Hey gang welcome back again to Ken Tamplin
Vocal Academy where the proof is in the
singing. I got a lot of requests for Billy Ellish
so it's about time I dig in and do something about it.
I chose to go and pick the version where
she does "When The Party's Over" on Howard
Stern Show so let's fire this baby up
and take a listen.  Here we go.
Thank you Howard, please don't.
By the way at Ken
Tamplin Vocal Academy we don't have good and bad days of singing. We have good
days of singing maybe some are a little
better than others but we always have
good days of singing. Alright that's my
little plug right there and it's the truth
and morning and night. You just warm up your voice at a different time so you get used to it.
Good pitch. Really, really emotive.
Okay so she's treating things really gin..(sings)
right (sings) and she heads all that air right.  So she's really soft and real ginger
on it. She uses a lot of vibrato, it's good
vibrato it's really not.. kind of sexy
and again emotional. She has a lot
of great passion and her pitch is
surprising on. When you sing that soft
and you go in and out of using a lot of
air and stuff that's that's pretty tough
to do so that's pretty cool. She's doing
a great job.
In some ways some of her voice
not quite but kinda reminds me a little
bit of Lana Del Rey cause a lot of it
has such a soft and you know the
Cranberries and different singers like
that that have used softer tones but
she's actually using it in a different
kind of way. She's she's got a bright
timbre to her sound which is interesting
until she leans in and uses some air
but her pitch is really spot-on and
she's really emotional like I'm engaged
I'm kind of mesmerised by all the lyrics
that she's singing because of the way
she's singing. I think if she was
shouting or belting at me it would not be
anywhere near the same that's for sure.
Big vibrato.
See what I mean. Very emotional, very passionate.
Good pitch man.
Good harmonizing.
One more thing I know I probably
shouldn't be keep stopping it especially
for the Ellish fans. They're probably like just let it
play Ken but it's also really cool
that he is really sensitive on the
background vocals to be even more
sensitive to come underneath and support
her vocals. That's also really hard to do
cause if he used any brassy tone or sound
at all to his voice. Literally
overpower, overshadow her. So he's doing
a fabulous job just supporting her.
Sweet very very tasty. From an
engineering standpoint man they've gotta
crank up that mic and use a ton of
compression to get all the nuance and
the vocal gesticulations of all
the emotion that she has going on. That's
hard to capture too from an engineering
standpoint want to mention that too.
Especially when she's playing alive with
a big band and you know a lot of ambient
noise in the background, that's really
hard to capture.
So soft.
And sensitive that is.
Makes me wanna whisper. How about you.
Like I'm gonna wake up the baby or something.
Or I'm in a library.
Beautiful. Man very very tasty, very sensitive.  Howard. See now Howard's gonna talk and he's like (sounds) I'm Howard Stern
Let's do lunch. You know also in in the
playership of the piano it's also
really hard to be that sensitive on it
you know to not overpower again you know
the the sweet sensitive spirit that they
have going on. It's very really cool. Anyway
gang if you like what you heard please
like and subscribe to my channel and
until next time peace out.
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thanks guys peace out.
