer as he is marching out of the shot towards the Commerce District. The voice of Briefcase can be heard behind the shot as the camera continues in the direction of one of the adjacent hallways closer to the more affluent private villas))

Briefcase:((voice)) "Wait! I can't MOVVVEEEE! "

Omniscient Narrator:((voice)) "A CRYYING case bringing the NUZZZZ , one to which Lawyers who BAD cannot refuse." ((the shot travels forward continuing towards the hallway, where four figures walk with their backs to the shot. Without warning a small green BILL enters the shot from the left, flying and flapping towards the four as well. It is GREEEENANDBLUUUU with a CATTSFACCEE on the front. It is labeled as an increment representing the number 1, and the left half of the front of the BILL reads hihi and the opposing halfs reads bibi . It resembles a single dollar bill from the United States of America's Federal Mind and Treasury Department, a country and government on the planet EARTH . The BILL flaps forward moving like a flying carpet and rippling at the four. It closes in on the back of I.S.S. 's head)) "Just as four who walk home to sulk, find comfort with a BILL that increases in BULLKK "

((cut to I.S.S. being grappled by Tents, ushered and carried gingerly towards the left of the shot, as the BILL breaches the right frame of the shot, slapping to the back of I.S.S.'s head, seemingly magnetized))

I.S.S. :((reacting, rubberband shot closeup, irate and screaming)) " I GET IT I GET IT KNOCK IT OFF TOMMY ."

Tents:((voice)) "What?"

I.S.S.: "You like slapping me?" ((shot stops movement)) "Eh? You like slapping me around?" ((the BILL flies off him rippling to the lower left of the shot))

Klingon #2:((voice)) "That's not Tommy."

I.S.S.:((scornfully)) "What isn't?"

Klingon #2:((cut to close up, looking downward towards lower frame and ground, Gorn to his left scrutinizing the ground)) " MUNNY ."

Gorn:((expression intrigued)) " MUNNY ?"

I.S.S.:((rubberband close up)) "WHAT IS IT TOMMY?"

Tents:((cut to close up, holding up the BILL )) "It would appear to be a currency." ((the BILL suddenly becomes a stack, and even more to the surprise of Tents, multiplying in large quantities)) "A lot of a currency."

Klingon #2:((voice)) "How did that happen?"

I.S.S.:((voice)) "What is it?" ((Tents holds one of the BILL as it occurs again, as he is astonished once more))

Klingon #2:((voice)) " MUNNY ."

Gorn:((cut to close up, holding one of the BILL as it multiplies in his grasp, facing towards the right of the shot)) " How did that happen?"

Tents:((voice)) "It happened again!"

Gorn: "But how did it become more than one? And why are they all more now? And why are there more from more? One is twelve, and then each one is fourteen after, then thirty?"

I.S.S.:((cut to extremely close up, screaming)) "TOMMY WHAT IS IT?"

All three:((in unison)) " MUNNY ."

I.S.S.:((calmer)) "Alright." ((pause)) "What \- What is that exactly? Some kind of NUAAGGEEEETHNNGG ?"

Gorn:((cut to close up, as Klingon #2 stands to the left of the shot examining the BILL in the light of the hallway, holding it upwards to see through its PRIINTNT )) "It's a C that you say is a lot of currency."

Tents:((voice)) "Oh so it is. I wondered why it was LOOKKINGGATTME ."

((cut to a close up of the BILL to show a CATTTT in the place of where George Washington, the first president of the United States of America in this particular set of ZAZANANASAYZSAY of EARTH would be. The CATTTT stares at the shot smiling and speaks))

CATTTT : " MAYYALLLLYRGODDDDRMMMZANDFYYNENEWSSHHESCMMTRUUUU "

((cut to Klingon #2 examing the BILL to upper right of the frame, smiling))

Klingon #2 : " HM ."

I.S.S.:((voice)) "And that's?..."

Klingon #2: "It's where you take D and say it's B and never do anything to ever change it back to the way it was." ((cut to I.S.S. eyebrows very raised mouth agape facing towards the left of the shot amazed)) "Do you know what that means?"

((the background cuts to I.S.S. seated behind the wheel of a FRRAARRI facing to the left of the shot, with an Ethereal Car Dealer standing to the right of the shot, outside of the vehicle in a FRRARRISHOOWWWWROOMMMM ))

I.S.S. : "Yes I know what that means. D means DRVVI after IIPULDOWN on this level. Now, I want the rest of these delivered by HAND to their respective mansions without any LIPPFRMMMMU . Each is having a PRRTTYYYYTONNITTEEEE and URRRRNOTINVVIITTDDDD ."

Ethereal Car Dealer: "Yes Mr. S."((I.S.S. proceeds to shift and guns the throttle, flying in reverse at a high rate of speed as the sound of smashing drywall and brick overtake the shot, with BITTZZZZ flying past the camera to the left of the shot from right. The engine growl comes to a grinding DETTTTH )) "That wall was very expensive Mr. S." ((as he finishes the sentence a wad of loosely contained MUNNY flies at him from the right of the shot from off camera)) "And had a family." ((as a two second period later, more MUNNY flies into the shot from right. The shot slides to the left to a flatscreen television on a wall in the showroom, that reads " LYFFEESTYYLZOFWLLTHEEEPRSSOONZZZZZZZZZZZZ " as the voice of a very enthusiastic man begins to speak who as a WLLTTHEEEEACCNNT , while the music that plays is just as upbeat, and the tone is that from a modern day electric keyboard.))

Voice:((voice)) "It's time for a LOOKK into the LYVVVEZZ of the most AFUULULUENTPRZONZZZZZZZZZZZZ of FredVerse, the ZULUVERSE and the PTEKKVERSE . " ((scene stylishly in a fashion of the EARTH 1990's telelvision, slide cuts to a panoramic view of a large cityscape, with grounds overlooking flying car highways and skyscrapers that peek through the cloudline)) "We'll see the technologically advances wandering grounds of the famed PTEKK CEO and CFO Matilda Terenstry, - " ((cut to close up of a large brand new PTEKK brand STRRRRSHIPPPP that sits idle on a COBBLLLLDRVVWAYYY )) " - and gain a first hand look as how the most profitable business head since AAB lives and thrives." ((slide cut in a stylish manner to show a large waterfall, at the top a display of large HORRNNZZZZ all made of GOLLDDDD and resemble those of a cow, behind such a large circular and dome structure, made entirely out of DIAAAMNDDANDGOLLLLD )) "Also tonight, the home and SAYD of the RULLRRRROF7 , the KINNGOBBBSAY , - " ((cut to close up of a wide panoramic view of lush acres of land, all populated by expensive looking GOLDDNANIIMLZZZZ roaming upon GOLLDDNGRAASSSS and drinking of QQUUAARRTTTTZZZZWAATTRRRR from an ENDDLZZSPRRNGNG )) " - on HIZZ lavish PREESRVVVZ and TRAANQIIILACCREEZZ ." ((cut to close up of a rising shot over a black and white photograph, of I.S.S. and the Quantum Realities, from the late 1970ZZZZOFB )) "But first tonight, the famed BAND that calls FredVerse their home, rocketing up the charts with several HIITZZ , - " ((cut to a wide panoramic shot of the front door of the affluent villa that the four have lived in since the beginning of this franchise)) " - shows us their newest PADDZ and how they've been living since and with STRRDOM as I, " ((cut to the introduction screen once more of the television show, and the title shot)) " - RABLCCEEECHCH am your guide on LYFFEESTYYLZOFWLLTHEEEPRSSOONZZZZZZZZZZZZ "

I.S.S.:((voice)) "Wait until they show me." ((cut to close up, facing to the right of shot, the background behind him lavish gold and the outline of a very expensive looking GOLLDDNNCOUUCCHHHHHHHHHHHH )) "Then rewind and show it again."

Voice:((other than the television announcer)) "Yes sir."

I.S.S.:((frowns)) "THAT'S MRSRR . GET IT RITTE OR I'LL GET SOMEONE ELSE HOOWIILLL ."

Voice:((voice)) "Yes Mr. Sir."

Tents:((voice)) "Hey guys." ((I.S.S. doesn't react))((cut to wide shot reveals the interior of the villa, over the left shoulder of Tents, who has just entered from the front door. The interior is also lined in FRSSHHGOLLDDDD once more, with many other of the fineries of life present, accounted for, and functional again. Gorn is to the far right of the shot, nude, and lying on his stomach atop a HOOTTRROOKKKK that has several heat lamps directly above it. There are four Ethereal Spirits surrounding him, all YYLLOO in color, two of which are spraying him from spray bottles with a fine mist of BLUUUUUUUUUUUU , while the other two FAANNHIM . I.S.S. is to the left of the shot in his normal seat, which is now retouched and covered in more expensive GOLLLLD than it was previously, with the flecking of wear and tear now gone. There are three Ethereal Spirits around him, and appears to be being fitted and sewn into a large GOLDNNCOOCCOON , wrapping him up into a large GOLD caterpillar shape.))

I.S.S.: " TTTTOOOOMMMMMMMMMMMMMMMMMMMMMMMMMMMMMYYYY " ((cut to close up facing to the right)) "Get out of the way Tommy the TV's talking about me."

Tents:((voice)) "Oh sorry." ((cut to close up, the front door of the villa behind him holding small sheet of paper)) "I just wanted you to know, there was a receipt just delivered."

I.S.S.:((voice)) "A what?"

Tents: "It's this piece of paper that says you purchased something."

I.S.S.:((voice))((sighs)) "Tommy I don't need those. I know when I buy something because I'm RICCHHHH ."

Tents: ((looks at paper)) "Well it says your mansion's summer home was just delivered by way of a ZULUHVTRANNSPOORT . They said it was expensive to keep it at the peak of MOOUNTIIC and - "

I.S.S.:((voice)) "Semantics Tommy." ((pauses)) "What does that word mean Tommy?" ((cut to close up I.S.S. facing to the right)) "Do you? You know what that word means now?" ((right hand enters shot holding a large WAADDDDOFMUNNYYYY )) "Nothing. Pay the MZN , - " ((he carelessly throws the WAADDDD into the air )) " - and something for HIZTROOUBBL ." ((he throws another WAADDDD haphazardly into the air, and turns to his left)) "Yours too." ((he throws a WAADDDD to the lower right of the shot, where an Ethereal Spirit is working on his TOOEEEEZ )) "Even you, because you had to hear words." ((he throws a WAADDDD at the camera itself, the BILLZZZZ bouncing off the lens. An Ethereal Spirit leans in from the left of the shot))

Ethereal Spirit: "Mr. Sir, it's time for your OCCUULLRRREGGIIMT ."

I.S.S.: "Alright that's it NOBODY LOOK AT ME DO YOU HEAR ME? EVERYBODY TURN AWAY OR AROUND OR THE FUPPOFF " ((pauses as the Ethereal Spirit begins to face the other direction)) "Not you, you're supposed to do that, ocu - whatever."

Ethereal Spirit: "Yes Mr. Sir." ((I.S.S. takes the iconic blindfold off his eyes to reveal his very blue eyes, crossed towards the center of his nose.))

I.S.S.: " DONTTTLLNEBDYIBB " ((he hold sup a giant WADDOFMMUUNNYYYY ))

Ethereal Spirit: "Yes Mr. Sir" ((the Ethereal Spirit begins to dab small DROOPPLLLLTZ of BLUUUU into his EYEZZZZ and into his EYESSOOKKZZZZETETEEEZ ))

Gorn:((cut to close up lying on stomach atop the HOTTRROOCCKKKK surrounded by FAANNNNZ handled by Ethereal Spirits)) "Hey Tents, why aren't you taking a LOAADDDDOOOOFF ?"

Klingon #2:((voice)) "Yeah Tents." ((shot blurs left to Klingon #2 having his face massaged by two Ethereal Spirits, one REEEED to the right and the other BLUUUUUUUUUUUU to the left, both mashing their hands into his cheeks and jaw, altering his speech, making his statements erractic)) "Why aren't you acting like you've got MUUNNYYYYTTTTOOOOBLOOOOW ?" ((a third, GREENNNN enters the shot, and forces open Klingon #2 's MOUUUFFFF and begins WAAAKKKKZING his tongue to SAY )) "Remember this morning? We were broke! Now we're so LOOAAAADEDEDD I can't even think clearly!" ((cut to Tents close up)) "Have a seat and get your CUPPZWAAKKKKZDZD "

Tents:((holding up tentacle to eyes)) "No that's ok." ((looks back past shot)) "I'm just a little bit more concerned about our fineries. Did any of you even pay off the repossessions?"

Klingon #2:((voice)) "Nope."

Gorn:((cut to close up on HOOOTTTTROCCKKKK smiling)) "Who needs REE possessions when we can BIPOSSESSSIIOOSSIIOONNZZZZ ?"

Tents:((cut to close up)) "Well what about the electricity? It was turned off!"

Klingon #2:((voice)) "Oh we took care of that." ((Tents's eyes face to the right of the shot, as the shot blurs to the right, revealing a completely overloaded electrical socket and nearby box, spliced with wires of many colors everywhere, crackling energy and sparking various colored gasses into the air)) "We were like here's MUNNY and he was like INEAA and it like never goes off." ((cut to close up, his face still being massaged and tongue TAPPDDDDANDWAAKKZZZZD )) "What a sucker, we only had to pay him like once."

I.S.S.:((voice)) "Yeah Tommy, baby, listen - " ((cut to close up, eyes crossed)) "I know you saw the FUUUUTTUURRRRE and talked to CANNDDLLLLZ and everything and that's great. It really is. I'm actually just saying that because I'm more comfortable now because of our new LUKKKK with WEELLTTHHHH . Before I thought you just held your breath too long or ATTEEEESUMMBADDDDRYYWWAAAAL , but now it doesn't even matter! None of that matters, we're in the clear! We're GGOOOOLDLD !"

Gorn:((cut to close up)) "Yeah why worry?" ((gasps points at Tents to the right of shot off camera)) "You should write a book about it! I bet you could make a lot of MUNNY !"

Klingon #2:((voice)) "It could work." ((cut to Tents up close looking to the right of the shot)) "There are a LLLLOTOT of gullible people out there Tents." ((Tents gets upset))

Tents:((shouting and very offended)) "I DID SEE THE FFFFUUUUTTTTUURRRRE ! AND CCAANNNDDLLLLZ DID TALK TO ME! AND THE GROUND TOO AND MY OWN FOOTSTEPS! I KNOW WHAT I SAW AND WHAT I HEARD YOU GUYS!"

I.S.S.((voice)) "Yup. Yup. Uh-huh. Right." ((Tents looks past shot, seemingly confident)) "Just two." ((All gone))((cut to close up of I.S.S. facing towards the right of the shot, on a GOOLLDDNNNNFOONENE )) "I want mating pairs too. MEEEEATTTT no I'm not hungry. What? No I've never had it. Really? Well I'll take another twelve."

Gorn:((cut to close up)) "Tents you're making me feel tired, or worried." ((shudders slightly))

Ethereal Spirit: ((holding spray bottle looking past shot towards Tents)) "If you wouldn't mind sir, his ANTTTTITTPPOORRRR regiment requires consistent attention."

Klingon #2:((cut to close up, all of his facial hair being massaged and combed vigorously)) "You're scaring me Tents. All this display of passion, it's making me nervous. You're moving like an enemy Tents." ((breathing heavily and angrily, teeth shown excitedly, and eyes widening))

Ethereal Spirit:((to shot's left)) "Please stop speaking sir. Your tongue is becoming tense."

Tents:((voice)) "DONT TELL ME I DIDN'T SEE - "

I.S.S.:((cut to close up looking left)) "NO! NO! OH MY FUPPIN GAH WHAT DID I SAY?! I SAID GET IT RITE! REWIND! REWIND NAOW! I SWEEAARR2GAAH I'LL GET A NU - where did Tommy go?"

((cut to exterior front door of the villa, Tents facing towards the right of the shot out of the doorway, shoulders sunk and staring at the ground, finding no solace even in the bosom of wealth, as the sounds inside the villa seem to be only from the television show. He sighs, as along the lower frame of the shot, a very STRRRREETTCCCCHLLIIMMOOOO passes from left to right, taking a total of nine seconds at a speed of 40 miles per YAYA , and reveals three separate passengers all hanging out of the vehicle's many MOONNRROOOOFZZZZ , all giddy and DRRNKNK on LIFFFFE the last, a Catperson, remarking on Tents))

Random Catperson: "Hey! Feel better KDD !" ((throws a large WAADDDDOFFMUNNNNY at Tents, it splashes against him as he remains unmoved.))

Tents:((sighs, and begins to walk towards the right of the shot, as the camera pans to the right his back tot he shot, in quiet and solemn pursuit of the super STTRRRREETTCHCHLIIMOMO destined for the Commerce District. He clears a T - Intersection of the affluent neighborhood, walking towards an arrow that reads Commerce District that points to the left of the shot around a corner, which he turns, obstructed from view. The camera slides against the WHIITTTTE wall, filling the shot))

Omniscient Narrator: "Poor Tents, not even swooning over GOOLLDDDD , the spice of Kings and Queens since the days of OLLDDDD , the rest of FredVerse alive with the spirit of riches new, and relishing the twilight light's HUUUUE . Though some be of Tents's feeling of sorrow, questions unanswered and thoughts of the morrow. What will be of my life, who was I grow louder, though for another, his heart much prouder." ((the shot begins to span outwards, panning to reveal the right eye of Norman Stanton, continuing to pull back until his face and body are revealed, standing within the WrapMaster and arching outwards under the canopy looking up into the air at the shot, skewed downwards from the sky at him, the WrapMaster to the left of the shot))

((cut to P.O.V. Norman Stanton reading a note in the twilight clouds of the FredVerse above the Commerce District, reading legibly ' dumkid ' and beside to the right ' BROUGHTOYOUBYSAYE '))

Norman Stanton:((voice)) "Think I'm a fuckin' idiot huh?" ((cut to previous, more infuriated expression)) "At least I didn't D or a . You couldn't even spell A ."

Omniscient Narrator:((voice)) "Norman Stanton on this night, found his normal work less than delight, as a voice began to goad him at random as well, bringing forth a feeling best left in HELL ."

Wind:((in A )) " LYKEKEKEKEYYYYOUNO!!!! " ((the Wind speaking, swirling through the Commerce District near the WrapMaster, as Norman Stanton's eyes go wide, darting from left to right as he continues to stare up into the clouds of the FredVerse)) " EYENOUUUUNORRMNSSSSTAANNTOON " ((Norman Stanton gazes down and out towards the quad of the Commerce District to the right of the shot)) " AMIIIIMAKKINUNEEZZZZ " ((cut to Norman Stanton P.O.V. gazing across the Commerce District, scanning from right of shot to left from the open serving window of the WrapMaster.)) " EYESUPPOOSSEEUTHNKEYEMMJSTTYRIMAGINANANANASHUUN " ((cut to close up of Norman Stanton's eyes, glaring from left to right)) " ORRPRRHPSSSSEYEMNOTALKINGTUUAAIAITTTTTTTTTLLLL "

Norman Stanton:((voice)) "Who are you?" ((cut to Catperson about to bite into a WRAAPPPP facing towards the left of the shot, eyes wide and frozen in confused fright)) " What do you want from me?" ((the Catperson looks at the shot, nervous, still about to take a BIIIITTEEEE ))((cut to previous close up of Norman Stanton's eyes)) "Hiding somewhere? Trying to FUKK with me?" ((cut to close up of Catperson to the left of shot, standing in line back to shot before the serving window, holding up left index finger, MOUF agape, paused)) "I've been though enough lately, I don't have FUKKNGNGTYME4444THSSSHITT ."

Wind:((in A )) " BUTTUUUUHVTYIMETOOTLKMECE " ((cut to closeup of Norman Stanton's face, features tightened, pursed lips with clenched teeth beneath, uncommon for Norman Stanton, though his patience with the previous installment after a mouse mocked him has worn his capacity for such thin)) " YYDDDDOOOOUDOOTHTT ." ((teeth gritted)) " YDONTUTLKTOOMEEALLOONE " ((his gaze now looks furious))((cut to Norman Stanton P.O.V. scanning from left to right across the Commerce District)) " CMNNORRMANLTZPARRTTY ." ((cut to previous, Norman Stanton's eyes blaring in anger)) " DZNTLYKESUMM1111PUSSHHNGNGUROOUUNDHUHMAYBUSHOOULDLDLDCUMMMUPTHEMMOOUNTTTAIIN ." ((cut to Norman Stanton P.O.V. looking out across the Commerce District, showing a small WHIIRLINGPAPPRNAPPKINN floating and twirling to the left of the shot, away from the WrapMaster))((cut to previous to Norman Stanton's face, smiling angrily)) " ORUUUUSCAAARREEEEDDOFALILLGUSTLYKEMEEEE ." ((cut to Norman Stanton's P.O.V. showing the swirling paper napkin up close)) " NDMYWIILNAPPKIN ." ((cut to Norman Stanton's close up face, as his eyes are bulging and he is smiling crazily)) " AWWAMIIMKINGUUUUMAAD ?" ((he nods)) " WHAATRRRRUGONNAAADOOOABTUUIT???? "

Norman Stanton: "What am I gonna do about it?" ((screaming)) " WHAT AM I GOING TO DO ABOUT IT? I'LL TELL YOU WHAT I'M NOT GOING TO DO, AND THAT'S STAND HERE AND BE TOLD WHAT TO DO!"

Wind:((in A )) " OOOOOOOOOOOOOOKKKKKKKKKKKKSCAARRDEEEECCAATTTT "

Norman Stanton:((bellowing)) " ALRIGHT THAT'S IT! GETAJOFDIPL ! URASISSMINE !" ((Norman Stanton walks out of the shot to the shot's right, shot zooms back, reveals Catperson in line for WWWWRAAAAP to left of shot beside the serving window, while the other about to BIITTTTE is standing to the right of the shot. Norman Stanton exits from the WrapMaster's passenger door, open revealing the cockpit, and begins to storm into the shot towards the whirling napkin, that dances into the shot just a pace ahead of him to the right of the shot with Norman Stanton is angry pursuit))

Wind:((in A )) " HEEEEHEEEEEEEEEEEEEEEEEEEEEEEEEEEEHEHEHE ."((as the PAPPRRRRNAPPKIN escapes the shot with Norman Stanton chasing, while he mutters, very angry))

Norman Stanton: "Mountain huh? Like a fuckin' mountain?" ((throws down HAAAIRRRRNETANDAPPRROONNNN )) "Want me to go up a fuckin' mountain? I'll SMAASHSH that fuckin' mountain!" ((Norman Stanton marches off in pursuit of the PAPPRRRRNAPPKIN while behind him, the waiting Catperson left index finger raised, watches the display, and then turns towards the opposing Catperson who immediately takes a BITTTTEOOOOFTHEEEEWRRAAAAP .))

((cut to the PAPPRRRRNAPPKINN dancing into the shot, a gust of wind blowing it by from lower left of shot while the wind cackles at Norman Stanton who chases from the lower left of the shot into the foreground and out of the Commerce District))

Wind:((in A )) " GYAHHAAAAHAAFOLLOWMEIFUDARREE "

Norman Stanton:((marching into shot from lower left of shot, back to shot in pursuit into the foreground)) " fred put you up to this didn't he? Huh? This is his mind I bet he's just talking about me, and being mean isn't he?"

Wind:((in A )) " OYYYYESSYSSYSSSSSSSSSSSS "

Norman Stanton: "Yeah? Yeah?" ((cut to facing Norman Stanton, skew facing upper right of the shot, shot moving from upper right to lower left, still in pursuit)) "GOOD. BECAUSE I'M GONNA KILLUM ."

Wind:((cut to facing a small trail, leading to the right of the shot with a small sign YLOOOO in COLLRRRR pointed to the right, towards a small trail with the silhouette of a mountain's peak, that leads through thick shrubs and tall TREEEEZ that reads " THEESMLLEEEEFRRSTTWITHTHTHHHEEEETREEEZZTHTTSMLAWFFFLL ", as the PAPPRRRRNAPPKKININ whisks past the sign and down the trail into the thick foliage))((in A )) " YSSLTHHEEHTTFLOOWTHRRUUUUUHTfredHTTTT "

Norman Stanton: ((pursues angrily into shot from left, descending down the trail as well)) " Yeah, yeah you'd like that wouldn't you? Wouldn't you motherfucker?" ((the shot rises to show the mountain peak in the not too far distance, as Norman Stanton continues to pursue the PAPPRRRRNAPPKINNN with the Wind propelling it, their figures becoming smaller down the trail into the shadow of the peak and the twilight sky))

Omniscient Narrator:((voice)) "Norman versus the Wind, who shall triumph is only part of the B , and in his pursuit, he will only D "((cut to far off shot, facing both the PAPPRRRRNAPPKIKINNNN fluttering to the right of the shot through the sporadic TREEEEZ that smell AWFFFFL the shot traveling to the right, peeking through the TRUUNNKKKKZ as the Wind continues)) " Norman versus the NAPPKINN who SHAYOFB , SAYTHEDRFWASDAYOFB "

Wind:((in A )) " YSNORRMYSSSSTOOTHEETOPIFUDARRRE ." ((cut to a close up of the PAPPRRRRNAPPKIN traveling left to right)) " OORRUBUUUUKKBUUUUKKKKBUUUUUUUUUUUUKKBUUKKKKBUKKKK -" ((shot slides left to reveal Norman Stanton now running full speed at the PAPPRRRRNAPPKIKINNNN teeth gritted, enraged)) " - OOOOUUUUMAAAADDDDDDDDDDDD " ((cut to the approach of the high mountain, as the PAPPRRRRNAPPKKIINNNN reaches in from the lower frame, dancing up the trail towards the top with the Wind leading)) " CAATTCHMEIFUUUUCANEYEMMTHEDOPDASAYZ !"

Norman Stanton: "Come back here. GETTHEFUKKBAKHR !" ((he chases the PAPPRRRRNAPPKINNNN up the winding trail that looks like the same trail that Tents climbed pursuing the DERFR with the potted FLFFFLLRRRRORORORORWWRR in a previous installment of this particular franchise, as the shot begins to track their descend, stationary shot as both enter the foreground towards the summit))

Omniscient Narrator: "The mountain was HI and Norman's anger to match, the PAPPRRRRNAPPKINNNN leading up the trail from the FOORRESTT of THTTTATTCHCH ."

Wind:((cut to higher up the cliffs of the mountain trail, treacherous heights and jagged crags leading upwards to the right of the shot, skew show down to lower left of frame, where the PAPPRRRRNAPPKKININ emerges, flying through the shot, and gliding out of the frame))((in A )) " WHEEEHHHHHEEEEEHEE " ((as the PAPPRRRRNAPPKKININ flies through the shot, Norman Stanton pursues from the lower left as well, closing in, struggling up the cliffs, angry, teeth gritted and smiling maniacally. He pants angrily as he crosses the threshold of the shot towards the right of the frame))

Omniscient Narrator:((voice)) "To the top, Norman went, refusing to falter, as the NAPPKKIINNNN was lead by the Wind with an unseen halter." ((cut to the top of the trail, at the summit of the MOOUUNNTTTTAAIIIINNNN , looking out over the valley and the SMEEELLYYYYFOORRRREESST below. Far off to the lower right of the frame was seen the brilliant lights of the Complex Complex. The PAPPRRRRNAPPKKIINNNN clears the top of the trail and breaches the shot from the lower frame with a single GUUSSTTTT that goads Norman Stanton))

Wind:((in A )) " EYYEEEEWIINEWYYEEEWIINNE !" ((spinning on the ground with the aid of the Wind like a TOOOOPPPPPPPPPPPP , as Norman Stanton emerges from behind the cliff at the lower frame, ravenous in pursuit and charges at the shot that veers downward to the ground at the summit, at the PAPPRRRRNAPPKKIIIIN dancing in victory)) " EYEEWIINN " ((Norman Stanton violently reaches down, crushing the PAPPRRRRNAPPKKIINNNN )) " OWWSTOOPPIT " ((the shot rises with the PAPPRRRRNAPPKKIIIIN in the clutches of Norman Stanton, shaking him, looming over and looking down malevolently, then looking up past the shot, blinking twice, his expression dissolving into fascination))

((cut to Norman Stanton P.O.V. showing the external entrance of the DERFR compound, the GGUUSSTTTTWHHHIRRRLLINGING into the entrance invitingly speaking))

Wind:((in A )) " ENTRRIFFUUUUDARRE "

((cut to previous, Norman Stanton now glaring at the shot, throwing away the PAPPRRRRNAPPKKIIIIN , which flies to the right of the shot))

PAPPRRRRNAPPKKIIIIN :((in Z )) " RAPPAZZ " ((Translation: " fukunormnn " ))((Norman Stanton walks into the shot))

Omniscient Narrator: "Norman Stanton who reached the top, now finding his curiosity could not be stopped."((cut to wide shot skew downward entrance into the initial courtyard of the DERFR compound, Norman Stanton entering shot from the left as a swirl of WIND begins to twist before him, in the center of the shot, only clockwise)) "Enter he chose, the WAYOF7E into the DERFR den, a message for him to C ." ((the WIND begins to speak))

WIND :((in A )) " COMME2222MZENORRMAN "((cut to close up Norman Stanton facing towards the right of the shot, skew shot, Norman Stanton standing skew to the right)) " ARRUSURRPPRISSED2222HERRMEESPPKKNOTTOFTTNNTHAATNAYYTURRHAZZSUMMTING2SAYY ."

Norman Stanton: "I'm in FREEDDDDZBRAAIINN , talking WIND doesn't surprise me that much."

WIND :((voice))((in A )) " ANNDHERRREYEEWASSEEKKSPEKKTNGAWEE " ((cut to the WIND close up, swirling)) " PRHPZZZZEYESHOOLDBMOARDYRRREKT ." ((within the tumultuous WHHRRLLLL a figure walks towards the shot, wearing only a robe and a small mask of a CHLLD over the face, the hands are claws, very sharp, purple with blue sharp nails out of each finger. The feet are obscured and the robe is hoodless and the color yellow and blue on the inside. The mask of a child is one with an open left eye and a closed right one, like it's winking, smiling mouth, with BLLLLUHAARRRR and BLUULIPPZZZZ . The figure walks towards the shot as the WIND continues to speak)) " DDOOEEZZZZTHSSCONNNVEAAYYYYTOOUUUUINNAAAANNRRPREEESCCIISSEEEEEEEE?? "

Norman Stanton:((voice))((very nervous)) "Well." ((cut to close up, looking to the right very concerned for well being)) " Let's see, you look like MAN , so you're saying the problem for WIND is THEMAN . You're wearing a robe so you're ANGGRRY , and if you're WIND that measn you're RLYYANGGRRRYY , and doesn't have a good so you're MADD about something and in terms of WIND it's nail or NAIL ." ((cut to the figure once more, facing towards the shot as the WIND continues to swirl about the figure)) "The robe is yellow and if you're WIND that means you're YY and that's BADA , so you're causing something to work to STOP something, like a telegram and it's blue on the inside and that means you didn't do anything A and didn't send the telegram or whatever it is that is A7D , and you weren't the one who it was sent to or directed at either."

WIND :((in A )) " WATTELSSEE "

Norman Stanton:((cut to close up, again, still nervous)) "You have claws for hands and they're purple. That means you didn't YY but you're WIND so that's A and that means you're saying what A is and...someone else is using that and blaming you for what they do." ((cut to close up of the figure's hands, facing towards the left of the shot)) "You have blue nails, and on purple claws means you YY , but...you didn't. ANd you're WIND so that means - "

WIND :((voice))((in A ))((shot rising to shot the mask of the figure close up facing towards the left of shot)) " EYEYYATYYYYOUUNORRM "

Norman Stanton:((voice))((more nervous)) "And that mask means this YY at me, but you're WIND so that means - "

WIND :((closeup))((in A )) " THAATTHHSISMMIINEIFIYYANDIDIDDNTYYANDYYEETITZSTILLBLAMANGME4YYANDNVRSTOPING "

Norman Stanton:((voice)) "Yup." ((cut to close up facing right of shot towards figure off camera)) " And you resemble all the problems that you're being affected by and like A you go to where the problem came from." ((gulps)) "And in radio, WIND means - " ((grits teeth, whispers)) " HALLLILILSAATAYYAAN " ((Translation: " whereisgod "))

WIND :((voice))((in A )) " ANDHERREYESTAND "

Norman Stanton: "Stand means we YY at your name."

WIND :((voice))((in A )) " YESSNORMNWIITHELEECCTRCCEETYYY " ((cut to facing shot)) " DOUUUUNOYEYELKLYYKTHSS "

Norman Stanton: ((voice))((very nervous)) "No."

WIND :((in A )) " THSIZHOWWEYELKTOOTHOOOSEHOOOSAYEAEAE "

Norman Stanton:((voice)) "Wait, A ? No no no." ((cut to close up, shaking his head in disagreement)) "It doesn't make sense as to why you think I caused this." ((cut to WIND close up once more, looking towards the left of the shot)) "Why you look differently to me, and because of me."

WIND :((in A )) " ANDDSOUUNDDIFFRNTLTLTY "

Norman Stanton:((voice)) " UH " ((cut to close up facing right of shot, nervous once more)) "That too yeah."

WIND :((voice))((in A )) " ITZPRTOFTHEEREAASUUNYHERRRNOORMN " ((cut to WIND close up )) " YYRRURRINFRREEDDZBRAAAINZ " ((holds up a right index finger claw upward)) " SHHURLYYOUMUUSTVEWOONDRRDYUUUUWRRHRREEE ."

Norman Stanton:((voice)) "Kind of. I never really had a problemw ith Fred until..." ((cut to close up, sneering)) " Until he implied that I don't read. And that he became a MOUUSSEEEE and said it, and was a fuckin JRKKOOOOF about it."

WIND :((voice))((in A )) " BUUTTYOUREMMBRTHEOTHERTHATIZHZFULLNM ." ((Norman looks puzzled)) " FREEDERICCKTHEWOONNONTRIIALLTHECULLTSPOOKEEOFF "

Norman Stanton:((shakes head)) "That's not his full name. His full name is fred - " ((he stops short, looks confused, blinks four times))

WIND :((voice))((in A )) " DOUUUUNOYUDONTNOHZNAME? "

Norman Stanton:((nervous and confused)) "No, I just nofred ." ((again, another confused expression, and covers his MOUUFFF )) "What's happening to me?"

WIND :((voice))((in A )) " URHERRBCCUUZOFAMSTTK " ((cut to WIND close up facing to the left of the shot, index finger still raised)) " BCUUZOFAOFZANDBCCUUZZOFANUUTHRYYANDUSINGYRNMTODOOTHS ."

Norman Stanton:((voice)) "It's fred isn't it?" ((cut to close up facing to the right of shot, irate)) "I'll kill 'em. ILLFUKKINGGKILLLLHIMMM ."

WIND :((voice))((in A )) " NOUUUURTHE1WHHOOOSAYI "

Norman Stanton:((fuzzy glare((shakes head)) "What? I don't get it."

WIND :((voice))((in A )) " DOUUUUNOYRNM ?"

Norman Stanton: "Yeah I'm NORM . norrstanton ." ((surprised)) "What did my name change when I said it just then? Is this because of that MOUUSSEEEE fred ?"

WIND :((voice))((in A )) " NO ." ((cut to close up)) " ANDNOITZNOTYRNM ." ((right claw hand now forms a circle with all fingers and the thumb)) " ITZBCCUUSOFSUMM1ELSSEE ." ((cut to close up of a very confused and wide eyed Norman Stanton facing towards the right of the shot)) " ONNEEEEOFTHEEEYY ."

Norman Stanton: "Who? The fuckin' weird ones who were spying or whatever? The ones Fred was talking about?"

WIND :((cut to close up of mask, facing to left of the shot))((in A )) " PAAAAMEEEELLLLA ."

Norman Stanton:((voice))((pausing)) "Who?"

WIND ((in A )) " THEEEBLOOONDDE "

Norman Stanton:((voice)) "Alright, what does that have to do with me?"

WIND :((cut to close up of Norman Stanton looking to the right of shot))((voice))((in A )) " PAMMELLAHAZANOBSSESIIONWIITHfredTHATINVOLLVSSHKKINGSINCECEB4444UEVNNUFREDORRfredOFV ."

Norman Stanton: "Alright so I'm here to A for him?" ((puzzled expression, though calmer)) "He did A right?"

WIND :((voice))((in A )) " NOOOO "

Norman Stanton: "Or Z ? Or HK 'd ? Why else would it involve me at all?"

WIND :((voice))((in A )) " UAAAADDDDNRRMNANDSOODIDSHEEEETHATZYYYRBOOTHHERR ." ((cut to close up of mask facing to the left of shot)) " SHEEEECNTSTAYBCCUZSHEEDNNIIESSAYYINGGATHZNM "

Norman Stanton:((voice)) "I didn't A ! There's no fuckin' way because that I means I Yy ." (( WIND shakes head)) "What the fuck is that?" ((cut to close up Norman Stanton looking to right past the shot)) "How the fuck did that happen?"

WIND :((voice))((in A )) " ARRUFAMMMIIIRLRWITHTSSSHSCOMMMPUUTRR? "

Norman Stanton:((perplexed gaze past the shot)) "yeah. It came from ventresca ." ((puzzled)) "I mean ven - " ((sighs)) "I don't why it sounds different - "

WIND :((voice))((in A )) " ANDLOOKZZZZDFRRRNT " ((cut to WIND beside an orange iMac Computer with a tube screen from the mid to late 1990's , to the right of shot, holding steady in the air, firm and not bobbing)) " THSCOMPUTTRCMFROOMMFREDVENTRESCAOFV ." ((figure motions towards computer, as the screen comes alive, displaying the image of a woman, blonde with glasses who bears a striking similarity to several characters viewed as antagonists throughout this franchise. She is seated facing to the right of the shot towards a personal computer, that has a Pentium Processor, a desktop model that resembles a computer created by the company Gateway. She is typing in place and staring at the screen, as the shot moves in and the screen fills the shot.)) " THSIZPAMMMELLAAAAANDDSHEESPOOKE2FREEEDVENTRESCAOVRRAWBBSYYTECALLDteen.matchmaker.com " ((cut to close up of the screen, showing a website with red borders and black writing, the symbol being a spark of a firecracker showing a profile page of a young man, whose picture resembles that of Frederick Kyle Ventresca, standing rigid facing towards the right of the picture, hands on hips, smiling confidently with short hair, clean shaven, wearing a blue t-shirt.))((cut to external shot of an establishment called the Montgomeryville Mall, the alcove being a beige colored brick, as the shot pans down, to reveal the back of a young man, Frederick Kyle Ventresca, wearing a green tennis shirt jeans, with short hair, walking into the building through a set of double doors.)) " SHEEEEWAANTDHMTOMTTHRATHRWRRKANDSPEEKKTOOHMFACCE2222FACEE ." ((cut to a small kiosk on the ground floor of the mall, facing towards the kiosk's main sign, reading in large letters ' TEDDY BEAR FACTORY ' . The kiosk is square in dimensions and the shot descends to reveal two individuals working, one is the blonde haired girl with glasses, and the other, a tall stout individual who is roughly 4 years older than her, caucasian and clean shaven with shorter brown hair. Both of them wear REDD aprons to indicate they're working. The counter of the kiosk is lined with various teddy bears, used for the purpose to convey friendship or affection. Frederick Kyle Ventresca approaches the left of the shot, as the blonde with glasses looks in his direction smiling, from the right side of the shot behind the counter, her coworker in between.))

Frederick Kyle Ventresca: " Hi."

Coworker:((stepping between the two, with the counter dividing)) "She's working."

((Frederick Kyle Ventresca is left awkward, but leave the shot after shyly waving goodbye))

Norman Stanton:((voice)) "Ok what does this have to do with me again?" ((cut to Frederick Kyle Ventresca seated at a green colored iMac computer with a tube screen, facing towards the right of the shot, with a wooden wall behind him, light in color)) "I mean, I never even did E . And that's not even the same computer!"

WIND :((voice))((in A )) " FRMMTHEESMHOUUSEHLD " ((Frederick Kyle Ventresca reacts at screen, disgruntled))((cut to Frederick Kyle Ventresca P.O.V. showing screen of the green sage colored iMac computer, with a text chat window open from the screen name of the girl shown earlier, to Frederick Kyle Ventresca's screen name on AOL Instant Messenger, mercenaryF , reading only " your ugly ")) " THSWAASNTTHEEFRSTTYMETHEESTWOOCONVRRSDBUTTHEELST ." ((cut to Frederick Kyle Ventresca facing towards right at shot at green sage computer, iMac typing, discontent))((cut to previous, shows a long conversation including a denial on the part of 'pamela' where she had claimed that ' her brother had typed the initial message, and the final response from mercenaryF was written as: " I never want to speak to you again"))

Norman Stanton:((voice)) "Again, how do I fit into this?"

((cut to 'pamela' sitting staring at the screen of her computer, about to burst into laughter as she spoke to three other individuals at the same time, one of whom was a brunette who matches the description of numerous antagonists in this franchise, as 'pamela' laughing aloud and then speaks:))

'pamela' : "Oh - my - god." ((more laughter))

WIND :((voice))((in A )) " SHEEMDACHHOOUCCETOINNVOLLVEHIMMWITHHHRRCRIIMEEEEZWIITHTHEEHLPOFANOOTHR ." ((cut to Norman Stanton looking to right of shot, the glow from the screen on his face as he looks past shot)) " THEEYYYYCLAAIMMD2222BBBBTHEGOVVTOFTHEUNNIITTTTTEDSTAATESSSSOFAMEERRICCAANDCAUUSSDDA7BBETOEEESAY ."

Norman Stanton: "Ok but I'm not affiliated with the government. My dad, my uncle, my grandfather yeah. Me? No. I just don't understand."

WIND :((voice))((in A )) " YEERRZPASSTANDUCAMEEEE2KKNOFREEDVENTRESCAANDHEGAVVUUUUHZOLDCOMPUUTR ." ((cut to WIND standing beside the computer, like before, with a new blank BLUUUU screen)) " THSSOOONETHTWASSALSOOUSSDBYYAIMWITHTHHEESAMMEEEEINTRNTANDELCCRRTCTTYY ." (( WIND points to the right of the shot)) " URRFATTHRRRRDIDTHSS " ((the camera zooms in as the screen changes to show Norman Stanton Senior using a VVI , a device used by electricians to do anything simple that involves A7E or D or Z and never LAYYZ and looks almost like a cellular telephone with a LCDCRYYSTAL screen that is BAKKLITTT and would be found on early models of cellular telephones.)) " HEEEESAYYDAWASBTEDSATETOAA "

Norman Stanton:((voice)) "Uh - " ((cut to close up, brow up)) " He said he was just YYTOa7 " ((surprised at the lower case letter)) " Why did that happen?"

WIND :((voice))((in A )) " PREECIISSELYYDIDTHTHPN ." ((cut to previous the screen of the iMac showing Mr. Stanton Sr. typing on that device, then cuts to a man, at the time 28 years old, black neck length hair, green eyes, heavy set roughly 202 lbs, caucasian, staring at a PC computer screen to the left of the shot. He bears a disturbing resemblance to the Blue Wizard in the first installment of this franchise. He sits staring to the left of the shot, the computer screen he stares at peeking in from the left of shot)) " THSMNHLPPDPAMMELAAAANDPRTNDZ2222BBBBTHEGVVTANDUUUUSDYRFTHRZAOFB7TOATHEBOFZ " (((meaning, used Mr. Stanton's U.S. Military Identification as a former U.S. Marine Electrician to manipulate the computer that was once utilized by Frederick Kyle Ventresca)) ((cut to P.O.V. black haired man, speaking in a AOL Instant Messenger chatroom to a screen name of 'pamela' and one of her friends, the brunette, who also bears a striking resemblance to The Pixie. He types "what should I say" the reply from 'pamela' being "say we manipulated you haha " the other, the brunette's screen name adding " haha ")) " UPOONTHSSOCUURINGUWRRBOF7ANDREQQIIRDTOCONSTANTLYYDISSCRNYRSLFFROMFREDERICKKYLEVENTRESCAANNDfredALLTHETYMEANDNOTSTOOPSAYYINGII ." ((man's screen name types: " ok fine. "))

Norman Stanton:((voice)) "No. Fuckin' no way." ((cut to Norman Stanton, expression disbelief without shock)) "No, if that's true I can't 7 . I can't A . Why can I know who I am?"

WIND :((voice))((in A )) " YRNAMESTANTONUHVTHESAMMENAMEAZYRSONN ." ((cut to close up WIND facing the shot with the computer to the right of the shot, still displaying the image of the man with black hair)) " ITZTHEESAMMEREAASSOONHEEZTHEEGODDOFSPAACCEANDTYYYMEMEHEAOFZSAYZAZASAYZIKZASAYSAY ." ((points to the screen at us all)) " UOWWEMEMEMEME ." ((pointing to the right of the shot, towards the computer screen and the man with black hair)) " HEEDOZZTOOOOBUTTUNEEDDDDTODDAAANDNDSAYNOT " ((points at shot towards Norman Stanton off camera)) " USAYNAHEEDIDDNTTTTANDHEEYYE ." ((cut to Norman Stanton close up, wide eyed looking to the right of the shot, still in the glow of the screen)) " UHV2SAYHENYORRHEESAYYYOOOOSAY ."

Norman Stanton: "No I can't say he's me, even if I want to! He can say he's me? Bullshit! He doesn't yy ." ((astonished)) "No. NOFUKKINGWAAYYNONO !"

WIND :((voice))((in A )) " EYETLDUHEEWLLLYEEJST2222GTOWTOFTRUUBL7777TIIMMMZHEEDIDUUNNNTHINGEKZPPTSAYNOWIITHYRRNM ." ((cut to mask of WIND close up)) " EYENOHOHEIZANDWNHEDIZEYEOWNNHM " ((cut to previous Norman Stanton looks very pissed off, mad looking past shot)) " BUTTYOUHV2FYNDYOFZOFZ ."

Norman Stanton: "What, just to DRF7 - " ((he pauses, then smirks)) "All I have to do is bring you 7E ? Just one?"

WIND :((voice))((in A )) " YSB41DOFZB4THEDIOFZ "

Norman Stanton: ((nods)) "I know what that means - " ((smirking, eyes darting back behind to the left of shot)) " And I know where to get that." ((cut to WIND up close, staring past shot)) "I'll be back."

WIND :((in A )) " BEEEEFASTOREYEWNTBABLTOSTOPTHEEBOR7E ." ((the shot begins to zoom inward to the mask work by WIND into the left eye of the mask into its pupil, the screen black.))

Omniscient Narrator: "Dire is the plight of Stanton's son, who YAYTHEBINTONAYOFDON ."((The shot hangs for exactly 1.5 seconds, before zooming outwards to reveal the pupil of the right eye of Briefcase, whose handle is being held in a human hand. The shot faces the face of Briefcase, as he is carried through the shot, the ground the background, a BLUUUUCARRPPEEEETT traveling from right to left of shot. He is singing)) "Though now we find the lawyers who, BAPTHEBOFSHOOPPPPOFDO ."

Briefcase:((muscial)) " Annnnd when I said my name was DERFL , she said My name was BIPPL , and I - "

Bad Lawyer:((voice)) "ENOUGH!" ((background motion stops, Briefcase's expression sad)) "I don't need to hear about the LAW today." ((cut to close up of Bad Lawyer looking to lower right of shot angrily, hallways behind him trimmed in wood and the color BLLLLUU . The NUSSPPR still on his face, right side and head gripping to him.)) "We're here to defend SUUMM1 , not PROOSECUTTEEE1 ."((he looks about on either side of the shot)) "Now where is 407 ?" ((looks down the shot to the shot's right, his left, smiles)) "Ah - " ((cut to close up on the numbers 407 , a BRNWDOOR with GOLLDDDD numbers reading 407 predominantly)) " - here we are." ((the shot zooms outward quickly revealing Bad Lawyer entering the shot from left of shot, carrying Briefcase off camera in his right hand. He is flanked by Beer Barrister, still sober and Twin Partners whose silhouettes flank either side of the shot in the rear, the camera between them. Bad Lawyer knocks on the door, four times. A voice not very happy, cries from within, male and in english.))

Voice: " woiztht " ((Bad Lawyer glances towards the others then back forward))

Bad Lawyer: "Excuse me Mr. - " ((cut to close up facing towards Bad Lawyer and the others, Twin Parnters in the rear of the shot eyes glued to Bad Lawyer, with Beer Barrister to the furthest right of the shot eyeing Bad Lawyer as well. Bad Lawyer leans towards Twin Partners, reading the right side of the NUSSPPRR still grappling to the side of Bad Lawyer's head))

Twin Partner #1: "It says - "

Twin Partner #2: " - yahweh ."

Bad Lawyer: "Right, yes Mr. yahweh we represent BadLawyers Chapter 119. We are responding to your request for legal representation."

yahweh :((formerly voice, from behind the door off camera)) " wodafq "

Bad Lawyer:((pauses blinks once)) "We're lawyers." ((cut to previous wide, facing towards the door, the BadLawyers's backs to the shot)) " We're here to defend you." ((there is a pause from within))

yahweh :((voice)) " gtinhrnao "

((the BadLawyers exchange glances once more, as Bad Lawyer reaches for the doorknob and twists it to the right, after placing Briefcase into his left hand))

((cut to interior, of what appears to be a hotel room, with two double beds, feet of which extend into the shot, along with the door to the right leading presumably to the bathroom, as most hotel rooms are designed. The room's color is REDDWAALLZ with a BLK interior door, with a small sign directly below the peephole that reads in large BLUUUULTRRZ , " RUNNOWWWWTTTT ." The carpet is medium plush, and the color BLUUUUUUUUU . The door begins to creak open, with Bad Lawyer, pushing in the knob carefully, as the DOOOORR opens from right to left of shot, hinges on inside left of door. He places Briefcase by the handle back into his right hand, as his eyes scan the room for any sign of the client))

yahweh :((voice)) " yogtinher " ((there is the sound of heavy sniffing, and nasal activity, like there is something in the nostrils, as BadLawyers enter slowly, Bad Lawyer leading the charge with Briefcase in right hand by the handle, with Beer Barrister behind him, while Twin Partners attempts to walk into the doorway at the same time in a line, and repeatedly get stuck, bouncing back attempting again twice, ending with glaring at each other angry. Bad Lawyer closes in on the shot, as he is about to speak past the shot to the camera right, only to be interrupted))

yahweh :((voice)) " getthhdoorreyesd "((Bad Lawyer lookg back towards the door as Twin Partners force themselves through the doorway, equally, squeezing through the opening, as the camera pans to the right past one double bed closest to the entry door of the room, the covers BLUUANDWHHHHITTTTTTTTTTE , crossing over to reveal a BLUUUUNITTESTND with a YELLOMLP atop it with a YLBLUffoonene on the stand itself. Sitting on the edge the other bed, furthest from the entry door, and close to the NITTEESTAANDND is a nude man, holding a flat mirror and a small TB in his left hand. He is naked and intoxicated, with short black hair, YLeyeZ , clean shaven, and body hair. He is somewhat portly, and there are a few SHOOTBOTLZ beside him on the bed, as he looks past the shot towards the BadLawyers, furious at the intrusion, mouth agape in anger, as the sound of the entry door closes)) " wat "

Bad Lawyer:((voice)) "Mr. yahweh I presume?"

yahweh :((sniffs)) " wat "

Bad Lawyer:((voice)) " We're responding to your NUSSPPR request. We're here to represent you as our client."

Briefcase:((voice))((his eyes darting towards Briefcase, wider)) "We're your lawyers."

yahweh :((bites lower lip, eyes bulging, pissed off, big sniff)) " ucpz ?"

Briefcase:((cut to close up, being held flat at the groin level of Bad Lawyer, and facing to the right of the shot))((pauses)) "No we're lawyers"

Bad Lawyer:((shot slides up, facing to right of the shot)) " There's a big difference Mr. yahweh , especially in the FredVerse."

yahweh :((voice)) " frdwththe ." ((pauses)) " wtfizthat ."

Bad Lawyer:((expression confused, yet stern)) "Where we are. It's a UUNVRRRSEEEAC . Where one goes to A7 ."

Briefcase:((voice)) "Is that why you need an ATRRNEY ?" ((cut to close up of Briefcase facing right of shot)) "Because we can just say you SAY and you didn't D ?" ((cut to Twin Partners muttering in agreement between each other in the small hallway leading in, the door behind them closed))

yahweh :((voice)) " dafq " ((both stare past shot)) " lookeyendalwyr . ifukdup ." ((sniffs)) " fuknDIMonmnname " ((cut to close up yahweh , wired looking past shot)) " ndeyewntMUNNY ." ((he stares past the shot, frozen, then sniffs deeply))

Bad Lawyer:((voice)) " DIM ? Well that sounds like you did B at somebody's name." ((he squints defiantly, and looks defensive))

yahweh : " noeyednt "

Bad Lawyer:((cut to close up, smiling to lower left, the pages of the NUSSPPRRRR barely shown on the right side of his head)) "Of course not Mr. yahweh . That's why we're here." ((eyes roll off to right)) "Mayyyybe it was DIMTO7 to say he did something wrong."

Twin Partner #1:((cut to close up, both standing side by side, speaking from left)) "Or maybe - "

Twin Partner #2:((from right)) " - he YYSAYNE ."

Briefcase:((cut to close up)) "We could say they BR7ESAY ."

Beer Barrister:((rubberband close up)) " Or they BUURRRRPPPPPPPPPP "

yahweh :((cut to staring past shot)) " yaahelkzzzzlikkejssus "

Bad Lawyer:((voice)) "What?"

yahweh :((sniffs)) " frdd " ((sniffs)) " heellkzlykejsus "

Bad Lawyer:((cut to close up, looking to lower left of shot, confsued expression)) "The MOOUUSSEEEE ?"

yahweh :((voice))((sniffs)) " whatthefk " ((Bad Lawyer frowns))

Bad Lawyer: "Do you mean Fred, the former DEESSPOT of this universe called FredVerse?"

((cut to yahweh looking past shot, high strung and one BIT over the DDE , blinking erratically))

Twin Partner #2:((voice)) "The guy in CHRRRGE ?"

Twin Partner #1:((voice))(( yahweh 's eyes follow the voices)) " - HOO became a CHRRG ?" (( yahweh 's expression bewildered))

Beer Barrister:((cut to close up, staring off to left of the shot)) "The reason I DRNK ." ((looks to shot, shaking head smiling)) "And the reason I SHOOULNDT "

yahweh :((voice)) " what "

Briefcase:((cut to close up)) "Look, we know a guy named Jesus. But he's not fred ."

yahweh :((voice)) " fuk ."

Briefcase: "Yeah he doesn't really resemble fred either. Or Fred for that matter."

yahweh :((voice)) " fukk ." ((sniffs))

Bad Lawyer :((slides up to left from Briefcase who is still being held at groin level by Bad Lawyer)) "Also suggesting that he SAYE ? Probably not likely given that he doesn't ZAY ."

yahweh :((cut to close up, staring past shot, rigid and frozen, eyes transfixed)) " whaat ?"

Bad Lawyer:((voice)) "He doesn't do anything A ."

yahweh : " oh ."

Bad Lawyer:((voice)) "So if there's a DIM on y7 - "

yahweh :((sniffs))((shakes head)) " noonmyynmduddeeeeeeeeemynammenotnuttthegynttdorrduddeheyynottme "

Bad Lawyer:((voice))((pausing)) "Wait a minute - " ((cut to close up, NUSSPAPPEER clased to the right side of his face)) " - WEELLZRTURRNNG . If you yy , the Jesus would say AATOA to SAY what you did. That means Jesus YY . You couldn't YY , because you yy ."

yahweh :((voice)) " wht "

Beer Barrister: ((cut to close up, facing to the right of the shot, with Twin Partners in the background)) " But how do we get Jesus to be Fred or fred or anybody else? ((cut to yahweh stiff and on DRGGZZZZ shaking slighting, blinking back to aware and not passing OWTT )) "We'd need to prove that he's fred . Or looks like he's frdd ."

Bad Lawyer:((voice)) "He's not fred or Fred , he's Jesus ."

yahweh : " duddhelkzzzzlykyjjesuseyemmfkuungsruusduddlokathiisfukkiingfcceheeszfukiingnggoddfukkdudditzweiirdfgatatfuukuuuuookgodsukittbtchfukoffloosreyedonttttcar \- "

Bad Lawyer:((voice))((interrupting)) "I've got it!" ((cut to close up facing past shot to left side, NUZZPPAARRRRPR still clinging to the right side of his face, enthusiastic)) " It's so simple! We'll say the same thing! THen, Jesus will show AOF7 what Fred , fred , or whoever looks like, we'll say he's AOF7 , A 's at ZTOAA at our client Mr. yahweh who overcome with grief is entitled to restitution and damages."

yahweh :((voice)) " andfukumunytreeeeeee "

Bad Lawyer: "Yes and - what?"

yahweh :((cut to close up, angry)) " fukkmunnyytreeeeeeeeeeeeididdntevntgtmunyfuknggay . iwntmyfukngmuny . fukktrrreeees ."

Bad Lawyer:((voice)) "You're saying you're owed fiscally by foliage?"

yahweh :((sniffs))((shakes head)) " ititsfukngherr . fukngfred . thsfukkinggunnivvrrse . fukngmunytree . fuku . icntevngtadolr ."

Bad Lawyer:((cut to close up)) " Hmm, give me a moment." ((turns back to shot)) "Everybody" ((close up face, blowing WHIISSTTLLLL )) " Ok HUDDLLUPUP " ((as the bodies of Beer Barrister and Twin Partners obscure Bad Lawyer, with Briefcase being held lower, as all the BadLawyers of Chapter 119 are lower in the shot)) "Alright, here's the game plan." ((cut to Bad Lawyer deep in the HUDDLLLL and hunched over, and shadowed by the others)) "We focus our efforts on the MUNNYTTTTREEEEZZZAOFZ ."

Beer Barrister:((voice)) "Why? What happened to Jesus?"

Bad Lawyer: "Never mind Jesus. Not now anyway. If we focus on the MUNNY first, we can get A , then we use ZOFBTOABIYY ." ((cut to them surrounding the plush carpet, where Bad Lawyer's finger traces upon the carpet's plush, like a football strategy)) " That means we can use A to SAY Jesus is fred, we can GAY his name, and make fred A . Then fred will yell, and we'll YY and we GETyy and YYd . Then we can YY and yy , and we never need A . In addition, the MUNNYTTTTRREE never will SAYY . It's a TREE , it's not supposed to A or Z . That's why we can get both to A , and never need A ever again!" ((Bad Lawyer was and is tracing indecipherable mania))

Briefcase:((cut to close up, still being held by a jittering left hand of Bad Lawyer, who now is being covered from clear liquid falling from above the shot)) "Bad Lawyer you're panting! And you're drooling on me!"

Bad Lawyer:((the shot pans up to reveal he's still in the huddle, drooling uncontrollably everywhere, his eyes pinwheels for but a moment)) " I'm hungry for this case! And then, when we AOFZ with THEDAYOFB we can MAKELAWWYRRRR , and never need A ! We'll have LAWW all to our own name, our own chapter, all for ME! " ((smiles)) " And for METOMETHEMEOFMEMOARTHAANICOLLUULDEVRIMAGINEE " (( BEAMzz triumphantly))

Twin Partner #2: ((cut to close up)) "Why don't we just ATOSAY ?"

Twin Partner #1: ((slides left in HUDDLLLL )) "Then Jesus is GAYY ."

Twin Partners :((in unison, zooming out slightly)) " And WHEEYAYA ."

Briefcase:((voice)) "Then I could YY and zay . " ((cut to close up)) "Then I'd be the BEEEESTTTT ." ((cut to Bad Lawyer looking down, shuddering in anger, grimacing)) " And BTTRR and BEEEETTTTR and BEEEETRRRR ."

Bad Lawyer: "No! I like my plan because I get to YY ."

Briefcase:((voice))((sad)) " OOOOH ."

Bad Lawyer: "Well begin with a canvas of the FredVerse to find this MUNNYTREE and C to say it's ours. Then we bring Mr. yahweh the A and he gives us 7ETOA . Once we get A , we finish the assignment and DOF Jesus."

((cut to facing the HUDDLL from the opposing side of the doorway from room interior, as Bad Lawyer WHIIPS around, facing towards yahweh off camera, still holding Briefcase at crotch level, his MOUF facing the shot. Twin Partner #2 has right index finger raised, but lowers it, as Beer Barrister appears about to speak, but closes MOUF as well.)) "Mr. yahweh , we'll get you your AOFZ , and your NTI too. And when we do, we'll return and give you THENZTOFZANDSAYIT ." ((cut to yahweh staring past the shot, still holding the mirror and the TB and seated on the side of the bed, bleary eyed past shot)) " Thus, you will reward us with AOFZ , and we will YY . Are we clear? Good. Now - " ((cut to Bad Lawyer close up, NUSSPPRRRR still clinging to his head)) " - when we come back, be sure to make mention of A . Then we won't have to yy ."

yahweh :((voice)) " uhk ." ((being stared as Bad Lawyer, confident in his plan, turns about facing the door, and walking towards it followed in tow by the other members of BadLawyers Chapter 119 , as the camera zooms forward into the jet back hair on the back of Bad Lawyer's head filling the shot))

Omniscient Narrator:((voice)) "The Chapter of 119 has hatched a plan, while Mr. yahweh DOFDAN , the Bad Lawyers creep through the NITEOFSHAH while elsewhere in FredVerse, DIWASBAH "

Acolyte Fred:((voice)) "And why shouldn't MUNNY be that which gives you strength? Which gives you life?" ((shot begins to zoom out to shot the slit of black pupil and RIGGHTREEDEYEE of Acolyte Fred, who speaks as the shot zooms outwards)) "Friends, compatriots, like-minded MIZZRRRRZ - " ((shot fully zooms to reveal Acolyte Fred speaking before the upside-down tree, outwards towards the shot, still wearing his robe)) " - I stand before you as a messenger for WAYOF7E . The path of equity, and solvency, fortitude of wealth, strength through numerical value, validity through viability, accounted for and acclimated, and in favor of this, -" ((he holds up his hands behind him, towards the MUNNYTREE )) " - the plant of life. The root that brings forth an end to poverty, to war, famine, the cruelest of fate for many of you." ((cut to over the shoulder, Acolyte Fred, showing a line of many of the FredVerse's residents standing and listening to his words)) "These branches, bear a never-ceasing solution, one to which we all benefit and share the bountiful fruit of. It is this tree, which makes all you men come together in fellowship, and each to stow your arms in favor of discussion and peace." ((cut to close up of Acolyte Fred, holding a BILL that splits apart to forth many)) "This is a true sign of GAH and the WILL thereof to bring forth prosperity unto you, and I." ((holds it out to the lower left of the shot)) "Take and spend, this is of value, AOF7VDOOTHSTOAFOZ "((as he speaks handing out the communion sacrament of the BILLZ to this NUPPAARRIISHSH , the shot continues to zoom backwards to show the long line of many awaiting the MUNNYTREE and its BLEESSIINGNG , as Tents is shown to be the closest to the front of the line.)) "Come forth, one and all. None shall be turned away. Pay homage to the TRUUTH , the body giveth, and only asks us to take." ((cut to lower left of shot, showing Tents approaching Acolyte Fred to the upper right of the frame.))

Tents: "Uh hi, my friends were hoping to have more AOFZ please."

Acolyte Fred:((voice)) "Loyal member of my FLOOOOCK , my CROOKKKK protects and guides you to spend fruitfully."

Tents: "Right, listen I need about 12 more I think." ((cut to Acolyte Fred looking down, standing tall to the lower left of the shot)) " Gorn wants a NUUHOOTTRROOCCKKKKMOOUUNNTTTAAIIIIN and I.S.S. wants another 30 to pay off an Ethereal Spirit who knows what his EYEZZZZDIDLSTSUMMEEEER ."

Acolyte Fred: "You friends are wise and seek prosperity through possessions gained through the WILLOFOURGOH . Such is the way of the truly ENLLITEENDDD and the most content. Our sacrament be one to which our own creator finds PERRFFFFEECCKKKKT . Our own communion that which we are found to be PURRRRE ." ((cut to Tents close up, looking up to the right of shot)) "Taking for ourselves and only our own GAAAAINN be to what the teachings of TREEEEEEEEEEEEEEZZ bestows. Take your FFIIIIL but PLZZZZSPND , - " ((cut to close up of Acolyte Fred looking down to the lower left of the frame)) " - for it is the WILLLLOFGAH that we give back to those by purchasing and accruing that which is produced, - " ((his eyes wider)) " - no matter how."

Catperson:((voice)) "Excuse me, excuse me - " ((Acolyte Fred reacts, turning to the lower right))((cut to a Catperson close up, looking to the upper left of the frame, with other residents of the FredVerse behind)) " HI , I need about 300MOARBILLLZZ . I only thought I needed 200 but this MERRCHNNT said I need an additional ATO7 ."

Acolyte Fred:((voice)) "Take and pay to MERRCHNNT what is DOO ." ((Acolyte Fred's most gracious left hand enters the shot, giving the Catperson a WADDDDOFMUNNY , to the delight of the Catperson))

Catperson: "Thanks!" ((the Catperson walks to the right out of the shot, as more residents of the FredVerse behind move closer towards the shot, looking upwards to the left of the shot))

Acolyte Fred:((voice)) "No offerings or tidings REQQIRD ." ((cut to close up of Acolyte Fred looking down to the right of shot, then past to the left once more across the span of the shot)) " GAHNOZZZZ what you all seek is GAAAININ ."

Catperson:((cut to close up, to a different Catperson looking up to the right of the shot)) "He is truly a SAIINT ! A servant for GAH! "

Gorn:((standing beside Catperson wearing the standard Klingon Battle Armor, though not the guitarist we know, who is looking down at the WADDDDOFMUNNYYYY astonished)) "Why with this I'll want for nothing and need nothing!" ((he looks up, astonished))

FredWorker:((cut to opposing side, looking up to the upper left of the shot)) "What is your name? What is your word? Your quest?"

Acolyte Fred:((cut to close up, smiling to lower right of the shot)) " I am of D , and I YYD . I am THEEWAAYYTHENAY . I am WHAATIZIZANDWATCOUULDBE ." ((cut to close up to many FredVerse residents looking to the upper right of the shot)) " I yy , and I 7 . I am a DOFF and a yy . I can BRNG and CALL . I am of the AOF7 , yet, - " ((cut to FredVerse residents looking towards the upper left of shot, including FredWorker who asked))" - WITHA ."((cut to Acolyte Fred looking down past the shot and side to side, smiling placidly)) " I am from the DEPTHTHSS , yet I ROOSSEEBYYONDDTHEC . I am THEALNAANDTHESHOOPPA . When you see me, I am b . When you hear me, I am 7 . WHen both, I am c . When neither, - " ((looks directly at the shot, smiling)) " - I am A ."

Catperson:((cut to close up, looking up towards the right of the shot, pausing, then turns about)) "I believe he's talking about B ."

Klingon:((standing beside)) " Are you WCE ?"

FredWorker:((shot sliding to the right, shaking his head)) "No he's a DAY . Can't you tell?"

FredWorker((cut to a different FredWorker, standing facing towards the left of the shot, flanked by many residents of the FredVerse)) "Well I'm MOAR than convinced, this man is here to HELLPUUSS !"

Catperson:((cut to close up, agreeing and jubilant)) "Why else would he give us MUNNY ?"

Gorn:((leaning in from left, looking at the shot directly)) "And for FREEEE ."

((cut to close up facing Acolyte Fred, smiling, eyes traveling to the upper right of shot))

Klingon:((voice)) "You word should be a new GOSSPL !"

Catperson:((voice)) "I second that!"

FredWorker:((cut to close up, closest to the right of the shot facing upper left)) "He deserves a statue!"

Klingon:((beside him)) "Or 20!"

Gorn:((cut to close up, standing in center of shot, holding two handfuls of BILLZZZZ )) " HEYY why couldn't we afford it now?" ((everyone around him begins to CHEEEER and clap, each of their hands in the air holding a large WAADDDDOFBILLZZZZ ))

Acolyte Fred:((voice)) "My FRNNDDDDZ , my NUUFEELLOOWWSHIIIPP , MYFLFLFLFLOOOOCK . ((all stop CHEERRRRINGG and turn to the left of the shot))((cut to Acolyte Fred, zooming in slowly towards the center)) "Never doubt that you yourselves are of such importance to what I speak, of what I compel to be that WICCHIZ . You are the bridge, and the builders. You are the CARRTANDTHEEDRVVR . Your choices and what you BI bring forth the NUEERA of WATSHLLB . Without your DEVOVOSHUUN , and your GRRAAAACECE , this FUTTUURE for U could not be."

Catperson:((voice))(( PAWWWW raised to the right of the shot with a WAAADDDDOFBILLLLZ )) " HOORAYY4THEFUTTUUREEEE! "

Gorn:((voice))(( CLAAWWWW raised to the left of the shot with a WAADDDDOFBILLLLZ )) " We're all RRIIIICHCH!!!!!!!!!!!! "

FredWorker:((cut to close up among the new PARRISHSHOFTHEBAYOFZ )) " GOOLLDDDDSTAATTUUTEEEZZZZFOOOORRRRTHEEEEHEEERROOOOOFOFTHEEEEEEEEEFUUUTTURRREEEE!!!!!!!!!!!! " ((everyone around him begins to CHEEEERRRR ))

((the crowd begins to chant the word FUUUUTTTTTUTURRRRE repeatedly))

((cut to the back of Acolyte Fred, turning about from the crowd with a peaceful expression, only to have his features twist and curl in manic glee, cruel, laughing through his nostrils, holding back extreme laughter from bursting out of him))

((cut to Tents up close as he starts off to right of shot amidst the chanting, and looking down at the large and growing stack of BILLZ and shrugs, walking off to the left of the shot, as many residents fill the void left by him to the right of the shot, staring past to the right and chanting happily))

((cut to close up, of the various 'leaves' of the MUNNYTREEEE all BILLZ that resemble the same collected by I.S.S. and the Quantum Realities, and is the same as all the others. Each BRAANNCHCH is being tugged and pulled at as the chanting continues by hands of many different residents of FredVerse, as the shot rises towards the upper trunk of the tree, extending up into the air, resembling the aft section of a missile, colored WHIITTEEEEANDBLK , with a designation of NASAA at its base and a small American flag upside down, as the shot clears the end, and hangs on the skyline of the Commerce District, looking down upon in seeming approval of one of the first ever examples of compassionate capitalism.))

Omniscient Narrator: "True, MUNNY may bring forth the BEST that HUMMANNZZZZCANB , but will that bring forth the BBEEEESTST BBEEEESTSTMANNHUMMANNZZZZ once had?" ((chuckles)) "That, we shall see."

((The shot descends slowly as the sound of chanting dissolves, to the floor of the Commerce District to reveal the back of a man in a white robe, Jesus, walking into the shot along the streets of the Commerce District))

Jesus:((voice)) "The Commerce District is such a strange place."

((cut to close up, skew left facing Jesus upward traveling lower right to upper left of shot, in motion)) "It's not like the rest of the Complex Complex at all. It's very eccentric. GEZZ I sound like a commercial." ((chuckles, looking to the far off right of shot, smiles)) "Hey, now there's a sight" ((shot swivels 180 degrees to reveal a small outdoor stand that resembles a boutique, that sells small TRAAYZOFfud that seems readily available and out in the open. There is a FredWorker who sits facing to the left, who looks very un-amused, as Jesus approaches from the left of shot. The FredWorker doesn't seem to notice, and there are several different drnk and fudd available, as Jesus approaches, back to camera))

Jesus:((voice)) "Excuse me?"

FredWorker:((cut to close up, bored, facing to the right of the shot)) " Hmm? "

Jesus:((cut to facing shot, smiling, the Commerce District behind him)) "I'd like to try one of these please." ((he points to the lower right of the shot))

FredWorker:((voice)) "Certainly" ((Jesus smiles enthusiastically)) "That'll be 75000 BILLZ " ((Jesus nods slightly, then jolts in astonishment))

Jesus:((astonished, specifically at the price, and there being a price at all!)) " I beg your pardon, did you say BILLZ ?"

FredWorker:((cut to close up facing to the right of the shot, very bored)) " THAATIIDID ."

Jesus:((voice)) "Well there must be some mistake." ((FredWorker takes a deep sigh)) " There was never a currency here before." ((FredWorker rolls his eyes)) "In fact we never had 1 at all."

FredWorker: "We offer several varieties to FITTYYYRRBBUUDGDGT sir." ((he waves his left hand across the bottom of the frame in a manner most indifferent, displaying just out of view the various delights to purchase))

Jesus:((cut to close up, pointing to lower right again, though slightly higher)) "Well what about that one?"

FredWorker:((voice)) " 15000 BILLZ ."

Jesus: "What? It's about the size of my pinky finger!"

FredWorker:((cut to close up, more bored)) "It's for very delicate TASSTTEEEEZ sir."

Jesus:((voice)) "No! No this is all ROONNGGGG! " ((the sound of his footfalls leaving the shot echo as the very helpful FredWorker marks his departure))

FredWorker: " HVAAGOOOODDDDDAYsrsr "

Jesus:((cut to close up of Jesus, looking disturbed at what has just happened, looking to the right of the shot continuing to walk)) "This is ludicrous! At random the FredVerse develops a system and structure of currency! I guess some would find it an advancement." ((shakes head)) "Not me. All this time I thought this place would NOBTRR ."

Voice: " HELLPPFFFFOOOORRRRAMAN ." ((Jesus reacts, looking to the left past the shot, blinking wide))

Jesus: "The call for AIDD ! I shall not linger!" ((he rushes to the left of the shot))

((cut to a FredWorker, wearing a sign that reads " ISUKK " lying up against a wall of a BUIILLDDINGGG that is the COLLRRRRREDDDD , with bare feet outstretched to the left of the shot. He has a small HATT on the ground beside him to his left side, that also bears a small sign, reading " GIMMIIIIE "))

FredWorker:((woefully and loudly)) "I saw that I SAYOFBACKKBAK and I never DAYOFB " ((cut to close up, to the FredWorker's face, facing to the left of the shot, looking perfectly miserable)) "I saw THEDOOFBSATEOFZAOFZ " ((the sound of footsteps fast approaching))

Jesus:((voice)) "Sir! Sir!"

FredWorker:((sighs)) "Yes THEEEEY once called me that, - " ((cut to Jesus looming over the shot, face of sincere concern)) " - and once I never showed up for ARTTHHAAAAS upon the ground THEEEEYSPAAAAT ."

Jesus: "Are you hurt sir? Or ill? I can help you. Please, - " ((reaches out with his left hand)) " - take my hand, I'll take you to a place safer and better than this." ((cut to Jesus's hand in the shot, towards the FredWorker's face)) "I'll find you clothes and shoes, and FUD to eat."

FredWorker: "Most gracious and KKIINNNND of which I am most HUUMMMMBLBL , though without what I seek I will most surely TUMMBL ."

Jesus:((voice))((his hand retreats out of shot)) "What do you SEEEEKKKKKKKKK ? Do you THIIRRRRSTST ? Can you WAALLLLK ? "

FredWorker:((eyes dart left to right))((softly)) "I need about 20 billion BILLLLZZ "

Jesus:((cut to close up, looking over shot, amazed and wide eyed)) "What?"

FredWorker:((voice)) "Well it's not for anything serious mind you, I just wanted to get one of those nicer villas in the AFFUULLENTT district. Mine's alright but it's not the best and I don't have the newest TTTTV ." ((cut to close up facing up to left)) "And I was also hoping to get a NUCCAAAAR because my old one just don't FEEEEL like it's NUNEMOARRRR and - " ((his gaze travels to the right of the shot, tracking footfalls out of the shot)) " - Hey where are you going?"

Jesus:((voice)) "You're NOT in need of ME! "

FredWorker:((loudly)) "WELL WHO THE FUCK DO YOU THINK YOU ARE HUH? ASSHOLE! THINK YOU'RE BETTER THAN ME WITH YOUR ROBE AND - " ((surprise, chuckles)) "Sandals?" ((laughs loudly)) "Looks like you need the BILLLLZMOARTHAAAANMEEEE! " ((shot zooms out from him as he begins to cackle loudly, his voice echoing through the BUIILLDDIINGNGSSSSSSSSSSSS ))

Jesus:((the shot swivels about to show Jesus's back, marching away from the FredWorker infuriated, fists at his sides))((voice)) "Of all that FredVerse had to offer, it was an - an - " ((cut to close up, facing towards the left side, furious while he walks)) " UURRCCHHIINNNN like him!" ((groans)) "Get a GGRRIIIIP Jesus, not all here are like him. I just can't stand the type. All that GLIIMMERERZZZZ seems to be the NUFFAAAAD around here." ((his angry expression dissolves, and a smile grows once more, as he looks past the shot)) "Now there's a sight for SORREEEEEYEEEEZ " ((shot blurs to the left, to reveal a structure of CONNKRRTEEEEANDGGLLASS , very modern in appearance with a sign reading in YYE very boldly " LIIBBRRARRYYYY ")) "I can finally find something NU2REED ." ((he walks into the shot and past shot to the left, approaching the front doors))

((cut to close up, of a mesh screen, GLASSWIINDO , with a Gorn behind the counter, looking rather CHIIPR . The sound of sandal footsteps approach))

Jesus:((voice)) "Excuse me?" ((Jesus enters the shot, over the shoulder left facing the Gorn behind the mesh screen GLASSWIINDNDOWW )) "How do I take out a BOOK ? I'd like something in ASTROOPHPHYYSSIKZZZZ ."

Gorn: "Why all you need to do is fill out this membership form friend." ((looks down within the containment presumably for paperwork))((cut to Jesus smiling close up, satisfied for the first time in this installment, reaches into shot and takes a small YYLLOOOOPENN )) "Which will cost a total of 48000 BILLZ . ((Jesus's snaps to, once more confounded by currency, as the shot rubberbands at his face))

Jesus: "WHAT?!"

Gorn:((voice)) "Why YYEES . After submitting the paperwork which carries a 75000 BILLZFEEEE , you'll be given a card capable of allowing the borrowing of any of the BOOKZZ in our LIBBAAARRE ." ((cut to close up of Gorn within the mesh booth, holding a small BLUUUUCARRD in right CLAAWWWW )) "Then with a monthly subscription of 85000000000 BILLLZZ , you can not only take out one BOOK , but THRREEEEATATYME ." ((very excitedly!))

Jesus:((voice)) "How..." ((groans))((sighs, regaining composure)) "...about I have the paperwork on a loan of some kind?" ((cut to close up of Jesus, frazzled)) "So I can at least have 1 BOOK to READE ?"

Gorn:((voice)) "Why certainly." ((Jesus, breathing a sigh of relief)) "At a fixed rate of 7%ACCI ." ((Jesus infuriated, CRUUSSHHHHINGTHEPPEEEEN in his right hand)) "Uh sir that PENN is a RENTTLLLL ." ((Jesus freezes, twitching in anger, musters the WILL to hand it back towards the shot)) "Very sorry, 50 BILLZADAY ."

Jesus:((groans)) "AGHH! I'll just go READ inside then!"

Gorn:((voice)) "I'm afraid I can't allow that." ((cut to close up, serious expression, then suddenly CHEERFULL )) "Without an initial cover charge of 700 BILLZZZZ for NONNNMEMMBBBRRRRZ ."

Jesus:((groans))((the sound of footsteps walking away from the shot))

Gorn:((louder)) "You could always wait for our BOOKFESSTTTT ! Then the cover charge is only 300 BILLZZZZ!!!!!!!!!!!! "

Jesus:((further away, groaning louder))((cut to the right side of Jesus marching towards the right of the shot, though away from the Gorn and the LIIBBRRAAEEEE , a stern expression on his face, lamenting loudly and angrily)) "First forms of sustenance are too expensive to be even digested comfortably, and now KKNNOOLLDGGE is being withheld for any but the affluent!" ((scoffs)) "What's next? Charging for the air I breathe?" ((there is a sound of a throat clearing, Jesus stops, looking to his right))

((cut to over the right shoulder, Jesus, looking in the direction of a Klingon, pointing to a sign, the short blurring to the right reading boldly: " NONYELLINGANDOORGRIIPPNGZOONEPENALTYOF5000000BILLZPRSYLLABBLBLE "

((cut to Jesus, close up zooming in as the rage builds and his face shows it, twisting into a tangle of frenzy. He is about to scream, and very loudly))

((cut to a close up of two FredWorkers standing at a small COFEEEEBBARRRR facing the shot with their backs to a somewhat sedate intersection of the Commerce District behind them. Both are wearing BLUUJJUUMMPPSUSUIITTTTZ with BLKKAAAARRMMAAROOOOR and BLKKHLMMMTTZZZZ , and on the left sides of their bodies a YELOBDAGGEEEE , with a RAYDIOOO on their right shoulders. Both have DRNNKKKKZ and are staring past the shot, very bored))

FredWorker #2:((to the right of the shot))((sighs))

FredWorker #1:((to the left of the shot)) "Yup, slow day."

FredWorker #2: "I guess, except for that CULTTTTthing ."

FredWorker #1: "Yeah how weird was that? Just at random there's this bizarre building with no explanation whatsoever."

FredWorker #2: "Can't now."

FredWorker #1: "What? What do you mean?"

FredWorker #2: "Rules changed." ((cut to close up of FredWorker #1 looking towards the right of the shot)) "You can't even make a plan to make a building anywhere without like 1000000000 BILLZ now."

FredWorker #1: "Are you serious?"

FredWorker #2:((voice)) "Not just that." ((cut to FredWorker #2 staring past the shot weary expression)) "You need like 5000000 just to even say you want one."

FredWorker #1:((voice)) "That's crazy!"

FredWorker #2:((eyeing his empty plate before him, holding the cup in his right hand)) "Just as crazy as a 400BILLDOOUUGHNTUUUTT "

FredWorker #1:((voice)) "I saw that earlier." ((cut to FredWorker #1 looking towards the right of the shot)) "Wasn't it like 204BILLZ the day before? We don't even get paid more than 1000BILLZZZZAWK ."

FredWorker #2:((cut to close up, looking towards the left of the shot)) "Remember when we didn't need to be PAYYD at all?" ((shakes head, looking at his DRNNNNK )) "I remember when these were FFFFREE! "

FredWorker #1:((voice)) " FUKKIINNAAAA first CULTTTTZ then a random economy invades." ((FredWorker #2 looks off in disappointment)) "What next?" ((there is a crackle over the RRAAAAYDDOOOO from the voice of another FredWorker))

FredWorkerIntercom((voice))((in A )): " ALLDARINTHENERRBIVCNTEEEEOF7IIANDDDDDBEONTHEELKOOTFORVAGGRANTMANBLKWIITHWHIITEROBBBESUSPPCCTYELLINGINNONNYELLINGZONNECONNSDRDSMRTANDATHRREATTOII7E ."

FredWorker #1:((voice)) "There's a NOYYEELINGZONE? " ((scoffs)) " Next it'll be a NOOEENNEETTTEEHIINGNGZZOONENE "

FredWorker #2:((rolls eyes and speaks into RAAYYDDIIOOOO ))((in A )) " RRCBARTYAYAYASAY "

FredWorkerIntercom((voice))((in A )): " NEGGAATTOOOORYSVRRLLLLFREEDWRRKKRRRRZEENNRROOOOUTEEEESMLLYYYYFRSSTTTTSTSTSTSTONDIFFRRNNTTTTDRDREDDE ."

FredWorker #1:((voice)) "There's a SMLLEEYYYYFORREESSSST too?"

FredWorker #2:((in A )) " VDEDSAKETHEZSAYZAZA "

FredWorker #1:((voice)) "So much for a SILLLNNTNIIITTEEE "((cut to wide overhead bird's eye view shot the two FredWorkers moving away from the COFEEEEEBBAARRRR to the left of the shot, and walking into the upper frame of the shot))

FredWorker #2:((voice)) " USAYDDITT ."((the shot veers ahead, snapping to the right, then an immediate left to find a large crowd has gathered, encircled around a screaming man named Jesus))

Jesus: "It's all TRU! You never need this! Don't you understand?" ((cut to a Catperson up close, flanked by many other residents of the FredVerse, looking to the right of the shot, concerned expressions)) "You all never needed this! We all never needed this because we were willing to HELLPPPP each other!" ((cut to crowd on the opposing side, a FredWorker looking past to the left of the shot, concern on his face as well, with others from FredVerse around him)) " We never needed incentive!" ((cut to close up of Jesus, speaking past the shot, with more watching from behind him)) "Our actions were of merit that defined us! That made us who we were and truly wanted to be! A reward never charges that!" ((cut to Catperson facing to the left of the shot towards Jesus up close)) "It cheapens it!"

Catperson: "But I like MUNNY . It makes me FEEEELSPPPPECCCCLLLLLLLLLLLL and that I'm UUUUNNIQQEEEEUEUE ."

Klingon:((blurs right past a crowd that has encircled the shot)) "You're crazy for not just taking MUNNY . Have you ever even TRYYDMUNY? "

Gorn:((leaning in from the right into shot, staring at the camera deeply)) "You might LYKKEIT ."

Jesus:((voice)) "No!" ((cut to close up)) "No there isn't anything special about it! Or unique about it! You've sacrificed something of yourselves for taking this MUNNY to begin with! You've gained nothing and accrued nothing! By taking something you've forgotten how well everything was without the need for it! Don't you remember before MUNNY came along that you all never needed to purchase anything? That your wares and what you made were still wanted?"

FredWorker:((voice)) "Yeah but I never got anything out of it!"

Jesus: "You did!" ((cut to close up of FredWorker arms crossed looking angrily to the left of shot)) "The satisfaction of helping another and providing for others!"

Klingon:((shot slides to the right, Klingon leaning in)) "So I was like the MUNNYTREE ? I can see that. Thoughtful, quiet, benevolent."

Catperson:((in background)) "We can only be so lucky."

Jesus:((voice)) "No! Not like THAT DAMNEDTREE! " ((all in the shot gasp, as the shot blurs back to the left of the shot to show Jesus, angrily glaring to the right of the shot)) "That TREE doesn't want you to succeed like you want. Or like you were willing to work together before! It wants you divided based upon MUNNY and not thinking about being together!"

Klingon:((voice from the right)) "How would you know?" ((Jesus reacts looking right of shot))

FredWorker:((voice from the left)) "Yeah what did the TREE do to screw you over?" ((Jesus reacts to the left of shot))

Jesus:((speaking towards the left of the shot)) "That TREE isn't you, - " ((points to the left)) " - or you, \- " ((points to the right)) " - or you." ((pointing at the shot))((cut to a Gorn facing directly at the shot center, with several other FredVerse residents around him looking directly at him, then at the shot)) "That TREE never cared about what happened before it came here. That TREE shouldn't be here or make things different here." ((cut to close up of Jesus, pleading with the crowd)) "That TREE was never here in a way WE want and never did anything but STTOPBADPROOBBLMZZZZ with bad thoughts. Accumulating unnecessary things?" ((shakes head)) "It's stopping you from learning by making something you want to learn cost something, which a LIBBRRAARRRREEEE never intended at all! It's making FUDD expensive by forcing a price! It hasn't arrived here without any intention of subduing you and us all into believing that it's TRUULYHERR ."

Klingon:((cut to close up)) "What? It is there! It's right here look - " ((he holds up BILLZZZZ )) "You see that? That's proof that it's there."

Gorn:((blurs right)) "Yeah, and each time we TAKEMUNYY , it gives us MOAARNOW ."

Jesus:((voice)) "No! No like it's there to HLPUUUU ." ((The Gorn looks confused)) " TRUULYHERR as in always to HLPU ." ((cut to Catperson looking to the right of shot, flanked in the background by other residents looking towards the right, the Catperson quiet in thought)) "Where is the incentive to require MUNNY when you could always get what you needed before this without it?" ((cut to a Gorn facing to the left of the shot, glaring)) "Where now the staples of living are considered property of one who wants WEALLTHH ?" ((Gorn scowls in disagreement))((cut to Jesus up close, the shot zooming in to him slowly)) "That TREE has made you less concerned with each other! It's made you more concerned with yourselves and what you don't HVANDWAATNT . Where before you could get FUD for FREE or when you could go to the LIIIBRRAE and take out a BOOK for FREE ?"

Klingon:((voice)) "So don't read then!" ((Jesus pausing, actually flabbergasted, as he is interrupted from making a retort))

FredWorker #1:((voice))((from the lower frame of the shot)) "Alright alright, step aside let us through, POLLICE ." ((Jesus's expression surprised))

FredWorker #2:((voice)) "Hey watch out. Hey! Hey UUUU ! " ((shot zooms up to Jesus closer)) " OVRTHR! " ((Jesus looks about, then pointing at himself)) " YEAAU . Come here. CUMHERR ."((cut to close up over the right shoulder of Jesus, facing two FredWorkers, those formerly seated at the COFFEEBBAARRRR standing now in the shot, a crowd behind them looking on, FredWorker #2 speaking)) " SHOOWZOVR everybody."

Jesus:((voice)) "No! No this isn't over! Tell me what I've done wrong!"

FredWorker #2: "Sir LOWWRYRVOCCEE we received a CALL about a man matching your description YELLING in a NONYELLINGZONENE ." ((cut to close up of Jesus, frazzled and angry)) "And you're the only one here LYKKEEEEDAT ."

Jesus: "Yes! Yes that sounds like me! A man who is YELLING about PROOBLMZZ manifest because of another!"

FredWorker #2:((voice)) "Alright sir first I want you to calm down." ((Jesus responds with a deep breath, as the crowd behind him has dissipated somewhat, while one Catperson is holding up a cellular telephone and taping the encounter to the left of the shot)) "Now what is your name sir?"

Jesus: " JESUS ."

FredWorker #2:((voice)) "Ok is that a first or last name sir?"

Jesus:((groans)) "It's my name yes."

FredWorker #2:((voice)) "Ok Mr. Jesus, have you eaten today? Low BLSUGGR sometimes makes people frantic or excited, usually tense too."

Jesus:((smiles)) "No I haven't! Suddenly, there's a system of currency that has been indoctrinated that prevents me from being able to find sustenance!" ((smile becomes grimace))

FredWorker #1:((voice)) "Did he say you couldn't? Did he threaten you?" ((Jesus actually confused))

Jesus: "What?"

FredWorker #1:((voice)) "The system of currency that been indoctrinated." ((Jesus is bubbling over in mania, about to scream))

FredWorker #2:((voice)) "Yeah listen tell us his name."

FredWorker #1:((voice)) "You should have informed the police if you were threatened like that!"

Jesus:((figuratively exploding)) "YOU DON'T UNDERSTAND!" ((cut to close up of FredWorker #2 with a small CLRRWRRIITTINGPAD in hand with a SMLPENNNN , looking past the shot to the left blinking with a stoic expression)) "I DON'T KNOW WHY BUT YOU DON'T!" ((cut to FredWorker #1 standing, looking to the left of the shot, lips pursed, confused expression)) "NONE OF YOU DO AND YOU CAN'T EXPLAIN TO ME WHY YOU DON'T WHICH IS EVEN MORE TROUBLING!" ((cut to Catperson with cellular telephone taping the encounter facing the right of the shot)) "WHY IS IT THAT MUNNY SUDDENLY MAKES THINGS REQUIRE IT? HOW WAS THAT POSSIBLE WHERE YOU ALL FOUND IT ACCEPTABLE OR PERMISSABLE?" ((cut to Jesus up close, frantic)) "HOW COULD YOU PERMIT SUCH WHEN IT ROBS YOU OF WHAT YOU HAD BEFORE WHICH WAS AMPLE AND FOR ALL OF YOU TO SHARE? HOW CAN YOU NOT SEE IT HASN'T MADE YOUR LIVES MORE COMFORTABLE, OR MEANINGFUL? YOU'VE BEEN TRICKED!" ((cut to FredWorker #2 up close, looking past shot, expression unchanged)) "YOU'VE BEEN DOOPPD! "

FredWorker #2: "Sir, Mr. Jesus, please calm down. There's no need to make a scene." ((cut to Jesus close up hands clawing down face)) "Just come with us, we'll sit down, we'll get you some FUD , you can relax - "

Jesus: "No! NO! You don't understand! All this, all of this is a mistake!" ((pointing past the shot)) "The misers! Where does it all GO ? What do you intend!??" ((begins to walk into the shot to the closer left)) "What is the meaning of you keeping all of this?"

((cut to a close up of a FredWorker standing before the front of a building and its doors))

FredWorker:((pointing at self)) "Me?"

Jesus:((voice)) "NO! ((the FredWorker surprised, as the shot widens, revealing the building is labeled as FRSTBNKOFFRED that seems to be a brand new building opened in the past seven minutes, as Jesus enters the shot angrily and violently from the left)) " YOOUUUU! " ((he strides past the FredWorker looking at him in confusion, while also from the left the two FredWorkers dressed in ARRMMRRRR pursue, Jesus entering the BANK first while the other two FredWorkers follow, as the confused FredWorker gazes up at the sign with a puzzled expression))

((cut to interior of building, shot facing the doors facing outwards, BLUUUUGLAAAASSSSSSSSSSSS , showing the exterior street, including the crowd that has yet to fully disperse. Jesus infuriated center shot walking into the shot, violently pushing open another set of GLAAAASDORRRRZ , and bellows at the shot as the FredWorkers who are POLLIICCEEEE enter behind him))

Jesus: " WHAATHVUUTDDONE. " ((cut to skew left shot, showing three TELLRZZ all Gorn, standing behind a torso high counter, BLU in color with individual blocks between to imply each is a separate booth, about shoulder high. Each is RED in color with BLUUUULTRZZZZ that read 1STSTBNKOFFRED. The walls are BLUU and the floor is RREED . The TLRRZ seem surprised as the voice of another, a Klingon can be heard from the right))

Klingon:((voice)) "Hello sir, how may IASSISSTUUUU? "

Jesus:((shot pants to the right to reveal a smiling Klingon in a BLUUSUIIT of Earth)) " UDIDTHS "

Klingon:((expression still cordial)) "Did what sir?"

Jesus:((voice))((screaming)) " YOU MADE US BELIEVE IN YOU AND WE DON'T WANT TO! YOU MADE US BELIEVE IN YOU TO MAKE A FUTURE! YOU HAVE NETHNGNYCECE! " ((cut to close up, Jesus facing shot, as FredWorker POLLIICCEEEE attempt to keep everyone past the shot calm)) " WE NEVER NEEDED YOU TO MAKE A FUTURE WORTH LVIING! YOU JUST WANT US TO BOW TO A SYSTEM THAT IZNTNATTURL!" ((cut to Klingon in BLUUUUSUIITTTT looking past shot to left, concerned expression)) "THAT IZNT GAH! "

Klingon:((points past shot, nervous)) "Is he with you?"

FredWorker #2:((voice)) "Yes we're sorry to intrude sir -" ((cut to close up, Jesus nostrils flared, panting in anger, perspiring and flanked by the two COPPZZZZ in ARMMRRRR , one to the right speaking, FredWorker #2 )) "This man is a little bit upset at a malevolent party."

Klingon:((voice)) "Oh my GAH . Here?" ((Jesus reaching boiling point))

FredWorker #1:((to left)) "No he's a system or currency that has been indoctrinated." ((Jesus now going MAD ))

FredWorker #2: "Probably the one making everything go wrong and make everything MOHHREKKPNSIVVE ." ((FredWorker #1 nodding, as Jesus finally SNAAPPPPZ ))

Jesus: (( FLYINGOFFTHEEEHNDL )) " THAT'S IT!"

((cut to a flat television screen of a NUSSBROAADDCST , the image on the screen skew shot facing downwards towards the front of the FRSTBNKOFFRED , hovering shot as Jesus is being lead out of the building in LAZRROPPE restraints by THREE FredWorkers dressed in ARMMRRRR as well as SIKKZKOMMBOT standing idle around the front of the building. The screen caption reads " LUNNATIKRUNNZZAMOKINBNK " as voice of Lion Lady Newscaster reports, the shot slowing pans out showing the borders of the flat screen, against a very expensive looking GOLDNWALL ))

Lion Lady Newscaster:((voice)) "Downtown Commerce District was ROKDDD by an irate man today within the newly constructed 1STSTBANKOFFRED " ((cut to a color mug shot of Jesus staring at the shot, furious expression, angry demeanor, holding a board with both hands under his head, the numbers on it reading 7II7ZDEEB , with another healing rom the NUEEZ that simply reads JESUS jesus )) "The man thirty-four year old JESUS jesus was first briefly interrogated by POOLLIIC for creating a scene just outside the bank before entering the bank and beginning to attack a bank official's desk, - " ((image changes to stock footage of YYLLOOOOPOOLLIICCCCETAPPEEEE around the entrance to the building)) " - as well as making terroristic threats, including calling the bank's manager, a Klingon, THEEDVL ." ((image changes to close up of a KOMMBOT standing idle outside the BANKZZZZDOOOOR to its right)) " JESUS jesus then proceeded to damage the inside of the bank by running up and down the counter and KIKINGINNGMUNNY all over the bank." ((image changes to a close up of the lower torso and legs of FredWorkers standing near the entrance to the BANNKKKK )) " The bank's manager was also quoted as saying Jesus accused the bank's employees of COONSPIIRRACCEAGAAINSTGOADAD and COONSPIIRRINGWIITHTHEEDEVEL ." ((image changes to a KOMMISSAR flying between the buildings flying into the right of the shot against the twilight sky, BLUUUUANDRRRREDLITTTTZ flashing)) "He was remanded to custody of FREDZ and will be arraigned for various CRYYMEZZZZ in 7V ." ((suddenly, a GOLDBRKK flies into the shot, shattering the screen of the television causing it to crackle and spit))

Klingon #2:((voice))((sighs)) "Again?"

I.S.S.:((cut to close up, now almost completely encased in GOLLDDNNNNCOCCOOOONNNN except for face)) "That one looked at me funny."

Gorn:((cut to Gorn close up, lying on stomach, NUUD on HOTTROK )) "Like the past three?"

I.S.S.:((voice)) "It's not like we can't get another one. TOMMY!" ((pauses))((cut to I.S.S. looking to right close up screaming louder and angrier)) "TOMMY!"

Klingon #2:((voice)) "He's not here."

I.S.S.: "What? Why not? I said his name!" ((cut to Klingon #2 all is hair in CRRLLRRZZZZ )) "What am I going to do I need another TV and TOMMY isn't here. Yo KLNG ." ((cut to I.S.S. close up still facing right of shot)) "Lemmie get one of your HARRPPL to get me a NUTV ."

Ethereal Sylist: ((cut to Klingon #2 close up, an Ethereal Spirit leaning in from the left of the shot)) " STYYLST " ((leaning out of shot after rolling eyes))

Klingon #2: "You heard the STYLLR go get your own."

I.S.S.:((voice))((cut to Gorn atop the HOTTROK facing to the left of the shot, comfortable)) "What about your friends LIZARDO , can one of your SPRRAYBLTZ get DADYY a NUTV?"

Gorn: "I.S.S. I'm in the middle of my ANTITOPR regiment. I paid them with my own MUNNYY ." (( SPRAAYBTL leans in from left, BLUUUU in color with REEEEDnozzle ))

SPRAYBTL : "I have a name."

Gorn:((turns, and nods once)) "Yes." ((turns back to the left)) "You'll have to go get it yourself."

I.S.S.:((cut to close up facing to the right, shouting)) "WHAT'S HAPPENED TO OUR WAY OF LIFE IN THIS WORLD WHERE A MAN HAS TO OVERCOME ADVERSITY, BOUNDARY, AND ALL THINGS TRIVIAL SIMPLY TO FIND A NUTELE . THE WORLD HAS SCORN AND SHOWS IT BLISSFULLY. THIS SUMMER, IT'S ME VERSUS A COLD BLOODED SOCIETY."

Klingon #2:((voice)) "Just pay someone to get you one you crybaby."

I.S.S.: "I ran out of MUNNY and - " ((scornfully)) " - SOMEBODY NAMED TOMMY was SUPPOSED to go GET ME MORE." ((cut to Gorn looking to left of the shot)) "And besides, when babies cry, babies get things." ((cut to I.S.S. looking to the right rubber band close up)) "Babies like me."

Gorn:((voice)) "The only babies around here are for eating, and those babies are mine." ((cut to close up as well, Gorn pointing to himself with right claw)) "I bought those with MY MUNNY TOO !"

I.S.S.:((voice)) "Look just five minutes alright?" ((cut to Klingon #2 now wearing a large apron draped over his body from around his neck, the STYYLLIISTSTZZZZ around him CONNDDIISHUUNNNNNNINGGHZHAARRRR while he stares to the left of the shot, teeth bore)) " Just one of you go OWTSYDE and get me a TV . Remember all that I've done for you?" ((cut back to Gorn, resting now on his right claw and elbow facing towards the left of shot, weary)) "Remember all that I've put you through?" ((cut to I.S.S. close up looking to right)) "Think about it. Think about it in line, and remember to get a 70", and GOLLLDLYNENED with I.S.S. monogrammed."

Klingon #2:((voice))((groans)) "Look, I'll just let you borrow my car."

Gorn:((voice)) "He has five of those too! Don't placate him." ((I.S.S. makes a grumpy face))

I.S.S. "Yes but I have yet to find one that is worthy of being completely indestructible." ((takes a deep breath, wanting)) "And thus more alluring."

Klingon #2:((cut to close up)) "One second CARR ." ((closer up zooming into MOUF )) " CARRRR!! "((cut to wide shot, showing a covered bed being carried by seven Ethereal Spirits, all the color BLUUUU all walking into the foyer, the large bed knocking into the walls and lamp, knocking it over making more damage)) "Treat her nice KIDD here's the keys." ((Klingon #2 tosses a WHIIP in the direction of I.S.S.))((cut to I.S.S. close up the WHIIP bouncing off his head, not flinching)) "The TYRREEZ give you any trouble, just smack at 'em."

I.S.S. "Oh I'm gonna see what they're made of." ((pauses)) " RUBR right?"((cut to exterior villa, as the covered bed and slaves break through the elegant facade of the front of the building as I.S.S. is carried atop the bed into the shot facing the villa, on his stomach with his face at the foot of the bed, still encased in his COCCOONNNN )) "Onward CARR , to TV! Take me there promptly lest ye seek my HANNDDDD ." ((cut to close up of his face)) "I'd hate to get there after another person MIGHT get the TV I want - " ((tone changes to COLD , shot veers inwards to his face)) " - for your sakes. NOW HURRY!" ((cut to exterior shows I.S.S being carried on the on the bed on the shoulders of seven Ethereal Spirits into the shot, away from the camera and down the hallway of the more affluent section of the Complex Complex, in the direction of the Commerce District)) "MUSH! PRONTO! " ((the shot chases, and overtakes down the hallway, where after veering through the hallway into the Commerce District, and snaking around the BUIIIILLDDINGGZZZZ and their INTTRRSEKKKSHUUNNNNZ that seems a lit with capitalism, as a voice speaks))

Omniscient Narrator:((voice))"A NUTV to brighten the NITE , would surely be I.S.S.'s plight. While in the shadow of the TREE , a crowd of many gathered that we can see."

((the shot veers around a few more bends to the left then right, and slowly descends and hangs before an orderly crowd standing in rows before the MUNNYTREE , where a man, Acolyte Fred, standing with his back the MUNNYTREEEE addresses the rows of facing him))

Acolyte Fred: "Parishioners. We are gathered before the representation the 7E of our LORD to give thanks." ((cut to close up of Acolyte Fred's left side of face, looking out over the crowd gathered)) "To praise all that is offered to us, on HI from whence it came." ((cut to the crowd of worshippers, facing towards the shot, standing in rows that lack PEWWZZZZ and looking forward past the shot, as the camera slides from right to left)) "From only SAYOFZ ago, this TREE came from above down to us, to show up the NUWAAY of the COFGAH ." ((cut to the twilight skies of the FredVerse above, and in the sky the contrail of a man wearing a jetpack cruising through the skies from the top of the shot to the lower left, a star from the most previous installment of this franchise)) "From the realm of the stars above, this servant of the LORRD - " ((the shot begins to descend slowly downwards down the trunk of the TREE and down past the LEEVZZZZ to the ground)) " - carries down with each branch our salvation." ((shot begins to pull backward from the TREE towards the sound of Acolyte Fred's voice)) "A way to suppress the problems and ailments that are only human, - " ((continuing to pull back across the ground, only to find Acolyte Fred standing to the left of the shot, speaking past the shot, lower torso and up)) " - and thus primitive culture brings the malevolent choices and acts of those not yet touched by its leaves." ((cut to close up of Acolyte Fred's face, skew left side of face shown, staring out across the crowd)) "The cold and cruel treatment sought against us, dispelled by the very roots, SAYNANASAKE any effort by the INFADELL , the unbeliever." ((cut to close up, a Klingon parishoner staring to the right of the shot, quiet)) "One DAYAGO , this TREE brought LYFE to this sector, - " ((cut to close of a FredWorker, standing and facing the left of shot, smiling)) " - a blossoming ERA with it." ((cut to Tents close up, eyes scrutinizing forward as they dart from left to right, noticing the rest of the congregation motionless and transfixed on Acolyte Fred)) " NUTHNGZ brought forth from its arrival for us to be carried into the NU with ease and comfort." ((cut to close up of Acolyte Fred staring into the shot, calmly)) "To become NUUUUU ." ((he begins to gaze across to the left of the shot, then to the right)) "For those of you who sought such to be treated well, instead of with disdain or callous disregard. That together - " ((cut to close up of Catperson facing towards the left of the shot, smiling happily)) " - we are unified under the branch of this symbol, one that illustrates not simply growth, - " ((cut to a Gorn, close up, skew shot facing upward to the right of shot)) " - but LYFE itself." ((taking a deep breath of pride)) "It will SPRNG forth NULEEVEZ each TYME one of us seeks AIDDD ." ((cut to FredWorker staring past shot to left)) "Each time we seek one of its LEEVVEEZ , - " ((cut to close up Acolyte Fred, looking past shot towards the left of the crowd)) " - we are never turned away." ((he scans from left to right)) "Each time we embrace its presence, \- " ((shakes head)) " - we are not treated ill. We are chosen." ((his hands reach up towards the stars, and his head gazes upwards as well)) "We are saved, from on HII ." ((there is a rush of applause and cheering))

((cut to wide shot facing the camera, from behind the back of Acolyte Fred, as his arms and hands are reaching into the air, the entire crowd on both sides between him cheering wildly, as one of the residents of FredVerse, a Catperson near the back on the left begins to speak))

Catperson in Back: "I feel the ill of the world upon my shoulders." ((cut to close up of the Catperson speaking to the right of the shot)) "I feel judged and TREESSPASSD against. May I take of one of the LEEVZ of the TREE? "

Acolyte Fred:((voice)) "Be not fearful" ((cut to close up of Acolyte Fred speaking to the right side of the shot)) "Be not afraid and approach, and merely take of the TREEEE as an offering unto you, protection from the trials of our race, to be spared the blight upon us, - " ((cut to another Catperson, looking up towards the left of the shot, watching)) " - rendered by many choices of those who sought only to undermine all of us. " ((cut to Klingon, watching from the left of the shot, towards the right of the shot)) "All of you, from reaching a future, - " ((cut to Tents close up looking up towards the right of the shot, blinking twice)) " - let alone a path of your own choosing." ((begins to stare lower, past the shot level)) "One to which you would seek as your own, - " ((cut to close up of Acolyte Fred, speaking outwards to the right of the shot)) " - and not one yoked upon you that you see as an inhibition. Or perhaps a servile role, \- " ((cut to a FredWorker, facing up towards Acolyte Fred to the right of the shot, with Tents in the foreground, watching towards the right as well)) " - one which you had never sought to begin with."

FredWorker:((as he speaks, Tents reacts to his right and watches him)) "My feet and knees ache from the YYERZ of STRRAIIN . Will the TREE accept me as I am?"

Acolyte Fred:((voice)) "The TREE doesn't judge you." ((cut to close up of Acolyte Fred, staring out past the shot)) "Man judges you. Woman judges you. But this TREE ? ((pointing behind up with an open left palm, wide eyed, pausing)) "This visage of GAH , that brings with it fairness, equality, and with it self determination? That allows the CHOOSSNNNN to exert FREEWWWWILLLL in the name of GAH ? " ((Acolyte Fred shakes his head, smiling softly)) "This TREE welcomes you." ((cut to close up of Klingon staring to the left of the shot, eyes wide and his motion still)) "Safeguards you with its offering, and admonishes ill treatment of you by welcoming you as you are."((cut FredWorker who asked, smiling eyes calm, Tents watching him, with others in the row)) "Lay your hands upon the LEVVEZ my friend - " ((he walks forward to the right of the shot, and out of the shot, as the others watch him)) " - and take with you the PROOFFFF - " ((cut to Acolyte Fred staring towards the left of the shot)) " - that GAHLVZZU ."

Tents:((voice)) "Excuse me?" ((Acolyte Fred reacts, looking to the lower left of the shot))((cut to close up of Tents, surrounded by other parishioners, as he gazes up to the rigth of the shot)) "I am, well, I am lost. For a long time now, I've wrestled with many things. Thing I cannot explain, and I've sought help and advice, and found myself still wanting. This TREE seems to bring hope to many." ((cut to close up of Acolyte Fred, staring past the shot to the left)) "Would it help me to find the TRUTHTH ."

Acolyte Fred: ((upon hearing the word TRUUUUTH , he mouths the words RUN , but a left hand clasps over his MOUF , as the eyes return to a tranquil state, and the limbs relax, as the left hand is taken away, and the eyes turn back downwards towards the lower left)) "For whom you are or were, GAH cares not. ALLLL that you are is who GAH sees. This TREEEE - " ((cut to Tents close up looking up to the right of the shot)) " - is that which GAH wanted all of USSSS to share. To have to hold, and to embrace as part of our WAYYofLYYFE ." ((cut to previous, Acolyte Fred looking down to the left)) "If TRUUTH - " ((his face spasms, and his HANNDDDDZ shake violently and stop)) " - is what you seek, and to be FREE is that which TRUTTHH - " ((face spasms once and stops)) " - allows, then let this TREE be the key to your shackles - " ((cut to Tents close up once more, those around him smiling at him, as he stares up to the right past the frame to the right)) " - the light to your darkness, the star to guide you HOME and the witness to your SLVVASHUN . Come forth - " ((cut to Acolyte Fred close up facing towards the lower left of the shot)) " - forward to the TREE and take a LEAAF as a token of KYNNDNEES from GAH ." ((the shot zooms in behind Acolyte Fred to show Norman Stanton peering out from behind a nearby wall, behind the gathering of the parishioners.))

Omniscient Narrator:((voice)) "From the pulpit Acolyte Fred speaks, preaching WOORRRRDZ to those who SEEEEK , while Stanton waits for AOFD , to ATHEBSAKEWASBOFB ."

Norman Stanton: "So much for a straight approach. I can at least A7THEB and go in the back way."

((cut to wider shot, the TREE cluster to the left of the shot, as Norman Stanton sneaks left to take cover behind the TREE , out of view of the congregation))

Norman Stanton((voice)) "Now let's see." ((cut to close up Norman Stanton, right index finger to MOUF as he stares at a large cluster of TREE filling the left and upper shot)) "What do I YYTOAA " ((thinking cap face, as suddenly the bulb FLPPZ )) "Ah, THEBAST "((he turns to the left of shot and SMOOCCHES forward as a body within Norman Stanton is pulled out, which resembles Mr. Stanton Sr., the father of Norman Stanton, being pulled from the body of his son, as he climbs through the thick tree branches leaving a stone faced, wide eyed and quiet body of Norman Stanton Jr. behind))

((cut to interior branch of the MUNNYTREE , Mr. Stanton Sr., (((formerly known as Norman Stanton))), climbs through the thick limbs and thick tufts of BILLZ , now waling deep into the TREE , as the branches grow thicket and the environment much more vast, defying the size of the TREE from the OWTTSIDDDEE . He steps at the shot, gazing about behind the camera. He has short white hair, though not cropped, is clean shaven, caucasian, and wears long jean shorts BLUUUU in color, JEAANNNSLPPRR , just one on his right leg, and a GREENNNNTSHRT . He has his hands on his HIPPZZ and gazes about past the shot))

Mr. Stanton Sr. " HM ." ((cut to behind the back of Mr. Stanton Sr. wideshot, revealing the large BLUUTRUUNK that resembles the fuselage of a missile upside down, with many colored christmas tree lights adorned on the inside of the TREE that AA and DC over and over again, while in the distance can be seen many alternating ORRRRBORNAMMNNTZZZZ changing color from RD to BLUUUUUUUUUUUU and large CANNDDYCNZ that are the colors BLUUUU and YELLOOOOOOOOOOOOPUPPRRL .)) "Now where do I find the AZ of this MESS ?"

((cut to previous, to a large shadow looming over him, a long stretch of curled CANNE entering the shot, as the sound of a HSSS begins to be emitted as well))

Voice:((of camera))((in 7e )) " HSSTREEINTHEEMKINGAVSSSSITORINNOWRRMDSTST " ((Mr. Stanton Sr. terrified expression, turns about, as the camera rises right of shot to reveal a large CANDDYCANEsnake , looking down on him, tongue flicking, the color of BLUSTRRIPEZZZZ and YELLOOSTRRIPZ ))

((cut to facing down at Mr. Stanton Sr., looking up past shot right, realizing that it is a BADDssssnaaake , as is any SNakee that can TLK and looks like a form of CNDDY , as the shadow looms over in the shape of a curled cane. Out of options, Mr. Stanton Sr. reacts as any electrician would.))

Mr. Stanton Sr. ((in A )) AHHHHHHHHHHHHHH !!!! " ((Mr. Stanton Sr. runs into the upper left of the shot, as the SNakEEEE pursues))

SNakEEEE :(( now identified as SNakEEEE 's speak only in the V of its creator)) " gtbkhr ." ((the SNakEEEE slithers in pursuit, as the shot rises and reveals their path is on a thick BLUUBRAANCH , as both grow smaller in the shot, while the shot descends back downwards to the BRAANCH , the color filling the shot.))

Omniscient Narrator: "A stranger land than FredVerse is TREE , bizarre and CRAY to A , while outside its branches five approach, never to SAVVTHEEDAY ."

((the shot slowly panning outwards to reveal the BLUUUUBAK of the figure of Beer Barrister's pant legs, as he, Twin Partners, and Bad Lawyer carrying Briefcase begin to walk into the shot, as the large outline of the MUNNYTREE can be seen in the foreground.))

Bad Lawyer:((voice)) "So this is what Mr. yahweh was referring to." ((cut to close up, Bad Lawyer facing right of the shot, scornful gaze as Twin Partners and Beer Barrister stand to the left of the shot behind)) "Seems like a FROONTNT of some kind, maybe even worth YY about."

Beer Barrister: "But then we'd just YY about this. I thought we were going to blame Jesus."

Bad Lawyer: "In time. However the first part of the plan involves A, and as previously stated we succeed at DTOSAYSAY and thus DAY , we will YY ."

Beer Barrister: "I just think it was easier when we didn't need any electrical code to SAY anything." ((Bad Lawyer squints in anger, begins to turn about over his right shoulder))

Bad Lawyer: ((cut to Bad Lawyer looking over his right shoulder at the shot)) "You're just looking for a reason to DRNK "

Beer Barrister:((voice))((sniffs)) "Maybe."

Bad Lawyer: "Well put your HBTZ aside." ((cut to Beer Barrister to the left of the shot, looking sadder, while Twin Partners stand to the right of the shot in a perfect line side to side)) "We're on the CLKK and Mr. yahweh agreed to our terms." ((cut to close up, Bad Lawyer turning back to the shot, close of up of his face, smiling and looking upwards of shot)) " MY terms. " ((looks back down level of shot to the right of shot)) "And we're here to size up this TREE for potential liability onto our STRUUKKTTUURRRRE ."

Briefcase:((voice)) "You mean Mr. yahweh right?" ((Bad Lawyer looking down to right of shot, most irritated))

Bad Lawyer: "Yes! I established my plan! I did!" ((expression changes as he glances to the right of the shot)) "You there!" ((cut to P.O.V. Bad Lawyer facing a parishioner passing from the left to the right of shot, a FredWorker, who looks at the shot directly)) "Who do I talk to around here in regards to the MUNNY ?"

FredWorker:((pausing, speaking to shot)) "Well there's that man leading the congregation." ((cut to Bad Lawyer looking past the shot, right hand lower in shot with the handle of Briefcase barely shown, while Beer Barrister is to the left of shot and Twin Partners to the right)) "His name was Acolyte Fred, but now he's MANNY as opposed to OONE ."

Bad Lawyer: "What's that supposed to mean, congregation?"

FredWorker:((cut to close up facing to left of shot, blinks twice)) "Well it's another way of stating an assembly of people or a gathering - "

Bad Lawyer:((voice)) "No no no I know that." ((cut to previous)) "What's the meaning, like the significance? Is this TREE a ceremonial offering or a place of WOORSHP or something?"

FredWorker:((voice)) "Well yes, according to the one leading the precession." ((cut to close up, FredWorker looking to the left of shot, him raising both his hands to his chest, flattening each palm onto the other)) "You see, he believes that it is a blessing from GAH, a cure for social inequity and injustice. To bring forth a NUEERA of prosperity and balance as dictated on HII by its arrival."

Bad Lawyer:((voice)) "I see." ((cut to previous)) "What does it cost to enter this gathering?"

FredWorker:((voice)) "Oh it's FREE ."

Bad Lawyer:((all visible members of Chapter 119 surprised, Bad Lawyer himself raising both eyebrows skeptically)) " FREE eh?"

FredWorker:((cut to FredWorker close up looking towards left of shot)) "Oh yes. In fact that's one reason his FLKK has grown. Everything costs MUNNY these days and cost seems to be going up for some reason." ((cut to previous, Chapter 119 looking past the shot)) "That and his group are between the MUNNY and anybody who wants to take the LEEVVZ ."

Bad Lawyer: "I see." ((looks past shot up and down)) "Thank you" ((begrudgingly, as the sound of footfalls leaves the shot, the FredWorker walking off to join the parishioners))

Briefcase:((voice)) "What now CHEEEF? "

Bad Lawyer:((cut to Bad Lawyer P.O.V. looking towards the MUNNYTREE and the throngs gathered around))((voice)) "They like this TREE , but this TREE will BTHECOFD and yahweh will DRFTHEB ."((cut to close up, Bad Lawyer facing the shot, right side skew facing right, his smile growing and face squishing together from the sheer pressure of his elation as he speaks)) "And that's when I get an beautiful, AWEESUM idea."

Beer Barrister:((cut to close up, facing to the right)) "Like what?"

Bad Lawyer:((voice)) "The TREE will DIMONFUFFA , and we will BIPONDIPPA ." ((cut to Twin Partners looking to right of shot, both blinking five times in unison)) " They THNGONDM and we YYONBMBM ." ((cut to Bad Lawyer, face still scrunched from smiling, as his eye spin counterclockwise)) " All that BINBINBINBINBINBINBINBINBINBINBINBIN ." ((his eyes stop spinning as the shot zooms inwards now slowly, as his pupils grow larger and wider)) "And they TCCETHEBZT and we TAKETHEBOPEBEEP . " ((cut to Briefcase looking up at shot, amazed)) "I won't need yahweh . I won't need Jesus." ((cut to previous, Bad Lawyer shuddering with excitement))((whispering)) "Even GAHWIILNZT ." ((he groans, and his entire expression returns to normal, RRAYYZORRIGGIDID and GLLUUMMMM )) "But I'll need a disguise, and a way to HYEEDETHED ." ((left hand entering the shot, fingers caressing chin and lips, eyes squinting in THOOOOT )) "Something RDANDWHIT , and a BLTTONZT so I can't get GT ." ((nodding, eyes wider)) "And a HT for my MZ so I can't YY - " ((cut to Twin Partners staring past shot to the right)) " - and something for my FC , so I can't YYOFZ ." ((both exchange glances quickly without moving any part but their eyes, then stare back forward))((cut to the P.O.V. of Bad Lawyer looking towards the MUNNYTREE with many surrounding it)) "I can use Mr. yahweh 's NZ to do it, and he can't get YYAC - " ((cut to Bad Lawyer up close, his smile beginning to grow once more, the reflection of the MUNNYTREE in both his eyes)) " - so he won't be implicated, and we won't either. They'll at most see my disguise, and we'll be blameless." ((he begins to PANT and LAFFFF while staring to the right past the shot, as he regains his composure and stoicism)) "But we'll have to wait until the TREE is unguarded." ((cut to Beer Barrister facing to the right of the shot)) "There's too many of them, and we'll get YY7 ."

Beer Barrister: "I could DRNK . Maybe they'd go away then."

Bad Lawyer:((voice, muttering)) "That will only D ." ((Beer Barrister looks sadder, as his FLYYPARRAALLGLGLZZZZ buzz around him, getting listless for CASSEEEEWRRKKKK .)) "Start thinking more of the TASSKKKKATHAAAANDND ."

Beer Barrister: "But I have to DRNK soon! A will D and I will have to NZT ." ((eyes wider and darting, he whispers)) "Well get caught!"

Bad Lawyer:((voice)) "Well find something for you to AC while we procure some WAARRRRZZ for the MISSHHUN . " ((cut to Bad Lawyer rubbing his hands together looking to the right of the shot, smirking)) "But first, we need to get some BILLZ if what they say is TRUUUUUUUUUUUU and everything here is MONNTTAAAARY now." ((pauses, and groans, sulking)) "And we'll YY ." ((raises left hand to forehead dejected.))

Twin Partner #1:((cut to close up, standing left, side by side looking to the right of the shot)) "Actually - "

Twin Partner #2:((standing right)) "- we can D ."

Twin Partners:((in unison, turning to smile at each other)) " ALLDAYNDALNITE ."

Bad Lawyer:((voice))((elated)) "That's true!" ((cut to close up of Bad Lawyer facing to the right of the shot, eyes wider in HOOPPPPE )) "We can't GTVVE . They'd never know it was UUUUUUUUUUUUUU ." ((he swivels around to the left of the shot, extending a left index finger towards the left of shot in amazement))

Briefcase:((voice))((lower in shot, Bad Lawyer glancing downwards as he speaks)) "I could get it, but I'd SAYYYY ."

Bad Lawyer:((shakes head)) "No no, you're BBEESSTTTTOONNMYYYYHAND ." ((cut to Briefcase up close, Bad Lawyer's right hand still gripped onto his HANNNNDLLLL )) "Then you'd AAAACCCCZDEE and I can YY , and you won't D !"

Briefcase:((sighs)) "Ok."

Beer Barrister:((voice)) "If I go, I could get D - " ((cut to Beer Barrister up close, looking from left to right cautiously)) " - and my NM would YY . Would I get caught for something illegal?"

Bad Lawyer:((voice)) "Yes you would." ((cut to close up facing to the left of the shot, hands raised and fingers tapping each other in rhythm.)) "That's why you should go."

Beer Barrister:((voice)) "Oh..."

Bad Lawyer:((undaunted)) "But then you DRNK m and it STYYLEZZZ , so you can't get in trouble!" ((cut to Beer Barrister close up smiling)) "Just on an ETHHICCS issue and it'll BLOOOVR ."

Beer Barrister:((smiles, eyes closed in satisfaction)) " PRFK ."

Bad Lawyer:((voice)) "Now go on. We'll be waiting." ((he walks into shot happily and passes Bad Lawyer to the left of shot who turns and speaks to him as he walks out of the shot to the right, and then continues talking to shot's right)) " Get as many BILLZ as you can." ((shot hangs on Bad Lawyer PLOOOOTING )) "We'll get MUNNY for Mr. yahweh, and we'll get the BILLZ for the disguise I want, then we just wait until this whole gathering is away from the TREE ."

Omniscient Narrator: "Bad Lawyer PLOTTTTZ and his scheme soon BLOOOOMZZZZ -"((cut to pursuit of Beer Barrister, his back to shot, who is nonchalantly walking towards the large group and the MUNNYTREE . The camera overtakes him and snakes and weaves through the parishioners towards the front and towards Acolyte Fred, who stands helping those to help themselves to the TREE .)) " - while Acolyte Fred and his FLKK learn of NUZZ to DIFFTHEEFOOOOM ." ((Acolyte Fred stands resolute and pious as members of his congregation file past calmly to take an offering, with his back to the MUNNYTREE , as a FredWorker enters the shot from right, leaning it facing Acolyte Fred))

FredWorker: "UURHYYNZSS , the authorities have arrested a HEETHN against the LEVVZ ." ((he disappears out of the shot, as Acolyte Fred reacts, the vertical slit pupils and his REDDEYEEZZZZ going wide))

Acolyte Fred:((extending arms outwards wide)) "My friends, hear me as I speak." ((cut to the congregation of many looking up towards the right of the shot)) "A man who spoke against the token of our LOORD has been arrested and subjugated."

Catperson:((arms in the air to the right of the shot, outraged as the crowd reacts and looks)) "Let's throw him in a jail inside a jail!"

FredWorker:((rises from the left, FISSSSTINTHEEAIIRRRR as the crowd watches)) "Let's sacrifice to the TREE! "((cut to close up of Acolyte Fred, looking down at the crowd to the left of the shot)) "We'll NZTHM21 and show GAH he NVRAAZ ."

Catperson:((voice))((from right of shot, Acolyte Fred's gaze changing direction)) "No! EYELKHELL! "

Acolyte Fred: "I beseech you, all of you. We must not condone his heresy with brutality. We must hear his claims personally, as to why GAH hasn't chosen us, his LOYYLLLL , to be the bearers of this standard, the representation of our LORRDDDDZZZZBEEEENOOOVLLLLLLLNNCCEEEE ." ((cut to the crowd, softer now at his words, looking to the right of the shot)) "Gratitude and charity, are merely words to us but gifts from GAH . For us to turn in a callous nature towards a man equates to IOF7 ." ((cut to previous, close up Acolyte Fred looking past the crowd speaking in either direction)) "That to us, even one with an outspoken mine cannot be both viable and equitable to GAH above. To ERRIZIZHUMMMMAN ." ((cut to close up of a Gorn looking to the right of the shot, holding a torch with his right hand in the air beside him)) " TOYYYYRAAZZAZAZIZBBDSAY ." ((his expression calmer with a comfortable smile building)) "We cannot allow this man not to see our PLEEAAAAAAA to GAH , and not to be included as one of our FLKKKK ." ((cut to Acolyte Fred zooming slowly towards him standing looking over the crowd)) " To deny him hospice within our CRRKKLLLL , would be against the teachings bestowed by the CREEAATTOOOORABBOOVV . We must go to him, and where he is being held, and offer him a NUPPTTHHHH , rather than one of DMNAYYSHUUNNN ." ((there are cheers from the crowd, all praising Acolyte Fred in his WWHHHOOOOMAANNIIITTYYYY as he begins to step down from before the crowd and walks into the shot, the congregation begins to follow behind him, while Beer Barrister walks past them along the right of the center of the shot. Acolyte Fred exits the shot, as the throngs of SHEEEEPPPP all cheering and clapping for their anointed Acolyte Fred seem to go with him, as Beer Barrister takes the stage and moves closer to the MUNNYTREE . Bad Lawyer's anger can be heard as the footfalls of the CHOOSSNNNN fade off out of the shot))

Bad Lawyer:((voice))((bellowing from the distance)) "Quit stalling! They're all gone! Grab the BILLZ and we can complete the plan!" ((Beer Barrister, nervous eyes darting from left to right once))

Beer Barrister: "Do I have to DRNK? "

Bad Lawyer:((voice))((bellowing)) "Yes!"

Beer Barrister:((a sigh of relief))((cut to close up of his torso, his right hand removing a BLUUUUFLAASKSK from his JAAKKEEEET , as the shot rises with the FLAASSSSK to show his face, smiling, the FLYPARRAAAALLGGLLLLZ buzzing about him in approval, as he cheers the sky)) "At last a RETTUURRRRN22222222222222SSAANNTTTIYYY " ((he quaffs deeply, as the FLAASSK seems endless, his PARALLGGLLLLZZZZ landing on his as he does, drinking from his PORREEZZZZ with their PROOBBIISSSQQUUISIIIZZZZ merrily. Bad Lawyer begins to howl from off camera))

Bad Lawyer:((voice)) "Hurry up! We don't know when they'll return!" ((Beer Barrister raises his left index finger in the air, declaring but a moment as he has yet to finish YY7E .)) " AGH!" ((the sound of Briefcase being dropped on the ground makes a specific noise))

Briefcase:((voice)) " OWWWWSAYZ "

((the racing yet coordinated steps of Bad Lawyer hurry at the shot, as upon growing the loudest produce Bad Lawyer stepping into the shot from left, advancing past Beer Barrister, proudly in his moment, towards the MUNNYTREE . Bad Lawyer with back to shot, claws and grabs in a FLUURRRRY a FISSSSTFULLLOFFBILLZZZZ , the turns back towards the shot angrily, as Beer Barrister continues to DRNK , eyes opening then closing as Bad Lawyer approaches with a GIGGAANNTTIIKKKKWAADDDD to CHIIDDDDE him.))

Bad Lawyer:((looms at Beer Barrister)) "Now I have to AZ " ((growls)) "You stay here and keep watch. We'll be back ." ((Beer Barrister nods as he continues to DRNK as Bad Lawyer walks past the camera along the left of the shot))

((cut to wide, hovering over the main stage with the MUNNYTREE to the rear right of the shot, showing Beer Barrister to the lower right, as Bad Lawyer begins to angrily walk back towards Twin Partners and Briefcase in the distance as the shot begins to veer forward past Twin Partners and Briefcase snaking around to the right to see below approaching the area of the MUNNYTREE , a large bed being carried by Ethereal Spirits, with I.S.S. still wrapped in GOLLDDDD in COCCOOOONFORRMMMM bellowing loudly to the rapidly moving TYRREEEEZ serving as the momentum of the BEDDD , and moving in the direction of the MUNNYTREE .))

I.S.S. : " FASTR ! FASSTTR ! NAOO! " ((the shot continues past them as it begins to veer to the right then left, catching up to a few stragglers of the FLKK , in pursuit of Acolyte Fred who is leading the precession in the direction of a small building in the Commerce District, which has BLUUANDREREDDDLLIITTTTEZ at the very top of the roof and serves as a prison and a police station. It is the same building that served as a prison in the fourth installment of this particular franchise. The shot continues to angle forward past the crowd, to around the building's opposing side from where the crowd is advancing))

Omniscient Narrator: "Acolyte Fred's new CRUUSSAAAADEDE to sway the SUNNOOOOFGOD his way. This will be met with Jesus's own choice made, to never allow ATODADE ."((the shot leans to the left then right to reach the opposing side and enters into the second HIEEEERRRRRRRRRRRR window, through a series of BARRRRZZ into a dark cell, where within the structure can be heard many SHOOUUTTTTZ and clamoring on the levels below. In the cell is a BADDMANNNN with back to approaching shot, SHOOUUUUTINGANDDSCRREEAAMMIIIINGGGG between the BBAARRRRZ towards the floor of the prison below, where a man bearing a striking resemblance to Jesus is being left from the left of the shot towards the right, in LAZZRRRRRROOOOPE restraints, one FredWorkerGuard flanking either side of him. The loud DINNNN of the other prisoners overpowers the shot, as the camera travels low towards Jesus and his captors. As he is led, the camera levels out along the ground, with Jesus's back and the Guards's back to the shot.)) "Before him lay the JUDDGGEEEE of MAN , an end to even the most WELLTHOTPLAANNNNZ ." ((the camera advances ahead of the three, amidst the clamoring and screaming hordes detained and imprisoned. Ahead of the shot is a large double door the color BLUUUU , made of metal with BOLLTTTTZZZZ along the frames of the door. There is a sign over the very top of the door and the upper frame that reads in BLUUUULTRRRRZ against a RREEEED background: " THEEEECCOOOOURTTTTHERRRREE as the shot zooms into the doors))

((cut to close up of a large right FIIIIST , slamming against the top of a METTLLLLTABBLLLL clad in a BLKKKKGLVVVV slamming four times as the sound in the background is immediately hushed. The shot leans upwards to a FredWorker wearing a BLKHHOOOODD over the back of his head, which is more of a coif than a complete covering. His face is revealed, as he stares past the shot sternly to the left))

FredWorkerinHOODDDD : "This ARRAAIIGGNNNNMNNNTTT will COMMTTTTOORDDDRRRR by way of DIF7 . The accused will RIZZEEEE and be presented by the NANASAYZSAY ." ((cut to facing Jesus, who stands behind a large BLUUUUTABBLLLL facing the shot, the back of the courtroom nearly deserted. The color of the room's walls are BLUUUUUUUUUUUU with SUNWAALZ and a BIGG ceiling which is RREEDDDD with a BLUUUUFLOOOOR . He begins to SPEEEEK .))

Jesus: "I have chosen to represent myself in these matters YRHHHNRNR ." ((cut to close up facing past the shot towards closer to the right of the camera, the double door barely in the shot towards the rear right)) " And I would like to SAYIDISAKE , thus nullifying these proceedings." ((just as he finishes, the double doors burst open, producing Acolyte Fred and his congregation, Jesus's eyes darting towards the right of the shot, then turning about as the camera zooms in towards them.))

Acolyte Fred: "You honor! We object at the detainment of this man. His grievance is with a token of GAH and not with that of the STAAAATETE , and thus with us OONLYY ." ((cut to close up of FredWorkerinHOODDDD glaring to the left of the shot, slamming FISSSSTTTT thrice))

FredWorkerinHOODDDD : "Unruly mobs do not RULLLLE this court, LAWWWW does. There is a distinct difference. One is LOOUUUUD - " ((cut to Acolyte Fred, standing center shot, flanked by many other parishioners who look very determined and angry at Jesus.)) " - and the other IZNNTTTTEE . Don't interrupt again."

Acolyte Fred: "Our intent is as honorable as your title YRHNNRRRR . Our act to intervene is in the name of defending GAH and the offering from ABVV ." ((cut to close up of Jesus, staring to the right of the shot to the rear of the court)) " We refuse to relent until he is immediately released to the custody of our congregation, where WEEE will hold him accountable for his ACTTZZZZ against GAH ." ((Jesus cringes, as the sound of a FISSSSTTTTSLAAMMMMING against a METTLLLLTABBLLLL rings loudly))

FredWorkerinHOODDDD :((voice)) " GUAARRRRDZ ! This man and his followers are to be EJJEKKKTDTD from this court immediately!"

Acolyte Fred:((cut to close up as FredWorkerGuards on either side move to push him and his FLKK out of the courtroom from whence they came)) "The TREE to which grants us all BILLZZZZINTHENMOFGAH would never seek to inhibit a man who speaks against it, - " ((the sound of a slamming FIISSSST as he and his followers are shoved out of the double door, as Acolyte Fred continues to preach)) " - rather prove to this man - " ((cut to Jesus, glaring furiously to the right of the shot, fuming in rage)) " - through faith in MUNNY and thus GAHZWIIL , we too can find SLVASHUN - " ((scuffles)) " - and GAHZLUVV !" ((Upon MUNNY being called GAHZLUVV , Jesus explodes in rage))

Jesus: ((snaps)) "GET OUT OF HERE!"

FredWorkerinHOODDDD :((voice))(( FIIIISTTTTSLAAMMMMING repeatedly)) "GET THEM OUT!" ((cut to FredWorkerinHOODDDD angrily staring to the left of the shot and slamming his FISSSST )) "GET THEM OUT!"

Jesus:((voice)) "GO TO HELL! GO TO FUKKIINNGGGGHELL ! (( FredWorkerinHOODDDD slams FISSTTTT again this time looking towards the skew right of the shot in the direction of Jesus off camera as the sound of the double doors closing and the unruly congregation have been removed. ))

FredWorkerinHOODDDD : "The DFNNSSEEEE will be CALM ! " ((deep breath infuriated)) "IMMEDIATELY!"

Jesus:((voice)) " SLVVAASSHUUUUN !!!! BOONNDOGGLLLLE ! ((cut to Jesus facing the rear of the courtroom, crazed even though Acolyte Fred and his FLKKKK have since left the room)) "YOU AREN'T WORSHIPPING GAH! YOU'RE FALLSSEEEEHOODDDD! "

FredWorkerinHOODDDD :((voice)) "THAT IS ENOUGH!" ((Jesus reacts, slowly turning back forward)) "Yes remember? The DFNNS remembers where he is? Yes? GOOD !" ((cut to previous, FredWorkerinHOODDDD staring violently towards the right of the shot and past the shot at Jesus)) "There will be no further OWTBRST from the DFNS ."

Jesus:((voice)) " YRHNNRRRR! "

FredWorkerinHOODDDD :((slams FISSTTTT twice upon the METTLLLLTABBLLLL turning towards the left of the shot, speaking calmer)) " PRCCEEZSAY present YRACCCC to this court."

((cut to close up of a FredWorker wearing a YELLOOOOHATT that resembles a cone, with a braid coming out of the front colored BLUUUU . He is wearing a BLUUSUIITTTT with no tie and a BLUUUUSHRRRRT . He stands with his hands upon table, which is the color BLUUUUUUUUUUUU and faces towards the shot, his hands coming behind his back as he speaks))

FredWorkerinHATT : " YRHNNRRRR we seek punishment of the accused akin to the DIIOF7E for acts of TERROOOOR against the Commerce District of the FredVerse."

Jesus:((voice)) " TERROOOOR!!!!!!!!!!!!!!!!?? "

FredWorkerinHOODDDD :((voice)) "Can prosecution elaborate to the necessity of severity for the sake of \- " ((cut to FredWorkerinHOODDDD facing towards Jesus off camera)) " - CALLMMIINNGGGGTHEDFNNSSSS ?" ((he glares to the left of the shot))

FredWorkerinHATT :((voice)) "I can YRHHNNRRRR " ((cut to close up of FredWorkerinHATT speaking towards the center of shot)) " The DFNS called ATOZ when implying AWASSB and therefore calling ATOB ."

Jesus:((voice)) "Ok, wait, this is solely for a crime of A ?" ((the FredWorkerinHATT glancing to the left of the shot))((cut to Jesus facing towards the right of the shot)) "Not for AOFZ or A or anything that involves a CRYYMMEEEE ? What could these charges possibly be or mean YRHNRRRR ?"

FredWorkerinHATT :((cut to close up facing to the FredWorkerinHOODDDD off camera)) "The charges against the DFNNSSSS stem from the choice made by the DFNDANT to be A7 against MUNNY ." ((cut to Jesus looking to the right of the shot, bewildered)) " In the 7 , MUNNY must be allowed to AZ , and with it, must never B7E . The defendant chose to AZII , by physically assaulting MUNNY , which would make MUNNYATTHEB ."

Jesus:((astonished and octave not lowered)) "Because I KIKDDDDTHEMUNNY?! Off the counter?! You're joking!"

FredWorkerinHOODDDD :((voice)) "These are serious charges Mr. Jesus."

Jesus: "No they aren't! They're a JOKKEEEE !!"

FredWorkerinHOODDDD :((cut to close up, as there is the sound of only four gasps in the rear of the courtroom)) "I beg your pardon?"

Jesus:((voice)) "The idea that I committed a crime is a JOKKEEEE ! I protested the usage of MUNNY in a society that before its introduction, wasn't problematic." ((cut to close up of Jesus, looking upwards recalling previous installments of this franchise)) "Well, aside from the consistent invasions from external sources." ((looks back forward to the judge off camera)) "But those instances didn't rely upon MUNNY for them to be solved. It required like minded individuals working together to solve a problem, now allaying it with stacks of PAPPER ." ((cut to FredWorkerinHATT looking to the left of the shot now seated)) "The FredVerse didn't need MUNNY ! You never knew what NEDD meant until that TREE showed up!" ((cut to Jesus close up facing towards the judge off camera)) "You never needed MUNNY for the FUD because it was readily available. You never withheld knowledge until it became profitable to. There was never poverty here until its arrival, and there were not restrictions upon the ability to complain either!" ((cut to FredWorkerinHOODDDD looking down to the right of the shot, eyeing up Jesus)) " You've all been deceived by that TREE and its followers." ((FredWorkerinHOODDDD rolling eyes and sitting backward in chair)) "The followers of this sect are desperate for something to hold and feel." ((cut to FredWorkerinHATT looking to the left of the shot, quiet)) " That's not the same as believing in something. That's not the same as believing in a spirit, or GAH , or anything!" ((cut to close up of Jesus facing past the shot to the left)) "Belief doesn't require MUNNY and when it does, it robs the word of its power. It degenerates the word of its properties and its force! It just becomes a weapon that also costs something!" ((cut to FredWorkerinHATT raising a right index finger)) "Yes I'm aware of my tangent thank you." ((his hand and finger lower)) " To say I'm DI7 simply for interrupting the DAYATABNKKK , is absurd, and the punishment is more harsh than some of those who sit idle in the prison I was escorted from to this ROOOOM ." (( FredWorkerinHATT looks towards the judge off camera))((cut to FredWorkerinHOODDDD looking towards the left of the shot, then to the right as Jesus continues to speak)) " If I am to be made an example of, there must be a reason beyond the proliferation of this \- " ((cut to Jesus close up, looking past the shot towards the judge)) " - this CURRNCYY , being more important than the stability of LAWWWW in the FredVerse. It won't last! None of this is as important as what you had before. You can't prosecute me for a crime that involves A7Z when I don't A . I can't ALLOWWMUNNY when I don't YY , and the same is true for A ! It's obvious because A will YY !" ((pauses, shaking hands at right of the shot and forward of shot)) "Don't you see?" ((cut to FredWorkerinHOODDDD looking to the right past the shot intensely)) "It means that I'd make MUNNY from a when a isn't A , and is different and thus not able to be the same thing at all. On purpose! Can't you see that?" ((cut to FredWorkerinHATT looking to the left of the shot, quietly)) "It's designed to be inflated in value! It's designed to be accrued exponentially yet will be proven fallible as a result of only that. This will turn out badly for the FredVerse - " ((cut to close up of Jesus, looking forward past the shot to the judge )) " - and my display was an extension of my own opinion, not an act of TERROOOOR . If I have to DI7 for it, I will, and prove the display of abiding by MUNNY 's acceptance to be futile, and ultimately fruitless!" ((Jesus sighs, looking towards the judge exasperated, seating himself))

FredWorkerinHOODDDD :((voice)) " PR77 your SAYE ?" ((Jesus looks to the right of the shot, as the shot slides towards the prosecution, FredWorkerinHATT watching towards the left, as he rises, looking forward past the shot to the judge)) " DFNS is incorrect to state that our intention is to make an example of him. Rather it is the duty of this COURRTT to ATHEB . We cannot allow ATOAA without AOF7TOB . This cannot be permitted nor condoned in the FredVerse regardless of the opinions of MUNNY , TREEZ , or the MUNNYTREE . The state of this society has changed rapidly since the introduction of CURRNCE and for some too rapidly. This NU system of the management of our values corresponding to such a NU ideology has not changed however, when A cannot A7BOFB . DFNS can A , but has not chosen to. That is not the crime YRHHRNR . It is allowing ATONZT . TO state that A cannot A which is what DFNS displayed at the BNK earlier to which is he accused. We can display evidence to show the DFNS caused the A ."

Jesus:((voice)) "I was in a BNK! That means I'm YY and I didn't do that on purpose."

FredWorkerinHOODDDD :((cut to close up facing towards the right of the shot)) "The DFNS has spoken, the PRSSCUSHTTUUN has the SAY ."

Jesus:((cut to close up rising out of seat)) "If I'm YY , then I'm in the wrong CRTT! That means I've been viewed as 7I ! Corrupted! All because I was in a BNK and chose to KIK? That's purely circumstantial!"

FredWorkerinHATT :((cut to close up facing to left of shot, still standing)) "It can be however, DFNNS intent to A and prove MUNNY isn't A was NT . That means DFNNS caused A to A , and with it A altered A to do something. The fact that A became B simply because DFNS chose to and admitted to KIK 'ing MUNNY , meant DFNS was aware of the choice thereof, and the consequences."

Jesus:((voice)) "Just for being inside the BNK !"

FredWorkerinHATT :((nodding)) "Yes, just for being within the BNK YRHNNRRRR . Had the DFNS done so outside the BNK the charge wouldn't have been made, nor been applicable at all. Within the bounds of that structure however, A became different because of the actions of the DFEENS and thus altered A to AOF7Z and NAYOFZ thus creating A ." ((cut to close up of Jesus, seated, sighing looking up at the ceiling)) "That is a CRYYMEME because that creates A for the purpose of ZOFB . That also means A is D and alters such for all AOFZ and electricity as a whole in the FredVerse ."

Jesus:((cut to close up)) "No it wouldn't, I'd be YY! Why then am I being told to A7? WHy then am I not allowed to A to STP my own NAMEFRMD? It makes no sense that I didn't YY unless I had YY previous to that instance! YHRNR , - " ((cut to FredWorkerinHOODDDD looking down towards him, thought provoked for his case)) " - I cannot be tried for this, no held liable for this CRYYMMMME . It would not simply imply but factually state that I YY. How can I when I don't A? "

FredWorkerinHATT :((voice))((eyes of FredWorkerinHOODDDD traveling to the left of shot)) "When did DFNS not A? There are several instances where A was B just after AOFZ ." ((cut to FredWorkerinHATT looking to left of the shot towards DFNS )) " How can we assume that AWAZZZNTB because of his NAME? " ((turns to past shot towards judge)) " It was because of A , and A being changed that everything changed. It was upon the action of the DFNS within the BNK , that A became different, thus altering every A7 , B , or any word spoken by DFNS after that point, - " ((cut to FredWorkerinHOODDDD looking to left of shot in thought)) " \- because of DFNS not saying that DFNS YYSAY ."

FredWorkerinHOODDDD : "Can DFNS prove that YY wasn't SAYE or ever done?"

Jesus:((cut to close up, pausing, rising up slowly and not finding the words)) "I can't YRHHNNRRRR . PRSECCUSHUN is stating the minute I chose to KIK , A became different as would my testimony now. But why wouldn't I know that I YY? "

FredWorkerinHATT :((voice)) "Because DFNS did A and DFNS needed A from here - "((cut to close up of FredWorkerinHATT standing hands behind back)) " - this court to A7Z and justify A ."

Jesus:((voice)) "Well why wouldn't I be holding all you accountable for A? " How is it that if someone A 's , they hold the producer of A responsible and I haven't done the same towards you?" ((cut to Jesus standing facing towards the right of the shot)) "Towards this court? Why wouldn't I be saying you KIK if I relied upon your A to begin with?"

FredWorkerinHOODDDD :((voice)) " PRS77 ?"

FredWorkerinHATT :((cut to close up, rising from chair looming over table)) " The DFNSYY and chose to A by way of KIK and that is all that is NOWWNN ."

Jesus:((voice)) "Well that's circumstantial!" ((FredWorkerinHATT seats himself))((cut to Jesus standing at table, looking to right of shot then forward towards judge)) "There would have to be another reason. Perhaps someone used my name? To create MUNNY ?" ((cut to FredWorkerinHOODDDD leaning back in chair, eyeing up right of shot towards Jesus)) "Or was there a PLZ that said I did Z to make A to begin with? Maybe there's someone out there using my actual name to make MUNNYBADDSAYZSAY ? So I'll get blamed the minute I A and they won't?" ((FredWorkerinHOODDDD 's eyes travel to the left of shot))

FredWorkerinHOODDDD : " PRSS7DR your REBBUUTTLLLL ?"

FredWorkerinHATT :((voice)) "There is NZZTA , thus there is no AOFZTOSAY . He would YY YRHNR . DFNS said himself." (( FredWorkerinHOODDDD shrugs))

FredWorkerinHOODDDD : "You refuted your own argument Mr. Jesus. You would have YY and you wouldn't AD afterwards, thus NOTDSAYZSAY . You would be the one who YY7 and thus do A . ((looks downwards, as though the case is solved)) "My DLBRASHUUN will HEERRBI commence, and I will return within a 7IIV with a RUULIING ."

Jesus:((voice)) " RULING? " (( FredWorkerinHOODDDD pausing looking towards left of the shot towards Jesus off camera)) " I'm NTGLTTY! " ((cut to Jesus close up, frantically pissed off)) "I have a RITETOATRYAL! "

FredWorkerinHOODDDD :((voice)) "This is a 7IV Mr. Jesus, and the NAYTUR of the CRYYME entails a 7V . This means that a JUURY will not A , thus you cannot ATHEB and 7 ."

Jesus: "If I have a jury I can't prove I don't YY? "

FredWorkerinHOODDDD :((voice)) "That is the NAYYTUR of the CRYYMME . " ((cut to FredWorkerinHOOD looking past shot to the right at Jesus off camera)) " You cannot A7THEB and DOFB right after. You cannot YDYDISAYDR in accordance with AOFZ7ADAD ."

Jesus:((voice)) "That doesn't mean I YY , that means you did, and you can't tell I didn't!" ((cut to close up, frantic)) "That means you need the same A that I would, and you're taking it first! And I can't prove my point! THIS IS UNSANE! "

FredWorkerinHOODDDD :((cut to close up facing to the center of shot, across the court room)) "My DLBRASHUNZ will conclude in the AAZZ . Tomorrow morning - "

Jesus:((voice)) "You're the one YY! ishouuldnonnn! That's it!" (( FredWorkerinHOODDDD losing patience))

FredWorkerinHOODDDD :((shouting)) " TOMORROW MORNING YOU WILL BE REMANDED TO THE CUSTODY OF GUARD WHO WILL BRING YOU HERE BEFORE ME TO FACE SENTENCE WITHOUT DELAY OR INTERRUPTION OF ANY MANNER. COURT IS ADJOURNED UNTIL THE 7EOFZ WHERE MY DECISION WILL BE ANNOUNCED AND ADHERED TO ." (( FredWorkerinHOODDDD slams FISSTTTT ))

((cut to close up FredWorkerinHOODDDD 's RIGGHTTFSTT slamming, and on the second slam, smashcut to another fist wrapped in GOLLDDDD fabric of a COCCOOOON onto a BLUUUU wooden counter, as the shot veers up to show the face of I.S.S. still showing through his GOLLDDDDNCOCCOOOON ))

I.S.S. :((shouting)) "I DEMAND AN ANSWER! AS A STILL SOMEWHAT KNOWN AND IDOLIZED CELEBRITY I HAVE RIGHTS! INALIENABLE GUARANTEES . WHY IS THIS FRRRRARII MORE EXPENSIVE NOW?! AND WHY CAN'T I HAVE IT IN BLUUUUANDGOLLLLD IN THE EXACT STYYLE I HAD BEFORE?"

Ethereal Car Dealer:((voice)) "Sir, please calm down."

I.S.S. :((shouting)) " THIS IS ME CALM ." ((cut to close up Ethereal Car Dealer facing shot, the SHOOOOOOWRRRROOOOOOOOOOOOMMMM behind him scarcely populated aside from some onlookers looking towards the shot and commotion)) " YOU'RE DEBATING THAT. WITH YOUR EYES ALONE!" ((cut to previous, I.S.S. scowling, colder and lower voice)) "I can tell."

Ethereal Car Dealer:((voice)) "I'm certain you can sir." ((cut to Ethereal Car Dealer, close up, the ROMMMM behind back to normal activity)) "Let me be BLUNTTTTT , the price of our stock has increased due to the cost to produce such. This came about due to the decrease in the value of the CURRENCCYYYY ."

I.S.S. :((voice)) " WHADDYAMEAN ?" ((Ethereal Car Dealer cringes while smiling politely)) "I have the same amount of BILLZZZZ that it cost before! It's practically FREEE , minus the work I have to go and pick it." ((cut to I.S.S. grumbling, moaning, as though terminally exhausted)) "Just gimmie it. I want to just make another HOLLEEEE in that LSTWAAL . "

Ethereal Car Dealer:((cut to close up, revealing that most of the other WALLZZZZ in the SHOOWWWWRRRROM were patched and repaired already)) "Please sir, if you wouldn't mind, there are matter I must attend to. Please visit us again when you are not - " ((clears throat))((cut to I.S.S. close up)) "Economically challenged." ((I.S.S. 's brow and MOUF express astonishment, as he has learned a new insult, knowing it was directed at him as well))

I.S.S. : " OOOOHHHHOOOOHEISTHAT! TOMEEEE. " ((lips tightening teeth clenched)) " OOOOH THIS IS AFEELLLLING! I remember those! YYYYEEEEA "

Omniscient Narrator:((voice)) "Just as I.S.S.'s LITEWENTNITEE , a calm voice spoke to him just to his RITE ."

Voice: "Hey kid." ((I.S.S. pauses, turns about wiggling in place, revealing he is in the arms of an Ethereal Spirit)) "To the RITE ."

I.S.S. :((struggling)) "Damn TYRREEEEZ . TURN ! TURN TO THE FUPPIN ' RITE !" ((the Ethereal Spirit carrying him turns to the right of the shot, wide shot, reveals a flat screen television on the wall, with the image of another Ethereal Spirit seated at a desk who sounds like NEAALDIIMND . The desk is made of YELLOOOOWOOD and background of all BOOKKKKZ of all CLLRR mounted on a BLUUWOODDSHLLLLFF )) "Like cars huh?"

I.S.S. :((cut to facing to the right of the shot, cradled in the arms of the Ethereal Spirit)) "Love 'em. Love everything that means I'm better than YOU . "

Ethereal Spirit on TV:((voice))((chuckles)) "Who doesn't? We all do kid, and that's the problem." (( I.S.S. 's eyesbrows raise)) "That's the problem with MUNNY too."

I.S.S. :((now glaring)) "HOW FAPPIN' DAREUUUUINSLTMUNYY "

Ethereal Spirit on TV:((cut to close up of the image speaking towards I.S.S. to the left of the shot and motioning for calm with his hands)) "Easy easy there kid." ((smiles)) "We're all LLYYYOLYYLLLL here , I know how you FELLL ." ((smile fades and grows more serious)) "But it's not just TAKE in this WRRLDKID! " ((cut to close up of I.S.S. facing to the right of the shot)) "Sure it seems like that to GETT2THAEETOPP , but it's just as much GIVV . You have to GIVVE ."

I.S.S. :((still glaring)) "I don't like you." ((Ethereal Spirit on TV starts cackling))

Ethereal Spirit on TV:((cut to close up)) "I wouldn't either! It's that type of gumption that makes me think of you as a symbol. A character!" Tell me kid, you ever think about being a MODDL? "

Gorn:((smashcut to close up, Gorn, facing to the left of the shot atop the HOTTROK , elated expression to the left of the shot)) "Me? An AKKTZRR? " ((smile growing wide as he stares off into space))

Voice:((female with a GREZZYYYYTWAANG )) "I don't see why not." ((Gorn amazed and beaming)) "The both of you!" ((Gorn looks slightly dejected as he peers to the left of the shot, the camera sliding left to reveal Klingon #2 completely PERRMD , beard and all))

Klingon #2: "Really?"

Voice:((voice)) "Sure!" ((cut to close up, Ethereal Spirit facing towards shot over her left shoulder, body lying on the floor of the VILLA , cracked television in the foreground. She is holding a DRNK and has REDDLIPPSTIKK and is REDD in COLLRRRR )) "I don't see why not, everybody else is doing it these days."

Gorn:((voice)) "Well I dunno if EVRY11 else is doing it."

Klingon #2:((cut to close up, fully CURRLLDDDD looking towards the right of shot towards Gorn off camera)) "Come on, you - " ((the sound of a door opening to the VILLA interrupts Klingon #2 as he looks at the shot to the noise))

Tents:((voice)) "Hey guys, so - " ((pause, while Klingon #2 looks at the shot)) "Well I didn't expect that at all." ((shot swivels 180 degrees to reveal Tents standing in the doorway to the VILLA holding a pile of MUNNY . He closes the door behind him, looking in the direction of Klingon #2 ))

Gorn:((voice)) "Looks like you found the MUNNYYTREE ." ((cut to close up, looking towards the left of the shot)) "But you didn't BII anything."

Klingon #2:((voice)) "Yeah treat yourself. You've earned it." ((cut to Tents close up looking past shot to the left)) " HBB we all have."

Tents: "Yeah I guess. I don't know what to do with it." ((looking down at the PILLLLE he holds)) "Maybe I'll put it in a BNK . You know to save it."

Klingon #2:((voice)) "Or think about your future and how to make money off your MUNNY ."

Tents:((confused)) "What?"

Gorn:((cut to close up)) "Just listen to HRR ." ((pointing down to the bottom of the frame))

Tents:((voice)) "Who?" ((the shot slides down towards the floor where the female Ethereal Spirit was lying, revealing her still legs out, but now facing towards the right of shot)) "Me. I'm YY7 , at least that's what my changed name is. My friend's girlfriend's STYYLST 's roommate's boyfriend's brother told him about turning MUNNY into a SAYZ , so you just take a lot of it, and GIVVIT2SUM1 , and they make it worth MOAR ."

Tents:((voice)) " MOAR ?" ((cut to close up facing lower left of shot))  
"Wait, who are you again?"

YY7 :((formerly Ethereal Spirit))((voice)) " YY7 "

Tents: "And what do you do exactly?"

YY7 :((cut to previous)) " PRFFSHUNNLFML ." ((smiles at shot eagerly))

Klingon #2 :((voice)) "She's accredited too!"

YY7 :((nods)) " 4YRZOFB ." ((smiles a BIGGGRIINN ))

Gorn:((voice)) "She's really expensive too." ((cut to facing left of the shot, relaxed)) "That means SHEEZTHEBST ."

Tents:((voice)) "Huh." ((cut to close up facing to the left of the shot)) "I didn't know there were JOBBZ like that."

Klingon #2:((voice)) "Yeah, she even got me a connection for an investor who wants me to be their star promoter."

Tents:((happy)) "Well that's great NUZ ." ((cut to Klingon #2)) "What are you promoting?"

Klingon #2: " HARRR " ((he adjusts his curls with his right hand))

Tents:((cut to close up, petrified, pausing then speaking)) "I'm sorry, what?"

YY7 :((voice))((Tent's eyes descend to the lower left of the shot)) " HAIR . You know like SPRRAYZ , TREETTMTMNTZZ4444CURRLZZ , LOOSHUUNZZ , TOONIKKZ ." ((each of those words makes Tents's eyes grow wider and wider))

Klingon #2:((voice))((Tents's eyes shoot back up towards the left of the shot from the floor)) "Yeah it's good timing when you came back." ((cut to closeup of Klingon #2 facing towards skew right of the shot)) " SHEEWAAS just telling me there's a HUUGGGGEMRKKT for this kind of thing. Broadcast 24 hours a ZAY " ((he points past the shot))((cut to Tents close up, bewildered, as the shot widens to incorporate the damaged flat screen television to the left of the shot, still crackling and spitting sparks occasionally, yet still projecting a picture on its screen. The display shows an infomercial playing for a product that straightens your teeth and MIKKLLKZZBOFZ . Tents remains to the right of the shot, speechless, staring towards the screen then turning to look towards Klingon #2 off camera. He speaks))

Tents:((softly)) "No..."

Gorn:((voice))((Tent's eyes dart left of shot)) "Yeah she was saying right before you WAALKDINN how great I'd be as an ACCTTOR ."

Tents:((cut to close up YY7 delivering a compassionate yet awkward smile towards Gorn with the infomercial in the background)) "No...." (( YY7 looks to the upper right of the shot in the direction of the shot, yet doesn't turn to face him, makes an disgruntled expression))

YY7 :"Yeah." ((rolls eyes left)) "It was before you got here."

Gorn:((cut to splayed atop HOTTROK looking towards left of shot skew towards Tents, now lying on his back and looking past the shot upside down)) "Yeah like literally seconds before you opened the door."

Tents:((voice)) "Door...No...No this is all coming TRUU ." ((cut to YY7 , eyes still turned to the upper right of the shot, the television in the background behind her)) "You weren't there but...but you two - " ((cut to Klingon #2 confused and staring past the shot)) " - No...No it can't be TRUU - " ((cut to Tents close up, horrified the tentacles holding the MUNNY drop it to the floor, his cups and tentacles running down his face in terror)) "The building! It's gone! It's GONE! IT CAN'T COME TRUUNOAAO!!!! " ((he is shuddering and twitching in fear))

Klingon #2:((voice)) "Tents. You dropped your MUNNY ." ((Tents still twisted in crazed terror)) "Tents?"

Tents: "WHERE'S I.S.S. ?! WHERE DID HE GOO? "

Gorn:((voice)) "He went OWT to get a NUTV ."

Klingon #2 :((cut to close up)) "Yeah can't UUUUTELL " ((points past shot))((cut to the damaged television, showing the infomercial still crackling and spitting in protest, as the shot descends to show the GOLLDDDDBRIIKK on the ground lying in a smile pile of debris from the impact)) "His HALLMRK method of winning an argument."

Tents:((voice)) "HOW LONG AGO? "

Klingon #2:((voice)) "Not long. I let him use my NURYYDDEE . He probably went to the MUNNYTREE too knowing him."

Gorn:((cut to close up, lying on stomach once more))((sighs)) "He has to havr the MOSSTOFEVRTHANG ." ((closes eyes))

Tents:((voice)) "I have to go! " ((cut to close up, turning about towards the door)) "I have to go right now!" ((whips back around)) "Listen to me very carefully - " ((chop cut slightly closer to his face)) "Don't go anywhere - " ((chop cut slightly closer to his face)) "Stay right here - " ((chop cut slightly closer to his face, extreme close up)) " - And DON'T agree to anything that means you'll become FAYYMOUSORSUCCESFUUL - " ((cut to Klingon #2 making a tooth filled disgusted face past the shot to right)) " - Ok?" ((cut to Gorn laying atop the HOTTROK staring at the camera genuinely focused and wide eyed)) " Ok? ((cut to Tents up close, turning his back to the two and facing the door, opening it with a creak as he exits the shot out of the VILLA 's front door))

((cut to wide shot, Gorn and Klingon #2 staring past the shot towards the door, the sound of it closing as the sound of the crackling television and the infomercial persists. The two exchange glances, their eyes traveling towards each other and then back towards the door. The shot begins to zoom to the right into the black slit pupil of Gorn's left eye facing the shot, engulfing the shot and hanging for three seconds))

Omniscient Narrator:((voice)) "Tents went MADD after seeing a future's BRF , UNSANE he searches for I.S.S. on EARF." ((a caucasian eyelid blinks as the shot pans outwards revealing a similar eye, but REDD , as the shot continues to zoom outwards to show the face of Acolyte Fred)) "As the CHOSN wait for Jesus's fate, a speaker keeps vigil with his FLKK for the GATTE ."

Acolyte Fred: " - And we await the VRDIKTTT of the STAATE to issue a sentence upon the NAYYSAYRRRR , while we STAANDVIGL . " ((the shot panning out to reveal Acolyte Fred standing facing his congregation)) " Those who AKNOLDGGEEEEGAHH , are not of concern to us, where we must intervene and ACKKTT . It is where one, blinded and callously driven to DMEENNNNGAHZZZZWOORKZ , must be challenged." ((cut to a Catperson holding CANNDLUUPPSYDDDEEEEDOWWN so the WYYKK is towards the ground, flanked by others doing the same, staring to the upper right of the shot. The color of the CANNDL is GGOOLLLLDDDDANDBLUUUUANDWHIITTTTE )) "Their course intercepted, their methods questioned. It is our duty and RITTE to defend GAH , and our WILL , will be our strength over ignorance of an INNDIVVVIDIDUUUUL. WEEWILLPRYY for his deliverance from his own STYYRREEFFEEEE , his GREEATTURRMOIL , no doubt deflected upon GAHZACCKTTTT and our BELLLIEFZ . AIZTHEWAAAYYOFZ ."

Catperson:((closest to Acolyte Fred from the right of the crowd's front)) "Do you think Mr. Jesus will come around?" ((cut to Catperson up close facing towards upper right of the shot)) "Do you think he'll SCETHELTLTIEEETE? "

Acolyte Fred:((voice)) "We can only HOPPE ." ((cut to close up, facing down towards the lower right of the shot)) "But our WILL is STRRONGRRRR, and our HOPPE steadfast. Both strengthen the other, and together we too are STRROONG ." ((cut to higher above the CANDLVIGL , as the shot begins to reverse away from the Prison Structure, backing and snaking around through the intersections of the Commerce District. The shot begins to stop weaving and straighten out, hovering over a small area and stopping with the peak of the MUNNYTREE 's TRUUNNKKKK shown in the lower right of the shot, with a three figures and a briefcase barely visible in the middle left of shot, as the shot begins to zoom in on them))

Omniscient Narrator:((voice)) "Meanwhile, the MUNNYTREE stands silent and tall, when a figure in REDDDD grows near, loud and small." ((shot continues to zoom down))

Bad Lawyer:((voice)) "Well, how do I look? Convincing?"

Twin Partner #1:((cut to close up, standing to the left of his TWWIIN to the right of the shot)) "We NO -"

Twin Partner #2: " HHOOURRRR "

Bad Lawyer:((voice)) "Yes you do. But the point is 7E . I'll never be TIDR ." ((cut to close up Briefcase facing towards the right of the shot, laying flat as his SCCRREEEEWEYEEZZZZ look upwards to the right of the shot, Briefcase in the shadow of a figure he faces, the shadow resembling that of a SAAIINNNNT )) "If I get SHB , I'll never DIZ . It's the entire point of this disguise."

Briefcase: " INOUTOO. "

Bad Lawyer:((voice)) "Yes I know that. I know that." ((cut to close up of Beer Barrister, facing to left of shot, heavily intoxicated still DRNKing and swaying as his paralegal assistants BUZZ around him and sway with him, all parties shown TIPPSY )) "The point of all this is already SHOOOWNN . We'll succeed with the plan." ((cut to close up of Bad Lawyer facing to the left of shot, wearing a REDDSUIIT with WHIITEBLUUUR, with a LONNGBEEAARDTHAATZWHIITEE, standing with his hands on his hips)) " MYPLAAN , and as usual the crux of this plan relies upon ME and MEALOONE . ((right hand fingers touching solar plexus of his own, then suddenly pointing outwards angrily)) "While you, all of UU get the luxury of standing by and TRYIIING to BASSK in the LYMELLITE of my own SUCCESSSS and STRRATEGGYYY. " ((turns to face the MUNNYTREE in the distance, showing it in the right of the shot, as Bad Lawyer stands to the left, his fingertips meeting and strumming together as he faces towards the TREEEE )) " MINEANDMYNNEALOONE ." ((cut to skew shot of the MUNNYTREE far in the distance glimmering with emphasis)) "And when ISUCCEED, - " ((he DONNZZZZHIZZHATTTT )) "I'll be done with AAA ."

((cut to Beer Barrister, eyes open now to the right of the shot, a queasy expression, s even the FLYZZZZSTOOPPPPBUUZZIIIINGNG ))

((cut to Twin Partners #1 and #2 both staring in astonishment past the shot))

Briefcase:((voice)) "Bad Lawyer. " ((Twin Partners' eyes fall to the floor, as the shot descends to show Briefcase looking to the upper right of the shot)) "Why? Why do you want to BR at the MUNNYTREE ? Why?"

Bad Lawyer:((voice)) "Why?" ((cut to close up, Bad Lawyer slowly turning back around, menacing expression while suited in REDDNDWHIITE )) " BCUZ I'll be so RICH I'll NVRNEEEEEDTHELAWW. " ((cut to close up of Briefcase, gazing upwards in astonishment)) "Think of all we've done. Think of who we are and what we were." ((cut to Beer Barrister, eyes open taking the FLSSKKKK to his LIPPZZZZ and guzzling it while looking level, and concerned to the left of the shot, sucking it like a pacifier)) "We were PILLRRRRZ, those who help up the ZOFB , the very ROOFFFFOFSOOCCIIEETTTTYY " ((cut to Bad Lawyer facing to the left and downward towards Briefcase off camera, panting)) "Important people. People like ME ." ((he looms down with hands out before him menacingly, fingertips like claws, smiling gleefully)) "Why in the face of all this would we even need LAWW ? What is only dictated as fair by the consent of others, when with THAT , ((he points behind him in the direction of the MUNNYTREE , still facing downwards towards Briefcase)) " WHEE decide what is FAIIR , and WHEEEE delegate what is LAWW ." ((cut to close up Twin Partner #2 facing towards right of shot, right side of face shown as Bad Lawyer leans in grabbing his necktie and drawing him closer and eye to eye with him)) "The LAWW said IWAZZYLE " ((shot follows Bad Lawyer to right as he raises his left hand to chin, staring off to the right, and then leans back in now gripping Twin Partner #1 doing the same, staring at him eye to eye)) "And SAYYD I was DAH ... " ((show follows once more, Bad Lawyer peering off to the right of shot, left hand to chin, and then leans back to left now gripping Beer Barrister, who is wide eyed still holding FLAAAASKSKTOLLIIPPPPZ staring at him pacified)) "I can YY and BRP and FRFONNBAPDAAH. "((cut to Briefcase, lying flat, astonished and in the shadow of Bad Lawyer, his diatribe unknown and curious territory)) "And all the while A will D - " ((Bad Lawyer leans into the shot from the upper right, looming over Briefcase, as his face presses into Briefcase whose SCRREEEEWEYEZZZZ crossed looking at him)) " - And I will AOFZ and never GAYYOFBSAYZ ." ((he remains in the face of Briefcase close up, angled in a curved manner and smiling very wide))

Beer Barrister:((voice))((drunk)) "But you're CRZYNAO. " ((cut to close up, wobbling facing to the right of the shot)) "You can't YYE , so you YY instead. That means I can't YY , and that means I'm not supposed to DRNK and I'll - " ((Beer Barrister is suddenly about to vomit, his cheeks puffed and his LIPPZZZZ now clamped shut))

Twin Partner #2:((slides to the right, revealing both)) "We can't - "

Twin Partner #1: " - SAY - "

Twin Partners :((in unison)) " - We'll DI ."

Bad Lawyer:((cut to close up Briefcase, Bad Lawyer still in his face curved downward at him)) "That's TRUUUU , yet I, will be the BOFZ , - " ((he slides back out of the upper right of the shot like a liquid))((cut to skew shot facing the MUNNYTREE , as Bad Lawyer scampers into the shot, with an empty SAKK over his right shoulder, prancing and dancing like the Nutcracker Suite, as he begins to close in)) " - THENAYOFDOPA, and GAHOFZ . " ((he dances towards the MUNNYTREE and closes in))((cut to close up facing the figures at the base of the MUNNYTREE as Bad Lawyer emerges from their direction as well, suddenly begins to SLITTTHR across the ground towards the MUNNYTREE right of the shot, smiling towards the TREEEE as he does.)) "And when I SAYNA, I never D. "((he closes in towards the TREEEE revealing the very tips of the MUNNYTREE, the BILLLLZ and also a single ORBORNAMNT as Bad Lawyer gazes at himself in its reflection)) "And as I C myself, ICTHENENE. " ((cut to P.O.V. Bad Lawyer seeing the bent version of his BEAARDRDEEEEDFACCE in the ORBOORRNNAMMNTNT changing colors from BLUUUUTORREEEED , smiling at himself)) "And my FUTTUUUURE, BOFE the SAYOFZ. " ((eyes wider, as the images around his face begin to change, showing alternations to the environment around him)) "Governor Bad Lawyer. President Bad Lawyer. Your Holiness Bad Lawyer." ((as the background changes to adoring faces and HANNDDDDZCLPPING and countless STAAKKKKZOFMUNNY )) "Instead of the GRIIPPING " ((he begins to grimace, his bent reflection twisting, as the faces behind turn to angry ones, some crying instead of BILLLLZ, STAAKKKKZOFPAPPRRRRFILLNNNNGTHEESHOOOOTTTT )) " THEEEECOOOMMPPLLAIIINNINGING " ((cut to close up of Bad Lawyer facing the shot, as the faces of Chapter 119 revolve around him including a YELOOOOPENNNN revolving around him like satellites)) "All that DAY, VAK, NA, SA, DAR, DA ." ((his eyes clench in anger, only to open staring directly at the shot, as his pupils begins to spin counter clockwise)) "And that MOFFFAASAYZ HAYYING ME , always saying I can't do something? That will be BAT and never A at all - " ((his pupils stop spinning, and he grinds devilishly)) "And when the A is MYNE - " ((cut to previous, close up of Bad Lawyer's face in the ORRNNAAMMNTNT bent and smiling, as he whispers softly)) " I will A and never a at all, and all will be MYNE and MYNNNEEEEWILLBALLLL ." ((cut to wide, Bad Lawyer rising up standing with the SAKK opening it wide beside the TREEEE to the right of the shot)) "And I'll SAYTHENOPAAAA, and DOPUPTHEETREEEE " ((he begins to pull and TUGGATTHEMUNNYTREE as he loses his GRIIPPPP and several of the BILLZZZZFLYYOFF as he also loses his balance as he STRRIIPPPPZABRRAANCH and falls back onto the ground. He darts back upwards immediately, and begins to TUGG at the entire TREEEE .)) " SUBMIT! YOU'RE MYNE NOW ." ((he stares past shot, manic twitching, and attacks the TREE .))

Beer Barrister:((cut to close up, facing to the right of the shot))((drunk and wobbling)) "He's gone MAAAAD ." ((glazed eyes looking past shot))

Twin Partners:((cut to close up, their faces staring to the right of the shot))((in unison)) " MMMMAAAAADDDD ." ((the shot slides down to reveal Briefcase lying flat, towards the right of the shot))

Briefcase:((whispers)) "Though time, and life be not of grace, I bear witness to a man." ((cut to P.O.V. of Briefcase seeing Bad Lawyer desperately trying to topple the MUNNYTREEEE .)) "A creature not of WORRTH but of VALLUEE, beyond that to which PENN could muster, nor TONNGUUE would dare diminish." ((cut to close up, the shot zooming in slowly on Briefcase's face)) "In his shadow, I have GROOWWN, and BLOOMMD." ((cut to skew facing upwards from FLOORRRR, Briefcase looking past shot to right)) "From him, I shall be that, and more than him to come."

((cut to Briefcase P.O.V. as the shot zooms forward quickly to Bad Lawyer, struggling with the TREEEE as the shot veers towards the GREEEEN of the BILLLLZ, filling the shot and hanging steady))

Omniscient Narrator: "Briefcase and his HERROOOO toil with MUNNY , while within the TREEEE , Stanton's fate is far from FUNNYYYY ."

((the shot pans to the right, to reveal the BRAANNNNCHEEEEZZ far in the distance under the canopy of the TREEEE and follows along one steady BRAANNCCHHHH , Mr. Stanton Sr. creeping out of the shot to the left and walking quietly along the BRAAAANCHH eyes looking about nervously. He staggers his movements, gazing around, paranoid))

Mr. Stanton Sr.:((whispers)) "Fucking SNKKZZZZ . Who even does those who want MUNNY ." ((cut to close up continuing to move as he and the shot stop movement to the right of camera)) "Now where's the next damned LDLDRRRR down?" ((he gazes about to the left then to the right of the shot, focusing on left, eyebrows up, smirks))((cut to Mr. Stanton Sr. P.O.V. looking down towards a BLUUUUUUUUUUUULADDDR , rubber band emphasis shot)) "That seems promising." ((cut to previous, Mr. Stanton Sr. descending down the LADDR , camera facing towards the lower right of the shot)) "Once I find out why this goes DWNN instead of UUP I'm going to AOFTHEB ." ((cut to through the RUNNGZZ of the LADDR , Mr. Stanton Sr. descending)) "Shouldn't be this way unless the TREEYY ." ((pauses movement, shot stops)) "Unless I 7 'd." ((shakes head after a moment, as a candy cane SNKKE passes in the far background from left to right BLUUANDYYLO in color)) "That's not likely." ((continues descending, with the wide open areas of within the MUNNYTREE 's canopy behind)) "I'd be YY . I'd SAY something." ((the shot hangs as he continues to descend out of the shot lower our of the lower part of the frame))((cut to the base of the LADDR , showing several large ORBORNNAMNTTZZZZ surrounding the base of the LADDR , as the figure of Mr. Stanton Sr. fully descends down to the base of the LADDR , atop another BRAANNCCHHHH the color PUPPRRRRL )) "Or I'd be YYII , or even D 'ing." ((cut to close up Mr. Stanton Sr. as he steps onto the BRAANNCCHHHH )) "I wouldn't even be able to YY . I'd be SAY ."

Voice: ((in a )) " DIDDSUMM1SAYYYYY " ((Mr. Stanton Sr. looks bewildered, frozen in fright, staring to the left of the shot, swiveling about him to reveal three large ORBBORNNAMMNTZZZZ hanging low above him near the top of the frame. Each is BLUUUUANDYLLO , each with a HUUMNFACE within from right to left, one resembles LOUUICCK , the next resembles LARRYYDAYVVD , while the third resembles a man who has YELLOOHARR and a BLUUFACE who is indentified as THEOTHRPRUUDCCR . All three face Mr. Stanton Sr. as he stands with his back to the shot))

LOUUIICCK :((formerly Voice))((in a )) " DIDUDOOTHAAT "

Mr. Stanton Sr.: ((cut to facing right of shot, annoyed)) " No."

LOUUIICCK :((voice))((in a )) " UrrrrLYing "

LARRYYDAYVVD :((cut to close up facing towards left))((in Z )) " USAYNASAKEZADOPDOPLSAY " ((Translation: "I don't think you lied. I think you're a liar. You can't say something like that. Because I did and I got caught. You SUK ."

Mr. Stanton Sr. :((voice)) "You're ORNAMTMNTZZ . You're the ones who YY and made a mistake. Not me."

THEOTHERPRUUDCCR :((slides to the left of shot)) " shushtuup "

Mr. Stanton Sr.:((voice)) "Look." ((cut to previous Mr. Stanton Sr. standing firm, glaring to the right of shot)) "I'm not the one who SAYZ ."

LOUIICCK :((voice))((in a )) " UUUUJSTDID "

Mr. Stanton Sr.:((shakes head)) "It doesn't work that way, you can't A and D and then D . You'd only A first and then never a again." ((he makes a surprised expression, as the lower case a wasn't expected))

THEOTHRPRUUDCCR :((voice)) " wyydidththpn "

Mr. Stanton Sr.:((pauses)) "Listen, I'd YY ."

LOUIICCK :((voice))((in a )) " UJSTTDIDWEESAWWUUUU "

Mr. Stanton Sr.((shakes head)) "Don't TLKATME about D , ok? I know what I'm talking about. You got in trouble for some other reason." ((cut to LOUUIICCK up close showing his face and head, morph into a scene from a television show on the network Comedy Central called ' Trip Tank ', where the appearance of Norman Stanton is displayed being harassed by three little green men.))

LOUIICCK :((voice))((in a )) " ALLEYENOIZIMK1SHOOWWWHIITTHTHSSGYZLYKENESSANDEYEGTBIPPDTO ." ((shot slides left to LARRYYDAYVVD , whose face and head turn into a screen as well, showing the likeness of a man with long black hair slender, reading a book with a PENNTAGRMM on it up close, facing to the right of the shot))

LARRYYDAYVVD :((in Z ))((voice)) " IHLPDMKTHSSHOOWANDTHSGYYNOZZZZTHEOTHRRGYSUMOOOHOWANDEYEGTBIIITO ." ((show slides left to the last ORBORNNAMNT , where THEOTHRPRUUDCCR 's face becomes a color hidden camera screen showing Frederick Kyle Ventresca in the shower of his former apartment, fingering his own anus))

THEOTHRPRUUDCCR :((voice)) " eyelikthsitscolltooccccthsshiit ."

Mr. Stanton Sr. :((cut to facing right of shot))((disgusted and reeling)) " UGH . I don't have any time for your ACII , and whatever you did to HIM , - ((cut to P.O.V. of Mr. Stanton Sr. pointing at the screen of LOUIICCK right hand and index finger in shot)) " - and HM - " ((shot and his hand slide left pointing at the screen of LARRYYDAYVVD showing the likeness of a man known as Thomas in his younger years)) " - ISYYRRRRFAUULT ." ((the shot slides left to the screen of THEOTHRPRUUDCCR , showing another hidden camera image, now Frederick Kyle Ventresca lying on his back on a loveseat in his former apartment, wearing wireless BLUUTTHHOOOTH headphones, gritting his teeth as being shocked by a device off camera and in the apartment of the one filming as a CCIIDRSAKEZAZASAYDR7BYAY , as the camera jiggled at the same time, presumably in laughter illustrated poor camerawork)) "And HIM ." ((cut to previous, grimacing)) " UGH . That's why when you AHERR , you were D 'd to. YOUMESSDUP . And this is inside HIM ." ((pointing towards the screen of THEOTHRPRUUDCCR ))

THEOTHRPRUUDCCR :((voice)) " wat ." ((cut to close up THEOTHRPRUUDCCR screen now showing the hidden camera image of Frederick Kyle Ventresca now seated at his computer and desk facing towards the left of the shot from an upward angle in black and white, masturbating))

Mr. Stanton Sr. :((voice)) "Yes!" ((Mr. Stanton's Sr.'s right hand enters shot pointing at the screen)) " We're in HIZZBOODDY , and UUUU - " ((rubber band out, showing all three of them ina line)) " ALLOFUUUUDAYA7 ." ((cut to close up of Mr. Stanton Sr. pointing to the right past shot)) "That means you did A twice."

LOUIICCK :((voice))((in a )) " USAYYDwecntDOTHTATAALLFUKINGUUUUSAYYDTHTSHTTTTJSTTNONOOOOW ."

Mr. Stanton Sr.:((furious)) "NO! YOU CAN'T A AFTER YOU a ONE TI - " ((another moment of pause as the letter he wanted is now lowercase)) " - GODDAMMIIT! "

LOUIICCK :((voice))((in a )) " CUDIDTHTFUKUFUKOFFFFFFFFFFFF "

Mr. Stanton Sr.: "I can't you FGT I D! " ((cut to ORBB of LOUIICCK face scowling )) "That's not the same MTII ."

LARRYDAYVVD :((shot slides to the left to his face, perturbed))((in Z )) " ysitIZ "

Mr. Stanton Sr.:((voice)) "Look, if I BIP , then maybe." ((cut to close up of Mr. Stanton Sr., shrugging)) "But I can't."

LARRYYDAYVVD :((in Z )) " Y "

LOUIICCK :((in a )) "howwwoouuLDLDgtHR "

Mr. Stanton Sr.:((annoyed)) "I said I was my son. That's why. He doesn't SAY , I don't need a , period." ((pauses, realizing it's another lowercase a rather than a proper uppercase A to AOFZ so there won't be improper everything transmission, then continues)) "And I'm not here to debate why you're in AOFZ . You did something wrong. Not me. Now make yourselves useful." ((cut to close up Mr. Stanton Sr. face)) "Where's the CCI ."

THEOTHRPRUUDCCR :((voice)) " iuno " ((Mr. Stanton Sr. takes a deep breath))

LOUIICCK :((cut to close up, angry))((in a )) " DUDYwooooUULDUFUKKINNONNOFUKKINGFFFFAGTTSUKKITBTHHCHHFUKKOFF ."

LARRYYDAYVVD :((shot slides to the left revealing him, annoyed as well))((in Z )) " ITZOVRTHRIFUUUUWANNAGTFUKDWIITH ." ((cuts to the TRUUNKOFFTHEETREE , showing it resembles the YELLOOOO fuselage of a large ICBM and a large APOOLLLLORCKKTTTT intermittently changing between the two with an upside down star and a symbol for the United States Air Force that read USAF in a single line upside down, then changes to NASA as well intermittently in BLUUUULETTZZZZRZZZZ . There is also a small hatch on the side, circular)) " EYEFUKKINHTEEITEYESYIIIAADITZMYNEANDTHEEYYSTILLLSAYYFUKKOOOOF ." ((shot pans back to reveal Mr. Stanton Sr. turning to the left of the shot, then faces back forwards past the shot to the right, HANNDDDDZONHIPPZZZZ ))

Mr. Stanton Sr. : "That's where the A is?"

LOUIICCK :((voice))((in a ))((all in lower case)) " ya . fukkinghtthshshitmanfaggtshiitmanfukkingsayydditztwaassmyneandtheeyyrrrrelykefukkofffukummmannfukkthssshtttifukkkinhtthssshttman . fukfukkfukkk ."

Mr. Stanton Sr.:((voice)) " YEH " ((cut to close up, previous shot as he turns away from the shot, back to the three as he walks towards the TRUUNNKKKK to the left of the shot)) " GODDRIDDENCEEEE " ((waving his right hand in defiance to the three and walks to the left of the shot, the camera following and revealing the TRUUNNKKKK ))

LARRYYDAYVVD :((voice))((in Z )) " AHFUKKOFFFUKKOFFUKKKOFFFUKKKOFFFF " ((Mr. Stanton Sr. raises a RIGGHTTMIDLDLFNGGGRRRR facing behind him as he closes in on the HTHTCCH ))

((cut to closer the immensely large hatch has a REDDD arrow pointing downward with the words in BLUULTRRRZ , " CAUUSHUNUUPP ", as Mr. Stanton Sr. enters from shot left, facing right of shot))

Mr. Stanton Sr.:((looking upside down by cocking head, then back up)) " IC " ((as he PSUUUSHZZZZTHEEEHHHHTCHOPN, the hatch opens fromt he top of shot and COMMITZ to a GRNNNDING sound and is emitted on three sides of the TRUUNK of the MUNNYTREE .))

((cut to wide shot, showing another HHAAAAATHCCCHH opening from right to left of shot downward making a noise as well))

((cut to wide shot, showing a third HAATTCCHHHHHHHHHHHH opening from left to right of shot downward))

((cut to directly behind Mr. Stanton Sr. as he stands before the opening HHIIAAATTHHCCCCH, back to the shot as the opening begins to become illuminated, NEOOONNLITTTEZZZZ flickering ON showing the internal of the TRUUNK, as Mr. Stanton Sr. steps into the shot up the HATTTCCH as though it was a RAAMMP .))

((cut to high shot, bird's eye view facing downwards towards the very tip of the TRUUNNK buried inverted deep underground. The interior is the color RRD, and the lights are HUMMING the color AAAzb, as there is a staircase leading down from the upper most of shot downward, a circular MESSHHHH platform around the entrances from the hatches. The interior resembles that of the innards of a nuclear missile silo from the United States of America, minus the missile. The interior lights COLLLOORTHEEERRMWHIITEE. Mr. Stanton Sr. groans upon stepping onto the circular platform, that has a staircase leading downwards in a square formation))

Mr. Stanton Sr.: " STAAIIIRZZ? " ((cut to close up of Mr. Stanton Sr. grimacing, as he exites to the right of the shot, the sound of his footsteps descending down the METTLSTAAIIIRRCCASSE, revealing the three ORNAMMNTNTZZZZ behind in the distance through the open HATTCCCCH . His footfalls against the METTLSPEEEK .))

METTLLSTAAAIRRRZZ : " MMMM - EEEHHHH - NNNN - WLLL - OWWWWTTTT - SYYYDDDDDDDDD -- EEEE -- THEEE - JAAAI -- ILILILIL -- HAWWSESESESE " ((as the shot zooms through the opening to reveal the three ORBBORNNAAMNTTZZZZ hoving turning to a SOLLIDIDBLU, as the shot pans outwards after hanging for six seconds))

Omniscient Narrator: "So goes the WHAALLLLOFBRTONAYOFDRTOCOFD, as Stanton DLZZZZTOBAYOFCOFNE. As Jesus SITTTTZZZZ awaiting his sentence, the crowd waits, knowing not penance."

((the background behind the BLUUUUORNNAAMNTTZZZZ changes to a SHYYAAADEOFGGRRN, slowing panning outward to reveal a CCHHRRIISTTTMASSSTRTRTREEE upside down on the LAAPPL, a pin that has RDANDBLUUORNAAMNTZZZZANDBLUEEEEANDYELLCANDYYYCANNZZZZ around it, with the THUUSSTR of a MISSLLLLEEEE as its top, colored YYLLOO . The shot continues to pan outwards, to show it pinned on the LFFTLAPPL on a jumpsuit worn by a FredWorker beaming proudly to the right of the shot. A voice speaks from off camera, as the shot fully zooms out, and the many of the FredVerse who a part of the congregation stand idle with upside down candles of the same variety as shown before))

Voice:((voice)) " WEERRRRTHEELITTTEEEEOFGAH. WEELVVMOARRANDMOAARDAAAALLY. ANDGAHHREWWRDDDZUSTHHELYLLL. THEETRUUOFHHHHR111RTRT. " ((shot fully reveals FredWorker standing, holding a BLUUUUANDWHIITTTTEANDDGOLLDDDDCANNDDDDLUUPPIIISIIDDEEEEDOWWNNN among many others who stand motionless gazing to the right of the shot)) " INTHENMOFGAHWERRRRBOWWB4444HZOFFRRING - " ((cut to close up, the speaker revealed as a Catperson elevated upon a small BX, standing above the many facing the crowd, wearing a BLUUUNNIIFFFRRM, standing and speaking outwards past the shot. He also wears SPEEKKTTAKKLLLLZZZZ as there are the figures of many encircled around him, their backs to the shot)) " TTOOOUUUUS. TOOYYYYYOUUU. TOOME. WHEEERRRRUUUUBLSSSDWIITTHWEEALTTH. FOORUUSTOWRRKKINGAHZZZZNM. 4USSTOTCCCEHCCCHHGAHHZWAAY. FOORRTHOOSSEEEEBSTOODDDDWIITHTHEELEAFF. WHEEERRRRTHEEECCHHOSON. THOOSSEANNOIIINTDBITHEEMUNNYYTREE. " ((pauses for effect, looking past the shot and around))((cut to Acolyte Fred, close up looking past the right of the shot, as the shot hangs briefly, as it slowly ascends up along the PRIIZONWAALZ .))

Catperson Clergy:((formerly voice)) " IWIILLLLLEDDDUSINTHEEMUNNYPRYY. " ((the shot continues to rise)) " OWRFTRR ." ((crowd begins to speak in unison)) " HOOARTTHEBENNANASATEZ. " ((shot begins to rise up towards one of the bar windows as the crowd continues to chant together)) " SHAYNANANASAKEDADAFANAYNAOVVDOFFOFFDOFFAAAAGNASAKEMUNNYYM111NNY - " ((the shot travels through the bar window of the PRIIZONWALL, to reveal bars on the opposing side, the camera traveling through the cell, the cell block not STRRRING, as the shot travels downwards to a cell door on in the second floor of the PRIIZON, entering the bar cell door, level, to reveal Jesus standing pacing back and forth from right to left of shot))

Jesus: "But why would I YY if YYWAZA? Why wouldn't A be a? " ((cut to close up, window to left of shot, he passes)) "If AWAZZa why would dHE? " ((shakes head)) " KIKINGMUNNY doesn't cause a7B. " ((the sounds of footfalls approach the right of the shot, three, as Jesus reacts by looking right as the footsteps stop.))

Voice:((voice of FredWorker)) "Alright Jesus, JUDDGGEIZRDY " ((shot slides to the right showing through the bars, with three FredWorkerGuards dressed in the same as before, addressing towards Jesus standing to the left of the shot now off camera))"Hands out and approach the BARRZZ "

((cut to close up of both of Jesus's hands through the bars facing the shot, slung low, as LAZZRRRR rope is clamped onto his wrists))

((cut to close up of Jesus's back walking towards the same double doors of the COUURRTTTT, flanked by two FredWorkers at either side while another holds open the double door ahead of the shot))

((cut to close up of the BLUUUUTABBLTOP in the COUURRTTROOM, the same BLKGLVVDFST slamming down, two times, as the shot pans outwards to reveal the FredWorkerinHOODDDD staring off to the left of the shot))

FredWorkerinHOODDDD : "My DELLBBRASHUUNZ have concluded, the sentencing will commence."

Jesus:((voice)) " YRRHRNR , if I may." (( FredWorkerinHOODDDD pauses))((cut to close up of Jesus, standing at the BLUUUUTABL, the rest of the courtroom out of focus behind him)) "I would like to continue to SPEEK about why a isn't A for reasons of - " ((interrupted))

FredWorkerinHOODDDD :((voice)) "Mr. Jesus my decision has been made. The arguments made by you against the PROOSEQQUSHUUN haven't the merit to prove your ACKSHUNZ did not cause DTOA. " ((cut to previous, to FredWorkerinHOODDDD speaking past the camera to the lower right of the shot)) " Denying that your decisions or ACKKSHUNZZ would affect E7Z won't affect the outcome of my judgment."

Jesus:((voice)) "HOW IS THAT GODDAMNED MUNNYTREE NOT A7B? " ((cut to close up of Jesus, infuriated)) "HOW IS THAT POSSIBLE WHEN THAT MUNNY IS ADOFZ? I KICKED THE MUNNY OFF A COUNTER AT A BNK. THAT DOESN'T MEAN THAT I DID A! WHY AM I NOT BEING PUNISHED FOR KIKINGGMUNNY OR ANYTHING ABOUT CREATING A DISTURBANCE TO BEGIN WITH ????" ((the sound of a FFFFISTIIIISTSTSSLLLLAMING ))

FredWorkerinHOODDDD :((cut to close up stern and rigid, scowling to the lower right of the shot)) " My ruling is SETTTT ." ((pauses picks up a sheet of PAPPPPR looking down at the SHEEEET )) " In accordance with the low of FredVerse PENNLLLLCCOODDDDE presiding JUDDGGEEEEFYNNDDDD the man AKUUSSDDDD - " ((cut to close up of Jesus, glaring past the shot)) " - OFTHECCRRYYMMMMEZOFAOFZSATEZA " ((Jesus really FLIIPPPPZOWT ))

Jesus:((zoom in close up)) " THISIZAJOKE !!!! " (( FURIOUS ))

FredWorkerinHOODDDD :((voice)) " THEDFNSWILLBSILLNT "

Jesus: (( ROARING )) " NO! FOR YY AT MY OWN NAME?? TO VERIFY MY IDENTITY?? WHEN I WAS YY AT BY7E?? JUST FOR KIKKKINGMUNNY? JUST BEFORE THIS I WAS CHARGED WITH A SEPERATE CRYYMMEEEETOBESAY! THIISSSSIZASHAAAAM !!!!"

FredWorkerinHOODDDD :((voice))((shouting over Jesus's PROOTTSSSSTZ )) " THEAKUUSD will be REMNDED to the CUSSTDYYOFGUARRDZ and will be ESCCORTTD tot he RVRBOF7 where he will be THRROWNINTTOOOOTHEA until he DIDIDSAYZSAYZ ."

Jesus:((voice))(( OUTRAGED )) " DIONZ!?? IT'S NOT EVEN A CRYMME IF I'M PROVING MY OWN IDENTITY AT ALL! " ((cut to close up Jesus, RAGING at the camera towards the JUDDGGGGE )) " IN ALL MY YEARS AS A LITIGATOR - "

FredWorkerinHOODDDD :((voice)) " BALLIFFZ, escort the PRIIZONR to be PROOCCESSD, where EKKKZQSHUUNNWILTKPLCC ." ((on either side of Jesus appear two FredWorkers who grip Jesus's forearms, reapply the LAZZRRREESTSTRRAAINTTZZZZ to his wrists))

Jesus: ((being pulled towards the rear of the shot, dragged)) " I'm ENTTIILD2222ANAPL!!!! THIS RULING IZ UNJUSST! " ((shot zooms into the top of Jesus's head, showing only the top of his head and eyes, the shot moving behind him))((telepathic echo of thoughts)) "Blorg? BLORG ?" ((the sound of a ROAAMMING signal BEEPPPPZ )) " AGH! ROAMING?! " ((the shot hangs steady center of aisle leading towards the double doors, as Jesus is dragged KIKIING towards the double doors at the rear of the courtroom))

FredWorkerinHOODDDD :((voice)) "Without further, THSSCRTTIZZADJJOORNDD " ((his FISSTTTTTTTTTTTT begins to slam three times, and on the third slam, cuts to black))

Omniscient Narrator:((voice)) "Jesus marched to his FAYYTTEEEE to meet THEDAYOFDATE , while Stanton finds a DOOOOR that leads to BET and never a FOORRRR that is DETT "

((the shot begins to slide outwards to reveal a BLKKSIGGHNWITTHYELLLTTRZ rectangular in shape and hung on a wall that is RRD in COOLRRR, and reads " INHERIZDETH " pulling out slowly to reveal a small pressurized door with a wheel mechanism, similar to those found on naval vessels of the planet Earth, colored BLUU, while the PRUUSUURWHEELIZRRD. ))

Mr. Stanton Sr.:((voice)) " Hmm. So it's a Z is it?" ((cut to close up, right index finger under chin, looking towards left of shot)) "Or is it BIPOFD? " (( MOUF and LIPZ scrunch)) "Or BIMM? " ((shakes head)) "It's D, why wouldn't it B? " ((he smirks his HANNDDDDZ reaching off camera towards the left of the shot))

((cut to P.O.V. Mr. Stanton Sr. 's arms extending towards the PRRRSSURRRDORR, and turns the PRUUSSRWHEELL towards the LLFT . The SEAL gives way, producing a sound of " SEEOOOOMMMM, " as the DOOROPNZ to show a very dark room, with a single light source in the distance within, a low hanging ceiling light that sits over a small circular table. The table has inhabitants, and there is a vacant seat. The P.O.V. of Mr. Stanton Sr. begins to walk through the doorway, in the direction of the table, his footfalls speaking the minute he enters the room, as he draws closer to the table.))

Footsteps of Mr. Stanton Sr.: " WE - RRRR - GOO - IN - GG - TO - PLAY - A - GAME - MSTR - STAN - TON. " ((the shot changes for his final footstep to Mr. Stanton Sr. nearly beside the table, in the glow of the overhead ceiling light, GREENNGLASSS in COLLRRRRRR, similar to those found OVRAPOKKKZZZZRTABBL, and there is a great deal of SMOOKKEEEE in CLOOUUUUDZZOVRTHEEETABLANDAROOUNDTHELITTEE. ))

Voice:((high pitched male)) " 50. "

Voice #2:((high pitched, angrier male)) " C. "

Voice #3:((high pitched, meaner male)) " CALLDDD. "

((cut to close up of a small GNOOMEEEE, YELLOOOSKNWITHBLUHARWEAARINGBLUUCLOOTHSANDAYELLOOOOPOIINNTDDDDATTT. The TABBLTOPPIZRRD and the GNOMME places 4CARRRDDZZSUPONTHAATABL, smirking as a LAGARRGGEPIPPE hangs from his LIPPEEZZ .))

Voice: " GINN ." ((he cackles leaning in and takes away a large stack of BLUANDYELLOCHIIP1Z, as the other voices groan, one complaining))

Voice #3:((cut to close up, a GNOOMMEE, with SMLLSPECKKKKTAKLEZ who has RRRRRDDEDDDDHARRRANDBLUUSKN who is wearing BLUCLOOTHSES, and is also WEAARINGAREDHATTHAATIZCURRLLDARROOUNDTOTHEELLLLLLEFT )) " BAPLL. " ((he FOLLDDDZHZCRDDDZ as the shot slides to the left, showing a human male, wearing BLAAKFATIIIIGUEEEES, and resembles the actor Martin Ferrero, who played the lawyer in the film 'Jurrasic Park' and Chili Palmer's friend in the film 'Get Shorty' looking right then doing the same, as the shot continues to PANNLEFFFT around the TABL to another GNOOMME that has REDBLUHARANDBRROONNNSPKKKTAKLLZWITTHYELLSKIN. He is wearing YELLOOOOCLOOTHSANDABBLLUUHATTHAATCURRVVEESRITTEWITTHAPOMMPOMMATTHEEEND. ))

Voice #2: " FAK. " ((furious, FOLLDINGCRDDZ, as the shot pans left to reveal the vacant chair, YELLOOOOINCOLLOOOOR with Mr. Stanton Sr. standing behind it, the shot rising back up slightly to his face level))

Mr. Stanton Sr.: "So I'm looking for A, where do I go?"

Voice #2:((grumbing)) "Ask RODROD ."

Mr. Stanton Sr.: ((eyes dart right)) "Who's RODROD?"

Voice #3:((snarls)) "I'm RODROD ask FRANKIEPOO. "

Voice #2:((cut to close up crazed, glaring at the camera, pulling at face as CARRDZRRRRDLTTOHM )) " EYEMMMMEDDRRRR that's FRANKIEPOO. " ((points to the left past the vacant chair, to the first voice, sitting smugly putting CRDZDWN .))

Mr. Stanton Sr.:((voice)) "Oh."

BLKFATGGUUEEZMAN :((the other human being present))((cut to over the left shoulder Stanton facing towards BLKFATGGUUEEZMAN closer to the left of the shot. He is wearing black military style fatigues.)) "Yeah I didn't know either." ((shot slides behind Stanton's back to over his right shoulder, to show EDDRRRR as BLKFATGGUUEEZMAN asks from off camera as EDDRRRR is infuriated at him, sharp teeth bore)) "Can you tell me where it is now?"

EDDRRRR : " YOUPLY! ANDUWIN! " ((pointing crazily to the left of the shot))

BLKFATGGUUEEZMAN :((voice)) "But I NDASAY ." ((cut to close up facing to the right of the shot)) "Just gimmie that GODDAAMCAMMRRAA ."

EDDRRRR :((voice)) " RAY!! " ((Translation: "You have to PLY!! "))

BLKFATGGUUEEZMAN :((groans))

Mr. Stanton Sr.:((voice)) " CRDZEH " ((cut to close up the vacant chair, level with the table, Mr. Stanton Sr. seating himself, smiling, center of shot))

BLKFATGGUUEEZMAN :((voice)) "Careful." ((cut to close up over the left shoulder Mr. Stanton Sr., left side of face shown)) "If you're like me, you'l be here for a while." ((cut to close up)) "I've been here since 2002OFZ ."

Mr. Stanton Sr.:((voice)) "AHHHHH. " ((cut to close up, taking a BGSNF, being dealt CRDDZ )) "This is all A7DA, nothing NU, I was in the MARRINEZ, this'll be NUTTININNG. " ((he is dealt 8CRDDZ, and he lifts up the cars and pauses smiling. He blinks 8 times.))

((cut to P.O.V. Mr. Stanton Sr. at his HAND, showing 8CRDDZZ that NVRMATTCCHANDCHAANGEEALTHEETIMME. The symbols are RAYAND7, and resemble BLUCLVVRZZZZ and POOLKKAADOTZZZZ. There are sporadic CLOOWNNZZANDJOKKRRZ. The CRDZZZZ change in their COLLRRRRANDSUIITZQQIIKLLY. The CRDDZZZZ are usually CCRRQQUURRL though sometimes become RREECCTANNGUULLRRR, and all of the FACCCCECRDDZMAKKESADFACCEEEEZ and the NUMMBRZSPNNTOTHEERITE. Occasionally, the CRDZZZZ are facing the WRRNGWAAYY, and the BAKZOFTHECRDDZARYEEEELOOOOANDBLK )) " WHAATTHEFUK? " ((one JOKKR appears giving a RASSPPBBRRY at the CAMMEERRA )) " WAATTIZTHSSHIT "

BLKFATGGUUEEZMAN :((voice)) " YESTHEYYYYCAN " ((the cards lower, revealing BLKFATGGUUEEZMAN seated to the left facing shot over the table)) "I told you, I've been here for YYE, and I was NAYVVVV. We're not ARRMY like THEESSSSECRAAZZIEZ. "

Mr. Stanton Sr.: ((cut to close up facing towards the left skew left)) "Is this why these CRDDZZZZ don't make a LKOFSSEEENSSE? "

BLKFATGGUUEEZMAN :((voice)) "Even if I DELLL, or if UDEEL, doesn't matter. It's only THEEIRGAME and WEHV2PLYIT. "

Mr. Stanton Sr.:((flagrantly pissed off)) " WENNTHEFKDIDTHISSHITHPN? "

EDDRRRR :((voice)) " BIBBAAASAYZA " ((Mr. Stanton Sr. surprised, eyes towards the right of the shot)((cut to EDDRRRR, screaming towards the left of the shot, pointing angrily with his right index finger)) " FAKFAKTHEBINBINBINBINSAKEZA "

FRANKIEPOO :((slides left past Stanton both hands up at chest, tabletop, smiling, pointed SHRRPPPPTEETH towards EDDRRRR to the right of the shot)) " SHAYBAPDEH " ((cut to close up of FRANKIEPOO, smiling wide and sticking out a PUPPRLLLLTONGGGUUEEEE )) " BAPSHAPBLEEEEH " ((giggles))

EDDRRRR :((cut to previous, showing left side of EDDRRRR, pulling out and BRAANDISSHINGALRGGFLNNTTTLKKCOLLOORRDRRDANDBLUPOINTINGAATTFRAKIEPOO )) " SHAKTHATSHAKUUMMMM. " ((cut to BLKFATGGUUEEZMAN, closing his eyes and shaking his head, the firearm obscuring him but only slightly)) " SHAYNAOFNOPAAAA. " ((cut to facing Mr. Stanton Sr., being obscured from the opposing side of the firearm.)) " BLAAPPPPAAAAAAAAA. "((cut to close up left side of EDDRRRR 's still holding his GGUN .)) " FAKBEHBAAAA ."

RODROD :((voice)) " FASSTAAAABAPDEHSEH. " (( EDDRRRR faces towards the left of the shot towards RODROD off camera menacingly, as a gigantic BLOODYYNIFE protrudes from the left of the shot towards EDDRRRR at his face)) " SHANABOPAAAADAPBEH. " ((the BLOODDYNIFE recedes as EDDRRRR seats himself grumbling and puts away the enormous firearm out of sight))

Mr. Stanton Sr.: ((cut to Mr. Stanton Sr. facing shot, towards BLKFATGGUUEEZMAN )) " MMIIEVRGUNAFIIINN11DOWTWATTHATMEEENZZ? "

BLKFATGGUUEEZMAN :((voice)) " NOANDWHEEDONTGTOWTETHR. " ((Mr. Stanton Sr. seems surprised and confused))

Mr. Stanton Sr.: " WELLEYELLLLJSTAOFDDCANDLEV. "

BLKFATGGUUEEZMAN :((voice)) " CANTTITWNTWRRRRRKKKKKKKKK. " ((Mr. Stanton Sr.'s face angry)) " ALLLEYENEDIZAWOONTIIIMEMEANDEEICNTGTITTODO1THING. "

Mr. Stanton Sr.: " WAATTHING ?"

BLKFATGGUUEEZMAN :((cut to facing close up, as he is DLT2222CRDDDDDDZ )) " ABUUTTZZAGOEYEAHHHEMLOSTACMRRATHATCANA ."

Mr. Stanton Sr.:((voice)) " WAT ." (( BLKFATGGUUEEZMAN clears his throat looking at Mr. Stanton Sr. off camera)) " OH50 ." ((the sound of chips hitting the table))

BLKFATGGUUEEZMAN : " YEAASOTHSCMRACANCTHRRUWALLZANDHRRTHRRUEMBUTEYENDTHEMUNNYOFZ. "

EDDRRRR :((voice)) " 500BDD. " (( BLKFATGGUUEEZMAN examines his CCRRDZ ))

BLKFATGGUUEEZMAN : " EYESOLLDIT4444SUMSAYBUTTTHEMANFOOUNNDMYDIMANDEYENEEDDDDD - " (( THRROWZZZZ400BBINTHEECNTR )) " 400C. " ((straightens UPUP )) " - THEGYEYESOLDITTOODUZNNTAATALLLGODANDIZGOIINNGTOGTMYNAMEYYSOIHV2222FINDATOGTMYNAMEOOWT7 ."

RODROD :((voice)) " 1000BBB. "

Mr. Stanton Sr.:((cut to close up, facing past shot)) " SOHEGOTUUUUCAUUGHT ?"

BLKFATGGUUEEZMAN :((Voice)) " NOOMYNAMEIZ. "

FRANKIEPOO :((voice)) " 2000000ZAY. "

BLKFATGGUUEEZMAN :((cut to close up)) " DAM ." ((groans)) " SOEYEGOTAAAAGTOONEATOGETMYNAMEOWTOFPENNNSYYLLVVAAANEAAA. "

Mr. Stanton Sr.: ((voice)) " GOO " (( BLKFATGGUUEEZMAN clears throat again))

BLKFATGGUUEEZMAN : " REMMBRARMMYYWAYY. "

Mr. Stanton Sr.:((voice)) " 70A. "

BLKFATGGUUEEZMAN : " THSGYWELSUNBUTTTHRREZSUMOTHRNMWIILLIAAMSONBRINGATMEWITHBZNANDSHTTALTHEFKNTYME. " ((cut to Mr. Stanton Sr. close up looking past shot)) " ANDTHRRZZZZTHSGRLPAMANDHRMOMSAYZAALLLLTHETYME2222. "

EDDRRRR :((voice)) " 5000000BBE. "

Mr. Stanton Sr.: " SOYYHRNMZZZZANDDALE. "

BLKFATGGUUEZMAN :((voice)) " ICNTBCZZZOFTHSBBEFROOMMMMHOME. " ((cut to EDDRRRR, smiling with very pointed TEETH .)) " ITDZZZZEVRWHRRANDTHSPLCGOTTCRZYWNISHOWWDUUP. " ((cut to RODROD, HOOHAZREDEYESANDEEEYEEEEZGOINGCRZZYNDTHRROOOWWWWZUPALLHZCHIPPZANDLAFFZZ. )) THEEZCRYZWEENTRELLYCRZYANDNVRSTOP. " ((cut to FRANKIEPOO close up, laughing and laughing without making a sound, smiling with pointed teeth and drooling all over the table.))

Mr. Stanton Sr.:((voice)) " HOORTHEEZGYZZ? "

BLKFATGGUUEEZMAN :((cut to him close up)) " GFROOMMKOORRAEAEEEEEA. " ((shakes head)) " THEEARRMYCRZZYZZZZTHATTHKANDGOOAFTRRRRPPLWIITHWAAVVZ. "

EDDRRRR :((voice)) " FOP! DAPAAAA. " ((a gigantic NIIFFEE appears from the LEFTOFTHESHOT. )) " GAKKAAAATHEBATSHAT. " (( BLKFATGGUUEEZMAN remains calm yet ALRT , and puts CHIPZ into the center.))

BLKFATGGUUEEZMAN : " 500D. " ((upon making HZBET, the blade withdraws from the shot off camera)) " SONOWEYEHV2GETAFRMAOFTHEEZGYYZZHOORRRRFUKINGCRKADKTTTTSCCARYNAOJSTTOGETDANWELSUNOFMYFUKNNNZTTAANDEYEVVVVBENSITTINGHERR4444FUKINGYRRZANDEYECANTLEVUNNTLEYEGET. " ((cut to Mr. Stanton Sr. looking at HZCRDDDZZ eyes down upon HZZHAND .)) " ANDEYECNTGETUNTILIAANDNEDDAFRMTHEEZGYZANDTHENAGAANTOGET ." ((cut to Mr. Stanton Sr. P.O.V. his HANNDCHAANGINGERRAATTIKKLYYYY .)) " FUKKINREEDIKKULOUS ."

RODROD :((voice)) " 400BBL. "

Mr. Stanton Sr.:((voice)) " YYTHEFKIZMYHANDAPILEOFFUKIINGSHIT. " ((the HANNNNDOBSKKURRINGTHESHOT. ))

BLKFATGGUUEEZMAN :((voice)) " IDUUNNOHOWWTHEEZZGYZZPLYYTHSITZLYKKETHEEZGYZZANDTHEECARRRDZZGOCRZYYTHEEMINNUUTEEYEGTHEREANDNEDATOGPTHATGODDAMCAMERA. "

RODROD :((voice)) " YORBET ! FRANKIE! " ((shot slides to camera right to reveal RODROD BATTINGADORABLEYELSHHESS. )) " FRANKIEFRANKIEWANKIEIEBETBTTIEBETT ." ((violent panting and HISSING .))

FRANKIEPOO :((voice)) " FUKTHATEYEHATETHS. " ((slides to the right, reveals FRANKIEPOOWITTHALARGEGUNBLUINCOLOR . He is WIIDEEEYYEDANDCRZYANDPOINTIINGALLROOOUND. )) " ONNEOFUUUUBROOUGHTTHSINHRANDEYEWANAANOHOOESTHE1WHHOOOOHOIZYYEEEIILENG. "

EDDRRRR :((voice)) " FRANKIESHUUTUUIIPPLYYTHEGAMME. "

FRANKIEPOO : " NOUDOOAZZISAYY. "((cut to RODROD facing right)) " HOODIDTHSFAGGOTRRYONMYNMANDDHOOCHANGEEDMYNM22FAGGT20000FUKIINTYMEZZZZZZZZZZZZ. "

EDDRRRR :((voice)) " LOKFUK. " ((cut to EDDRRRR close up facing left of shot, Mr. Stanton Sr. in the background)) " EYECHNNGDYYRRNM1NNCTOSHUTUUPANDEYELFTITTHRONNCEEEE. " ((cut back to FRANKIEPOO, the GUNIZSMLRRANDYELLO. )) " ANDIDIDNTYSOSHUUTUP. "

RODROD :((voice)) " FRANKIE. " (( FRANKIEPOOWHIPSTOTHELEFTOFSHOOTTTTTOWAAAARDZZRODRODOFFCAMMERRA. ))((cut to RODROD, calm and staring past shot to the right, BARRRRLLOFFGUNINSHOT. )) " UUUURSCRREAMMINGATME. " (( YELLZZZZ )) " STOOPIIIITANDEYEHATEEVBBBRB11Y2222DAYANDMOARBCCUUZEYECNTFINDOWTWHRRAAAAAAAIZCMINGFRM !"

FRANKIEPOO :((voice)) " ITZTHEESAMEME ." ((slides to the RIGHT to reveal FRANKIEPOO holding the GUNN while the BARRRLLLLLLLLLLLLIZSTLLOONGANDPOIINTDATRODRODONLLY. )) " THESAMEWAVVEETHESAMEIIZTHESAMEAANDNVRENDZAOFZOONNEOFUUUUIZDOIINNGTHS. "

RODROD :((voice)) " WEELUUUUCNTTJSSTSAYITTZZZZMEEYYEEYIISSOITEETTEDEDEBDBDEEEBAYZ ." ((cut to RODROD facing towards the right of shot as the GUNBARRL is now the COLRRBLUU. )) " ANDIFYRGUNASAYITZ1AAWHEEHVTOOTLKTOELF. "

EDDRRRR :((voice)) " NOFKOFFRODRODFKU. "

RODROD :((slowing turns past shot towards EDDRRRR .)) " NOSKUITZBCCUZAOFZTHATWHEEHV2. "

EDDRRRR :((cut to close up, screaming towards the left of the shot)) " FKUWEEEALRREEADYASKKD2ZZTTWIIZCCEEEEANDHEDZNTSAYHODIDDITEESOFKUUOFF. "

Mr. Stanton Sr. :((leaning under EDDRRRR towards the camera)) " WATTIZTHSABUUTNAOO. "

BLKFATGGUUEEZMAN :((voice)) " OWWIAITTILLUCTHSSHIT. " ((Mr. Stanton Sr.'s eyebrows raised.))

FRANKIEPOO :((voice)) "SUMMBDYHZBHERRANDEYEGTFELLDTOANDEYEMPISSDOF. " ((cut to FRANKIEPOO seated, with a large BLUANDGREENFLYYSWATTROVERHZRIGHTSHOOULDR, facing towards the LFTOFTHESHOTT. )) " IFEYEATHENIGTYYEELLLLLLLLLBUTIAAZ. " ((cut to RODROD facing right of SSHHOOT. )) " IFEYEY7EIIZSATETHEB. " ((cut to FRANKIEPOO, facing left of shot the FLYSWATTRRRRNOWBLUUUUINCOLLRRRR. )) " WHENEDELFTOOFINDASOOEYEMMMMDOINGIT. " ((he slides to the LFTOFSHOT off of the CHAAIIIR, with the FLYSWATTROVRHIZSHOOULDRSTIL. ))

EDDRRRR :((voice)) " FKUFRANKIEPOO. " (( FRANKIEPOO walks into the shot away from the table))

RODROD :((cut to FRANKIEPOO close up BAKTOCAMMERRA, standing before ALONNGGBLUUROPPPEEDANNGLLIINGGFROOMMDACEIILNG. ))((voice)) " YAWHEECCNSOLLVEEEETHSSTOOPSAYYINWECNT. "

FRANKIEPOO :(( WHIIPZABOOUTINSHOTTOWARDSPSTCAMMERRA. )) " WHEECNTBCUZZSUMTHINGFUKDUP. " ((cut to BLKFATGGUUEEZMAN staring to right of SHOOTTTTTT. )) " ANDUNTILWHEEFINNDOWTYWEEGTCARRDDDED. " ((cut to Mr. Stanton Sr., staring to the left of the shot BEWILLDRDDED. )) " ANDIFEYEKEEPGTINGCRDDEDIMMGUNNAAAAYLATPPLANDNVRSTOOPTHEBOZ. " ((cut to close up of FRANKIEPOOWITHHZBAKTOTHEEBLUROOPEOVRHZFLTSYDE. )) " ANDWERRENOTGUNLSSWEESTOPBOFZEVR. " (( FRANKIEPOO turns about and PULLZATTHEEROPPEDOWWNWAARD. ))

((cut to wide shot of the POKKRRRRTABL at the lowest part of the frame center shot, skewed facing upwards as a small BLULYNE horizontal appears in the sky and begins to turn VERRTIKL and starts to descend towards the floor before the TABL making FOF sounds.))

((cut to FRANKIEPOO standing facing skew RITE of the shot as the other two GONNOMEZZ each appear alongside him, EDDRRRR to his RITE , and RODROD to his LLFT. Begrudgingly, all three raise their hands and arms VRTTIKKLLY and begin to BOWW. ))

((cut to the THRREEEEGNOOMEZ facing towards the descending BLUVERRTKKLLYNE as all three begin to GROOOVL on their HANZANDNEZ as the BLULYNE reaches the GROOOUND , as the FOF sounds now because a FFDD sounds ((( AEEEEZZZZTD repeating))) .))

((cut to Mr. Stanton Sr. still seated, gazing over right shoulder past the shot, a glow in the BLUUUULYTE .))

((cut to BLKFATGGUUEEZMAN, gazing over left shoulder, aglow in BLUUUULYTE. ))

((cut to close up of the BLUUUULYNE , as a figure appears, pitched in black the figure is slender, somewhat lean while tall and wearing a POIINTDDDDHATANDHAZZPOINTDDDDFFFFEEEET. The LYNE disappears, revealing the figure. He is GREENNNNINSKINWITHBLUUUUEYESANDHZZPUPRPLANDBLUUUUHAIIR , and is WEAARINGBLUCLOOTHEEEEEEEEEEEEEZZZZZ , with YELLOOOOSHOOOOUUUUZANDABLUUREDHT . The sound of FFDD ceases, as the figure SPEEAAKKZZZZZZZZZZZZ in a SOOPPRANNOVOIICCE and refuses to do so without RYHHIIMMINGING .))

Figure: ((in AA )) " FOPPPPYYYYSHMOPPYYDOPEEEEBRPYYYYWHRRRRIZTHEBOFSMPPRRYYPRRPPY " ((Translation: " WHATISTHISSHITANDWHYAREYOUTALKINTOME. "))

FRANKIEPOO :((voice))((in B )) " YORMAJJESTYYYYELFOFBWEMUSTFINDAOFDRFLLLLL ."

ELFOFB :((formerly Figure))((furious now, HUFFIIIINGNG .))((in A )) " INRHYYMEOREYEFINNE. "

FRANKIEPOO :((cut to close up, finished GROOVLING , the POKKRRTABL behind him as his body veers up into the shot from the lower frame, his hands at his HEAD .)) " AAAAGH ." ((pauses, ROLLZEYEZANDCLOOSEESSTHEMUNHHAAPPPPLY )) " WAAZZBAGGE - " ((pauses, opening eyes up towards the right upper frame)) " EYENEDJ7TOMKCHAAGGE. " ((cut to RODRODGROOVVLLINGFACINGTOLFTTTTOFSHOOTSCOOWLLING. )) " THESAYWAAZZDANDAWASBAH. " ((cut to EDDRRRRGROOVLINGTOTHERITTEOFSHTTFROWNING. )) " IWASBRANDDOPPEWASNA. " ((cut to Mr. Stanton Sr. looking over right shoulder at shot, BWIILLDRDDD. )) " WHENIYYI7THEBOF7E. " ((cut to FRANKIEPOO, close up, frustrated looking past shot)) " SHAYNAOFBIMANDNAOFB. " ((finishes staring past shot, still grumpy.))

ELFOFB :((cut to, facing lower left of shot, smirking, looking down upon them pridefully))((in A )) " GNAVEOFUSEEKTONOYUBROFD. " ((cut to FRANKIEPOO about to SCRREEAM. )) " YETUBRDTOWAL7THUSAOFE. "((cut to ELFOFB rubber band close up, facing shot)) " FOOLOFASAYEYEOFTHEBAYDOUSAYIDAY. " ((cut to Mr. Stanton Sr., staring over right shoulder, blinking twice)) " DOURECALLTHESAGAOFBNAYTIZZYUASKSOAGIIANICANTHE. "((cut to wide shot surrounding the POKKRRRRTABL to the lowest of the frame, while the THRREEEEGNNOMEZ are before the ELFOFB, as on either side of the shot in the pitch darkness emerge two WHIITEELYNEZ, one descending from the ceiling, the other ascending from the floor. Both matching their speed meet in the middle of the room, as the ascending and descending lines emit HALF of a screen in either direction, both matching and meeting at the center and forming a SOLLIDDIDIMG, showing a small ship, Grey cruiser in Gulf and Atlantic waters, the shot hanging over the high seas looking downward)) " THERONCWASSASHIIPTHATSATOFFCUBATHATNVRWALKLANDANDSAYDNOPDOPPA ." ((cut to the screen, showing the deck of the ship, a modern Cruiser made in the late 20th century, colored Grey and from the country The United States of America on Earth. On the deck, sailors in uniforms stand, two shown, one with binoculars looking outwards over the water)) " THECRUUWAZNTSTUUPDANDNVRAOFZ. " ((cut to within the bridge of the vessel, a Captain caucasian with BLUISHWHITTEHAIIR, staring down at a small monitor, mouthing commands into the receiver of a older style land line telephone, cupped to his right ear and held in his right hand. The receiver is the color YELLOANDGREEN. )) " BUTTHECRUDIDNTNOOHOWWINTHEHBBTPPLHOONE. " ((cut to wide shot, the shot hovering over the cruiser, bird's eye view facing downwards, as the camera ascends quickly to higher atmosphere and orbit, revealing the cruiser's location off the coast of Cuba as the shot travels downwards towards the western seaboard of the United States of America towards a state called California)) " INCALLYTHEERWASTOOMENHOOWERMADATWILLIAMSUN. " ((the shot crashed into the ground to BLK, and rises slowly over the back of a desktop computer, revealing two human males one middle aged with grey hair on his chin, the other slightly younger with a muscular build to his right, as the shot hangs as it passes over the top of the monitor)) " AMANHOONVRSTOPZWHYYNINGHOOSETORRMNTWAZZFUNN. " ((The muscular man, briefly arms crossed, chuckles saying " Put nigger on his name so I can y. " as the middle aged man types of the keyboard, laughing)) " HOOWAZINPENNSLLVAYNAOFTHESAMECUNTREEEE. " ((shot ascends quickly into the atmosphere once more, quickly rocketing downwards to the eastern coast of the United States of America, aiming for a state called Pennsylvania's south eastern sector, and crashing to black. The shot pans out from the side of black cropped hair of Jon Williamson, staring downward towards the glow of a computer screen to the lower left of the shot, the frames of his glasses making his brow seem furrowed in a villainous manner)) " HOOHADAAHIDNCAMERTOWATCHALADYNAMDRUTHPEEEE. " ((he stares angrily at the computer screen's glow to the lower right)) " VOYYRHEBTHOSATISFYDDDDHELAKINGHESOUGHTINMANYWAYZTOSENDHZENEMIIEZPKING. " ((cut to close up, Williamson's fingers birds eye view hovering above the keyboard, he types a7bdesayzsay .)) " ANDWILLEHZENEMYBINCALLYOFFCUBAIZWHRRHZBWENTNALLY. " ((cut to the officer, the Captain aboard the bridge of the Cruiser, looking to the right of the shot, as a sudden alarm begins, a piercing wane as he reacts, jolting upwards and looking towards his right past the shot))((cut to over the officer's left shoulder facing out over the bridge of the cruiser towards a window facing the STEERN, as a very large missile is fired, climbing out of the shot as the officer reacts in astonishment back to shot)) " THEBCAUUUSDDRFFLANDONEMISSILEWASFIREDANDANOTHERBRPWALLDDDDAANDANOOTHRRSHRRIIDDEDD. " ((cut to close up along the starboard side of a submarine in the same COLLORDWATTRZ, as another missile is fired out of a tube facing vertically up towards the surface of the water))((cut to atop the water the missile that resembles the trunk of the MUNNYTREE though not exact, breaches the surface of the water, as the shot points upwards chasing it into the sky)) " THEMISSILLZCLIMBBDUPTOTHESKYYYYWIILEEEEELLSWAARRETHEEFAAAASAYDNAYNEDZDI. " ((the shot streaks upwards past the two missiles and hovers bird's eye view in the stratosphere facing downwards, and shows two missiles crossing up over the continental United States of America, as the shot zooms downwards towards the eastern seaboard, and dissolves into a flight controller's computer screen, showing the paths and the designations of aircraft)) " WAATCCAAUUSDTHEMISSILLEZTOFIRREEWAAZALSSOOWAATTCAUUUSDDAYYTODLLNTJSTBCUUZOFWILLIAAMSONBUTTCLNNTONOFBILL. " ((cut to close up of a human male in a uniform of the United States Air Force, with BLUUUUHAIR looking dismayed at the screen downwards))((cut to previous, showing the rapid descent of a military aircraft in upstate Pennsylvania then disappearing off the screen, the aircraft labeled as A7EEESAY. )) " THOOSSEEEETOOLVTODDDANDCAUUSDDATOAOFV. " ((cut to previous, the shot sliding to the left to show a human female in a uniform of the United State Air Force, attempts to speak to direct traffic to no avail, her face aglow in her computer screen's glare)) " MEENWLLEMOAARPLAANEZWEREYELLINGDRTOAASTHENZOFBDBIPTOA. " ((cut to the P.O.V. of the human female Air Force Officer, showing numerous BLIPZZOFPLAANEZ that read as numerical AC on the RRAAAYDARSCRREEEEN. )) " ALLOFTHEDERZSOOCLOOSESESESETOBITTHAATNO1111DARREDDDDTOSAY. " ((the screen show a new BLIP that registers as 7EII as the shot zooms in to the screen, into the BLK briefly, zooming out against the closed sun visor of a jet pilot of the United States Air Force, wearing a helmet that reads BAY7A across the front as the shot zooms out and reveals the glare of a missile in the reflection, showing facing towards the GROOUND below and the shot shaking with the FRRCEZOFGZZZZ. )) " THEECCHOOIICHEEEWWWWWAAZZZZCLEEAARRRRSAYWASITHOOTHEEMISSILLEREFFUSSDTOLISSTN ." ((cut to close up of pilot's hand on joystick, pilot's voice " LOKKDONFIIRRINGOONE. " with the press of a thumb button)) ((cut to the missile's rear, as countermeasures of the HEEATLOKACTIVATED spraying PRRTIKKULAATZZZZABOUUTTTODVVRTTHEEINCCOOMMINGMISSL , with the fired missile from the JET streaking to the right, as the MISSILEFORRPPZDLTOBBB7 streaking towards the ground into the shot towards a coastal city below, as three F15STRREEKKKKINPURRSUUT. Voice over RAYDIO : " One more time. ")) ((cut to F15PILLOTHLMTTHATREADZACCADAD who responds : " Negative no response. "))((cut to close up of seven United States Air Force officers looking at a computer screen, huddled together to the right of the shot)) " THEEMISSLWOOULDNTYYANDSAYANDALLTRANNZZMISUNZWEERHFFINGTOMAYY " ((cut to close up on the computer screen being observed, to a small BLIP that reads 93 that TRAAANZMTZZ aloud: Pilot: " Keep it up, keep it going, now just hold it." ((the sound of a door bursting open of cockpit a passenger screaming: "We're gonna die! We're all gonna die!." Pilot:((sternly)) "Go back to your seat now." Pilot #2: "No God." as the BLIP disappears))((cut to United States Air Force officer staring astonished past shot to the right at the glow of the computer screen)) " THENILECOUULDNOTEEEEBUTTZAYYWAASSSDOPA. " ((cut to a close up of a television screen, showing footage of the former Twin Towers in New York City, United States of America, one smoking as a second plane flies into the structure, the footage showing a channel 7 icon on the lower left)) " AZOTHRRRRARRCRRAFTFELLPREYYTOTHEESAYYMEDRFOPPA. " ((cut to close up of an aircraft's nose, the SAY speaking aloud in the voice of a high pitched young girl))

Aircraft: "Well I'm not supposed to SAYAIZBOFC. You have to prove to me that Z is actually DAYOFZ. "

WELSUN. : ((a small GREENNNNCRAKKLTHAATGRKKZTHENOSE )) " uhuhuhuh. "

Aircraft: ((shot facing the nose close up)) "I don't think that's TRUU. I have to AOF7 to PRUUVVITHAATUSAYZ. IMGOINGTOWCC. " ((the nose begins to descend to the ground violently to the lower frame of the shot))((cut to PLAANE hurtling to the earth below towards the lower right of the shot, the shot hanging in the rear behind as it descends in search of a GROOUUNDDDDD source of A7 to prove that AIZB, as the highly conductive METTLAIRCRAFTSTRREEAKZTOOTHEGROOUND. )) "Well CHOOTHELIRRIZ. "

WELSUN. : " uhuhuhuh. "

ELFOFB :((voice))((in A )) " THEEDBBATECONTTINUDUDASTHESKYYBGGAN2FALL. " ((cut to close up of a JETPILLOT close up within the F15WEEEARNGAHLMTTHAATRDDEDDDDZDOPE7E, a voice over the RAYYDOSPKKZ : "Pull out now, now." while there is a pause, the PILLOTREAKKTTTTZ : "No." as he shakes HZHDANGRILY and the JETTPULLZTOTHEERITEOFTHEESHOT. ))((cut to a close up of the missile on a direct course to the ground, along the coast of a BAYY in the direction of a PENTTAGONSHAPPDBUULDING. )) " ANDONNERGUUMNNTWAAZABUUTTOBBBLLLL. " ((cut to the street of a small cirty, as the large MISSILLE lands upon the GROOUND, uneven and not hitting point first, sliding against the street, streaking at the SHOTT the nose towards the camera as its FUUSELAGGE bounces violently against the pavement, continuing to GRIINDALOONGTHESTREETTTT. )) " ANDWILLTHSSMISSLREFFUUSDTOAOFZTHENE. " ((cut to a view within a Laundromat, a CCTV camera facing towards the front door of a street in BLAKKANDWHIITTTTE , several human beings all with BLUUUUHAIIR, facing towards the external door, open slightly, as the large MISSILERUMMBLDDDDPASTFROMLEFTTORITEOFSHOT. ))((cut to close up of incoming MISSILE towards the steady shot directly, crossing over a BLKMETLLINKFENNCE, about to pierce the camera with its nose)) " OONEWAAZLFTHOOOCOULDDSTOPPTHESOFETOBOFC. " ((cut to a large BEIIGEWALLTOTHEELFTOFSHOT as the pointed NOSSE of the MISSILE comes grinding to an eerie halt, all the sound and vibrating ceasing, as the footsteps of an older man be heard entering from the right off camera. A figure enters the shot, of a portly man with white hair, clean-shaven with a pipe in his teeth. He is dressed formally with a BLKTYANDWHIITETESHIRT and a BLKSUIITANDSHUUZ. His back is to the shot as he approaches the WHRRHEDOFTHEMISSL, standing between the MISLANDTHEBEIIGEWAL. He bears a striking resemblance to Francisco Ventresca, host of the Frank Ventresca Show on Italian TV a Veteran of the Korean Conflict and a member of a Battalion that incorporated Broadcasting and Radio to Air Transmissions amongst other OSCIILLASHUUNACKKTIVVVITTIEIEZ . He is also the Uncle of Frederick Kyle Ventresca, made famous by being spied upon by many including Bob Odenkirk . He stands facing the WARRHEEDOFTHEIIIIIICBRDRSAYZSAYZIKZAZASAYZIKZAAZBBBYAYANDSMIILLEEEEZ .))

Francisco Ventresca: " UcntBRD. " ((he walks out of the shot from once he came as TIMMERETTUURNZTONRMLPACE and the MISSILLEEEEZZZZTRGGRMKZZZZCONTAACTTTTWITTHTHEEWALL, as once more TIMMEFREEEEZEEEEZZZZZ. ))

MISSILLE.: ((in z ))((speaking in a high pitched young girl's voice, the same as the previous aircraft)) " DRATEYENEEDA. "

Francisco Ventresca:((voice)) "For?"

MISSILLE.: ((in z )) "EYENEED2222fyyrreTHSTOOCAUUSEAB7ANDDERPTHEBaz. IHV2222MAKEthSSSSexplode. "

Francisco Ventresca:((cut to close up, facing to left of shot SMIILING. )) " Why can't you?"

MISSILLE.: ((voice))((in z )) " I - " ((whining)) " IDOONNTNOO. " ((cut to close up of the nose of the missile)) " ICNTfyRRRRewiTTOOuutA. IHV2WALLWCCIINNorDR7E. mayyeihvacupofbplz. "

Francisco Ventresca:((voice)) "No. And you're not allowed to activate the WARRHEAD either."

MISSILLE.: ((cut to the very point impacted by the MISSIILLEEEEZTRGGRR. ))((in z ))((whining)) " buttEYeHV2222ltthedd2IIorthefyREwnTTb. "

Francisco Ventresca:((cut to close up facing left)) " UCNTYYUCNTAAAZBIOORACACIZAYZOORREAAOOORZAAZ. "

MISSILLE.: ((voice))((in z )) " buteyIEND2222. "

Francisco Ventresca:((shakes head, negative)) " NO ."

MISSILLE.: ((cut to side view of missile help in place by ARRGUMNTTTTTT .)) " wellllEYEhv2jsD. " ((time in unhinged once more, as the MISSILLE crashes through the BEIIGGEEEEWALL, exposing only the very aft of the missile, the scorching heat from its SYI burning and billowing smoke from within the structure, the entire missile within the building as numerous car alarms surrounding chime in non-synchronous intervals, as a voice of a human in English is head screaming: "HOLY FUCK!"))

ELFOFB :((voice))((in A )) " THUSUHOOASKDZZZZNAMESAYNO. " ((cut to FRANKIEPOO close up, furious to the upper right of the shot, behind him the table)) " YETFRANKIEPOOIZTHENAMEUUUUSHOO. "((cut to ELFOFB close up facing the shot)) " BUTTYIZTHEMUNNYTREETHEWAAYOFD! " ((giggles, in a sound of THEEHEEEE )) " THAATZIZWATUUUURABUTTOCCCC. " ((the shot zooms into the background behind him to reveal William Jefferson Clinton seated in an airline seat typing on a laptop computer next to a window within an aircraft. He is wearing a BLUUSUIITANDREDSHRTANDBIFOCAALZZ and is typing at the laptop keyboard and speaking the words: " imonaplane. " and pressed another button, the REETURRNNKKEEY. Upon doing so, the entire shot buckles and begins to point straight downwards to the left of the shot)) " NOTTLONNGAFAFAFTTRTHEEEERAOFBILLCLINTONHOOTYPEDTOCAUUSSETHSSDA. " ((the scene of William Jefferson Clinton is almost vertical in its descent to the lower left of the shot now)) " HEHLPDDDDCAUUSETHEEVVNTZZZZWHEEJSTSA. " ((cut to television screen, of the smoldering perfectly circle hole in the wall of a large PENNTAGGONSHAPPDBUILDIINNGLEVVLALOONGTHEGROUND. ))((cut to a very STERRNAIIRRFORRCCEOFIICCLSTANDINGEREECCKKTWITTHARMMZBHEENDDBAKK and is flanked by three others. Each wears BLUUUUUNIIFORRMANDDIZHILLYDECCORATD. )) " ADCCSHUNWAZZMAYYDTOOHYDDETHETRUTTH. " ((cut to cover of NUZZPAPR , reading in BOOLLDLTRZ " PENTAGGONHITBIIPLAANEEEEEEEEEE ." against a BLUBAKKGROOUND. )) " WHIILEEEETHECULPPRRTZUSSDTHEECHOOICETOCMOOMMITTOBOOOOOOOOOOOOOTTH. " ((dissolve to a pair of HNDDZHOLDINGTHEPPR. )) ((cut to facing a man, the middle aged man staring at the paper, amazed, as he looks down past the shot, and begins to lean forward.))((cut to close up of a computer screen, BLKSCRNADNYLOTXT showing a long list of A7, known to many as Electrical D , used not simply for diagnostics by power companies, but by others for the purposes of surveillance, banking, criminal activity, and spying.)) " ANDNUTOAACTOBRCEEEACCHTHEGOVVRNMNTZTOBTHEEDDDD. " ((the sound of typing, as the screen shows ACCCCIDRDR7SATESAYZ typed, with the sound of a RRTTTUURRRRN button being applied.)) " ALLJSTTOOSALTHEEBRSTOFFEFE. " ((cut to close up of middle aged man, smirking staring at the screen, the camera zooming into his YELOEYEZ , a reflection showing a long list formed STRREAMMMING of information pertinent to government activities, ranging from TROOPPPLAACCEEEEMNTZ to GOVVERRNMNTZEKKZZEPEERRIIMNTZ not shown for the PUUBLICKTOCCCC. The camera zooms in further to just the YELO of the middle aged man's eyes, and hangs only for a second)) " ALLOFTHEEZSECCRTZNOTTTTMNT2222BDBUTTONNECAMEEEEALIVVEWITTHTHEEBRSTOFCCCC. " ((the camera zooms outwards to reveal a small telegraphing satellite, the backdrop outer space, the YELO the lens of the CAMMMERAAAA pointed down to the lower left of the shot, as a WHIITTEEEEWAVVEEEE enters into the shot from the right of the shot, PULLSINGINTTOOOOTHEDIRREKSHUNOFTHESSSATELLITE. )) " ALLDVIICEEEEZMADDEEEEBIAMANCARRYTHEWAACOFVVESAYE. " ((the pulse continues)) " SOALLDONNEONTHEELEECTRIICCKGREEDIZONAAANETHINGMADEBIIMAN. " (( the YELOCAMMERAASNAAPPZRSSULLTINGINAHUUGEECRIISTMMASSSSTREEMADDEEEEOFDOLLARZZZZLAUUNCHEEDOWTOFTHELENSEASTHESHOTTURNZTOSHOOWWWWITROCCKETINGATTHEEARRTHBLLO. )) " MANNYSAYYDDDDITCOUULLDNTBDONNE. " (( CUTTOCLOOSEOFTHEETIPWHHEEREAGOLDSTAARRRROFDAYVDVDVDVDIZHUUNGAZTHESHOTFOLLOWSTOTHEEREAARAZCOLLOOOORDORNAMNTZZZZAPPEERANDNUMMEROUUSSNAKKEKANNDYCCAANEZZZZAPEERAZTHECAMMERRRRAREAACHZTHEENDWHRRTHETRUUNKBCCOOMZTHETAIILLENDOFAUUASFFMISSIILANDDALLTHEBILLZZZZHAVCATZINSTEADWITHhihiANDbibiAZTHEAOFZ. )) " BISAYINGONETHATTHSTRECANTBUNN. " ((cut to P.O.V. the TIP of the TREE, closing in on Earth's surface, towards the Eastern Seaboard of the continental United States of America)) " BUTTTHETREEHADDTOFINDSUMMWHRRTOAOFZWHRRITCOUULDAOF7WITHOOTGTINGWHLLL ." ((cut to close up of Francisco Ventresca smiling to the right of the shot)) " SUMMWHRRWHRRITCOUULDGET7OFV ." ((cut to previous, the course changing to a precise direction on the East Coast of the United States of America)) " WHRRITTATTACHTOTHENALLOFFFL. " ((the sound of a man's voice speaking angrily, leaving a message over a VOFZSAY as the TREE closes into to the GROOUND speaking: " TOJAYEDONTTELLMEEYEEFUKKDUPAOFBUHV2SAYAOFVANDKLYRFUKINGNOTDADAANDTELLYRKIDEYEDONTCARE_A7 .)) " WHRCOUULDTHEEZZZZPREREEQQQUUIISTEZBMT ." ((the P.O.V. breaks through the cloud cover and into the roof of 2-32 Aspen Way Doylestown, and through the floor of the upstairs apartment of Jon Williamson and Dan Welsun, as both stand holding a CCTV Swat Team camera and the CCISAKEZSAY device both connected to an orange extension cord. The shot continues through their floor, into the apartment 2-31 Aspen Way directly at Frederick Kyle Ventresca's eye to WHIITTTTE.)) " AAAANDDAGGAAIINOFTHEFIMOFBOOPOFSHIPOFBET. " ((the shot hangs as the P.O.V. of the MUNNYTREE travels downwards once more, showing daytime in the year 2014 between March and April on US263 where a white 2005 GMC Sierra 2500 is driving from the lower right of shot in the left hand lane, approaching Sugarbottom Road, as the MUNNYTREE streaks into the shot, the camera pursuing on the way down)) " HADDITNOTBEENFORRASTRROOKEOFCHAANCETHATTDAYTHAATTHSDCROSSDPATTHZZZZWITHTHE1THEEEYCLDDDDGAY. " ((the MUNNYTREE closes in on the driver's side roof of the single cab 2005 GMC Sierra 2500 White in color))((cut to facing through the windshield, showing a haggard Frederick Kyle Ventresca driving the vehicle, as a very quick BLIP of YELLLLBLUBEAM from above the cab BAPZZZZHIMONTHETOPOFFHZSKULLLL. ))

Frederick Kyle Ventresca:((makes uncomfortable face)) "Owwww." (((it felt like being punched in the top of the head, when wearing a baseball hat with one of those little button circular things at the top, the impact being right there. Nice shooting AF , though these days the kids think I'm saying AF to mean As Fuck.)))

ELFOFB :((in A )) "WHIILLEELSSWHRRSUMLAFFDDD. " ((cut to higher bird's eye view of the truck driving, shown from a view from the atmosphere on a black and white CCDIDI screen that transmits to ACIIDRSAY rather frequently, and is great at broadcasting the continued efforts of the United States government's most clandestine activities)) " ATPLYINGAJOKEONTHEMANDRIIVNGTHETRUKINAREALMOFPENNSYLVAYNEAAANOWNNAZBUKZ. " ((voice of man in government))

Man:((voice)) "What a fuckin' loser.

Man #2:((voice)) "Yeah, fuck 'em. What does she even care?"

Man:((voice)) "She's like, I don't even like him so I'm gonna fuck with him."

Man #2:((voice))((scoffs)) "What a weirdo."

Man:((voice)) "Weirdo? More like he's weird."

ELFOFB :((in A )) " ANDWITHTHATFOLLZUNONOWWHYYTHETREEIZHERTOBTHETHVNANDNAYTHEBZAA. " ((camera zooms out to reveal DLFOFB standing with back to the giant screen surrounding, smirking at the shot malevolently)) " TOPANDNAKEANDSAYTHEBZHNAYWITTHOWTTHEBINOFFA. " ((cut to Mr. Stanton Sr. still seated and staring over his right shoulder past the shot)) " THAATALTHOOOOSEBILLZARRBITOFBANDNVRSOMUCCHASBIPTHEC. " ((cut to BLKFATGGUUEEZMAN facing over left shoulder, still seated)) " ANDWITTHTHEHLLPOFTHSB. " ((cut to close up of ELFOFB , holding a BLUUUUGREEEENORB. )) " WEELLMAKKETHSWLLREALLMFALLPREEYTOMUNNYYYYSOOOOFREEDWILLBTHE7ZAYANDEVRROONNEWILLMAAKKKKITFUNNY. "

RODROD :((voice)) " WENEEDTHAAT2222A. " (( ELFOFB not amused, angrily scowling towards the shot))

FRANKIEPOO :((cut to close up)) " EYEWANNTTHAATTTTTOOYY. "

ELFOFB :((snarling, holding the ORBBBB away from the shot NAOO. ))((in A )) " TOOBADFOORUFORREYEAMTHEGRANNDOFNU. "

((cut to wide shot, all three of the GNOOMEZ staring at the shot, FROOZNINANGRR, at three seconds after, all RUSHHHIIMATOONCEEEE. ))

GNOOMEZZ : " AHHHHHHHHHHHH! " ((as the background out of focus, comes into focus, revealing Mr. Stanton Sr. and BLKFATGGUUEEZMAN staring past the shot as the sound of a FITE begins))

ELFOFB :((voice))((in A )) " OHYESLTZFITEAGAAIINNN. "((cut to a large FITECLOOUUDDDD with the sounds of GNOOMMEEZ and ELFOFB exchanging BLOOOOWZZ. )) " ANDONNCEMOARSUBBMIT2222MYSAYOFBATOVN. " ((the FITECLOOOOUD breaks up, showing the GNOOMEEEEZ defeated flying on the ground, PANTTING4BREAATH. )) " DONTUUUUCFOLLLLZEYEAMBIN. " ((cut to Mr. Stanton Sr. facing towards right of shot, eyes wide)) " UCANNOTBESSTWAATIZTHEDROPOFSHN. "

EDDRRRR :((voice)) " EYEEELKEEEELYYYYEW!!!! " ((the sound of FITE commences once more))

Mr. Stanton Sr.: " DOEEZTHSHPNOFTN ?"

BLKFATGGUUEEZMAN :((voice)) " YUPEVRYTYMEELFDL7. " ((cut to BLKFATGGUUEEZMAN facing towards right of shot, past shot)) " EVRYTYMETHOOSECRZYYZBAYOF7. " ((shakes head)) " SOFUKDUPPEYENEEDDTHAATFUKKINGORB. "

Mr. Stanton Sr.:((voice)) " EYEMGUNAGOANDTAKEIT. "

BLKFATGGUUEEZMAN :((turns to right towards Mr. Stanton Sr. off camera)) " WHAAT ."

Mr. Stanton Sr.:((cut to close up, rising out of his chair, slowly)) " IMGUNAYYLLATDANDSTAELTHEDOFD. "

BLKFATGGUUEEZMAN :((voice))((Mr. Stanton Sr. walking into the shot)) " WAYYTELTZWAYYTETODOESOEYECNYY. " ((shot slides out as Mr. Stanton Sr. advances, BLKFATGGUUEEZMAN shown in the background as the sound of FITE continues.))

((cut to P.O.V. Mr. Stanton Sr. looking down at the BLUUUUGREEEENORB, as the shot nears closer and closer as the FITE continues just above the shot and top of frame))

((cut to Mr. Stanton Sr. close up, moving ever closer into the shot looming at the lower frame, hands and arms carefully outstretched towards the base of the shot))

((cut to Mr. Stanton Sr. P.O.V. showing the ORB as he closes in while the FITE continues))

((cut to BLKFATGGUUEEZMAN standing slowly, staring past the shot at his chair HOPPEFULL. ))

((cut to previous, Mr. Stanton Sr.'s hands reaching into shot, and clasping around the ORB, the size in terms of perspective is a little bigger than a softball. He LIFFTZZITUUP, as the FITESTOOPANDTHESHOOTTTTLOMMZUUPTOREEVVAALLEELFOFBSTARINGATTHESHOTNOWGRAYINCOLORWITHBRIIGHTTTYELLOEYEEZANDREDFANGZ. ))

ELFOFB :((in z )) " URNONAOFTHERRRRME. " ((cut to Mr. Stanton Sr. close up, TERRIFIEDANDSHUUDRRING. )) " ANDTHUUSUUUUWILLSHRRPTHEV. " ((Mr. Stanton Sr. more scared than before))

Mr. Stanton Sr.: ((yells)) " AHHHHHHHHHHHHHH!!!!!!!!!!!!!! " ((cut to BLKFATGGUUEEZMAN reacting hands up shaking head " NO " as Mr. Stanton Sr. begins to RUNNINTOOOO the shot past him and behind him from shot's right to left carrying what he sought, as the GNOOMEEEEZANDTHEELFOFBLEEEEAPONTOBLKFATGGUUEEZMANANDBEGINTOATAKTHEETHEENONARMYINTRUUDRR ."

BLKFAGGUUEZMAN :((yells)) " NOOOO ." ((cut to Mr. Stanton Sr. running at full speed with the ORB under his right arm, as he FLEEEEZTOWARDZASMLALLLLGLMMRRRROFLITTE, turning around over RITESHOULDER .)) " YMYNZTGETMEOWTOFHR !" ((the sound of him being DEVVOOUURED and SHRIEKING as the GNOMMEZANDELFOFB do what the ARMMY does to INTRRUDRZ .))

Mr. Stanton Sr.:((in A )) " AGHHHH!!!! " ((continues running))

((cut to the writhing BODYOFBLKFATGGUUEEZMAN as the three GNOOMEZZFEAAASTUPOONHMANDELFOFBHOLDINGTHEBODYZSVRRDRITEARMPOINTZPASTTHEEESHOTBELLOOWING : ))

ELFOFB :((in z )) " KILLHIMMANDBAYYYYNIMMMM !!" ((the shot zooms into ELFOFB 's open MOUF hanging in the BLK ))

Omniscient Narrator: "The man of BLK and Stanton SU and say that ELFOFBNVRNU , while Jesus SONNOFGODDD is slated to DI , and never made a single VY. " ((the shot zooms out to reveal the single left IRISOFJESUS, as the shot continues to zoom out, revealing him being carried by several FredWorkers wearing BLKARMMR over their heads towards the LFTOFTHESHOT through the OWTTSKRRTZOFTHECOMPLEEXXXXCOMMMPLXXXANDOWT2222THEFORESTTHAATSMLLZRLYYBAD. ))

Jesus: "Just because I KIKDSUMMUNNY doesn't mean I A . And just because I SAYA when asked for A just to accuse me doesn't mean I'm INCRRIMINNATINGMYYSLF ."

FredWorkerCARRYYINGJESSUS : ((cut to close up facing to the left of the shot)) "The JUDDGHAZRUUULLD . Your words won't SPAARREUPUNNISHHMNTNAO. " (the shot slides back to reveal a precession in pursuit of Jesus and the FredWorkers carrying him. Acolyte Fred leads them, arms outstretched and leading them behind Jesus and the other FredWorkers.))

Acolyte Fred: "Bear witness my FELLOOSHIIP to the WROONGOFWROONG , who shall BEEARRRR the punishment of his own SAYOFZA ." ((cut to close up, facing towards the left of the shot)) "To be regarded as the KNAAVVVAEEEE and HEHOONOZZZZNAOFZA, enemy of GAH 's offering unto HZMOSTDEVVOOUUUUT and LOOYAAAALLLLLLLLLLLLL ." ((Jesus can be heard protesting his speaking))

Jesus:((voice)) " SHUUUUUUUTTTTTTTUPPPP!!!! " ((Acolyte Fred is not unhinged, as the shot remains steady for a moment, Acolyte Fred walking off shot to the left as the Catperson Clergy who spoke to the MASSESSSS walks to the left into shot, the camera now keeping up with his pace.))

Catperson Clergy: " THEESTAAYTEHAZCHOOSN , and we carry with us the GULLILT of being incapable of turning Mr. Jesus to our WAYYEZZ . That his JUDDGGMNT be so STRNG and so WLLFUL that only by the graceOFGAH can he find APATHTHAATWHEEEEHVALREEADYYFOUUND ."

Jesus:((voice)) " PATH? YOUR PATH IS NO DIFFERENT THAN RUTS LEFT SINCE THE ROMAN EMPIRE !" ((cut to Jesus up close being carried as his head is cocked back to the right of the shot)) " MORE TRAVELED THAN A FREEWAY AND JUST AS CONGESTED AS A SINUS FROM A COLD ! DON'T TELL ME YOUR NEW IDEOLOGY IS ANY DIFFERENT !" ((cut to close up of Jesus's face, furious)) " YOUR LIES ARE STAINED WITH GOLD AND YOUR TONGUEIZSIILVEEEER ."

((cut to high shot over looking the FORESTTHAATSMLZRLYBAD , as a long line of followers can be seen in the distance as the shot begins to descend showing the banks of the RIVRTHATSMLZLYKESHITTHATNVRSHUTZZZZUUP which is the color REDYELLOSAY . The camera slowly angles downward to show FredWorkerinHOODDDD leading the precession with Jesus being carried on his back above four FredWorkers in BLKARMMR, all stopping at the shores. The FredWorkerinHOODDDD steps before the four FredWorkers carrying Jesus, and the crowd of parishioners and onlookers seeking justice against Jesus. The FredWorkerinHOODDDD has his back to the lower right of the shot, and the bank of the RVR. ))

FredWorkerinHOODDDD : "Residents of FredVerse, seekers of JUDDGMNT ." ((cut to FredWorkerinHOODDDD facing past shot, the FORRSSTANDRVR behind him)) " We gather HERREBYYDEEEETHERVROFSHIT to CASTOWTARROONGDOEER. " ((cut to close up of Catperson Clergy, standing among many other parishioners a few still wearing UPSSYDDEDOWNCHRRIISTMZTREEPINZ who stare off to the right of the shot)) " ACRIMNNL ." ((cut to Acolyte Fred staring past shot)) " THATHAZCOMMITTDDDDACCTZZZZAGAAINSTTHESTATEEEEANDITZCTTIIIZZNZNZWEELBEEIINNGGANDTHUSMUUSTBPUNNISSHDDDD ." ((cut to Jesus wriggling unsuccessfully against the strain of his captors)) " JESSUSUUUURRRRHERRBISENNTCCDDDDTODIBIWAAYOFA - " ((cut to close up of FredWorkerinHOODDDD facing to left past shot)) " - TOOBBBBTHRROWNINT2222THEERVROFSHITTOSHOOWAOFB ."

Jesus:((voice)) " FOR NOT DOPPPIING !?????????????? YOU CAN'T JUST KEEP ADDING CRIMES BECAUSE OF A !" ((cut to Jesus close up looking up and down towards the lower right of shot)) " JUST BECAUSE I HAVE TO KEEP SAYING WHO I AM SINCE I WAS ASKED BECAUSE OF A ! KIKKINGMUNNY DIDN'T CAUSE ME TO A , YOU JUST SAID I NEED A IN ORDER TO D ! " ((cut to Acolyte Fred staring off past shot, briefly twitching, making a screaming face then recomposed)) " THAT'S WHY I'M YYII 'D AT BECAUSE YOU CAN'T YY AT ALL ! " ((cut to FredWorkerinHOODDDD looking indifferently past the shot to left)) " YOU CHOSE TO MAKE MUNNY INSTEAD OF A , AND YOU COULD HAVE CHOSEN TO MAKE A INSTEAD OF MUNNY BUT YOU DIDN'T ! " ((cut to Catperson Clergy, confused expression)) " THAT'S WHY YOU NEED A YOU NEEOOPPHHFYFYTTEEEEZ ! TO MAKE MORE MUNNY AND YOU CAN'T ! " ((cut to Jesus looking angrily to lower right of shot)) " THAT'S WHY YOU'RE WRONG AND ONLY GETTING MORE WRONG ABOUT ANYTHING EACH TIME YOU ASK FOR A AND MAKE IT MUNNY INSTEAD ! "

FredWorkerinHOODDDD :((voice)) "Does the accused have any final WOORDZ ? "

Jesus:((pauses)) "That kind of was my final thought on the matter. Fine. YOU'RE ALWAYS WRONG ! There, I'll leave it at that."

FredWorkerwithParchment:((cut to close up, squiggling lines onto PAPPRRRRWITHAQQQUILLLLLLLLLLLLLL , speaking as he transcribes in lowercase as opposed to uppercase )) " always.....wrong.... "

FredWorkerinHOODDDD :((voice)) "So be it." ((cut to close up closing in on FredWorkerinHOODDDD )) "The SENNTNCCE will be carried out in accordance with the AOF7 . May GAHHAVMRCCYYYYONYYRRSOLLE ."

((cut to wide shot from across the RVRBANK facing the large crowd and the four FredWorkers holding Jesus in the air, as FredWorkerinHOODDDD walks out of the center of the shot, back to shot, and faces towards the left of the shot after walking out their way to the right. The four FredWorkers approach the RVRBANNK on the opposing side of THEERVROFSHIT and begin to count from one each about to HEAAVVVVJESUSINTTOOTHERRVVR. ))

FredWorkers:((in unison)) " One - Two - " ((cut to close up the FredWorkers lower left of shot, heaving Jesus)) " - Two ! " ((the FredWorkers heaving Jesus into the RIVVR , as the shot follows his descent))

Jesus: " AGGGGH! " ((he crashes into the RVR and submerges out of the shot, the shot hanging briefly as BUBLLLLZRIZZEOWTOFTHEERVRRRR. ))

FredWorkerinHOODDDD :((cut to FredWorkerinHOODDDD walking into the shot, camera facing the RVRBANNK )) " THSSSSEKZQQQQSHUNHAZZCONNCLUUDED ." ((cut to Catperson Clergy looking past shot flanked by many observers all followers of the TREEEE .)) "Let this be an example of the capacity of the JUUDICCLSYSSTTMOFFREDVERSSSSETOPOLLICETHEAOFC and stand as TESSTEEEEMNTOFOWRAOF7 - " ((cut to the bubbling RVRRRR surface)) " \- ASGAHBESTOWWWWDUPONUUSTHEBOF7TOGOVVERRNNDA. " ((the shot begins to penetrate the surface, descending beneath following a trail of bubbles downward to a figure in the depths, Jesus, arms folded and not in mortal danger, though angry and his face showing such, as he descends to the floor of the murky and benthic depths of the RIVVRRRROFSHIT .))

((cut to alongside Jesus, facing to the right of shot, arms still folded and perturbed as his surroundings begin to tilt, as Jesus is jostled losing his balanced momentarily as his arms outstretch at his side to counter the disturbance. The surrounding area around him begins to turn towards the right of the shot, as he is dumped forward with liquid and earth he stands upon out of the shot))

((cut to a WHIITEFLOORANDBAKKGROOUND, as what appears to be a large clear drinking glass skewed towards the lower right of the shot, dumps Jesus and contents of the RVR , and some parts of its floor upon the white ground in a HEAAPINGSPLASSH. Jesus soaked, but not out of breath, stands up and begins to wring his robe dry, patting his hair off as well. He looks past to the right of the shot nonchalantly.))

Jesus: "Thank you." ((he does a double take, then freezing, a little bit surprised)) "Mom."

((cut to over the shoulder Jesus, looking in the direction of the shot, revealing twelve YELOOOOLYNEZZZZ four standing in the front with a mechanism in the center that is a circle, black outline with a white interior with a large black circle with two lines, black turning from the right towards the left counterclockwise in a manner of a clock winding backwards. There are also colored ORBS present turning clockwise in a ring around the group along the ground. There are red and yellow lines swirling around them as well as a BLUULYNE circling around their center.)) "Dad ."

YELOOOOLYNE :((to center right)) " SUNN ."

Jesus:((cut to close up a larger shadow behind him)) " I didn't expect to see you all here." ((blinks, turning around a full 180 degrees)) "Or you."

((cut to wide shot as Jesus over the left shoulder now reveals a VERY LARGE LYLON holding a clear drinking glass in right PAW with a scepter over the left shoulder, looking down sympathetically at Jesus. It is JAH, RULRROFB and sounds just like James Earl Jones, the Omniscient Narrator))

JAH : "Why would I let you YY? " ((cut to Jesus facing upwards towards left of shot)) " You didn't AOFZ nor A at all. Why then would you YY to begin with." ((the shot pulls back out of a large screen above them, revealing Jesus standing and looking upwards, back to shot)) "And that's what happened to lead you here. All of what happened in the FredVerse because of that TREEEE ."

Jesus: ((arms flailing)) "That's what I was saying though! How could I when all I did was KIK ?"

Circular Clock Like Figure:((close up makes BOOPZ that sound like a computer))((in AAZ )) " DOOPPDOOPDOODOOOODDCYOOOSATE. "

YELOOOOLYNE :((to the furthest right of the front four, shot slides right, woman's voice)) "Precisely AOF7 . Jesus, you KIK . Your name had to AOFZ in order to A . They used you to make that MUNNYA. To make it seem more valuable just because of your influence alone."

YELOOOOLYNE :((slides to the furthest left of the front four)) "This is common on EARTH in the 20th and 21st century. To use not only the identities of the living, but of the deceased as well. FACCTTUUALLY, your friend Blorg is being pressed into SRVCE at this VRYMOMENT well, at any MOMMENT here really as this place defies the restriction of A. "

YELOOOOLYNE :((slides to second from right, Jesus's DAD )) "That's why we are having problems here. And it's really only one man. Only one is allowing AOFBSATETHEDR. " ((the sound of shuddering as the entire environment seems to quake in a upset anger at the notion thereof))

Jesus:((cut to close up facing right of shot, the shot still shaking then becoming CALM )) "What was that all about? I mean it's AOFZ, and it involves the DED, but - " ((snap cut close up Jesus having an epiphany)) "Are you saying it's A but not A? "

YELOOOOLYNE :((cut to middle left of front four, Jesus's MOM )) "It's a DRF , that only reacts to AOFZ ." ((cut to over Jesus's shoulder, the shot zooming into the screen to the upper right of shot and beyond, as it shows the image of many stars and the cosmos)) "Because of human technology, A is sought of any part of the known universe that humans have been examining with a RAYYDDIIOOOOTELLESSCCOOPPEEEE ." ((the screen fills the shot)) "Until this point, all of the cosmos and beyond of this dimension have been lucky." ((shot shows a close up of a white wave passing through the shot to the right of the shot, speaking aloud.))

WAVE : " uhuhuhuh ." ((passing through shot to the right))

((all of the stars and matter it passed through, emit a large GOLLDDDDBEEEEAMMMM towards the left of the shot, many different streaks of energy from all at once, as the shot turns to pursue their course, aiming towards a small blue planet. The shot zooms quickly towards the surface of the planet, and into the cloud cover of white))

YELOOOOLYNE :((voice))((Jesus's MOM )) "That is until one human decided to AOFZ and A right after to ATHEB." ((the shot slowly pans out to reveal the white of the eye of a brunette woman, who bears a striking resemblance to one mentioned earlier who is friends with the one known as ' pamela '. She sits staring at the glow of a computer screen that sits to the right of the shot, and makes a snarky expression typing on the keyboard on the lower part of the frame.))

Brunette Girl:((while typing and speaking the words)) "i'm gonna make him look like fred sometimes haha."

YELOOOOLYNE :((voice))((Jesus's MOM )) "What occurred is A in nature, the natural oscillation and current in the universe was questioned, and considered AOFZ by the human electric grid."

Brunette Girl:((begins typing and speaking words again)) "wait, how do I make it money again?"

YELOOOOLYNE :((voice))((Jesus's MOM )) "Since that moment, - " ((cut to the Earth in outer space surrounded by the twinkling of stars and the dark of outer space)) " - all A of the universe in this dimension where twisted thermodynamics of man already states that AOOCZATEII is actually A , - " ((a large blue volt symbol appears above the earth, followed by a yellow question mark)) " - the universe responded." ((there are several BEAAMMMMZOFGOLLDDDDLITTTTE that begin to fire upon Earth violently from all around the shot all emitting the sound A7E which sounds like " URRRROONNGGGG ! ")) It's very unique to find a species that believes that splicing an atom to A7V is natural."

Jesus:((voice)) "Sending A as an example, like A would 7 , to show the difference."

JAH :((cut to close up, as the screen in the background remains large)) "Much the same as the human race dictating sentience through the capacity to understand prime numbers, though this being much simpler. This is routine in the universe, as is such whenever a species seeks answers that are questions of A ." ((cut to the image of the Earth in outer space, surrounded by stars and the darkness, as the GOLLDDDDBEAMMMMZ continue to fire upon it.)) "Though humans responded differently, and never returned the AOF7 or A at all." ((the firing stops, followed by one BLUUUUBEAAMMMM towards the Earth that makes a sound of " RUGUNASTPPTHSSSHIT ?" )) "The rest of the universe wasn't certain why." ((the shot zooms into darkness of space, hanging for only but a moment, and then beginning to zoom out to reveal a hand holding a device called a CCIBAYZAZASAY , used commonly by electricians to ATHEB and other mundane activities that are part of the profession, to reveal a man's thumb typing WAY7DASATEZAZASAYZIKZASAY and pressing a button that resembles a REDBBDAY which is BLUUEEEEINCOLLOOOOR and speaks words aloud.))

Man's voice: "Where's the NUZZ? " ((cut to close up of a man who is portly, balding, and resembles a man named Walter Treweek staring down to the lower right of the shot))

JAH :((voice)) "Though changes began to occur, when that one event made all actions that A , become correlated towards only the proliferation of currency. Towards the creation of a dollar."

Treweek :((formerly Man's Voice))((scanning the lower right of shot with his eyes)) "How do I make this money?"

Jesus:((voice)) "But why just one? If it's just one why were there many, and so many that it literally changed FredVerse?" ((cut to close up, looking up towards the left of the shot with the screen in the upper left background)) "Like to the point where I was KILLD ."

JAH :((voice)) "Well...you're not dead. You were energy all along." ((Jesus's expression softens slightly, knowing a good point when he hears one.))

YELOOOOLYNE :((voice))((center right)) "You can't really KILLENEERGYSUNN ."

Jesus:((sighing)) "I know DAD , but really!" ((he turns 180 degrees in the direction of his family))((cut to close up of Jesus facing to the right of the shot)) "They wanted me dead! Just because IKIKDSUMMMMMMUNNY !"

AOF7 :((formerly Circular Clock Like Figure))((cut to AOF7 up close facing towards the left of the shot))((in AAZ )) " DOPTHEBOOOOPPPPSHOOOOPDOPPDOOTDOOOOTTFFFFOOOOPDDDDOOPDDDDOOOOPPPPPPPPPFOOTFTTTTOT ."

YELOOOOLYNE :((cut to close up, far left of the four front center, female voice)) "Not all of us can be the GODDOFCPUD and be as calculated as possible AOF7. " ((cut to close up of Jesus looking towards the right of the shot)) "Jesus's mission was to a world of sometimes amoral and sometimes polarized passionately driven mammals whose brains are influenced even by a change of temperature." ((cut to previous, YELOOOOLYNE stating the facts.)) "Their own bodies are susceptible to even the slightest AOFZTOA , rendering their decisions erratic and sometimes dangerous to behold."

YELOOOOLYNE :((shot slides right to Jesus's MOM center left)) "Very true. Jesus's message was one of collaboration, of charity and peace." ((cut to Jesus up close, the screen on the background showing a various mash up of televised news footage that was inadvertently broadcast out to the universe and in many directions and dimensions, interpreted by many as a cry for help. The mash up shows martial strife committed by many in the middle east, protestors with large banners walking the streets, cut to a gun battle on the streets of Hebron between Palestinians and forces affiliated with the State of Israel, and finalizes with Pat Robertson, speaking towards the shot filling the screen)) "This competition for his message was a device that can sometimes bring about such."

AOF7 :((cut to close up, facing to left of the shot))((in AAZ )) " FOOPPPPBBBBOPDOOPBOOTT ."

YELOOOOLYNE :((far right, sliding, male voice)) "Well, there's no way to win that argument at all."

Jesus:((voice)) "Listen, I was meaning to ask." ((cut to close up of Jesus, his face filling the shot looking to the right)) "Why is it that I can't see you for who you are? I mean I know you're my mother and father and my brothers and sisters because of your voices and A , - " ((immediately flustered)) " - which proves I didn't A . But why can't I actually see you? Is it because of something I've done?"

JAH :((voice)) "No Jesus." ((cut to close up of JAH 's head and face, the screen still showing mash up footage from Earth's religious based conflicts of the 20th and 21st centuries)) "It's because someone tried to say GODWASSMUNNY. " ((the image on the screen changes to reveal yahweh seated on the edge of the hotel room bed, sniffing and staring off beyond the shot, bleary eyed)) "It is why I and AOF7 are here." ((cut to close up of Jesus facing upper left of shot towards JAH )) " HEVVN was influenced to be MUNNY as well."

Jesus: "But you can't be?"

JAH :((voice)) "If I were MUNNY , I'd YYE , so I'd be worth what humans call a PNEEY ." ((cut to JAH up close facing to lower right of shot, the religious strife continuing on the image behind him)) "In short, nearly worthless, varying upon the century in question." ((the image behind and above him changing to show a stretch of railroad tracks)) "Though one of the first efforts of AOFV was to find a way to manufacture currency from a RAIILLLLWAAYLYNNEEEE ." ((cut to image the screen showing a quick LYNEOFGREEEEN racing along the rail into the shot, with a line of BLUUUUGREEEEN racing into the shot the opposing direction, as the camera races forwards towards a switch that sends it in another direction, the sign passing quickly reading Philadelphia )) "This created some unexpected results when met with other events in human history. Especially when electricity met RAYYDDIOOOOWAVVEEEEZZ ."

AOF7 :((voice))((in AAZ )) " DOOTTDOOOOTDOTTTTTTTTTTTTTTOOT ."

YELOOOOLYNE :((cut to close up, far right of four, male voice)) "It's true. You're never be MUNNY . You'd be different, and not able to A or A at all." ((cut to Jesus up close looking angrily to the right of the shot)) "Let alone capable of being accused of A to begin with."

Jesus: "Well why can't I be MUNNY ? Why am I not a YELOOOOLYNE like you or the rest of our family?"

JAH :((voice)) "Jesus, weren't you paying attention?"

AOF7 :((rubber band close up))((in AAZ )) " DOOTDOOOOTDOOOOTTDOOOOTTTTDOOOOTT ."

JAH :((voice)) "Yes actually what AOF7 said." ((cut to close up, facing down towards right of shot, the image in the large screen background now the rail line snaking about passing a sign that reads Doylestown))

Jesus:((voice)) "What did AOF7 say?"

JAH :((the screen behind him changing to the camera going the opposite direction now, hitting a wall at the railway line's dead end at Doylestown and now traveling the opposite direction)) "You A 'd to KIK . Even touching the MUNNY to KIK made your name A . Your name is being used now to make the MUNNYAOFZ. To make the MUNNYYYY worth more currency but less D." ((cut to close up of Jesus, astonished and looking to the upper left of the shot)) "So you get blamed, even after you DI ." ((Jesus is irate facing off to the left of the shot))

Jesus : " WHAT????! "

((smashcut to I.S.S. close up rubber band shot facing to the left of the shot, brow furrowed and body and upper head still encapsulated in the GOLLDDDDCOCCOOOON with the windows of a boutique behind him looking out into the streets of the Commerce District.)) " YEAH THAT'S WHAT I SAID ! THIS USED TO BE 5MILLYUNBILLZ BACK WHEN MILLION WAS SPELLED EASIER . WHY IS IT 70BILYOYOYUN NOW ?" ((cut to a less than enthusiastic Gorn staring past the right of shot)) " WHAT IS GOING ON WITH THE MUNNY ? WHY CAN'T I GET ONE THING THAT DOESN'T GET MOAR EXPENSIVE LIKE A MINUTE LATER ?" ((cut to previous)) " I know that I'm a FAYYMOUS and all but it should be cheaper for me, - " ((rubber band close up)) " - cheaper like FREE ." ((shot slides out slightly)) "And I need this for my modeling shoot later, it's my FRST one, I have to look the PARTOFYES ."

Gorn:((voice)) "Sir, I'll tell you again." ((cut to close up of the Gorn, whose left hand waves in the shot at level, and descends below the lowest part of the frame, and ascends back up, revealing a small black sock puppet, the Gorn's face not changing in intensity or sarcasm)) "This time slower and with the assistance of my MANNAGGRRRR ." ((the shot closes in and remains steady after the Sock Puppet takes a deep breath, and begins to speak ever so slowly))

Sock Puppet: " MUUUUUUUUUUUUNNNNNNNNNNNNNNNYYYY is depreciating in value because there is too much that isn't actually in circulation, that more had to be printed. There is more shown as there that wasn't actually ever printed and needs to be printed to compensate for its presence." ((cut to I.S.S grumpy expression to the left of the shot)) "There is too much because of people taking too much from the MUNNYTREE and making MUUUUNYY less V , meaning less A , and less capable of making A to AOFZ . It is becoming not as finite or scarce as AOFZ or A that hasn't A 'd or done anything with MUNNY to begin with. This leads to an overabundance of MUNNY and makes MUNNYYYY less worth the NAYOFZ and thus not capable of being worth the same amount over time."

I.S.S. "So what? SO THE FUPWAAT? Why is everything more expensive then? If there's more MUNNY it should just be cheaper don't shake your head at me. DO NOT LOOK AT THE GROUND AT ME I DEMAND TO KNOW WHY YOU THINK THAT MY AGRUMENT LACKS MERIT TO BE POISED ."

Tents:((walking past far off in the distance roaming frantically, showing through the windows of the boutique behind)) " I.S.S. !" Come back!"

I.S.S. : "Once I'm done with this IGNOORNTTT Tommy. Now you, talk and explain in detail why I'm actually correct, and this is just employee training for your staff on their apology skills."

Gorn:((voice)) "Sir? Sir?" ((cut to close up of the Gorn, staring past shot to right)) "The puppet is speaking." ((the shot begins to slide to right of shot to the Sock Puppet who clears his throat))

Sock Puppet:((clears throat)) "As I was saying Sir, the MUNNY is actually A , except you all said A was E , then D , then a large amount of various anything that made MUNNY seem very high in numerical quantity. This caused the value of MUNNY to decrease, because not simply in part due to the excess of MUNNY and its now inflated value, but the lack of A to make the MUNNY A to begin with, since you all referred to it as D even once."

Jesus:((voice)) "Ok, wait, how is it D then?" ((cut to Jesus up close facing to right of the shot)) "Because why wouldn't it be money and actual currency in the same was currency was in my era, and even in the current time? Why is it that it's A and then A again if it doesn't D ? How is it not D to begin with?"

JAH :((cut to close up facing down to the right)) "You're becoming confused, because it's so ludicrous. Just like us, - " ((wide eyed)) " - which is amazing if you're a DIEETTYYYY ." ((cut to Jesus facing to the left of the shot upward)) "The HUMMANZ who are responsible for this did so as the result of numerous mistakes that never stopped YELLINNNNG. " ((the shot rises to show the image on the very large screen hanging above them all, that shows a telephone pole from its base, as the shot climbs up to its top, to reveal very stormy weather in the background near the top of the 3 POINT telephone pole. )) "While all of existence sought to command the electric grid of HUMMANZ with mechanisms natural, - " ((there is a BLUUUULYNE traveling on the third line closest to the left of the shot, as the furthest left PPRROONNGGGG is struck by a bolt of BLUUPINKLITTTENNG from the upper right of the shot whose strike sounds like a booming voice bellowing " GOTCHA ")) " - the HUMANZ thought such was simply a misunderstanding - " ((cut to close up of a computer screen, background behind dark BLUUUU while the screen is BLUUUUWITTHHHHREDDTEXXTT in upper case letters, a message flashing " SHUUTTTHEEEFUUKUPPPP ." )) " - more than like an extension of anger from a fellow HUMNNBEIINGONLLY. " ((cut to a close up of a man resembling the appearance of Fire Mage from previous installments of this franchise, with long black hair wearing a REDRROOBE, seated facing towards the right of the shot in the glow of a computer monitor.))

Fire Mage:((groans angrily, as he types on the keyboard at the lower part of the frame, and speaks)) " shuuttuppptheefukduddefaggtsayz ." ((slams a right PALM upon a keyboard before him))

JAH :((voice)) "This wasn't limited to once instance either." ((cut to the image of an electric line flopping on the ground like a snake against the sandy ground, as the shot pans back to reveal three figures looking over, the backs to the shot)) " Throughout their development, HUMNZ would perceive signs regarding A incorrectly." ((a small number appears at the base of the shot reading 1897 A.D. ))((the electric line begins to flip and writhe about as energy passes through it.))

Line: " SHAP - DA - " ((flops lighter)) " DAY \- THE - B ."

Man #1: "Don't tell me I can't send a telegram!" ((man in center moving while speaking))

Man #2: "Fuckin' KAKKLZ charging fuckin' 4 dollars." ((to right of shot))

Man #3: "Just BRNTHEDR , stop complaining." ((cut to close up to man wearing 19th century clothing and a black rimmed hat, looking down toward right of shot)) "We're waiting for BIT anyway to send one, must D off the FGT ."

((the mans leans downwards into the shot))

((cut to close up the electric line pierced at a part revealing the metal within, GREENNMMMMMEEETTLLLL as a hand with a COPPRRRRLYNNEEEE leans in which is insulated with LETTHHHHR FIKZZZZ on the line at the revealed metal part))

Man #1:((poking prodding a message with hand)) " DONTDOAFGGTAZSAY ." ((the electric line flops, and curls angrily on the ground speaking " STOP THAT ."))

Line: " STOPYY ."

Man #2:((voice)) "You YY 'd you FUK ."

JAH :((voice)) "Since the dawn of electrical technology the HUMNNZ have relied upon the basis that their actions be without consequence." ((cut to close up of Jesus looking up towards the left of the shot)) "Even with numerous examples showing otherwise."

Jesus: "That's not limited to technology."

JAH :((voice)) "No, it is not." ((cut to JAH , facing downward right of shot)) "All of the electric grid was used at one time for the purposes of human social activities. Most just did not remember or remember how many disagreements over electricity it caused. All of these distortions to energy from the electric grid, gained attention from energy off the electric grid. Arguments that HUMMNNZ had regarding electricity were ultimately pointless when these aberrations contributed to the proliferation of AOF7 . For a time, the effect of 7 was unnoticed by all HUMMANNTTY , until efforts to 7 were ultimately thwarted. However, the electric grid was very different than where you were."

Jesus:((cut to close up facing to the left wincing)) "Well, the electric grid isn't a human being named Fred."

YELOOOOLYNE :((cut to close up))((furthest left, female voice)) "No it isn't, and neither is all of nature." ((cut to Jesus turning to face right of shot)) "That's the biggest problem with what the HUMNZ have done, and it involves HUMNZ and their BODDIES ."

I.S.S.:((voice)) "IN WHAT WAY DOES THIS INVOLVE ME?" ((cut to close up, I.S.S. lying on ground facing left of shot on side, still encapsulated in GOLLDDDD )) "Huh? You're just trying to deflect blame. DON'T THINK I DIDN'T COME UP WITH THAT."

Sock Puppet:((voice)) "Sir, you're missing the point." ((cut to close up)) " MUNNY is also becoming devalued because of DOFB . That means MUNNY isn't scarce and controlled like on the electric grid. It's different in the FredVerse because of AOFZ ."

I.S.S:((voice))((whining)) "How is that my fault?" ((cut to close up lying on ground facing left of shot)) "Seriously how does this affect me and my desire to make purchases? I'm a compassionate man! I'm just trying to HELP YOU MAKE MUNNY BY BUYING THINGS AND YOURE SAYING THAT MUNNY ISN'T WORTH ENOUGH TO JUST GIVE ME WHAT I WANT DAMMIT . EVEN THE TYRES LEFT ME HERE BECAUSE OF WHAT YOU SAID THEY ALL RAN AWAY LAFFINGATME ." ((cut to Sock Puppet staring blankly past shot, large unblinking eyes)) "I hate that CARR ."

Sock Puppet: "Sir if you'll allow me to elaborate again." ((the Sock Puppet reaches to the right of the shot to turn on a monitor to the right of the shot. The screen fizzles on to show a telephone pole, during the daytime, as the screen fills the shot)) "This is an example of the technology of Earth, external of the creature we reside within." ((there is a sudden plume of Green Gas emitted from the telephone pole's top on a SAYE where the line connects.)) "Do you see that reaction?" ((cut to I.S.S. close up, indifferent)) "That is how we are able to offset the problems created by AOF7. So MUNNY cannot be devalued or otherwise diminished." ((cut to the screen once more showing the Earth close up, as a YELLOOOOLYYYYNEEEE travels across the Earth and is bounced around from various countries, and into the islands of the Caribbean and back out towards the mainland of the United States of America)) "That and the effect done by one nation to another to offset the effects onto the other currency, or what some call - " ((the Sock Puppet leans in from the left of the shot in front of the screen)) " - GEOOPOLLIIKKTTIIKKKKZ ." ((the Sock Puppet leans back to show the screen as the continental United States of America sends out the symbol 9A7 in every direction)) "This way your MUNNY that is in quantity, would have value, rather than not." ((the screen changes to show the outline of Frederick Kyle Ventresca)) "Notice that within the FredVerse we have a problem, and that problem is similar to what this country endures." ((the screen takes over the shot)) "How do we remove the AOF7 from anything we want?" ((there is a brief moment where the outline BURRPPPPZ )) "Methods were tried." ((there is a brief moment where the outline FARRTTTTZ , and the outline notices by turning around then glancing in either direction)) "And methods of late became desperate." ((the figure BURRPPPPZANDFARRTTTTZ at the same time)) "To no avail." ((the figure shrugs, hands illustrating incapability as well)) "With efforts like this in vain, and no solution found, how do we never have problems again?"

Acolyte Fred: ((cut to close up, facing past shot center, the U.D.o.A. wreckage behind him)) "The solution was here friends, that will allow our AOF7 to continue unhindered. This building once housed an organization, that spoke of a device, one that could transfer energy over the waves of creation, thus not simply encouraging the proliferation of GAH 's offering to use his faithful FLOOK , but to carry out message to new realms and VERRSEES." ((cut to close up of Catperson Clergy, BEEAAMMMMMMININGWIITHPRIIDDEEEE and gazing to the right of the shot, facing a crowd)) "To thwart the unbelievers, and the infidels that seek to question the will of GAH." ((cut to close up of the 'disconnected' antennae, lying on the ground after the heavy impact from its fall)) "The antennae that was once used to THEHERR, will be our WAYOFZOFI ." ((the shot pulls back to reveal Acolyte Fred speaking past the shot, skew towards the left with Catperson Clergy to the left of shot facing the crowd off camera)) "To bring the word of GAH and the MUNNY to other realms and to CONNVERRT those who are LOSTTTTT - , " ((cut to close up of one of the parishioners in the crowd, looking past the shot smiling, as the shot slides from left to right revealing many residents of FredVerse very enthralled with the words of Acolyte Fred)) " - to bring LITE to those in DRKNSSS, and to bring TRUUTH to those who have longed for it. And we will build there, a NUUUUTMPL where we can BTHE7 and allow our WOORRDDDD to go unhindered and unchallenged." ((cut to close up of Acolyte Fred, staring past the shot)) "Together , we will rebuild this TEMPLLLL and carry forth the torch of AOFZ and lead the CHOOSN forward in the name of GAH ." ((there is the sound of clapping and HOOTTIINNNNG off camera))

Jesus:((voice)) " THAT'S WHAT THEY WANT TO DO!!!!????????? "((the shot pans back, revealing the image of Acolyte Fred and what is occurring in the FredVerse following his dismissal. The image is looming over Jesus, skew shot facing upwards as Jesus stands with his back to the shot and whips around, pointing his right hand and index finger angrily at the image)) " THAT'S WHAT THEY'RE TRYING TO DO TO ANYBODY!???? "

YELOOOOLYNE :((cut to center right, Jesus's DAD )) "That's not all they're trying. They neglect to mention that all of the effects from what the U.D.o.A. wanted to do would only make MUNNY more unstable, which is why they require a NUSURROGAATTTTE that isn't Frederick Kyle Ventresca." ((cut to the screen showing the image of the APOOLLOOOO1111ROCCKKKKET on the launch pad catching fire, while the footage changes to the Space Shuttle Challenger's untimely explosion, both caused by AACCDRBAY .)) "Everything they've done on the electric grid of Earth that has traveled over RAYYDDIIOOOO is haphazard at best. " ((cut to Jesus up close as his eyes view the Hindenburg disaster unfolding, also the victim of AADDSAYZASAY before losing control and crashing into electric lines in New Jersey.)) "They neglected everything that they've done on the electric grid that is criminal and intent on causing damage is being sent over RAYYDDIIIIO and also being VVEENNTTTTD off the electric lines."

Jesus: "Why does that happen?" ((cut to YELOOOOLYNE center right, Jesus's DAD up close)) "Why would they willingly pollute their own planet with hazardous gas when they knew it was wrong? And was toxic?"

YELOOOOLYNE : "To continue the proliferation of MUNNY " ((cut to Jesus up close, staring off to right of shot)) "And to continue to hide the TRUUTTTTH of their actions by labeling such as AACZANANASAKE . Treason. This makes many less willing to seek out the answers without fear of reprisal, and in most cases, done at the behest of those who do not represent government at all."

YELOOOOLYNE :((slides to far right)) "That's already obvious with the U.D.o.A. ."

YELOOOOLYNE :((cut to close up Jesus, facing to right of shot, as Jesus's DAD continues, while the image on the screen shows the firing of a cruise missile, unintended off the eastern coast of the United States of America, followed by a an unintended launch of a nuclear missile from a California Nuclear Silo in 1999))((voice)) "Yes, and to make matters worse, what the HUMMAAAANZ of this ERAAAA call GREEEENHOOUUSEEEEGAS is already highly reactive to RAYYDDIIIIO to begin with, and is quite simply put, being breathed in by the entire population." ((cut to YELOOOOLYNE facing the left of the shot, Jesus's DAD )) "It is GRIIKKKK 'D together, making it all clustered and, well, worse than anything any of us have ever seen."

Jesus:((voice)) "Why haven't any scientists or anyone else done anything to stop this? How is this obvious and nobody thought that that, - " ((points to the image, where a telephone pole emits a P7ZSAY of GREEEENHOOUUSSSSEGASSSS that literally looks like a FARRRRT )) " - THAT would be lethal or hazardous?"

JAH :((cut to close up facing down to the right of the shot)) "The same HUBBRRIISSSS as any of the ancestors of man Jesus. FEAARRRRORMUNNY ." ((cut to close up of Jesus fuming.)) " FEAARRRR of DEAATTTTH or BLKKMMMMAIILLLL usually based upon sexuality or something fornication related as usual, to shame the individuals who made the discovery, or INTTIIMMIDAYYSHUUN ." ((cut to close up of JAH looking RIGHT at the shot at ALL of us AMERICANS )) "Also science doesn't pay very well in a society where ATHEELLEETTEZZANDMOVVIIESTAAAARZ get the attention and thus the BESSTTTTPAYY . So naturally some wouldn't be able to resist such a temptation either."

Jesus:((voice))((sighs)) "How much WOORRSSEEEE could this get?"

YELOOOOLYNE :((slides to center left, Jesus's MOM )) "They also seek to not allow names to A , so all the effects of what they do will affect everyone.

Jesus:((voice)) "What about those other creatures then? The Ethereal Spirits and the Catpeople?" ((cut to Jesus up close looking to right of shot, as the image above him reveals another example of ACDADASAYZIKZASAY , a still shot of the U.S.S. Potemkin changing to another of the U.S.S. Cole off the coast of Somalia.)) "The Gorn! The Klingons!" ((pauses)) "Well I can understand the KLIINNGGOOOONZZ but the others?" ((cut to JAH up close looking down to the right of the shot)) "Why?"

JAH : "Of all the convoluted and misstated intentions of HUMANBEEINGZ , a man stated one phrase that only influenced what was just discussed, - " ((the shot rises to show the image of a man, seated facing a computer to the right of the shot, in a finished basement room of his parent's home. He bears an uncomfortable resemblance to frdnew , from the previous installment of this particular franchise, with very short black hair and green eyes, and caucasian, offering a very unhappy and confused expression towards the glow of his computer monitor.)) " - and ultimately and irrevocably changed humanity for all eternity, forward and backward in time. On a computer in his parent's basement, he typed: ."

frdnew :((speaking while typing)) " ihoppudi ." ((and mashes the RETTUURRNNNNKEYY5555TYMMEEEEZ .))

JAH :((voice)) "This repeated so many times due to ASARSARZASAY of the computer program he used, that this message was sent towards many species and forms of life in all directions, on frequencies, natural and measurements of the same, and formed the perspective of HUUMANZDEZIIRRE as a whole." ((cut to JAH close up, explaining to the lower right of the shot, as the image changes to frdnew masturbating to small children, and staring past the shot intensely as the sounds of the movies he watches seems to be of that particular nature)) "This coupled specifically with the notion of time being altered, namely by the effect upon the U.S.S Eldridge." ((the image behind JAH changes, THANK GAH to hovering skew above the Atlantic Ocean off the coast of the city Philadelphia in the summer of 1943 )) "When this man and the others were observing Frederick Kyle Ventresca, the effect of their words, and his, clustered together, traveling towards Philadelphia to gain electricity over the R5 line, - " ((cut to close up of the U.S.S. Eldridge facing to the left of the shot on the high seas of the Atlantic Ocean, briefly disappearing in a FLAASSHHHHOFGREENNNN )) " \- illegally connected to Chestnut Grove, the development to which the voyeurism occurred. This effect coupled with that of the device and an illicitly obtained camera, traveled over the RAIILLLL because of their desire to HAKK and thus steal electricity, and found its way to the Philadelphia Naval Shipyard, where it was transmitted to the U.S.S. Eldridge by way of RAYYDDIIOOOO , - " ((the U.S.S. Eldridge reappears after 4.552 seconds of Earth time)) " - and caused a disaster for us all."

Jesus:((voice)) "How is that possible? Energy wouldn't just go back in time."

JAH :((cut to close up)) "Jesus, the notion of TYYMMEEEE to humans is so artificial, that the closest their entire species has come to defining or measuring such hasn't changed too much since your ERRAAAA ." ((cut to Jesus close up, crazy looking up to the left of the shot)) "In fact ENEERRGGGGY as a whole that is only AOFZSAY doesn't know why HUMMAANZZZZ didn't define TYMMEEEE properly to begin with, to be congruent with the natural measurement of such." ((cut to close up of JAH facing down to the right of the shot)) "To say that A is actually A , and not actually altered by the splicing of an ATTOOMMMM or the erratic charge of AOF7 and so forth." ((the image on the screen above him changes to previous footage of FEARVERSE creatures and GREENNNN from previous installments, reacting to issues in the FredVerse.)) "Naturally then, these species receiving this message would seek to make the future the same, to not have any deviations whatsoever. Like a control group of a scientific experiment that one of those monitoring Frederick Kyle Ventresca made mention of."

Jesus:((voice)) "They never stopped talking about this." ((cut to close up)) "The GREENNNN and their friends from FEAARRRRVERRSSEEEE ."

JAH :((voice)) "Rightly so. Humans were quite specific and intent on making their future be as detrimental and repetitive as possible. And that wasn't the end either." ((cut to JAH close up looking down to the right)) "The end being TYYMMEEEE . Dimensions too." ((the image behind him briefly changes to an unseen world called AOF7ZANA which is BLUUUUANDGREEEEN in color)) "And even here, in the WRRLLDBYYOND ." ((the image changes to JAH close up talking to the lower right of the shot)) "Even here we have become susceptible to the effects of what the HUMNZ have caused. We're lucky so far, the only want us to become MUNNY. "

AOF7 :((cut to close up, facing left))((in AAZ )) " FOOPFPPPPOOOOPDOOOOODDOOOOODDDDDDDDOOOOPPPP. "

YELOOOOLYNE :((cut to furthest left of front four, female voice))((chuckles)) "Only if we're lucky."

Jesus:((cut to close up facing to right of shot)) "So this NEOPHYTE types this on a computer and just happened to be where Fred was being watched and manipulated with this device? And that's why all the effected permeated this environment?"

Sock Puppet:((smashcut to close up, stick in MOUF pointing to the screen in the boutique, showing the letters ABAB )) "And I can't leave. So, when we cannot VB the effects of what human beings call Greenhouse Gas, to allow the MUNNY to actually be currency - " ((cut to I.S.S. lying on his right side, still wrapped in GOOLD )) "We cannot process your order for GOLDARMMZANDLEGGGZ. "

I.S.S.: "I DON'T UNDERSTAND. " ((sighing off camera)) "DON'T SIGH AT ME, I CAN"T EVEN HAVE ONE TYRE FROM A FUPPIN' CARRRR TO CARRY ME BECAUSE OF IMFLAKESHUN OR WHATEVER THIS WALKING WET BLANKET IS SAYING."

Sock Puppet:((voice)) "Sir, I'm a sock."

Tents:((shot widens revealing Tents standing over I.S.S. lying on his right side on the counter facing the Gorn and his MANNAGGRRRR )) "I sighed, and was going to ask what was going on here."

I.S.S.:((pauses)) "WELL?"

Tents:((pauses, then sighs))((looks towards the Gorn off camera)) "What's going on here?"

I.S.S.: "DIDN'T YOU JUST HEAR ME? WHAT'S WRONG WITH YOU? WHAT'S WRONG WITH EVERYBODY?! I HATE EVERYBODY!" ((begins to wriggle violently on the countertop)) "GIVE ME MY GOLD EVERYTHING!"

YELOOOOLYNE :((smashcut to close up, furthest left of center four, female voice)) "No it's must worse than that. The HUMMANZ were DOOPING everywhere, and saying it's GRIF ." ((cut to Jesus facing to the right of shot, the image behind him changing to a overhead view of the country of Italy)) "It's only that in one language, and this language and its country bore the brunt of the responsibility that another created."

Jesus: "For what reason?" ((the image changes abruptly and zooms quickly past him, showing the camera in pursuit of Mr. Stanton Sr. from the P.O.V. of GNOOMEZ and ELFOFB, as he scrambles along a branch darting a SNAKKE to his right))

EDDRRRR :((voice)) " THISIZZYRRFAUULTRFFRRANK !"

RODROD :((voice)) " ITZYRFAUTLTLLLLT. "

Mr. Stanton Sr.:((in A )) " GYEEAAAAA !!!!!!!!!!!! " ((shot zooms closer towards Mr. Stanton Sr.'s face as his left shoulder, as the shot zooms out after pausing, his face filling the image screen, to reveal Jesus turning away from the enlarged image towards the right of shot once more))

Jesus: "I don't understand"

YELOOOOLYNE :((voice))((Jesus's MOM )) " WERRAANGRYATECHOORTTHRRR. " ((cut to YELOOOOLYNE center right)) "At least that's what the message said."

YELOOOOLYNE :((shot slides to center left)) " GRIF was a way to make A become Z , which would produce an aberration on the electric grid." ((cut to close up of Jesus looking up at the screen, showing stock footage of the roaring 1920's of the United States of America, where many were dressed in fineries, ending with a lovely woman dancing in a FLAPPRRRRRRDREEEESSSSSSSSSSSSS )) " Z being the malfunction that was the cause of so many of the HUMANZZ problems, neglected in favor of a lie." ((the image changes to a Mickey Mouse cartoon, known as STEEAAMBOOATWILLLIEIE . Jesus's expression changes to confusion, as the image changes to stock footage of the Great Depression worldwide, including various lines for BREEADDDDANDWORRKKKK that ran together)) "Stating that is was actually NZT , a way of saying A wouldn't D , and thus make A become Z . This originally was a way of stealing electricity simply for the comfort of lighting in their own homes, and before that, a way to send a telegram for FREEEE rather than paying another to do it."

JAH :((cut to close up looking down to the right of the shot towards Jesus)) "That's why there are so many malfunctions that are transcribed words and phrases and stories. An extension of the culture called HUMANNTYYYY in the late 19th century. This is why the U.D.o.A. knew the secret and mimicked the intent from the only places on EARTH that wanted such to be the sources of currency, and others that permitted it." ((the shot zooms up to the image of an island, tropical and daytime, as the screen fills the shot. The shot pans to the left to reveal a man, who is haggard and hairy, and looks like a CASSTTTTAWAAAAYYYYYYYYYYYY , as he is smiling out beyond the waves. Cut to close up of the man, very tanned and very haggard, but happy.))

Man: "Today's the day. I can feel it." ((giggles)) "Today! Today they come." ((shakily looks to the right of the shot)) "You think I'm lying huh? Hmm?" ((cut to close up of a coconut lying on the sand, the sound of the waves crashing the words " THSSSSIZZZZTRUUUUTHTH ." )) "Why wouldn't they come? I have the RAYYDDIIOOOO working!" ((pausing)) "You think I don't know what A is? I sent ZAOFD ." ((cut to previous of the Man looking out over the ocean)) "Hmph! Well I just won't take you HOMMEEEE with me! You can stay right here, with all my other friends, the rest of your tribe! Like you! " ((points to the left, pausing, and then again)) "And you, and I remember you!" ((points to the left more)) "And I remember you!" ((points towards the left of the shot, blinking five times)) "I remember you! And you! And you!"

Jesus:((voice)) "Who is this?"

JAH :((voice)) "The victim of a cruel joke by many in HOLLYYYYWOOOOD masquerading as NAVVEEEEOFIICCRRRRZ intent on rescuing this man." ((the shot pans to the right, to reveal a nearby RAYYDDIIOOOO that is constantly SAYSAYIIBYAY upwards , BLUUUULYNNEEEEZ traveling up towards the sky)) "This gave the culprits a wonderful idea, as far as wonderful ideas go for an incompetent primitive species, to make every single RAYYDDIIOOOO and DISSTTRREEEESBEAAKKOOOON be a MAYYOFZ , used to make MUNNY on a SAYOFZ . " ((the shot travels upwards into the sky following the LYNNEEEEZ )) "Some called it ZANASANA . Others call it FAANGNG . " ((the shot continues upwards into the clouds and into out space and hanging steady on a satellite in orbit)) "But we came to know this as SARTHEDARSAKNANASAY. " ((a TREEEE begins to travel up into the shot quickly towards the satellite, that resembles a PALLMMMMTREEEE with only FOUURRRRBRAANNCCHHHHHHHEZANDTWOCCCOOKKOOOONUTTTZONETTTHRRRSIIDDEEEE. A YELOOOOLYNE emerges from the left of shot, from a nearby satellite and interacts with the satellite))

YELOOOOLYNE :((sounds firm and like a government official)) "Who did this? Why is this distress call here and not allowing a ?" ((there is a BLUUUULYNE emerging from the lowest part of the shot, carrying a message))

BLUUUULYNE :((in a )) " UHITWWAAAAZZfred. "

YELOOOOLYNE : " fred. Well, I'm not going to let him have a here, or anywhere else." ((as other LYNEZZZZ appear of BLUUUU and GREEEEN and YEEEELOOOO from various parts of the surface of the planet Earth and from alongside other satellites, echoing other sentiments))

BLUUUULYNE :((in Z )) " EYEMMMMNOTTGUNNAALOOWWWWAOFZSAY. "

YEEEELOOOOLYNE : ((in z )) " EYEMMMMNOTTGUNNAAAAALOOWWWWbofb. "

GREEEENLYNE :(( in Z )) " OHYYYYEAHWELLEYEMMMMGUNNAAAAPUTTTHSSSSSTAAAARONHERREEEESOtheyNVRGIIsayzSAY. "

JAH :((voice)) "This only exacerbated by formal mergers between companies, and then an informal one - " ((cut to a YELLOOOOLYNNEEEE headed down to the surface of the planet, as the shot descends quickly to New York City, to the face of the National Broadcasting Corporation's main building, during the daytime)) " - two of which have employees intent on blaming fred for anything as well." ((a familiar voice speaks angrily and quakes the shot))

LOOOOGIGIKKKKKKKKK :((voice))((snarls with the sound of typing in synch)) " ycntgtaofzsayanyymaooorrrr ." ((as the shot travels to the left to reveal the face of the Fox Broadcasting Corporation's New York building, to another familiar voice speaking aloud))

dumkid :((voice))((sedate and HIONPCPDRDRSAY )) " jstcmdowngadaofbjsttagodsayomggsayiidayesay ."

Jesus:((voice))((as the shot begins to pan out from the image, to him looking up to the upper left of the shot)) "Well now their involvement seems to make more sense."

JAH :((voice)) "The intent of the U.D.o.A. was the destruction of HUMMANTY, just as those they mimicked requested." ((cut to JAH looking up past shot at the image of New York City in the United States of America)) " That, before it was determined by those willing to AIDHUMMANTYY to do such, realized that they also sought to destroy all other life as well, and never give back ATOAAZSAY and thus stop using A from other species and realms to do such damage to begin with."

Jesus:((voice)) "No, no I don't believe that humans want that." ((cut to Jesus close up, the YELOLYNE and AOF7 behind him)) "This is all a BIG misunderstanding."

AOF7 :((in AAZ )) " DOOOODDDDOOSATE111NAYdSAYSAYEEEISAYZ. "

JAH :((voice)) "I cannot be dishonest JESSUSS, but AOF7 knows the TRUTTH as well. " ((cut to JAH close up the camera skew up towards his face, facing down to the right of the shot)) "Their efforts were not simply to ATHEB, but to masquerade as the governments of many nations as well." ((the image on the screen changes from home movies uploaded to many websites, of numerous celebrities committing crimes such as murder on a Native American reservation, and numerous sex videos of famous individuals)) "The murders, rapes, all broadcast to use on the same government frequencies." ((the image changes briefly to a video feed of an emergency buoy at a very deep depth, connected by a tether to an immobilized submarine, then changing quickly to a map of the Earth from high altitude of numerous Black Boxes from crashed aircraft and marine vessels, with BLUUUULYNNEEEEZ mingling with each, and moving on to the next one, and then briefly mingling with small circles BIPPIINGNGNGNG on various islands in the Caribbean and in South America, as well as on the mainland of the continental United States of America in New York, Florida, California, Oklahoma, and Mississippi .)) "On NASA 's channels - " ((cut to a close up of the Lunar Module, and then quickly flashes to the Space Probe Voyager traveling to the right of the shot, as a BLUUUULYNNEEEE intersects and V7V back to the left of the shot)) " \- that of the FAA , and all then being told to become CURREENNCCCCYY . All with threats attached to many who implored them stop." ((cut to close up of JAH speaking to the right of the shot)) "This influenced every electrical endeavor humanity pursued, whether it was MORSECODDE or the - " ((the image on the screen behind him changes one more to the Atlantic Ocean, showing the U.S.S. Eldridge disappearing in GREENNNN )) " - U.S.S. Eldridge." ((cut to Jesus up close, looking up to the left of the shot)) "All satellites were influenced, and serve as a mechanism to distort the TRUTTH and claim that their currency be accurate. They're not connected to the electric grid, - " ((cut to JAH close up, the image behind him showing the manufacture of several satellite parts, including at a factory in Doylestown Pennsylvania where the mother of Frederick Kyle Ventresca, Janice, worked)) " -except during their manufacture, when they were influenced during their construction as well and merely by being tested."((the shot slides along the manufacturing line, showing a brief glimpse of SOL lying on his BAKKSMIILLIINNGGGG ))

Jesus:((voice)) "But how! The government of the United States wouldn't let this happen!" ((cut to Jesus close up)) "Or at least let anyone get away with it!"

JAH :((voice)) "They already have and do, thanks in part to The Federal Communication Commission." ((cut to close up, of JAH )) "You see Jesus, in your ERAAAA there was a notion of VAYNANASAKEZSAYZA as well. Or what would be known as bureaucracy. One of their laws is known as Chapter 15."

Jesus:((voice)) "Chapter 15 what's that supposed to mean?"

YELOOOOLYNE :((cut to closest right, of four in front, male voice)) "Well, it states in the first part that any device manufactured may not cause harmful interference."

Jesus:((voice)) "See? Right there! That means the government was trying to stop it all!"

YELOOOOLYNE : "Followed by part two, which states that any device manufactured must accept any interference received, - " ((cut to Jesus close up, facing right of shot, AMAZEDANDFREEEAAKKKKDOWT )) " - including interference that may cause undesired operation."

Jesus:((bellowing)) "WHAT THE HELL IS THAT SUPPOSED TO MEAN?!! WHY EVEN HAVE THE FAKKIINNGGGGLAWWWW !!!!!!!!!!!!!!

JAH :((voice)) "Mostly because of the continuation of nationalism Jesus." ((cut to close up of JAH facing lower right)) "Because of SPYYIINGNG . Because countries aren't UUNNIIFFYYDDDD ." ((shakes head, as the image changes on the screen behind him showing the stock footage of the creation of the TransAtlantic Cable, that spans across the Atlantic Ocean between England and the United States of America.)) "Contrary to the endeavour of this, the TransAtlantic Cable, the effort to UUNNIIFYYYY the species known as MANNNN , though lofty, fell short." ((cut to Jesus, manically looking to the left of the shot)) "And with it, the hope of avoiding such problems created over one hundred years of their time later, only to allow the actions of individuals, like THEY ." ((the image behind them changes to within 2-32 Aspen Way, including the various individuals marked as antagonists throughout the entire franchise, the shot showing a close up of frdnew as he laughs at the lower left of the shot, and Babytoothed Man staring to the lower left as well with a cropped haircut and circular glasses))

Jesus:((gripping the bridge of his nose, eyes clenched)) "The same people?" ((cut to JAH close up, frowning gazing downward to right of the shot)) "Again?"

YELOOOOLYNE :((voice))((closest to right of the four, male voice)) "One of those who helped to watch and manipulate Frederick Kyle Ventresca with this device - "((the image changes to show the device, resembling a small antennae with two buttons attached and a cord designed for an electric socket, against a white background. The device known as a cciibbyaysay hanging in the shot)) " was instrumental in creating an electrical bridge to every satellite." ((cut to YELOOOOLYNE close up)) "Every radio lost or found, every emergency beacon, and every cellular telephone, and all experiments that left the HUMANZWRRLD . Everywhere, - " ((cut to Jesus close up, looking up to the left of the shot, blinking five times very quickly)) " - and everywhere with the intent to cause hazards and damage all creation."

JAH :((voice)) "We don't even need to be omnipotent or omniscient to see the TRUUTH being broadcast because of dumkid and LOOOOGIGIKKKKKKKKK and the choices both made involving television." ((cut to JAH close up, looking up at the image, changing to all their stock footage of Williamson's efforts to manipulate and harm all the tenants of 2-31 Aspen Way, disgusted)) "Even their efforts to conceal the evidence show. They permeate all matter, commanding all that is what HUMMANN science calls sub atomic, to relinquish the charge of natural electricity, and willingly accept their violations of AOF7Z as the standard for all LYFE. "

Acolyte Fred:((smashcut facing show, the ruins of the U.D.o.A. building behind him as the red glow of his eyes remains)) "And that is why my family, my FLOOCKK, we must join together to rebuild. To carry forth the standard of GAH to REAALMZ beyond, and to deliver the GOODDNUZZ. We shall return to the MUNNYTREEEEEEEEEEEETOPRAAAAY. " ((cut to wide, Acolyte Fred standing who the parishioners face him)) "Join me my friends, and join THEFUTUURE. Join me and continue to make WHEEELLLL7EOFZ. " ((he begins to walk into the shot, followed by the masses of FOLLOWRRRRZ behind him, with the wreckage of the U.D.o.A. building in the distance))

YELOOOOLYNE :((voice))((center right, Jesus's DAD )) " AAAAND that's what I thought it was." ((cut to all the YELOLYNE facing up towards the image to the left of the shot, camera facing them)) "Figures they'd blame GAH for anything, even on an INSUURNCECLIIAAAIIM. " ((turns to center left)) "You owe me a DOLAR. "

YELOOOOLYNE :((center left, Jesus's MOM )) " AFRIIENNNDLYDOLAR. "

Jesus:((voice)) "I'm going back there!" ((cut to close up of Jesus snarling to the right of shot)) "There's no way he or anyone else is going to get away with this!"

YELOOOOLYNE :((voice))((center right, Jesus's DAD )) " SUNN , they never do! It's part of the JOKKETHATTMKE we're never going to be able to MKEHVN for people who believe they're GAH by doing AOFB. " ((cut to YELOOOOLYNE center right close up)) " They need A to MKE and HVN isn't a place on EARF. "

AOF7 :((in AAZ )) " BOOPSHVVN. "

YELOOOOLYNE :((furthest left of four in center, female voice)) " Yes, or EARTH. "

Jesus:((voice)) "I know that sister!" ((cut to close up, angrily looking to the right of the shot)) "But look what they're doing!" ((cut to Jesus's family, standing within the BLUUUULYNE and encircled by the differing colored ORBZ. )) "They've reduced you, my own family." ((cut to previous)) "This is to say you're MUNNY too isn't it? Even in HVN. "

JAH :((voice)) "You didn't see anyone but your family Jesus." ((cut to closeup, JAH looking down to the right of the shot)) "And hear them as well. Don't think we couldn't either."

AOF7 :((voice))((in AAZ )) " THOOOOPTHZZZZOPAAAAZZEACACDE. "

Jesus:((voice)) "I still want to return to FredVerse." ((cut to close up, JAH leaning over Jesus's left shoulder as he faces to the right of the shot)) "Something has to be done about that ACKKOLLIITEEEE. "

JAH : "Very well." ((shot follows as JAH leans upwards to the left of shot)) "But WE will GO in YRSTAADEEAAD. "

((cut to shot wide, showing the numerous YELOLYNE to the right of the shot with AOF7 while Jesus stands to the left of shot with JAH as there is a brief flash of YELLO and a chord of C flat and C sharp played together on two electric guitars simultaneously where JAH and AOF7 are instantly teleported, the background changing behind them to the two standing before the MUNNYTREE, still standing on opposing sides with the MUNNYTREE in the center, Bad Lawyer still tugging angrily to the left))

Bad Lawyer: "You're mine!" ((cut to close up facing towards right of the shot)) "You will make ME the GAH and I \- " ((he pauses, eyes darting to the left of the shot)) " - I. " ((cut to JAH facing towards the shot skew right, raising both front PAWZ in unison and clapping them together firmly twice, as a RIPL is created.))

((cut to close up, center shot, the MUNNYTREE suddenly BRSTIINNG into FLAAme and quickly becoming cinders, Bad Lawyer being knocked back out of frame, the flame tracing towards the ground and the trunk revealed as the fuselage of an ICBMD upside down into the ground, constantly BRPPIINNNNG the term " UCNTYYACACISAY. " . As the burning continues, Norman Stanton is revealed standing behind the tree, wide eyed and emotionless previously out of sight and obscured by the TREEEE .))

Bad Lawyer:((cut to close up)) " NOOOO !!!! " ((bloodcurdling)) " IAMTHEBEST !!" ((cut to skew shot, Bad Lawyer facing towards the disintegrating MUNNYTREE , Bad Lawyer to left, on hands and knees on the ground, as the fuselage disintegrates as well, being rendered cinders down to its cone buried in the ground)) " IMBEESST!!!!!!!!!!!!! " ((sobbing and slamming FISTSONTOTHEGROUNDD ))

Briefcase:((cut to close up, facing past the shot to the right, flanked by the rest of Chapter 119, Beer Barrister to the left of shot not guzzling holding back vomit and choking it back, while Twin Partners stare off past the shot unfazed))((sighs)) " GAH would show up."

((cut to the trunk of the upside down TREE , the debris coming apart to reveal a hole in the ground, where a pair of YELOCLAWZZZZ emerge from within, and a GARRGOYYLE emerges, coughing and hacking up SOOT, pulling HIMMSELFUPFRMTHEHOLLE, angrily climbing to the surface, who sounds very similar to the actor Don Rickles .))

GARRGOYYLE :((raspy anger)) "Of all the SAYOFBIN who did the - " ((the GARRGOYYLE pauses, looking up to the left of the shot, blinking fives quickly, sighing, and leaning on his left elbow on the ground out of the hole, LEFTFISTTOLEFTSYDDEOFFACE, facial expression not surprised)) " JAH. "

JAH :((cut to close up, looking down towards right of shot)) " DREEMR. "

DREEMR :((voice, formerly GARRGOYYLE )) "I didn't expect you'd be interested in the field of B. " ((cuts to previous)) "At least in terms of BIN. "

JAH :((voice)) "The choices of HUMMNZ old friend."

DREEMR :((nodding not enthusiastically about Frederick Kyle Ventresca OR humans)) "Yeah humans. They tell you they A7ETOAOFB? " ((cut to JAH smiling looking to lower right of the shot)) "That they DC9 at me? Drew my attention?" ((cut to Norman Stanton blankly staring off into space towards left of shot)) "Made me chase a FAPPPLLDOLLR all over the place, and then shot it aboard what they call a satellite?" ((grumbles))((cut to DREEMR , left CLAAWWWW under CHIINNNN while right CLAAWWWWFAY outwards)) "I spent a FATOFD up there just trying to explain why A isn't BIT. Then one human - " ((right CLAAWWWW raising index FINNGGRRRR )) " - one, decides to ATHEB then tried to be some veteran of some Korean War, whatever these humans call it, they have had so many should just call it part 900000000 - " ((shakes head)) " - named VENTRESCA , thinking A is BIT, just to make a DOLLR again." ((amazed expression)) "And they already had one!" ((cut to JAH close up, commiserating and looking down to the right of the shot)) "I mean can you FUPPN believe it they already had one, why the FIT do you need another one? I almost - " ((sighs)) " \- I almost WANT to use overt vulgarities I'm so - " ((sighs again))

JAH : "It's ok." ((cut to close up of DREEMR exasperated, holding two lit SSIIGGRRAATTTTEZ in left CLAAWWWW )) "The humans are actually being punished. Those who did wrong."

DREEMR :((right CLAWWWW to bridge of nose eyes, clenched)) " OHTHANKTHEGAH. " ((claw moves away from his eyes)) "How did you know I was here anyway?"

AOF7 :((in AAZ ))((voice)) " THOOOOPPTHOOPTHOOOOPPPPPPPPP ."

DREEMR :((pauses, then starts chuckling, looks to the right of the shot)) " HIIAAAAAEA ."

AOF7 :((cut to close up, facing towards the left of the shot))((in AAZ )) " SHOPBOOPPP ."

DREEMR :((voice)) "So you guys must know that they DC9 right?" ((cut to DREEMR close up looking towards left of shot)) "Right? So they're pretending to be the rest of the universe and blaming the rest of the universe for what they're doing right? Right? It's not just my imagination right?" ((cut to close up)) "I mean I'm a pretty imaginative GGY but why would you A when you need A to begin with - "

Acolyte Fred:((voice))((bellowing)) " HERRETIKKZ! " ((shot cuts to Acolyte Fred, standing before the masses of parishioners, all wide eyed and shocked looking past the shot, Acolyte Fred's eyes a shade of FLIKKRRINGFYRRE. )) "What have you DONE with our offering from GAH ?" ((cut to close up of Acolyte Fred)) "What have you DONE WITH HIS BOOUNNTYYYY ?" ((cut to JAH up close facing towards the left of the shot, skew shot facing upwards)) " WHAT ARE YOU DOING TO THIS SHRINE ?" ((cut to Beer Barrister close up not drinking but FLASSK to his LIPPZ )) " WHAT HAVE YOU DONE TO THE TREE ?" ((cut to Bad Lawyer leaning on his right side, still dressed in HOLLIDDAYCHEER )) " WHAT HAVE YOU DONE TO ITS LEEVVVEZ?? " ((cut to Norman Stanton, wide eyed, emotionless and transfixed past shot)) " WHAT HAVE YOU DONE TO THE TRUNK?? " ((cut to DREEMR , leaning on left elbow, looking past the shot begrudgingly)) " WHY AREN'T YOU ANSWERING ME?? " ((cut to Acolyte Fred, though his face now resembles frdnew , then briefly the brunette female who resembles The Pixie both from the third installment of this franchise, their appearances alternating)) " WHAT - THE - FFFF -FFFF -FUCCK - " ((cut to Catperson Clergy gasping, as well as the crowds of parishioners around Catperson Clergy, all astonished)) " ARE YOU FUCKING DOING TO - " ((cut to Acolyte Fred close up, face becoming the likeness of The Pixie for a moment)) " MY - FUCKING - MONEY ??" ((her face crackles slightly, revealing underneath a likeness of Dan Harmon gritting his teeth in terror as well as Charlie Kaufman screaming in fear, as the face returns to frdnew in appearance. His face crackles slightly as though it was broadcast on a television losing AOFB )) " illkluuuu " ((the face changes again to the brunette female, as he/she begins to lunge at the shot, the camera retreating back and still facing the advancing angry whoever, as the parishioners are standing speechless))

((cut to P.O.V. formerly Acolyte Fred, running headlong at JAH and only JAH , who stands firm, resolute and steadfast, the sounds of panting as the shot nears JAH ))

((cut to DREEMR , eyes following from right to left, nearly indifferent and quite weary))

((cut to JAH close up, looking to left of shot, stoic and determined))

((cut to formerly Acolyte Fred facing shot, gritting teeth, face of frdnew tears streaming in rage, the camera continuing to follow his face backwards))

((cut to P.O.V. formerly Acolyte Fred closing in on JAH ))

((cut to previous, formerly Acolyte Fred now resembling Dan Harmon screaming at the top of his lungs, his screaming lasting through the camera changes))

((cut to Bad Lawyer, leaning on right side, staring past shot in astonishment))

((cut to previous, formerly Acolyte Fred now resembling Charlie Kaufman screaming in manic rage))

((cut to Beer Barrister, FLAASSKKKKSTILLLLTOLIPPZZZZ and eyes wide with amazement, the FLYZZZZ around him quiet and their motions focused))

((cut to previous formerly Acolyte Fred, now resembling frdnew still screaming, behind to shake head while sprinting at shot, the camera hanging with him))

((cut to Briefcase facing towards the right of the shot, case open in amazement))

((cut to previous formerly Acolyte Fred, resembling the female brunette, raising a right FIST above and into the shot as he continues to sprint at the camera, shot hanging with him))

((cut to DREEMR, right CLAAAAW and index finger raised and pointing to the left of shot, falling slowly while pointing in the direction of JAH .))

((cut to P.O.V. formerly Acolyte Fred, at JAH 's feet rushing JAH up close))

((cut to side view, left side of JAH to the right of shot, Acolyte Fred only resembling frdnew , throwing a right hook, and immediately exploding in BAYOFZ ))

((cut to Norman Stanton, wide eyed, the explosion blowing him over, he falls, like a statue to the bottom of the shot))

((cut to wide shot in the air, of a MUSSHROOMMCLUOOUUD reaching into the twilight sky, skew facing down to the right of the shot, as the explosion occurs, there is an almost endless supply of WAATTR gushing downwards and raining from the SKYYYY. ))

((cut to high shot, as the explosion, seen from an opposing side of the Commerce District, a Gorn whose back is to shot rising slowly and standing as the CLOOUUD dissipates))

((cut to JAH close up, as around JAH the RAIINNZCAMETUMBBLNGDOWN, as JAH is unscathed, with not even a blink exerted in the face of the threat, as the pouring rain from the skies surrounding, and is looking down past the shot to the left))

DREEMR :((cut to DREEMR facing towards left, right CLAAWWWW 's index finger pointing left, takes it back nodding)) "That proves it."

((cut to JAH, looking towards DREEMR to the right of shot, offering a brief sly gaze, smirking))

JAH : "AUCANTRAIISSEAHAND2222GAHIF11U1A1A. "

Voice:((voice, high pitched and furious, lower left of shot making JAH react )) "No! I can't!"

((cut to the smoldering crater that was once Acolyte Fred skew shot facing towards left, revealing a small craft with a creature within, that is from FEARVERSE ! His head and arm raising himself out of the cockpit of the craft, leaning forward to rip the remnants of a rubberized mask of Acolyte Fred off the front of his vessel, snarling as he FLAPPS it upon the ground, producing two small ORBZZZZBOTHWHIITTTTEANDGREEEEN as both raise and fly above the frame of the shot))

((cut to above the ground and the vessel from FEARVERSE the two ORBBZZZZ combining to form the visage of a caucausian man, about 49 years old, clean shaven besides a black mustache that stop at the top lip, wearing thin framed glasses and has a horseshoe bald pattern of black hair. He wears a gray robe with hood, a white rope tied around the waist, and a PUPPRRLLLLANDWHIITEANDBLUUSTOLLE around his neck draped over the other vestments. He is the spitting image of Pastor Olsen, Frederick Kyle Ventresca's pastor from his church where we was an Acolyte))

Pastor Olsen: " FREDYRREILLLABLAZANAKKLOOOLLYTETETHAANKSSSS4COMMINGTOSRVVCECEA ." ((he looks like he his thinking, deep in thought, raises his left index finger to lips, questioning gaze, with a moment later his face changing to that of instant recollection, left hand falling and then raising to reveal a SPOORTTZPENNT with a WHIITEBRD )) " GOEAGLESEAGGLEEEEZYESYESIRMMBRNOWSAY. "((he waves the pennant as a light opens from the sky above him as he ascends out of the shot, the sound of a choir of HVN singing as he rises))

((cut to JAH, watching towards the upper left of the shot as the choir continues to sing, while the RAIINNNKEPPZFALLING. ))

Voice:((of FEARVERSE creature)) " GEH! " (( JAH looks downwards left in the direction of the voice))((cut to close up, the small creature trying to start his vessel, the sound of a KEYYTURRNNG with the sound of a Earth vehicle motor refusing to TURRNNOVVVRRRR , ending with a PLUUMEOFSMKKOWTOFTHEEERERRRAAR , with the engine refusing to STAART. The FEARVERSE creature who resembles the others in the previous installments of this franchise, but is wearing a YELLOOOOHLMT faces past shot right clenching jaw and gritting teeth)) "I HATE THEESESEDAMMHUMMANZZ!!!! "

DREEMR :((cut to close up, rolls eyes and scoffs)) "Tell me about it." ((staring off to right, unhappy. The shot slides out and left revealing JAH towering over the left lower frame of the shot))

JAH : "What do you intend here AOF7 ?" ((cut to close up of the FEARVERSE creature, looking beleaguered and unhappy)) "Or should I decide his fate?"

Voice :((begins to snarl, bearing teeth)) "Why don't you decide the fate of the HUMANZZZ who keep summoning us HERREE ? Why don't you admit you want us here like those HUMANZ continue to request our, yes OWRR7OV ?" ((cut to JAH close up and facing lower left of shot, troubled expression)) "The HUMANZ don't ask YEWW to ATHEBR or 7THEVOFV , and instead SCRREAAMANDYYE in every direction for MYPPL to DOSUMTHING. " ((cut to Briefcase close, looking right of shot)) "Do you know that?" ((cut to FEARVERSE creature, facing up close to the right of the shot upward, as the rain continues to fall)) "Do you know THEY literally ASKK every 5BROFD for us to - " ((makes air quotes)) " ' kilevrwwoon ' or ' kikhzass ' or something else stupid, yes STUPID!" ((cut to AOF7 hovering in place)) " MYPLPL do nothing but attempt to adhere to their desires as it causes an imbalance for OWROOOOOWOWNNNNELLCCCCTTRRCCIITTYYYY. WE'RE the ones who seek to ensure our relations between OWRRAACEZ are not tumultuous." ((cut to close up, FEARVERSE creature, facing shot)) " But NNNNOOOOOOOO, we've SAID you're DOIINITRROONNGSAY , and YOOUCNT from OWRPLAANTZ, and THEYIGNOORUS like we're non-existent! Like we're not REAAL because we don't - " ((makes air quotes again)) " - ' SHOOWOWRNM. ' " ((cut to close up of JAH facing down to the left of the shot)) "We're just as much of a MYTH to those HUMMANZ as all YOUGODDZHVBCUMMM. "

JAH :((shakes head)) "That's not true."

Voice:((voice)) " THEY want it to be!" ((cut to FEARVERSE creature close up)) " ANDWHEEWANTTTTHEYYYTOSHUTTUP. We've done NOTHING but interpret their language to suffice their wishes. Kill this human, give cancer to this one, I want this person dead BLAHBLAHBLAH, and this!" ((cut to wide shot of the entire surrounding region of where the MUNNYTREE used to be, the FEARVERSE creature the very center, arms high in the air as many around him from a distance listen, with JAH standing before him to the lower right of shot)) "This after we firmly believed for over 70 years that THEY wanted ATOZRTODRPP, or SAYDRKTODIM? " ((cut to DREEMR up close looking directly at the shot)) " WHATRATIONAL species would WANTTODOOMMMMTHEEIRRACCEANDWRRLDLYKETHAT? " (( DREEMR 's eyes closed uncomfortably)) "We NVR knew what THEEY wanted except to RUIINNTHMMSLVZ, - " ((cut to close up of the FEARVERSE creature, facing to upper right of the shot)) " - but now, THEEY just wanted to SABBOOTAGGEALLOFFUSS . By saying AOFZSAY or ATHEBRDRSAKEZSAYIIBYAY all NONNSSEENNSSSSE !!!!!!!!!!!!!!!!!!!!!! IT RRUUIINNZZZZOWR technology because A is from the UNIVERSE , and also WHERE WE LIVE TOO !!!!!!!!!!!! " ((violently shakes head)) "We're not their SLVVZZZZ like they TREEAATTTTTHMMSSLLVVVVZ !!!! We won't become like their subservient pets! We won't allow it! We'll help with the DWNFLLOFTHEYY. INTHEENMOFOWRRAACCE. " ((cut to JAH close up looking down to left of shot uncomfortable)) "And my name isn't HIS it's AOFDR - " (( JAH 's expression wide eyed and surprised)) " - and my predecessors were SAYI followed by THEDRP. Perhaps you remember THEEM. " ((cut to previous to FEARVERSE creature, angrily looking up to the right of the shot)) "And we're not from FEARVERSE. FEAR means NETHER if you don't A, and I don't! Just because some writer named Frederick Kyle Ventresca uses the NAMME as a title of a BOOK and litters it with HZOWNNIDEEEEAZ, and then has some NEEEOOPHIYYYTEBRHZNAME, doesn't mean he owns US or that WHEEWRNTTHRFRST!! " ((cut to Beer Barrister up close FLSSKTOLIPPZ looking to the right of the shot, eyes still wide)) "Or that any HUMMANNZZZZOWNNNEOFUUSSSSSSSS !! And HEIZONTRIIALNAOOW, and WILLBUNTIL he takes responsibility for the FIAASCOHZCREEATD !"((cut to close up of JAH wide eyed looking down to the lower left of shot)) " MYPPLWILLBLIBERRATDFRUUMTHEEHUMANTHREEATANDTHEIRENDLSSDZIIRTODSTROOYTHMSLVZANDUUSSWIITTHHTHMMM ." ((cut to close up of AOFDR formerly Voice, menacing glare towards the upper right of the shot in the pouring rain)) " ANDUUSEUSNOWTSMPLYAZTHEEREKKZEQSHUNRRRRZBUTTAZTHRSLVZAZWLL. " ((cut to Bad Lawyer, still laying on his right side to the shot, his gaze transfixed towards the commotion)) "And we will NOTA our NZT to become CURRENCCY for the HUMANZ. "((Bad Lawyer looks ready to erupt into TEEARRRRZ ))((cut to close up of Catperson Clergy looking to the right of the shot, surrounded by confused and dejected parishioners unmoved in the pattering rain)) " We will NOT be BIT for the HUMANZTOAZAZ and say we're ABTOAZ. " ((cut to AOFDR close up facing to the upper right of the shot)) " ANDWEWILLNOWTEVERBECOMEASOWEECCNWAACDRE!!!! "

I.S.S:((voice))(( AOFDR reacts looking behind him to his left)) " NNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNNOOOOOOOOOOOOOO " ((shot blurs to the left, revealing I.S.S being grappled by Tents, still in his GOLLDDDDCOCCOOOON having pushed their way through the parishioners.))

AOFDR :((voice)) " YES! YES HUMAN YES!

I.S.S : " NO NO NO! " ((shrieking)) " THE MUNNY! WHERE'S THE MUNNY?! " ((cut to AOFDR staring over his right shoulder, unsane expression)) "WHERE'S THE MUNNYTREE?! " (( AOFDR 's face TWITTCHZ in rage)) " WHERE DID IT GO WHAT DID YOU DO WITH IT?! " ((cut to I.S.S. close up cradled in Tents's tentacles rubber band close up)) " WHERE'S THE FUPPIN' MUNNY?!!!!!!!!!!!! "

AOFDR :((voice)) " IDIOT ! " ((cut to close up of DREEMR eyes slimmed, then clenching at the additional yelling)) " MORON HUMANS !" ((cut to AOFDR close up, fuming to the left of the shot as the falling rain begins to accumulate on the ground as WAATTR and rising)) " YOU DON'T EVEN KNOW WHAT MONEY IS!!! YOU NEVER CARED! YOU DON'T DO ANYTHING BUT ZROFDR AND LIE ABOUT NOT JUST ITS VALUE BUT ITS INCREMENT! THAT'S MONEY! "((cut to close up of I.S.S staring past the shot, still in Tents's arms, face indifferent)) " WORTHLESS EXCEPT BASED UPON A LIE THAT IT HOLDS VALUE! " ((cut to JAH close up, awkward expression)) " YOUR ENTIRE HISTORY OVER A CENTURY OUTSIDE OF THIS FREDVERSE IS PROOF OF THAT! DEPRESSIONS BASED UPON anyof7?!! RECESSIONS BASED UPON rrrrDDEvvIccDDEzazaAcDacac?!! " ((cut to Bad Lawyer close up, horrified expression, his entire BEAARRRRD sagging and wet with rain)) " STOCKMARKETS THAT aaz and D?! VALUE BASED UPON a7??! " ((cut to Catperson Clergy close up, speechless, facing right)) "FORECASTS BASED UPON d7eZAR?!! " ((Catperson Clergy's eyes travel upwards towards the rainfall, as does the rest of the parishioners)) " D7E BASED UPON thedrdr?! " ((the parishioners' expressions and that of Catperson Clergy become more confused))((cut to AOFDR facing towards left of shot, maddeningly crazed)) "IT'S NOTHING! IT MEANS ZERO! AND YOUR SYSTEM OF MEASURING AZIIS INCORRECT! YOUR HEXIDECIMAL USEDFORD IS WRONG BECAUSE OF A BEING DONE BEFORE ITS CREATION HENCE THEBITCOIN BOFZ !" ((cut to I.S.S. close up, still indifferent and facing towards the right of the shot)) " - AND YOU'VE CAUSED ECONOMIC TURMOIL IN OTHER PLACES, DEPRESSING THE VALUE OF OTHER CURRENCIES THAT AREN'T a7e JUST TO KEEP YOUR STANDARD OF LIVING OUTRAGEOUSLY HIGHER THAN MOST WHILE INFLATING THE VALUE OF YOUR CURRENCY BY COUNTERFEITING IT? BY SAYING IT'S g!?? " ((cut to close up of AOFDR screaming to the left of the shot)) "BY SAYING IT'S BITT!?? BY BROKERING AND TRADING BASED UPON AGIzzI? " ((cut to AOF7 facing towards the left of shot, silent)) " WE DC9 FROM OUR WORLD TO STOP YOU FROM HVA! THAT MEASN LACKING A TO STOP A FROM CREATING A PROBLEM JUST TO HELP YOU, AND YOU - " ((cut to AOFDR close up facing left)) " - YOU STEAL A TO SAY IT'S MONEY AND LET THE PROBLEMS FESTER AND BLAME US FOR ONLY TRYING TO HELP YOU DESTROY YOURSELVES, AND HELP YOUR RIDICULOUS SPECIES?!! " ((cut to close up of I.S.S. still being cradled by Tents)) "THE MOST IRONIC AND BIZARRE WORD OF ALL TO DESCRIBE YOUR RACE?!

I.S.S. "Would somebody inform this SURROGGATE , THAT I AM ACTUALLY GOING TO MODDL AND BE GROSSLYUNDERVALUED IF I DON'T LOOK SO PERFECTLY WORTHWHILE, THAT I MIGHT SNAP, AND NOT BE CONSIDERED A FUCKING, IMPORTANT ENOUGH PERSON."

AOFDR:((voice))((louder than has ever been heard before)) "YOU KNOW WHAT HUMAN?"((cut to AOFDR raging to lower left of shot, pointing at the WAATTTTR accumulating on the ground)) "THAT'S THAT MONEY BECAME AND IS NOW! ALL THAT WATTR. " ((cut to I.S.S. close up, and indifferent still)) "ALL THAT YOU'RE ALL STANDING IN! WATR! " ((I.S.S.'s face slowly morphing into twisted terror))

I.S.S.:((rubber band close up)) " NOOO "

AOFDR :((voice)) "YES!" ((cut to close up of AOFDR twitching in fury to the left of the shot)) " ALLTHEEMOARTODRNK!! " ((cut to JAH eyes going wider and smile growing at the same time)) " ALL THOSE BILLZ JUST LOTZZZZOFWATTRR. "

I.S.S.:((cut to close up face, camera shaking with his woe)) " NOOOO! "

AOFDR :((cut to close up, facing to the left of shot, camera shaking in his ecstasy smiling and drooling to the left of the shot)) " YEEEESSSSSSSSSSSSSS "

I.S.S.:((voice)) " NOOOO!!!! " ((cut to close up of I.S.S. wriggling free of Tents, bouncing and writhing about in his GOLDCOCCOON , as Tents reacts, scrambling with his many tentacles to control and clasp onto him as he wriggles trying to reach the WATTR )) " IT'S MINE! IT'S MINE! ALL OF IT! "

Tents:((pleading)) "No! No I.S.S. stop! Please! People are watching!"

I.S.S.:((cut to the surface of the WATTR, I.S.S. dangling above it like a WORMONALIIINEFACEFRST )) " MYMUNNY! MYMUNNY !" ((Tent's voice pleading with him off camera as the sound of AOFDR screaming " YEEEES!!!! " off camera echoes loudly)) " GIMMIE IT! IT'S MINE! " ((repeating))((cut to Tents tentacles clasped around the feet and legs of I.S.S. as he continues screaming and close to sobbing off camera, as Tents continues pleading with him to STOP))((cut to Catperson Clergy gazing downwards to the left of the shot, still speechless along with the rest of the congregation, as the howling of a desperate man continues while the RAIINNVRSTOPZPOUURIING .))

AOFDR :((cut to close up, maniacal screaming to the left of shot, shuddering in anger)) " YEEEESSSSSSSSSSSS. " ((begins panting and heaving for breath))

JAH :((voice)) "You received what you want, they're learning the lesson." ((cut to close up of DREEMR, staring at camera, glum expression, chin still resting on left hand and elbow to the ground)) "They will not trifle with YORRPPLLLL again. " (( DREEMR closes eyes, right hand reaching for BRIDGGEEEEOFHZZNOSE ))((cut to JAH up close, facing down to the left of shot)) "You won't be blamed for their TRESSPASSSS , that is certain." ((the sound of rain and I.S.S.'s lamenting continues))

AOFDR :((voice)) "Is it?" (( JAH taken aback))((cut to AOFDR facing towards JAH to right off camera, furious expression, teeth bore with shot slowly zooming in)) "As long as there are HUMANZZ there will be A and as long as A is D were are AFFLLIKKD, and WHEBEARRRRTHEPUNSHHMNT. As long as there is FREEWLL, - " ((he points to the left of the shot angrily)) " - that , - " ((cut to Tents close up, looking off awkward holding the legs of a wriggling and screaming I.S.S. face off camera)) " - THAT is their fate!" ((cut to I.S.S. hovering above the WATTRRRR desperate and holding out his tongue to reach it)) " OF THEIR OWN DETERMINATION! IT JUST WON'T BE MUNNY NEXT TIME. " ((cut to AOFDR close up, angrily staring past shot to the right at JAH )) "AND WHEN WE RETURN, THERE WILL BE NO NEXT TIME !" ((cut to wider, facing AOFDR 's small vessel, as AOFDR angrily stares past shot to right, right claw pressing button once more, to the sound of his ship clicking then desperately TURRNINGOVR producing a LOUUD and GRAABLDENGGINESOUUND, the craft shuddering violently. The vessel begins to RIZZEOFFFFTHEGROOOUND , with AOFDR accelerating backwards into a FLASHHOFFOFFGREENANDBLUUUE, with the vessel and AOFDR disappearing.))

DREEMR :((voice)) "Well." ((cut to close up facing towards left of shot)) "There goes HUMANTTY ."

JAH :((voice)) "Perhaps not." ((cut to close up)) "There is always A ."

AOF7 :((voice))((in AAZ )) " DOOOOPPDOPPIDOPAAAA "

JAH :((sighs)) "I guess." ((as music begins to play, "Welcome Christmas" on the "How the Grinch Stole Christmas Original Soundtrack" as the credits begin to roll))((cut to shot close up of I.S.S. wriggling over the surface of the WATTR as the shot then dissolves into a familiar hotel room, facing yahweh staring off to the left of the shot, still nude and seated on the right side of a double belt and holding a MIRROOOOR in his right hand with a STRRAAW in the left hand. As the song ends with the credits, he speaks.))

yahweh :((sniffs)) " whatizdpofbid ."

((there is the sound of a knock at the door of the hotel room off camera, followed by the voice of a Spanish speaking woman))

Woman's voice: ((in aaz )) " hassannnaabba " ((he looks surprised and the shot cuts to black as he sniffs))

