THIS TRAFFIC IS TERRIBLE, THANK
YOU SO MUCH FORE GET TO
>>
>> James: I REALLY APPRECIATE
YOU.
YOU KNOW, THE BACKWAYS.
JUST MAKE A LEFT UP HERE ANDASS.
>> I THINK IT RIGHT.
REALLY? ON, CATCH IT STRAIGHT
AHEAD.
>> GO STRA
>> THREE RIGHTS IN A ROW.
>> James: I'M
REGRETTING ASKING YOU,
ALREADY REGRETTING ASKU.
DO YOU MIND IF WE LISC.
SHALL I SEE WHAT IS HERE.
CAN'T STOP THE
SHINDIG.
COAYS I'M GONNA WIN
GIG.
THIS FEELING THAT YOU PAY
♪ IT'S HG
U PAY FOR. IS LIVING ONWEST END.
♪ KNOCK OUT BUT BETTER
♪ DON'T DIE YOU KOW THE TRUTH
IS SOME DO.
♪ IT IS MORE THANDINARY.
ME BACK. CAN'T STOP THE SPIRITS
THEY NEED YOU.
♪ THIS IS LIFE IS MOR JUST
A R THRU.
♪ GLORIOUS FOOD, HOT SAUSA
MUSTARD.
♪ WHY I'M INHE MOOD.
♪ FOR CHERRY AND KUS TARD.
♪DIGESTION.
♪ I NEHOUGHT THAT WE
WOULD FINISH A RED HOT
PEPPER SONG AND GO STRAIGHT INTO
THE MUSICAL OL
>> YOU ARE LUCKY.
>> Reggie: IS THAT.
>> YOU DON'T WANTO KNOW.
>> James: BUT DO I
>> YOU SAY THAT THEN
WILL YOU KNOW AND ARE YOU LIKE,
I SHOULD HAVE LISTENED.
>> WE WERE 15 YEARS OLD SLEEP ON
A ROCK OUT IN THE WOODS.
SMOKING LARGE QUANTITIES OF
MARIJUANA.
I CAN SEE THE SIERRA NEVADA
GE AND HIMY NIMY.
>> James: A TASTE OF SOUND.
♪ SCHDA THAT.
♪ WHOOP.
♪ CORDEL SCHNEW
♪ HEADY LOADY BOBIN BOO.
♪ WHOOP.
>> Jam WAS
JU MARIJUANA?
WHAT I GOT TO I GIVE TO GIVE IT
♪.
>>
>> James:
WAIT WA, HAVE YOU GOT THAT ARE
YOU GOING TO GIVE TO MY MUM.
>> LOVE AND AFFECTION.
YOU GOT THAT ARE YOU GIVE TOAD.
>> A STERN TALKING TO, IF YOU
WILL.
WHAT I'VE GOT YOU'VE GOT TO GIVE
IT TO YOUR DAUGHTER.
>> James: WHAT ARE YOU DOING
WITH MY DAUGHTER?
>> NOW THAT IS NOT FOR LATE
NIGHT TV, THAT IS LATE LATE.
>> James: THAT IS US.
WE ARE LATE LATE.
>> ARE LATE.
WITH YOUR DAUGHTER, WE READ BED
TIMETORIES.
YOU GOT TO GET IT PUT IT YOU.
GOT YOU'VE GOT TO GET
IT PUT IT IN YOU.
♪ GIVE IT AWAY, GIVE IT AWAY,
GIVE IT AWAY NOW.
♪ GIVE IT AWAY, GIVE IT AWAY,
♪ I CAN'T TELL IF I'M KINGPIN OR
PAUPER
♪ WH
YOU WERE WITH THE SCHOOL A
COUPLE OF BLOCKS HERE.
>> YES.
>> James: WHAT WAS YOUR FIRST
IMPRESSIONS OF EACH OTHER AT
SCHOOL.
>> RIGHT.
>> MAJOR-- DU CK.
PIE ONE AND ONLY FRIEND, HE
ROLLS UP AND STARTS ROUGHING HIM
UP.H, HANDS OFF.
>> James: YOU HAVE NEVER BEEN
IN A FIGHT.
>> NEVER, NOT-- A COUPLE OF
LITTLE KID SCRAPS.
>> WE USED TO WRESTLE.
>> James: DID YOU, I LOVE A
GOOD MAN WRESTLE.
>> DO YOU, BE HONEST.
>> James: A GRAPPLE.
>> NO EM BOWS, NO KNEES.
>> James: NEVER LIKE-- NO
PUNCHES, NO, LIKE A HOLDDOWN.
>> RIGHT THERE.
I WILL WRESTLE YOU ANY TIME YOU
WANT AND I WILL DESTROY YOU.
>> I WANT TO WRESTLE.
PULLING OVER.
WRESTLE ON THIS LAWN RIGHT
OKAY.
>> I DANT ANYONE TO-- .
>> James: I DON'T KNOW WHOSE
HOUSE THIS IS, I AM SLIGHTLY
WORRIED I AM GOING TO OFFEND
THEM.
>> WE'RE GOING TO DO A LITTLE
MAN WRESTLING.
>> James: WELL DONE.
I AM GOING TO LOSE MY PHONE.
>> ARE YOU STARTING DOWN.
>> NO POSITION.
>> GREKO ROMAN, UP.
>> James: NO POSITION, JUST
STRAIGHT UP.
WHOSE DON'T KNOW WHOSE HOUSE
THIS IS.
>> YOU ARE GOING TO WANT STAY
LOW.
>> DON'T WORRY ABOUT IT.
>> James: WHAT WAS THAT.
>> GO LOW, GO LOW.
>> GO LOW!
(APPLAUSE).
>> James: I SUBMIT, I SUBMIT,
YOU DESTROYED ME.
>> THAT WAS QUICK.
>> James: YOU MADE ME REALIZE
WHAT LEVEL I WAS AT THAT.
OH MY GOSH.
I DIDN'T SEE THAT COMING,
KIEDIS.
>> NEW SHOW, FRONT LINE
WRESTLING.
IT IS DIFFICULT TO
WRESTLE WHEN YOU ARE LAUGHING
THAT MUCH.
♪ FOROUR WAIVING.
♪
♪ DREAM OF CALIFORNICATION.
♪ DREAM OF CALIFORNICATION.
♪
>> James: NOW SEEING YOU ALL,
WHAT I CONSIDERED TO BE MAYBE
THE MOST COMMITTED-BASE PLAYER
OF ALL TIME.
>> YOU WOULD THINK.
>> James: I MEAN IT, BECAUSE
YOU ARE IN IT.
LIKE WHEN YOU ARE PLAYING, I
DON'T KNOW WHERE YOU END AND
THE-BASE GUITAR-- THE BASS
GUITAR BEGINS.
>> I REMEMBER READING A BOOK
ABOUT BOB MARLEY WHEN I WAS A
TEENAGER AND HE TALKS SO MUCH
ABOUT THE ONLY THING THAT REALLY
MATTERED WHEN YOU WERE PLAYING
MUSIC WAS THE MOTIVATION AND THE
INTENSITY AND COMMITMENT TO WHAT
YOU WERE DOING IN THE MOMENT.
THAT COMMITMENT IN THE MOMENT,
THAT REALLY STRUCK HOME TO ME.
AND I FIND MY GREATEST PURPOSE
IN LIFE WHEN I'M COMPLETELY LOST
IN THE MUSIC.
>> WE ALL DO.
>> James: IF I WAS A BASS
PLAYER, I WOULD GO STRAIGHT UP
SLAP.
>> YOU WOULD. WOULDKE
WHEREVER MY HAND IS, I WOULD BE
RIGHT UP HERE.
♪ MANY MOONS THAT ARE DEEPT
LAY SO.T IT HAS TO SAY.
♪ YOU AND I BOTH KNOW.
♪ EVERYTHING MUST GO AWAY.
♪ DON'T KNOW MY MIND.
♪ YOU DON'T K KIND.
♪ DARK NECESSITIES ARE PART OF
MY DESIGN.
HE WORLD THAT I'M. FROM THE SKY.
NECESSITIES ARE PARTF
SIGN. J WHAT DO YOUHINK SLT MOST
ROCK 'N' ROLL THING YOU HAVE
PART OF OR SEEN ON TH
ROAD?
>> WE PLAYED A FESTIVAL IN
EARS AGO. IN THE CROWD I SAW TWO
GUYS HAVING WITH THEIR
PROSTHETIC LEGS.
(LAUTER)
>> ONE HAD A SHOE ON. DIDN'T.
>> THAT IS ROCK.
>> IT WAS VERY DUTCH ROCK.
♪ SOMETIMES I LIKE I DON'T
PARTNE
♪ SOMETIMES I FEEL LIK MY ONLY
FRIEND.
♪ IS THE CITY I LOVE
♪ THE CITY OF ANGELS.
♪ LONELY AS I AM.
♪ CRY. I DON'T EVER WANT TO
♪ LIKE I THAT DAY.
AKE ME TO THE PLAC.
♪ TAKE ME ALL THE WAY.
♪ I DO FEEL
HAT DAY.AKE ME TO THE PLACE IVE.
♪ TAKELL THE WAY.
♪
>> Jam DIDN'T
RECOGNIZE YOU UP
BECAUSE ON, ARE
YOU A BAND OF TOPS OFF.
>>AL.
IT SEEMS NATURAL.
UNNATURAL NOW WITH A
>> A BIT ENCUMBERED.
VE, HE HAS AT LEAST THREE LAYERS
ON.
>> J OUR
CLOTHES.
>> I THAT ONE
DAY I' HAVEHE SOCK TONIGHT.
>> YOU KNOW WHAT-- .
THE SHOES AND SOCKS.T
>> I FEEL LIKE THERE WAS A CREW
THERRE, SOME KIND OF
A BIT OF A CU: ARE YOU NOT GOING
FULL NAKED.
>> NO, I WOULDN'T.
>> James: HANG ON WHAT AREE
DOING.
>> NOT
>> ALL
GIVE MEAT MICROPHONE.
FLEE,S.
>> I'MOING BACK.
>> James: NO,'RE NOT.
IN A WD AWAY.
♪ PICK IT UP NOT TOO STRO
YOU.
♪ TAKE A PIECE A IT ON.
♪ FLY ON MY
ORE THAN EVER.S PERFECT WEATHER.
♪ WE'LL FIND A PLACE TOGETHER.
ON THED CAN PASS ME BY.
♪ AWAY ON MY ZEPHYR.
♪ WE'LL TO LIVE
FOREVER.
(CHEERS AND APPLAUSE)
D THAT ONE. James: YOU KNOW WHAT
TOP OFF JUST MADE MEREAT.
>> James: YOU KNOW WHAT I
MEAN.
IN THEY OWN WITH A TOP OFF I LOO
WEIRD.
T THE THREE OF TOPS OFF IT FEELS
COMPLETELY NORMAL.
AM I WRONG.
>> James: IS IT TRUE THAT
USED TO BABYSIT
>> SHE DID.
NOT ON A REGULARD WERE YOU AND
WAS SHE WHEN SHE WAS
BABYSITTING.
>> SO I WA TO RECALL 12 YEA
OLD.
>> James: RIGHT.
E YOU 12 YOU DON'T OLD ADULTS AR
>> James: SURE.
>> BUT SHE WAS FIT AND
AND I KNEW THAT.
AND UST KIND OF HIT
HORM
JUST TOUCHING IT.
I WASN'T ALL INTO
BUT.
>> James: YOU DISCO
>> SOMETHING I FELT-- .
>> James: YOU MADE FRI
WITH IT.
WE HUNG OUT.
I SLEPT HER BED.
I WATCHED HER THROUGH
THE CRACK OF THE BATHR
G READY FOR BED.
I WAS LIKE IN MYAMIES, GETTING
READY TO SOME ZST.
>> James:
>> AND SHE LIKE
AS HAPPENIes: SO YOU HAVE SPOKEN
>> I DID.
I ASKED HER AND LIKE WHAT
ARE YOU BEING.
>> James: REALLY, SHE
ACKED IT OU THINK SHE BLACKED IT
OUT.
VE BEEN.URN BACK TIME.E THE SHOW
TONI
♪ AND THERE'S A LI ON, HEAVYOW.
♪ BY THE WAY I TRI TO SAY. DANI
TH IS.
♪ SINGING ME.
♪ BENEATH THE MARQUEE.
♪ OVER
♪
♪ AND THERE'S A LIGHT DANI GIRL.
♪ I TRY SAY I
YOU.
♪ STANDING TO SEE THE
SHOW TONIGHT.
♪ AND THERE'S A ON. GLOW.
♪ TRIED TO
♪ I'D BE THERE WAITING FOR.
.
YOU, LADIES AND GENTLEMEN, PEACE
>> James: I ALWAYS KNEW THAT OF
MY LIFE TO B
IT WASN'T UP FOR DEBATE THAT
CTED IT TO BE AS AS IT HAS BEEN.
NT YOURT I DON'T THINK THEY EVER
THE RED HOT CHILI PEPPERS.
THANK YOI LOVED IT SO VERY.
