" NOW 25 YEARS LATER, THE FILM IS BEING
NOW 25 YEARS LATER, THE FILM IS BEING RERELEASED SHINING A
THE FILM IS BEING RERELEASED SHINING A LIGHT ON THE ENDURING
RERELEASED SHINING A LIGHT ON THE ENDURING IMPACT.
LIGHT ON THE ENDURING IMPACT. >> THEY SAY NO ONE
IMPACT. >> THEY SAY NO ONE DIES HERE.
>> THEY SAY NO ONE DIES HERE. >> Reporter: THE TRUE
DIES HERE. >> Reporter: THE TRUE STORY OF A NAZI
>> Reporter: THE TRUE STORY OF A NAZI BUSINESSMAN SAVING THE
STORY OF A NAZI BUSINESSMAN SAVING THE LIVES OF POLISH JEWS
BUSINESSMAN SAVING THE LIVES OF POLISH JEWS DURING THE HOLOCAUST
LIVES OF POLISH JEWS DURING THE HOLOCAUST WAS NOT ONE DIRECTOR
DURING THE HOLOCAUST WAS NOT ONE DIRECTOR STEVEN SPIELBERG
WAS NOT ONE DIRECTOR STEVEN SPIELBERG EXPECTED TO BE A
STEVEN SPIELBERG EXPECTED TO BE A SUCCESS.
EXPECTED TO BE A SUCCESS. >> I COULDN’T IMAGINE
SUCCESS. >> I COULDN’T IMAGINE BASED ON THE STORY WE
>> I COULDN’T IMAGINE BASED ON THE STORY WE TOLD AN AUDIENCE WOULD
BASED ON THE STORY WE TOLD AN AUDIENCE WOULD TOLERATE THE AMOUNT OF
TOLD AN AUDIENCE WOULD TOLERATE THE AMOUNT OF VIOLENCE HUMAN AGAINST
TOLERATE THE AMOUNT OF VIOLENCE HUMAN AGAINST HUMAN, OR INHUMAN
VIOLENCE HUMAN AGAINST HUMAN, OR INHUMAN AGAINST HUMAN.
HUMAN, OR INHUMAN AGAINST HUMAN. >> THE LIST IS LIFE.
AGAINST HUMAN. >> THE LIST IS LIFE. >> Reporter: YET, THE
>> THE LIST IS LIFE. >> Reporter: YET, THE MOVIE BECAME A BOX
>> Reporter: YET, THE MOVIE BECAME A BOX OFFICE HIT AND A
MOVIE BECAME A BOX OFFICE HIT AND A HISTORICAL TOUCH
OFFICE HIT AND A HISTORICAL TOUCH STONE.
HISTORICAL TOUCH STONE. SHOT IN POLAND WHERE
STONE. SHOT IN POLAND WHERE OSCAR
SHOT IN POLAND WHERE OSCAR OSCAR SHINDLER
OSCAR OSCAR SHINDLER EMPLOYED JEWS, IT
OSCAR SHINDLER EMPLOYED JEWS, IT SHOWED A BRUTAL
EMPLOYED JEWS, IT SHOWED A BRUTAL REALITY.
SHOWED A BRUTAL REALITY. >> THE SCENE WHEN THE
REALITY. >> THE SCENE WHEN THE WOMEN ARE LEAD INTO
>> THE SCENE WHEN THE WOMEN ARE LEAD INTO THE SHOWER AND LOOK AT
WOMEN ARE LEAD INTO THE SHOWER AND LOOK AT THOSE NOZZLES, I FELT
THE SHOWER AND LOOK AT THOSE NOZZLES, I FELT I WAS FEARING THEIR
THOSE NOZZLES, I FELT I WAS FEARING THEIR FEAR.
I WAS FEARING THEIR FEAR. HOW DIFFICULT WAS THAT
FEAR. HOW DIFFICULT WAS THAT SCENE TO SHOOT?
HOW DIFFICULT WAS THAT SCENE TO SHOOT? >> THERE WAS NO
SCENE TO SHOOT? >> THERE WAS NO ACTING.
>> THERE WAS NO ACTING. WE WERE VERY QUIET AND
ACTING. WE WERE VERY QUIET AND HE LED THEM TOWARDS
WE WERE VERY QUIET AND HE LED THEM TOWARDS THE SHOWERS AND THERE
HE LED THEM TOWARDS THE SHOWERS AND THERE WAS A MASSIVE
THE SHOWERS AND THERE WAS A MASSIVE TRAUMATIC REACTION.
WAS A MASSIVE TRAUMATIC REACTION. ONE REACTION ASPIRED
TRAUMATIC REACTION. ONE REACTION ASPIRED THE NEXT REACTION AND
ONE REACTION ASPIRED THE NEXT REACTION AND THERE WAS A VIRTUAL
THE NEXT REACTION AND THERE WAS A VIRTUAL PANIC THAT REALLY
THERE WAS A VIRTUAL PANIC THAT REALLY HAPPENED IN THAT DARK
PANIC THAT REALLY HAPPENED IN THAT DARK SPACE.
HAPPENED IN THAT DARK SPACE. >> Reporter: HE
SPACE. >> Reporter: HE INSISTED THE FILM BE
>> Reporter: HE INSISTED THE FILM BE SHOT IN BLACK AND
INSISTED THE FILM BE SHOT IN BLACK AND WHITE.
SHOT IN BLACK AND WHITE. >> I DIDN’T KNOW THE
WHITE. >> I DIDN’T KNOW THE HOLLOWE
>> I DIDN’T KNOW THE HOLLOWE HOLOCAUST IN COLOR.
HOLLOWE HOLOCAUST IN COLOR. I WANTED IT TO FEEL
HOLOCAUST IN COLOR. I WANTED IT TO FEEL REAL.
I WANTED IT TO FEEL REAL. >> Reporter: REAL FOR
REAL. >> Reporter: REAL FOR THE AUDIENCE AND
>> Reporter: REAL FOR THE AUDIENCE AND ACTUAL SURVIVORS.
THE AUDIENCE AND ACTUAL SURVIVORS. >> GOD BLESS THE ONE
ACTUAL SURVIVORS. >> GOD BLESS THE ONE SURVIVOR THAT CAME
>> GOD BLESS THE ONE SURVIVOR THAT CAME OVER TO ME AND SAID I
SURVIVOR THAT CAME OVER TO ME AND SAID I WANT TO TELL YOU MY
OVER TO ME AND SAID I WANT TO TELL YOU MY STORY.
WANT TO TELL YOU MY STORY. I SAID I’M TELLING
STORY. I SAID I’M TELLING YOUR STORY.
I SAID I’M TELLING YOUR STORY. SHE SAID THAT’S
YOUR STORY. SHE SAID THAT’S NOTHING, THAT WAS A
SHE SAID THAT’S NOTHING, THAT WAS A TINY PART OF MY LIFE.
NOTHING, THAT WAS A TINY PART OF MY LIFE. >> Reporter: HE
TINY PART OF MY LIFE. >> Reporter: HE FOUNDED USC SHOAH
>> Reporter: HE FOUNDED USC SHOAH FOUNDATION CREATING A
FOUNDED USC SHOAH FOUNDATION CREATING A HISTORY OF THE
FOUNDATION CREATING A HISTORY OF THE HOLOCAUST AND OTHER
HISTORY OF THE HOLOCAUST AND OTHER GENOCIDES INCLUDING A
HOLOCAUST AND OTHER GENOCIDES INCLUDING A VISUAL HISTORY ARCHIVE
GENOCIDES INCLUDING A VISUAL HISTORY ARCHIVE FEATURING MORE THAN
VISUAL HISTORY ARCHIVE FEATURING MORE THAN 55,000 TESTIMONIES.
FEATURING MORE THAN 55,000 TESTIMONIES. >> NEVER HAD A CHANCE
55,000 TESTIMONIES. >> NEVER HAD A CHANCE TO SAY GOOD-BYE TO MY
>> NEVER HAD A CHANCE TO SAY GOOD-BYE TO MY MOTHER, NEVER HAD A
TO SAY GOOD-BYE TO MY MOTHER, NEVER HAD A CHANCE TO SAY GOOD-BYE
MOTHER, NEVER HAD A CHANCE TO SAY GOOD-BYE TO MY SISTER.
CHANCE TO SAY GOOD-BYE TO MY SISTER. >> Reporter: NOW TODAY
TO MY SISTER. >> Reporter: NOW TODAY PART OF SCHOOL
>> Reporter: NOW TODAY PART OF SCHOOL CURRICULUMS AND SO IS
PART OF SCHOOL CURRICULUMS AND SO IS SCHINDLERS LIST.
CURRICULUMS AND SO IS SCHINDLERS LIST. >> IT GIVES YOU
SCHINDLERS LIST. >> IT GIVES YOU PERSPECTIVE AND
>> IT GIVES YOU PERSPECTIVE AND PERSPECTIVE IS
PERSPECTIVE AND PERSPECTIVE IS EVERYTHING IN TODAY’S
PERSPECTIVE IS EVERYTHING IN TODAY’S AGE.
EVERYTHING IN TODAY’S AGE. >> Reporter: WE’RE IN
AGE. >> Reporter: WE’RE IN AN ERA ANTI-SEMITISM
>> Reporter: WE’RE IN AN ERA ANTI-SEMITISM IS ON THE EDGE.
AN ERA ANTI-SEMITISM IS ON THE EDGE. WE KNOW WHAT HAPPENED
IS ON THE EDGE. WE KNOW WHAT HAPPENED IN PITTSBURGH.
WE KNOW WHAT HAPPENED IN PITTSBURGH. IS THIS AN IMPORTANT
IN PITTSBURGH. IS THIS AN IMPORTANT TIME TO RERELEASE THE
IS THIS AN IMPORTANT TIME TO RERELEASE THE FILM?
TIME TO RERELEASE THE FILM? >> I THINK IT’S THE
FILM? >> I THINK IT’S THE MOST IMPORTANT TILEME,
>> I THINK IT’S THE MOST IMPORTANT TILEME, POSSIBLY MORE
MOST IMPORTANT TILEME, POSSIBLY MORE IMPORTANT TO RERELEASE
POSSIBLY MORE IMPORTANT TO RERELEASE IT THAN 1993, 94’94 WHEN
