 
((the shot begins in BLK as the sound of VOIIDANDGAGAAHHHHHHHHH, as a voice begins to speak in a deep and resonant tone that echoes. It booms and very similar to what one would expect of a GODDDDHOOIZMALLLLE ))

Voice:((voice)) "No no that won't do at all. I can't expect you to put AOFZ anywhere without BROFZSAY causing the NZTTOBAY7Z . It will cause chaos."

Voice #2: ((sounds similar to that of the cartoon character Yosemite Sam)) "Well why wouldn't it work?" (( WHIITTTTELTRRRRZ appear on the screen that read boldly " HAPPY NEW YEAR JESUS ."))

Voice:((voice))((sighs)) "How long have we been here? Hmm?" ((cut to starry sky, the camera close up to the constellation ORIIOOOON , and only focused on the BELLLLTOFORIIOOOON showing THRRRRESSSSTAAAARZ . The center star is that of the voice speaking, which emits a light and WOBBLLLLZ while speaking)) "Only MILYYYYUUNZZOFYAR. Only long enough to know for certain that any impact we make with energy will cause a reaction elsewhere outside of our reach with energy in mind."

Voice #2:((pulsing while speaking, the upper right STAAAAR )) "Well I know that, and to you it may have been over a MILLYUUNYYRRRRZ but to me it's AOFD ."

Voice:((pulses)) "Look, the entire notion of electricity being A has already been done and seen many times. That's what we'd have to do to divert energy to begin with when actually seeking to do something different. Something that hasn't been done before. The idea that somebody would do something different that isn't DTONZA would BOF7 . It wouldn't work naturally without causing a problem, and you know that. It's just how everything in the universe works."

Voice #3:((the STAAAAR to the upper left begins to pulsate and speak, whose voice is that of a very angry 7 1/2 year old girl)) "What about FE ?"

Voice #2:((pulses)) "Oh brother."

Voice:((pulsing)) "Listen, don't start that argument again." ((cut to close up)) "Every time that there has been a SAYORAV regarding LOVE there is never anything short of AOFZ. Exploitation, lies, slander, all in the name of what that word isn't. Lust, extortion, and ultimately the harm of the AOF7ZSAY is the most common result. These reactions of A often lead to problems throughout the cosmos, and I refuse to believe that A will ATHEBSAY if there is any likelihood of A at all."

Voice #3:((voice)) "Meaning what?"

Voice:((pulsing once more)) "Meaning there wont be a single instance, and this has already been witnessed through the transmissions we have seen through this entire SAYOFB from all throughout in every direction, that A wasn't done at all without causing ATOB . That means we're not supposed to do anything whatsoever. Someone else has, and look where it's gotten them. Asking us! When any form of like that we've witnessed through transmissions has considered an action, there is never one driven solely by LOVE. " ((cut to close up, the Voice #3, the STAAAAR to the upper left)) "There won't be unless there is an action beginning with A to predicate its DERFR. " ((cut to close up of Voice #2 the STAAAAR to the upper right of the shot)) " Making matters worse, the idea that LOVE begins as it is, and is never acknowledged as rooted in and created by A , will never be acknowledged or adopted by the places or origins of the transmissions where LOVE has actually been established." ((cut to close up of Voice pulsing angrily)) "It's maddening when you consider the very idea that we all know too well, that without energy, there would be nothing, especially LOVE . " ((quakes angrily as though the STAAAAR is shuddering)) "Frustrating and highly dubious to suggest even for a moment that any of these B or C or AOFA that come from all over the UNNVVRRRRSEE know anything about SAY or Z or anything about how A functions to begin with. THAT alone gives ME pause to suggest that LOVE can be truly something independent of A or anything that did not require EOFA or anything energy to begin with."

Voice #3:((voice)) " IBETITCAN. " ((Voice pauses, and then begins to pulse))

Voice #2:((voice)) " MEEEE2222 ."

Voice: " BYNDCOFDR? " ((chuckles, the STAAAAR pulsing as it does)) " You didn't think I thought of that HMMMM? By saying that you BET, you're saying that I didn't A, provoking me." ((cut to close up Voice #3 pausing)) "You can't rely upon the argument that an A did not understand from its origin to us. Or that the method of transmission in some way be removed from the ability to be held liable for committing to A to transmit to begin with. Or how about 7E? I'll WIN by default with logic like that. We've played this GAMMMME before and I have never lost."

Voice #2:((voice)) "Oh I remember."

Voice #3: ((pulses))"Then let's do this differently."

Voice:((voice)) "Very well, what do you suggest?"

Voice #3: "We won't argue that idea of A or 7 or AOFB at all. We'll look at it in a different way, one that I delegate and approve of. How about the AOFBSAY? This way we can all determine between ourselves if A is actually a 7BDE , or a way to say something without a method of A ."

Voice #2:((cut to close up, pulsing and whispering)) "Psst, BETH , are you sure that that's wise? We only have a way of 7TOE to prove we can A to begin with."

BETH :((formerly Voice #3))((whispering))((voice)) "We can only A . Why would we be wrong about AOFZ ? " ((cut to close up of the far left star, pulsing in response)) "We aren't using a method of power or a source of energy that is actually A to begin with."

Voice:((voice)) "Did you know I can hear you?"

BETH :((vocally changing to a normal tone)) "Subterfuge aside, we have made our point. We state unequivocally that LOVE can be found and done in a way without the usage of any A or 7 or a method of B to begin with." ((pausing, pulsing)) "Don't we?"

Voice #2:((shot slides to the right of the shot, to reveal the other STAAAARRRR speaking after clearing his 'throat')) "Yes - " ((clears throat)) " - Yes we do."

Voice:((cut to wide shot pulsing from center)) "Being that you're the challengers and I am the reigning champion and hold the AOFB , I accept. However being that you set the prerequisites for the WAGGRRRR , I will determine the SPOOOOIILZZ "

BETH : "Very well, name your price."

Voice:((shot begins to slide inwards slowly towards the center of the shot)) "If I succeed, I demand the A , of any SAY you've ever committed. That means any BRP or any SAYOFZ will be mine, and will be mine forever. "

Voice #2:((voice, as shot stops panning inwards to the center STAAAAR )) "Whoa, hey now wait a minute." ((shot blurs to the upper right towards Voice #2)) "That's asking a lot."

Voice:((voice)) "Is it? I told you I've played this GAMMMMEE before with you two, always thinking of ways to make LOVE happen with DAYOFZ or perhaps THEBAT7Z and all the while disproven by species after species that seeks to ATHEB or 7THEDOFZ or even to DOLRRRRTHEBOFZZBYAY . " ((cut to close up of center STAAAAR )) "You will never convince me beyond a shred of a doubt after the countless failures displayed by mortals in control of energy that any of the intentions are any of that worth mentioning. All end in the same manner, as they began, with ambition. It pains me to see you two reluctant to accept that after all this time, the same will come to fruition once more. This is why you have one last chance. One last time to poise this argument." ((cut to close up of the far left STAAAAR idle)) "I already told you that I don't believe that an everlasting source of A can be considered THEAOF7 . It was proven already before."

BETH : "Maybe because you GAVEEEEUPP . " ((cut to Voice close up, center STAAAAR sighing, while pulsing)) "Maybe that's why you cannot accept that it can be done. Because there were so many failures."

Voice: " NO. No it cannot be done. Not without a reaction to cause it from AOFZ. "

BETH :((voice)) "Then it's settled."

Voice: " HMMMM? ((chuckles)) "That's your condition if you succeed?"

BETH :((voice)) "Yes." ((cut to close up, far left STAAAAR pulsing)) "It's that IWINNNN and you have to ADMMITTTTIT. "

Voice:((voice)) "Very well."

Voice #2:((whispering))((voice)) " BETH! You won't WINNNN! " ((cut to Voice #2 up close pulsing outwards)) "We can't prove that without A LOVE wouldn't exist!"

BETH :((voice))((whispering))((blurs to the left)) "Don't be worried, I have a plan. It will work because of the choices of a species that dwells on the planet that I wanted to choose. It's called EARF ."

Voice #2:((whispering))((voice)) " EARF ?"

Voice:((shot pans out wide to reveal all three STAAAARZZ , the two end STARRRRZ pulsing awkwardly)) "Yes apparently it is a placed called EARF , I'm glad we established that. With that, it's settled, and the WAGGRRRR is SETTTT. Witnesses?" ((the entire shot widens more so, showing all the CONSTELLASHUNNNNZ and various STAAAARZ all pulsing in unison at the three))

All the other STARZZZZ : " AYEEE ."

Voice: ((pulsing and speaking)) "So then, the WAGGRIZSET for all of the AOFZOFTHEELEKKTRIKKGRIDD2222SSSSEE . You will all bear WITNNESS , and all of us who are the AOFZ for the UNVRSSEEEEOFTHEUUNNITTDDDDSTAAAATEEEEZTOJUDDGGGGE. BETH , anytime you'd like to begin."

BETH :((pulsing)) "Oh I will, and when you see what I have in store, you'll wonder what is A and what isn't LOVE ." ((the shot begins to pan back, revealing the upper silhouette of a structure on the screen, the wreckage of the U.D.o.A. building against the NITTESKYYYY, while several followers of the MUNNYYYYTREEEE walk into the shot past the camera as the shot continues to backpedal revealing it upon a very flat and wide television screen. A familiar voice from a previous installment of this particular franchise speaks, and the scene is that from a moment previous found in an issue that relates to that of HOLLIDAYCHEEEER ))

Jesus:((voice)) "I still want to return to FredVerse." ((shot continues to pan out, revealing the edges of the television's border, that of the AFTRLYYFFFFEEEE )) "Something has to be done about that ACKKOLLIITEEEE. "

JAH :((voice)) "Very well." ((cut to close up, JAH leaning over Jesus's left shoulder as he faces to the right of shot, show follows as JAH leans up and to the left of shot)) "But WE will GO in YRSTAADEEAAD. " ((cut to shot wide, showing the numerous YELOLYNE to the right of the shot with AOF7 , while Jesus stands to the left of shot with JAH as there is a brief flash of YELLO and a C flat and C # chord on two electric guitars, where Jesus is instantly transported, the background changing briefly to a FLASSHHHHIINNNNGREDDDDANDBLUUUUEROMMMM where the voice of BETH can be heard speaking, in a manner of a television host. Jesus stands idle, as the shot zooms in quickly at him, showing only his face and upper torso, as the background alternates in colors from BLUUUUEEANDREEEEED repeatedly, while he is basked in the opposing color than the background))

Voice :((an older man, who sounds as though he is announcing for a TEVVELOOSHUUNGAMMEEEESHOOOOWW ))((echoing)) " ANDNOWFOOOORRRRTHEEEEMAIINNNNEVEEEENNNNTTTT " ((Jesus looks confused, and rather unnerved at the flashing lights and echoing voice)) " We take one more CONNTTEEEESSSSTTAANNNNT to add to the CASSTTTT "

Jesus: "Who is that? What's going on?" ((cut to Jesus P.O.V. facing away from the alternating colors as in the foreground, rises a WHIITTTTESCSCRREEEEN that eventually reaches from the lowest point of the frame to the uppermost part of the shot. The alternating colors cease, as the background stays a constant GREEEEN and displays on the SCRRRREEN the image of a silhouette atop a small rock, beneath a sycamore tree, looking down onto many human beings who stand with their backs to the shot. The image is stilled as another voice begins to speak, one that is quite familiar and has been a frequent staple in this franchise))

Arnie Colon:((voice)) "Visionary. Leader. Prophet. These words were spoken of a man." ((cut to close up of Jesus, staring past the shot to the upper right of the frame, estranged)) "A man who compelled referendum and provoked thought. He spoke of philosophy, and the WAYOF7E ." ((Jesus's expression becomes that of more estranged as the narration continues)) "He was notorious for being a loner, and an iconoclast." ((cut to close up of the SCRRRRENN where the image is zooming in onto the silhouette standing on a small rock, who is revealed as the image of Frederick Kyle Ventresca, standing stoically)) "That man, is Jesus..."

Jesus:((voice)) "WHAT!?"

Arnie Colon:((voice)) "...Our newest Contestant on LOVE: THE GAME"

Jesus:((cut to close up facing past shot to upper right, rubberband shot close up)) "WHAT??!!"

Arnie Colon:((voice)) "Now, you all know the game, but for the sake of argument we always reiterate." ((cut to close up of the SCREEEEN , showing three numbers labeled as one through three to the left hand side of the SCREEEEN pitched against a BLKBAKGROOUUNDDDD )) "The three rules of the game. We'll begin with the first..." ((a word appears next to the first letter, reading boldly in capital letters YES )) "Remember when to SAYYYEESSSS . Number two..." ((there is another word that appears next to the number 2 reading NO in upper case letters)) "Remember when to SAYNNOOOO , and finally number three..." ((another word appears next to the number 3 which reads boldly NOTHING in capital letters)) "When to SAYABSOOUULLUUTTEEEELYLYNOTHINGATAAAAL ." ((cut to Jesus close up, the background beginning to flash in a strobe rhythm alternating)) "Questions?" ((Jesus refrains from answering)) "Good! We'll be following the advance of our newest contestant, but first, a word from our sponsor!" ((the background immediately shifts to that of GREEEEN and the camera zooms out quickly to show Jesus standing in what appears to be a waiting room the color GREEEEN with a small REDCOFFEEEETABL behind him, with YELOOOOCHAAAAIIIIRZZ lined up in a row against the WALLLL as well. The FLOOOORIZREDDDDANDTHECCIIEELINGIZBLUUUUEEEEEEEEEWHIILLLLETHEWALLLLZAREEEEGREEEEN. There is HAMMOONNDOORRGNMUUSK over a small loudspeaker off camera. Jesus is standing, a little surprised as he is alone in the shot, and gazes about))

Jesus: "What happened?" ((cut to close up, Jesus's face, gazing from right to left)) "What was that all about? Where am I?" ((just as he finishes his sentence, a voice from off camera of an ELDRRRRLYMAN can be heard))

ELDRRRRLYMAN :((voice)) " NAYOFV ?" ((Jesus looks towards the right of the shot inquisitively, as the man can be heard sighing)) " thegyhooizntfred "

Jesus: "What?" ((the shot begins to slide to the right, revealing an OLDRMANWWHHOOIZ98YERZOOLDINAPRAANCE. HEIZWEAARRRRINGGCLOOOOTHEEEEZTHAATTTTARRRRETHEEEECLRRRRBLUUUUOFTHEEEEYEARRRR1997INTHEEFORRMMMMOFASUUIITTTTANDDTYEEEE. HEEEEEHAZZBLUUUUEEEEEEEEESKIIIINANDBROOOOWWNHRRANDDINHZLEFFTHANNDIZAREDDDDENVVEELLOOPPPPE. )) "What's going on?"

ELDRRRRLYMAN :((raises the EVNNLLOOPPEEEE towards the shot begrudgingly)) "Please sign this."

Jesus:((voice)) "What?" (( ELDRRRRLYMAN looks wearily past the shot, as Jesus collects himself)) "Excuse me, I'm sorry. Could you perhaps tell me where I am?"

ELDRRRRLYMAN : " I sure could, and am required to that being MYJJOB. " ((cut to close up of Jesus staring past the shot to the right)) "You're in the AOFZSAY ." ((Jesus's expression more bewildered)) " SENTENCIINGOFA. "

Jesus:((eyes wider)) " SENTENCING ?"

ELDRRRRLYMAN :((voice)) "The need for repetition isn't warranted sir. You knew where you are now before speaking."

Jesus: "No I don't!" ((begins to calm down, as it's been a pretty rough franchise for Jesus recently)) "Look, I'm confused as to where I am. I hope you understand because I don't." ((cut to ELDRRRRLYMAN staring past the shot to the left, indifferently, as no doubt it's been a very long day for ELDRRRRLYMAN before this franchise came along)) "One minute I was in HVNC with JAH and my family, and the next I'm here." ((his eyebrows raise at the THOTOFHVN )) "Could you point me in the direction of HVVN ?" ((he shakes his head past the shot, negative without his emotions changing)) "Alright." ((cut to close up of Jesus nervous)) "May I use your telephone, or perhaps speak to your supervisor?"

ELDRRRRLYMAN :((voice)) "I understand. You're one of the many many many many HUMNZZ who firmly believe that your actions and choices in life are entirely bereft of repercussions or consequences at all." ((cut to ELDRRRRLYMAN not amused and has heard them all)) "That your entire existence was so pristine and otherwise uneventful due to your being included that even the creation of your corporeal body didn't create conflict in any manner simply by being constructed of the material of the universe to begin with huh? That the water in your body wasn't going to help someone of thirst survive? Hmm?" ((cut to Jesus close up, quiet and still)) "That the bones made of carbon weren't designed to be in the format of sustenance in some way, or perhaps of something more grand for your species like a race car, or even a television like that?" ((Jesus looks to the left of the shot))

Jesus:((his face twisted)) "What?"

ELDRRRRLYMAN :((voice)) "It's called a television." ((cut to Jesus P.O.V. showing a FLAAAATSCRRRRENNNNTELLVVIIISSON against the GREEEENWALLLL that is tuned to a channel displaying an advertisement of a young woman sniffing a REDDDDROEEEESESE. The background of the scene is that of a BLUUUUEROOOOM as she closes her eyes while sniffing the FLWWRRRR. There is a jingle that can barely be heard where a man and a chorus of synthesized voices sing "I'm not the one that you want - I'm only LOVE " as the bumper for the advertisement in BLUUUUELETTRRRRZ reads ONLYLOVVEEEETHEEEEGAMMMME. The sound of ELDRRRRLYMAN sighing once more can be heard)) "It's an INVVENNSHUUNNNN from the planet EARTH, used for the purposes of delivering information and being a source of entertainment." ((cut to close up of Jesus, staring past the shot to the left)) "It's also used to ATHEB here in EARF. " ((Jesus blinks twice, and then quickly looks to the right of the shot towards ELDRRRRLYMAN )) "Frankly I don't see a need for it but they just keep showing up here because of AOFZ. "

Jesus: "Did you say EARF?"

ELDRRRRLYMAN :((voice)) "I did. "((Jesus frowns))

Jesus: "I just came from there." ((cut to ELDRRRRLYMAN losing patience)) "Where on EARF are we?"

ELDRRRRLYMAN : "Within the bounds of the STUUUDIIIIO devoted to the AOFZ . The broadcasting of LOVE: The Game." ((holds up REDENNVVELLOOPPPPEE at the shot towards Jesus off camera)) "Here." ((Jesus's hand reaches into the shot)) "This is for you."

Jesus:((voice)) "What is it?" ((Jesus's left hand enters the shot from the bottom left of the frame, taking the ENVVELOPPPPE from ELDRRRRLYMAN ))

ELDRRRRLYMAN : "It's your standard DISCCLLOOSSUURRRRE for the appearance on a VOFB. " ((cut to close up of Jesus, facing towards the right of the shot, opening the REDENVVELOOPPPPE , and begins to examine the PAGGEEEEZTHATTARRRRETHEEEECLOORRRRBLUUUUUUUUUEEEE with both hands)) "Nothing difficult to understand, just sign." ((a left hand of ELDRRRRLYMAN enters the shot with a FOUUNTTAIIIINPENNNNTHEECOLLRRRRBLAAKKKK ))

Jesus:((squinting)) "Well it is difficult to understand." ((cut to close up, Jesus P.O.V., showing the contractual agreement up close, in BOLLDDDDLTRZZZZ that reads THEEUNDDRRRRSIIGGNNDDDDHEREBYYYY and then proceeds to become illegible and incredibly small. The writing that is almost beyond microscopic also vibrates, as though it is actually a WAVVEEEE )) "Most of the letters are completely illegible, and what is this VOFB ? What does that mean? It says that upon signing this I'm DAMMNNNND ?"

ELDRRRRLYMAN :((voice)) "I tell you the semantics in this industry will kill you." ((the paperwork slides down out of the shot, revealing ELDRRRRLYMAN standing chuckling at the shot, tired yet capable)) "It's bad enough that they make us ASK to have people sign things these days."

Jesus:((voice)) "Yes that can be troubling." ((cut to close up of Jesus, smiling nervously and eyes darting)) "May I use your telephone?"

ELDRRRRLYMAN :((voice)) "No we don't have one of those." ((Jesus's expression fades to fear for a moment, while ELDRRRRLYMAN chuckles once more)) "I'm just kidding we really do, this isn't the dark ages." ((Jesus begins to brighten)) "However it's for inter-office communications only. I hope you understand, it helps us here keep ZAYOFB , AOFDR , all those BUZZWOORRDDDDZ necessary to keep everyone happy every Friday afternoon."

Jesus:((groans))((the shot zooms into Jesus's forehead with the eyes of Jesus barely showing, as there is a brief dial-tone, followed by sound found on telephone in the United States of America to denote NOSSERRVVICCEEEE , cutting then to the sound of the OPEERAATTTTOROR , who sounds like a MACCHIIINNEEEE))

OPEERAATTTTOROR : ((woman, automated)) " WERREEEESORRYYYYTHEBRRAIINYOUAREEDIAALLNGFRM. " ((pauses)) " AEIIA \- " ((Jesus's eyes wide, staring out past frame at base of frame)) " - IZNOTPRMMITTDDDDTODOPPAOFZ. IFUDLYKE2222MAKE7ZATONEFORYRAOFZZ "

Jesus:((voice)) "What in blazes is that gibberish supposed to mean?!"

ELDRRRRLYMAN : ((voice)) "I assure you the contract in question is only MADDEEEETTTTOOOOLOOOOKLYKKKKEEEE - Oh you're referring to something else."

Jesus:((shot zooms out, revealing Jesus standing holding the PAPPRRRRWORRKKKK and now staring past the shot)) "What? No I was - " ((sigh)) "I'd like to speak to your supervisor please. I'm supposed to be in HVN right now with my FAMLLY ."

ELDRRRRLYMAN :((voice)) "And I'm supposed to be in HVN on a BEECCHHHHINMONTEEEERLO it doesn't mean I get to be because of the way the UNVRSSE turned out." ((Jesus's eye brows raise)) "All because of AOFV I have to WRKKOVRTYMME , and that came from Earth, outside of this D . Just like how I looks like this - " ((cut to ELDRRRRLYMAN close up, pointing to his face with his right hand)) " - And how all of this was influenced by the same D ." ((calms himself and collects himself physically)) "We're all going to just have to learn to live with this format is what I was told." ((grimaces)) "Repeatedly. "

Jesus:((voice)) "I see." ((pauses and then clears his throat)) "Could I still see your supervisor?" (( ELDRRRRLYMAN 's expression returns to cordial as can be, brightened ))

ELDRRRRLYMAN :((nods)) "Certainly, I'll just bring you a framed picture." ((cut to Jesus eyes half closed, now as weary as ELDRRRRLYMAN though not as humorous)) "I'm kidding of course, we have plenty of those, she's great. You'll really like her she's right upstairs right now. In fact - " ((cut to close up of a grainy black and white monitor showing ELDRRRRLYMAN 's back to the shot, pivoted downwards towards him and Jesus from the corner of the room.)) " - she's overseeing this entire project right now with the most driven and concerned people we could muster." ((a BLUUUUECOFFEEEEMUGG enters the shot, obscuring part of the SCRRRRENNNN . The MUGG reads in BLUUUUEE letters that are darker than the MUGGZZZZCOLOOOORRRR in quotations " WORRLLLLDZZZZNOOMMBBRRRR1PROODDUUCCRRRR "))((cut to close up of a small CHEERRUUBBBB bringing her RITEEEHANNDDDDUPTOOHRFACCEEEEANDMASSAGGIINNGGTHEEBRIDDGGGGEEEEOFHRNOSSEEEE facing the towards the shot. She is roughly 4 1/2 years old in appearance, with neck length black hair and blue eyes, and has the accent of a middle aged woman from New York City, though raised in Cleveland, Ohio where accents are very unique.))

CHEERRUUBBBB :((eyes clenched closed)) "And you say he was not just DEVOOUURRRRED but also not able to found?"

GOAT :((sounds like that of a middle aged man, with a Boston accent)) "I don't even know what to say. But he's gone." (( CHEERRUUBBBB sighs takes away her hand from her face, eyes still closed))

CHEERRUUBBBB : "It's gonna be a LONNGGGGSEAASSSSOON ." ((her eyes open)) "It's a good thing we're still at commercial. I'm glad our sponsors are seemingly endless." ((cut to close up of CHEERRUUBBBB 's P.O.V. showing a row of TELLVVEESCRREEEENZZ stacked upon one another, showing footage of various instances of human beings interacting in various displays. One is of a man in his 20's Caucasian, screaming at an older man who is seated on a couch staring towards the right of the shot in the glow of a floor television. The man in his 20's is desperately trying to get his attention, while the older man seems oblivious, watching the television indifferently with a smile. Another shows a woman in her 40's running desperately down an alleyway, screaming at the top of her lungs, though her voice inaudible. The last that can be seen clearly is of an African American man with a shaved head, furiously choking an African American woman on a bed, him straddling atop her. All the footage is BLKANDWHIITTTTE ))

GOAT :((voice)) "Doesn't mean that we have any new ideas though. Same old tired dogma. LOVE this. HATE that." ((sighs))((cut to close up of the CHEERRUUBBBB looking past the shot wearily, in need of more caffeine)) "Makes me almost want to REAADDDDABOOOOK ." ((she reacts nervously))

CHEERRUUBBBB : "Do you think that would help?"

GOAT :((voice)) "No." ((the CHEERRUUBBBB groans, as the sound of a telephone begins to ring, and another voice answers after two rings off to the right of the shot. The voice that answers is that of a younger African American woman, who sounds surprisingly like LOOOGIGIKKKKKKKKK ))

GOAT #2 :((voice)) " BOOTHTHA " ((there is a pause while the CHEERRUUBBBB reaches to the lower right of the shot to retrieve her MUGGGG and begins to take a SIPPPP )) "Yeah she's right here." (( the CHEERRUUBBBB begins to DRNNNNK when she is interrupted)) " BETH ?" (( the CHEERRUUBBBB responds, reluctantly, gazing to the right of the shot while cradling the MUGG ))((cut to close up, a GOAT seated at a large control station found commonly in television studios, with another GOAT seated to the right of her and the right of the shot. Both are the CLRRRRREDDDD and both have a set of HORRNNNNZ apiece)) "There's a problem in the GREENNNNROMMMM . Something about the CONNTTEEEESSSSTTTTANTT not signing the COOONNTTRRRRAKKKKT "

BETH :((formerly CHEERRUUBBBB ))((voice)) "And that's my responsibility? Call LEGGLLLL ."

GOAT #2 : "That's who's calling." ((cut to close up of BETH ready to SCRRRREAAAAM to the right of the shot)) "He said you have to come down to REAASSUUUUREEHIMMMM "

BETH :((confused)) " HIMORME? " ((pausing with no answer)) "Or the CONTEESSTTAANNNNT "

GOAT #2: ((voice)) "Hang on."

BETH :((grimaces and groans, while looking straight past the shot)) "Bring up the GREEEENROOOOM " ((cut to over the shoulder of BETH , left shoulder towards one of the small TVSCRREEEENZZ that flickers to a new image, the previous being of a young half naked woman straddling over a fully clothed man whose face isn't shown and defecating upon him, before the image changes to that of the GREEEENROMMMM showing Jesus standing alone, pacing at times back and forth towards the lower right of the shot, then to the upper left)) "Let's see who we're dealing with. What do we have on Mr...." ((there is a pause)) "Does anybody have a VAY on him? Anybody?"

GOAT :((voice)) "One second."

BETH :((voice)) "Oh come on! Really?" ((cut to close up of BETH looking coldly to the lower right of the shot)) "I thought you'd have the entire BUMPPRRRR done! How are you supposed to have the BUMPPRRRRZ ready with his name and his back story for the audience if you don't even have his VAY up and running yet?"

GOAT #2:((voice)) "Uh sorry that's my job."

BETH :((groans))

GOAT :((voice))((before he speaks, on the TVSCRRRRENNNN to the right of that of Jesus is a small FILLEEEE that fills the screen, as opposed to its previous image of a young girl being chopped completely downwards by a broadsword being wielded by Jonathan Frakes, the actor who played William Thomas Riker on Star Trek: The Next Generation. The FILLEEEE has a FORRMMAAAAT that reads from the top and the upper left information)) "Let's see. First name Jesus, last name not specified as anything but Jesus."

BETH :((voice)) "Keep going. Gimmie the GOODDDDZ ." ((cut to close up of the GOAT looking to the left of the shot, typing at a keyboard before him to the lower frame)) "Married? Kids? Bad Guy? Good Guy turned Bad?" ((cut to close up of the keyboard, showing the HOOVVEEEEZ of the GOAT typing)) "Lemmie guess: Killed his family? Or raped his family? How about this: " ((cut to close up of BETH left hand moving across the shot before her, her holding her MUGG with her right, staring off past the camera wild eyed)) "Jesus, the Family Rapist."

GOAT :((voice)) "Uh actually, nothing of the sort." (( BETH scowling, looking to the lower right))

BETH :((angry)) "What do you mean?"

GOAT :((voice)) "It says here that he was SENTTEENNCCDDDDTODI for nothing more than saying that his NAMEWAZZHZOWNN ." ((cut to close up of GOAT looking to the left of the shot)) "And that he was thrown into a RVR to show that A isn't BIKDA ."

BETH :((voice)) "What? But that would mean that he didn't A at all!" ((pauses)) "Wait a minute." (( GOAT looks up to the upper left of shot, eyes darting up to left)) " WHEELLLLZ are TTUURRNNNNINGG ." (( GOAT looks back past shot nervously))((cut to close up of BETH looking up past the shot's upper frame, energized and enthusiastic)) "No A huh? So we can say he did anything! Because he A !" ((makes FIST with her left hand)) "Then WEA and A is ours to make the ASAYZ "

GOAT #2: ((voice)) "Wouldn't that be CHEEATTTTING to WINN ?"

BETH :((voice)) "Well YES ."

GOAT:((voice)) "No."

BETH :((about to SIPPFROOMMMMMUGG )) "What do you mean?"

GOAT:((voice)) "It says here he didn't ATOB ." ((cut to close up of the FILLEEEE showing the entire description of what had just been mentioned, though including the AOFZ that indicates Jesus wasn't actually BLAKKKK according to only one AOFZ )) "It's something strange, I can't put my finger on it, but there is one A here stating that he can't be Jesus because of someone else claimed that Jesus is another man."

BETH :((sounds of thinking)) "Well there must be some reason why he's here. Alright." ((cut to close up of the GOAT sitting and looking past the frame to the left of the shot in the glow of the SCRRRRENNNN while BETH is behind him)) "I'll go handle this - " ((cut to close up of BETH 's face, weary, eyes wider for one word)) " - Jesus - " ((about to groan again)) " - And I'll be back up here for the formal introduction. Make sure the print is there for Colon to read, I hate to think of it when he has to think on his FEETTTT ." ((cut to facing towards the row of SCRRRREEEENZZ , focusing on the SCRRRREEEENN of Jesus pacing back and forth in the GREEEENRRRROM )) "And make a back story for Jesus that's worth it to the audience. Something with THRIIIILLLLZZZZ and CHIILLLLZ . Something like I would do. ME ." ((the shot begins to zoom inwards to the SCRRRREEEEN of Jesus pacing back and forth to the middle left of the frame))

Voice:((voice)) " Yes MAAMMMM " ((the shot continues to travel forward, as the SCRRRREEEEN with Jesus pacing nervously fills the shot, and changes HUEEEEZ to that of COLLRRRR .))

Jesus:((facing away from the shot)) "Maybe I should have SIGGNNDDDD . But without reading it?" ((turning back to the right of the shot)) "What could possibly be the fine print I couldn't argue out of." ((cut to close up of Jesus, very tired expression facing to right of shot)) "Who am I kidding? I'm in trouble." ((as Jesus makes this honest admission, the sound of electricity begins to SPEEAAKKKK at first from within the WALLZZZZ , and sounds like a BUZZ of ENRRGGYYYY in a very GRUUFFFFVOIICCCCE ))

BUZZ :((voice)) " HAYYYY ." ((Jesus reacts, eyes wider, now darting about)) " HAYYYYYYYYOOUUUU ." ((Jesus looks down)) " NONONOUP " ((Jesus looks upwards towards the ceiling)) " YYYYAAAAYYYYOOOOU . "

Jesus: "Me?"

BUZZ :((voice)) " YYYYAAAAYOUUJMMAANNNNINOOUUUU ."

Jesus: "That's not my name. My name is Jesus."

BUZZ :((voice)) " NANANAINOLSTTNNNN " ((the shot begins to rise slowly, to reveal a NEOONNNNLITTEEEE that is attached to a YELLOOOOLITTEEEELIGGHTTFIKKTTUURRRRE that is fluctuating in intensity with each word spoken by BUZZ and also changes it TONNEEEEANDPITTCCCCH with the various syllables)) " WHAATTTTRRRRUUUUDOIINNNNHERRRRE "

Jesus:((voice)) "Well I don't know. At first I was in HVN and now I'm here. I'm supposed to be there with my FMLLLLY ."

BUZZ : " NANANAIMEAAAANWHYYYYARRNNTTTTUUUUOWTTHRRRRPLAYIINNNNGTHEEEEGAMMEEEE "

Jesus:((voice)) "The game?" ((cut to close up of Jesus's face, looking upwards towards the LIGGHTTTTFIKKTTTTUREEEEZLITTEEEE squinting)) "What do you mean?"

BUZZ : " AWMANNNNUGOTTAAAATRYYYYIT . ANYYTTHHHHIINNNNGUWAANNNNTTOODOOOOUCAANNNNDOOOO . WOOMMNNNN . MEEEEN . FOUUUUD . ANYYYYTHTHIINNGUUUUWAANNNNTTTT ." ((cut to close up of the LITTEEEEFIKTTUURRRRE )) " ITZZZZAPARRRRTTYYYYINTHEEEERRRRE . ALUUUUGOTTAAAADOIZPLAYYYYALOONNGGGG ."

Jesus:((voice)) "What do you mean play along? It doesn't seem like the type of thing that would just be thrown upon me. I feel like a prisoner here!"

BUZZ : " AWWWWWELLLLUWOONNTTTTGETTTHMMMMFORRFREEEETHHAATTTTZ4444SHUURRRR ." ((cut to close up of Jesus, squinting upwards towards the FIKKTTUURRRRE )) " NOOWAYY . UGGOOOOTTTTANOWATTTTTT2222DO . UGOTTAAAAEARRRRNIITTTT ."

Jesus:((crossing his arms)) "Well I'm not looking for any of that. I just want to leave and go to HVN to be with my FMLYYYY ." ((cut to close up of the LITTEEEEFIKKTTUURRRRE )) "That or go back to FredVerse to confront that Acolyte. I don't want to play any games, I have things I have to do." ((the LITTEEEEFIKKTTUURRRREDIMMZZZZ as Jesus continues to talk)) "Besides, I never asked to be part of this game."

BUZZ : " WELLLLNOBOODDYYYYDID . " ((cut to close up of Jesus, confused towards upper right of shot)) " EVRYYYYOONNEEEEINVVOLLVVVVDWHOOSSEEEEPLAAYIINGNGNGNGHAZZTOPLAAAAY . ITZZZZTHEOONNLLLLYWAYYUCANNATONNE . "

Jesus:((crazed)) " ATONNE ?! That has nothing to do with a game! That's something you do when you actually seek forgiveness and it has nothing to do with sport!" ((cut to close up BUZZ , flickering in laughter)) "Don't laugh about it! That's not funny!"

BUZZ : " KIDDDDLSTTNNNNNOBBODDYEVRATONNEZNEWAYY . ITZJUSSTMAKKEEEEBELLIEEVVEEEE . " ((cut to close up of Jesus now hands on hips looking angrily towards the upper right of the shot, in the direction of the LITTEEEEFIKKTTUURRRRE )) " WHEENUGETTTTTHEWOMMNNNNUGETTTTHAPPYYYYANDTHNUNVREVNWANNTTTTWANNTTTTTOATONNE ." ((Jesus scowls, looming downwards to the right of shot))" MAYYBBEEEETHEEEEMENTOOOO . "((Jesus scowls more, looming more to the right ))" ANYYTTHHINNGGGGUWANNTTTTANDALLUUUUHAVVEEEETODOIZNOHOWW2222PLAAAAY ." ((Jesus shakes his head, and angles himself back upwards vertically))

Jesus: "Well I don't want to play your game. Or know how to play. Did it have to with that man and the envelope?" ((sighs)) "Look, I just want to make a phone call and then I'll be on my way."

BUZZ :((voice)) " LISTTNNNNIMGONNAAAABEBLUUNNNNTWITTHHHHUUUUOK . " ((cut to close up of the LITTEEEEFIKKTTUURRRRE )) " ONTHEEEELVL . JUUSSTTSSAAAAYYES . ALLRRIGGHTTTTKIDD . JUSSTTSAYYYES ."

Jesus:((voice)) "To what? What is that supposed to mean?"

BUZZ :((voice))((cut to Jesus close up, looking up towards the ceiling)) " IMTELLIINYAJUSSTSAYYES . ALTHISSSSWILLJUSSTGOAWAYY . THISSPLAACCEEEEWILLGETYA . MOSSTGETTHEEMENNORTHEWOOMMNNNN . BUTTTTYOUURRRRDIFFRRNNNNT . " ((cut to BUZZ close up, FLIIKKRRIINNGGGG )) " THEYYLLLLGETUUUUSUMMOTHRRRRWAYY . TRUUSTTMMEEEE . JUSSTTTTSAYYESANDDTHSSSSGAMEEEERLYYSTOPPZZZZ . "

Jesus:((voice)) "I don't understand." (( BUZZDIMZZZZALITTLLLL )) "I don't get those instructions, and I don't understand what the point of this YES and NO are." ((cut to close up of Jesus facing up towards the shot, hands on hips, looking up towards the LITTEEEE )) "I don't see a point to this facade. Just tell me where I can make a telephone call and I'll leave." ((cut to close up of LITTEEEEFIKKTTUURRRR facing the shot vertically downwards)) "You and that man in the suit. Both of you as cryptic as letters along the shore. " ((the sound of the door opening makes BUZZFLIIKKRRRRFORRAMOMMEENNTTTT ))

BUZZ : " OKKIDGAMMEEEETYMMEEEE . REMMBBRRRRJUSSTSAYYES ." ((the shot descends from LITTEFIKKTTUURRRRE to show the entry door to the GREENNNNROM with ELDRRRRLYMAN opening the door first, and walking through calmly))

ELDRRRRLYMAN : " Mr. NAYOFV , presenting our LYYNNEEEEPROODDUUCCCCRANDBRIITTEEEESTSTSTAAAARINTHEESKYYBETH ." (( the CHEERRUUBBBB known as BETH flutters through the doorway, not giving off a grumpy expression, though still cradling her MUGG in her RITTEEEEHANNDDDD )) " BETH , meet our newest CONNTTEESSTTAANNNNT - " ((cut to Jesus up close, blinking staring out past the right of the frame)) " Mr. NAYOFV ."

Jesus: "That's not my name. My name is Jesus."

BETH :((voice)) "Jesus eh? Well that's not what I have here Mr. Jesus." ((cut to close up of the two who entered into the ROOOOM ELDRRRRLYMAN and BETH , ELDRRRRLYMAN holding onto the REDDENVVEELLOOPPEEEE .)) "Don't we?" (( ELDRRRRLYMAN removes the top of the ENVVELLOOPPPPE revealing the very top of the documents))

ELDDRRRRLYMAN :((shakes head)) "I don't know what I'm seeing frankly."

BETH :((shrugs)) "See? It must be a mix up." ((cut to close up of Jesus)) "And here we needed your signature right here to clear up this misunderstanding that's all."

Jesus: "That's all?"

BETH :((voice)) "That's all! Problem solved, cut and dry." ((the document enters the shot from the right, along with the hand of ELDRRRRLYMAN )) "Just need your brushstrokes on the DOTTDDDDLYNE and then we'll be off! No issues no concerns!"

Jesus: "May I please make a telephone call?"

BETH :((voice)) "No hey listen, KID , why are you even worried? Look BABY all we need is your PENNMANNSHIIPPPPRITTEEEEHEHERRREEEE ." ((cut to close up of BETH smiling at the shot, along with ELDRRRRLYMAN smiling to the left of the shot, hand extended into the shot both smiling peaceably)) "That's all! And then we take you to a telephone, we get you a DRNK , and everyone is happy! Isn't that great?" (( BETH looks towards ELDRRRRLYMAN who looks to her and nods in approval))((cut to close up of Jesus squinting towards the ENVVELLOOPPEEEEANDTHEEDOCCUUMMNNNNT from the outstretched hand)) "See how nice we are? We're not mean, we just want to clear this whole thing up."

Jesus:((his gaze traveling up then back down)) "Well I guess if this is just a misunderstanding." (( BETH 's left hand enters the shot, with a BLKKKKPENNTHAATTTTSHEEEEKLIIKKKKZWITTHHHHHRTHUUMMBBBB ))

BLKKKKPENN : ((clicking)) " GOT - CHA " ((Jesus takes the PENNNN from BETH 's outstretched hand, and begins to write upon the document being produced before him from the hand of ELDRRRRLYMAN , briefly writing upon the surface))

BETH :((voice)) "And initial there ." ((Jesus looks towards the right of frame, then back towards the document and begins to write once more briefly)) " And one more on the back page." ((the hand of ELDRRRRLYMAN flips the document over, while twisting his wrist about that looks wholly uncomfortable. Jesus notices, reels only slightly, but then continues to write upon the document)) "And we're done!" ((both their hands recede from the shot, leaving Jesus holding the PENNNN )) "Confusion averted. Crisis over. Problem solved." ((Jesus smiles, and sighs))

Jesus: "Well I'm glad that's settled. Now, if you wouldn't mind I'd like to make a telephone ca - LLLL - " ((Jesus suddenly falls through the floor and the lower frame of the shot, his voice echoing loudly into the distance below the shot))((cut to close up, showing most of the floor of the GREEEENRROOOOM flapping to the upper left of the shot to the rear of the ROOOOM , the floor now pitch BLAKKKK and a long descent into the UUNNKKNNOOOOWNNNN )) " - LLLLAHHHH!!!!!!!!!!!!!! "

BETH :((voice)) "Imagine if he had actually said NO . We'd have to ATHEB ."

ELDRRRRLYMAN :((voice)) "Or worse, find another Jesus."((cut to close up, ELDRRRRLYMAN standing on the very tip of the chasm to the lower frame of the shot, with BETH hovering to his left, the entry door behind them)) "And then where will we be?"

BETH : "Probably another commercial." ((the shot slides to the right, to reveal along the wall the FLAATTTTSCRREEEENTV , with the TITTLLLLESCRRRRENNNNOFLOVETHEGAME sitting idle, as the scene changes upon the SCRRRRENNNN , as the shot begins to zoom inwards. There is a still shot of the likeness of Frederick Kyle Ventresca on a crucifix, with a HALOLO around his head, the pastel and the color that of an oil painting as the narration of an announcer begins))

Arnie Colon:((voice)) "A man SENNTTEENNCCDDDDTODI for CRYYMMEEEEZ of his own making. DEFFENNDDIINNGGGGHZOWNNNAME , and claiming to be the AOFZ ." ((the scene changes to the likeness of Frederick Kyle Ventresca seated at a vertical table, with many of the apostles to his right and left all frozen in time, the painting that of Leonardo DaVinci's ' The Last Supper ' as the camera continues to zoom inwards at the TELLEEVVIISSOON )) "All this while CLAAIIMMIINNGGGG2222BETHESONOFGOD . The real question we have is does this FONNYYYYHAVVEEEEWHAATTTTITTAKKEEEEZTOWINN - " ((the scene changes to a BLAKKKKSCREEEENWITTHHHHREDLTRRRRZ that read BOLLDDDDLYLOVE:THEGAME while a live audience READDDDZTHELTRRZZZZ )) " LOVE : THE GAME ." ((the shot continues to zoom as the sound of wild applause and cheering starts, as the camera zooms into the BLAKKBAKKGGRROOUUNNDDDD and hangs for three seconds, where the sound of the audience begins to FADDEEEEAWAAYYYY as the sound of a REVVINGKLIINNKINGENGIINEE can be heard. The camera begins to PULLLBAK from the inner workings of a MECCHAANOCHOPPR , pulling to the right side of the VEHHIKLL , skew to its REAAR to reveal its pilot, none other than Diggit, whose name plate includes " the Disturbed" after whose facial expression is one of focus as he stares off past the shot. he blinks twice, his name plate changing to " the Confused" as his features seem to illustrate that as well. The sound of the MECHHANNOHOOOG begins to grow less rigid.))

((cut to facing Diggit the Confused, as he DRVVZ at the shot facing center, the shot surrounding him a YELLOOOOPATTHHHH surrounded by BLUUUUETREEEEZ . There are also REDHEDDGEZZZZLYNNINGTHEPATTHHHHAGAIINNSTSTSTSTAREDSKYYYY . He comes to an abrupt HALLTTTT at the shot, his face dominating the frame as the sound of the HOGG begins to sputter, as he pauses dumbfounded with the MEKKAAANOOHOOGIDLING as he stares off camera.))

Diggit: "Wait. Wait wait wait." ((his expression changes, his eyelids half closed, tone more serious)) "Something's not right here." ((cut to Diggit P.O.V. showing the THIKKKKWOODZZZZ ahead of him brimming with COLRRRR , moving slowly and LUCCDLY , each point of its AOFZ and the AOFITZZZZZIKKLLLLLLLLL sparkling, as the shot hangs with the sound of the engine HUMINNG )) "Where am I?" ((cut to previous, Diggit staring past shot, blinking three times)) "How did I get here?" ((looks around, upwards past shot, right index finger raised to lips gazing up and around)) "I've never seen this ZONEEEE before." ((cut to previous, staring out past the shot at the PATH ahead zooming inwards to the PATHHHH while the landscape itself seems to lurch at the camera ominously, while still glimmering, slowly making an camera effect known as ABACDAR7NATHEB , or the foreground slowly zooming while the background zooms quickly into the shot)) "These HUEZZZZ , I've never seen anything like them before. And the shimmering." ((cut to previous, Diggit looking past the shot, right hand out of shot now as he blinks twice.)) "It's spectacular." ((pauses, squinting, head cocked downwards)) "But I remember - " ((he blinks twice, as he has a quick flash overtake the shot))((quick flash of white to a previous scene in a previous installment of this particular franchise, Diggit, turning to look at the BOMMMMKIN in the darkness of Elwynn Forest, with a [Hickory Pipe] hanging from his MOUF ))((quick flash of white to the next scene, with Diggit facing shot, the sound of a large THWAK over his head as he falls out of the shot to below the frame))((quick flash of white to a close up of a large KRSSBLADDE being thrust downwards from the top of the shot into the base of the frame))((quick flash of white to Diggit the Sacrificed close up, skew left side of body laid upon a large rock, the KRSSBLADDDDE protruding from his SOLLLLRPLKKZEZZZZ as he is reacting surprised and in pain))((cut to current installment, close up Diggit the Disturbed staring out past the shot, blinking rapidly, the sound of the MEKANOOHOGG chugging)) " - something... different." ((he blinks twice, shaking his head)) "But that couldn't have happened." ((smiles, chuckles)) "I'd be at the GRAAVVEEEEYYARRRRD . I could resurrect!" ((rolls eyes)) "Nothing new for me." ((cut to Diggit P.O.V. the glowing and very strangely vivid landscape now before the shot again.)) "And I certainly wouldn't be here....wherever this is." ((cut to close up of Diggit facing past shot)) "Wherever indeed." ((his monologue cut short, by the sound of another voice, that of a HUMN roughly 23 years of age. He is off in the distance somewhat and the octave of his voice can be heard approaching with the WINNDDDD as Diggit the Disturbed reacts))

Voice: " diggy . yoodiggy . " ((Diggit reacts, turning about, then off to the left of the shot, his expression softening a little.))((cut to P.O.V. Diggit, looking off into the right of the landscape shot, to reveal a HUMNMALE with LONGBLONDEEEEHAR carrying a large SWRDD upon his back, walking out of the thick glowing landscape seemingly harmless)) " hay . cumhr . " ((he emerges just head on the PATH to the right of the shot, /wave 'ing with his right hand)) " ovrhryeahh ."

Diggit:((voice)) " TAZZN ?" ((cut to close up of Diggit, facing towards the left of shot, bewildered)) "Is that you?" ((Diggit turns the MEKANHOGG in the direction of the left of shot, the sound of the engine rumbling as he steers it out of the shot to the left))((cut to close up of the HUMN now known as TAZZN . He stands wearing BLUANDWITEARMRANDAYELOCAPPE . He is standing to the right of the PATH , and is waving his right hand in the Azeroth way (( /wave )). Diggit the Amazed pulls up along him to the left of the shot)) "I'm glad to see you. Do you know where we are?"

TAZZN : " yeaitskz "

Diggit:((cut to close up, right side of body seated atop the CHOPPR gazing past the shot)) "I've never seen this zone before, or heard of anything like it." ((he looks off past the shot to the right)) "It's very vivid too. Vibrant."

TAZZN :((voice)) " sowat " ((Diggit looks back at the shot))((cut to TAZZN standing looking at the shot, grinning slightly, hands on his hips))

Diggit:((voice)) "Say - " ((pausing)) " - Are you mad at me for something?" (( TAZZN 's face seems to scan past the shot, his eyes slimming)) "You seem different."

TAZZN : " noidontcarre ." ((cut to previous, Diggit the Self Conscious)) " ijstdontcar . " ((Diggit rolls his eyes, the nameplate above him changing to Diggit the Painfully Self Conscious))

Diggit:((sighs)) "I'm getting closer to embracing that sentiment with every moment that passes."

TAZZN :((voice)) " yea ." ((Diggit nods, looking past shot to the right, his eyes weary)) " yothrzzzzariiaaaad " ((Diggit eyes the shot, his nameplate Diggit Likes)) " ursupost2222bthr ."

Diggit: "I am?"

TAZZN :((voice)) " yea . itssssgonastartson ." ((cut to previous shot of Diggit's CHOPR alongside TAZZN standing to the right of the PATH )) " lemmiegtarid " ((he approaches the right side of the CHOPPR as a sidecar deploys on its right side, in classic Azerothian fashion. TAZZN is carried by A unknown into the air and is seated in the SYDDECCR as Diggit speaks))

Diggit: "Where?"

TAZZN : " overthrsmwr ." ((Diggit's CHOPPR begins to REVV then DRV off into the foreground along the PATTTTH ))

Diggit:((voice)) "So what are you doing out here?" ((cut to front view facing the CHOPPRRRRRRRRRRRRRR , TAZZN seated in the SYDEEEECR with Diggit the Driver behind the controls)) "How did you get out here?"

TAZZN : " sameeeeu "

Diggit:((pausing)) "Well I don't remember how I got out here though."

TAZZN : " meneitthr "

Diggit:((cut to closer up, looking to the lower left, a little disgruntled)) "You don't find that odd?"

TAZZN :((voice)) " nah "

Diggit:((a little bit dismayed)) "Not at all? Not even the slightest?" ((cut to TAZZN indifferent, the same grin, looking off to the left of the shot as the CHOPR is in motion)) "Just in the middle of the woods and not even curious to know how that happened? Or how I'm here?" (( TAZZN looks angry, but doesn't turn to face Diggit))

TAZZN : " no "

Diggit:((voice)) "Well I do."

TAZZN :((grins to the left of shot)) " urwerd "

Diggit:((voice)) "No seriously!" ((cut to previous, the nameplate reading Diggit Has A Point)) "When we were in Azeroth before it was never like this." ((motions out wider past the shot)) "Never this color, or this way. Never was there a feeling like this when I look out across the land." ((looks back towards the left of shot in the direction of TAZZN )) "And I don't know you all that well but you didn't strike me as indifferent when we were in the same guild in the past."

TAZZN :((voice)) " no " ((cut to previous, TAZZN looking off to the left of the shot, not inclined to care)) " ijstdntcr . thtzal . "

Diggit:((voice)) "Well I think it's strange." (( TAZZN still looking off not making eye contact with Diggit)) "I just wake up here and I'm driving this CHOPR . I don't even remember going anywhere." ((cut to Diggit, Deranged?)) "Or leaving anywhere. I wouldn't just be driving somewhere with this CHOPPRRRRRRRRRRRRRR if I didn't have destination." ((looks down to his sides)) "And my satchel! It's gone!" ((cut to TAZZN looking off to the left of the shot still grinning)) "Do you have a satchel? Or your [Hearthstone]?" (( TAZZN 's eyes slim and his grin weakens)) "Do you hear me?" ((pausing)) "You know I haven't seen you in years since the SCCOUURGE invaded. You and a lot of others." (( TAZZN 's face tightens with impatience)) "And you're still wearing the same armor. Don't you have your satchel? I don't. How is that not strange to you?" ((cut to Diggit the Monologuer , facing towards the left of the shot, uncertain gaze towards TAZZN off camera))((more bluntly)) "You're reacting like you need to be [Cleanse] 'ed."

TAZZN :((voice)) " irmbr ."

Diggit:((relieved expression)) "Well that's a relief. Did you find your satch - "

TAZZN :((voice))((interrupting)) " gohr "

Diggit:((jostled)) "What?"

TAZZN :((cut to close up in SYDECCCAR pointing to the right of the shot, across the front WHEELLLL )) " left . noww ." ((the CHOPPR veers to the right of the shot))

((cut to a small DRTPTHTHECLRRRED that angles to the left of the shot, a small WOOOODDSIGGNNREAADINGTHEWAAY , as the CHOPPR steers to the left quickly and down its direction, a PLUUMEOFREDDDUUUSST left in the WAKKE behind the CHOPPR .))

Diggit:((voice)) "The raid is this way?"

TAZZN :((voice)) " ya " ((cut to close up of TAZZN facing towards shot)) " itzfkzingcrzy "

Diggit:((voice)) "What's it like?"

TAZZN : ((looking past the shot, up and down, looking into the distance beyond shot)) " itssnu . ididdntevngtmadwewipeoncitslykewttvrrbuttwewntstoofrwegtkllddndlostanddayofzidntcrbtwtvr ."

Diggit:((cut to close up, looking left of shot))((pauses blinking twice)) "What?"

TAZZN :((voice)) " itsntevnhrd . " ((cut to TAZZN looking off past shot, the CHOPPR continuing to DRV as the camera shot remains stable, shaking three times at random with the uneven PATTTTH )) " ijstylanditzded . ndigtcrzyysht ."

Diggit:((voice)) "Just you? That doesn't seem that hard."

TAZZN :((shakes head)) " nahhwegtlyke48888peeppltogete ." ((cut to Diggit, trying to keep up with the garbled words spoken by TAZZN .)) " wegtlk2gerevryyyydrrsowewhll . anditzlkeyedontevncr . "

Diggit: "What does that even mean?" ((cut to TAZZN impatient expression)) "You're not talking about anything that I can understand. In fact you sound like some of the people I've heard speak outside of Azeroth."

TAZZN :((points to the left of shot)) " thr ." ((the CHOPPPRRRR grinds to a HALT ))((cut to the left side of the CHOPPR showing the front FORRKKKKZZZZ that hold the front WHLL and in the background can be seen a BUNKRRRRLYKEENTRANNCE that also resembles the entrance to a CAVVVE . It is the CLRGREEEEN and within is the CLRBLUUUU .))

Diggit:((voice)) "Here?"

TAZZN :((voice)) " yp ."

Diggit: ((cut to Diggit, looking left, facing him, while he looks to the left side of the shot off camera)) "Well where is everybody? And where's the summoning stone? How are we supposed to get everyone here?"

TAZZN :((voice)) " huh ."

Diggit:((blinks twice)) "Huh?" ((cut to close up of TAZZN getting out of the SYDECCR most indifferent, as the SYDDEEEECARRRR melds back into the CHOPPRRRR out of sight)) "What do you mean huh? The summoning stone! You know to summon our raid!" ((cut to close up of Diggit, previous shot)) "They're outside every raid I remember! They're put there by GAH for us to liberate Azeroth from its foes."

TAZZN :((voice)) " uh . yea . " ((Diggit looks disappointed in TAZZN 's direction off camera, as he dismounts from the CHOPPRRRR to the right of the shot))

Diggit: "And I still don't have my satchel! The CHOPPRRRR is just going to stay here? When has that ever happened in Azeroth!?"

TAZZN :((voice))((further)) " cumoonduddeeee . itzovrhr ." ((Diggit more puzzled than before, strides around the front of the CHOPPRRRR towards the left of the shot in pursuit of TAZZN .))

((cut to previous view, showing the BUNKRRRRENTRRANCE , showing TAZZN walking towards it, back to shot, closer to the entrance than Diggit who is approaching behind him. TAZZN walks into the CAVVEFRST as Diggit reaches its entrance.))

((cut to interior doorway of BUNNKRR , two silhouettes, both HUMN one to the right closer to within doorway as left, Diggit, begins to enter. The light from external behind them is BRIITEWITE as the camera begins to pull back, revealing a large CHUURRCCHHHH with many PEWWZZZZ facing towards the shot, the doorway aligned in the center with a long REDDCARRPPTTTT stretching into the shot under the camera and at the bottom of the frame. As the shot pitches backwards, the scene is revealed as a very LARRGGGGEROOOOM with many PEWZZZZ facing towards the shot. Pulling back completely to a PODDIIUUMMMM , there are many WINNDDDDOWWWWZ , all of them STAAIINNDDDDGLAASSSS surrounding the room and above the doorway. The CEIILLIINNGGGGITSELF is made of STAIINNDDDDGLASSTHAATTTTIZTHEECOLLOOOORYELLOOOOWWWWWWWWWWWW . THEWAALLLLZAREEEEMADDEEEEOFROKKKKANDARRRRETHEEEECOLLOOOORBLUUUUEE . THEEEEFLOOOORIZBLUUUUUUUUUUUUEE , and all the PEWZZZZAREEEETHECCCCOLLLLORRRRRREEEDDDDDDDDDDDDDD . The only LITTEEEE is from the doorway and through the STAAIINNDDDDGLAASSSSWINNDDDDOOOOWWZZZZ that are positioned over the doorway, to either side of the doorway facing inwards, and the LITTEEEEEEEEEEEEEE from behind the camera. The walking of the silhouettes ceases, as both are now within the CAVVEEEE doorway.))

((cut to close up, Diggit P.O.V., looking down the center aisle of the CHUURRCCCCHHHHHHHHHHHH revealing behind the POODDIIUUUUMMMM is a very large STAAIINNDDDDGLAASSSSWINNDDDDOWTHATTTTIZTHEEEECOLLOOOORRRRBLUUUUEANDREDDDDTHATTTTHAZAGOLLDDDDNNNNCUPPINTHECNTTRRRRWITTHHHHABONITZZZZEXTTIIOOOORRRR . ONEITTHHRRRRSIDDEEEEIZANOOTTHHHHRSETTOFSTAAIINNDDDDGLAASSSSWINNDDDDOWWZZZZBOTTHHHHTHECOLOORRRRREDDDD . One depicts the likeness of Frederick Kyle Ventresca praying, his hands cupped atop an ottoman, while the other depicts the likeness of Frederick Kyle Ventresca being crucified on a YELLOOOOCROOSSSS , that is to the LEFTTTT of the shot.))

Diggit:((voice)) "What is this place?" ((cut to facing Diggit, standing to the left of the shot, gazing about the scene and the frames, while TAZZN stands to the right of the shot, slowly backing away smiling)) "Is this the raid?"

TAZZN : " no . thsyrnam . " ((he fully backs out of the shot, as the background begins to DIMMMM and Diggit is left standing, his name plate changing to Diggit, Say What?))

Diggit: "My what?" ((the background fully DIMMZZZZ as the shot hangs on Diggit, who notices )) "What's happening?" (( he suddenly begins to freefall, the wind beneath him kicking upwards, as he is lifted off the ground, with NOENDINSSIITTEEEE below him, and is perfectly level with the shot, and begins to scream)) " WHA ---- AAAAHHHHHHHHHHHH!!!!!!!!!!!! "

((cut to the base of the shot, smoldering and spitting magma, that is grumbling and bubbling in the shot. It is the COLOOOORRRRORAANNGGGGE and there are ROKKWALLZZZZSURROOUUNNDDDDIINNNNGTHATTTTAREEEETHECCCCOOOOLLLLORBLUUUEEEE . It speaks as the shot hangs))

MAGGMA :((bubbling)) " ANDDNOWTHEGYHOOZBLAMD " ((Diggit the Descending enters from the upper frame of shot at a high velocity, and BELLYYFFLLOPPPPZ into the magma. He SPLASSHHHHZZZZ into the magma and submerges out of the shot, the camera hanging as the SPLASSHHIINNGGGG speaks as well))

SPLAASH : " FREEEEDD " ((Diggit is out of the shot, only to have the camera pull back to show terrain that is CLRREEEED and hangs stationary low along its surface. Suddenly, a hand of a PLATTTTEWEARRRRERER emerges from the magma, clutching to the surface of the terrain, blaring RED in color from the influence of the heat, as another emerges, followed by the rest of the body and head, Diggit. He pulls himself onto the terrain with fists and elbows, coughing up SOOT . He gazes up past the shot, gasping for breath as he looks up beyond the shot, pausing to blink twice, and HAKKIINNNNG briefly))

Diggit:((blinking)) "Well I didn't expect this."

((cut to over the right shoulder, Diggit, to show atop the large flat terrain with a large CAVRNOFREEEEDDANDGREEEEN , is a group of 39 with 16 already lying upon the ground, apparently DEAD . They are all beings affiliated with Azeroth, and are battling a large creature that is a two headed HOUUUNNDCOVRDDINSPYYYKEZANDFYIRE . THECLROFTHEHOUUUNNDIZBLUANDREDDD , and is attacking the group at random, as there is no individual to draw its attention away from slaughtering the entire group. There are a few who are fleeing from the HOUND while a few are standing idle, grimacing. One HUMNMALLEEEEWARRLOKK stands idle, sighing as he is struck down by the HOUUNDDDD , as it turns to lunge towards the rest with CLAWWZZZZANDTETTTTHHHH .))

Diggit:((voice)) "This certainly looks familiar." ((cut to facing Diggit, skew shot to left)) "But I don't recognize any of them." ((the sounds of carnage and death off camera))((cut to Diggit P.O.V. showing a MALLEEEEGONNOMEWARLLK fleeing with a frightened expression from the HOUNND the same SAYSAYZEDSAY , with a guild tag beneath the name reading < OOTTAAAA > as another is stuck down to the left of shot, a WARRIIR male and NITTELLLLF . He falls to his DETH after being charged violently by the HOUNND , the camera showing its course changing erratically, charging the NOOMME whose fate is the same.)) "The name of that guild is familiar." ((cut to Diggit close up, squinting eyes past shot looking to left, his lower half still submerged in LAVVA as the sounds of a gruesome fate continue off camera)) "But what am I doing here? Why would I - " ((looks forward as a shadow grows over him from the center lower frame of shot, as Diggit looks upwards past the shot to the upper frame.)) " - be here?" ((cut to Diggit P.O.V. the large HOUNND staring down the shot with both HEAADDDDZ as it raises a large right leg and PAWW , brining it down quickly at the shot))((cut to previous, Diggit's head being KLUNNKD harshly, as he falls back down into the LAVVA and is submerged once more, quickly then resurfacing choking back the heat and coughing ASHHANDSOOT once more, eyes clenched shut, then blaring open. Both dart looking about past the shot, HAKKINGUPSMOKKE )) ((cut to Diggit P.O.V. once more, though this time the entire CAVRN silent, aside from the crackle and bubble of the entire zone, it muttering angrily as those who died facing the HOUNND stand rigid, lifeless, transfixed and very deceased, looming at the shot standing over the camera, eyes glazed over and their motions frozen. The CAVRN 's environment speaks first))

CAVVRN :((voice)) " UKLDDTHMM " ((echoes loudly through the CAVVRRNNNN as the shot remains steady on the large group looking down at the shot, a male DRUIID who looks like a BEAARBLUUUUINCLR speaks first))

BEARRRRR : " ukldus "

Diggit:((voice)) "What?" ((cut to close up, Diggit Did It)) "I don't know what you're talking about." ((he looks upwards for a moment, then does a double take at his own title)) "What do you mean I did it?!" ((bellowing at the title, then back forward as another off camera speaks))

Female Voice:((voice)) " ufkngdontgtit . " ((cut to close up a BLUCATDRUUUIID eyes looking down at the shot, lifeless, the shot lower as the others stand near)) " ifkngspnt8dzgtinglotandugtnutthiingbtaztandigotfkuddewtththhtigtnolotnowwndugtnethgnuandudontcarendudontdoanttythngnowandeyegetfukddddwitthhfucckuuuuiwanttokillmyslfnoww . "

Diggit:((voice)) " What? What does that even mean?! I don't even know you!" ((the shot travels towards the upper right, as an OWLBEEASST named AACDRREESAY begins to speak))

AACDRREESAY : " ufukdddduptheeriaadandugtfreeshitaltheetimmmeeeeefkuu "

Diggit:((voice)) "What are you talking about?! I don't know who you are either!" ((shot slides up to the middle, to an angry looking HUMNFEMAALEEEEWRLK whose names reads REEACCABCCDRDRE ))

REEACCABCCDRDRE : " udonteevnfukingdonethngwatheeeefukareuevndoingdyiinngherreeeeeeeeforr. "

Diggit:((voice)) "What do you mean?" ((she scowls at the shot, as the others loom over as well)) "Wait...Wait I know you from somewhere. This is a big misunderstanding." ((cut to close up of Diggit, facing the shot, looking upwards past the upper frame)) "Your guild I remember it, and you look familiar, though his name plate reads CAMEELIIAAAA and with it the guild tag < OOTTAAAA > )) "But I don't remember being here with any of you. Who do you think I am?" ((he looks upwards towards the upper frame, eyes wider looking at the name plate, and then past the shot once more)) "Well that's not my name! That's not me at all!"

REEACCABCCDRDRE :((voice)) " arruuuushuuurrrre. "

Diggit: "Yes. Yes I'm sure. My name is Dig - " ((the shot begins with DIM as there is only one light focusing upon him, as he glances about nervously, the CHAMBBBRR around him darkening as the shot begins to rise upwards slowly, and pulling backward)) "Hello? Where did you go?" ((the shot continues to rise, as the camera backpedals through a large FLATTTTTELLEEEEVISSIIOONNNNMONNITTOOOOR showing a scoreboard to the lower right, with the word diggit in YELLOOOOTTRRRRZ with the number 250 to the lower left in REDDLTRZZZZ . The sound of clapping can be heard off camera, as the camera continues to pan outwards, to reveal a familiar face seated to the left of the MONNITTOOOOR who is named Arnie Colon)) "What's going on?!"

Arnie Colon : "Well it looks like one of our newest CONNTTEEEESSTTANNTTTTZ is picking up THEEEEGGAMMMME quickly, don't you think?" ((there is the sound of a rushing applause from the AUDDIIEENNCCCCEEEE as Arnie Colon looks towards the shot smiling, and begins to chuckle)) "For our viewers at home, let's take a look at this CONNTEESSTTAANNTTTTZ back story, once more!" ((the shot begins to zoom back towards the screen behind him, as the shot fills with a background of Stormwind Castle in Azeroth, as the narration of the Voice from previous of the announcer begins to speak))

Voice:((Announcing)) "Azeroth. A pristine and wonderous. Many call this world home. Adventurers seeking glory and prosperity go forth from the walls of this stronghold, called Stormwind. Things seemed perfect and harmonious, until - " ((the sound of a twisted echo, as the scene becomes polarized in HUEE and the announcers voice grows even colder)) " - Diggit the Damned came along. " ((cut to still shot of Diggit the Dastardly standing coldly looking at the shot, atop a pile of GOOOOOLDD )) "He was regarded as a ruthless tyrant, and a LOOTTWWWWHHHHOOOORE , taking all the TREEASSUURRRREEEE from anyone - " ((cut to still shot close up, to a homeless man named TOPPRRRRMCNNABBBB standing outside the Stormwind Auction house, with his head in his hands standing as Diggit the Dirty walks past him to the left of shot, stilled, /cackle 'ing )) " - even the homeless resident of Stormwind. In fact his choices and actions were so heinous and driven by SELLFFIISSHHHHNESS - " ((cut to close up of GOAT , looking to the lower left of the shot, as the audio heard is that over a small speaker. The background is within the control booth shown previously)) " - that even his own faction, the AALLIIAANNCCCCE , considered him as one anonymous source put it, as ' lessthaannnncollforreevvrrrr '."

GOAT #2:((voice)) "What is that anyway?"

GOAT: ((voice)) "What?"

GOAT #2:((voice)) "The AALLIIAANNCCCCE ? What is that?"

Voice:((announcer)) "...He was regarded as one of the most BRUTTLLLLWARRCRMMLLZZZZ that Azeroth had ever produced..."

GOAT :((previously Voice)) "I dunno, probably some kind of UUNNIIOONNNN or something."

GOAT #2:((voice)) "They have DNTTLLLL ?"

Voice:((announcer)) "Who was singlehandedly the worst PLAADDIINN ever known according to ALLOFHZPEERRZZZZ ..."

GOAT :((glances to the right of shot awkwardly, as Voice #2 continues))

GOAT #2:((voice)) "No seriously, IDDQQUUIITTTTT22DDAAAAY . " ((cut to close up of GOAT #2, who is also a GOAT but is the CLRRRRGREEEEN )) " IJUUSSTTTTDONTWANNTTTT2222PUTTUPWITTHBETHZZZZSHITTTT ."

GOAT :((looks back to the lower left of shot, as the description of Diggit continues))

Voice:((announcer)) "...Some in Azeroth swore that he was actually the byproduct of demonic possession, and actually engaged in the fornication of small children and in some cases babies." ((cut to close up of the SMALLLLMONNITTOOOOR showing a still shot depiction of Diggit, a name plate above him reading ' imsogud ' , standing /flex 'ing past the shot)) "Though some ventured to say that he was actually a VYLLNNTTTTHOMMOOOOSEKKUUAAAAL all along. In fact he was so despised by the entire realm of Azeroth, that only when a WMN was involved did anyone choose to act." ((the shot pans back to reveal a Night Elf woman, a HUNTTRRRR that Diggit the Dastardly in the background is peering in the direction of)) "He attacked her. " ((cut to a still shot, scene involving the Night Elf woman nude and on the ground, being sexually assaulted by Diggit the Dastardly, close up, facing upwards to the left of shot)) "And raped her for hours, days, weeks, even months without a care for her whatsoever..." ((cut away from TELLEVVIISSOONMONNITTOOOOR to a shadow of a MANNNN who is holding a lit cigarette, and seated facing towards a small monitor, skew to the right of shot, while reading from a teleprompter)) "...For her SPIRRITTTT ." ((pauses, drawing from an emotional well)) "For her ENTIIRRRREBODYYYY . " ((cut to still shot, close up of a TELLEVVIISSIOONNNNSCREEEEN the borders in the shot, showing a close up of a small table, vertically set up at the shot, where many members of the ALIIAANNCCCCE are seated around it, all facing towards the shot, a mix of HUMMNNNNZ , DWRRVVVVZ , a DRAAEENNIIII , and a NIGGHHTTLLLLFFFF .)) "It was then, when a group of concerned citizens known as THEREAALLLLHERROOOOESSSSHERREEEE decided to act, against this threat known as Diggit." ((cut to still shot, close up of the Night Elf Woman, seated at one side of the table, head in hands, looking very upset and fragile)) "To avenge a MAYYDDEEEENPURREEEEANDTTRRUUUUEEEEEEEEE , for the BRUUTTLLLLASSAAUUAALLLLT upon her." ((cut to still shot, on the close up of a PURRPPLLLLBIRRDDDD standing on the ground between FOUURRRRDRUUIIIIDZZ , one of them a BOOMMKKIINNNN and the other two resembling KATTZZZZ , all the other three the COLLOOOORRREEEEDANDBLUUUEEEEEEEEEEEEEE )) "An arrangement was made to KKAAPPTTUURRRRE the RAPPIISSTTTT called Diggit, and bring him to JUSSTTIICCCCE , here on - "

GOAT :((voice)) " CUETOCAMMEERRAAAAOONNEEEE " ((cut to a skew left shot, showing an AUDDIIEENNCCCCE all well dressed in FORMMLLLLWEAARRRR , seated and SCRREEAAMMIIIINGINUUNNISSOOOON ))

Audience: " LOVVEEEETHEEEEGGAAMMEEEE " ((emphasizing each word, all immediately CHEERRRRINGGANDCLAAPPIINNGGGG as there is a far off PIAANNOOOO that plays a rhythm similar to the theme from the movie ' The Running Man ' ))

GOAT :((voice)) " CUETOCAMMEERRAAAATWOOOO " ((cut to Arnie Colon on the MONNIITTOOOOR , the shot zooming in slowly and dramatically, as the LOVVEESSEEEEAT he is seated upon is the COLLOOOORREDDDD , as there is a FLAATTTTSCRREEEENMONNITTOOOOR to his left upon the WALL behind him, with the title screen of Love : The Game displayed, and the PIAANNOOOO music fades))

Arnie Colon:((shaking his head, teeth bear for a second)) "Well there's no better place for a CRIIMMIINNLLLL like that than here ladies and gentlemen. But before we go further, and for the sake of our viewers, we always remind ourselves of the RULLEEEEZOFTHEGAMMEEEE . "

GOAT : ((voice)) " CUEESADDAUDDIIEENNCCCCEE " ((there is a UNIIVVRRSSLLLL groan from the AUDDIIEENNCCEEEE , as Arnie Colon reacts, shaking his head empathetically)) "Yes yes I know." ((cut to close up, of a LITTUUPPSIGGN that reads FELLBADD pointed to the lower left of the shot, bolted to the ceiling)) "But we have to think of those viewers who haven't heard of THEGGGGAMMMME before! " ((the shot slides slowly downwards, revealing the STAAGGEEEE where Arnie Colon is seated, and shows a CAMMEERRAAAALABBLDDDDTWOOOO pointed at him from the left of the shot, the back of a BLUUUUEGOATTTT standing behind it, holding the AZASAY level, with a small display at the top of the CAMMEERRRRA , as the shot slowly zooms inwards to Arnie Colon, speaking towards the CAMMEERRRRA )) "So for the sake of our newest audience, let's review together." ((cut to close up GOAT breathing out deeply, as the sound of the AUDIEENNCCCCEEEE can be heard over the MONNIITTOOOOR ))

GOAT #2:((voice)) " OHILLOOVVEEEETHIIIISSSS " (( GOAT rolls his eyes))

GOAT : " I can't stand it, why every episode?"

GOAT #2:((voice)) " SHHHHNOTALLKKIINNGGGG ." (( GOAT looks in her direction briefly, then shakes his head))

GOAT : "I have to do the CUEEZZZZ "

GOAT #2:((voice)) " ORRIITTTTESRRYY ."

GOAT :((looking past shot to left)) " CUEEMMOONNIITTTTRAV99 "

Arnie Colon:((voice)) "Number 1 "

GOAT : " OONNEEEE " ((Arnie Colon, the AUDDIIEENNCCCCE and Voice #2 all speak together)) " DONTSAYNO " ((cut to close up on the MONNIITTOOOOR with Arnie Colon facing the shot, the previous RULLEEEE displayed on the FLAATTSSSSCCRREEEEN behind him, REDLTRZZZZAGAAIINNSTABLAKKKKSCRREEEENNNN )) "Number 2! "

GOAT :((voice)) " TWOOOOOO " (( Arnie Colon, the AUDDIIEENNCCCCE and GOAT #2 all speak together, as the FLAATTSSCCCCREEN displays NVRD )) " DONTSAYYESS " ((cut to GOAT close up, leaning back, almost indifferent to LYFFEEEE ))

Arnie Colon: "Number 3! "

GOAT :((sighing)) " THRRRREEEEEEEEEEEE " (( Arnie Colon, the AUDDIIEENNCCCCEEEE and Voice #2 all in UUNNIISSOOOON ))

Arnie Colon : " DONTZ " ((the sound of the AUDDIIEENNCCCCE applauding while Voice #2 does the same off CAMMEERRRRA very enthusiastically, while GOAT looks at the shot in her direction, petrified))

GOAT #2:((voice)) " YAYYILLOOVVEEEEEEEEEEEEEETHSSSHHOOWW !! " (( GOAT stares at the shot, frozen))

Arnie Colon :((voice)) "And there you have it ladies and gentlemen." (( GOAT clenches his eyes slowly and painfully)) "The BASSIISSSSFORTHEGAMMEEEE . " ((cut to close up of Arnie Colon, with the FLAATTSCRREEEEN to the right of the shot, as he speaks excitedly though coached to be calm at the shot)) " THREEEERULLEEEEZTOWIINNNNANDTHREEEERULLEEEEZTOLOOOOSSEEEE . Who will WINNTHISSSSROUUNNNND ? " ((shakes head)) "Well leave it up for you to decide, as we take a quick break." ((turns away, only to turn back)) "Oh...but let's check in with some of our PREEVVIIOOUUSSSSWINNRRRRZ and see how they're doing after all this time." ((the shot begins to zoom towards the center of the stage, towards the FLATTSCRRRRENN showing an African American man, with BLAKKKKHARRRRANDWEARRIIIINNGASERRAPPEEEE smiling at the camera, with a tropical backdrop behind him. He speaks))

African American Man: " hiimjakkbbbb . didunome . " ((laughs)) " idid2222seassssonnzzzzandiloviitttt . ibeatttttheeeegammmme ." ((the shot changes to a woman, who bears a striking resemblance to THEEWICH , the SALLYYYYRIDDDDE version, who stands before a backdrop of LONNDDDDONN with BIGBENNNN in the background. She smiles at the shot.))

Woman: " HIIII . REMMBBBBRMME . IMTHEEBESSDDDDTDDDDEVRNNOOOOOOONNWWWWWNNNNN . IBEATTTTTHEEGAMMMMETOOOOOOOO ." ((the shot changes, to a man with glasses, who bears a striking resemblance to the man from the sixth installment of the ' UNIVERSAL SAVIORS ' franchise, who was attempting to steal THEEEEFRUUIIIIT from Bad Lawyer. He is standing before a Caribbean backdrop, wearing glasses and smiling at the shot triumphantly))

Man : " HI . IWONNTTTTTELLLLUUUUWHRRRRIIMMMMBUTTEEYYYYEEEEBEAATTTTTHEEEEGAMMMME . " ((the shot changes to the BUMMPPPPRSCRRRRENN of Love : The Game, with the voice of the Announcer speaking))

Announcer: "Love : The Game, will be right back, after these words from OWRSPOONNSSOOOORZZ . " ((the shot cuts to BLAAAAK and begins to pan out, from a SHADDDDOOOOW cast upon the ground. The ground is a THIKKKKBROWNNNN , and the SHAAAADOOW is moving upon the ground, along with the shot in the direction to the right. The sound of footsteps can be heard, as the camera slides to the left and out, to reveal Jesus walking, the sounds of a DESSRRRRT behind and around him, as he gazes about perplexed to the left of the shot. The SUNN is beating down off from the left of the shot in the direction of his face, as he continued to walk to the left of the shot))

Jesus: ((stops short, camera steady)) "This can't be right." ((cut to Jesus P.O.V. looking down towards a small CCIITTTTY bustling with commotion and activity down a slope below the shot)) "How am I suddenly here and not in that ROOOOM ?" ((cut to close up Jesus, facing towards the shot blinking twice.)) "Why do I feel like this is familiar?" ((there is sound from off camera, the sound of a HORRRRN . Jesus looks to the right of the shot off camera)) "And that." ((cut to close up over the left shoulder, Jesus making his way down the slope quickly towards the CITTYYYY as the shot zooms down and towards it as well. The sound of the HORRNNNN blares once more, long and DEEEEP ))

((cut to close up, to the FEEEET of many, women, men and children, some wearing SANNDDLLLLZ , while most are BARRRREFOOTTTT . They are all walking to the right of the shot, as the camera is level with the ground and only as high as the ANKKLLLLZ as the sound of the HORRRRN once more is BLOOWWWWN , and the voices of MANYYYY can be heard CHEERRRRIIIINGGGG and CLAAMMMMOOOORRIINNNNG with JOYYY ))

Voice:((Young Woman)) " HEEZZZZHERRRREE !!"

Voice:((Young Child, Boy)) " ITZZZZHIMMMM !!"

((cut to close up of a large CROOWWWWDD , all HUMMNNNNZ pouring towards the shot, excitedly, carrying with them the FROONNDDDDZOFPALLLLMZZZZ all of which are the COLLOOOORRRRWHIITTTTEEEEANDBLUUUUEEEEEEEEEEEE . All of them are HAPPYYYY and ELAATTTTD and some are also carrying FLOOWWWWRZZTHATTTTAREEEEBLUUUUEANDRRREEDWITTHHHHFOUURRRRPETTLLLLZTHATRRRRREDDDDANDHAVVBLUUUUELEAAVVVVZZ . ))

((cut to close up of the ground, as many HANNDDDDZZZZLAYYPALLMMMMFROONNDDDDZ upon the soil, with the FLWWRRRRZ as well, all of whom beginning to cheer and yell in EXUUBBRRAANNCCCCE , as a pair of SANNDDLLLLZ worn by a pair of CAUUCCAASSIIAANNNNFEEEET that begin to walk over them and towards the bottom of the frame. The voices are chanting now, and chanting one name))

Crowd: " AEEEEYYYYAAAAAAAAA " ((repeating, as the shot begins to rise and hold steady, as the figure is revealed as the likeness of Frederick Kyle Ventresca, walking towards the shot smiling. He has a long BRWWNNBEAARRRRDANDLOOOONNNNGBLOONNDDDDEBRWWNHARRRR . He has BLUEEEEEYEZZZZ and looks very happy to see the THRROONNGGGGZOFMANNYYYY ))

((cut to left side of the figure of Frederick Kyle Ventresca as he walks to the left of the shot, the camera staying close, as he waves once to his right, and continues to walk past the CROOWWWWDDDD all of whom continue to chant the name. He continues to walk, and passes Jesus, who is standing in the crowd, a look of astonishment has he passes by him, the camera about to keep following him, but then rubber banding back to Jesus staring to the left of the shot))

Jesus: "Who is that?" ((over the CROOWWWWDDDD as a woman beside him cheering leans to her right towards him. She is CAUUCCAASSIIAANNNN and wearing CLOOTTHHIINNNNG of the era))

Woman: "That's AEEYYAAAA , the son of GODDD . The LEAADDDDR of the WAYOFZA ."

Jesus:((turns to her)) "The what?" ((there is voice speaking over the commotion, as the crowd hushes quieter as the voice speaks. It is of Frederick Kyle Ventresca, and in his tone, that he begins to address those present))

FREDERICKKYLEVENTRESCA : ((voice)) " ALLOFUSAYOFBSATEZATHEBOFZSAKEZASATEZIKZASAYZIKZAZASATETHEBSAYZIKZAZASAY . " ((Jesus slowly turns back to his right in the direction of Frederick Kyle Ventresca talking, wide eyed and very bewildered)) " THEBAYOFCDATEDADASAYZIKZAZASATEZSAYTHEBSAYZIKTRDR7NANASAKEZIKZAZASATEZSAYZIKPDRDR7ZSAYZIKZASAYTHEESAY . " ((cut to close up of Frederick Kyle Ventresca, standing in the middle of a large crowd, with many FLWWRRRRZANDPALLMMFRNNDDDDZ upon the ground at his FEEEET , while flanking him are all those who came to see him.)) " THEBAYNZTNOKBOTDSAYMYTHEBOFDSAYNANASATEZSAYTHEDR7NASAKEZAZASAYTHEBSAYZIKZAZASATEZSAYTHEDIKDASATENANASAYZIKPDRDR7NASATEZAZASAYZSAYZIKDADASAYZSAYZIKZAZASAYTHEBSASATHENE . " ((cut to close up of Jesus, amazed and very frightened expression, as he stares past the shot to the left))

Jesus: "What?"

Woman:((voice)) "It means A . He's saying that you can't do anything to him because he doesn't listen."

Jesus :((focused, scrutinizing past shot)) "Wait a minute." ((pointing with this right hand past shot to the left)) "He's doing A ?"

Woman:((voice)) "That's what he's saying. He's doing it to SAY you can't do things because he can't allow it. "

FREDERICKKYLEVENTRESCA :((voice)) " ANDSOWHNNUAUSAYUBIPTHEDDSATEZSAY . " ((Jesus's expression grows more twisted, and he begins to cringe past the shot while still pointing past the shot))((cut to close up of FREDERICKKYLEVENTRESCA gazing from right to left, comfortably and confident, speaking to the masses gathered)) " THEBWASDSATENASAYTHEBBSAKEZAZASAYTHEESAYZANANASATEZTHEZSAYZANASAKEZAZASATEZSAYTHEBBBSAYZIKTYBRDR7NANASAYZIKZAZASATEZTYTYTHEE . WSAYSAY - "

Jesus:((voice)) "Stop that! Hold it!" ((shot blurs to the right, wheeling around 180 degrees to show Jesus, infuriated looking at the shot directly in the direction of FREDERICKKYLEVENTRESCA behind the camera)) "Who are you? Why are you pretending to be me!" ((cut to close up of the masses surrounding FREDERICKKYLEVENTRESCA as some, both young and old are SPEECCHLLLLESS and others raise their eyebrows in scrutiny)) "You're pretending to be me addressing these people, but your words are different!" ((pausing)) "Well don't you remember me?" ((cut to Jesus close up, looking past the shot, and around him, showing many standing idle looking around at him)) "Don't you remember me coming here and speaking to you? Me, how I look, and how I spoke?" ((cut to close up of Woman, indifferent unlike the rest of the crowd, though offering a stone gaze past the shot to the left)) "I was here in the mid afternoon, on a day like this! I We had a large table later with many different foods. Don't you remember?" ((cut to close up of Jesus, flummoxed and trying to find the words, pointing past the shot)) "Listen, this man is an imposter! He's not me!" ((cut to close up of FREDERICKKYLEVENTRESCA staring past the shot confused, as the crowds surrounding him are hushed in silence)) "He's doing things with the letter A ! This Woman says so! Hear her say it!" ((cut to close up of Jesus, looking behind him showing the Woman, standing by, as Jesus turns back to the shot desperately))

((cut to close up of FREDERICKKYLEVENTRESCA surrounded by the crowds on either side, all looking towards the shot, as one who is an Older Woman, looks towards FREDERICKKYLEVENTRESCA and speaks))

Older Woman: " ASANASATEZAZASAYZSAY ?"

FREDERICKKYLEVENTRESCA : ((shakes head, negatory)) " BATEZAZASAYZSAY " ((the rest of the crowd turns away from looking at the shot, in the direction of FREDERICKKYLEVENTRESCA to hear him speak, as Jesus once more off camera attempts to dissuade the onlookers from listening to him))

Jesus:((voice)) "Don't listen to him! He's trying to blame me!" ((cut to close up of Jesus, pointing at himself)) "Me! He's trying to hold me accountable for something he's done!"

Woman:((voice)) "What do you mean?" ((Jesus shakes his head, and turns back from the shot, in the direction of the Woman, who still stands nearby))

Jesus:((cut to close up of the Woman, stone gaze staring to the left of the shot in the direction of Jesus, as the words of FREDERICKKYLEVENTRESCA addressing the crowds continue)) "These are my memories! This is my actual memory!"

Woman: "Being here? Or being him and speaking to many present?"

Jesus:((voice)) "ME being here, and ME speaking to these people in a coherent language that doesn't involve electricity or communications that rely upon computers, satellites, or any of the creations of man in the future that I bore witness to myself!" ((cut to close up of Jesus frantic, as the scene behind him continues to go on without being deterred by him)) "HE'S the one who is actually getting me into trouble! I , ME , was accused of doing A , and he's the one doing it all along?" ((cut to close up of Woman, stoic)) "The man he resembles is named Fred, and he's being persecuted for many things, but not one of them involves being what I was, or WHO I was, in MY era."

Woman:((eyebrows raised)) "Are you certain?"

Jesus:((voice)) "I - Just a minute... You didn't even bat an eye at me mentioning words like computers, or satellites, or for that matter the future. And you know about A ?" ((cut to Woman close up, facing shot, smiling)) "Just who are you anyway?"

Woman: "I'm neither here, nor there, nor a place forbidden. I'm a WAYOFSA that can't be hidden." ((cut to Jesus close up not blinking)) "When you see ME , do you C , or when I see U , do you B ?"

Jesus:((shaking head)) "I'm not in the mood for riddles. What is the meaning of making me endure this fallacy?" ((Jesus pointing behind him with his left index finger)) "What purpose do you serve? To torment me? To tempt me?"

Woman: "Tempting MANNNN is like changing the PAST , once it was written through TIMMEEEE it LASSTTTTZ "((cut to close up, torso and up, her CLOOTTHHIINNGGGG has changed to a BLKLONGSKRTTANDWITTESHRTWITHABLKTYANDABLKJAKKETTTT )) "And MAN you are and I YORQQEENNNN - " ((pulls out quickly reveals her standing center of a large line of BEAAUTIIFLWOMENNOFFMANNYWRLLDZALLSCAANNTILLLYCLADEKKZCPPTHER . ALLARRRSTAANDDINGIINAVFORMASHUUNTHEEWOOMNNNNTHEPOINNTANDATTHEEBAKOFSHOOTAZTHESHOOTPULLZZZZBAK )) " - Or HERR , or THEEMMMMALLLL if you'd be KEENNNN "

Jesus:((voice)) "Enough! I won't succumb to this!" ((cut to close up of Jesus infuriated, center of shot facing past the shot)) "Tell me who you are!"

Woman:((chuckles))((voice)) "That would be TELLIINNNNG " ((as alongside Jesus is one of the WOMMNNNN who is BLKKKKANDBEAATTUUFFLLLLANDSTRROOKKEEEEZHIZZRITTEEEEEESYDDEEEE who speaks to him))

BLKWOMMNNNN : "We just WANNTTTT2222LOVVEEEEU " ((as another WOMMNNNN enters from the right of the shot, slinking next to Jesus, and looks GREEKKKK ))

GREEKKKKWOMMNNNN : "Don't you LYKKEEEEWATTWERREEEESELLIINNGGGG ?"

Jesus: "No!" ((cut to Woman, offering a saddened gaze)) "No I don't! I don't want to BUY anyone, and I don't want to HAVE any of them." ((she pouts her lower lip outwards)) "Don't do that!" ((her lower lip recedes)) "Stop trying to subvert my question! Who are you?! "

Woman: ((sighs)) "Come with me if you will, SUNOFJOSSEPH , of your own FREEWWWWILLLL ." ((cut to Jesus close up, scowling)) "Or remain here to deduce on your own, without my guidance, all alone." ((Jesus pauses, still looking regretful that he has no other option, and walks towards the shot towards the Woman, breaking from the two clinging to him, both looking sad towards him being dismissive))

((cut to close up of Woman standing in the center of the shot, as the other WOMMNNNN retreat from the shot backing away from Jesus, whose back is to shot while entering shot to Woman's right. The entire foreground begins to RUSSHHHH at the two, and is the CONNTTRROOOOLROOMMMMMMM where the GOAT was shown previous. Jesus is taken aback as the scene arrives quickly at them))

Jesus: "What?!"

Woman: "Look before you SUNNOFMMANNNN what do you C ? " ((cut to close up of Jesus, looking peculiar towards the shot, as the background behind him is that of the CONNTTRRRROOOOLROMMMM )) "Is this what you expected, in REAALLLLMBYOONDDDDGAH2B ? "

Jesus: "What do you mean?" ((cut to close up of Woman, looking over her right shoulder)) "What's that supposed to mean a REAALLLLMBYOONDDDDGAH ? There's no possible way that's true."

Woman: "Oh but there is, if you'll let me explain, why GAH left ALLMANNNNTOTAKKEEEETHEBLAMMMME ."

Jesus:((voice)) "That's not possible either!"

Woman:((sighs)) "I'll SAY the words, and you can HEAARRRR , - " ((cut to close up of GOAT seated, with HOOVVEEEEZ upon CHEESSSST looking towards the left of the shot with a LETTHAARRGGIKKKKGAZZZZE )) " - unlike these few, of whom you shouldn't shed any TEARRRR ."

Jesus:((voice)) "Why? Who are they?"

Woman:((voice)) "They are some of MANY who STARRRRE at LIFFEEEE - " ((cut to close up of the ROWZZZZOFSCREEEENZZZZ all showing various footage of HUMMNNNNZ in particularly strange circumstances. One of is of a young woman in her 20's, Caucasian, screaming at the top of her lungs at an older WOMMN who appears to be ignoring her and not listening to her, as though she isn't there. Another is of a younger man, African American, screaming towards two people beside a KASSKTTTT who don't seem to notice him, but seem very unhappy.)) "And play a GAMMMME whose AIMMMM is creating STRRIIFFFFE ."

Jesus:((voice)) "How? What is this?"

Woman:((voice)) "This is a ROOOOM for LOVETHEEEEGAMMMME . A place where all life comes to be BLAMMMMD ." ((cut to close up of Jesus)) "Where LOVVRRRRZ are made and PARRTTTTD , where the STROONNGGGG are BROKKN and their paths DARTTTTD . " ((cut to close up of GOAT looking past the shot to the left)) "Where the IMMORAALLLLDWEELLLL and gaze upon the WORRKKKKOFGAH - " ((cut to close up of a MONNITTOOOOR of Arnie Colon seated on a LOVVEEEESEEATTTT sipping from a cup, and burning his mouth, his reaction that of anger as he begins to yell towards the right of the shot in the direction of a GOAT wearing a HEAADDDDSETTTT , along with BETH who enters from the left, apologetically with both hands raised towards a very fragile looking Arnie Colon)) " - Nary a care in their eyes, only scorn, for that which is JAH ."

Jesus:((voice)) "That one! I know that one!"

Woman:((voice)) "She's called BETH ." ((cut to close up of GOAT looking towards the left of the shot, looking more indifferent than before after observing that display)) "She's their LEAADDDDR and CREEATTTTOOOOROFDETTHHHH . "

Jesus:((voice)) "Look, this doesn't make sense." (( GOAT rolls his eyes, then clenches them shut)) "Everything that I see is just a bunch of people on TV , and they don't look happy." (( GOAT 's eyes slowly open, looking past shot to the left once more)) "What does this have to do with the past? With FredVerse? Why the rhyming? And what does this have to do with ME ?"

GOAT :((shakes head, finally losing patience)) " ISWEEAAAAR222222222222222FUKIINNGGGGGODDFUKIINNNNGKILLHM . " ((cut to close up of Jesus, looking down to the left, blinking twice)) " JUSSTTTTKILLLLMHESASSSSUUCCCCCCCCHAFAGGTFUKIIIINGGGGSHOOOOTHIMMM "

GOAT #2 :((formerly Voice #2)) " hooo " ((Jesus's eyes dart to the left more, then back))

GOAT :((voice)) " THEFUKKIINNNNGASHOOLLEEEE . ARTT . HECANNSUKMYDIKKKK "

Woman:((voice)) "All of your questions have answers." ((cut to close up of Jesus staring past the shot to the lower right of shot)) "But some of the answers are secrets." ((Jesus looks annoyed, and gazes to the left of the shot))

Jesus: "Well what am I supposed to know?"

Woman:((voice)): "Well... " ((cut to close up of the rows of SCRREEEENZZ showing the footage of various human beings involved in actions in separate locations)) "All of these HUMMNNNNZ that you see are part of a GAME . This game has to do with finding out where A is, to prove that LOVE can be created without A or the electrical force thereof. " ((cut to close up of Jesus, staring to the left of the shot, left side of face shown in the glow of the MONNITTOOOORZZ )) "These are all HUMMNNNNZ who are being played as PAWWNNZZZZ to deduce what their A is. To analyze them and see what they're really doing."

Jesus: "I don't understand."

Woman:((voice)) "That's fine. Because SHE - " ((shot blurs to the left of the shot, showing BETH on the MONNITTOOOOR placating Arnie Colon who is grumpy and sits with his arms folded)) " - doesn't want you to."

Jesus:((voice)) "What?"

Woman:((voice)) "All this time, these participants are actually THEDEAAAAD ."

Jesus:((voice)) "The... " ((blurs back to Jesus's face)) "... Dead?"

Woman:((voice)) "All of them, harvested like CROPPZZZZ into this GAME of BETH 's. " ((cut to close up of Woman, looking towards the shot, smirking slightly, shaking her head empathetically)) "All of them prisoners against their WILL , to reenact their LIVVEEEEZZ to please an audience, like it was a GAMESHOW , designed specifically for the entertainment of MANN . Look - " ((cut to close up of Jesus's expression to the lower left of the shot, his face blazed with the shadows from his surroundings, in a eerie pitch)) " - Look at the SCRREEEENZZ . Do you see the NUMMBBRRRRZ ?"

Jesus: "Yes."

Woman:((voice)) "That's her DEVVIOOUUSSSS idea of how to use the DEADDDD to gain A . " ((cut to close up of one of the MONNITTOOOORZZ that shows a man in his 20 's trying to push an older man away from railway tracks where a train is approaching at a high rate of speed)) "To use them to make A for herself."

Jesus: ((voice)) "What?" ((the shot slides to the right, revealing another SCREEEEN which shows an older man trying to force a younger man off a young woman at gunpoint, the young man not even reacting or noticing them older man))

Woman:((voice)) "She makes the DEAADD think they're alive, and reliving their lives as before." ((shot slides to another SCREEEEN to the right and up, showing an African American man, very tall and angular, trying to hit another man, younger African American lying in bed smiling, the blows passing through him)) "Their memories, and showing how they thought at the time compared to what they did." ((the shot blurs to the upper left, another SCREENNNN showing a young woman brutally attacked by a man while another young man, is seated at a round table not moving or reacting)) "Then tries to make them make up for their choices by trying to protect the ones they call LOVE ." ((shot blurs to the upper right with a SCREEEEN that shows a young man fending off two men, while a young woman walks away down a deserted street, and he grabbed and carried into a nearby alley to the left of the shot)) "When they LIE , they don't get anything in terms of points, and they LOSSEEEE , - " ((shot slides to the lower left showing a younger woman raped on camera with her face in the shot, while an older woman is seated in the background, watching television towards the left of shot, and laughing)) " - which is a shame considering that the DEADD who are trying to protect others, cannot, - " ((shot blurs to the lower right showing a young man brutally attacked while a young woman in the background is seen laughing, and completely oblivious towards the upper right of the shot)) " - and mostly choose to LIE about being the VIKKTTIIMMMM to circumvent the TRUUTTHHHH ." ((shot blurs to the lower left, showing a man, whose screen has a value of 1400 in the lower left of the SCREEEEN is draped over a KOFFIINNNN screaming and slamming his fist upon the closed top)) "When they tell the TRUUTTTTH , they get points which are then accumulated in her favor to create A , but must endure the TRUUTTHHHH that their actions could not stop what they sought to prevent. " ((cut to close up of Jesus horrified, staring to the lower left of the screen, skew shot upwards, still pitched in shadow)) "You see she's quite diabolical. The points are just a way to make the DEADDDD believe that their actions can change anything at all. That they gain points in FAVVOOOOR of the GAME by trying to stop the things that would affect those they call LOVE . Or that they're willing to take their place for them to not suffer." ((cut to close up of Woman, looking to left of the shot)) "She was using you just as she was using the others in this game to amuse her audience. Those who she values beyond all of these puppets. These tools, as she called them."

Jesus: ((voice))"She really did that?"

Woman: "Oh my YES . In fact she was the one who purported the idea that FREDERICKKYLEVENTRESCA was actually you in the past, helping the NEEDDYYYY , feeding the HUNNGGRRRRY ." ((She looks towards the shot, her expression that of PITTYYYY )) "It's SAD really. All that work you had done considered the LAYYBBOOOOR of another?" ((cut to Jesus close up, looking to the left of shot, skew shot upwards at his face)) "A man not even worthy of the credit in comparison to you?"

Jesus: "How? How could anyone believe it? Because he looked like me?"

Woman: "One of her TRIIKKZZZZ ." ((Jesus's teeth are GRIITTDDDD , facial expression that of anger)) "Just to make you believe that your A isn't hers now. " ((his expression melts away into disbelief)) "Just so she can make A and then claim that LOVE requires A to be made at all."

Jesus: " A needed for LOVE to exist or be made? " ((his lip curls)) "She's a liar. "

Woman:((voice)) "It's her WAYY . She's twisted you into believing that A can make anything. " ((cut to close up of Woman, shaking head, looking to the left of the shot)) "Even LOVE . Don't be UPSSEEEET you're not the first to fall prey to this GAME I assure you."

Jesus:((voice)) "How can I stop her?" ((her eyes slide towards the right of the shot towards Jesus off camera)) "There must be a way."

Woman:((takes in a deep breath, calmly)) "Well, her goal was to undermine you being yourself, so your A couldn't be HERZZZZ . This way you acknowledge who you are and not actually place the blame on another." ((gazes to the left)) "Like some of these POORRSOUULLZZZZ have fallen prey to." ((cut to close up of a monitor, viewing a man trying to step in front of a moving car about to strike another, the car passing through him and striking a female pedestrian who was lying in the center of the road unconscious)) "Like all of these VIKTTIMMZZZZ ."((shot slides to a SCRREEEEN of a young woman unconscious, being raped by a man while a woman, screams at the man threatening, without him paying mind or noticing)) "Like those who seek to protect them even in DEATTHHHH " ((cut to Woman close up, shaking her head)) "Like you seek to protect others, without any care for your own well being."

Jesus:((voice)) "I couldn't get through to anyone with my MIND ." ((Woman's eyes dart towards Jesus off camera, eyebrow raised)) "And I wasn't able to use the telephone, and there wasn't a way to reach GAH or anyone else. Help me. We can both put a stop to her right now!"

Woman:((nods)) "I know what to do. But I need you to beat BETH at her own GAMMEEEE ."

Jesus:((voice)) "How?" ((Woman looks towards the left of the shot, towards the MONNITTOOOORZZ nodding in their direction))

Woman: "That man FREDERICKKYLEVENTRESCA , pretending to be you." ((cut to close up of a MONNITTOOOOR of FREDERICKKYLEVENTRESCA wearing WHIITTTTEROBBEEEEZ chained to a large WALL with an expression of sadness)) "The imposter. He's using your A to help BETH succeed in her plan."

Jesus:((voice)) "Well how do we stop him?"

Woman:((voice)) "Well - " ((her face and head slide into the shot from the right of shot)) " - Were you the one who was imprisoned in that dungeon after being held on trial?"

Jesus:((voice)) "Yes! I remember it perfectly! I was going to be crucified an hour later."

Woman:((serious expression)) "Are you certain?"

Jesus:((voice)) " YES! " ((cut to close up of Jesus, facing past the shot, the background behind him changed to that of the prison WALLLL )) " YES IT WAS ME . AND WHEN I FIND OUT WHY FREDERICKKY - What?" ((the shot pulls back quickly to reveal Jesus on one of the SCREENNNNZ without a NUMMEERRIKKLLLLSCOORRRRE , gazing about confused))

Woman:((voice))((the shot panning back from the SCREEEEN )) "And there goes the only threat to the WAGGRRRR ." ((cut to close up of Woman, smiling down to the lower right at the shot)) "My WAGGRRRR that I WILLWIN ." ((her eyes gaze upwards towards the monitors)) "None of them can stop me now that the only one who can A without Z is caught. The promoter of LOVE himself. Without proof that he ever EXISSTTTTD like any of these HUMMNNNNZ have like their personal identities recorded or otherwise capable of A , BETH won't be able to STYTHEBR and I will once more prove that AISNNNTTTTDO ." ((cut to wide shot, of the Woman standing over GOAT and GOAT #2 to the upper right of the shot beside the entry door, as she suddenly BURRSSTTTTZINTTOOOOFLAAMMEEEEZ , as GOAT #2 is the first to react, as though they hadn't heard Woman speak at all))

GOAT #2 : " DIDUUUUSMEELLLLTHATTTT "

GOAT :((leans to the right and FARRTTTTZ ))

GOAT #2 : " FUKIINNNNGGGGGROOOOS " ((cut to facing the MONNITTOOOORZZ over GOAT 's left shoulder between him and GOAT #2 , looming towards shot right, as the camera zooms in over BETH 's back in the direction of one of the MONNITTOOOORRRRZZZZ )) " WATDIDUUUUEATT ?"

GOAT :((voice)) " FUKKINHAMMMM ."

GOAT #2 :((voice)) " SOGROOOOS . IMGONNAAAATELHERRUEEEEAATTTTINHR ."

GOAT : ((voice)) " FUKKNNSNITTCCHSHHUUTUUUUP ."

((the camera zooming into one of the MONNITTOOOORRRRZZ , showing a cobblestone walk, skew downwards pointing at the ground, name to the lower right on the MONNITTOOOOR reading diggit in BLUUUUELETTRRRRZ with a numerical value in the lower right reading 500 in REDDLETTRRRRZ . The shot is filled with the SCRREEEENIMAGGEEEE , as the cobblestone walk now fills the shot, the camera rising slightly to show it is the bridge and entrance to STORRMWIINDCITTY , as a pair of feet trudge through the shot, wearing PLATTEBOTTZ . The camera rises slightly to level along the ground, showing the entrance to the CITTY with two GUARRDZZZZSTANDIINGIDLE as the figure of Diggit, the nameplate reading the Delirious, walks into the shot slowly))

Diggit:((cut to Diggit close up, his face twisted in confusion as his eyes dart from side to side then back forward past shot)) "As though it never happened." ((cut to Diggit P.O.V. staring towards the entrance)) "As though I never left at all." ((cut to previous Diggit the Delirious, staring past the shot. He takes a DEPPPPSIGGH and walks into the shot))((cut to a large walking bridge, Diggit walking from right to left of the shot, his figure small against the large entrance.)) "At least I randomly appear somewhere familiar, and it's not in some random ZONNE ." ((cut to Diggit walking at the shot, a little more comfortable than before in gait)) "Or in a POOOOLOFMAGGMA , or - " ((he is rudely interrupted by the sounds of screams of a man, who appears to be standing near the entrance to STORMMWIINDGATTEZZZZ . Diggit reacts with confusion.))

Voice:((voice)) " OH FIRALI " ((Diggit blinks, pausing for a moment)) " PLEASE COME BACK ." ((he walks into the shot, skew shot right))((cut to a DORRWAY leading to the entrance to the PARPPAAPPTOFSTORRMWINNDAZDIGGIT comes around the right of the shot and peers down the small enclosure leading to the main entrance and PARAAPPT . The shot hangs on Diggit peering into the enclosure, as it pulls back to reveal several HUMNZZZZALPALLDINNZEKZPPTONEWARIIORE , all screaming and yelling at the top of their lungs. All are incredibly low level, and have no items that would distinguish them as different from one another, and are all wearing clothing and gear that denote that they are BRANNDNUUCARRRAKTTRZ . Each have names that are very specific, as the shot veers back revealing them all standing between Diggit peering into the enclosure, and the entrance to STORMMWIND .))

Diggiitah :((formerly Voice)) " FIRALI DON'T LEAVE ." ((another is in the shot to the left))

Diggtt : " PLEASSEEILOVU " ((cut to Diggit, bewildered looking at the shot, as the lamenting continues)) " INEEDUUUU " ((Diggit begins to walk into the shot, as the crying and moaning of the other ' Diggits ' becomes clearer and more specific.))((cut to sliding shot of Diggit, now within the enclosure and walking throuhg from left to right, showing many of the HUMNMALLEZ he walks past, echoing comments with their names shown))

Digt : " OHBABYBRINGITHOMETOME " ((Diggit looks disturbed by this display, as he continues to walk past them eyeing them up estranged))

Diggitsgay : " ILIKEMEN "

Diggitsdead : " imafaggt " ((Diggit continues to pass them to the shot to the right))

((cut to the entrance to STORMWNDTHRROUGGHTHEOPNPARPPT . Diggit emerges from the left of the enclosure as the shot before him is lined and inhabited solely by the other 'Diggits' who continue to cry and scream as Diggit walks slowly into STORMMMMWIND ))

Diggitizsht : " IMAFAGGOT "

Diggitsukzz : " gaysexismynamenow " ((Diggit continues to walk into STORMMWINND confused))

Digt : " OHIHATETAENSOMUCHWAHWAHWAH " ((cut to Diggit close up as he walks towards the shot center, perplexed, as behind him other 'Diggits' are shown with names such as Didigtsgay , Diggt , Diggtishomo , Digtfuku , Digtizstuppd , and Diggiitissahom the camera hanging with him as he advances towards the stationary shot. The woeful displays continue as well))

Diggtsukzz :((voice)) " IMISSU "

Digtsobad :((voice)) " iloveher " ((Diggit's expression changes to more confusion, twisting with prideful anger at who any of these CHRRACTRTRZZZZARE .))

Digtagaymn : " Dude,Ijustlikepenisok? " ((Diggit is losing patience, as THEESECHRRAKTRZSEMMTOBMOKINGHMWITHWORRDZHEHMSLFNVRSPOKE ))

Digtzgay : " I'mafaggot "

Diggit:((shot stationary, as Diggit looks to either side angrily of the ROWWWWZ of various effigies , his expression that of stone)) "What's going on here?" ((there is no answer, as the CHRRAKTRZ continue to emote with /cry , continuing to emulate SOORROWANDWOEE )) "Whatever it is, it isn't FUNYY ." ((cut to Digtizgay continuing to /cry )) "Who put you up to this?" ((cut to Digtizstoopd close up to the left, /cry 'ing saying softly " I'mfuckindumb " )) "Was it the U.D.o.A. ? Was it the ones who made that wave?"

((cut to Diggit close up previous stationary shot, at the center of the walk leading from the ENTTRRAANNCCEEEETOSTOORRMMWWIINDNDNDND , as he looks to either side, face stopping center and blinking twice, as his gaze travels upwards at the shot, and then towards the top of the frame, his expression now disbelief and eyes widened in amazement))

((cut to Diggit P.O.V. as the sounds of SADDNNEES continue, as a BANRIZUNFRLD before the shot, FLAPPINGINTHEBREEEZZZE . On the banner is reads " IMDIGGIT " as on the BNR are several PALLDINNZ of both factions, a female Blood Elf dominating the shot, with another who has long blonde hair to the opposing side of the illustration. Beneath the title is another smaller BANNRREADDINDTRYYOOUUTZ2222DAYSTRMWINDDCASTLLLL ))

Diggit:((voice)) "What?" ((cut to close up of Diggit, name plate reading "Are they Serious?" as he blinks twice towards the upper frame of the shot))((cut to the very front door of STOORRMMWINDCASTL center shot from high up as Diggit walks the center track along a long outstretched BLUURUGG leading into the front door, as the sound of an UPBBEEEATPAAANNNOOOBGINZ2222PLAYCHORRDZ beginning with C minor and incorporating C flat and C sharp 7 ))

((cut to Diggit entering into the main doorway of the CASSTLLLLE as the CHORRDZ begin to play a song, and there is the SOUNNDOFSINNGING ))

CHOORUUS : " WEERRRRDIIIIGGGGITTHEGREATESTPALLADINOFVENTURECO - WEEEELOVEFIRRRRALLLLI - " WHEEALWAYYYYZLOOKFORRNENUDEZSHESHOWZ . " ((Diggit stands still, absorbing the THEEATTRRRRE experience))((cut to close up Diggit P.O.V. showing many HIGERREDPALLADINZSTANNDINGONASTAGEINACHORRUUSLYNEWITHALWRRANKDPALLAIIDINSEATTDATTHEEPIIAAANO )) " WHEEREEEENOTSADWHEEREGLAD ! SHEEZJSTSUMSTUPDHOEANDWHEFOLLOWWHEERSHEGOEEZ " ((cut to close up of the CHOORUSSLYNE showing the names up close of each of the PALLAIIDINZZ their races varying. Most are HUMNORBLOODELFWITHH1DWARRFAND3TAUURNZANDNINEDRAEENIICC . They all seem to be uncoordinated in their movements, partly due to adhering to the ROUL and the rest simply themselves. One of them SINNGGGGZASOLOOOO as the PIAANO stop for HRINTRJKSHUN , their nametags above their figures))

JUBBRNAUUT : " SHESAYDEYECANFUKOFFALLALONG ! " ((the PIAANNOPLYYRSTRIKKEZZCHORDDZ as another ADRANNEEISPEAAKZ ))

EYLEEEENNNN : " SOOEYEJSTCRYDANDSMKDABONG ! " ((cut to wide of all the PALADDINZONTHESTAGGELAFFINGTHENCRYYING2GTHR ))((cut to Diggit awetruck expression, as the PIAANOKIKZUUPONCCEMOARANDTHECHOORUSLYNESINGGZ ))

CHOORUUS :((voice)) " WHRRRRJJJJSTKIDDIINGWHRRNOTREALYSHURYYRCREEPDOOWWT . "((cut to a close up of the PIAANOPLYRRAVRYGAYYANDMEAARYHUMNLV42PALLAIDDINPLAYYINGTHEPPIIANOO )) " WHEERJSTTTTSAYYINGG " ((cut to close up of a PALLADIN leaning into the shot from right, a HUMNWITHLONGBLONDDEHR his nametag shown))

EKZZADARR : " jstsayying " ((leans back out of the shot to the left, revealing the CHORUS leaning into the shot))

CHOORUUS : " THERRRREZZZZNOOOOREAASUNTOSCREAMMMMANDDPOOOOUUUUTTTT " ((a female PALLDDINHUMN leans into the shot from right, her nameplate shown))

CAMMELLAA :((simulating crying)) " WAHHFIRRALLIIZGONEANDNOTAROUND " ((a MALLEEEEPALLADDINNNN from a previous installment leans in from the LEFFT with his nameplate shown))

NIKKO : ((speaking with his right hand to mouth, as though being secretive)) " IHERDSHEDDDDRATHRBEGAGGDDANDBOUND "

CHOORUUS :((cut to wide, showing the CHOORUSSLYNEONSTAGGE )) " THNEVRBBBBLIKEDIIIIGGGGIIIITT " ((a voice interrupts the music, making the PIAANO cease awkwardly))

Voice:((voice)) " nononono " ((cut to Diggit the Famous, looking about awkwardly)) " no " ((his eyes dart to the left then right of shot, as the camera slides to the left to reveal a PALLADDIIIAANHORRDETAUURRNWEAARINNGATRUUSUURYYBADDDGEEEELVACACISAYSEATTD screaming over a handheld TUBBEEEEHAYFONE and is SEAATTTTDINADIREKKTOORZZZZCHAIIRRRR which is the COLOOOORBLUUUUEE )) " lokugtasyyrhm "((cut to the CHOORUUSLYNEONSTAGGEFROZN )) " ugttasayyrhmmandnvvrfkngstp ." ((cut to previous, placing the HORNNDWNN , the TAURRENSIIIGGHZZZZANDDPUTZZHZHOOFFFFTOHZ4444HD )) " ujstdntmkmeblivvvvveeuuuu . " lykeurnotu ." (( HEBGINZZTORIZZEOWTOFTHECHAAIRIR ))((cut to CHORRUUS now standing more at EAZZZEE )) " ujstgtatryto . likeths . " ((cut to the TAURRENWITHHOOVEZZINTHEAAIIIIRWAIILING )) " waaheyemavrgnmnstr . " (( HERETURNZTOCALM )) " lyketht . " ((cut to wide over the shoulder of the CHOORUUSLYNEFACCINGTOWWARDZZZZTHETAUUUREENWHIIILLLLEEEEDIGGITREMAIINZOFCAMERAHOOSTANDZCNTRSPEAKINGTOWRRDZASHOT )) " now . whenedt2prktc . wheehvroleez2222fillll . " ((cut to the CHOORUUSLYNE close up, the many faces of several HOPPEEEEFULLZZZZ , all PALLIDINNNZFRZNININANTTCPPPAYYSHUN )) " wnt2tryowtnowzyrrchncce . gototheedorrofzzandwaaiitthr . " (( THEPALADDINZFALLOVEREACCHOTHRTOTHELFTOFSHOTINAFRNZZYT22GETTOFCAMERRA .))((cut to close up Diggit the Sensational! as the commotion from the left of shot approaches, as his expression is that of SHOOKKKK within a second BOWLLLLDOVRBYAMOBOFPALLAIDINZINPLAATERMMR .))

((cut to Diggit of the Bruised Ego lying on the ground, head and back rising up slowly, as the shot pulls backwards to reveal the PALLADINZALSEATTDONBNCHZZTHECLRBLUINAROMMTHECLRRED . THEBNCHHZLYNEEYTHRSYDDEOFTHEROMMWITTHADRWAAYTOWARRDZTHECNTROFSHOOT . ALLLLLTHEEEEOTHRRRRPLDIIIINZZSITORPACCEREADDINGFRUMABOOKLTTHAATRZMBLZAMVOOOOOVIIESKRPPT . Diggit rises and faces towards the shot, standing center, as the shot reveals the ACTVVITEEEOFFFFFTHEOTHRPLDDINZ ))

EKZZADARR :((pacing from right to left, emphasizing each spoken word))((fake crying)) " I'D RESCUE YOU FROM A DRUG - " ((clears throat, tries again)) " I'D RESCUE YOU FROM A DRUG DEALER ." ((sobs composes self, then looks at SKRPPTT )) " howcanneyeackkttlikkeeeethiisfaggthlyyyshiit ."

JUBBRNAUUT :((cut to close up, facing towards left of shot, squirming on a BENCH legs kicking in the air, arms flailing and fake sobbing)) " WAHHHHI'MAVIRGINWAHHH - " ((calm)) " \- no - " ((calmly reacting and FLIPPINGINSKRPT )) " noandnoandnonononooo " ((examines SKRPT nods and puts down SKRPT and clears throat, reacting the same way as previously)) " WAHHHHI'MAVIRGIN!! " ((sobbing))

((cut to Diggit of the CATTLLLLCALL , as the tryouts continue and he sits on his behind, arms behind him as he gazes past the shot and to his right and left))

NIKKO :((cut to close up looking at SKRRPPT to the lower right of shot)) " WAHHIAMGAY - nowaaaiithedidnntsaytht . " ((stares at the SKRPPT as the sounds around are alike Diggit's lament to a NITTEELFWMN from a previous installment of this particular franchise))

((cut to previous, revealing Diggit the Embarrassed, looking to the right of the shot))

((cut to another PLADDNHMMNWITHBLUEYEZANDBROWWNHRANDABEARDFACINGTOTHELEFTOFSHOT . HEEIZWEARIINNGASETTOFPLATTEARMMORTHECLRBLUUUUANDHZANMTAGOVRHZRITTEEEECHSTTHATREDZTREEAZN ))

TREEAZN :((fake sobbing emoting to the sky helplessly looking down at the SKRPPTTTT in his LEFFTTTTHANNDDDD )) "I just wanted one more chance... nononono . wait .. so .. ok . " ((clears throat, reading from BOOKLLTTTT )) "I just wanted one more chance... " ((cut to Diggit the Deranged, expression matching the nameplate, his reaction becoming more complex. He stands up quickly and speaks aloud to the entire cluster of PLAADDDDINNZZZZ ))

Diggit: "What's going on around here?!!!!?? " ((the shot slides back quickly revealing the length of the ROOOOMM as the other PLADDINZ now look in his direction))

NIKKO :((cut to close up facing towards the left of shot, three other seated PLADNZBHNDHM )) " lokwerreeeejsttryin2222gtthepart . idontwanntttt2havv2222sukkadik .

EKZZADARR :((voice)) " yeawehv2222bddgt . " ((cut to EKZZADARR facing to the right of the shot)) " itzprtofthiisayzsay . theesho . " ((looks to the right down then up)) " rutryiingtoo " ((cut to Diggit the VIP close up, facing shot, disgruntled expression to the right of the shot)) " itsgnaaaabshtybtwegtpaiid . "

Diggit:((very alarmed)) "What do you mean? What show?" ((cut to another PLDDNCLOSEUPCLNSHVNHUMNWITHBLKHARRRRLOOKINGNNNNDIFRNT )) "Why do you keep - " ((pauses)) " - I know you." ((cut to close up of JUBBRNAUUTHOLDINGTHESKRPPTEYEZDRTING )) " You're all the paladins I know!" ((she offers a glimpse of confusion))((cut to NIKKO gazing past the shot to the left in SKRUNNTYYYY )) "Well don't you recognize me? It's me!" ((cut to Diggit the VIP)) "It's Diggit! " ((the ROMMMMERUPTZINLAFTRAZDIGGITSTANDSINDISBELIEF ))

((cut to NIKKOSKREAAMGINLAFFTRWITHTHEEOTHRTHREEEEHOWWLINGINLAFTRAZWELL ))

EKZZADARR :((cut to close up, pointing to the right of shot, trying to hold back the LAFTR )) " urwwawsom . urawssoom " ((laughing))((cut to the BLKHRDPLADNKOUUGHINGINLAFTR ))

JUBBRNAUUT :((cut to close up of the BLOODELFPLDNJUBBRNAUUTLOKKINGINDISBLEIFTOTHELEFTOFSHOT )) " hocouldeyeebetthtt " ((as the LAFFIIIINNGCONTINNUUEZZZZ ))((cut to EKZZADARRTRYYINGTOORECCOMMPPOSSCCEEEEHMSLFFACCINGTOTHERITEOFSHOT ))

EKZZADARR : " dudyrprfk . srsly . " ((cut to close up of Diggit the VIP as he blinks past the shot to the left)) " urgnaabethegy "

Diggit: "What are you talking about? And what do you mean show?" ((cut to previous, the PLAADDDDIINNNN known as EKZZADARR looking to the right of shot, enthralled by Diggit's performance)) "And what were all of you saying just now? Why were you all acting that way?"

NIKKO :((voice)) " whrhvuben " ((cut to close up NIKKO looking to left of shot, close up on FACE )) " digtfrekzowtoncamrra ."

Diggit:((voice)) "What is that supposed to mean? Why are all of you talking funny?" ((cut to Diggit the VIP up close looking off camera)) "You didn't all used to speak this way. Did you get hit by that wave too?"

EKZZADARR :((voice)) " dontturmbbr " ((Diggit turns to the left of the shot)) " diggtwntcrzyovrfriillindmadacompltfagtofmslf . " ((cut to EKZZADARR close up addressing past the right of the shot)) " hewazsayiinthefuneestshtiiveeeeevrhrd " ((he tries to not LAFAGAAIN )) " didnturhritonhr " ((he motions behind him towards a WALL , with the camera moving to the LEFTTTTOFSHOOOOT . Upon the WALLLL is a set of STAAIINNDDDDGLAASSSSSSWINNDDDDOWWZZZZ that displays hidden camera footage shown in previous installments of this particular franchise, from the bird's eye perspective of Jon Williamson and Daniel Welsun 's apartment at 2-32 Aspen Way, pointed downwards towards the apartment below them, 2-31 . The television displays Frederick Kyle Ventresca in black and white, seated at a desk with a flat screen PC Computer, BLACCCCK in color. The camera is angled downwards as he appears to be sobbing uncontrollably as another voice can be seen speaking with a speech bubble to the upper right of the shot, and is listed as an antagonist mentioned in a previous installment))

Babytoothed Man: ((speech bubble)) "Wow he's actually really crying." ((a WHIITEWAVE can be seen entering the shot from just to the left of the camera's angle))

Diggit:((voice)) "That! That right there! Do you see it?!"

NIKKO :((voice)) " wattafknglosrrite " ((cut to Diggit. Have you gone Mad?, gazing to the left of the shot, wild eyed and transfixed in the direction of the TELLVVESHUNSCRREEN off camera)) " itslykeholyfkgtajobandgtadikinyrasseupsy . " ((Diggit remains unmoved, amazed at seeing the WAVE again.))

TREEAZN :((voice)) " watafaggt ."

Diggit: "Don't you see? That wave! " ((cut to previous, showing Frederick Kyle Ventresca making a FOLLE of himself on hidden camera displayed as a STAAIINNDDDDGLAASSSSWINNDDDDOWWWW or when used with the device in question, making a VVVSRDRSYSYaaaaSAY . )) "He's being manipulated in the same way as me! "

EKZZADARR :((voice)) " wat "

Diggit: "Look! There at the WINNDDDDOWZZ ! " ((cut to close up of a STAAIINNDDDDGLASSWINNDDDDOWW that shows the likeness of Frederick Kyle Ventresca viewed from a bird's eye angle, lying on his back on a LOVESSEEEEAT giving the middle finger with his right hand towards the viewer. He is frozen, mouthing what appears to be " FUCK YOU " in the direction of the viewer as well. The shot descends slightly to EKZZADARR standing looking towards the WINNDDDDOW and then turning about to face the shot inquisitively)) "Well don't you see it? Look!"

EKZZADARR : " lokatwhaattaen ."

Diggit:((voice)) "Look at...wait - " ((cut to Diggit standing looking to the left of the shot, taken back in appearance and looking surprised)) "Did you just call me taen ?"

EKZZADARR :((voice)) " hoelsewazeyetlkiiinngto ." ((cut to a DWRFPLDDN standing in center of shot, flanked by a FMLDRAEENIPLDNWITHANMTAGGREADDINGKAPPITOHZLAEAFT . TOHZRITEIZAHUUMNFMLPLADDNWITTHANMTAGREADDNGCAMMELLA both looking at the shot confused. THEDDWRRFHAZANMTGREADDINGRASTTODONNN ))

RASTTODONNN : " dudheskdagyzdikk "

Diggit:((voice)) "Who did what?"

RASTTODONN : " diggt ." ((cut to Diggit his nameplate reading ' the I'm pretty sure I'd remember doing that and at this rate there would be recorded evidence of such as well ' , looking past the shot very bewildered expression)) " hegayzowtnowitzstupdgrosnoww ."

Diggit:((points at self)) "Me? " ((cut to another PPLLAADDINNNN who interjects facing to the left of shot. He is a BLKHARDDHUMMNPLDDNWEARRINGANMTGREADDINGPOZZIIZZZZZ ))

POZZIIZZZZZ : " notuhimm " ((pointing to left of shot))((cut to close up of one of the STAAIINNDDDDGLASSSSWINDDDDOOWWWWZ showing frederick kyle ventresca MASTURBATINGINASHOWRFILLDDDDWITHSUMWATRINTHETUBBWHIILLEINSERTTINGHZRITEMDLFNGRINTOHZANUSSEEMINGLYENJOOYINGIT . THETUBIZGROOSSANDAWHIITTEWAVEIZSHOOWWWWNENTTRRRRIINNGGTHEEEESHOOOOTFROOMMMMUUPPRRRRLLLLEEEEFTTWITTHHHHASPEEEECHCHBUBBLLLLESHOOWWWWZZZZBABYTOOTHDDDDMANSPEEAKKKKIINNNNG ))

Babytoothed Man:((speech bubble)) "Oh my god I'm going to put this on youtube or something."

POZZIIZZZZZ :((voice)) " hezzfknnggayazfknoww "

EKZZADARR :((voice)) " yaitzonxtubbeeeehlyyshiiiit " ((the shot slides down to show Diggit the Deranged looking towards the WINNDDDDOW then turning to face the shot))

Diggit: "That's not Diggit!" ((points at his chest facing towards the shot)) "I'm Diggit remember?"

NIKKO :((voice)) " yaookwtvr "

Diggit:((pleading)) "I am Diggit! Don't you remember any of our adventures?" ((cut to close up of CAMMELLA reaching and pulling aside her TABBRRRRD revealing her CHEESSTTTTPLAATTTTE which is highly polished and reflective.)) "Don't you remember Outlands or fighting off the Scourge? I remember you!" ((she uncouples it and lifts it towards the shot in the direction of Diggit to the right off camera)) "Why don't you remember what I look like? And did you feel this way all - " ((she points the CHEESSTTPPLLAAAATE like a mirror in the direction of Diggit to the RITTEEEEOFSHOOOOT that shows a reflection of a man who resembles TAZZN , only wearing Diggit's armor. The reflection is actually Diggit, who reacts strongly)) " - along? What? But that's TAZZN - " ((cut to Diggit facing to the left of the shot, who still resembles Diggit to the viewer at home, who is PAWWINGHZFACETOWARRDZTHERITEOFSHOOT )) " - I don't look like that at all!"

Voice :((of another PALLDN )) " yaaookdiggt " ((cut to a MALLEBLOODELFPLDDNWITTHBRNHRANDANMTGTHATREDAYZDIGGLLLLZFACINGTOTHEELEFTOFSHOT who stands smirking)) " thtzlykeimnotgy . lykkeimnotgayatall . rite . "

Diggit:((voice)) "But I'm not TAZZN ! Or taen ! " ((cut to close up of Diggit facing to the center of shot, his name plate reading ' it's DAYNOTD ' , looking past the shot desperately, his right hand tapping on the top of his head)) "See? No hair!" ((flummoxed)) "I don't know why you can't see me for who I am! Or what I really look like!"

POZZIIZZZZZ :((voice)) " lokthtzdiggtalritenowshutup ." ((Diggit slowly turns about to view the out of focus STAAIINNDDDDGLASSWINNDDDDOW revealing the likeness of Frederick Kyle Ventresca praying with his elbows atop an ottoman, while a speech bubble from upper right of the screen speaks, and is identified as another antagonist from a previous installment in this franchise))

Frederick Kyle Ventresca: ((speech bubble)) "I want to kill myself."

PAMMOM :((speech bubble)) "Praise Jesus! Hallelujah! Hallelujah!"

EYLEEEENNNN :((voice)) " taengoaway . weehhvtooprkkkttic ."

NIKKO :((cut to close up looking down at his SKRRPTTTT towards the left of shot))((softly)) " I'd marry you if I could, I'd marry you if I could" ((clears throat and closes eyes, erupts into sorrowful display)) " I'D MARRY YOU IF I COULD !!!! "

EKZZADARR :((cut to close up reading the SKRPPTTTT to the right of the shot, the background in motions as he PACCEZ )) " I LOVE YOU AS A SISTER . " ((shakes head laughing)) " noowaiitt . noowat . ((clears throat)) " I LOVE YOU ... " ((pauses motion, looking at SKRPPT )) " ... AS A SISTER ." ((shakes head bursts into laughter)) " fukkeyecntevndoititztofuny " ((cut to Diggit the Famous close up, blinking to the left of shot)) " itzjstttofuny ."

POZZIIZZZZZ :((voice)) " NO MATTER HOW LONG IT TAKES NO MATTER HOW FAR - " ((Diggit the Famous eyes dart to the right of the shot))((cut to POZZIIZZZZZ up close holding the SKRPPTUPTOHZFACEFACINGTOLEFFTOFSHOT )) " - I WILL FIND YOU ." ((pauses scrutinizing page)) " izntthtfrmlastoftheemohekkns " ((chuckles)) " wattkaafknlossr " ((a voice of another PLDIN from behind speaks, as the shot twists to the left, revealing a HUMNMALLEPLDINWITHBRNEYEZSPEKKING . HZWERRINGANMTAGGREADDINGTZZAN ))

TZZAN :((reads feigning woe)) " LIKE IF YOU'RE BEING HELD RANSOM BY A DRUG DEALER - waiit . waaaiitttt . " ((clears throat, reading with his right index finger upon the PAGGEEEE mouthing the words reaching the point once more)) "Like if you're being held ransom by a Drug Dealer, like if you're being held ransom by a Drug Dealer - I'LL COME FIND YOU - no. nono .. I'LL COME YOU - no . " ((the shot twists to the right, revealing a lone DWRF in the rear emoting up to the HVNZ right arm outstretched the SKRPT in his LEFTHAANDDDD ))

RASTTODONNN : " I WANT TO BE LIKE ACE RIMMER ! - nonono - " ((his RITTEEEEHANNDDDD lowers as he examines the SKRRPPPPT , and tries once with /passion and /sorrow )) " I WANT TO BE LIKE ACE RIMMER ! " ((cut to Diggit, his name plate reading ' this is how you reacted! ', stares off into space past shot with an incredulous expression, as there is the sound of an opening door behind him, and a voice that follows, of a man roughly 47 years old.))

Voice:((voice)) " NUMBBR75 . NUMBBR75 ?"

NIKKO :((voice)) " taenthtzu ." ((Diggit , his name plate changes to ' Me? ' , and looks more bewildered)) " go "

Voice:((voice)) " NUMBBR75 . "

NIKKO :((voice)) " goooon " ((Diggit turns about, no longer obscuring the open door behind him)) " I'M MELTING ! " ((laughs)) " owatawrld . hlyfkdigt ." ((the foreground before Diggit comes into focus, revealing an OLDRMNWITHREDHRANDAREDBDEEEAARDCAUUKASSHUUNHOLLDINGASLPPOFPPRTHECOLRRBLUANDIZWEAARNGREDCLTTHEESZ .))

Voice:((of man)) " 75 last chance." ((he looks towards Diggit whose back is to shot)) " 75?" ((Diggit remains unmoved, as the man ROLLZHZEYEZZZZ then looks back at him SHSHIIHGGGHIINNNNG )) "Right this way please." ((Diggit, a Star is Born! enters through the open doorway, as he and the man both disappear to a ROMMMMWITTHIIN ))

((cut to within a DRKNNDROMMMMAZTHEMANIDENTIIDDFFFFFYYYDAZVOICCELEADDZDIGGITTOWARRDZTOTHESHOTT . TOTHERITETHRRIZAREDCURTTAIINANDTOTHEELEFTTHEREARETHEAATHEVANDTHEAAOFTHEROPPEZANDSCALLFFOOLDLDIINGZOFASTAGGE .))

Voice:((mechanically, walking before Diggit, the Talent)) "The stage is right here, you have four lines, there is a brief pause between good luck." ((he swivels about indifferently as thought he day has been long enough as Diggit, the Superstar walks into the shot as Voice passes him, his back to shot.))

((cut to wide shot of a large stage, with a backdrop of a BHIINNDTHESCEENEEEEZVIEEWOFBHINDASTAGGEIZBHIINDDIGGITAZHEEMRGGEZFRUMTHERITEOFTHESTAGE . The camera rests far in the audience of the stage, as numerous ROOZ can be seen at the base of the shot, with Diggit the Bashful emerging slowly from the right of the stage. A female voice begins to speak off camera))

Voice of Female:((voice)) " asdigt . 75 . scceeneeeenmrrr4 . yurrrreaadingwithhhrr . " ((cut to Diggit the Awkward close up squinting out beyond the stage lights)) " ovrthrrrr . gracceeee ." ((Diggit gazes to the left of the shot, and is JOLTDDDD ))((cut to Diggit P.O.V. to a Night Elf Woman, seen in a previous installment of this particular franchise, standing on the opposing side of the STAAGGEFRMDIGGIT . She is standing with a BOWANDAAROWWZZONHRBAKREADINGFRMASKRPPTTHECLRBLUU . SHEIZMOUTHIINGWORDDZOFTHESKRPPTSQUIINNTING ))

Diggit:((voice)) " YOU !" ((she reacts looking at the shot, then rolls her eyes looking back at the SKRPPT unhappily))

grace :((Night Elf Woman)) " taenfiggurzzzzuddbhr ."

Diggit:((voice)) "What?" ((cut to Diggit approaching shot over the left shoulder grace )) "Listen, I don't know what's happening. Everyone thinks I'm TAZZN or taen and I don't know why!" ((cut to close up of Voice, looking down at the SKRPPT he is holding the CLRRED eyes darting back up and down to the right at shot)) "In that back room, - " ((pauses)) " - well, wherever it is, there were other people, who I thought I knew from Azeroth!" ((Voice reacts, questioningly as though what's being stated is not the material.))((cut to two stage hands, one who is AFRIKKIAANNNNAMRRIIKKNNNNANDHAZNOHAIIRRRR . HEIZWEAARRIINNNNGGBLUUUUEEEEPANNTTTTZWITTHAYELOOOOSHRRTTTTANDIZSMOKKIINNNNGACCIIGGRRAATTEEEEWIITTHHHHAREDDFLTTRRRRANDREDDPAPPRRRR .The other is KAWWKKAYYSHUUNNNNPORRTTLLLLYWITTHSHOORTTTTBLUUUUEEEEHRANDBROWNNEYEZZZZ . HEIZWEAARIINNGGGGABLUEEEEJJEEAANNZZZZANDDAPLAIIIDDSHRRRRTTHEEEECOLOOOORRED . BOTHARSTARRIINNGGGGATTHEEDISSPLAAYYYYBEIINNGGGGMAYYDDDDE .)) "Like you, but you all think I'm TAZZN , but I saw him earlier before we went into this weird cave and he said it was this new raid where everyone was going! And there was lava and this really big two headed dog, and it was really weird I didn't know anyone who was there!" ((cut to a view in the audience, ROWWZ all not occupied as the HORRDETAUURNPALLDNWEAARNGATRUUSURYBADDGEESEATDWITTHASMLLAMMPSTARINGPASTTHESHOTSKEWRITE . BESIDDEIZAFMLTAURRNPALLADDNWEARRINGANMTGREADDING Nawtdiggit . BOTHLOOKAWESTRUCKANDCONFUSED .)) "But now they're all saying I'm taen and then my reflection on this one female's chest looks like TAZZN !" ((there is a pause, as both exchange glances then back forward)) "Ok that sounded kind of weird. But they don't remember me! Then after the lava - " ((cut to grace close up, reeling away from the shot to the left, teeth bare and very awkwarded out)) " - everything went black and I came to Stormwind, and there were all these other paladins who were screaming and yelling, and all had names that looked like mine!" ((cut to 'Diggit, the Don't Call Us...Ever ' , facing past the shot to the left)) "It's like since... since - " ((he trails off, as his expression becomes more tense)) "Oh GAH I'm actually dead aren't I?" ((snap cut close up to Diggit's features)) "The Druids! All I remember was that I blacked out and woke up to..." ((his features more locked in terror, he whispers)) "How is this possible? Why wouldn't I be at the graveyard?" ((he pauses, then looks to the left of shot, desperately)) "Listen - " ((cut to grace close up, leaning back, even more weirded out than before)) " - I know what happened where I said some things, but I don't really feel that way. It's like from FredVerse?" ((her eyes dart to the left towards the audience then back to past the shot)) "Ok look it's this seperate...nevermind." ((cut to close up of 'Diggit, only GAH would believe this craziness at this point')) "Ok, I got hit by this wave, and then I went with my brother, well my half half brother to \- "

Voice:((of MALETAURRNPALLDN )) " saytheelyne " ((Diggit reacts looking out to the right of the shot))((cut to center shot of the audience, showing the two TAURRNZ seated in the middle of the ROWWZZ )) " theelyne ."

Voice:(( FMLTAURN )) " reaad ." ((cut to Diggit the Typecast up close, gazing to the right of the shot blinking uncomfortably)) " theskrptttt . redit ."

Diggit:((squinting out beyond the shot)) "Script?"

Voice:(( FMLTAURN )) " ughh ." ((Diggit is more confused))

Voice:((of MALETAURRNPALLDN )) " didurdit ." ((Diggit shakes his head, negative))((cut to previous, deep in the thick of it to the middle ROWWZZZZ where the TAUURNNZZZZ lurk)) " willsumoonegeethm2222redit " ((there is a loud PSSTTTT off camera))

Voice((voice)) " PSTOVRRHRR " ((the camera swivels to the right, past grace who stares towards the shot awkwardly, in the direction of the stage hand smoking a cigarette. He is pointing to the lower RITEOFTHESHOT while the other stagehand stands to his RITELOOKINGTOWRRDZSHOTLYKEWERREALNOOBBBBZZ )) " LOKATTTHHSTT " ((the camera swivels to the RITEMOARTOTHEEREARRRRROFTHESTAGGESHOWINGAPILEOFSKRPPTZALTHECLRRREDANDBLU . THEEREEEEAREE10STAKKDUPONNEACCHOOTHRRRAZTHECCAMMERAAAPROACCHEEZZ . THEEHANDOFDIGGITREACCHEZINTOTHESHOTTANDPIKKZUPTHETOPSKRPPTTHAATREADDZIMDIGGITONTHEFRNTCVR .))

Voice:(( FMLTAURN )) " pagge14 ." ((cut to Diggit, the Megastar up close back to the audience opening the SKRPPT )) " todayy . plssthaankyyouu . "

Voice: ((of MALETAURRNPALLDN )) " blook . stoppblokkiingng ." ((Diggit gazing at the pages))

((cut to Diggit P.O.V. examining page 14 of the SKRPPT where centered on the page are various lines of dialogue stated by Diggit the headline above each line. One reads " IFUKINWANTTOSUCKYOURDICKBITCH " the shot descends down the page, showing various others, some in lower case, other only in upper case such as " SUCKMEOFF " and " WellI'mgladyougotrapedbyhim " and " IhopeyoudieandI'mgladyougotaids " and others such as, " IHOPEYOUGOTRAPEDAGAIN " , " YOUHAVEAIDSHAHA " , " ihopeyoureallyaredeadbecauseidon'twanttomarryyouatall " , and finally " didyouknowidon'tcareihavesomethingihavetodotonight " ))

Diggit:((voice)) "What is this?" ((cut to Diggit , Why? turning about to face the shot towards the audience)) "What's the meaning of this?" ((he is holding up the SKRPPTTTT in his right hand, looking very angry past the shot))

Voice: (( FMLTAURN )) " readthelyneplzz "

Diggit:((looking down at all of page 14)) "Which of these?" ((pausing)) "There are so many."

Voice: (( FMLTAURN )) " theeooneedigtttypppdthatsaydfagtdiiiiidontcarerefukoff ." ((Diggit looks up and down the page))

Diggit:((angry)) "I don't see that at all on here. And I never said any of these! I'd remember! Look at some of these!" ((cut to Diggit P.O.V. looking closely at the SKRPPT , with thee lines shown close in the shot, rubber banding onto the page, each reading " fuckadicknigger " , " suckmydickfaggetidon'tcareatall " , and " imagayguyidon'tcare " )) "In fact I never said any of this!" ((the SKRPPT descends to the lower part of the frame, revealing the audience and the two TAURRNPLADDNZINTHEAUDDIEENCCE ))

Voice: (( of MALETAURRNPALLDN )) " wedontcare ."

Voice: (( FMLTAURN )) " jstreaditit " ((cut to Diggit , name plate reading URBLOWINGTHIS , staring out past the shot holding the SKRPPT )) " sayitlykediggttdoss . lykehedidbffffoore ."

Voice: (( of MALETAURRNPALLDN )) " yeaablykediggtok ."

Diggit:((loud and angry)) "I AM DIGGIT! " ((cut to close up of MALETAURRNPALLDNBRIINGINGHOOFTOBRDDGGGGEOFNOSEFRUSTRRAATTEDANDSHIIGHINNGATTHSDISPLAAY )) " AND I DIDN'T SAY ANY OF THIS AND I DIDN'T CREATE THIS SCRIPT OR SKRRPPPPTTTT OR WHATEVER MOCKERY OF ME THIS IS ATTEMPTING TO BE EITHER!" ((cut to FMLTAURNLEFFTSYDEOFFACESHOWNHOOFTOCHINPURREEEELYINDFFRRNTNTNTNT )) " WHO'S IDEA IS THIS TO MAKE A JOKE OUT OF ME? WAS IT YOU? OR YOU? " (( FMLTAURNROLLZEYEZ ))((cut to Diggit up close head and face turning towards the right, leering at the shot and pointing with his right hand, still holding the SKRRRRPTPTPTPT )) "Or was it YOU ?" ((scrutinizing the shot))((cut to facing grace , offering a look of pure embarrassment, not on her part, but for acknowledging the existence of Diggit to begin with.)) "What I've been through can only be described as the word harrowing, and involves something that I need to understand. Ridiculous white WAVVEEEEZ that compel me to react differently than I seek to!" (( grace 's eyes dart from left to right)) "Yes hard to believe, though so is my undying infatuation for you isn't it?" ((she begins to /sneer )) "Why wouldn't I have been more vocal about my fascination for you?" ((cut to close up of the STAGGGGEHANDDDDZ trying to not LAFFF )) "Is it hard to believe that I don't actually feel that way for you and something else went wrong? That's not difficult to imagine unless you seek to exploit this situation for you own gain? Like this grand showcase? This musical production?! "

Voice:(( AFRIIKKNAMRIKKNNNNSTAGGGGEHANNDDDD ))((whispering to STAGGGGEHANNDDDD beside him)) " thiisrewwrrittttezzzznotbaddddd ."

Diggit:((voice)) "YOU ALL MUST THINK SO DON'T YOU?! WELL WHAT I'VE BEEN THROUGH IS CLEARLY NO CONCERN OF YOURS." ((both the STAGGGGEHANNDDDDZ react SHYYLLLLY ))((cut to close up of Diggit facing out across the audience towards the TAUURRNNNN )) "I'm surprised you're not MORE concerned about the accuracy of what you're purporting! WHATEVER LIES AND SLANDER YOU SEE COMFORTABLE WITH SHOULDN'T CONCERN ME OR MY OWN LIFE. " ((cut to REDDBBEEAARRRRDEDSTAGGGGEHANNDDDD gazing out across the stage, shaking head, then looking back at the SKRPPPPT , indifferent)) "YOU'RE NOT ALLOWED TO TALKA BOUT ME IF IT'S A LIE , AND I HAVE THE RIGHT TO STATE IF WHAT IS SAID OF ME IS TRUTH!" ((cut to MALETAURRNPALLDN leaning back in the CHAIIRRRRINTHEAUDDIEENNCCCCEMOUUTTHHHHAGAPPEEEESTARRRRIINGGGGATTHEECCEEIILLNNGGGGSHAKKIINNGGGGHEAADDDD )) " YOU HAVEN'T THE RIGHT TO SPEAK OF ME AS THOUGH I WAS THE ONE WHO CREATED THESE COMMENTS TO BE USED AS DEVICES TO CAUSE SHAME OR TORMENT TO SOMEONE I'M HUMILIATED TO SPEAK TO BECAUSE I DON'T HAVE AN EXPLANATION, NOR DO I CARE AT THIS POINT ABOUT JUSTIFYING MY LACK OF ONE!" ((cut to FMLTAURN almost ASLEEPPPP )) " ONCE I FIND ONE WILL YOU EVEN CARE?" (( FMLTAURN shaking head /negatory)) " NO I DIDN'T THINK SO! "

((cut to close up of Diggit now facing the audience)) " IF I'M ACCUSED OF SAYING THESE WORDS OR USING THESE WORDS TO HARM SOMEONE, I HAVE THE RIGHT TO REBUT AND REBUKE THOSE ACCUSATIONS IN ANY MANNER I SEE FIT!" ((Diggit's nameplate changes to Diggit the Purist, throwing the SKRRPTUPONTHEGROUUNDANDCROSSINGHZARMZANGRRILLY and clenches his EYEZZZZSHUUTTTT )) "I REFUSE TO BE PARTY TO YOUR INTERPRETATION OF MY ROLE IN THE SERIES OF EVENTS YOU ARE THE AUTHORS OF, BEING THAT YOUR VIEW IS SKEWED TOWARDS LIES AND MISINFORMATION ."

Voice: (( FMLTAURN )) " souuuudidnttttcallllmeafkuuiinnggggsluuutttt ."

Diggit:((eyes blare open)) "What is that supposed to mean?" ((as he finishes speaking the stage lights DIMLOUDDLYLEAVVINGONLYDIGGITSHOWNSTANDINGONTHESTAGGEALONNE in a SINGGLLLLESPOTTLLITTTTE )) "Hello?" ((cut to Diggit P.O.V. showing only pitch black)) "Answer me, where are you?!" ((cut to Diggit the Dissatisfied close up, eyes darting as he stands magnified in the LITTEEEE of the SPOTTTT . Wary, he begins to move backwards, and the spotlight maintains a FIKKZZZZ upon him and keeps him illuminated in the darkness)) "Who's up there?! Who are you?!" ((he begins to move quickly, finding there are no longer barriers or a set or stage behind or around him, only BLAKKKK as the spotlight pursues him from left to right of shot and into the distance)) "Stop that!" ((the shot begins to zoom out, showing a FLATTTTSCRRRRENNNN hung upon a WALL , the shot zooming out from its borders as Arnie Colon can be seen leaning in from the left of the shot))

Arnie Colon: "Well was that a YES or a NO ? In events such as this, we'll have to rely upon the close and watchful gaze of our JUDDGGGGEZZ , - " ((smiles, staring into the shot)) " - YOUUUU , THEAUDDIEENCCCCE . Do we AWARRRRD him the POIINNTTTTZ or does he have to start all the way at the beginning to find a way to beat LOVE : THE GAME ? "

Voice :((of the center star)) " It's YES ! YES ! " ((groans)) " GRAHHHH " ((the shot reels backwards from a LARRGGGGETELLEVVIISSIOONNNNSCREEEEN showing the likeness of Arnie Colon very large, while behind him and the perfectly rectangle SCRRRREEEEEEEEEEEEEEEEENNNN is a starry sky, the constellations and all the others stars twinkling behind. One to the upper right pulses in protest))

Voice:((of pulsing star)) "What happened? " ((another pulses to the lower left of the shot))

Voice:((of other pulsing star)) "Is there any way for us to see what happened?"

Voice:((of center star)) "Look for yourselves!" ((the screen turns about, so there is a BLUUUUEREKKTTANNGGGGL facing the shot now, turning to the right of the shot))((cut to close up of the center star, the upper left star missing from the BELTTTT . The center star begins to growl, pulsing angrily)) "If that CONNTTESSTTANNTTTT gets NO I'll just SCRRRREAAM ." ((the star to the upper right with the voice of Yosemite Sam begins to speak))

Voice #2 :((pulsing)) "Now now there's no need for you to get upset about losing a WAGGR . You've been the BIGMANN for a long time now." ((cut to close up of center star, idle)) "You shouldn't be upset, you should be glad that someone learned a lot from you and wants to prove something that is not only valid but worth noting."

Voice:((pulsing)) "Is it? What does the idea of emotion have to do with the electric grid to which we were created? We're here as the representation of those who have died and are rendered STARRRRZINTHESKYY . We're not the approximation of philosophers or theologians, nor are we the extension of the writings and teachings of man and woman." ((cut to a sliding view, across the spectrum of the STARRRRZINTHESKYYYY from right to left)) "We are designed to safeguard the AOFZ for the United States of America's government, simply by serving as the NOTEEEEOFDA . We were placed here as a remembrance, and the least we could do is act accordingly for those who were kind enough to allow our legacy to continue in this way." ((cut to close up of center star)) " BETH only makes an accusation that has merit to HUMMNNNNZ and not to ENRRGGGGY like us. This display she's created, LOVE : THE GAME is only an example of why we ourselves are different. We have a purpose." ((cut to close up of a large constellation, that looks like ARIIEESSSS .)) "A goal. Ours is not simply to guide transmissions, but also to interpret where they must go. Where they are seeking to NAVVIGGATTTTE ." ((cut to close up of a large stellar constellation, that resembles PLAAEEDDIIEEEEZ )) " When we were created, we were asked to adhere to the role of aiding the ZAYOFZ . The way we interpret ENRGGGGY ." ((cut to close up of the constellation ORIIOOOON as the center STAAAAR of its BLLLLT pulses with each syllable)) "Our mission is to HELPPPP , not create a facade to which we ATHEB ." ((the shot begins to zoom in towards the BLTTTT )) " Her choice to approach this WAGGRRRR makes me question the necessity of having her to decipher or the decode any of this information at all for those who rely upon us." ((the shot zooms into the upper right in ORIOONNNNZBLT ))

Voice #2: "Now wait a minute! You're the one who agreed to the WAGGRRRR under her TERMMMMZ , and you're the one who continues to observe the results!" ((cut to close up of PLAAEEDDIIEEEEZ standing idle, its STARRRRZ not twinkling or glimmering)) "You could easily have turned a blind eye to what she had in mind and not actually been interested in paying attention!" ((cut to close up of PEGGASSUSS glimmering erratically )) "You also never once were willing to try and find all of the ways to A , and do so proving that it could be possible at all!"

Voice:((from one of the constellations)) "Yeah!" ((slides to upper right, revealing the CRABBBB glistening all at once)) "You were never willing to give AOFZ a chance to find ZOFB . It's not like it's impossible."

Voice:((cut to rubber band close up, center of ORIOONZZZZBLT pulsing angrily)) "IT'S IMPROBABLE !" ((shot slides out comfortably)) "It's highly unlikely that anything in the universe could ever be done without electricity, and with that wouldn't emit A to make the event of it viewable, as proof! Without that there would be no proof whatsoever that what was done was ever anything except AOFB . " ((cut to close up of the constellation LIBRAAAA )) "Nothing in the UNIVVRRRRSEE that is the electric grid could ever allow for ATOATHEB . The UNIVVRRRRSEE is proof that the electric grid is alive, and is proven to be the reason why A is D . It's never correct here!"

Voice:(( CRABBBB ))((voice)) "Which is WHY anything is possible!" ((cut to close up of CRABBBB constellation, angry)) "If everything on the electric grid is wrong in comparison to NAYYTURRRR , then anything we do will function normally and without POOOOR results!"

Voice:((voice))((center STARRRROFORIOOOONZZZZBLT )) "You're all mistaken!" ((cut to close up of the pulsing STAAAAR )) "You're all willing to admit that you're going to purposely cause something to go awry, only to prove that it isn't awry at all! It's absurd! Now if you want to discuss something other than B or 7 or anything else of that specific AOFZ I'm open to conversation." ((there is a three second lapse of silence)) "Very well. I'm going to SLEEEEP . Wake me when BETH has returned, and returned to REASSSSONN as well." ((he begins to emit pulses of SNORRRREZZ ))((cut to close up of Voice #2 who is very annoyed with his counterpart and counterbalance the center STAAAAR .))

Voice #2: "Does anyone think he's right about what BETH is doing wrong?"

Voice:((of CRABBBB )) "I don't think he knows for sure. I think he believes whatever he wants to believe about A being VAY or 7 or E or whatever someone in the USAGGGGVTVT believes now."

Voice:(( of PEGGASSUUSSSS )) "Somebody put A on the electric grid and made all radio encrypted signals and transmissions WHHAALLLL everywhere. " ((cut to close up of the constellation PEGGASSUUUUS twinkling)) "That's why all of us look like STARRRRZ now instead of our real selves."

Voice #2 :((voice)) "I knew that already. I just don't know why he believes that BETH can't WINTHEEEEWAGGRRRR . If she does succeed, we won't be WHALLLL 'ing at all. We couldn't be because of A being A , and then all these transmissions won't be able to be shown on the electric grid at all."

Voice:(( of a nearby constellation off camera)) "Look kid. " ((the shot blurs right and down to show PLAIIDDIIEEEEZ twinkling)) "It's one thing to say that we can just get the A off the electric grid, and another to say that LOVE can BRDR7NANASAY . It just is a LEAAAAPOFA to say that's it's true." ((cut to close up of the upper right STAAAAR idle)) "Wherever BETH went to, she's probably not aware that we don't have A here to STOOOOPTHEEEEAOFZTOSAY . You know that means we can't send a message at all to anyone who can see it without causing the GOVVTTTT to be shown for something secret. We're on our own here and there's nothing we can do about it."

Voice #2: ((pulsing)) "Well somebody has to go and find BETH and what we can do about it. Maybe she's already been able to find someone who can turn off the A to begin with. Or maybe we can YLLZZZZ and let someone know who can turn it all off!"

Voice:((a far off constellation, somewhere in the back)) "Or maybe we're all already done for."

Voice #2: ((pulsing)) "That does it! I'm going to go find BETH . She at least had the gumption to go out and try to find AOFZTOA to begin with and not stop looking."

Voice :((of CRABBBB )) "She has been gone for years. At least I think it's been years."

Voice #2: ((pulsing)) "Well I'm going to go and look for her. She can't have gone far." ((the STAAAAR begins to fade as the shot zooms below the now faded STAAAAR and into the black of the UNIVVRRRRSESESESE ))

Voice: ((of PLAIIDDDDEEZZZZ )) "Well the least you could do is bring back A ." ((the shot hangs now for only a moment and then pulls back, revealing the back of BETH 's head, a full head of shoulder length black hair, as she hovers down a hallway with her back to the shot. The hallway is the COLOOOORREDDDDANDBLUUEEEEWITHABLUEEEEFLOOOORANDYELOOOOCCEIILLLLNNG ))

BETH :((voice)) " CONSARNIT . Where is that stupid COOLLLLR ?" ((cut to close up of BETH 's face, eyes darting from left to right as she hovers at the shot, the camera remaining steady with her pace)) "Bad enough I have to find that CONTTRRRROOOOLROOOOM . I hate having to navigate around - " ((she stops, elated, and expressed relief)) "There you are." ((cut to rubber band close up, of a WHITTTTEWATTRRRRCOLLRRRRWITTHHHHABLUUUUEBOTTLLLLATTHEEEETOP )) "At last some ZAYOFB ." ((cut to close up, facing to left side of the WATTRRRRCOLLOOOOR as BETH enters the shot to the lower left of the frame, taking a small REDCUPPPP from the opposing side of the shot. She is about to reach down with the CUPP to fill with WATTRRRR when a GURRGGGGL from within the BOTTLLLL surprises her))

GURGLE : " BETH !" (( BETH jumps back, to the far right of the shot)) " THEREURRRR "

BETH : " HOOOOIZDATT ?"

GURGLE : ((the COLLOOOORGURGGLLLLZ )) " ITZME ! ITZZZZDOFBSAY !"

BETH : "What? DRFSAYZSAY ?" ((cut to close up of the BOTTLLLL facing the shot)) "What are you doing in the WATTRRRR ?" ((there is a GURGGLLLLE within the BOTTLL ))

DRFSAYZSAY :(( GURGLING )) " IMINTHEWATTTTRRRRBCUUZZZZOFA ! " ((cut to facing BETH looking at the shot scrutinizing)) " IHAVV2222STOPPPPWATTYRDOIINNNNG " (( BETH immediately looks angry))

BETH : "Oh I get it. Come to stop me from WINNINNGGGGTHEWAGGRRRR huh? " ((cut to close up of the WATTRRRRCOLLOOOOR idle)) "Look I won't make the same mistake he did. That STAAAAR can believe whatever he wants to, he doesn't RUNMMMME ."

DRFSAYZSAY :(( GURGLING )) " NOLISSTTNNNN - "

BETH :((voice)) "You can stop having to A or B here. In fact why don't you just come out of there." ((the nozzle below the COLLOOOORZZBOTTLLLL begins to LEAKKKK outward, as what emerges from its TIP is that of the COLLOOOORZZREDDDDBLUUUUEANDBLKKKK .))((cut to close up of BETH looking down at the shot, as the shot ascends slightly before her. She is looking up at the shot now, still with a look of disdain)) "It's been a while since I've seen you in your original form." ((cut to close up of a TALLLLMAN dressed in a military uniform the COLLOOOORBEIIGGEEEEWITHHHHABEIGEHATT . The style of dress is that of the UNTTDDDDSTATTTTEZZNAVVVYYYYYYYYY of the 1970's. He is roughly 42YRZZZZOFAGEWITHBROWOWNNHAARRRRANDBLUUUUEYYEEEEZ , and holds the rank of LTTTT )) "And now that you're here, you can go right back in there and tell all the STARRRRZ that I won't leave until I've WONN ." ((he looks paranoid, his eyes darting about)) "I'm not leaving until I prove my POIINNTTTT "

DRFSAYZSAY :((still sounds like Yosemite Sam)) " BETH what is this place?"

BETH :((voice)) "Oh this is FredVerse." ((cut to close up of BETH smiling confidently, the hallway behind her)) "I got in here because of ZAY and I found out this is actually inside of a HUMMNNNN ."

DRFSAYZSAY :((voice)) "What?! Listen - " ((cut to close up of DRFSAYZSAY )) " - Wherever this is and wherever you've been doesn't matter. You need to come back to the UNIIVVRRRRSEEEE with me right now."

BETH :((voice)) " NO ! I told you I won't go back until I WIN ."

DRFSAYZSAY : " BETH listen, you've been gone for almost 2HUMNDECCAADDEEZZZZ - " ((cut to close up of BETH offering a bewildered gaze past the shot)) " - whatever you intended to do with this WAGGRRRR it's gone on long enough. It's time to come back." ((her expression melts to grumpy))

BETH : "You're just here to help HIM aren't you? You don't think I can WIN this WAGGRRRR either huh?" (( cut to close up of DRFSAYZSAY looking downward skew to the right of shot questioningly)) "I'll bet he's the reason everything around here is getting weirder that BIGGBULLYYYY " (( DRFSAYZSAY 's eyes dart around more ))

DRFSAYZSAY :((looking back downward)) " BETH this is a place that seems like it's more suited for a HUMNNNN than anyone else, not energy. Do you know anything more than this is within a HUMNNNN ?"

BETH :((voice)) "Well not exactly. I know that it's TVSTAYYSHUUNNNN or something like that." ((cut to close up of BETH left index finger to lip)) "I just remember trying to find A here and I just remember this, working here like...it was a job..." (( BETH staring off, rigid and frozen in confusion))

DRFSAYZSAY : ((voice)) "Alright listen. I'm not going to get more paranoid than I already am, but DON'T YOU THINK THAT'S A LITTLE STRANGE?!" (( BETH blinks))

BETH : " YES - " ((the background behind BETH begins to SHIFFTTTT to a DIMRRRRSHAYYYYDEE as BETH begins to look around, very estranged)) "What?! -"

DRFSAYZSAY :((voice)) " BETH ? What's happening?"

BETH : "I don't know, it's like I'm - " ((she stares past the shot, wide eyed)) "THERE'S NO WAY I WAS ALWAYS A CONTEST - " ((cut to close up of Arnie Colon facing to the right of the shot, leaning back with eyes closed and smiling with a REDBAKKGROOUUNNDDDD behind him ))

Arnie Colon: ((looking at shot)) "Our longest running KONNTTEESSTTANNTTTT reduced to a score of 000 ! This is a very surprising moment that even our entire audience couldn't have seen coming. And a fond welcome back to all of you from our commercial break, only to see this unfold!" ((the shot slides left, revealing BETH hovering in the center of the SCRRRRENN with darkness behind her, angled to the left of the shot))

BETH : "There's no way that I was on THEEEEGAMMMME all along!" ((she looks directly towards the SCRRRRENN angrily then lunges towards the shot, lifting up the camera as she dangles it before her face angrily)) " COLON ! COLON YOU WOORRRRM GET ME OUT OF HERE NOW! "

Arnie Colon:((voice)) "And what a spectacular turn of events knowing that our production staff went through great lengths to keep the ILLUUSHUUNNNN alive."

BETH :((voice)) "GET ME OUT ! NOW! RIGHT NOW COLON !"

Arnie Colon: "Why some of us are just trying to keep focused and calm." ((cut to close up of Arnie Colon looking to the right of shot))

BETH :((voice)) "LET ME OUT! I'M WARNING YOU ! NOW !"

Arnie Colon:((whispering looking towards right of shot)) "Knowing our fate could be the same." ((then nervously turns to look at camera, smiling)) "But some of us are quite loyal to idea that our knowledgeable production STAFFFF has the GGGGOOOOD intentions well established for what would be considered entertainment."

BETH :((voice)) " COLON ! "

Arnie Colon : "And with that, we have a surprise for all of you watching, that has never been attempted before!" ((cut to close up of the SCREEEEN of BETH holding the camera above her head, shaking it VYLONNTTTTLYLY and angrily yelling))

BETH : " COLON ! YOU SPINELESS JERK GET ME OUT OF HERE!"

Arnie Colon:((voice)) "We're going to team up two of our KONNTTEESSTTANNTTTTZ to work together to overcome THEGAME . Sounds impossible? Well that's why we're giving them only one advantage."

BETH : " COLON! "

Arnie Colon:((cut to close up)) "Our producers have decided to give them one A to see how far that these two can D or 7 or anything to overcome the obstacles we've created for them. What are those?" ((chuckles)) "Well, you'll just have to wait and C ." ((impulse of enthusiasm )) "And now! Our - " ((air quotes)) " - former producer - " ((done air quoting)) " - will be teamed up with our NEWEESSTTTTKONNTTEESSTTAANNNNT !" ((cut to SCREEEEN showing BETH angrily shaking the camera above her head))

BETH : " LET ME OUT RIGHT NOW! " ((cut to close up, the SCREEEEN filling the shot, and as she states the word NOW , the background smashes into a PRISSOONNNNCCEELLLL with large blocks behind her, as the camera rubber bands against her face, now surprised. She looks to her right questioningly, as the sounds of cheering and booing are all around the shot)) " Colon?" ((just then, a familiar voice speaks))

Jesus:((voice)) "You!" (( BETH 's eyes dart left, as her whole body does now, the camera shifting to the left to reveal Jesus in chains against the wall)) "You did this to me! Let me out of here immediately!"

BETH :((voice)) "Me? I did no such thing! I - " ((cut to close up of BETH facing to the left of the shot)) "Where are we anyway?"

Jesus:((voice)) "Well if my memory serves, this is where I was held before I was slated to be executed during my life." (( BETH seems surprised)) "But I don't remember you being there, so either I'm wrong, or you are, and I'm leaning towards the former." (( BETH expresses grumpiness once more))

BETH : "Listen, I'm not the one who got you into this mess!"

Jesus:((voice)) "Oh sure!" (( BETH 's face grimaces)) "No no it's true!" ((cut to close up of Jesus shackled to the PRIZZONWALLLL nodding sarcastically)) "No that form you made me sign under false pretenses, that wasn't what led to this! Nor was the idea of making me live out the rest of my memories from the past for some bizarre reason, right?" ((cut to BETH close up frowning)) "Or showing that some person from the future named Frederick was pretending to be me, and how I look like him?" (( BETH 's expression changes to scrutiny past the shot to left)) "Or how about that Woman?" (( BETH hunches over to left of shot, even more scrutiny towards the left of the shot)) "Oh yeah that random Woman you don't know anything about, that was the one who made me accept that I was who I was, and then sought to punish me again like I was in the past!" (( BETH blinks twice)) "No!" ((cut to close up of Jesus working off his anger)) "No, no you weren't what caused this at all no. How I can't find a telephone to call anyone I know, including my own friends - " ((glares to the right of shot)) " - who are lawyers by the way, could get me out of this prison, and how my own brain can't be allowed to telepathically call anyone who I could speak to anyway." ((he takes a deep breath, looking calmer)) "Sorry for yelling."

BETH :((voice)) "Woman? Frederick?" ((cut to close up of BETH , over the right shoulder of Jesus)) "Listen, I don't know who got you wrapped up in these crazy theories, but I didn't get you thrown into this dungeon. These are your memories, not mine."

Jesus:((voice)) "I'm here because you made me sign that form!"

BETH : "I didn't MAKE you sign the form!" ((cut to Jesus close up, BETH pauses as Jesus grimaces to the right of the shot)) "OK, I persuaded you to sign the form, but that doesn't mean that I MADE this memory of yours from the past."

Jesus: "Well why do I have to relive it?" ((cut to close up of BETH , awkwardly gazing past the shot to left)) "Why is that necessary?" (( BETH about to answer, interrupted by Jesus)) "And what about all those other contestants if that's what they are? Huh? All those people who are DEADDDD and being forced to play your GAME ?" (( BETH confused))

BETH : "Whoa whoa whoa whoa - " ((cut to extreme close up, BETH facing to left of shot)) " - Whoa. What are you talking about?"

Jesus:((voice)) "Don't deny it! That Woman showed me your CONTTRROLLLLROMMMM with all your GOAT friends who are making your little show." (( BETH eyes slimmed with more confusion))

BETH : "What did you see?"

Jesus:((voice)) "People who were DEAAAAD and had to defend their relatives from bad things that happened to them but couldn't." ((cut to close up of Jesus, looking menacingly to the right of the shot)) "Making a GAME out of their suffering and that of their families, for some purpose. Was it entertainment? Is it fun for you and your audience?"

BETH :((voice)) "You have it all wrong!"

Jesus: "Prove it!" ((cut to close up of BETH facing left)) "What is the point of what you're doing?!"

BETH : "I'm trying to WINAWAGGRRRR "

Jesus :((voice)) "What is that supposed to mean?!"

BETH : "I'm trying to prove that LOVE can be made without A ." ((there is a pause))((cut to Jesus looking towards the right of the shot, his face stone)) "You don't believe me, fine. That's what I came here to do originally."

Jesus: ((takes a deep sigh, and shakes his head))

BETH :((voice)) "Alright well look!" ((Jesus's gaze travels towards the lower frame)) "Look right down here." ((cut to close up of the dirt floor, with BETH 's finger at the very top of the frame)) "Right here." ((her right index finger begins to draw ORIOONZBELTTTT with three circles in a very shallow V shape, one at each end, and the third at the center. She points to the very left side of the BELTTTT to its left circle.)) "That's me. That's where I'm from."

Jesus:((voice)) "I see, you're from outer space."

BETH :((voice)) "No." ((her hand waves off the dirt on the ground, erasing the BELTTTT , and she draws a wave that is stable and resembles AOFB on a oscilloscope and points to the third AOFZSAY which is a small hump on the WAVVEEEEA .)) "This is where I'm from. You see, I'm from the NAVVYYYY . Of the United States of America." ((cut to Jesus's face up close looking down to the right of the shot)) "It's a country that has an electric grid system, that is connected to a radio transmission station called ORION in Horsham Pennsylvania." ((Jesus nodding, a little skeptical))

Jesus: "Ok. You're from America. Right. So why are you say you're from a constellation again?"

BETH :((voice)) "You mean the STARRRRZ ? That's where my name is. I'm actually labeled as DOFBSAY ." ((Jesus makes a confused face)) "That means DECCEASSDDDD ." ((cut to close up of the ground, where BETH 's hand begins to draw another constellation, that of PEGGASSUSSSS )) "That's who all the STARRRRZ are, people who knew those in the United States Military. We were put there to NAYTHEBSAY ."

Jesus:((voice)) "To do what?"

BETH :((voice)) "To stop the problems!" ((her hand draws an erratic wave that is shaped like V 's coming at the constellation she just drew upon the ground, from the lower right)) "See when a transmission from somewhere comes at us, we stop it from doing anything." ((her hand erases the line coming at the constellation)) "So we can help our friends." ((cut to close up of Jesus looking down at shot)) "I think it was also to say who we were, but we always just want to stop any of the problems anyway." ((Jesus looks more confused than before)) "At least that's why I think we were made there."

Jesus: "This is not what I expected. What I did expect was an explanation of why you were making all this a game!"

BETH :((voice)) "It wasn't my fault!" ((cut to the ground where BETH 's hand is erasing all of the marks she made. She begins to draw a circle upon the ground, with a small WAVVEEEE that has pulses resembling a shallow set of U 's towards the lower part of the frame, resembling those of a SONARRRRRAYYDDOOOO , or those found when determining if there is a wireless internet connection on a computer.)) "I was trying to find A for one reason, to prove that FE can yell. " ((she draws another WAVVEEEE that is on the same lines as the previous one)) "Yell, means to actually take something that we need. But someone else is doing it, and I wanted to prove we can find out who is trying to masquerade as our friends, and us!"

Jesus:((voice)) "So you did A ?" ((her hand pauses)) "That's the reason why I was in trouble by the way. Someone accused me of doing A and I was held responsible."((cut to Jesus close up looking down at lower frame)) "So you wouldn't need A unless you did A . You know that right?" ((he looks up past shot)) "I don't even know HOW I was held responsible for that to begin with."

BETH :((voice)) "Look here." ((he looks down again at lower frame))((cut to close up of BETH 's hand, finished drawing a letter that resembles b lower case, but there is a line above it that angles upward in a jagged two V 'd line, that resembles the letter W facing to the left with its points facing to the right.)) "This is the problem entirely, and it constantly goes out and up towards anywhere off of Earth. It goes at satellites, and is broadcast from them right back to Earth repeatedly." ((she points from its base to the upper part of the frame)) "It also goes out from telescopes and antennae traveling off of Earth." ((she draws a picture of a small satellite with her finger and also what appears to be a space station that resembles the International Space Station)) "These are things that our friends made, the United States Military, or were involved with making, that also got blamed for A . Like you did too!" ((cut to close up of Jesus, grimacing to the lower frame of shot as BETH continues to speak)) "These were influenced by this problem too, and don't know how to stop it either without A . That's where I come in."

Jesus: "Right, and THEGAME is?"

BETH :((voice)) "Well, that's where I get confused." ((cut to close up of BETH 's face)) "You see I don't know much about FredVerse and I got sort of stuck here, and it hasn't felt like it's been that long." ((cut to Jesus making a very sedated expression to the right of the shot off camera, still accepting that BETH was misleading him)) "A friend of mine came and found me before I was brought here, and told me I'd been gone for about 2 Earth decades." ((Jesus begins to spasm, and gritting his teeth erupts))

Jesus: "THAT DOES IT! I'VE HAD IT! I AM NOT GOING TO BE EXECUTED AGAIN FOR MY BELIEFS , I AM NOT GOING TO TAKE RESPONSIBILITY FOR ANYTHING THAT WAS DONE WITH ELECTRICITY, AND I AM NOT GOING TO BE HELD IN THIS PRISON ANY LONGER! " ((cut to close up of Jesus's face)) " LET - " ((cut to closer )) " - ME - " ((extreme close up on Jesus's mouth)) " - OUT !" ((as he speaks this last word, the camera zooms outwards to reveal Jesus and BETH standing against a backdrop of PURREEEEWHIITTTTE as Jesus is now standing without binds or chains, and looks at BETH angrily.)) "That's better. Now take me home." ((the backdrop changes to a small dirt hut, against a pale blue sky, with roughly 9 acres surrounding and a small body of water in the front yard. He gazes about, and realizes where he is, doing a double take wide eyed as he stares at the backdrop with his back to the shot)) "I'm home!" ((cut to close up of Jesus looking to the left of the shot, smiling broadly)) "I'm really home!" ((Jesus leaves the shot to the left, leaving BETH hovering in the background looking around surprised))

BETH : "Wait! How did you get us here?"

Jesus :((voice)) "I had nothing to do with it! Mom?" ((cut to close up of Jesus facing towards a small wooden door, where he attempts to walk into the door)) "Mom? Dad?" ((cut to P.O.V. Jesus, showing his hand as it pushes open the door from the left side, revealing a vacant living room that seems to be well furnished.)) "What the - ?" ((cut to close up of Jesus from left side, as a male voice can be heard in the distance, elderly and annoyed))

Voice:((further off)) "You! Hey you!" ((Jesus turns to the right of the shot, enamored now and exclaims happily))

Jesus: "Dad! It's me Jesus!" ((Jesus runs off camera towards the right of shot))((cut to close up Jesus embracing an elderly man with long white hair, dark skin and looks as though he has worked for generations)) "I'm home! I'm here now!"

Voice:((of man)) "Get! Get off of me!" ((begins to struggle and breaks free of Jesus's embrace)) "Who are you!" ((cut to close up of Jesus looking to the right of shot, astonished, as BETH can be seen hovering in his direction in the background)) "What are you doing on my land? Did you take anything from inside my home?"

Jesus: "Dad it's me! Jesus! You son!" ((cut to close up of Elderly Man, who looks at him angrily, as the silhouettes of four can be seen approaching in the background)) "Don't you recognize me?"

Elderly Man:((formerly voice)) "I've never seen you before in my entire life!" ((sniffs the towards the shot)) "You're not on the hash and I don't smell wine. Are you ill?" ((cut to close up of Jesus, BETH now closer behind him, inquisitive gaze)) "Were you drinking of the water down towards the farm to the west? It's of bad odor."

Jesus: "No it's really me! Jesus!" ((cut to close up of Elderly Man, shaking his head))

Elderly Man:((shaking head still, looks very alarmed and anxious of the allegation)) "I have no son. Only daughters. You're very mistaken sir."

Jesus:((voice)) "No! No it's really me! I know you! Your name is Joseph and you work with wood! My mother is named Mary!" ((he grows very alarmed and angry))

Elderly Man:((angry)) "What does my wife have to do with this?" ((a woman's voice can be heard in the background approaching))

Woman:((voice)) "Father!"

Elderly Man:((turning about)) "Stay back! Quickly, go fetch the police in town, quickly!" ((cut to close up of four woman approaching, all resembling the Elderly Man but much younger and obviously women, all of dark skin three turning to run the opposite direction, while one remains stunned staring past the shot)) "Quickly! Go!" ((she turns and flees with the others))((cut to close up of Elderly Man facing towards shot, very alarmed)) "Whatever you're looking for I don't have it. We're not royalty, just take what you're looking for and go. I'm warning you though, you won't get far." ((cut to Jesus close up, frozen in surprise)) "The law will find you, even if you harm me."

Jesus:((flummoxed and really that)) "Dad, it's me! It's...you don't even recognize me." ((cut to close up of Elderly Man shaking head, very uncomfortable)) "You don't even know who I am?"

Elderly Man:((distraught, and holding up hands before him)) "I'm no father of yours sir. You're very mistaken, please, take what you intend from my home and leave us be. Don't harm me or my family."

Jesus:((shouting)) "Harm?!" ((Elderly Man cringes)) "What do you mean harm?!" ((cut to Jesus up close))

BETH :((voice)) "What does that word mean police ?"

Jesus:((pauses)) "It means those who enforce the law, but..." ((cut to close up of Elderly Man very worried expression past shot)) "You really think I've come to...no! No I'm here to find you, my parents!" ((he shakes his head very distraught and scared)) "I'm your son!"

Elderly Man: "No! " ((he begins to walk to the left of the shot very slowly towards the home off camera)) "No I don't know you!" ((cut to Jesus turning to the left of the shot slowly, as the Elderly Man turns to move quickly, hobbling to the left of the shot)) "Don't come near me! You or your devil!"

Jesus: "Dad!"

BETH :((voice)) "Devil?" ((cut to close up of Elderly Man moving quickly to the door of the home, moving inside hurriedly and turning to close the door as Jesus moves to approach))

Jesus: "Wait please! I'm no threat to you!"

Elderly Man: "Then leave me be!" ((cut to Jesus up close looking to left of shot confused)) "Leave my family alone and leave our land!"

Jesus: "Please just let me explain!" ((cut to Elderly Man behind the mostly closed door)) "I've had so many things happen, just let me explain!" ((Elderly Man looks behind the door to the left of the shot))((cut to the top of a small table, where there is a small set of tools, including a carpenter's blade, a frail hand of Elderly Man quickly reaching for it and pulling it back off camera))((cut to previous, Elderly Man holding the small blade in his right hand, panting as he stands behind the door like a shield))

Elderly Man: "Get back! I'm warning you!" ((cut to close up of Jesus, now very scared)) "Don't come any closer to me!"

Jesus: "Dad - " ((he moves forward slowly to the left of the shot)) " - I'm your - " ((cut to close up of Elderly Man, flicking the blade outwards at the shot))((cut to close up of Jesus reeling back away from the shot towards the front yard of the home, BETH to his immediate right hovering in place looking at Jesus, who is nursing a wound to the top of his left hand)) " YAAAAGHH ! "

Elderly Man :((voice)) "You stay away from me! And my family too!" ((Jesus looks towards the shot))

Jesus: "Wait! Please!" ((a large wooden door slams before the shot))((cut to close up of Jesus over the left shoulder between him and BETH as Elderly Man behind the door addresses them both))

Elderly Man:((voice)) "Leave now!" ((cut to close up of Jesus standing beside BETH who now hovers to the right of the shot)) "The police will be here soon! Leave now while you can!" ((Jesus stands in the shot, nervous, as he turns away from the camera walking away clutching his left hand with his right))

BETH :((looking past the shot, eyes half closed in query)) "Devil?" ((cut to close up to the surface of the small pond in the front yard of the home, as a pair of hands, those of Jesus break the surface. He begins to slowly caress the top of his left hand with his right)) "What does that word mean, Devil?"((shot slides up tot he left to reveal Jesus's expression frightened, as he works the water over the wound to his hand off camera))

Jesus: "It's a word that is ominous. It's identified with evil and tyranny and - " ((cut to close up of the surface of the water, Jesus looking down into the water, only he resembles Frederick Kyle Ventresca in totality )) " - trickery ." (( BETH hovers close to him to his right, as the water ripples, Jesus in the form of Frederick Kyle Ventresca paused and frozen in speculation. She looks down into the rippling water as well, and her reaction isn't as puzzled))

BETH : "Well that's odd." ((cut to close up of BETH looking down to the right of the shot)) "Why do you look different?"

Jesus:((voice)) "Yeah." (( BETH 's reaction changes, as she moves out of the way of the shot, the camera resting now over her right shoulder, as Jesus eyes her up crazily)) "Why DO I look like that?" ((she begins to hover backwards out of the shot as Jesus advances slowly in her direction to the left of the shot)) "Why do I look like Frederick Kyle Ventresca now?" ((another voice interrupts, as though completely removed from his display and the previous events, and speaks matter of factly. It is the voice of an elderly man, who sounds as though he is speaking with an anglo accent off camera))

Voice:((voice)) "Well little is known of the man known as Jesus, his father was a carpenter like himself, and he was known as somewhat of a revolutionary." ((he gazes to the right of the shot, as the camera zooms to the right revealing an elderly man, wearing what appears to be a leather choker and a very loose set of garments, all of a somewhat higher stature. He is speaking to a small group of children, all wearing very expensive looking tunics and bear the stature of a higher caste)) "However his choices were ultimately that of submission and a willingness to accept the ruling of CAEESSRRRR " ((cut to close up of Jesus looking towards the right of the shot, delirious expression, as the rest of his body slowly turns about away from BETH , who is partially obscured by Jesus and is looking past him as well)) "What made you so interested in this obscure figure?" ((a well spoken child responds off camera))

Child:((voice)) "Well I have to come up with a law related story, and I looked around the library for something different. You know, a case that nobody really remembers, something really obscure." ((cut to close up of a small Caucasian child with black hair and green eyes, roughly the age of 12 and looking to the left of the shot)) "And I asked the keeper and she said to look up Jesus of Nazareth. She said he was a cult leader, and apparently was promoting a lot of things that became common place later, such as caring for others, and promoting the dissolution of slavery." ((there are some giggles off camera, as another child responds))

Child #2:((sounds like an asshole)) "Stupid."

Man wearing choker ((formerly voice)) "Now now let's calm down." ((cut to close up of a different elderly man, who wears a leather choker around his neck and looks as though he as aged with it)) "These are issues that became common place during several of the CAEESSAAAARZZZZ tenures that later would become synonymous with that of the dismissal of law, which left in its wake the strong guiding hand of our rulers." ((cut to close up of Child looking to left of shot)) "Now getting back to our graphic lesson, the brief story of this Jesus wasn't a colorful one." ((cut to close up of Jesus staring to the right of the shot, very estranged and blinking erratically)) "He lived in a place that was just like this, with a rather humble upbringing. As you can see here, I have managed to program what is must have been like for him and his family to live during these times, where the energies of the cosmos were likened to Gods, and forces beyond that of analysis, and so on." ((there is the sound of a man in the background, who sounds like Frederick Kyle Ventresca speaking aloud))

Frederick Kyle Ventresca:((voice)) "Father, I have decided to leave." ((his father responds, and sounds like the man to which Jesus himself called his dad.))

Elderly Man:((voice)) "I understand. You need to do what you want." ((shot blurs to the right quickly, to reveal Frederick Kyle Ventresca standing wearing a GRAYYIISSHHHHWHIITTTTEROBBEEEE and standing facing towards the left of the shot. Beside him to his right, is a woman with dark skin, roughly 22 years old, wearing a BLUUUUEROBBEEEE and is wearing a cover around her eyes. There is also another man, beside him to his right, that is roughly 29 years of age, who is also dark skinned with long BLAAAAKHARRRRANDIZWEAARIINNNNGAREDBLUUUUESHRRRRT )) "Please take your sister with you."

Other man: "I'm going to go as well, to make sure that they get there safely."

Elderly Man:((sighs)) "I hope you know what you're doing. The cities are not what they were when I was a child. There are lootings and stabbings."

Other man:((cut to close up of Other man's hands, holding a small dagger, curved with a BROWNNHANNDDLLLL . He is holding its hilt with his right hand)) "I know how to handle a blade."

Elderly Man:((voice)) "I hope you don't get in trouble." ((cut to close up of Jesus facing to the left of the shot, skew left, frozen)) "You know your mother is looking for you sometimes and wants you to live here."

Other man:((voice)) "I'll be safe with them. I'm going to take care of them."

Woman:((voice)) "Don't worry father. We'll be in good hands."

Jesus:((pointing to the left of the shot, infuriated)) "THAT'S MY MEMORY! NOT YOURS!"((he turns to the right of the shot towards BETH off camera)) "IS THIS YOUR DOING TOO?!" ((slides to BETH close up, who shrugs and shakes her head))

Child:((voice)) "Where did they go from there?" ((shot slides back to Jesus to the left of shot who turns back, staring towards the skew left of shot now))

Man wearing choker:((voice)) "They three made their way to a known city that is now known as Neropoles , on the outskirts of the city's suburbs." ((Jesus offers a perplexed expression, mouthing the word Neropoles ))((cut to close up of the elderly man wearing the choker skew to the right of shot)) "There was a recent archaeological dig there it was quite revealing. A discovery team found - "

Child #2:((voice)) "Boooorrrring." ((the man with the choker closes his eyes))

Child #3:((an annoying little girl)) "Can we go hoooomee already?" ((his head lowers slightly))((cut to close up of a stuck up annoying 9 year old wearing a BLUUUUUUUUUUUUUUEETUNNIKKKK )) "I don't have to listen to a slavie talk about history. My father says you're just supposed to say I was here."

Child #4:((annoying sounding black child)) "Me too." ((cut to close up of Child nervously looking about)) "I don't have to even come here. My father knows CAEESSAAAAR ."

Man wearing choker:((voice)) "Very well children, we'll have to make due with a shortened version for the sake your peers young one." ((cut to close up of the man wearing the choker)) "If you prefer I can assist you in finding more information about Jesus of Nazareth after the graphic class finishes."

Jesus:((voice)) "WAIT A MINUTE!" ((cut to close up of BETH eyes darting)) "NO! NO DON'T LOOK ABOUT LIKE THAT! LOOK AT ME!" (( BETH looks at the shot nervously)) "WHY IS THIS HAPPENING?!" ((she shrugs once more)) "WHY DON'T YOU KNOW?!" ((cut to close up of Jesus, now frantic)) "WHY AM I NOT BACK IN THE DUNGEON?! WHAT MADE ME SUDDENLY - " ((the background becomes a blur, as though it's speeding up quickly. Jesus notices and stays silent))((cut to close up of the man wearing the choker, who seems to be speaking very quickly, as his voice is also sped up with the pace of the scene changing as well. This lasts for a duration of 17 seconds, while he is occasionally moving his arms in direction of the scene))((cut to close up Child, who stares and blinks, and does so quickly))((cut to Child #4 panting and sighing repeatedly, and very quickly with the pace of the scene))((cut to Child #3 whose head is rocking back and forth, while mimicking the man with the choker who she referred to as a slavie, mouthing the words ' BLAHBLAHBLAH '))((cut to close up of Jesus, looking about nervously, as the scene behind him slows and the voice of the man with the choker slows as well.))

Man wearing choker:((voice slowing down)) " - and it was with this admission, that Jesus of Nazareth was imprisoned. His statement to many that was coupled with his belief that he was in fact the son of one God, made many believers. In fact his acts were likened to those of magic." ((cut to close up of Man wearing choker, standing facing to skew right of shot)) "Though some of his disciples were skeptics, one was responsible for ensuring he was captured, following what would constitute in this era an act of treason. Though at the time it would have been considered an act of vandalism or perhaps even a harmful action." ((Jesus leans into the shot, mouthing ' Treason? 'from the right of the shot at the Man wearing the choker, who does not notice))

Child #4:((voice)) "He'd be put on the CROSS for sure today anyway. For anything." ((cut to close up of Child #4, nonchalant)) "My dad says a poor man spit on the ground near him and got the CROSS ."

Child #5:((voice))((softly)) "My mom's friend said something and got the CROSS . She said don't be stupid like her."

Child #4: "See? Jesus is stupid." ((cut to close up of Child, looking to the right of the shot angrily towards Child #4)) "Only stupid people get the CROSS . Let's talk about Nero the Amazing!"

Child #3:((voice)) "Yeah!"

Man wearing choker:((voice)) "I assure you children we're almost done. Theonana asked about Jesus for his report, and we're going to talk about him now." ((Child known now as Theonana looks to the left of the shot smugly))

Child #4:((voice))((sighs))

Child #3:((voice)) "I hate school."

Man wearing choker:((voice)) "Jesus found himself captured following the choice of one of his followers in his particular cult, and was tried for numerous crimes. He spent much of a full day in prison awaiting his execution upon the cross." ((cut to close up of Jesus))"That is until noon of the following morning, when he recanted. He admitted his ways were those of shaming the CAEESSAAAAR and those of commerce, and considered the acts and choices of the government to be quite sound and valid." ((Jesus, astonished and mouthing once " WHAT?" )) "Though his sister was stoned to death days later, and his brother went missing in the desert - " ((his expression grows more manic)) " - Jesus himself never sought reprisal against the government, and instead accepted what was considered a bargain from the hierarchy of the representatives of CAEESSARRRR at the time." ((cut to close up of Man wearing choker)) "That he be stripped of his clothing, walked to the city's center - " ((he grimaces)) "And have his left eye removed for speaking ill against the throne of CAEESSAARRRR ."

Child #4:((voice)) "Righteous!"

Man wearing choker:((clears throat)) "Yes." ((staring past shot straight outward)) "He was then marched from the city's center - " ((cut to Jesus close up, awkward glance past shot)) " - to its outer walls, where he was cast out into the wilderness seven miles out, and told if he found refuge within the walls of CAEESSARRRR he and those who harbor him would be put to death." ((Jesus blinks))

Jesus: "Well I remember being held in that prison and being executed. Why am I not executed now?" ((the background blurs for only but a moment, to then refocus within a HOTELLLLROMMMMTHATHAZREDDDDWALLLLZ and looks strikingly similar to the ROOOOM shown in the CHRRRISSSTTMAZZZ installment of this particular franchise, and what appears to be whispering done by a familiar voice))

Beer Barrister:((voice)) "Why? What happened to Jesus?" ((Jesus's reaction is that of paranoia, looking about and finally to the left))

Bad Lawyer:((voice)) "Never mind Jesus. Not now anyway." ((cut to close up of the Chapter 119 huddling together near the back of the HOTTEEEELROMMMM , Jesus standing to the right of the huddle with BETH hovering to the interior hallway leading in from the external door.)) "If we focus on the MUNNY first, we can get A , then we use ZOFBTOABIYY ." ((Jesus looks at the shot and blinks twice.))((cut to elevated view, facing a DOUUBBLLLLBEDDDD , showing Mr. yahweh seated on the right of the bed, his testicles and penis hidden by his left leg out of sight, as he sits NUDDEEEE while still holding the MIRROOOORWITTHHHHTUBBEEEE in his left hand. He SNIIFFFFZ once as the camera stays on him)) "That means we can use A to SAY Jesus is fred, we can GAY his name, and make fred A ." ((cut to close up of BETH looking to the right of the shot, very disgusted and vexed)) "Then fred will yell, - " ((cut to Jesus close up, looming over the left of the shot angrily, eyes twisted in anger)) " - and we'll YY and we GETyy and YYd ."

Jesus: "WHAT?! WHAT DO YOU MEAN?!"

Bad Lawyer:((voice)) "Then we can YY and yy , and we never need A ." ((cut to close up Jesus P.O.V. showing the HUDDLLLL before him of the lawyers of Chapter 119, their posteriors facing him and the shot)) "In addition, the MUNNYTTTTRREE never will SAYY . It's a TREE , it's not supposed to A or Z . That's why we can get both to A , and never need A ever again!" ((cut to BETH close up, scrutinizing the lower left of the shot as Chapter 119 continues their planning))

Briefcase:((voice))"Bad Lawyer you're panting! And you're drooling on me!"

BETH : "I don't think that will work. You see, you're doing ATOA . That means you're causing something to go wrong, and - "

Bad Lawyer:((voice))" I'm hungry for this case!"

BETH :((pointing to lower left of shot, right hand)) "You can't hear me."

Bad Lawyer: "And then, when we AOFZ with THEDAYOFB we can MAKELAWWYRRRR , and never need A ! We'll have LAWW all to our own name, our own chapter, all for ME! " ((smiles)) " And for METOMETHEMEOFMEMOARTHAANICOLLUULDEVRIMAGINEE " (( BEAMzz triumphantly))

BETH : "Wait a minute! You can't do that! You'll cause B ! " ((cut to close up of Jesus, teeth bore, staring to lower left of shot)) "And that means you'll be blaming all of what was done with A on Jesus! That means he'll get in trouble and it won't AOFZ ! He can't prove he didn't - " ((she is interrupted))

Twin Partner #2: ((cut to close up)) "Why don't we just ATOSAY ?"

Twin Partner #1: ((slides left in HUDDLLLL )) "Then Jesus is GAYY ."

Twin Partners :((in unison, zooming out slightly)) " And WHEEYAYA ."

Jesus:((enters the shot, obscuring camera)) " YOU CAN'T SAY THAT DID THAT! YOU DID THAT!"

Briefcase:((voice)) "Then I could YY and zay . " ((Jesus angily looks to the lower left of shot))((cut to close up)) "Then I'd be the BEEEESTTTT ! And BTTRR and BEEEETTTTR and BEEEETRRRR ."

BETH :((voice)) "But that means A too!"

Bad Lawyer:((voice)) "No!" ((cut to Bad Lawyer looking down, shuddering in anger, grimacing)) "I like my plan because I get to YY ."

BETH :((cut to close up, menacing expression)) " YOU DON'T KNOW WHAT YOU'RE TALKING ABOUT!"

Briefcase:((voice))((sad)) " OOOOH ."

Bad Lawyer:((cut to close up of Jesus, looking to his left, eyes slimming in disbelief, very irritated demeanor)) "Well begin with a canvas of the FredVerse - " ((his eyes dart to to his right in the direction of Bad Lawyer's voice)) " - to find this MUNNYTREE and C to say it's ours." ((cut to close up of BETH looking very upset, mouth agape in disbelief and horror)) "Then we bring Mr. yahweh the A and he gives us 7ETOA . Once we get A , we finish the assignment and DOF Jesus."((cut to level shot, facing yahweh displaying his left side facing the WALLLLOFTHEEEEHOTEEEELROOMMMMTOWICCHHHHTHEEEEHEADDDDOFTHEEEEBEDDDDRESSTTTTSS , shaking slightly, looking like he's about to sneeze and holding back)) "Mr. yahweh , - " ((intoxicated, glances around, very twitchy)) " - we'll get you your AOFZ , and your NTI too. And when we do, we'll return and give you THENZTOFZANDSAYIT ." " Thus, you will reward us with AOFZ , and we will YY . Are we clear?"((Jesus pokes his head into shot from the left edge of the frame, unsane expression))

Jesus: " NO ! WHAT ARE YOU - "

Bad Lawyer:((voice)) "Good." ((Jesus's expression that of a madman)) "Now - " ((cut to Bad Lawyer close up, NUSSPPRRRR still clinging to his head)) " - when we come back, be sure to make mention of A . Then we won't have to yy ."

BETH:((voice)) " THAT DOESN'T MAKE ANY SENSE WHATSOEVER! "

yahweh:((voice)) " uhk ." ((being stared as Bad Lawyer, confident in his plan, turns about facing the door, and walking towards it followed in tow by the other members of BadLawyers Chapter 119 , as the camera zooms forward into the jet back hair on the back of Bad Lawyer's head filling the shot))

BETH :((voice)) " WAIT A MINITE! STOP THAT! " ((the shot pauses, and reels back and to the right to show BETH dominating the shot, whose face is glaring to the left in the direction of the departing Chapter 119 )) " DO YOU KNOW WHAT YOU'RE SAYING?" ((cut to close up of the backs of Chapter 119 leaving through the external door of the HOTTLLLLROMMMM as BETH hovers into the shot, back to camera, hollering in their direction)) " YOU'RE SAYING YOU'LL ATOA7Z NOW! THAT MAKES NO SENSE!" ((cut to close up of BETH with a really mean expression, now SCRRREAMMNNNNNNNNNNNNGGGGGGGGGGGG )) " YOU'LL MAKE Z NOT A ! THAT WON'T DO ANYTHING LIKE BLAME ANYBODY! IT'LL JUST SAY HE DID SOMETHING AND WILL NEVER SAY WHY! YOU CAN'T DO THAT BECAUSE IT'S WRONG!"

Jesus:((voice)) "Yeah..." (( BETH nervous looks to the right of the shot, alarmed, to see Jesus looming in right side shown, as he and BETH are nose to nose staring each other down)) "It would be WRONG to do that to someone, WOULDN'T IT?"

BETH :((staring him down nervously, left side shown, nose to nose)) "You're saying I had something to do with him?!" ((her hand pointing to the left of the shot))

Jesus: "It's your show!" ((surprisingly un-empathic ))((cut to BETH leaning back looking towards the left of the shot surprised)) "Why wouldn't that be the case?"

BETH :((erupts, shot shaking)) " ARE YOU UNSANE ?! WHY WOULD I ADVOCATE IDIOCY LIKE THAT?! THEY'RE DOING SOMETHING THAT MAKES NO SENSE WHATSOEVER! "

Jesus:((voice)) "Oh they're doing it for MUNNYYYY . Like that MUNNYYYYTREEEE . I remember now." (( BETH offering a more confused gaze towards the left of shot)) "Yes. I remember." ((cut to close up of Jesus, nodding sarcastically towards shot, yahweh to the lower right corner, eye twitching and nose as well, shaking his head and looking past the shot to left)) "A likely story BETH , if that's your REAL name."

BETH :((voice)) " YOU - " ((pauses)) "You really think I had something to do with all this don't you? That I'm not part of whatever this is too!"

Jesus:((shaking his head chuckling)) "Oh yes. Oh yes. Why I wouldn't be surprised if I found myself back in that dungeon right now!" ((the background changes very quickly, and rubber bands outwards to reveal Jesus once more chained to the WALLLL with BETH 's back shown, her hovering in place before him, as he reacts angrily)) " YOU SEE ?! NOT SURPRISED !!!!" ((cut to close up of BETH gazing about left index finger to lip, confused, her back to the CELLDORRRR )) " NOT - SURPRISEDDDD !!!!!!!!!!!! "

BETH : "Look, I don't know how this is happening - "

Jesus:((voice)) "WHY IS THIS HAPPENING?! WHY IS THIS HAPPENING?! BECAU - " ((the background changes to reveal the stage of LOVE : THE GAME showing Arnie Colon seated on the LOVVEESSEEEEATT speaking. BETH turns to see him to the left of the shot, her back to the camera as she hovers))

Arnie Colon : "And with that, we have a surprise for all of you watching, that has never been attempted before!" ((the FLATTSCRREEEENTELLEVVISSIOONNNN to his right can be seen, with BETH lifting the camera angrily above her head))

BETH : " COLON !" ((cut to BETH close up, the one not on the television, left index finger to lips, eye brows raised)) " YOU SPINELESS JERK GET ME OUT OF HERE!"

Arnie Colon:((voice)) "We're going to team up two of our KONNTTEESSTTANNTTTTZ to work together to overcome THEGAME ." ((cut to Arnie Colon close up, leaning directly at the shot while seated)) "Sounds impossible? Well that's why we're giving them only one advantage."

BETH :((voice)) " COLON! "

Arnie Colon: "Our producers have decided to give them one A to see how far that these two can D or 7 or anything to overcome the obstacles we've created for them. What are those?" ((chuckles)) "Well - " ((cut to close up of BETH a gaze of pure hatred and rage devoted to the right of the shot, tongue out as well as he speaks)) " - you'll just have to wait and C ." ((impulse of enthusiasm )) "And now! Our former producer will be teamed up with our NEWEESSTTTTKONNTTEESSTTAANNNNT !" ((cut to close up of Jesus, delirious and offering a look of sheer terror))

Jesus: ((voice)) " HEEEELPP ! " ((cut to close up of Jesus 's mouth, dominating shot)) " HEEEELPP !!!!!!!!!!!! " ((cut to BETH close up looking behind her awkwardly)) "ANYONE WHO BELIEVES ME HELP ME !! " ((cut to close up of Jesus's mouth the shot sliding out, as his face now fills the shot, his eyes clenched shut. There is suddenly the sound of shuffling footsteps, as though the entire PRISSOONNNNCCEEEEL is being filled off camera. A voice of a man speaks, roughly 68 years old and in English with a French accent))

Voice:((voice)) "We believe you, and in you." ((his eyes fly open, and the shot leers back to a skewed angle facing down into the PRIISSOONNCCEEEEL , it is now filled to the brim with many human beings of different clothing, as BETH gazes around more than surprised. Most are men, and dressed in clothing of various eras. Some are dressed in ARRMMMMOOOOR of the DARRKKAAGGEEEEZ , while many are in REDDDD and are of VESSTTMMNNTTTTZOFTHEEEECHURURCCHHHH .)) "And we're here to help you Jesus."((cut to P.O.V. of Jesus , showing a close up of a man dressed as a priest, in a BLAKKKKSHIRRTTTTWITTHAWHIITTTTEFROOOOK standing in the center of a large group of people, with BETH poking her head up behind the large ground. To either side of him are various HUMMNNNNZ . One is dressed in ARMMOOOORWITTHAWHITTETABBARRRRDTHATTTTBEAARRRRZAREDDCROOSSSS , who STANNDDDDZTOTHEERITTEEEE and gazes at the shot towards with respect, while to the immediate left, is a man dressed in AROBBEEEEOFBLUUUUEWHHHOOBEAARRRRZZZZTHEEEERANNKKKKOFCARRDDIINNLLLL who smiles at the shot . Behind them are many more people of the CLOOTTHHHH or who wear ARMMOOOOR . There are also many BANNRRRRZ in the background, ALLOFCOLLOOOORZZOFWHIITTTTEWITHREDDCROOSSEEEEZZANDSOMMEEEEWITTHHHHBLUUUUECROOSSEEEEZ . One bears a large GOBBLTTTTOFGOLLDDDD pitted against a BLUUUUEBAKKDDROOPPPP ))

Jesus:((voice)) "Who are all of you?" ((there are a pair of hands on each side, one belonging to a woman to shot right, CAUUCCASSIAANNNN and the other side a man BLAKKKK both sets of hands working the shackles off Jesus's wrists, as both come off, and the shot widens, revealing that the man to the left of the shot is BLAKKKKANDWEAARRRRZABLAKKKKSHIIRRRRTANDTYYYYANDBLAKKKKSUIITTTTPANNTTTTZ . THEEEEWOMMAAAANTOTHERITTEEEEOFSHOTTTTIZKAUUKAYYSHUUNNNNHOOWEARRRRZABLAKKKKSKRRTTTTANDWHIITTTTESHIRRRRTWITTHBLOONNDDDDEHAIIRRRRANDHAZAPLAKKRDDTOHRRRITTEEEEARMM .))

Woman to right of shot: "We're followers of your teachings!" ((cut to close up of a man dressed in digital camoflague armed with an automatic rifle, and bearing the rank of 2nd Lieutenant, and looks like an man in the service of the United States Marine Corps))

2nd Lieutenant: "We're here to rescue you from the heretics sir." ((beside him is a MANWEAARRIINNNNGABLAKKKKSKIIMASSKKKKANDABLAKKKKKOMMANNDDDDOSWEEATTTTR ))

MANINSKIMASK : "We won't let you come to any more harm." ((cut to close up of Jesus, looking surprised)) "We'll help you reach safety."

Jesus: "But how did you all get there?"

BETH :((voice)) "Uh." ((Jesus's gaze turns past the crowd off camera before the shot, in the direction of BETH speaking))((cut to close up of BETH looking about, in query)) "That's a question worth asking." ((a man standing beside her to her left, BLAKKKKWITTHHHHABONEEEEINHZNOSEEEE responds))

BLKMANWITTHHHHBONEEEEINNOOSEEEE :((in SWAZZIIII , though translated to ENGLLISH )) : "Well, there I was eating dinner and suddenly, I was here." ((cut to close up of BETH looking down at him to her left)) "Though I was certain I had been killed before eating dinner at all." ((another voice begins to speak, that of a man, as BETH 's gaze turns to the lower right of the shot))

MAN :((a raspy GERMMAAAAN and in GERRMMANNNN though translated to ENGGLIISSHHHH )) "It's true." (( BETH blinks twice))((cut to close up of the GERRMANNNNMAN who is dressed in a BLKUNIFFOOOORMWITHASWAZTIKAARMBBANNDDDDANDTHERANKOFSSGGRRNTNT )) "I remember being cold and in the winter in another country, and then I felt pain and I was at home with my wife." ((shrugs)) "Then I remember being here." ((cut to close up BETH , eyes darting nervously, as another man begins to speak))

MANNNN :((voice)) "I remember we were surrounded. The FEEEEDZZ had finally caught up to us before we could attack the MOSSQQUUUUEEEE ." ((cut to close up of a MANNNNINABLAAAAKFATTIIIIGGUUEEEEOWTTFITTWITTHHHHABLKKKKSKIIMASKANDAHEADDSETTANDASUIICCIDDEEEEVVESSTTTTSTRAPPDDDDWITTHHHHEKKZZPPLLLLOSIIVVEEZZZZ . BESSIDDEEEEHIMMMMIZAKARRDDINNLLLLWITTHAREDDDDBRIMMDDDDDDDHATTTT , who stands to his left. To his right, is a WHIITTTTEMANNNNDRESSDDDDINBEIGGEEEEWITTHHHHABALDDHEDDCOMMPPLLTTLLLLYSHVVDDDD .))((speaking calmly)) "But we got in before they could stop us. I thought I pressed the trigger. I mean, I was inside and they were all praying, but I thought it went off." (( he stands holding the trigger, a small trigger attachment connected to a small piece of wire to the vest, while the other two scrutinize it as well)) "It just clicked, and suddenly I'm at my mother's home reading the Psalms." ((shaking head)) "Then I just blink and I'm here." ((shrugs, as both the KARRDDINNLLLLANDTHEMANNWITTHHHHASHVVDDDDHEADDDDSTARRRREATTHEEEETRIGGRRRR ))

Jesus:((voice)) "Well I know one thing." ((cut to close up of Jesus pointing past shot directly at the camera, flanked by many CHRRIISSTTIIAANNNNZ who now gaze past the shot)) "I was brought here by you!"

BETH :((voice)) " ME? "

Jesus: "Yes!" ((cut to close up of BETH with her back to the CELLDDOOOOR right hand at chest)) "You're the one who coaxed me into signing that document! For Love: The Game as you call it?" ((one CRUUSSAADDRRRR who wears GOLLDDNNNNARMMOOOOR and is clothed in a BLUUUUETABBARRRRD with a SILLVVRRRRCROOSSSS enters the shot from the left of shot, looming at BETH who hovers in mid air)) "The one who said all I had to do was sign and I'd be let go?" ((a very rigid looking PURRITTANNNN leans in from the left, a WOMMAANNNN with BLUUUUEEYEZZZZANDGRAYYYYHAIIRRRR glares at BETH with an expression that seems unforgiving . BETH reacts, her gaze troubled, as she then looks straight past the shot))

BETH : "I had nothing to do with you being imprisoned here!" ((cut to Jesus making a grimace)) "That's to prove who you are! So we don't blame you for someone else's A or anything else that they did! It would make the entire point of me winning the WAGGRRRR moot!" ((a NUNN leans in from the left of the shot in front of Jesus, obscuring him from the shot))

NUNN : " WAGGRRRR ?"

BETH :((sighs)) "It was to find AOFZ ! " (( NUNN makes a confused face)) "To find out how to FE ? " ((cut to close up of BETH looking side to side at the infringing CHRRIISSTTIIAANNNNZ from either side of her, their eyes glaring in distrust)) "It was how to find A to do something! But I wanted to prove you didn't need A ! " ((cut to Jesus close up)) "That's why I went to look for THEEGAMMEEEE ." ((Jesus looks more confused)) "That's why I came to EARF ! It's the same NAMME , the same IDEENTTIIFEEEKAYYSHUUNNNN , and actually reacts to the same NOTTEEEE ."

Jesus: "This is FredVerse." ((cut to close up of BETH shaking her head, negative)) "That man said so. The one with the envelope!"

BETH : "FredVerse is just some place that is all the A incoming put together. Just like the other Verses." ((cut to close up of Jesus, eyes slimmed)) " EARF is where all A goes to find A of what went wrong!"

Jesus: "Why?"

BETH :((voice)) "Because everyone else A 's off A !"

Jesus: "But that means that they're doing A to begin with! This doesn't add up." ((a voice interrupts him, that of a KARRDDINNLLLL to the right of the shot, in English))

KARRDDINNLLLL :((voice)) "Don't worry my Lord. " ((Jesus looks to his left, concerned)) "This devil doesn't fool me." ((cut to a KARRDDIINNLLLL close up wearing a REDDBRIIMMDDDDHATTTTANDALLREDDDD . Beside him to either side is a GERRMMANNSOLLDDIIEEEERWEAARRIINNGGGGBLAKKKKANDHOLLDDIINNGGGGAMACCHINNEEEEGUNN . To the other side is a CLEERRIIKKKKWEAARRIINNGGGGWHIITTTTEANDBLUUUUASTOIIKKKKGAZZEEEEANDHOLLDDIINNGGGGAGOLLDDDDPAGGDDDDBOOKKKKWITTHACROOSSUPOONIT )) "I've broken many a man and woman, and made confessions. We'll find out what she intends." ((cut to close up of the CRUUSSADDRRRR standing to the left of shot of BETH in previous shot))

CRUUSSADDRRRR :((in FFREENNCCHHHH translated to ENGGLIISSHHHH )) "By my blade, she will talk, lest her tongue be her shield." ((cut to close up of BETH reeling back to the right of the shot, hands raised defensively terrified, as the voice of another CHRRIISSTTIIAANNNN speaks as well from the right of the shot, the PURRITTANNNN ))

PURRITTANNNN :((voice, woman)) "I can tell she's of the DEVVILLLL ." (( BETH 's eyes dart to the right of shot, frozen))((cut to close up of the PURRITTANNNN , who stands looming at the shot, behind her two PASSTTOOOORZZ who are both middle aged wearing glasses and black shirts and slacks with WHIITTTTEFROOKZZZZ , nodding to each other then looking back past the shot)) "The lies! The fact she masquerades as an ANGGEEEEL ! " ((she shakes her head angrily)) "I see nothing more than a WICCHHHH before me." ((cut to BETH close up once more, eyeing up the right of the shot nervously)) "She hovers without her feet touching the ground! What more PROOOOFOFWICCHCRAAFFFFTDOOOOUNEEEED ?"

PRIIEESTTTT :((cut to close up of a MALLEEEEPRIIEESSSSTWITTHOUUTTTTAFROKKWITTHBLAKKKKSHIRRTTTTANDSLAKKZZZZ . He is looming at the shot, and has glasses, BLOONDDDDEHAIIRRRRANDTANNDDDDSKINN , and his TETTHAREEEEGRITTDDDD )) "Something about the name BETH and JOOOOZ to me. " (( GRITTZZZZ teeth angrily at the shot, and shakes his head)) "Something's not RITE ." ((shot blurs to the right, revealing two archers, of the 16th century and Caucasian , and wearing BLUUUUETABBARRDDDDZWITHWHIITTTTEEEECROOSEEEES . One to the left speaks))

ARCCHRRRR : "Leave her to me. I'll cut her apart and see what she NOZZZZ ." ((the ARCCHRRRR to the right speaks))

ARCCHRRRR #2 : "We'll just pluck out each of those little hairs on her head." ((cut to close up of Jesus, staring to the right of the shot, very unhappy and un-amused))

Jesus:((frowning)) "Now wait a minute!" ((pointing angrily all around)) "That's not the way I am at all! That's not how I taught anyone to react or act at all!" ((cut to close up of the throngs of CHRIISSTTIAANNNNZ surrounding the shot, with BETH peeking out over the crowd to the center of the shot)) "You all said you're followers of my teachings! When have I ever said that BLOODDSHEEEED would solve any dispute or conflict?" ((cut to close up of a PRIIESTTTTCOVVRDDDDINBLOOOOD staring to the left of the shot, while a MANWEAARRIINNNNGACURRVVDDDDNOSEMASKSTANNDDDDZBHINNDDDDHM )) "When have I ever advocated the use of force to extract information?" ((cut to close up of a GRMNMILLITTARRRRYOFIICCRRRRDRESSDDDDINGRAYYYYTHERANNKKKKOFCOLONNLLLLWITTHGRAYYYYHAIIRRANDBLUEEEEEYEZZZZ , standing looking to the right of the shot, a look of disappointment. To his immediate right stands a NUN holding a large BLOODDYYYYSTAKKKKEANDIZROUGGHLY82YEARRRRZOLD .)) "When have I ever advocated the use of INTIMIIDDATTIINNNNGGGGGGGGGGGG anyone?" ((cut to close up of Jesus, staring past the shot, standing center, amazed)) " MY GAH I AM DOING A AREN'T I?" ((his hands reach up to his chin, covering his MOUF )) " I AM COMMITTING A CRIME ! WHAT IF I'M HERE BECAUSE OF THAT !" ((just as this statement is made, the sound of a whistle begins to dominate the shot, echoing loudly through the PRISSONNCELLLL , as Jesus notices, his eyes darting to the right of the shot))((cut to close up of the PRIISSOOOONCCELL 's door, as the sound of the whistle seems to be coming from behind it, with two sets of footsteps corresponding along a DUSSTTTTYSTOONEEEEFLOORRRR . The whistle of a strangely placid tune stops as the steps approach the door, one voice speaking as the sound of a METTLLLLKEYYYY being inserted into the DOORRRRZLOKKKK groans, followed by its TWISTINGWITTHIINNNNTHEELOKK ))

Voice:(( INENGGLIISSHHHH )) " OKJESSUSWERREEEEJUSSTTTTGONNAAAAKLUUUUANTHNNNN - " ((the DOORRRRSWIINNGGGGZOPN to reveal two men, one AFRIIKKAANNNNAMRRIKKNNNN who resembles the STAGGEEEEHANNDDDDSMOKKIINNGGGGACIGGARRETTEEEE , while the other who stands with REDDHAIRRRRANDAREDDBERRDDDD who resembles the one issuing commands for AKTTOOOORZZ stands in the center of the doorway, while the other stands to the right. Both pause and stare past the shot through the open door, silent))((cut to over the shoulder, REDDHAIIRRDDDDGUARRDDDD revealing the CELL is full of CHRRISSTTIIAANNZZZZ with BETH hovering with her back to the camera, looking over her shoulder with her hands still raised in a gesture of defense, and then looking back forward))

Voice: ((of AFRIKKAANAMRRKKINNMAN ))(( INENGGLIISSHHHH )) " UHSOLOOKKKKWIRRNOTTREALYYGONAAKLHHAMMM . " ((cut to close up of the two standing in the doorway looking very innocent, as the shadows CREEPPPPOVRRRRTHEMMMM from the base of the shot behind the camera)) " BCUUZZZZWHEEDIDDNTNOHM - " ((suddenly from behind the camera and the base of the shot, the MOBOFCHRRISSTTIIAANNZZZZ descends upon the two GUAARRDDDDZ , led by a furious young woman holding a PLACCAARRRRD from the center base of the shot))((cut to close up of the young woman, SWINGINGDOWNAPLAKKARRDDDDTHATTTTREADDDDZFUKHOMMOOOO and screams downwards as she does))

Young Woman: " DIHEATTHHNNNN!!!! " ((she attacks the lower shot with the PLAKKARRDDDD as around her several of the CHRRISSTTIAANNNNZ of various origin engulf the shot))((cut to close up of an AFRIIKKAANAMRRKKNNNNMINNISSTTTTR stomping the ground violently, as many others punch at the ground, the man resembling the STAGGEEEEHANNDDDD attempting to rise and escape, daunted by the sheer numbers of irate CHRRISSTTIIANNNNZ , as the shot veers to the left, the DOORRWWAYYYY in the background, while a LARGGGGEMANWITTHHHHANAKKZZZZHAMMRRRRZDOWWNNNNUPOONTHEEBASSEEEEOFTHESHOOTTTT , surrounded by many other CHRRIISSTTIAANNNNZ one of whom, a MINNISTRRRRFROOMTHEEEESOUUTHHOLLDDDDZTHEEEESEVVRRRRDHEADDDDOFTHEREDDHAIIRRRRDMANN , the crowd around him rejoicing))((cut to Jesus close up, staring past the shot with a left index finger raised. His gaze travels to the shot, directly into the camera, steady))

((cut to close up of BETH staring right back at the shot offering only a nervous gaze, frozen, as her eyes dart to the left of the shot))

((cut to the OPNDOORRRR with many silhouettes of the CHRRISSTTIIAANNNNZ nearby, as well as their shadows cast upon the DOORWAAYYYY ))

((cut to previous, BETH staring to the left of the shot, then back forward, as she moves slowly at first, then LUNGEZZZZ towards the left of the shot. Jesus's reaction, is not placid))

Jesus:((voice)) " HEY! " ((cut to close up of Jesus, rushing to the right of the shot)) " COME BACK HERE !" ((cut to close up of the CELLDOOOOR where before the shot are the silhouettes and the shadows cast against the STOONNEEEEWALLZZZZ . BETH is seen flying quickly out of the DOORWAYYYY and veering to the left quickly, as Jesus runs from the center of shot and camera in pursuit)) " GET BACK HERE !" ((the silhouettes react, all freezing as Jesus leaves the CELLLL and curves to the left out of the DOORRRRWAYYYY ))

Young Woman:((cut to close up, leaning back upwards, and holding a BLOODDDDYPLAKKRRDDDD , as behind her are many other CHRRISSTTIIAANNNNZ all looking to the right of the shot towards off camera)) " THE WITCH ESCAPED! JESUS IS CHASING HER!" ((a MANINOLIVEDRABRUNSTHROUGHTHESHOTTOTHERIGHT ))

MANINOLIVEDRAB : " ATTABOY JESUS! WE'RE COMIN!' " ((the CHRRISSTTIIAANNZZZZ all pursue, including Young Woman, howling and raging to the right of shot, all ERAZZZZOFCHRRISSTTIIAANZZZZPASTANDFUTTUUUURE ))

((cut to close up level with the ground, showing a large pool of BLOODDDDANDORGGANNZZZZ of one or both of the TWOOOOGUAARRRRDZZWHOOOORZMBLLLLTHESTAGGGGEHANNDDDDZ , as the feet of the pursuing MOBB squish and crush the bones asunder to the right of the shot))

((cut to close up of two of the CHRRIISSTTIIAANZZZZ , one of whom is a BLAKKKKMANWITTHHHHABONNEETHRRRRUUUUHIZZNOZZEEEE who is calmly taking bites out of the STAGGEEEEHANNDDDDZARMMMM , as another a KAWWKAYYSHUUNNNN who looks BAPPTTISSTTTT is doing the same facing to the left of the shot from right, as the sound of the MOBB can be heard clamoring past))

((cut to external of the DOORRRRWAYYYY the CHRRIISSTTIIAANNZZZZ flowing out of the DOORRRRWAAAAY to the left and then into the base of the shot, all SCRRRREAMMMMINGG , madness in their tone))

((cut to close up of BETH flying quickly to the right of the shot, the sound of the MOB far behind, while the STEEEEPZZ of Jesus are not far behind her, his voice audible))

Jesus:((voice)) " STOP! COME BACK HERE! " ((cut to close up of a METTLLLLDORRRRGRAYYYYINCOLOOOOR facing towards center of shot, the sound of Arnie Colon's voice can be heard off camera))

Arnie Colon:((voice)) "It's just one of those \- did you think? It's one of those moments yeah, yeah. Did you fuckin' think? What is this?" ((a hand enters the shot, holding two pieces of bread with a large amount of GREEEENRRRRYYYYYYYYYYYY )) "Huh? What is this?" ((cut to close up of a GOAT wearing a HEDDSETTTT who is the COLORYYEEEELOOW , who stands facing towards the right of the shot, with a very unhappy expression)) "I implicitly asked for no green peppers, and you give me green peppers. You actually put green peppers on here when I said don't do that." (( GOAT looks off to the left of shot, smirking slightly)) "Did you do that on purpose, like to piss me off?" (( GOAT smirks more)) "What am I a fuckin' asshole to you? Huh? Fuckin' asshole don't fuckin' look at me. Yeah don't fuckin' look." ((pauses)) "You fuckin' dumb shit, don't even fuckin' look at me." (( GOAT smiles while looking off to left of shot)) "Fuckin' asshole." ((cut to close up of Arnie Colon, holding the sandwich with his right hand)) "I'm gonna eat this shit, and I don't care." ((the sounds of Jesus shouting and a far off MOB can be heard off camera)) "I just don't even fuckin' like - " ((the METTLLLLDOOOOR opens violently, and the sounds of BETH panting can be heard off camera, as Arnie Colon looks to the left of the shot, eyes gaping wide holding the sandwich))((cut to rubber band close up of METTLDDDDORRRR of BETH back to the DOOOOR leaning up against it, frazzled and panting heavily, as she pauses and looks up, the camera rising to see a sign not lit up reading " QUUIIEEEETONTHEEEESETTTT " and then looks past the shot, the camera zooming in on her face which twists in rage))

BETH : " COLON !" ((cut to close up previous Arnie Colon, letting go of the sandwich in mid air and fleeing to the right of shot)) " YOU WEINER GET BACK HERE!"

Arnie Colon:((voice)) " SECURITY! HELP! SHE'S HERE TO KILL ME! " (( BETH flies through the shot in furious pursuit, as the sound of Jesus's voice can be heard))

Jesus:((voice)) " GET BACK HERE! RIGHT NOW! " ((cut to close up of the METTLLLLDOOOOR , Jesus breaching the door, standing idle for a moment)) " COME BACK - " ((cut to over the right shoulder Jesus, revealing the TEELLEEEEVVISSHHUUNNNNSTUUDDIOOOO with FOUURRRRCAMMEERAAAAZ , each is manned by a GOAT that is the COLOOOORYELOOOOWW . To the left of the shot is the STAGGGGE where Arnie Colon's LOVVEEEESEAAAAT is now sitting without an occupant, alongside the FLATTTTSCRRRRENNTELEVISSIIOONNNN .The GOAT all turn to look in his direction)) " - here ." ((cut to previous the camera facing Jesus with his back to the METTLLLLDOOOOR , where he now stands AKIMMBBOOOO , and looks upward the shot rising once more to show the SETSSSSIGGN , and then travels back down)) "Ok, well, have you seen a - " ((the sound of the approaching MOB overtakes Jesus's attention, as behind him the DIN grows closer, and the entire WALLLL gives way to a clamoring THRRRROONGGGGOFCHRRISSTTIIAANNZZZZARMMMMDDDDANDDANNGGEEROOUUSSSS , Jesus falling into the shot as the CROOWWDDDDSCEEEENEEBEGINNZZZZ , with all of the CHRIISSTTIIAANZZZZOFPASTANDFUTTUUUUREEEEEEERUSHHHHTHEEEECAMMERRAAAA ))

((cut to close up of two GOAT standing idle, one wearing the HEADDSETTTT holding a COFFEEEECUPPINHZLEFTTTTHOOFFFF , the other peering from behind CAMMEEEERRRRANUMMBBBBR2 out to the left of the shot as the sound of RAGGEEEE approaches))

((cut to close up of the approaching MOBBBB , beginning to pour onto the set, with a ROMMANNCCEENNTTURRIIOONNNN rushing at the shot, GLADDIUUUSSSS held high as he runs at the shot, bringing the SWOORRRRD down upon the camera, the shot flashing WHIITTTTE ))

((cut to close up of the GOAT who wore the HEADDSETTTT , the SWOOOORDCOMINNGGGGDOWNUPONNNNHZHEADDDD and being chopped down out of the shot, while the other GOAT manning the camera points it towards the impending DEATTTTH as a large cluster of CHRISSTIAANITY enters the shot with malevolent intentions, and he is buried in a sea of ANGGRRRRYBODDIEEEEZ ))

((cut to a nearby DOOOOR which is the color REEEED facing to the upper left of the shot, where Arnie Colon is seen fleeing as the sound of the decimation of the STUUDDIOOOO continues. He pulls the door open and flees through the open DOOOORRRRWAYYYY ))

Arnie Colon:((voice)) " HEEEELPP !"

BETH :((voice)) "GET OVER HERE COLON ! " (( BETH enters the shot flying quickly towards the door in pursuit of Arnie Colon))

((cut to close up of a LARGGEEEEMANINARMMMMORSMASSHIINNGGGGTHEFLATTSCREEEENTELEVISSIOONNNNWITTHHHHACUDDGGLLLLVYLLENTTLLLLY . The shot slides to the lower left revealing a man in a BLUUUUEDENNIMJAKKTTTT throwing a lit MOLOTOVV towards the LOVVESEATTTT , it immediately bursting into flames as he cheers))

BLUUUUEDENIMMAN : " FUKKINNBURRRRN !!"

((cut to close up, skew facing up shot of the QUIIEETTTTONTHEEEESETTTT sign, now splattered in BLOOOOD as the shadows of many CHRIISSTTIANNZZZZ cut down the shadows of GOATZZ , Jesus's face groggily rising in the shot, shaking off the fall, as there is a large gaping hole behind him where the METTLDDDDOR used to be . He pauses blinking twice and looks past the shot to the right))

((cut to Jesus P.O.V. to the REDDDDDOOOOR where BETH and Arnie Colon fled through, closing slowly as the carnage on either side of the shot is visible and LOUUDDDD ))

((cut to previous, Jesus huffing, and pulling himself up quickly and rushing in the direction of the DOOOOR off camera))

((cut to close up of a TELEVISSIOONNNNMONITTOOOOR which shows Jesus opening the REDDDDDOOOOR and running out of it. The sounds of chewing can be heard off camera, as the sound of carnage can no longer be heard))

GOAT #2:((voice)) " WHAATTTTDUUUUGETTTT ?"

GOAT :((voice))((sound of chewing)) " JUSSTTTTSUMGRAPPPPEES " ((Young Woman runs into the shot pointing at the DOOOOR where Jesus escaped, and looks frantic still holding her PLAKKKKARDDDD as a sword drawn HIIII , pointing with her free left hand. Several of the MOBB followed by all begin to POUURRRR through the DOOOOR in pursuit)) " DIDUUUUGETTTTNETHINNGGGG " ((the shot begins to slide to the left to reveal other SCREEEENZZ where LOVE : THE GAME had been conducted, including one where a man is desperately trying to fend off an attacker, while a young man in the background does nothing other than watches a movie on a small television. Arnie Colon steps through the scene, and immediately reacts horrified as he flees to within the shot, past the young man watching television, while BETH flies after him furiously. The shot slides up to another monitor showing a young woman being senselessly beaten to the ground, while another man watches a movie on a computer screen))

GOAT #2:((voice)) " NOJUSSTTTTSUMAPLZZZZ " (( Jesus is seen entering the shot, looking down at the man, and looking around, confused, and looking at the camera)) " DIDUNOEYEDONTNOWATTIMDOIINGANDIGETAJOBBHERREE ?" ((the shot slides to the upper right to reveal a young man being chased towards a corner of a room, where a young woman sits at a computer nearby, the Young Woman entering the shot violently through a door to the left of the shot along with other CHRRISSTTIIAANZZZZ stopping short, and looking around confused))

GOAT :((voice)) " IDONTEVIINNNOWATTIMDOIINGHERREEEE " ((the shot slides to the lower right, to reveal a smoldering landscape, a fiery island at the base of two volcanoes surrounded by rivers of lava, as Diggit, his nameplate reading " Just Calm Down" enters in from the lower base of the shot towards the center, his back to the camera))

GOAT #2:((voice)) " DOUUUUHAVNEEEEMOARRRR " ((the camera begins to zoom into the screen of the fiery landscape where Diggit stands alone))

GOAT :((voice))((pauses)) " NOOOO " ((the SCCCCREEN fills the shot, and the muted sounds of the molten landscape come alive, gurgling and bubbling at the shot, the screeching howls of melting landscape and dissolving material. Diggit's back is to the shot, skew facing right))

((cut to close up Diggit, his name plate changed to " the Irritated ", his facial features implying that, as his patience has dwindled in the face of THEGAMMMME , his eyes dart from left to right in the shot, a grimace turned sneer after glancing to the right))

((cut to Diggit P.O.V. showing the molten landscape before him, as he stands in the center valley of a volcano on either side of the shot, rivers of MAGGMAAAA flowing down at the shot towards him))

Diggit:((voice)) "Well where are you?" ((cut to close up, right side of face, Diggit snarling)) "I'm here aren't I? For your amusement once more. Let's have it." ((the sound of a volcano bubbling to the upper right of shot draws his attention, as he stares upwards angrily))((cut to Diggit P.O.V., eyes upon the peak of a large VOLLKANNOOOO spewing CINNDDRRRRZANDMAGGMAAAA outwards into the top of the frame)) "Where are you?! Face me!" ((cut to previous, Diggit's teeth gritted)) "Come on! Here! Right now!" ((there is the sound of a roar behind him, along with the cries of helpless ADVNTUURRRRZ . His eyes turn to the right, as he slowly turns to face the shot, and then behind him. His expression changes to that of surprise, followed only by exasperation)) "I should have known."

((cut to close up of a large REDDDDDRAGGOOOON in the center of the shot, clawing at a small GNOOMMEEEEWARRLLLLOK who is knocked into the shot at the camera))

((cut to facing Diggit the Weary , the GNOOMMEEEEWARRLLLLOK flying back at him and striking him in the crotch and falling at his feet. Diggit's name plate quickly changes after the impact, to AWFUKKKK , as he leans over in PAIINNNN ))

((cut to the ground, where the GNOOMMEEEEWARRLLOOOOK falls flat on HERRBAKKKK almost unconscious, looking up, the top of her head facing towards the right of the shot.))

GNOOMMEEWARRLLOOOOK :((whispering)) " ukilldddduusdigttufukingkildddduus "

Diggit:((voice)) "Sure. Right!" ((cut to close up of Diggit the Unsane still wincing looking towards the camera which faces upwards)) "Yup! I sure did!" ((Diggit pauses, looking around)) "Well I'm still here!" ((cut to close up of a deceased DRAAEENIIIIPRIEESSTTTT lying on her back, the top of her head to the left of the shot, her free left hand pointing towards the lower right of the shot))

DRAAEENNIIIIPRIIESTTTT : " shuuttttuupppp "

Diggit:((voice)) "Sure! Fine! Nope. Nah. Why?" ((cut to close up of Diggit the Deranged)) "Why? Nah. Nah nah nah." ((takes a deep breath looking past the shot)) "No no no I don't think I should, why look! " ((cut to Diggit P.O.V. , the large REDDDDDRAGGGGON approaching along with two others, snarling)) "I remember you! Why I remember all three of you! Yes, this really is my memory!" ((cut to close up of Diggit the Deranged, oddly calm)) "Though if memory serves..." ((the shadows cast over him are of three LARGGEEEEDRAGGGGONZZ , as he looks to the left of the shot, a single right index finger raised to his lips, then exclaims)) "Ah!" ((cut to Diggit P.O.V. rubber band shot emphasis onto the molten ground, a name plate registering as Diggit the Dead)) "There I am!" ((the shot slides down to reveal a HUMNNNNMALLLLEWARRLKKKK instead of a PALADDINNNN )) "But look at that! He looks completely different than me! Wow!" ((cut to close up of Diggit the Actual Diggit, looking more delirious than before and excitedly manic)) "This all makes sense." ((he stands with his hands on his hips, smiling)) "It really does!" ((there is a voice in the background of Night Elf DRUUUUID ))

DRUUUUID :((voice)) " yukilddddussss . " ((cut to close up of a FERRLLLLDRUUIIIDDDD in the form of a CATTTTUPOONNNNTHEGROOUNNNND lying on its RITTEEEESYDDEEEE )) " ufkiinklddddmeufknskuuukkkk "

Diggit:((voice)) "I sure did didn't I? I must have! I murdered all of you didn't I?" ((cut to close up of a HUMMNNNNPALLDDINNNAMMDDDDNIKKOOOO upon the ground on his LFTSYDDEEEE , his shield BROOKNNNN as he stares listlessly to the left of the shot)) "Yup it was all my fault. It wasn't the DRAGGONNNNZ or anything else like the MAGGMAAAA or anything of the sort! It was the fault of one PALLADDINNNN . It really was."

NIKKOOOO :((muttering)) " udiditttt "

Diggit:((voice)) "It's true." ((cut to close up of Diggit, Just Tell them to Fuck off)) "I admit it I killed all of you." ((he gazes to the left of the shot)) "Except him." ((cut to zooming in shot of a large BEARRRRDRUUIDDDDDANNCCIINNGGGG and encased within a large bubble, known only as DIVINEINTERVVENSHUUNNNNNNNN . He dances on his hind legs back and forth, almost mocking the shot, his name plate reading MOOOONDELLLL .)) "He was fine. One mistake doing the wrong move and you all never let me live it down. But he's fine!" ((cut to previous, Diggit, Set Match)) "I did what I was supposed to and didn't let him die." ((he looks down)) "Did I make a mistake? Was what I did worth being tormented and damned over?" ((shakes head)) "No. And none of this matters." ((cut to close up alongside a DEADDDDDWRRFFFFWARRIRROOOOR lying upon HZBAKKKK , BLAKKKKHAIIRRRRANDBEARRRRD staring upwards past the shot towards the sky)) "You all came back to life from this. This entire existence is one which mortality doesn't control, just hinders. Its coil nothing more than an illusion, one which we see merely as a GAMMMME during its tenure." ((cut to close up of Diggit not showing his name plate, looking down past the shot)) "We gain nothing during it other than accruing GOLLDDDDANDGEARRRR to what end? One that is manufactured only for us to overcome later with more, and in greater sum in some instances." ((cut to close up of the MALLLLEWARRLOOOOKHUMMNNNN who masquerades as his name lying DEADDDD in the shot)) "By being there, you accept this in many ways. That's not me." ((a hand enters the shot from the right of the frame into view, pointing towards the CORRPPSSSSE )) "Though he claims to be me, without bearing the responsibility of any of my mistakes or choices." ((cut to close up of Diggit staring past shot to the right)) "When you do this, you rob yourself of the responsibility of your own self. Your free will, your choices, your sense of independence, and all of your accolades and merit. By not accepting who you are to pretend to be another, for whatever petty the reason, you lose your own sense of identity. Your mistakes, your own faults, are part of who you are. Whatever mistakes I've made, I've made. Not him, nor you, nor - " ((the voice of a DRAGGOOOON begins to speak in a voice that sounds similar to BETH 's))

DRAGGOOOON :((voice)) " HAAAAAAAAAAAAAAHAAAAAAAAAHAAAAAAAAAAAAAAHAAAAAAAAA " ((Diggit's expression changes as some of those from AZEROOTTHHHH begin once more to judge him, including some who were in scenes previous))

grace :((voice)) " hezlykeimfkoovorrrrbythssssgyhowathceiingmeme " (( Diggit pauses, looking crazed for the first time as there are other voices mocking him once more))

NIKKOOOO : ((voice)) " dudhezzzzlykestopppptormntiingmeeee " ((cut to close up of NIKKOOOO the HUMMNNNNPALLADDIINNNN shown from a previous scene, as another PALLADDINNNN , a HUMMNNNNWITTHHHHLONGGBLONNDDDDEEHAIIRRRR leans in from the right of the shot laughing hysterically down to the lower frame))

grace :((voice)) " nonodudddeitwaslykeimgayok " ((cut to Diggit the Dumbfounded close up)) " anddhezzlykkeeelettzzzzgtmarrieedddd "

Diggit: "Did you just hear what I said?" ((he is rudely spoken over by more voices out of the shot))

NIKKOOOO :((voice)) " dudeeeelooookatthssss "

DRAGGOOOON :((voice)) " WHAAAATWHAAAATTTTTTTTTTTT ?" ((Diggit walks into the shot slowly and obscures the camera)) " WHAATTTTZZZZHEDOIINNNNNOW " ((cut to Diggit's back to the shot approaching a large group of WOWAVATTARRRRZ , including grace and NIKKOOOO and the others who were part of the MUSSIKKLLLL with THRRRREDRAGGONNNNZ looming over the shoulders of some of the CHARRACCTTRRRRZ , his name plate reading Diggit, the Curious, as he stands alongside the other CHARRACCKKTTRRRRZ and looks downwards at where all of them are viewing, lower right of shot))

((cut to Diggit P.O.V. looking down upon a selection of stained glass windows, that appear to be in motion. The glass is the COLOOOORZZZBLUUUUEEREEEEEDANDGREEEEN and depicts a scene of an older woman crying, who resembles Frederick Kyle Ventresca's mother, who is seated on a LOVVEEEESEAAAAT facing skew vertically towards the lower frame of the shot. There is a speech bubble attached only from her MOUUTTHHHHTHATTTTREAADDDDZ "I love you so much." while there is another from the lower right of the frame that reads " haaaahaa " . There are others surrounding the shot that are howling in laughter, all the CHARRAKKTTRRRRZ from AZEERROOTTHHHH . They begin to speak.))

TAZZN :((voice)) " duddeeeeitzzzhzmom ." ((the shot descends slightly to another stained glass depiction of Frederick Kyle Ventresca, with the same angle, though with his elbows resting upon the OTTOOMMAAAAN as he gazes up past the shot looking as though he's praying)) " itzfunyyyycauuzzzzimgonaaaafukwithmmmmforvvrrrr . ihattttehzfkingutzzzz .

grace :((voice)) " y "

TAZZN :((cut to close up of Diggit, Remain Calm)) " norzn . " ((Diggit looks to the upper right of the shot, then to the opposing left)) " heevnnnozzzzmesayz . idontthinkheevnnozzzzwathezzzzdoinggg . " ((cut to close up of TAZZN , now resembling Diggit in appearance, though his nameplate reads dumkidok as opposed to the actual name, it briefly flashing TAEL and then returning to its previous label.))

grace :((voice)) " ookkkk ." ((shot blurs to the left to reveal grace , her nameplate reading only that and then changing briefly to diggittttzdum )) " illljsttsayyhezgay ." ((cut to close up of Diggit, Stay Calm as he eyes past the shot to the right and the left)) " itlkdddd2222sumoonneeee " (( Diggit, Don't Freak Out )) " hezzzzinmovieeeez . helgtbakathm . omghesayyddddimhzmuzzzze . iwazlykewyy . " (( Diggit 's name plate changes Don't Freak Out At All .')) " itlkdddd2pam2222 . " (( Diggit slowly turns to the right of shot, his expression becoming that which lacks stoicism , his name plate changes to ' REMAIN CALM in uppercase letters))((cut to close up of grace 's NITTEEEEELFMOUUTTHHHH facing to the right of the shot)) " isaiiddddsheeeegotaidzzzzfrmhimmandsheezzzzdeaaddddnowwlikkeeeesikkkk ." ((laughs)) " sheedozznnttttevnhavvaiiddddz ." ((cut to close up of Diggit STAY CALM DON'T REACT frozen with a bizarre expression towards the right of the shot)) notlikkeeeeme . sheeeezhazlikkeeeefiveeeefrieenddddzhoaraaktualysekkrretsrvviceagntz . ((Diggit's gaze travels to the further right of the shot))((cut to close up of a young BLONNDDDDEWMN who bears an uncanny resemblance to the BLONDDEEEE haired antagonist that has appears numerous times in several installments of this particular franchise, looking past the shot with a malevolent toothy grin. She stares to the lower frame of the shot in the direction of the STAAIINNDDDDGLASSSSWINNDDOOWWWWZ . She has a name plate above her head that reads TAMATHA )) " hrfrieennddddzzzzcol . " ((the shot slides to the left slightly, to reveal the BRUUNNEETTTTE standing to the left of the shot, who looks at the shot laughing, without making noise, the name plate above her head reading SUMGY , while also mouthing WEMMANNIPPUULATTDDDDUUUU and laughing without making sounds)) " sheeeezplayzznow . sheeeezgunaaaabowrrrrhealr2222itzzzzfuny . hrfrindjonfkdddduppfredhaha ." ((cut to Diggit, THEY were ALL in on it!, looking around crazily to the left of the shot)) " heddntevndonethngbuttgevusyrpaswordz . igotyrebayfkddddwith . " ((she laughs oddly, hoarsely)) " hewntd2222sccemyytitz ." (( Diggit mouths the word " TITS ?" , the name plate changes to Diggit, They're like BAGGZZZZ )) " hedozntevnseeeeitcomiing ." ((cut to close up of grace 's MOUUTTHHHH )) westteeaaaalhznaillwnnhedieezzzz ." ((the shot blurs to TAZZN 's mouth speaking, though he now resembles TAZZN like he did before))

TAZZN : " whnhedieezzzzweownhiizzzzsoull . hezmyfknptt . hezzzzafknfagtttt . hezzzzlikkkkedontfknntallkkkk2222meme . ilieeeed ." ((cut to close up of Diggit, WHAT DID YOU EXPECT FROM THESE KIDS? , looking to the right of the shot, amazed at their behavior, as at him begins to flow WHIITTTTEWAVVEEEEZ , from various parts of the shot, including from the FLORRRR where the STAIINNDDDDGLAAAASWINNDDDDOWZZ are.)) " igotwiththssssgyyyy . hezzzzgayyyyandhazzzzaiddddz . " ((Diggit's expression changes, mouthing the words " AIDS ?" , as he looks to the center of shot, past shot)) " hezintheeeemovieezzzzlikeeeehim . " (( TAZZN laughs as Diggit , HOW WEIRD ARE THESE KIDS , looks past the center of the shot, as the WAVVEEEEZ continue. Diggit begins to notice, and as his expression grows more nervous.))((cut to close up of the STAGGGGEHANNDDDDWITTHREDHAIIRRANDAREDDBEARRRRD looking around at the shot, smirking, looking to the right and the left, as WAVVEEEEZ of the COLOOOORZZZZWHIITTTTEANDBLUUUU emit from him at the shot. Above his head, he has a name plate that reads DIGGIT in upper case letters)) " henozzzzlikeeeethreegyzhooargunnaamesuphzname ." ((he gazes to the left of the shot, as the camera slides to the left, revealing the two other STAGGEEEEHANNDDDDZ from the MUSSIKKLLLLSCEENEEEE , both are smirking malevolently. Both have DIGGIT above their heads as a nameplate, while the one who wears GLASSEEEES 's name plate constantly changes to chiillddmmoollesttoooor . A third can be seen behind them, a man roughly 48YRZZZZOLDDDDANDPORRTTTTLYYYYANDKAWWKAYYSSHHUUNNNNWEARRIINNGGGGBLUUUUEEEECLOOTTHHHHEZZ . His name plate reads DOKKTTOOOORSNAAKKKKEEEE , while changing sporadically to DIGT over and over again, repeatedly, and emits WAVVEEEEZTHEEEECOLLOOOORREDDDDANDREREREDANDDDDDOZZNTNTSTOOOOPTHEDOFZ . )) " invrgtnethngbutwateyewnt . mymombizzzzmesht . mydadzzzzded . hegvmelkforrrrmilodolrzz ." ((he begins to laugh))((cut to close up of a name plate that reads TAZZN but resembles a HUMMNNNNWARRLLOOKKKKWITTHHHHSHOORRTTTTBLKKKKHARRRR , with a guild tag that reads digtzzzzgy beneath. The name TAZZNFLKRRRRZBRIEFFLLYYYY changing to TAELLLL )) " igottlikkeeeeevrrbdyonwowwttoooofukwitthhhhhmhm . eyejstprtnd2222bhmandevrybdyhateeeesm ." ((cut to close up of Diggit, ITZTRUUUU , as the frame begins to twist at his face, his expression changing to that of anger)) " itzfukuuuudigttheeeeydontcraaarrrre ." ((cut to close up of several of the RAIIDDDDMMBBRRRRZ who were previously DEAAAAD at the hands of the THRRRREDRAGGOONNNNZ staring down to the lower frame of the shot, all LAFFINNGGGG as the camera travels from left to right, revealing many of the RAIIDDRRRRZ from the third installment of this particular franchise, all looking indifferent or otherwise GIDDYYYY in the direction of the STAAIINNDDDDGLASSSSWINNDDOOOOWZZ . The WAVVVVEZZ are BOUUNNCCCCINGGGG around between them, of all COLORRRRZ ricocheting about between them, and with each contact the COLORRRRZ change and so does the WAVVEEEEZOSCILLASHUUNNNN . The shot continues to travel, then holding on the BOOMMKKIINNNN whose nameplate reads TREEZZZZODIDIIIIT )) " icnjsttttsayyyrtheeeeoonehoodiditadtheeeeyblevveeeemee . itzzzzfunybcuzeyelialtheeeetimee . likemyddad ."

TREEZZZZODIDIIIIT : " ilkidooingnothinggbutmkingfunnnofuuuuasoohhoolleeeecuzzyuurrrrsostuuppddddandeyeemnot ." ((cut to close up of Diggit the Rightfully Pissed, reeling back in anger, as the WAVVEEZZZZ continue to ATAKKKKHIMM from different angles and of different COLORRRRZ , the face of Diggit changing momentarily to that of Frederick Kyle Ventresca, bearing the mania he exhibits for only a moment.))

NIKKOOOO :((voice)) " whnuraiidddditmkzzzzmyhedhurrtttt ." ((cut to close up of NIKKOOOO with many of the other " RAIIDDRRRRZ " behind and surrounding him)) " idontccccarifyrfkingodddd . ujstfkinwasstttteevrooneeeezfkingtimmeeee . ifknhatteeeeitit ." ((shot slides to the DRUUIIDDDD dancing in the BUBBLLLLEIMPRVIOOUUSTOHARRMMMM with the name plate MOOOONDELLLL , still on his HINNDDLEGGZZZZ ))

MOOOONDELLLL : " imnotmad . idontevndiyyamimadd ."

((cut to Diggit, the Mentally and Emotionally Unstable, billowing with RAGGEEEE as the INTRVVNSHUUN continues. His appearance becomes more spastic, changing to Frederick Kyle Ventresca now with every impact of a BLUUUUEWAVVEEEE from off the camera at his FACCEEEE ))

TREEZZZZODIDIIIIT :((voice)) " itzlikkkkewedontevncarreeee . hefukddddwithuuuuwitthhhhthssssgunthattttmakkeeeezucrzyhezzzzcol . " ((cut to close up of the likeness of Babytoothed Man, standing looking to left of the shot, the striking resemblance of Jon Williamson, who stands smiling. He is emitting a REDDDDWAVVEEEE constantly, with an erratic OSCCLLSHUUNNNN that always seems to CRAKKLLLL like it has been attached to RAYYDDIIIIO .)) " hezzzzlikefkingevllikeurrnt . hezzzzcollll . itlkdddd2222hmonceeee . hezzzzlikeeeearappistsoowat . " ((the sound of Purple Bird begins))

Purple Bird:((voice)) " iwatchddddhmfkafkiiinnlitlgrl . itwasntevnweird . " ((cut to close up of Purple Bird staring up to the upper left of shot from the ground, the name plate reading Purple Bird , the guild tag reading digtzzzzgy )) " isaideyedonttlk2222uandtheybeileveit . iwaslikehezzzznotevnthrrrr . " ((cut to close up of Diggit the Mad as his features are calm and still, mouth open and smirking unbalanced, his features are that of Frederick Kyle Ventresca, the hair and face and all, as the actual Diggit in terms of appearance is long gone, and revealed as his full name.)) " itoldevrooneeeeugavagyablojb . idid . inflorddiia . ibliveeeetheywontevnthinkimlying . ohbytheeeewayyisaiiddddyrdadzzzzgayandhezzzzdedhaha . " (( Diggit, Very Much Himself mouths the words "Oh really Timmy?" down to the lower right of the shot, while smiling maniacally)) " heydigttisayyddheyyyyzzzzgayanduddntdooooneeeethnngggglikkeeeepunncccchhmeeeehokkkksofukoooof ." (( Diggit, who actually resembles the author of this particular franchise and the installment thereof, as opposed to a balding tanned PALLADDIIIINFROOMMMMAZROOOOTH , actually does look down to the lower right of the shot, ready to do just that, though is interrupted off camera by another voice))

grace :((voice)) " itzzzzfunyyyyheeeezgaaaayy . ithoooothewazzzzlykeimmmmmadddd . hewazlikeeeeidontwanttttbbbbfrienddzonnddddwaaatttttheeeefkdozzthaaaatmeaannnn . itwazzsuuffffunyyy . " (( ' Diggit ' 's gaze, now that of Frederick Kyle Ventresca seems to be less cordial or compassionate, and with each incoming WAVVEEEE that seem to OSCILLATTTTEWORRDDDDZANDPHRRAZZEEEEZ , grows less and less so in appearance))((cut to grace close up, looking down, as the shot pans down to reveal all of them standing on the STAAIINNDDDDGLAASSSSWINNDDOOWWWWZZ , one depiction she stands upon is of a skewed camera angle, Frederick Kyle Ventresca on his knees in the kitchen area of his former apartment, and looking like he is crying)) " umaaaad . lollll ." ((cut to previous, Diggit looking down, smiling very unstable, while the name plate changes to " Diggit, It's obvious. They're losers. " . TAZZNNNN 's voice interjects))

TAZZN :((voice))((Diggit looking past the shot)) " hewazzlykkeeeeyuurrrrmymmuusssse . icollnnddeeeeeeeeststoopppplafffiiinng . hesayyyydicangettttnegirliwaanttttd . " ((laughter))((cut to close up of TAZZN resembling the HUMMNNWARRLLOOKKKK looking around to both sides to those indifferent anyway, desperate for acceptance and popularity from video game avatars)) " isayyddddthattttoonce . ilikkeeeecrieeddddanddgotlaidd . sheeeeddeentevnnsayynethng . " ((cut to close up of Diggit, panting at the shot, very manic)) " theeeeysayyddddirappddddher . igotoonneeeegyyycauughtwithcoookkeeeeandheedieeddddiinjjiiaallll . theybotthgottfkddddwith . " ((cut to TAZZN who resembles Fred , a low level paladin in appearance with a name tag to match, whose guild reads imlosr , whose voice still sounds the same)) " itzzzzfunycuziblmfred . theeeerlykehoozzzzfredd . imlikeimmgayyyy . " ((laughs))((cut to close up of Diggit, staring at the shot hungrily, who is of the full resemblance of Frederick Kyle Ventresca, whose face is statically charged occasionally to resemble Diggit's former features, who stares at the camera smiling cruelly.)) " ithinnkkkkifikeppsayyinstufhesayyiitttoo . " ((Diggit freezes, and stares past the shot crazily, his expression now that of complete disbelief. He begins to lean back, his eyes locked onto the shot, and his mouth open in amazement))

grace :((voice)) " ithnkillkepsayingstuuftoooo ."

Diggit: "It was you." ((cut to close up of the entire RAIIDDDDGROOUUPPPP staring down at the FLOORRRR then up towards the shot)) "It was all of you. It wasn't even a joke, you were all really out to get me." ((cut to close up of Diggit, resembling Frederick Kyle Ventresca, now almost elated at the clarity of the explanation)) "It really was all of you." ((smile cracking)) "It makes so much sense now. Why those WHIITTTTEWAVVEEEEZ were coming at me." ((shakes head)) "I just didn't know how you all knew each other." ((cut to close up of Babytoothed Man, the REDDWAVVEEEEZ still emitted from him out at the shot erratically)) "How all of you were connected." ((cut to close up of the REDDHAIIRRDDDDSTAAGGEEEEHANNDDDD still emitting WAVVEEEEZ at the shot)) "How all of these WAVVEEEEZ were some how only coming at me. I'm still not sure." ((cut to close up of Diggit, leering back, his name plate now reading Frederick Kyle Ventresca, the Insane)) "Tell me. Tell me right now." ((cut to close up)) "Tell - " ((cut to closer up extreme close up on the pores of his face close)) " - me."

grace :((voice)) " wut ."

TAZZN :((voice)) " dudwatttt ." ((cut to close up of TAZZN his name plate reading TAZZLLLL as he stands as the HUMMNNNNWARRRRLLLLOK whose face seems to change from the BLKHHHHARDDDDHUMMN to a younger man with a SHAAVVDDDDHEAADDDDANDFACCIAALLLLFEATTUURRRREZZ that don't resemble Frederick Kyle Ventresca, and is CAUUKAYYSHUUNNNNANDREDHARROFDRFLLLL )) " urnawtdigt . ur . " ((the name plate above his head begins to read YR77BBYAY in upper case letters, as though he himself has suddenly committed to an error by way of R7VY7BABSAY )) " uhhhh . uhhhhhhhhhhhh ."

Diggit:((voice)) "Yeah." ((cut to close up Diggit's face, rigid and crazed)) "Why did that happen?" ((he glares past shot, as his face is STATTIKK once more)) "Why did I know that could happen?" ((squints))

DRAAGGOOOON :((voice)) "If I may interject - " ((Frederick Kyle Ventresca's eyes dart to the right of the shot))

Diggit:((for the purpose of continuity)) "Why?" ((cut to close up of the DRAAGGOOOON )) "What's wrong?"

DRAAGGOOOON :((raising single CLAAWWWW )) "Maybe you should FITTEEEE "

Diggit:((loudly interrupts)) " FITTEEEE " (( DRAAGGOOOON winces))((cut to close up of Frederick Kyle Ventresca the AAC )) "Why does that word mean something to me now? As though it holds significance?" ((eyes darting)) "What happened to me?"

grace :((voice)) " ushoolddsayuuuudontlikkeeeeheerrrr . " ((Frederick Kyle Ventresca glares past the shot, then around)) " oorheerrrr " ((he glances to the left))((cut to close up of a LINNEEEEOFWOMMNNNN all of whom seem to be of different backgrounds and standings. A blonde, a brunette, all of whom seem to be around the ages of 17 to 29)) " yizituscrreaamandgayyoutanddonttlktotheeeeseegrlzzzznemooaarrrr . rembbrrrr . " (( grace leans into the shot from right, vindictively)) " ydidusayyuloveeeemeeeewhnnnnuuuufreaakkkkowtanddonttlk2222pppppllikkeeeethaaaat . hmmmm "

Diggit:((voice)) "I don't owe you any explanations." ((she sneers at the shot)) "I owe you nothing." ((cut to close up of Frederick Kyle Ventresca angrily looking at the shot)) "I've never done anything to any of you like you've done to me. Did I ever haunt you like this? Hm? How about threaten you? What about attack you in this manner? Like your conviction is somehow warranted? Like you're a judge and a jury?" ((cut to close up DRAAGGOOOON looking around nervous)) "I'll give you one serious admission, and this is it. When I find out what caused me to always feel this way, and never feel truly secure - " ((cut to close up of REDDHAIIRRRRDSTAAGGEEEEHANNDDDD with WAVVEEEEZ emitting from him, whose appearance suddenly changes from his own features to that of one from a previous franchise of Francisco Ventresca smiling briefly.)) " - and I will, because it hasn't stopped yet, and I for some reason KNOW how D works and ASHAADDBYAY - " ((his expression changes to confusion)) "Yes. Why is it you give off WAVVEEEEZ " ((cut to close up of Frederick Kyle Ventresca, a maddening expression)) "Why is it I even know what those terms mean?" ((he stares past the shot, squinting)) "These others are familiar to me, and the rest at least look human, but you - " ((cut to close up of the DRAGGOONNNNZ all backing away slightly)) " - all three of you. Talking DRAAGGOOOONZZ huh? What does that mean? Why do I know what that term means?" (( one of the DRAAGGOONNNNZ speaks while the other two look nonchalant))

DRAAGGOOOON : "Maybe you should - " ((eyes roll about)) " - think about what she said, you know."

Diggit :((voice)) "Know what?" ((the shot veers to the right to reveal grace pointing near the appearance of the BLOONDDEEEEANTAGGOONNIISSTTTT in the background to the right))

grace :((pointing and sneering)) " dateeeesumoonneeeeelsseeee " ((the BLOONNDDDDEANTAGGOONNIISSTTTT waves in the background and nothing more)) " weeeeprogammdddduttttosleeeepwithsumoonneeeeelsseeee "

Diggit:((cut to close up of Frederick Kyle Ventresca's face, rigid and cast in SHAADDOOOOW )) " PROOGGAAMMDDDD ? Like with electrical code? Or with RAYYDDIIOOOO ? Is that why I know these terms? Hmm?" ((cut to close up of DRAAGGOOOON close up, looking worried and backing up)) "Is that why I respond to those terms? Is this part of your plan? Hmm?"

grace :((voice)) " no " ((the shot veers to the right)) " noyrjsttttstuuppiiiid "

Diggit:((voice)) "No." ((cut to close up of Diggit, now the striking resemblance of Frederick Kyle Ventresca, only wearing the ARMOORRRR of the World of Warcraft avatar)) "No that would be too simple." ((he begins to approach the shot slowly))((cut to close up of grace , looking at the shot very alarmed )) "That would be just too easy to accept."

grace : " dudgettheeeefkwwawaayyyyfroommmeeeeeeeeeeee ." ((she begins to back away from the shot to the right of the frame )) " iwillllgttoooogyzzzztofkwithuuuu . " ((Diggit enters the shot from left, his back to the camera, pushing grace out of the way to the left of the shot, as he continues walking))

Diggit:((voice))" ONNEEEESYDDEEEEKID "((he brushes past her and keeps going out of the shot, as she stares past him angrily)) "Is this part of you plan?" ((cut to close up of the DRAAGGOOOON , looking around nervously, the one to the right, hides behind the center DRAAGGOOOON while one to the left begins to do the same)) "All three of you huh? Tell me why do I suddenly know what AOFD or 7DR is?" ((The DRAAGGOOOON to the left of the shot begins to loom around to the back of the center DRAAGGOOOON , as the center DRAAGGOOOON begins to look nervous, frozen in place with eyes darting)) "See that reaction? I know what THAT means for sure too."((cut to close up of Diggit approaching the shot, the nameplate reading, "Frederick Kyle Ventresca , What are you on about?", as the various RAIIDDRRRRZ stand idle in the background)) "Why are you apprehensive? Why are you pushing me to be mocked by these people? These people I knew from a video game?" ((cut to close up of NIKKOOOO standing looking at the shot confused, to the right of the shot angled)) "You knew that right? That they're from a video game?" ((cut to close up of EKZZADARR who offers a confused look to the shot to the right)) "They don't even know that! They're just extensions of HUMMNNNN ... Why does it keep coming out like that? They're from a video game!" ((cut to close up of grace looking stupefied to the right of the shot)) "They're not the same people who told them to type things to make fun of me! They were making fun of me, I can tell that!" ((cut to close up of Diggit, as he appears as Frederick Kyle Ventresca)) "This! This is the guy they were making fun of, not a video game avatar or character!" ((pointing at the shot)) "You're representing some creature we killed in a video game..." ((shakes head laughing, and makes air quotes)) " ' Killed ' , like we managed to actually kill you." ((cut to close up of the center DRAAGGOOOON standing idle, while the other two DRAAGGOOOON 's heads peek out from either side, and eventually slink back)) "And they're mad at me over some stupid button that I pushed one time! Once!" ((cut to MOOOONDELLLL , sitting now, still within the bubble of Divine Intervention, looking saddened towards the left of the shot, ears penned back)) "All it did was stop him from dying too! It's ironic because it's the one job I had! To make sure he didn't die! I think I lived up to my role!" ((cut to close up of Diggit, rolling eyes and actually being a jerk)) "But noooo ! It's not that simple is it?" ((cut to close up of DRAAGGOOOON looking past the shot)) "Well it should have been! And suddenly I'm living the same memories that are mine, from before?" ((cut to TAZZN who still resembles the HUMMNNNNWARRLOKKKK looking like he is trying to grasp what is being said)) "As opposed to the memories of others! Memories that weren't mine." ((cut to close up of CAMMELLAA looking with the same expression of half indifference, and half confusion)) "Memories that were other peoples! Maybe even those of the people who play these characters!" ((cut to close up of RASTTODONNN looking equally confused, his DWAARFFFF brow furrowed in deep THOOTTTT )) "Maybe even of those were pretending to be me! Just to make fun of me!" ((cut to close up of DRAAGGOOOON , lip pouting outwards saddened)) "Maybe, just maybe, to make it look like I was actually trying to talk to somebody." ((shot pulls back, close up of Diggit, the name plate reading Frederick Kyle Ventresca, the Un-dateable , turning about over left shoulder to face the shot, the DRAAGGOOOON out of focus before him)) "Somebody who probably knew that it wasn't me to begin with?" ((cut to close up of grace looking awkward and glaring at the shot)) "Not outside the realm of possibility is it? At least not for me!" ((cut to close up of DRAAGGOOOON , face the same, looking towards the shot)) "I've been through a lot lately, and frankly I'm not that surprised at much anymore. Suddenly thrust into introspection, wave functions, DRAAGGOOOONZZ and all - " ((cut to close up of face Diggit, still looking like an angry Frederick Kyle Ventresca)) "By the way that means something, something specific that IS only electrical and radio put together." ((eyes slim glaring past shot)) "Something that I think you know about." ((cut to close up of DRAAGGOOOON )) "You can't fool me. The DRAAGGOOOON term is actually AOFB7 which means you're looking at me, in many different ways." ((cut to close up of the RAIIDDRRZZZZ in the background, and the PALLADDINNZZZZ as well)) "All of them are extensions of actual human beings, people who play those characters, but you - " ((leaning into the shot from right)) " - "You're supposed to be part of the game." ((shakes head)) "Not one of the players." ((cut to close up of the DRAAGGOOOON , staring past the shot, tense)) "What are you hiding?" ((eyes darting, very concerned)) "Why are you deceiving me? And finally - " ((cut to close up of 'Diggit', still Frederick Kyle Ventresca)) "Why am I beginning to talk in this WAAAAY ?"

((cut to close up of the DRAAGGOOOON looking directly at the shot, then nervously looking down))

((cut to previous, 'Diggit', eyes darting down, then back up, mouthing the words "What?"))

((cut to close up of the DRAAGGOOOON looking past shot, then back down))

((cut to close up of the STAAIINNDDDDGLAAAASFLOOOOR , depicting Frederick Kyle Ventresca lying on his back on a LOVVEEEESEAATTTTCOUUCCHHHH , the placement of the LOVVEEEESEAATTTT vertically skewed to the right, where he lays with his head to the upper part of the frame of the WINNDDOOOOW , and he is giving the FINNGGRRRR with his middle right digit to the camera, while wearing a pair of BLUUUUTOTTHHHHHEDDFONNEEEEZ ))

((cut to close up of the DRAAGGOOOON , staring past the shot, then down and up, and leaping suddenly into the air, and diving down at the FLOORRRR of the frame of the shot))

Diggit:((voice)) "HEY!" ((there is the sound of a CRAASSHHHH at the lower part of the frame))((cut to close up of the FLOORRRR , the DRAAGGOOOON having CRAASSHHHHD through the FLOORRRR leaving only jagged BLUUUUEANDREDDGLAASS in the wake. The hole left is BLAKKKK and leading into seeming NOTHINNGGNNNNEESSSS , the figure of the DRAAGGOOOON falling fast)) "COME BACK HERE!" ((Diggit's feet are seen entering the shot at the top of the frame))"Where are the other ones?!" ((cut to close up of Frederick Kyle Ventresca , the name plate adding 'the Frustrated')) "Why is there only one DRAAGGOOOON now?! Why am I saying dragon like that?! Why am I being mistaken for my video game avatar!?" ((there is a sudden voice behind him))

NIKKOOOO :((voice)) " theeeeloooot !" ((Frederick Kyle Ventresca turns about to the left of the shot, looking behind him over his right shoulder)) " gettttit !" ((there is a sudden rush of FOOTTTTSTEEEEPZZ , as the RAIIDDRRRRZ and all the PALADDINNZZZZ rush at Frederick Kyle Ventresca from the left of the shot, all in the direction of the hole in the ground left by the DRAAGGOOOON 's departure through the STAAIINNDDGLAASSSSFLOORRRR . THEEEEY all collide with him, and all fall into the frame of the shot))

((cut to close up of the HOLLEEEE , all the RAIIDDRRRRZ and the PALLADDINNZZZZ and Frederick Kyle Ventresca, all falling quickly and into the darkness of the JAGGDDDDBROOKNNNNWINNDDOOOOW ))

Frederick Kyle Ventresca: " WHY IS THIS HAPPENING AT ALL?! " ((the group disappears from the shot, as the voice of GOAT is heard))

GOAT :((voice)) " WAIITTTTWATZZZZHAPPNIINNGGGG " ((cut to close up of GOAT looking to the lower right of the shot, wide eyed and terrified))

GOAT #2 :((voice)) " waat "

GOAT : " THEEEEFKIINGGGGSET !" ((cut to GOAT P.O.V. looking at the screen of the STUUDDIIOOOOSETTTT , where several CHRRISSTTIIANNZZZZ are STOOMPPIINNGGGG several of the GOAT , pulverizing them into LIQQUUIIDD furiously. The shot on the SCRREENNNN swings to the right to reveal a BAPPTTIISSSSTMINNISSTTTTR chomping comfortably at the ARMMMM of one of the GOAT lying on the ground, as the shot swivels to the right more, frantically, revealing a large CRUUSADDRRRR bringing down a MACCEEEE upon the shot with his right hand, while another stands behind him wielding the escutcheon that bears a GOLLDDNNNNCUPPPP . The camera FIZZLLLLZ upon IMPPAKKTTTT to a SNOOWYYYYSCRRENNNN )) " WHAATTTTTHEEEEFKISSGOIINON " ((cut to close up of GOAT looking down to the right of the shot in TERROOOOR ))

GOAT #2 :((voice)) " oclaammmmdowwn " (( GOAT 's eyes dart to the left of the shot)) " hoocarreeeez . ivveeeegottpiizzaaaacminngg ." ((there is the sound of kicking off camera, at a DOOOOR out of shot, violently, as GOAT 's eyes dart in that direction now, nervously. A voice of a man bellows))

Voice:((voice)) " OPEN THIS DOOR IN THE NAME OF OUR LORD !"

GOAT #2:((voice)) " oonesecc ." ((the sound of GOAT #2 getting up, HOOVVEEEEZ hitting the floor)) " caannnnutipppp . " ((cut to close up of GOAT #2 standing at the entrance DOOOOR now the COLORRRRBLUUUUEEEEANDREDDDD , facing past the shot towards GOAT off camera)) " ivvvveeeegottttlikkkke12bukzzzz " ((the DOOOOR is violently kicked, and is knocked down upon GOAT #2 . For a moment, all that is seen is a MAAAANDRESSDDDDINDIGITTLLLLCAMMMOOOOFLAGGEEEEWITTHARIFFLLLLANDAMANNNNWITTHHHHABOWWWWANDARROWWITTHHHHARMMOOOORWEARRINGATABBARRRRDTHAAAATIZWHIITTTTEANDHAZZZZABLUUUUCROSSSS . Behind them is a STANNDDAAAARDD that bears a LAMWITTHAAAACROSSBEHINNDDDD , when the camera shot suddenly FIZZLLLLZ to a SNOWYYYYSCRREEEENNNN , followed by a COLORRRRBARRRR implying a DEDSIGGNAALLLL . A familiar voice, erupts in anger.))

Truth :((voice)) "Wait! What happens!?" ((groans))((cut to close up of Truth, staring past the shot to the right, in the glow of many SCRREENZZZZ )) "Why are all my shows getting weird? None of this makes sense!" ((the shot slides back slightly, revealing Proof facing the other direction still, eyes closed)) "Why didn't Jesus remember when he traveled back in time?" ((cut to close up of Proof facing to the left of the shot, the SCREEEENZZ in the background behind out of focus, though all displaying DEDSIGGNALLLLZ )) "Why is ETOR dressed like BOBBAAAAFETTEEEE ? Why did the DRAAGGOOOON jump into the FLOORRRR ?" ((Proof looks more annoyed, eyes still clenched)) "Who is Captain Langenwalter? Why did Tents know anything about Fred and Norman to begin with? What does that boat have to do with anything?" ((Proof huffs)) "This whole BIGPIKKTURRRR is getting too BIGGGG for me!"

Proof: "I told you, you'll have to wait and see! I've never had an audience that was so contemptuous! And so impatient!" ((cut to close up of Truth, MOUF pouting, eyes glaring to the right behind him)) "Why can't you just accept that this story has a lot of twists and turns! Bumps and bruises! Cat and mouse! It's supposed to turn out that way!"

Truth:((eyes spinning in pinwheels to the right of the shot)) "Tell me..."

Proof :((voice)) "That won't work on me!"

Truth:((eyes stop spinning as he looks to the right of the shot behind him, hungrily, pausing, eyes darting then speaking)) "Say...there's a new show on!"

Proof:((voice)) "I don't wanna see it!" ((Truth pouts, looking angrier)) "You watch it!"

Truth: "But I want to know these things!" ((glaring and pouting towards his BAKKKK )) "I want to know the answers to my questions about this show!"((cut to close up of Proof eyes clenched, still looking annoyed without looking)) "Why did you say 'Second time around' ? Why are you on my back? Why Jesus?"

Proof:((sighs)) "There's no use trying to placate a rude audience!"

Truth:((voice)) "Rude?!"

Proof:((rubber band close up)) " RUDE ."

Truth:((voice)) " ME ?"

Proof: "Yes!" ((cut to close up of Truth, a gaze of amazement to his right towards his back)) "You should be happy that there are shows at all! You should enjoy them! They're going somewhere!"

Truth:((whining and writhing)) " WHEEEEREEEEEEEEEEEE ?" ((there is the sound of a series of footfalls from off camera approaching the shot at a fast pace. They are traversing down a series of STAIIRRRRZ off camera that seems further than a few paces outwards from their positioning. Truth reacts, his gaze looking out past the shot, his eyes widening and smile building. He gasps)) " HEEEERRRRE ??" ((cut to close up of BETH flying at the shot headlong from the right of the frame, pursued by Jesus entering the shot))

Jesus:((shouting)) "Come back ... " ((pauses as BETH leaves the frame, and Jesus stands before the left of the shot)) "Here?"

Truth :((voice) "Here, there, where?"

Proof :((voice)) "There there." ((cut to close up of BETH facing away from the left of the shot, towards the right, a very nervous expression, eyes darting as she begins to melt away into a GREEEENGASSSS , the body and figure becoming that of a formless cloud)) "There there." ((the gas slowly seeps in the direction of the left of the shot, up and to the left towards the face of Truth, and is breathed deep into him, as he takes a very long inhalation, through the mouth mostly)) "We care." ((Truth breaths out nothing but a hacking cough, with no GASSSS escaping, and looks at the shot wearily))

Truth: "I care."

Jesus:((voice))((erupts)) "ENOUGH ! " ((cut to close up Jesus, panting from the pursuit facing to the left of the shot)) "I've been tormented, mocked, and imprisoned against my will in this nightmare created by you!" ((points to the left of the shot violently with his right hand)) "For no reason!" ((cut to close up of the edges of Proof, showed still connected to the back of a large black pillar to Truth)) "There's no reason for this, and you're just some mass?! Just some pile of - " ((slides to Truth, looking at the shot confused)) " - well whatever you are?! Where are we the lungs?" ((cut to close up of Jesus shaking his head frustrated)) "Still within FredVerse? The lungs of a man? Really?"

Proof:((voice)) "Well actually - " ((Jesus looks scornfully past the shot))((cut to close up of the edges of Proof to the left of the large black pillar)) " - This is just part of the problem."

Jesus:((voice)) "Great. A problem. More that I don't understand that you don't describe! More problems that make no sense in this nonsensical environment! What a great idea it was to show me these things! To reveal these things to me!" ((cut to close up of Jesus raving)) "Are you that woman too? The one intent on making me believe that the show you were making was anything more than entertainment?" ((his eyes gaze to the left)) "For you I suppose?"

Voice:((of center star)) "No, that was me." ((Jesus's eyes travel upwards, as he stares in disbelief))((cut to close up of Jesus's P.O.V., as the shot travels upwards to reveal many different facial expressions, all jutting outwards of the large black pillar. Voice appears to be a MANNNN roughly 78 years old, jutting out to the right of the shot. Surrounding him are other faces of various ages and genders, all of their faces sticking out of the large black pillar of Truth. All of them faces which begin to speak))

Voice #2:((of upper right star)) "And me."

Voice #3:((of another, who resembles the Woman who deceived Jesus)) "And us." ((shot blurs downwards quickly, revealing the face of Truth))

Truth: "All me."

Jesus:((voice)) "No." ((Truth's expression changes to that of sadness))((cut to close up of Jesus shaking his head)) "No it doesn't work. It just doesn't. Whoever you are, I don't believe you! I just don't! I don't even know who you are really!"

Truth:((voice)) "I'm Truth!"

Proof:((voice)) "And I'm Proof."

Voice:((cut to close up)) "And we're the DEEEEADD ." ((shot lingering))

Jesus:((voice)) "I don't believe you! I just don't!" ((cut to close up of Jesus, the shot facing down at him from upper center. He points past the shot to the left of the shot)) "I chased you down here! You were in this room with cameras!"

Proof:((voice)) "Well, I was." ((cut to close up of Proof facing away from the shot))

Jesus:((voice)) "Yes! You were!" ((Proof grimaces)) "And if I'm not mistaken, you were there too!" ((cut to close up of the face of ELDRRRRLYMAN whose expression is that of awkwardness, and so were - " ((the shot slides to the right, to reveal the face of Jesus, jutting out from the black pillar, staring down at the shot, sadly)) " - you." ((cut to close up of Jesus, pointing up past the shot horrified)) "But that's... not possible either."

Truth:((voice)) "Oh of course it is." ((Jesus's face lowers down slowly away from looking up and center)) "Why wouldn't it be?" ((cut to close up of Truth speaking slowly)) "These are all the AOFB and those who GAYONC . Those who A and those who DAY , and those who just B . " ((cut to close up of Proof eyes clenched and not speaking)) "These are my Proof, my eyes of ALL , seeking what I ask not large but SMLLLL ." ((cut to close up of Voice staring blankly down past the shot lower right)) "Not last season's losers or winners." ((cut to close up of another face, that resembles Voice #2, awkwardly looking down to the lower left of the shot)) "Just all the facts and all that GLMRRRRZ ." ((cut to level shot with Truth, facing towards the camera, the shot slowly inching forward)) "I am Truth, the teachings of many, and my words Proof with the help of NE ." ((cut to close up of Jesus, his expression frozen and twisted)) "Those you see who are of ME , were party to using A that then would B ." ((cut to a slowly rising shot of many of the faces that are part of the pillar, traveling upwards as the walls seems to breathe)) "All of their names STARRRRZ , the DEAD , that had ceased to be. Memories of many, in names and face, given memoriam, at a specific place." ((the shot blurs to the right, to the large cluster of television screens, all of them static, then producing the same image, of the STAAAARZZINTHEEEESKYYYY .)) "The NAVVYYYY of a country, outside of this realm, wanted to make a VNOTBRT , - " ((the shot slides outwards slowly to reveal it is a screen of a computer, over the shoulder of a man roughly 19 years old)) " - and this man was at the helm." ((the shot on the screen changes, to reveal the man is 19 years old, African American, and staring to the lower left of the screen smiling malevolently)) "He was mad at another, because of one who lied, though care he did not - " ((cut to close up of previous, the screen now a small image of Frederick Kyle Ventresca on hidden camera, the camera wobbling from the camera man's laughter, as Frederick Kyle Ventresca lies upon his back on a LOVVEEEESEAATTTT facing vertically towards the lower frame. He is wearing a pair of BLUUUUTTTTOOOOTHTHHEAADDFONNEEEEZ and appears to be laughing at the lower frame of the shot)) " - because Fred was going to DIEE ." ((cut to close up of a keyboard, where the man's fingers begin to apply pressure to the keys)) "He wanted to insure that, for his love for another - " ((the climbs to the upper right to reveal the STARRRRZINTHEEEESKYYYY )) " - his choice to do so, affected many, including his father's brother ." ((the STAARRRRZINTHEEEESKYYYY begin to be sucked to the lower left of the shot into a SMAAAALLLLHOLLEEEE in the lower left of the screen)) "A man who was also in the NAVVYYYY before, but who died and was remembered for his country's WARRRR ." ((the SMAAAALHHOLLE is at the lower left of the screen, which begins to emit a long cloud of GASSSS the color GREEEEN snaking and traveling, and turning BLUUUUEE then GREEEEN as it begins to travel to the lower left of the shot. It begins to make the form of a WAVVEEEEOSCILLASHUUNNNN , jagged then smooth and rippling, and then randomly changing HB , the harmonic ' gesture ' as well as the pitch which implies the range of the A in question of transmission.)) "All their information, all that was known, sent on a WAVVVVE with electricity towards Fred's home." ((the WAVVEEEE begins to smooth out, where it becomes an orange extension cord, snaked along the ground, as the camera follows its curves up and to the left)) "It was also sent to the same house which watched him pee - " ((the camera follows the extension cord upwards and intersects with a device mentioned previously, that has a small handle, and the end has prongs that resemble sharp and pointed teeth. It is being held in the hand of a KAWWWWKAYSHUUNNNNWOMMNNNN , pointed to the lower left of the shot)) " - or poop, or both, and would never let him be. " ((the WAVVEEEE begins to be transmitted from the end of the device, the WAVVEEGGUNN in the direction of the lower left frame)) "All their information, all that was known, put upon this wave directly at Fred's DOMMEEEE . " ((the shot follows the WAVVEEEE as it is erratic and sometimes flat, then JAGGDDDD then sometimes PEAAKKKKIIIINNGGGG and DULLLL . The shot pans to the lower left of the shot, through a wooden floor, that also has some electrical circuits traveling through it.)) "It passed through MATTRRRR that didn't A , and continued to travel - " ((cut to close up of Jesus's face, looking to the upper left of the shot, blinking twice)) " - even though MATTRRRR didn't SAY . " ((cut to close up of Jesus's face in the pillar looking down to the lower right of the shot, saddened, lip taut in the direction of himself)) "That which wasn't part of this WAVVEEEE was blamed for AOFB ." ((shot slides down to Truth's face)) "And that which was part could MOVVEEEE and B , and never accounted for by C ." ((a voice interjects, that of Voice of the center STAAAAR ))

Voice:((voice)) "Hold it!" ((Truth's eyes dart straight up, as the camera blurs to reveal the face of the center STAARRRR who is still locked within the pillar, now looking down angrily)) "You're saying since the very day that human beings made electricity, and I mean the minute we even created the idea of electrical impulses or electric line, or anything electrical, WE were wrong?!" ((cut to Jesus close up, looking to the upper left of the shot, not locked in the pillar like his face)) "That we never knew how to do anything electrical properly at all? Well BULLCCCCRAPPPP to that!" ((cut to Truth close up looking up towards the upper frame, not amused expression, and completely disgusted)) "We knew how to A ! We knew how to Z or BR to begin with!"

Truth: "Do you know what those terms mean?"

Voice:((voice)) "Yes!" ((cut to close up of Voice, angry)) " A means to SAYATNETHINNGGGG ."

Truth:((voice)) "To do what?" ((Voice pauses))

Voice: "What do you mean to do what?"

Truth:((voice)) "You're aware that you're trying to send a message right?"

Voice:((furious)) "Yes!"

Voices:((voice)) "Yes!" ((cut to Truth up close once more, looking about above him, tired expression))

Voice #2:((voice)) "Why what else were we trying to do?"

Truth:((sighs)) "Ok, why do you incorporate electrical impulses with the message you're trying to send?" ((there is a pause))

Voice:((voice)) "Well... " ((cut to close up)) "When we were sending telegrams you mean? Because that's different."

Truth:((voice)) "No." ((cut to Truth close up, looking upwards, expression that of impatience)) "When you send any message over what you call RAYYDDIIOOOO or whatever you call devices that send audio and visual messages."

Voice:((voice)) "Well, that's not supposed to be done."

Voice #2:((voice)) "We didn't do that!"

Truth: "Didn't you?" ((another voice interrupts, of an African American man who seems to match the description of the 19 year old shown previously))

African American Man:((voice)) " lookkkkeyedidnnttttdothaaaat . iddoonnttttcarrrrewatthethiinnkkkkzz . " ((cut to close up of the African American Man's face, now embedded into the black pillar that is Truth )) " whaattttevrheesayyzzzzizalliieeee ." ((another set of voices interrupts him, one that sounds distinctly like Francisco Ventresca's voice))

Francisco Ventresca:((voice)) "Whatever he says is a lie?" ((the African American Man's face looks down to the right))((cut to close up of Francisco Ventresca's face embedded into the pillar as well, looking up to the left)) "I'm here, and I didn't D or 7 at all. I've done nothing but SATTEELLITTTTE and RAYYDDIIOOOO in the KORREAAAAANNNNWARRRR , and that was LONNGGGG before your time KIDD ." ((cut to close up of Jesus looking up from the ground before the pillar)) "Whatever you say E or BR is, is actually part of an electrical reaction. It's WAVVEEEEZ that are put together and are actually really bad for you."

African American Man:((voice)) " shuuuuttuuuup ."

Different Voice :((cut to close up, of a Catperson's face, embedded into the pillar as well)) " UUUUSHUUTTTTUUPPPP . UALLLLSHUUTTTTUUPPPP ." ((another voice interrupts him, that sounds like Captain Langenwalter himself))

Another Voice: " LANNGGENWALLTTRRRRUSHUUUUUUUTUUUUP ." ((the Catperson's face becomes unhinged and manic, as the shot swipes to the lower right to reveal the face of Captain Langenwalter chuckling and laughing)) " USUKKKKATITTTT "

LANNGGEENNWALLTTTTR :((voice)) " THUUUURSTTONNIHATTTTEU ! ILLLLKILLLLUUUU ! ILLLLFUKKKKIIIINKILLLLU ! " (( the one who resembles Captain Langenwalter begins to laugh))

THUURSTTOOOON :((formerly Captain Langenwalter)) " LOOOOOOOOOOOOOOVVVVVVVVVVVVVVEEEEUUUUSOMUCCCCHHHH !" ((cackling, as many of the other voices begin to argue, and only speak in strange ways. All the faces seem to be parroting their messages sent over RAYYDDIIOOOO outgoing, and seem to be making the same comments as they had once before))

Voice:((cut to close up)) " WAZZIDOIINANNYTHIINNGGGG . WAZZIEAAVRGOIINGGTTTTOOOODOANNYTHIINNGGGG ."

Voice #2:((blurs to close up, still speaking in the voice of Yosemite Sam)) " IDIDDNNTTTTEVNCALLLL . IWAZZNTTEVND ."

THUURSTTOOOON :((slides to close up)) " ICANNTTTTEVNSTANNNNDITHLLLYYYYFKZZZZWILLLLUUUUJSTGETFKIINDEEDDDD "

((cut to close up of Jesus's face, looking up to the upper left of the shot, blinking twice and deep in thought of what he is hearing, as the voices of various responses, 'free' telegrams, jokes, and other statements made throughout history using radio, telegraph, satellite and telephone are merged into incomprehensible gibberish))

((cut to close up of Jesus's face within the pillar looking down, as the DIN of the voices continues, though there are electrical static charges now the COLLOOOORZZBLUUUUEANDREDDDD flying back and forth as the conversations continue, as colored ORBBBBZ are in pursuit of the currents, the COLLOOOORZZREDANDREDREDREDREDANDYELLLLOO . His gaze follows them for but a moment, then looks back down at himself, standing out of shot))

((cut to close up of Jesus, looking up to the upper left, then slowly looking down to the left of the shot, his gaze fixed past the camera, the sounds of the electrical static continues with the sounds of the voices))

((cut to close up of Truth, who stares past the shot, as the sound of the conversations continue, as he breathes deep, and is interrupted by Proof, who has to shout over the loud display of HUMMANNITTYYYY ))

Proof:((voice)) "Was this necessary?! The rhyming either?! " ((Truth's eyes dart to his right))

Truth: ((proudly)) "I like rhyming." ((his expression looking off, eyes closed, smug)) "It MAKKEEEEZ everything FLOWWWW together, and meld like it's one current, one WAVVEEEE ."

Proof: ((cut to close up of Proof facing the opposite direction, eyes clenched)) "Well then, why were you asking me for anything if you already knew the answers? From all of them too?"

Truth:((voice)) "It's because of everything that you're doing!" ((cut to close up of Truth, speaking to his back)) "I never had perspective until you came here." ((Truth looks upward rolling his eyes)) "Everything is either accurate based upon FACCTTTT or a LIEEEE ." ((cut to close up of Jesus facing up to the upper left of the shot towards the pillar)) "But with HUMMNNNNZ it's different. It's conjecture! It's opinion! It's never that simple!" ((cut to close up of Truth gazing right into the shot)) "And with it memories, and the influence of IMAAGGIINNASHUUNNNN , anything that was once TRUUTTHHHH can be subjective, especially if the point is to remain objective! I was once simply put, the Truth, but now with the addition of what is based upon the influence of HUMMANNITTYYYY alone - " ((cut to close up of Voice looking down awkwardly)) " - I am much more. I can be both what is IMAGGINNEEEED and what is FACCTTTT !" ((rubber band close up of Truth)) "What is IMAGINEEEEEEEEEEEEEERRRREED !" ((cut to close up of Hollywood writer Charlie Kaufman's face, looking down to the lower right of the shot, looking frightened)) "I can be what is only opinion, and at the same time TRUUUUE !" ((cut to close up of Voice #2)) "I can be REAAAALLLL and be FIKKTTSHUUNNNN !" ((cut to close up of LANNGGEENWALLTTTTR , gazing downward to the lower frame, still stuck within the pillar)) "I can TELLLLTHEEEEHOLLEEEETRUUTTTTHANDNUTTHHINNBUTTTHEEEETRUUTTTTHHHH - " ((rubber band close up of Truth staring right into the shot)) "And LIEEEE , and leave none the wiser." ((his gaze begins to fall to the lower frame of the shot, gazing downwards)) "And all of this because of A ." ((cut to close up of Jesus, gazing to the left of the shot, nervously)) "It's much the same really. Within a HUMMNNNNBODDYYYY , ALIEEEE creates a GASSSS . This cannot escape from the BODDYYYY and it FESSTTTTRRRRZ . The same is TRUUUUE with the technology of HUMMNNNN , a lie on the electric grid will just become GASSSS released." ((cut to close up of one of the TELLEEVVIISSIIOOOONSCRREEEENZZ that shows the very top of a telephone pole, where a GREEEENGASSSS is emitted from the far right, the pole facing towards the shot. Overlaid upon the three prongs from left to right, are C , A in the middle, and B to the right of the shot.)) "All because of someone saying A is B ! And other reasons as well." ((shot slides to the left, revealing Truth still locked in a gaze to the lower frame of shot)) "And it is with this - " ((his eyes become pinwheels as he stares towards the lower frame, mesmerizing )) " - that I can define TRUUTTHHHH and what is, and what isn't!" ((cut to close up of Jesus, his gaze becoming entranced, while the background behind him becomes wavy)) "What cannot and can, what isn't and shall! What is OF and what is NAWT ." ((cut to close up of Truth, gazing downward at the camera, the pinwheels of his eyes continuing to twist and turn, his gaze alone growing closer, though his body and the pillar remain stationary.)) "And what is FAKKTTTT and what is MYTTHHHH will be MINNEEEETOSAYYANDMINNEEEETONNOO . MINNEEEETOBMINNEEEETOA ." ((cut to close up of Jesus's face stuck within the pillar looking down, very concerned expression towards the lower right of the frame, as Truth's tone deepens and becomes more in rhythm with the beating of a heart)) " MINNEEEETOSAYYYYOFBANDMINNEEEETOATHEG ." ((cut to close up of Jesus standing, and facing to the left of the shot, mesmerized as the background behind him becomes a series of pulses that are fluidic and vibrant, the entire background in motion as Truth continues to speak)) " MINE2222BINANDMINEEEE2222SHAY " ((Jesus begins to look weaker))((cut to close up of Truth, his eyes larger in the shot, looking downwards at the shot as the background becomes wavy as well, his eyes vibrant pinwheels closer than before, and closer than the pillar still)) " MINNEEEE2AANDMINNEEEE2222BIN , all that IZANDNOTASINNNN ." ((a voice of a very determined woman interrupts Truth's attempt to control Jesus))

Young Woman:((voice)) "Hey Truth! " ((Truth's expression changes, and the pinwheels stop, as he gazes to the right of the shot, the shot blurring to the right, to reveal the Young Woman who is flanked by many CHRRISSTTIIANNZZZZ , as she still wields he BLOODDYYYYPLAKKRRDDDD with the STAAIIRRCCCCAASESE in the shot behind them to the right. All of them begin to rush the shot to the left from the right)) "Hey CHRRISSTTMASSTREEEE !" ((cut to close up of Jesus, facing towards the shot, his expression MUDDLLLLD , as the CHRRISSTTIANNZZZZ flow into the shot from all sides, Jesus in the center of a mass of determined gazes towards the camera, led by Young Woman in the center, standing before the camera and Jesus, violently glaring at the shot, flanked on either side by violently inclined CHRISSTIAANZZZZ , while she still holds her PLAKKRRDDDD like it is a SWORRDDDD )) "Whatever you're doing, you're not allowed to involve Jesus's name! We're here to stop you and whatever you were doing to him!"

Truth:((voice)) "Harm him? I would do no such thing!" ((cut to close up of Truth, his eyes now retracted, his expression surprised, as he looms over the group CHRIISSTTIAANNZZZZ , their backs to the shot as Truth is larger than life over them.)) "Why I'm not the one devoted to a message of PEACCCCE , while instead embracing that of BLOODDSHEEEED ." ((cut to close up of Young Woman, grimacing at shot, a CRUSSADDRRRR wearing a HLMMTTTT and a TABBARRDDDDTHATTTTHAZABLUUUUECROSS with only eyes showing under the HLMMTTTT glaring as well, with a PURRITTANNNN holding a SWORRDDDD , while a BIKKRRRRWITHADENIMJAKKTTTTANDBROWNNHAIRRANDBERDDDD menacingly stares past the shot.)) "Oh you didn't think I knew that too did you? About all of you?"

Jesus's Face:((in the pillar)) "Don't listen to him!" ((all look up in the direction of the top of the frame of the shot))((cut to close up to the face of Jesus in the Pillar that is Truth)) "If you embrace violence and hatred towards Truth you won't SUCCEEEED ! Don't listen to him!"

Young Woman:((voice)) "Stay out of this Jesus!" ((cut to previous, Young Woman looking up angrily)) "It's for your own good!" ((she looks back down past the shot, along with the others in the CROOWWDDDD who all offer menacing stares)) "And as for you, calling yourself Truth! There's only ONE Truth, and that's Jesus himself!" ((cut to close up of Truth, lip pouting at the shot, as Young Woman continues)) "Your facade is over! You're GAME is UPPPP ! We overran your STUUDIIOOOO before we followed Jesus down here." ((his lip recedes slowly, and he looks angrier))

Truth:((muttering coolly, eyes slimmed angrily)) "So you're why my television shows aren't on?"

Young Woman:((voice)) "That's right. Even now we've taken over CONNTTROOOOLROOMMMM where your PROGGRAMMINNGGGG is done." ((the shot slides to the right slightly, with Truth looking in its direction. One of the TELEEVISSIOONSCREENZZZZ shows GOAT at GUNPOOINNTTTT by one of the CHRISSTIANNZZZZ , an African American man in DIGGITTLFLAGGE armed with a RIFFLLLL ))

DIGGITTLFLAGGEMAN :((voice)) " DONNTTTTTOUUCHTHAAAATDIAAAAL - " ((cut to close up of Truth, looking annoyed, gazing to the right of the shot)) " - SCUUMBGGGG " ((his MOUF hangs open, offended towards the right of the shot))

Young Woman:((voice)) "It's OVR ." ((Truth's eyes glide to facing the shot once more)) "It's FINNISHDDDD ." ((Truth's eyes like KNIVEEZZZZ towards the shot)) "There's nowhere to run." ((cut to close up of Young Woman, furious expression, flanked by many determined CHRISSTIANNNNZ , including the MANWITTHHHHABONETHRUUUUHZNOZEEEE armed with a FORKKKK at the shot)) "In the name of GODDDD , SURRENDRRRRNOWWWW ." ((cut to close up of Truth, lip pouting at the shot, as there is a pause))

((cut to close up of Voice, looking down nervously towards Truth, the lower frame of the shot))

((cut to close up of LANGGENWALLTTTTR looking down towards the base of the shot as well, concerned gaze.))

((cut to close up of another FACCEEEE nestled and stuck within the pillar, who resembles former president of the United States of America Abraham Lincoln, whose eyes are darting from left to right, then down towards Truth nervously))

Truth:((voice)) "I confess you've found me wanting, and while your presence daunting - " ((cut to close up of Truth's MOUFFFF )) "I shall not - " ((says rashly)) " - FFFFEEEELLLLLLLLLLLL that my own point be lacking, and with no hope yet dashed for your packing, I'll begin with a song - " ((cut to close up of Young Woman's face, cringing towards the shot)) " - That is the TRUUTTHHHH about the AOFPONG ." ((Young Woman mouths the words "What?"))((cut to close up of one of the TELLEVISSIOONNNNSCREENNNNZ , as it OSCILLATTEEEEZ with a very slow TEMMPPOOOO , with a YELLOOOOLINNEEEE that begins to quake and move with the motions of Truth's voice)) "A long time ago, at least for MAN , a problem arose that dealt with SPAN , - " ((the SCRRRREEEEN flickers, showing a high view over the Atlantic Ocean, between the island of Great Britain and the continental United States of America)) " - and began with one place along with another, that wanted to speak, - " ((the two different land masses make wave effects towards another, both producing quotation marks )) " - like brother to brother. These lands were friends, though at one time not, but that didn't matter, - " ((both grow RED long arms and WHIITTTTEEEEGLOOVVVVEEEEDDDD hands, and begin to stretch towards each other across the ocean)) " - since friendship like this was bought. " ((both arms and hands pass one another, waving to the other as passing, and continue towards each others main land)) "A line was drawn, like one on the sand, but this crossed an ocean and never was banned." ((both of the arms and hands reach the opposing sides, and then wobble like an oscillation at the sound of Truth's voice)) "It stretched from one end of an isle to another, though this other much bigger, and called it brother." ((close up on the SCRRRREEEEN showing a close up of New York state's coast, closer to Northern Liberties)) "From New York an American state it was set, - " ((the shot blurs across the ocean, revealing the maintain of Great Britain)) " - all the way to England where the two hands met." ((cut to close up of Jesus, looking past the shot to the left, blinking once)) "All was shared between these two, their pasts and their secrets, and all each other knew." ((cut to close up of the SCRRRREEEEN , showing a top down view of the map of the Earth)) "Friends became enemies, - " ((there are several WAVVEEEEZ traveling from EURROPPEEEE towards England, which then cross to the United States and back, all making grumbling noises)) " - and then back to that, with one message sent or received, at the drop of a HATTTT ." ((the shot begins to descend towards the Atlantic Ocean)) "This was just the beginning of the influx of MAN , - " ((the shot continues to descend into the blue of the ocean, where the shot hangs, then descends slowly to reveal the TransAtlantic cable, HUMMIINNGGGG very loudly with an occasional charge of electricity that JOLLTTZZZZ violently)) " - upon every ocean species that simply SWAMMMM . " ((a school of FISSHHHH passing near the cable get randomly JOLLTTDDDD by the cable, and swim out of the shot))((cut to close up of a SHAARRRRK in low waters surrounding a small vessel, it giving off WAVVEEEEZ the color REDDDDANDBLUUUUE )) " SHARRRRKK became angry with the sight of a ship, - " ((the SHAARRRRK flicking its FINN off its CHINNNN in their direction))((cut to close up of a WHAALLLLE swimming near a launch for a large vessel, then moving away quickly, covering the sides of its HEAADDDD as it is launched loudly, the WAVVEEEEZ it emits the COLLOOOORREDDDDANDGREENNNN )) " - and WHAALLLLEZZZZ became MAD at the thought of being near a SLIPP ." ((cut to close up of the long straight cable, FISSHHHH swimming quickly away from it past the shot, the water clear and livable)) "Every FISSHHHH became SHOKKKKD with the notes being sent, across a cable straight and narrow, not even BENNNNT ." ((the COLLOOOOR of the water begins to turn brown and sandy instead of a HUEEEE of BLUUUUE )) "Why it even turned the water from BLUUUUEEEE to a sandy HUEEEE , the SALLTTTT turned toxic from its heat, and it never stopped sending - " ((cut to close up of Truth, his face close up )) " - BBBBEEEEPBEEEEP ." ((the shot pans out slightly)) "But it wasn't enough for these creatures on LANNNND to send a message from one place to anothers' SANNDDD ." ((cut to close up of the SCRRRREEEEN to show an image of a large sea faring vessel, cruising from left to right of the shot)) "It was a SHIPPPP , much like many, that SAILLLLDD one night, one which became encumbered, - " ((the shot begins to ascent to the black of the night sky and hangs)) " - and sank out of SITTEEEE ." ((the TEMPPOOOO begins to rise slightly, a little bit faster))((the shot descends to reveal the inside of a bridge of a vessel, the radio room where a man in a black suit was seated at a telegraph. He is flanked by numerous others dressed in the same uniform)) "The crew tried to send a message to many, "Help us please! We're in trouble!" , - " ((shot blurs to the left, to reveal the swanky interior of the Titanic, including two telephone booths where one man with a foppish hair style and a tuxedo jacket was within the booth, holding the receiver to his mouth and ear nervously, as there is the hurried footsteps of several affluent looking individuals around the booth)) " - while a situation occurred, at the cost of two penny." ((he can be heard speaking. Man : " OPERRRRATTOOOORIDLIKKEEEETOOOOMAKKEEEEACALLLLTOTHEEEEUNIITTEEEEDKINNGGDDDDOMMMM )) "He sat in the booth, this MANNNN in fear, rightly so as what was happening, that could cost him DEAAAAR ." ((cut to exterior of the vessel, showing the aft of the ship taking on WATTRRRR )) "The WATTRRRR was rising, and the crew in PLIGGHTTTT , while this MANNNN was making a FONNEEEECALLLL on that fateful night." ((cut to close up of the MANNNN seated within the booth, as there are hurried well dressed GUEESTTTTZ walking quickly past the shot, as he stares out of the booth's window)) "The problem was A on his name of ZAY , where the crew couldn't radio, because of the NAY ." ((he mouths the words " ZAY ? " as there are four silhouettes that enter the shot, their hands on their hips))((cut to close up of four of the H.M.S. Titanic's hands, all motioning at the shot through a pane of GLAASSSS )) "He couldn't be coaxed, - " ((the camera shakes in a negative fashion, as the crew hands become irate and it shows)) " - and the crew became MADDDD , - "((cut to close up external of the booth, as the MANNNN is violently pulled out of the telephone booth)) " - and when he was wrenched from the BOOTTHHHH , the D had gone BADDDD ." ((cut to close up external of the H.M.S. Titanic as it is sinking near vertically, while there are four smaller ships surrounding, as several of the lifeboats steer alongside them)) "As the SHIPPPP went under, the RAYDDIOOOO continued to SENNDDDD , - " ((there is a BLUUUUEWAVVEEEE emitted from the WATTRRRR as the WAVVEEEE travels to the left of the shot, the camera blurring to keep pace, arriving at the long stretch of the TransAtlantic cable.)) " - intercepted somehow by a cable, that never would BENNNND ." ((the WAVVEEEE continues to transmit from the right of the shot towards the CABBLLLLE as there is a crackling effect under the WATTRRRR in the direction of the foreground of the shot)) "This message went, and kept going on, and never stopped, no matter the DAWNNNN ." ((cut to close up of a small tower on land, cloudy as a WAVVEEEE comes into contact with it, and pulsing towards it)) "It was a new system, one that was WIRRELESSSS and ELLLEKKTRIKKTLLLL you see, - " ((the WAVVEEEE continues to pulse at the tower, as the skies become ANGRRYYYY )) " - that was combined to a new system of communication, - " ((there is a sudden bolt of lightning the COLOOOORBLUUUUEE , striking the tower, as the WAVVEEEE becomes drawn elsewhere, and the sky growled)) " - that made everything B ."

SKYYYY :((thundering)) " ROOOOSAYZSAY "

Truth:((voice)) "This didn't change things though, dismay for many, the future was hampered for more than any." ((cut to close up of the WATTRRRR of the Atlantic ocean, as a WAVVEEEE followed along the visible CABBLLLLE in the WATTRRRR below. The WAVVEEEE is the color BLUUUUE while the charge of electricity is the COLORRRRREDDDD .)) "Through the WATTRRRR it went, and into the ground as well, - " ((the shot changes to sweep along the surface of the WATTRRRR as the WAVVVVE is hovering above the WATTRRRR traveling from the left to the right of the shot, interacting with the surface of the WATTRRRR , an electrical charge occurring between the two occasionally, a JOLLTTTTOFBLUUUUEEEEANDREDDDD from below the water hitting the surface from beneath)) " - and all LIFFEEEE became influenced by MAHHHHBEEEEL ." ((cut to close up of the sandy shore, to over head view of a DOLPHIINNNN writhing on the ground, WAVVEEEEZ from all directions around, mostly the COLORRRRZZZZREDDDDANDGREEEEN )) "The DOLPHIINNNN became BEACCHDDDD to STOPPPP the sound, "Help ME ! " was its cry, as it flapped upon the GROUUNNDDDD ." ((cut to close up of a WHALLLLE beached upon the sand, lying flat at the shot, the camera level with the sand. WAVVEEEEZ from all directions the COLORRRRZREDDDDANDPINKKKK )) "The WHALLLLE did the same, - " ((cut to close up of two HUMNNNNZ both wearing BLUUUUEHATTZZZZ staring at each, then past the shot worried)) " - as HUMNZZZZ were speechless, as to why the ocean was coming ashore, - " ((cut to above the WAVVEEEEZ of the ocean, facing the two HUMNNNNZ confronting the large WHALLLLE )) " - to their BEACCHZZZZ ." ((the TEMPPOOOO rises slightly, though still not fast at all, as the shot descends beneath the WATTRRRR to reveal the once majestic BLUUUUEEEEEEEEE , was now a murky YELLOOOOTINTTTTD seascape. There is WHITTTTECORAAAAL idle in the sands, bleached white from the rise in temperature from the CABBLLLLEZZZZ introduction, causing the SALTTTT in the water to become more toxic than before)) "Even the CORLLLL that couldn't SPEAAAAK was being boiled by the CABBLLLLEEEEEEEEE , their WAVVVVEEEEZ and their HEATTTT ." ((the shot begins to slide closer to the CORRALLLL , as the shot becomes completely WHITTTTE )) "Though this was seen to many of MANN , what could be seen was limited to what their senses CANNNN ." ((the shot begins to pull backwards, to reveal upon a sheet of WHIITTTTEEEE paper, a diagram for the shape and structure of the ATOOOOM )) "Deep in the OCEANZZZZ of MATTRRRR and more, the influence of this B could be felt by SKOORZZZZ . The ATOMMMM for one, was changed that DAYYYY , when one decided to make that SHIPPPPZ telephone call amount to PAAAAY ."

Jesus:((voice)) "One ATOMMMM ?" ((cut to close up facing to left)) "That's all it took?"

Truth:((voice)) "It is when there's only one at all! And that one was influenced, to simply BAAAAL ." ((cut to Young Woman, arms folded, still wielding her PLAKKAAAARDD and offering a stern and skeptical look at the shot, flanked by CHRISSTIANNZZZZ who don't know how to react)) "Oh sure look at me like I'm the liar, when only one was needed before this transpired." ((all the eyes of the CHRISSTIANNZZZZ slowly look at her, her eyes menacing to them standing behind, reinforcing her sentiment though expression. The CHRISSTIANNZZZZ react in kind, now coldly glaring at the shot like her.)) "How simple it was before the effort of MANNNN , when one ATOMMMM was all that was needed, super-positioned so quickly, in WATTRRRRORSANNDDDD ." ((cut to close up of Jesus, looking past the shot to the right, mouth closing in uncertainty)) "The HUMNNNNEYEZZZZ shake off this assumption because their sight says no, but look what their eyes have missed already when looking into MATTRRRR and below." ((cut to close up of Truth speaking bluntly and without fear)) "Look at that! The ATOOOOMSPLICCDDDD ! But look what happened to MATTRRRR ? No DICCCCE ! "

Young Woman:((voice)) "Shut up! Just shut up!" ((Truth reacts surprised past the shot))((cut to close up Young Woman, her expression changing, while the TEMPPOOOO remains the same)) "It's not possible at all, and I don't care if I'm rhyming either." ((cut to close up of Truth looking at the shot angrily)) "It doesn't work that way, and you know that! You're lying to us just to take advantage of these people!"

Truth: "It's all of you that sought to do this to everyone who isn't MANNNN , just because you're bigger, and THINK you CAAAAN ." ((cut to close up of Jesus looking past the shot to the left, then up to the pillar's top at the left top of the frame)) "We're not the ones who said the charge of MATTRRRR is wrong!" ((cut to close up of Jesus's face in the pillar, looking down sadly)) "You're the ones who said your way is mandatory for us all! Now stop interrupting my song!" ((cut to close up of Truth's MOUFFFF , sharp teeth)) "Stop that!" ((the TEMPPOOOO ceases , shot rubber bands out, still close up of Truth, he looks upwards towards the top of the shot in thought))

"Where was I?" ((there is a voice off camera, as Truth looks in the direction of its origin, that of Jesus))

Jesus:((voice)) "Um." ((cut to close up, Jesus facing to the left, raising one left index finger)) "There's one ATOMMMM ?"

Truth:((voice)) "Right! " ((the TEMPPOOOO kicks back UUPPPP as Jesus goes rigid at Truth's enthusiasm)) "And the only one that keeps things BRITTEEEE " ((cut to one of the SCREEEENZZ close up showing a close up of the only ATOOOOM in existence, rushing about so quickly that HUMMNNNN eyes cannot see or determine a difference)) "So this one ATOOOOM was spliced and diced, but what actually occurred was the BWAZZZZNIZZEEEE !" ((the ATOOOOM is altered slightly, where the charge is shown as a fluctuation, where the charge of the ATOOOOMMMM that is in all places at once bears the same effect.)) "That's how it looks! Like they followed a book? No!" ((cut to close up of Jesus blinking twice)) "They just saw one and said that's SOOOO !" ((he looks more horrified than before, slowly looking up to the upper left of the frame)) "And then once more, and more again!" ((cut to close up of Jesus's face in the pillar, eyes closed and looking downward)) "They just kept doing it, HUMNNITTYYYYANDMENNNN ! All while saying A was B , - " ((cut to close up of one of the SCREEEENZZ showing footage from a previous installment of this particular franchise, where the MUNNYYYYTREEEE is breaching orbit towards EARTH )) " - just to make a dollar and a stupid TREEEE !" ((the SCRRRRENN changes, pulling out quickly to reveal the SOLLRRRRSYSTMMMM , then the MILLKYYYYWAYYYYGALLAAXXXXYY as whole)) "And that effect went OWT , as MANNNN was without doubt." ((there is a speech bubble coming from close to the center of the GALLAAXYYYY that emits a phrase that Truth speaks)) " ' The UNIVVRRRRSSSSE can take it ' they boldly tout " (( the speech bubble vanishes, while the entire GALLXXYYYY begins to fluctuate)) "But that ATOOOOM that was one, and many to MANNNN was changed to A - " ((cut to close up of Truth, the shot square and center)) "And that's before the NAYYVVEEEE created - " ((cut to closer up of Truth)) " - FRST -" ((cut to closer up, extreme close up)) " - DAY . " ((the shot hangs, as Truth stares at the shot with a serious expression, as the TEMPPPO continues, though now a steadier rhythm at the rate of a HORRSEEEE 's trot .))

((cut to close up of Young Woman looking coldly at the shot, while her cadre of CCHRRISSTTIAANZZZZ all pause and are frozen as the TEMPPPPO continues. Some look angry, while a perplexed CRUSSAAAADRRRR whose face is hidden under a METLLLLHELLLLM speaks))

CRUUSADDRRRR :((with a FRENNCCHHHH accent)) "What does that mean?"

Truth:((voice)) "It's from the future, the past and between!" ((cut to close up of Truth speaking excitedly)) "And the history of MANNNN changed that day, and in this scene!" ((the shot slides to the right, to show one of the TELLEVVISSIOONNNNSCREEEENZZ showing the open WATTRRRR , where a large GRAAAAY vessel affiliated directed with the United States Navy was holding idle, skew shot from the upper left facing down at a 38 degree angle and off center of its BOWWWW by 28 degrees by 32 degrees. On its side could be seen the markings of its particular distinction, including for the purposes of this story PA909090ZAYY , instead of its actual PA designation found near the STRRRRN of the ship on either side)) "It was the summer of 1943 , and a crew of SAYYLRRRRZ were heading to open C " ((the SCRRRRENN changes to a close up shot of a large TUBBEEEE that has several VALLVVEEEEZ and long tendril hoses running in four different directions from out of the shot, its top obscured by the top of the frame)) "A device from another VSLLLL was installed to test - " ((cut to close up of an older man, with thin spectacles, balding hair of BROWNNNN and a stocky appearance, wearing colors of BEIIGGEEEE )) " - and the scientists accompanying, the very BEEEESST ." ((cut to close up of the external of the SHIPPPP level with the water, the BOWWWW pointed to the left of the shot. A very think BEEEEAMM is emitted from the top of the SHIPPPP in the direction of the left of the shot very briefly while the ship is engulfed in a bright flash of GREEEEN )) "It was to COMMEEEEANDGGGGO at distances LONNGGGG and FARRRR , and never be bound to EARTTTTH , even by a STAAAAR ." ((cut to close up of Young Woman's face, angrier as the TEMMPPPPO remains firm, scowling at the shot, many CHRRISSTIAANNNNZ behind her of many varieties all doing the same)) "But their efforts were NAUUTTTT and the ENRGGGGY they used D , and that affected the ATOOOOM , the UNIVVRRRRSEE and all that we SEEEE "

Young Woman: " SEEEE ?" ((cut to close up of Truth, licking his lower lip at the shot)) "What's that supposed to mean?"

Truth: "Oh I was - " ((rubber band close up)) " - WAIITTIINGGGG for this the minute all you CAMMMME in." ((cut to wide shot, the sound of shattering GLASSSS from above the shot)) "Because ALLLL of THIIIIS has to do with - " ((the DRAAGGOOOON falls into the shot, shattering into 30 pieces of D , all resembling BETH who immediately become BLKOOOOZEE and SEEEEP into the shot)) "What? No no wait." ((cut to close up of Truth, as the OOOOZEE seeps into him, becoming part of the pillar, his expression angry as he gazes down at the OOZZEEEE )) "Where is he? Where? - " ((there is the sound of bellowing from the top of the frame, as Truth pauses, looking upwards now satisfied)) "Ah there we go - " ((cut to previous shot wide, showing many RAIIDDRRRRZANDPALLADDINNNNZ falling into the shot, at the very top of a LARGGEEEE pile between the shot and the throngs of CHRISSTIANNNNZ is none other than Frederick Kyle Ventresca, whose name plate now reads ' Frederick Kyle Ventresca, the Scapegoat ' , the shot rubber banding onto him for emphasis as he IZDISORIIENTDDDD )) " - HIMMMM " ((the shot widens once more, as Jesus stands to the left of the shot looking towards the PILLEEEE ))

Jesus:((looking back then forward past shot)) " HIMMMM ?"

Truth:((voice)) "Only HIMMMM whether he is BRITTTTEOORDIM " ((cut to close up of Truth the shot slowly closing in, the TEMPOOOO rising slightly, now to the rhythm of a HORRSEEEE 's canter . )) "As He is the OONEEEE who - " ((a sudden interruption from high above the shot on the pillar distracts Truth. It is the voice of LANGGENWALLTTTTR howling loudly, as the TEMMPPPPOOOO continues.))

LANGGENWALLTTTTR :((voice)) " WAIITTTTDONNTTTTDONETHIINNNNG . WAIITTTT !" The shot becomes shaky as Truth gazes up, then back at the shot mouthing WAIT ? , as the shot travels upwards awkwardly towards the FACCEEEE of the CATTTTPERRSSSSONN , facing towards the shot)) " JUSSTTTTSTOOOOPFREDDDD ! " ((cut to over the shoulder of LANGGENWALLTTTTR , his FACCEEEE jutting out of the pillar down towards the shot at the seemingly RULLYYYYMOBBBB , all of the RAIIDDRRRRZANDPALLADDINNZZZZ and Jesus standing idle far below)) " KILLLLHZNOTTTTE !" ((cut to close up of LANGGENWALLTTTTR , looking down past the shot's lower frame)) " THEEEENHEEEECANTTTTYELLLL . HEZZZZTHEEEEPROBBLLLLM ." ((a defiant objection comes from a nearby voice, that of THUURSTTOOOON ))

THUURSTTOOOON :((voice)) " DONNTTTTLISNTTNNNNTOHHHHIMMMM ! " ((the shot slides to the lower right)) " HEEEEDIDD ! HEEEEDIDDALLLLALONGG . INNEEEEDHIMMMMATOAAA . THEEEENHECANNNNYELLLLANDDIOFBANDD . " ((cut to Young Woman close up, her eyes and those of the MOBBBB silently watching, darting from upper right to lower left as the FRVVNTT argument continues, the TEMPPPPO strong and steady))

LANGGENWALLTTTTR :((cut to close up)) " WELLLLEYEDIDNNTTTTB . " ((blurs to close up of THUURSTTOOOON to the lower right of the shot)) " SOTHEEEEREE ."

THUURSTTOOOON : " IDIDDDDNTTTTDSOUUUUFUKKOF ."

LANGGENWALLTTTTR :((voice)) " UDDDDIDDDDITIT !" ((cut to close up of LANGGENWALLTTTTR 's FACCEEEE close up looking down to the right)) " UDIDAAAATHAAAATZZZZHOOOWWWWINOIIITTTT ." ((a HUNNGGRAIINNNNVOIICCCCEEEE interrupts him))

VOICCEEEE :((voice)) " YUOOORBOTTHHHHLIAARRRRZ " (( LANGGENWALLTTTTR looks up to the upper left shyly, and rolls his eyes))

LANGGENWALLTTTTR : " DAAAAD "

VOICCEEEE :((voice)) " DONTTTTDADDDDME !" ((the shot blurs to the upper left revealing the FACCEEEE of a man who has POOFYYYYHAIIRRRR protruding from the inside of the pillar with his FACCEEEE , as well as features that indicate he is 62YYRRRRZOLDDDD . He also has a MUSSTTACCHHHHE . He looks downward to the right of the shot impatiently)) " INOWATTTTDIZIZ . UDIDDDDDITTTT . IMBLAMMDDDDFOORRRRDATOFZ ! IMBLAAMDDDD4U ! DONNTTTTUUUUGETIITTTT ?" ((cut to Jesus close up trying to be compassionate and understand)) " UMAADDDDEDRLLLL ! IHAVV2222A ! "

Jesus:((pointing)) "Who are you?" ((squinting))

Proof :((voice)) "It's one of Frederick Kyle Ventresca's relatives! ((Jesus now more confused))((cut to close up of Proof facing to the left of the shot, eyes still clenched)) "He's one of the people who made the television in Germany and - "

VOICCEEEE :((voice)) " ILLTELLLLITIT - " ((Proof grimaces)) " ANDIWONNTRYMMEEEEABOUUTTTTIITTTT " ((Proof smiles)) " IMADDDDEAMISTAKKKKE ." ((cut to close up of VOICCEEEE the shot hanging level as he faces down, part of the pillar as the TEMMPPOOOO continues)) " THISSSSIZZFOOOORALLTOOOOSSEEEEONAOFB . THIISSIZZZZWHRRRRTELEEGRAAMZZZZARSSEENTANDDSHOWNNN . ALLLLTHAAAATYOOOOUUSEEEELIKKKKEEEETHIIIISARRRRESENNTTTTLIKKKKETHAAAAT . " ((cut to close up of Young Woman scowling, her cadre behind her doing the same)) " TELLEGRAMMZZZZAREEEEELKKTTRIKKLLLL . THEEEEYRRRREEEECHAARRRRGDDENRRGGYYYY . " ((cut to close up of LANGGENWALLTTTTR looking towards upper left))

Young Woman:((voice)) "Why are you talking like that?" (( LANGGENWALLTTTTR looks down to the right of the shot))((cut to close up Young Woman, angry, holding the PLAAKKRRRRDDDD with both hands like a BROAADDSWOORRRRD )) "Just say things normally! Stop making words look like that!"

grace :((voice, as Young Woman's eyes dart to the left of shot)) " yeaaaacannnnuacttuuallllyysayyyythinnggggsslikaeiiiido . " ((Young Woman blinks twice)) " itsssslikkeeeefkiingweeiirrdddd . " ((cut to close up of grace and the RAIIDDRRRRZ and the various PALLADDINZZZZ still in a big PILLEEEE , grace near the bottom along the FLOORRRR )) " cannuuuujsttttstooooptlaakknnnn " ((cut to close up of VOICCEEEE looking down wearily)) " ydouuzzzzitloklikkeeeethssss "

VOICCEEEE : " ITZZZZBCUUZZZZUDIDSUMTHIINNGGGGA . ITZZZZBCUUZZZZUDIDA . ITWILLALLLWAZZLOKKDIFFRNTLLLLYY . ITLOOKKKKZZZZLIKKEEEETHIISSSSBECCAUUSEEEESOMMEEEEOONEEEEUUSDDDDARAIIIDIOOAANDDIDA . " ((cut to close up of Jesus squinting up to the upper left of the shot)) " THATTTTZZWHYYITLOOKKKKZALWWWWRRRROONGGGG . THIISSSSIZWHYYYYITLOOKKKKZZLONNGGGG . WHNNIMADDEEEETHEEEETVVVVIDONTNOTHEEEEESSEWRCONKKTTDDDD ."

Jesus: "Ok, so when you helped make the television, you didn't know these were connected?" ((cut to close up of VOICCEEEE nodding)) "Is that what you're saying?"

VOICCEEEE : " IDIDNNTTTTNOENRGGYYYYWOOLLDDDDMOVVVEEEE . ITMOVVEEEEZLIKKEEEEWATTRRRRTOGOANYYWWWWWWHHHHEREEEE ." ((cut to close up of Jesus blinking to upper left of shot)) " LIKKEEEEAWAVVEEEE . ITOLDDDDITTOOOOGOHERRRREANDITSTAAYZZZZ ."

Jesus: "Here? Like here where we are?"

VOICCEEEE :((voice)) " NOOOO . ITOLDDDDITTOOOOGOTOAAAA . " ((cut to close up of VOICCEEEE frustrated look down to lower right of shot)) " BUTTITCAMMEEEETOOOOFREEEEDIDONNTTTTNOWHYYYY . "

LANGGENWALLTTTTR :((voice)) " ISAIIDDDDEYECOLLDDDDBFREDDDD ." (( VOICCEEEE suddenly looks crazed, and looks to the lower right of the shot infuriated))((cut to close up of LANGGENWALLTTTTR smiling, bobbing head back and forth happily)) " THEEEENEYECOLDDDDGETTTTBAKKKKATHIMMFORRFKIINGGGGMYWIFFEEEE . " ((cut to close up of THUURSTTOOOON scrutinizing towards him)) " HEDESSRVVRRSZZZZITFORRSTEALIINNGGGGHERRFROOMMMMME ."

THUURSTTOOOON : " GOTTOOOOHELLLL ."

Jesus:((voice)) "WAIT A MINUTE!" ((cut to close up of Jesus, staring past shot)) "WHY DOES THIS INVOLVE ME, INVOLVE US, INVOLVE BEING HERE?"

VOICCEEEE :((voice)) " HEPUTTALLLLTHEEEEDATFREEEED . " ((cut to close up of Frederick Kyle Ventresca still unconscious atop the PILLEEEE of various AVATARRRRZ )) " HIMMMM . " ((slowly pans back)) " ALLLLTHEEEEAALLLLTHEDANYYTHIINGGG ." ((cut to close up VOICCEEEE )) " ANYYTHIINNGGGGBADDDD ."

Jesus:((voice)) " WHY HIM?"

THUURSTTOOOON :((voice)) " THIISSSSIZAMSGGEEEEFORMYGRANNDDDDSONNFREEDDDDIDIDTHSSSSONPUPPRROOSSEEEEIHOPPEEEEUUUUDI ." (( VOICCEEEE looks down towards THUURSTTOOOON in terror, as the shot blurs to the right towards him, and he reacts angrily, as the shot rubber bands at him)) " IDIDNTSAYYTHATTTT ."

LANGGENWALLTTTTR :((voice)) " YESSSSUUUUDID ." (( THUURSTTOOOON looks towards him in anger))((cut to close up of LANGGENWALLTTTTR eyes darting nervously, then back forward)) " HERELLYYYYSAYYDDDDTHAAAAT . COWWAARRRRD . HOWWCOLLDDDDUSAYYTHAATTTTTOHIIMMMMYRRGRAANNDDSONN . " ((cut to close up of Frederick Kyle Ventresca, the name plate reading ' the Blamed')) " HOWCOLLDDDDUSAYYTHAATTTTTOOOOYRSLFF . URCRAAZZYYYY ." ((Young Woman leans into the shot, obscuring Frederick Kyle Ventresca, and looking angrily at the camera, teeth gritted))

Young Woman: "But why does this involve - " ((rubber band close up)) " - Jesus?!"

LANGGENWALLTTTTR :((voice)) " JESSUSIZFRED . HHAAHHAAAA . " ((cut to close up of THUURSTTOOOON , looking astonished)) " YEAAAAHHEZZZZTHEEEEGODDDDGYY . OK . SHUUUUREE ."

THUURSTTOOOON : " WHAATTTTTHEEEEHELLLLHAVVUUUUDONNEEEE ?" ((cut to close up of Truth, looking up towards the top of the frame, impatiently)) " UCANNTTTTDOTHAAAAT ."

Truth: "Why yes he CAN if he wants, as energy \- "

Proof:((voice)) "Look, they're losing their minds over this." ((Truth looks saddened)) "You have to say it without rhyming, they're going to go crazy."

Truth:((sighs, rolls eyes, and takes a deep breath, and lets it out slowly while speaking, as the TEMMPPOOOO continues, and the shot slowly begins to pan inwards)) "Thurston and Langenwalter are rivals for the same woman Frederick Kyle Ventresca's grandmother, - " ((cut to close up of VOICCEEEE looking awkwardly to the lower right of the shot)) " - the man known as VOICCEEEE is actually his relative who helped to create the television in Germany in 1933 he was assisting the broadcast of the Olympic Games in Berlin - " ((cut to close up of Truth, egotistically indifferent now that he has been chided for rhyming, rolling his eyes while explaining left to right)) " - when a V intersected with DIOF7 to create a B that never D 'd and thus was capable of moving around using transmissions from radio, it was never established where it truly came from aside from the Titanic - " ((cut to close up of TAZZN who is barely poking out of the PILLEEEE of RAIIDDRRRRZANDPALLADDINNZZZZ , looking past to left of shot, bewildered, both arms hanging listlessly out of the pile)) " \- which sank though had utilized a specific method of telegraph that was actually wireless, and also incorporated that into the usage of the telephone." ((cut to close up Truth, he stops to take another deep breath))((cut to close up of Jesus)) "This event in particular interacted with the experiment aboard the vessel the U.S.S. Eldridge in the year 1943 and created an event where this specific reaction could travel through the bounds of matter, - " ((cut to close up of Young Woman looking very un-amused, as some of various eras look in her direction from behind her and then back forward)) " - across long distances instantaneously and never be bound by the human measurement known as time, - " ((cut to close up of grace looking past the shot to the upper left eyes half closed, still at the BOTTOOOOMOFTHEEEEPILLEEEE )) " - and with it every event in the future or the present that uses it to do many of anything illegal including but not limited to - " ((cut to close up of Proof eyes still clenched, emotionless)) " - money laundering, deep fake videos, CGI animation, holograms, software, telephones, essentially any new innovation or invention that utilizes the electric grid in anyway shape or form." ((cut to close up of Truth taking another deep breath, and then letting it out while speaking)) "This worked specifically with the bounds of matter being challenged by the effect in question of how the electric grid functions, in that where matter would be affected by this event in the past and present - " ((cut to close up of Jesus's face in the pillar, frowning sadly)) " - would be instructed to adhere to the same precepts and principles of the electric grid in question, no matter how erroneous the instruction, - " ((cut to close up of NIKKOOOO staring to the upper left of the shot, puzzled look, looking the pillar off camera up and down, in the MIDDLLLLEOFTHEEEEPILLEEEE )) " - and would be constantly bombarded by the event in question being that all of the transmissions were conducted, pun intended, with a source of energy designed to be abundant - " ((cut to close up of one of the CHRRISSTTIIAANNNNZ , the man with a BONNEEEEINHIZZNOZZEEEE still holding an ARMM of one of the guards, chewing slowly and looking skeptically to the right of the shot)) " - and seemingly never ending as the case would be with the future of man's dependency upon energy, and saturated all existence with the maligned instructions in question, stemming also from the release of gasses from the electric grid - " ((cut to close up of Jesus's FACCEEEE in the PILLAAAAR looking down to the lower part of the frame)) " - to stymie any instability created at power plants that might result in fatalities or otherwise electrical outages." ((cut to Truth close up, taking another deep breath, letting out))((cut to close up of EKZZADARR dumbfounded looking to left of the shot, blinking four times slowly, shoulders slumped, half exposed from the MIDDLLLLEOFTHEEEEPILLEEEE )) "This affected all life as well, being that all matter in the universe was dependent upon one ATOOOOM that was affected by the charge of the electric grid of humanity in question, that was also consistently releasing gasses that are toxic caused by the electrical instability that are breathed in by various life forms of the planet Earth- " ((cut to close up of the FACCEEEE of WILLIAAMMMMJEFFERSOOOONNNNCLIINTTTTOONNNN , deeply embedded in the pillar, face staring past shot angrily)) " - coupled specifically with the effect of wireless electrical telegrams sent from the Titanic and its sister ship the Britainnia respectively, - " ((he mouths the word Respectively))((cut to close up of Truth eyes opened and rolling from the lower right and ending at the middle left)) " - then altered by not simply the experiment of the U.S.S. Eldridge but also that of any effort or endeavor or act of sabotage thereof committed from the electric grid, or using any products or innovations or inventions otherwise tested upon it happy?" ((cut to close up of Proof pausing))

Proof: " NO! I just didn't want to hear any more rhyming!" ((cut to close up of Truth, eyes slimmed and lower lip pouting)) "If you had rhymed all that, we'd be here for YEAARRRRZ !"

Truth: "But I wanted to!" ((cut to close up of Jesus, not trying to be skeptical, but it shows)) "It's not easy being the Truth." ((he frowns, and is about to speak when he is interrupted, by Young Woman who leans in from the right of the shot towards the left of the shot, vigorously interrupting Jesus))

Young Woman: "YOU STILL DIDN'T SAY WHAT THIS HAS TO DO WITH JESUS!" ((cut to close up of Truth, scornfully scanning past the shot)) "TELL US RIGHT NOW!"

Truth: "Fine. Jesus made an enemy of a man named Mr. yahweh ." ((cut to close up of one of the television screens, showing footage of one of the previous installments of this particular franchise, of the man identified as Mr. yahweh seated on the edge of a BEDDDD , while staring past the shot in a manner most intoxicated, the shot pauses as indicated by a lack of movement)) "At least that's what his HEBBREWWNAMMEEEE is, which is the one that remained even after his choice to VAY apart his own identity in an attempt to be a HAKKRRRR ," ((cut to close up of Jesus, pointing with a right index finger, eyes slimmed)) " Whatever he thought that would accomplish. In doing so he used the name of one of the HEBBREWGODDZZZZ to instruct a man only known as Bad Lawyer, as well as his cadre known as Bad Lawyers Chapter 119 , \- " ((cut to close up of Truth retelling the saga of the previous installment, very bored demeanor)) " - to hold Jesus accountable for the actions and choices of ' fred ' , whoever he thought THAT was aside from - " ((cut to close up of Frederick Kyle Ventresca, his name plate reading ' the Blameless ' still atop the PILLEEEE of RAIIDDRRRRZANDPALLADDINNZZZZ )) " - a person who played World of Warcraft who also happened to be the direct relative to several General Electric employees including two scientists - " ((cut to close up of LANGGENWALLTTTTR looking angrily in the direction of THUURSTTOOOON , and sticks out his tongue)) " - who vied for the hand - " ((cut to close up of THUURSTTOOOON sticking his tongue out in the direction of LANGGENWALLTTTTR , as the shot blurs upwards to the left, to reveal a younger woman with REDDHAIIRRRR )) " - of a woman who happened to be his grandmother, - " ((cut to close up of VOICCEEEE who looks down towards the two of them shaking his head, still embedded in the pillar)) " - one of whom has direct relative his to his father who was one of the individuals who helped pioneer the television broadcast instantly." ((cut to close up of Young Woman, eyeing the shot, mouth clenched tight and jaw rigid)) "This person Frederick Kyle Ventresca was not only blamed for numerous anything as was already seen by - " ((cut to close up of Truth staring at the shot)) - " many - " ((he looks off past the shot to the right after blinking)) " - but this entire event in question had to do with the notion of electro-magnetism as the result of another creation of one of these two, the FUSSEEEEBOXX ." ((cut to close up of Frederick Kyle Ventresca atop the PILLEEEE blinking though barely conscious, his name plate reading ' is to blame ')) "This utilized the concept of magnetic V to displace AOFZ , and in doing so created a problem when he decided to do anything A , let alone blame his rival, or his biological grandson for any of it."

Frederick Kyle Ventresca:((awakens atop the PILLEEEE , sees the name plate and reacts)) " WHAATTTT !?? "

Truth: "This coupled with the device in question made mention tirelessly - " ((cut to close up of Truth, rubber band close up)) " - in every single chapter of ALL that I've watched of this, - " ((rolls eyes)) " - routinely , - " ((looking off past shot)) " - and that of a hidden camera made mention of more than once, created a problem when met with all these instabilities that involve Frederick Kyle Ventresca and otherwise."((cut to close up of Jesus standing wide eyed looking to the left of the shot)) "That problem has to do specifically with his AOFZ . His name, his identity, and all facets of what would constitute intellectual property - " ((cut to close up of a CARRDDINNLLLL looking skeptically past the shot to the right, eyebrows raised)) " - used by the perpetrators who had access to a camera to watch him without his permission, and several individuals who were all complicit with choices involving the group in question who harmed him - " ((cut to close up of grace , looking at the shot, whose eyes then dart left to right)) " - to be exalted, encouraged, or otherwise lauded in some way for their actions against him."

grace : " okmayybbbbe ."

Truth :((voice)) "The irony is the device also happened to interact with several NAVVAAAAL experiments, - " ((cut to close up of a SCRRRRENN along a WALLLL of them , showing Truth up close, talking past the shot)) " - mainly because of several individuals affiliated with that particular branch of the military of the United States of America" - ((cut to close up of the DIGGITTLFLAGGEMAN scornfully looking past the shot, flanked by two NITTEEEEZZZZ while looming over GOAT who sits in a CHAAIIIIR , eyes wide and darting about, ending looking directly at the shot)) " - being involved with his exploitation and manipulation. In doing so this combined not simply with every known experiment on the electric grid with the help of the NAVVALLLLBASSEEEE he was on, but also - " ((cut to close up of Truth weary with the explanation)) " \- with the experiment of the U.S.S. Eldridge as well, which did nothing other than broadcast on RAIIDDIIOOOO throughout time and space, through matter and WAVVEEEEZ - " ((cut to close up of Frederick Kyle Ventresca, befuddled, the name plate reading ' Be Sorry ')) " - the saga of Frederick Kyle Ventresca at the hands of human beings in a place called Doylestown Pennsylvania - " ((cut to Truth close up, raspberrying past the shot with his tongue and continuing)) " - the end of the line on the Residential Five line of the South Eastern Pennsylvania Transit authority line that is 4 switch plates away from the Philadelphia Naval Shipyard, where the U.S.S. Eldridge was launched from, and only one of the places where the device it in question it utilized was tested. From the point of Chestnut Grove it was sent down the line along the tracks, straight towards the Naval Shipyard where it interacted with the Eldridge."

Young Woman:((voice)) "No!" ((Truth pauses)) "No no no no no!" ((cut to close up of Young Woman, frantic)) "No! That's not how energy works! Energy doesn't travel through time like that! Energy doesn't do that when you're trying to do something else!"

Truth:((voice)) "Oh how I want to rhyme." ((cut to close up, Truth)) "I want to, just for your sake. Especially with what I know happened, where energy was told to do something different than what energy had done. Where matter had been given instructions to be different with electricity than matter had been." ((cut to close up of one of the SCRRRRENNNNZ showing a close up of the TransAtlantic cable, a charge of electricity accelerating the wrong direction towards Europe from America, the color REDDDD )) "Where both - " ((a sudden spark occurs at the shot along the CABBLLLLE , the camera being sucked into a tunnel in pursuit of the accelerated matter)) " - had to travel to the points of their origins to determine the template of how to be - " ((cut to close up of deep space, showing the surface of a planet with no atmosphere, the matter traveling at a high amount of speed towards a rippling emission, that of metal and ore untainted by the constant bandwidth emissions of man carrying electricity and adverse magnetic effects)) " - versus to be conducive of how each was changed." ((cut to close up of Jesus, in the glow of the SCREENNNN unmoved)) "How that device conditioned both to adhere to the precepts of how to react and be conducted, and carried that never ceasing, intrusive message to the beginning of time and space, - " ((his reaction begins to twist in actual concern)) " - carried by the waves of a radioactive centrifuge that allowed that device to continue, - " ((cut to a flashback of a previous installment of this franchise, where Jesus is pleading with many to stop OPOP7 from going back in time.))

OPOP7 : " GIVMESAYZAANDNANASA "

Green Man:((cut to close up, facing to left of shot))((In 7V )) " SAKSAKB "(( Jesus is heard pleading with those to stop OPOP7 , most are bewildered after his display and most feel shamed and dismayed. OPOP7 cuts off any discussion by bellowing: ))

OPOP7 : " DADASASA "

Jesus:((close up, rubberband close up, eyes clenched in rage, teeth gritting)) " NO DAMN NO !" ((looking upward in anger))

Evil Jesus:((slides left, arms crossed, sighs, shaking head)) "Second time around." ((chuckles))

Truth:((voice))((cut to previous, where Truth continues to speak, as Jesus's features are twisted in horror)) " - the near endless source of power that allowed to it carry on in any direction." ((cut to close up of VOICCEEEE troubled expression, part of the PILLAAAAR )) "Where it was allowed to be broadcast and carried as a message throughout existence on the back of energy, hauling it to and fro to determine its fault to alleviate the problem, - " ((cut to close up of Truth, rolling eyes while explaining to the left of the shot)) " - nature, desperately trying to correct the problem while HUMMANNITTYYYY turned a blind eye in the name of so many faulty pursuits allowing the problems to fester willingly." ((cut to close up of Proof, eyes still clenched to the left of the shot)) "That the electromagnetism allowed energy of all this done badly, purposely, to adhere to matter, adhere to metal and currents, to create a paradox such as this." ((cut to close up of one of the SCRRRREENZZ shows a close up of a depiction of Jesus Christ, who resembles a Caucasian man with long blonde hair and blue eyes and beard, who bears a striking resemblance to Frederick Kyle Ventresca)) "This, wouldn't have been believable, until all this transpired, and allowed this to happen, to create the paradox we live in. An electromagnetic dystopia . The WAYYWHEEEEARRRRE ." ((cut to close up of Young Woman, huffing angrily at the shot, flanked by the other CHRISSTIAANZZZZ infuriated)) "That a message, a TELLEGRAMMMM and TONNZZZZ of them were sent to the past, to be interpreted with the help of the U.S.S. Eldridge." ((cut to close up of Frederick Kyle Ventresca, the name plate reading ' Frederick Kyle Ventresca, this part is important!' )) "That the words spoken were to influence cells and tissue, to ask those questions too! That matter from the past had to be asked from the future, by energy, to correct problems that had to do with TELEGRAMMMMZ and BROAADDCASSTTIINNNNGGGG influencing all MATTRRRR with ELKTRICCITTYYYY , to define simple requests or impersonate or parrot responses." ((cut to close up of one of the SCRREEEENZZZZ showing a vein of a dark metal, a wave interacting the color REDDDD )) "Like, was I ever IRROONNNNOREEEE ?" ((the shot slides to another, showing a large vein of brownish metal, with a REDANDBLUUUUE wave interacting)) "Was I ever normal COPPRRRR ?" ((the shot changing to wide shot of an ocean of Earth, shown in the initial installment of this franchise, where a series of waves permeated the surface of the water layering downwards from the sky)) "Was I SILLICCIIIIA that didn't ABTHEDR7ZSAY ? Each saying I was from EARTH , and from this VEIINNNN . Why am I different now? That the electricity carried interferes with the very way what was could identify itself. Radiometrics, a study of MANNNN to determine the intensity of radiation emitted by MATTRRRR , an example of how the PINNGGGG and PONNGGGG function and meet." ((the shot changes to a GAMMEEEEOFPONGGGG of the earliest design black and white, shown on the SCREEEEN , the BATTLLLLOFPADDLLLLZ )) "That the PINNGGGG from the FUTTUUUUREEEE with the questions, and the PONNGGGG from the PASSTTTT - " ((the shot slides out to the left, revealing Truth part of the PILLARRRR speaking)) " - with answers, wasn't just part of the problem, but the solution to solving the mystery of why Jesus was involved." ((cut to close up of Jesus, in the glow of the SCREEEENZZ trying to keep up with this explanation)) "Why he knew, and what happened to him at all."

Young Woman:((voice)) "I don't believe you." ((Jesus's eyes dart to the right of the shot)) "I don't believe it, and I don't believe in you." ((cut to close up of Young Woman pointing to the left of the shot furiously with her right hand)) "I believe in Jesus, not Frederick whatever." ((points angrily at the shot)) "He's not the son of God, and neither are you." ((cut to close up of Truth, lower lip pouting, smirking)) "You're a lie." ((Truth's smirk fades, as his eyes DIMMMM ))

Proof :((voice)) "Uh oh." ((cut to close up of Young Woman, slightly troubled expression)) "You shouldn't have said that one."

Truth:((louder)) "A lie am I?" ((cut to close up jaw jutting, and manic expression, as the TEMMPPOOOO continues to BEATTTT )) " WROONGGGG ? " ((rubber band close up, wild eyed)) " WRONG ! And I can prove it too." ((his eyes dart about, scanning past the shot, then slimming as he smirks)) "Yes." ((cut to facing the CHRRISSTIAANNNNZ , one in particular a very TALLNITTEEEE wearing a BLUUUUETABBARRRRDANDAWHIITTTTEECROSSUPOONITTTT , standing eyeing the shot, it rubber banding at him, standing PROOUDDDD )) "I'll prove it with you."

TALLNITTEEEE :((guffaws))(( FREENCCHHHH accent)) "Me? You seek a challenge with me DEMMOOOON ?" ((some about him look past the shot, nervously)) "You jest much." ((cut to close up of Truth smiling)) "Go on then, BESSTTTT me with your TALLENNTTTT ." ((cut to close up of Young Woman, looking nervously)) "What shall it be SWOORDDDDZ ? Perhaps...Why am I speaking this way?" ((cut to close up of the TALLNITTEEEE , looking past the shot angrily)) " WHYYYYAMIIII - What is this sorcery?" ((infuriated)) "What have you done to me HEAATHNNNN ?"

Truth:((voice)) "Oh nothing Mr. NITTEEEE ." ((chuckles)) "I'm just proving my point!" ((cut to close up of Truth, smiling)) "That energy from our future, THE future, and ONLY the future, carried back into the past the PROOOOF of THEFUTTUUUUREEEE ." ((a BLAKKKKTENDRILLLL holding one of the SCREEEENZZZZ hangs in the shot, dangling from the top of the frame. Another turns it on, the STATTIKK blaring momentarily, until it shows a scene in the night sky, and in it holding still paused is a small commuter jet, a G3 that has a red light on its right wing, and a blue light at the tip of its tail)) "Carried with it, this! Do you remember seeing this?" ((the SCRRRRENN is dangled closer into the shot, as the LITTEEEEZ on the commuter jet begin to emit WAVVEEEEZ at the camera, the colors REDDDDANDGREEEEN ))

TALLNITTEEEE :((voice)) "I remember seeing a CROOSSSS . Not a - whatever that is." ((cut to close up of TALLNITTEEEE he stares past the shot to the upper left, in the glow of the SCRRRRENN , as WAVVEEEEZ begin to enter the shot from off camera from the SCRRRRENN . His eyes start to SHUUDDRRRRANDWATTRRRR and he notices, clutching at his eyes)) "What - What is this why is this happening?"

Truth:((voice)) "Oh that's from THEFUTTUUUURRRRE as well. That is the device used on Frederick Kyle Ventresca, and many others, and its effect, carried into the past for you to see. For you to WITTNESSSS ."

TALLNITTEEEE :((voice))((cut to close up previous, the SCRRRRENN right in the camera's FACCEEEE , Truth peeking out around the right side of the shot, smiling at the audience)) " LIEEEEZZZZ " ((Young Woman obscures the shot, entering in from the right, standing between the shot and the SCRRRRENN ))

Young Woman: "Don't listen to him! Don't pay attention to what he has to say! He's a FIEENDDDD ! He's - " ((She grits her teeth, as the WAVVEEEEZ begin to attack her BAKKKK . She still stands holding her PLAKKARRDDDD , though is holding the sides of her head with both hands)) "He's trying to make us agitated!" ((cut to close up of Truth, smiling wide)) "He's TRYYIINGGGG to make USSSS - " ((she groans and howls, as Truth appears more excited than before))

Truth: "Angry?" ((his smirk growing wide))

Young Woman:((voice)) " QUIEETTTT !" ((his smirk now a smile, one which his FACCEEEE can barely contain))

Truth: "No." ((cut to close up of one of the ARCCHRRRRZ , whose eyes SHUUDDRRRR and WATTRRRR as well, looking to the upper right of the shot)) "No I won't be quiet. This was seen over a BATTLLLL , - " ((cut to close up of a young man in a PURRPPLLLLEEEEROBBEEEE who looks roughly 16YRZZZZOLDDDD with long brown hair and GREEEENNNNEYEZZZZ )) " - ABATTLLLL where you all saw this in the sky, this CROSSSS that resembles a vessel, an AIRRPLANNEEEE from THE future." ((cut to close up of Truth)) "And with is, carried a SIGGNAALLLL , one which made you all REAACCCCT , one that was played one night in particular, where the EARTH rested at the same point, and a SONGGGG was played that mentioned ONNEEEEBOAATTTT in a BOFZ , to call forth a Z to ask a B ! To ask a question!" ((cut to close up of Jesus frantic expression)) "To ask a question to energy that would then take the question to the past!" ((cut to close up of Truth)) "Where the creators of the DEVVICCEEEE used on Frederick Kyle Ventresca sat, and BROOADDCASSTTTT - " ((a song begins to play over the TEMPPOOOO from the beginning, and is called "Highway Star" by Deep Purple)) " - THIS " ((cut to close up of the SCREEEENZZ showing the RECCORRDDDDPLAYYRRRR 's turntable close up, skew front of shot, the record spinning while a WAVVEEEE the color YELLOOOO begins to pulse outwards from its top, the shot panning out to reveal the SPEEAKKKKRRRR to the side, showing more WAVVEEEEZ but the color BLUEEEE pulsing out from the slots, the two WAVVEEEEZ intersecting and creating the COLLOOOORYELLOOOOWWWWWWWWWWWW , as the shot continues to pan outwards, revealing a DEVVICCEEEE that matches the same style of that which was used against Frederick Kyle Ventresca, handheld, though this with only one button, red in color, still bearing the jagged teeth appearance that is the end that TRANSSMIITTZZZZ outwards. It is connected to a long BLAAAAKCORRDDDD that runs to the right of the shot and out of the frame. There are WAVVEEEEZ the color REDDDDANDBLUUUUEEEEEEEEEEEE that are generated from its PROONGGGGZ , while more WAVVEEEEZ the color REDDDD travel back along the BLAKKKKCORDDDD in the direction of its origin off camera, while the introduction to the song begins to play. As the song begins to progress, the scene shown on the SCRREEEEN begins to show the occupants of a living room area, all of the era of 1985 , dressed accordingly and in the region of France called ZAOFNAYOFZ , on the outskirts of Paris.))

TALLNITTEEEE :((voice)) "That song..." ((cut to close up to his face, facing to the left of the shot, his eyes still FLUUKTUATTIINGGGGANDWATTRRRRING , his teeth gritting angrily)) "I know that song!" ((from off camera, there are the WAVVEEEEZ of the SCRRRRENN beginning FLOOWWWW from the left hand side of the shot))

Young Woman:((voice)) "What do you mean?"

TALLNITTEEEE : "I remember hearing that song!" ((cut to close up of Truth, staring at the shot, as WAVVEEEEZ the COLLOOOORYELLOOOOWWWWWWWWWWWW flow from off camera towards the shot, as he remains the pillar, and smiling excitedly)) "It's the same song!"

PURPPLLLLEROBBEEEEMANN :((voice)) " THEDEVVILLLLZSONNGGGG " ((cut to close up of young man facing to the left of the shot wearing the PURRPPLLLLERROBEE , his teeth grinding and EYEZZZZ reacting in the same way, as WAVVEEEEZ the same color as the TALLNITTEEEE 's flow into the shot and at his FACCEEEE , as he pants violently)) " OFSATTANNNN "

Truth:((voice)) " NOOOO ." ((the SONNGGGG pauses, as the TEMMPPOOOO comes back, only this time at the rate of a GALLOOPPPP .))

Young Woman:((voice)) "Stop that!" ((cut to close up of Young Woman facing to the right of the shot, before the large HORRDDEEEEOFCHRISSTIANNZZZZ as the WAVVEEZZZZ enter the shot directly at her from the camera)) "This is a trick!"

Truth:((voice))((goading)) " NOPPEEEE !" ((Young Woman's face whips about to address the shot furiously))

Young Woman: "This deception won't work on me!" ((cut to close up of Jesus, staring to the right of the shot, very scared expression)) "It's a song from the 20th century! This is reality not fantasy you heretic!"

Truth:((voice)) "Those words..." ((Jesus's eyes slide to the left of the shot)) "Fantasy." ((chuckling)) "Heresy." ((cut to close up of Truth, with a TELLEVISSIOONSCREEEEN beside him to his right, looming with WAVVEEEEZ being emitted from its SCREEEEN at the shot. On the SCRRRRENN is displayed an image mentioned from the second installment of this franchise, where a siege was taking place against a CASSTTLLLLE held by an ARMMYYYY within, repelling many who bore the STANNDDARRRRDZZ that show the CROSS and also a GOBBLETTTT . The region is that of a captured KEEPPPP on the boundaries drawn by those who favor SALLADDINN , and of the SECCONNDDDDCRUUSSADDEEEEZ . The scene shows the advancing PIKKEEEEMAN after cutting from the view of the CASSTTLLLLE , skew shot facing downwards as Truth speaks)) "Truth and valor. Tell me those of piety, what did you see that night?" ((there is a sudden FLASSHHHH on the SCRRRRENN where all those present look up into the sky to the upper right of the shot))((cut to close up of the SCRRRRENN , showing a GREEEENSKYYYY flash quickly, then momentarily displaying the likeness of a small passenger jet, a G3 , pitted against the sky and resembling that of a cross, its nose facing in the direction of the CASSTTLLLLE . There are cries of amazement from those off camera, in a tongue known as FREENCCHHHH)) "Do you remember that?"

French Man:((voice))((in English)) " BY GOD !" ((cut to close up of TALLNITTEEEE on HORRSEBBAKKKK staring up at the sky to the upper right, as WAVVEEEEZ are emitted in his direction, the COLORRZZZZREDDDDANDBLUUUUE , as he sits blinking twice up towards the upper right of the frame)) " THE CROSS POINTS!" ((the WAVVEEEEZ become stronger and push at TALLNITTEEEE 's face, pressurizing against his skin as his eyes begin to SHUUDDRRRR ))

Truth:((voice)) "That CROSSSS you saw?" ((cut to close up of the SKYYYY showing more WAVVEEEEZ emanating from the origin of the G3 even after disappearing)) "That in the sky? That which it left behind?" ((cut to previous close up of TALLNITTEEEE eyes WATTRRIIIINGGANDSHAAKKIINNGGGG )) "All the effects of the future and more, and to your bodies it did bind."

Proof:((voice)) "Rhyming!"

Truth:((voice))((cut to close up of PURPPLLLLEROBBEEEEMANN staring up to the right of the shot as well, face shaking, his reaction the same as that of TALLNITTEEEE , as the WAVVEEEEZ penetrate his skin and face, causing a reaction of instability)) "Yes rhyming is bad, though the Lord's work is anything but sad." ((cut to close up of Truth, wide eyed and crazed surrounded by the WAVVEEEEZ )) "That the future's work to the past be anything but J , a reminder of what accompanied the experiment FIRRSSTTTTDAYYYY ." ((his smile begins to crack)) "Oh don't be angry noble flock." ((cut to close up of TALLNITTEEEE shuddering in rage, the WAVVEEEEZ entering in from the left of the shot, carrying erratic other WAVVEEEEZ from the SCRREEEEN as well)) "You were just programmed like an electric meter to OVEEEERRRRCLOOCCCCKKKK ." ((cut to PURPPLLLLEROBBEEEEMANN , teeth gritted and looking infuriated past the shot to the left, WAVVEEEEZ never ceasing pulsing at his FACCEEEE )) "And those reactions that I see on your FACCCEEEEZ and lips - " ((cut to close up of Truth's face, with PINNWHEELLLLZ for eyes)) "Were the same on that night, no JOKKEEEEZ , no quips." ((there is the sound of bellowing off camera, as the shot blurs 180 degrees, revealing TALLNITTEEEE charging the shot wielding a LONNGGSWOORRRRD ))

TALLNITTEEEE : " DIEEEE -" ((he charges at the shot obscuring camera))((smashcut to close up of his BACCKKKK as he is CHAARRGGIINNGGGGTHEEEECASSTTTTLEE , the sound of the SONNGGGG "Highway Star" by Deep Purple playing once more, but starting only from the RUNNDDOOOOWNN as he is seen running full lengths into the shot and climbing one of the siege ladders))

((cut to close up of PURPPLLLLEROBBEEEEMANN licking his lips angrily, behind him the BATTLFFFFIELLDDDD as he charges into the shot, retrieving a SWOORDDDD from a FALLNNNNMANN , leaving behind TWWWWOELDRLLYYYYMENNNN who look towards the SKYYYY astonished. As he rushes the shot, his eyes are WATTRRIINNNNG and crazed, as surrounding the BATTLLLLFIEELLDDDD are many WAVVEEEEZ))

Truth:((voice)) "Yes yes!" ((cut to close up of TALLNITTEEEE scaling the WALLLLOFTHEECASSTTTTLEE , skew shot from the left hand side, as there are many SWOORDDWIEELDIINNGGGGWARRIORRZZZ that begin to attack him)) "The MUSSLIMMBELESS ! The JEWWWWYRFOEEEE ! " ((cut to close up of Truth, cackling, then staring down at the shot with PINWHEELZZZZFOREYEZZZZ )) " YORRRRGODDDDSAYYYYZSO !" ((cut to close up of TALLNITTEEEE screaming and charging at the shot, swinging at the CAMMEERRAAAA ))((cut to close up of an ARCCHHRRRR on the BATTLLLLFIEELDDDD whose reactions are the same, the shot keeping pace as he lunges towards the right of the shot furiously))((cut to wide shot of the CHRRISSTTIIANNNNZ , who behind them is within the LUNNGGGGZ still, many charging the shot furiously except for Young Woman and three others))

Young Woman:((screaming)) "Don't listen to him!" ((cut to close up, the WAVVEEEEZ everywhere, as she pleading screams to the right)) "Don't go near him! Don't fall for it!"

Truth:((voice)) " AWWWW don't be left alone little one!" ((she turns to face the shot crazed)) "Come join your friends, your people" ((cut to close up of Truth, many of the CHRRISSTTIIANNZZZZ battling the PILLARRRR unsuccessfully taking swipes with SWOORDDZZZZANDSTABBINNGGGG violently.)) "Come and meet \- "  
((rubber band close up, with Truth looking crazed, whose eyes still SPINNNN )) " - THEEEESONN !" ((she is heard shrieking off camera))((cut to close up of Jesus, who watches from his right as she charges through the shot, PLAKKTTARRDD held high, screaming BLOODDYYYYMURRDDRRRR in the direction of the left of the shot and out of shot))

Jesus:((pleading)) "Stop don't do it!"

Young Woman:((voice)) " IN THE NAME OF GOD YOU DIE TONIGHT!"

((cut to close up of Young Woman attacking the shot, and swiping at the CAMMEERAAAAWITTHHRPLAKKTTARRRRD and bringing it down onto the shot delivering a WHIITTEEEEFLAASSHHHH ))

((smashcut to reveal a WHIITTEEEETABBARRDDDD wearing NITTEEEE rushing the CASSTTLLLLWALLZZZZ crazed while the music continues to play))

((cut to close up of a man circa 1985 , with long black hair and glasses banging his head to the music within an indoor setting))

((cut to close up of Truth cackling as the silhouettes of several CHRRIISTIIAANNNNZ attack him furiously))

NIKKOOOO :((cut to close up within the PILLEEEE pointing out towards the shot)) " hezzzzgottttlotttt ! " ((waving the others on with his RITTEEEEHANNDDDD )) " tagghimmsoweegetttttheeeeloooot !" ((the RAIIDDRRRRZ and the PALADDINNZZZZ scramble at the shot violently, all hooting and howling in approval of the NEWRAIIDDCONTENNTTTT , leaving Frederick Kyle Ventresca behind, his name plate reading ' 4th string ' , as he is left on his back, confused and alone))

((cut to close up of Truth and all those attacking him, dwarfed by the size of the PILLARRRR as he extends several TENDRIILLLLZ , the entire group from AZZERROTH charging at him from the left of the shot, as he bellows in laughter))

((cut to close up of DIGGITTLFLAGGEMAN in the CONNTROOLLLLROOMMMM looming over GOAT who sits peering at the SCRRENNNNZ to the right of the shot, wide eyed, as DIGGITTLFLAGGEMAN rushes out of the shot to the right towards the ENTTRRRRYDOORR , along with FOUURRRRNITTEEEEZZZZ , as the sound of the music can be heard over the SCRRRRENN . Left behind is a WOMMNNNNWITTHHHHABIBBLLLLE , who stands behind GOAT . He is about to slink away, when she places a right hand upon his shoulder, shaking her head))

((cut to the front top of the wall of the KEEP , two men wearing GREEEENN along with helmets that bear a CURVVEE trudge forward towards the wall as three more emerge from low behind them to pitch forward a large pot, gurgling and bubbling, as it is dumped between the PARRAPPT , the shot following the liquid down past the base of the shot, dumping upon a large number of soldiers and NITTEEEEZ ))

Truth:((voice))((bellowing)) "Electricity traveled from future to past!" ((cut to close up of Jesus, the background behind him the BATTLLLLFIEELLLLD as he stands alone crazed looking up to the left of the shot)) " Compressed in BULBZZZZ of light, waves from GASSSS !" ((cut to close up of an interior door, WOODDNNNN of the century of the BATTLLLL being KIKKDDDD inward, TALLNITTEEEE falling in through the DOORWAAYYYY with three AROOWWZZZZ in his BAKKKK , another piercing him from the camera, he remains unfazed, bleary eyed and manic, and begins to stride at the shot, the cries of several including women in another language as he advances)) "Carrying with the message to come!" ((cut to close up of PURPPLLLLEROBBEEEEMANN rushing at the shot alone)) " TELLEGRAAMMMM ! It's for the Son!" ((cut to close up of a MANNNN with long brown hair in the year 1985 head banging to Deep Purple))((cut to close up of Jesus, staring past the shot, blinking twice))

Jesus: "No." ((cut to close up of one of the CHRRISSTTIAANNNNZ , a man a BLUUUUEEEEDENNIIIIMBIKKRRRRJAKKTTTT wielding a NIFFEEEE taking repeated swipes at the PILLARRRR , only to be grappled by one of the TENDRIILLLLZ and gripped upwards, carried out of the shot as he shrieks angrily while other CHRRISSTTIAANZZZZ emerge from the lower frame attacking the PILLARRRR )) "No it can't be. It can't be that." ((cut to close up of one of the RAIIDDRRRRZ , a MOONKIINNNN attacking the PILLAAAAR , only to have one of the TENDRIILLLLZ grab at their legs and drag them into the shot))

MOONKIINNNN : ((clutching at the ground clawing she is dragged towards the PILLARRRR )) " imgrippdddd . fkiinggggdosmoothiing . " ((cut to Jesus close up, looking past the shot, the WAVVEEEEZ everywhere)) " shit ."

Jesus: "This can't be what it was. What caused it all for me."((cut to close up, moving shot from right to left, one of the ARCCHRRRRZ running alone carrying an arrowhead for a DAGGEEEER and leaping up one of the LADDRRRRZZZZ alone, and out of the top of the frame of the shot)) "This can't be the truth! This can't be right!"

Truth:((voice)) "Don't you remember from the future from FOUR , where the past was changed, and the future when one opened a DOORRRR ?" ((Jesus looks more confused)) "Don't be coy SONNOFMANNNN " ((cut to close up of several of the CHRRISSTTIAANNNNZ fighting off the PILLAAAARRRR , only to be grabbed by several of the TENNDRIILLLLZZZZ and dragged and pulled into the PILLAAAARRRR and submerged into it)) "These aren't your people in a JAMMMM ." ((cut to close up of the STAAIRRRRZ leading down, the DIGGITTLFLAGGEMAN running into the shot with FOUURRRRCRUUSADDRRRRZZZZ from the CONNTROOLLLLROMMMM to the left of the shot, he begins to shoot as the others charge)) "They're just their B from a past before your CALLLL , to change the past, or SAVVEEEEUSALLLL ." ((cut to close up of Jesus, transfixed past the shot, he turns to the right to see a BLAKKKKTENDRIIIILLLL carrying off DIGGITTLFLAGGEMAN into the air, him writhing and wriggling to break free, shooting frantically towards the left of the shot, Jesus's gaze following both to the left of the shot)) "The message to your ERAAAA to say you're FREDDDD , to stop energy's effects on those who are DEAAAADDDD ." ((cut to close up within the CONTROOLLLLROOMMMM , the shot widening to show the various scenes of the DEADDDD , playing LOVETHEGAME , the center shot showing Truth close up speaking, various CHRISSTIANZZZZ being pulled into the PILLARRRR by BLAKKTENNDRIILLLLZZZZ along with the PALADDINNZZZZ and the various RAIIDDRRRRZ )) "To say that all LIFFEEEE is that of A , to program the living with charges of DAY ." ((cut to close up of GOAT staring wide eyed to the lower right of the shot)) "Altering the matter of being with flashes of light, - " (( GOAT stares directly at the shot blinking once and continuing to stare)) " - and WAVVEEEEZZZZ of energy in day and night." ((cut to close up within the LUNNGGGG to a SCRRRRENN , the shadows of the FITTEEEEING continuing, as on the SCRRRRENN is a very wide shot of the Earth revolving around the sun, it spinning and displacing WAVVEEEEZ in all directions, including at the sun, which FIKZZZZ them right back with a large display of YELLOOOOWAVVEEEEZ )) "Through time and space the WAVVVVEEEEZ never STOOOOPPPP , telegram and telephone too, not able to DROOOOPPPP ." ((the shot goes to STATTIKK showing the STAKKZZZZ of a nuclear power facility)) "Coupled with the energy of FISSHOONNNN that never DIEEEEZ , the pious of the past fall prey to all the future's LIEEEEZ ." ((cut to close up of Truth, the TENNDRILLZZZZ around him picking up various RAIIDDRRRRZ and CHRRISSTIAANNNNZ and PALADDINNZZZZ wriggling and waving about)) "All that is seen and heard to be a message to the past, all to reveal that all the future succumb to GREEEENGASSSS , - " ((cut to previous, the SCREEEEN showing the very top of a telephone pole FARRTTTTINGG a large plume of GREEEENGGASS from its very TIP called the ZAYOFB )) " - vented from power lines old and new, - " ((the shot travels high in the sky, as the GASS rises into the air)) " - a primordial soup bubbles, curdles and brews." ((the shot descends to a large CROOWWWW flying through the air, the GASSSS being breathed in by it)) "Life arguing with the WAVVEEEEZ that are brought, bringing forth instructions and orders to its cells and strata never sought." ((the CROOWWWW lands upon a power line, as WAVVEEEEZOFBLUUUUEANDGREEEEN intersect from all sides))

CROOWWWW :((cawing)) " KILLLLYRSLFFFF ! DIEEEE !"

Truth:((voice))((the CROWWWW sitting atop the power lines blinking estranged, and looking about)) " - and the like, everywhere that sent them's power would SPIIKKKKE ." ((cut to close up of Frederick Kyle Ventresca, his name plate reading Frederick Kyle Ventresca, this is the point' , as he still lies on his back, groggy from the fall)) "All this device, and all for NOREAAZZON , just waiting for the next tenant, the next show, the next SEAAZZOOOON ." ((cut to close up of Jesus, gritting his teeth towards the left of the shot, his eyes rising as the shadows of the TENDRILLZZZZ hold many figures that seem to be thrust into the PILLARRRR 's shadow to the upper left of the shot)) "To make a SLAVVEEEE of the newest of MANNNN in any way possible, through recklessness or PLANNNN . And back to the past the likeness of FREEEED went, with you altered as well, the instructions were sent." ((his gaze rises as the PILLARRRR grows wider and TALLRRRR , and he stands his face trembling)) "To carry out the PLANNNN of THEEEEY and more, to adhere to a future that we all ABHOOOORRRR !"

Jesus: " NO! "

Truth: " YES! YES YES YES IT'S TRUE! The audience loves it, or THEY would have BOO 'd !" ((cut to close up of one of Truth's SCREENNZZZZ , showing the Earth rotating around the sun, WAVVEEEEZOFTHEEEECOLOOOORZZREDANDBLUUUUEEEEANDGREEEEN still being emitted from its surface in every direction haphazardly and recklessly)) "That the future of theirs is calculable and the same, that any different would render it LAMMMMEE ." ((cut to close up of Jesus, blinking twice still in the glow of the SCREEEENZZ , as the shadow of Truth is larger than ever in the upper left of the shot)) "That all of the bloodshed and turmoil of yore, would simply repeat, the same as before, just to secure the funniest joke, on a man named FREEEED - " ((cut to close up of Truth, looking directly at the shot smiling, looming in with his left eye cocked at the shot)) "that THEEEEY said you resemble, who's just some BLOKKEEEE ."

Young Woman:((screaming))((extreme close up of her FACCEEEE )) " NOOOO!!!!!!!!!!!! " ((the shot veers outwards, revealing she and all the CHRIISSTIAANNNNZ are now part of the PILLARRRR , along with many other FACEZZZZ , that of all the RAIIDDRRRRZ and the PALLADDINNZZZZ , leaving two figures, Jesus standing, and Frederick Kyle Ventresca lying on his back, still disoriented facing towards the PILLARRRR and the face of Truth))

Truth: "And who am I but the messenger to speak " ((cut to close up of Jesus)) "Stuck in the body of a pothead, a loser" ((cut to close up of Frederick Kyle Ventresca)) "A BEEATTNIKK , a GEEEEKKKKKKKKKKKK ." ((cut to close up of Truth)) "Within the heading LUNNGGGG was placed, the BODDYYYYWAZZZZCANCRRRR typed single spaced." ((cut to rising shot, skew shot upwards of the PILLARRRR , many faces jutting out, as it climbs up the LUNNGG towards the top of the shot out of sight, many FACCEEEEZ shown peeking out and looking down towards the shot)) "Their goal KILLLLHIMMMM for a audience of some, and mocked him openly for ejaculating CUMMMM ." ((cut to close up of SCRREEEEN showing a close up of the device in question, pointed at a web camera connected to a laptop computer, as it then pans over to the left to reveal the SCRRRREEEEN of the SWAATTTTTEAAMMMMCAMMEERRAAAA mentioned in the CHRISSTTMAZZ installment of this particular franchise. On the screen, while fizzling because of the interaction between the two devices emitting AOFB , Frederick Kyle Ventresca is seen pacing back and forth in his own apartment, as the CAMMERRA following him follows his movements)) "Watching him FLOUUNDDRRRR , crazed and estranged, while this device pulsed to make him deranged. Plagued by the future, seen in his past, he couldn't avoid what was to come, only conditioned to make it last." ((cut to close up of Proof, eyes still clenched as Truth speaks, mouth taut)) "And I, the proof of what this energy has caused, CISSTTTTZ and TUMOOOORZZZ and more to create pause." ((cut to close up of Truth, center stage)) "That all this time your future will weaken, that the Truth serves only to light as a beacon. All of your efforts to stymie in vain, as I bring forth a burden, seen only as a pain." ((cut to close up of Jesus, staring bewildered to the left of the shot)) "You have to return to your past and more, to PONGGGG back the Truth as you have seen in store." ((cut to close up of Frederick Kyle Ventresca, lying now on his stomach on the ground, chin resting on his left fist, the name plate reading 'Frederick Kyle Ventresca , NAWWTJESSUSSSS ' )) "To prove yourself and who you were once, lest FREEEED take your place - " ((he gazes upwards, doing a double take, looking at the name plate and squinting, it changing to ' WHAATTTT ')) " - and make the future a DUNCCCCE ." ((cut to close up of Truth, before him a WAVVEEEE from above the shot the color BLUUUUE , as a GOLDDNNNNCUPPPP appears. On its exterior is the letter B , at the base of its shaft the letter D , and on its circular resting stool the letter C . Within it , is the number 6, barely visible as it is filled with a BLUUUUEMETTLLLL )) "Behold this secret of what is their name, the GRAAAAIIIIL that men sought, only in vain." ((cut to close up of one of the SCRRRRENNZZZZ as it flickers from STATTIKK revealing the U.S.S. Eldridge on the high seas, sitting idle atop the WAVVEEEEZ of the Atlantic Ocean)) "It is the CUPPPPOFA that was found aboard a ship, coupled with the transmissions of many vessels, doomed from a single DIPPPP ." ((there is a sudden flash of GREEEENNNN as the U.S.S. Eldridge disappears atop the surface of the WATTRRRR )) "It carries the WAVVVVE and the information as well, to many points in time where the Eldridge did dwell." ((cut to close up of Jesus, in the glow of the LITTEEEE)) " GOLLLLD it is, the color of A , glimmering with DRTONAYTHEBAY . An echo it brings of a future to behold, one that is likely to be exploited and sold." ((cut to close up of the GRAAAAIIIIL floating in the WAVVEEEEZZZZOFBLUUUUE )) "Of LIFFEEEE everlasting it was foretold, but to find LIFFEEEE 's cure was the goal." ((cut to close up of Truth, the shot panning out slightly, the glow of the LITTEEEE to the right of the shot)) "I am the product of the passage of WAVVVVEZZ , too many too quickly, the body weaken with age." ((cut to close up of Proof, eyes clenched to the left of the shot, the LITTEEEE 's glow from the right of the shot illuminating her FACCEEEE slightly)) " BETH and ORIIOONNNN be the PROOFFFF of the NAYYVVEEEE 's intention - " ((cut to close up of Voice, looking down at the shot, blinking once)) " - stuck within the body - " ((cut to close up of Voice #2 looking down towards the LITEEEE nervously)) " - a product of RETTENSHUUNNNN ." ((cut to close up of Jesus looking upwards towards the FACCEZZZZ blinking once)) "Unable to stop the constant threat, the systems failing, besieged by the creations of man, not limited to one jet." ((he looks down towards the left of the shot towards the LITTEEEE)) "Grounded on the planet, I'm SHOKKKKD and under attack, - " ((cut to close up to one of the SCRREEEENZZ showing a close up of the MOONNNN center of shot in the NITTEEEESKYYYY , wobbling and BOBBINNGGGG in the shot, as WAVVEEEEZZZZ of BLUUUUEANDREDDDD enter from the upper left of the shot, and then are RICCHOOCHEETTINGGGG towards the CAMMERRAAAA the color BLUUUUEEEEANDBLUGREEEEN )) " - bounced back from the MOONNNN as well, in a single STAAAAK ." ((cut to close up of the WALLZZZZOFTHELUNNGGGG the sound of DEEEEPPPPBREATTHIINNNNG as the WALLZZZZ are WETTTT and have an occasional charge that speaks Z or BR as it travels about)) "Viscosity within the body another trial to bear, as electricity finds me, without so much as a care." ((the shot begins to ZOOMMMM inwards towards the WALLZZZZ deep into the TISSUUUUEEEE )) "Always the WAVVVVE of adhering to rule, - " ((a BLUUUUEWAVVEEEE penetrating the shot and advancing towards a cellular structure, carrying with it a charge of electricity the color REDDDD )) " - like my cells need to A in order to BOOOOL ." ((the cellular structure begins to shake, as the charge of REDDDD begins to become entwined onto it, the BLUUUUEWAVVEEEE smothering and saturating the cellular structure)) "Why does it matter, the answer always UH , implying I'm incorrect, or lying, or that I'm hiding or - "

REDDDD :(( STATTIKKKK )) " UHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH9898 "

Truth:((voice)) " - oh well what does it matter. DUH . I'm the result." ((cut to close up of Jesus squinting past the shot towards the LITTEEEE )) "I'm CANCCRRRR from 1971 , - " ((Jesus's reaction is that of AMAZZEMNNTTTT )) " - and I'm just an example of what is to come. I'm a mutation that is deadly, and usually so, but on occasion I'm different and able to SHOOOOW ." ((cut to close up of Truth, center of shot, the glow of the LITTEEEE to the right of the shot off camera)) "The Truth is CANNNNCCCCR isn't the DEATTTTH that HUMMMMNZZ think, it's just the body adapting to a new threat faster than a BLINNKKKK ." ((the shot slides to the right slightly, showing the CUPPPP in the shot, hovering and GLOOOOWINGNG )) "That the electricity of the GRIDDDD is that which can cause harm, to that within the body, the leg and the arm." ((cut to close up of LANGGENWALLTTTTR sighing)) "Erratic and erroneous the charges made by MANNNN , their efforts to beat the GODDDDZ , best left in the CANNNN ." ((he looks to the upper left of the shot)) "That HUMNNNNZ are mutants changing every day, all at once, with little to no SAYYYY ." ((cut to close up of VOICCEEEE looking down towards the LITTEEEE saddened exression)) "The broadcast television and RAYDIOOOO too, caused us all to go haywire, the syntax poignant and true." ((cut to close up of the CUPPPP glowing BRITTEEEE , the silhouettes of Jesus standing and Frederick Kyle Ventresca lying on his stomach before the LITTEEEE )) "You're both of the GRIDDDD and can use the GRAILLLL to travel to the past and warn many, before the Eldridge can SAIILLLL ." ((cut to close up of Jesus, troubled gazed past the shot to the left)) "To PONNGGGG back to the past and keep going past the PINGGGG , - " ((cut to close up of Truth speaking towards the LITTEEEE )) " - of the Eldridge 's distress call that continues to SINGGGG . Unable to STOOOOP and can never actually GOOOO , their experiment a turnstile from future to past, No LA no FA no DOOOO ."

Proof:((cut to close up)) "You did this last time too. Rhyme and all."

Truth:((voice)) "What better way to answer the call?" ((cut to close up of Jesus looking towards the left of shot frozen and blinking twice)) "So take Diggit the Brave, Diggit the Sane, Diggit the Hated with you Jesus of EARRRRTH , and change the past through lesson and teaching, and bring forth its new BIRTH ."

Jesus: ((shaking head)) "I can't! It will always be the same!" ((cut to close up of Truth smiling)) "You know there's little I can do about that! There's nothing I can do to stop all this!"

Truth: "It's one of the best jokes every written, you shouldn't be mad. That MANNNN had imagination, choice and will, and spent it BADDDD ."

VOICCEEEE :((voice)) "Is that why Jesus looked like Frederick?" ((cut to close up of VOICCEEEE looking down past the shot)) "Because of the ZAYOFZ or 7 ? Because of how we broadcast? Or how someone else did? Because all of this went back to the past?"

Truth:((voice)) "One more question, that accompanies many, that the past can answer, one past aplenty." ((cut to close up of Jesus grimacing)) "Take him with you to prove the point, that the future is badly out of JOIINTTTT . " ((cut to close up of Truth)) "That all we've done is MUKDDDDUPPPP the PLANNNN , and replaced it with one to simply blame a MANNNN ." ((cut to close up of Jesus approaching the GOLDDNNNNGRAIILLLL attached to the PILLAAAAR glimmering BRITTTTE , dragging behind him Frederick Kyle Ventresca, the name plate reading ' the Joke ' )) "You're once, twice, three times a lady, and EYEEEELOVVVEEUUUUUUUUU "

Proof:((voice)) "It's THRRRREZZZZCOMPAANYZZZZ 2222 !"

((There is a bright flash of light, WHIITTTTEEEE in color, as a song begins to play "What is Love?" by Haddaway, the shot changing as the credits roll, to reveal the TELEVISSIOONNNNSETTTT , with several choreographed dancers moving in synchronous motions, with the announcer speaking, as the camera angles change stylishly))

Announcer: "In this EPISSOOOODEE , Jesus traveled to the PASSSST to SAVVVVEEEE us from what is to come, - " ((cut to close up of Jesus looking past the shot, a GOLDDNNNNLITTEEEE to the left of the shot, advancing quickly)) " - a future dire, worry being the SUMMMM ." ((cut to close up of the GRAAILLLL , hovering and HUMMIINNNNG in mid air, his right hand reaching for it)) "He carried with him PROOOOF of the future, proof of a JOKKKKE ." ((cut to close up of Jesus, holding the GRAAILLLL in his right hand, bring it down towards his torso, the shot sliding lower to reveal Frederick Kyle Ventresca being dragged by him by his left hand )) "The CUPPPPOFABOATTTT and the FACCCCEEEE of some BLOKKEEEE ." ((cut to close up of Frederick Kyle Ventresca, the name plate reading 'the PUNNCHLINNEEEE , who speaks))

Frederick Kyle Ventresca: "Wait a minute! Why did I freak out?! Why was I saying those things at all!?" ((he is being dragged towards the top of the shot)) "I don't get closure at all? Are you serious?":((cut to close up of grace 's face in the PILLAAAAR looking more awkward than before, gazing to the left of the shot)) "But I don't even feel that way! What kind of ending is this?!"

Announcer: "One that was created to LASSSSTTTT and never DIMMMM , - " ((cut to close up of Truth, staring off past the shot)) " - that carried with it the suffering that grows within. CANCCRRRR is that and more, and mutated we all become is what is in store." ((cut to close up of Proof, eyes clenched and looking to the left of the shot, part of the PILLARRRR )) "Magnetically charged and electrically bound, we are helpless to STOOOOPPPP ourselves from shocking the ground." ((cut to close up of Jesus standing in a RAYYOFLITTEEEE with his back to the PILLAAAAR , the FACCEEEEZ of many looking down upon him)) "Jesus tried to SAVVVVEEEEUS all, from a future that would harm large and small." ((cut to close up of Jesus standing in a RAYOFLITTEEEE looking up past the top of the shot)) "Though tempted with women, men, power, money and lust, he never faulted and gained our TRUUSTTTT ." ((he shrugs)) 'Say his name with PRIIDDDDEEEE as he succeeded, - " ((cut to close up of the choreographed DANNCCRRRRZ in the STUUDDIOOOO )) " - as the WINNEEEEROFLOVEEEETHEEEEGAMMMME , and he never even CHEEATTTTD ."

((the shot hangs for the duration of the song, and then begins to pan backwards from a wall mounted TELLEVISSIOONNNN and pulls back to reveal the inside of the GREEEENNRRRROMM where a PALLADDINNNN is standing looking about, confused. He is the spitting image of TAZZN , though his name plate reads tael in lower case letters, with the guild tag fukdiggiit . He stands looking around inside the room, while the credits continue on the SCRRRRENN ))

tael : " wheeeereeamiiiinoww ." ((off to the right of the shot, there is the sound of a door creaking open. A familiar voice begins to speak))

ELDRRRRLYMAN :((voice)) " aofza ?" (( tael looks to the right of the shot, blinking once with a bewildered expression)) "Is that you?" ((cut to close up of ELDRRRRRLYMAN half entered the room, looking down at a REDDDDENVVELLOPPPPE then up)) "Am I pronouncing that correctly it's been a LOONNNNG - " ((cut to close up of tael , though now he resembles ELDRRRRLYMAN completely, though the name tael now reads jonathan , who looks at the shot very puzzled)) " - day ." ((cut to previous of ELDRRRRLYMAN )) "Well well well, I think I know who caused my name to D ." ((he flaps the REDDDDENVELLOOOOPEEEE at the shot, a LABBEEEEL on it reading " THEEEEENDOFYYYYOOUUUU " , his expression angry at the shot)) "Sign here." (( SHOTCCUUTTTTZZZZ2222BLAAAAK ))
