hello Claus here and welcome back to yet
another video in this video I'll show
you how to do a parallax effect in
fusion this is one of the effects I have
been using the most I've been using this
by bringing old photos to life in
documentaries and I've been using
different techniques I've been using a
technique where I did it in After
Effects and Photoshop I have been doing
a technique where I did a lot of the
photo work in Photoshop and then I did
everything inside of the Vince resolved
in the editing tab but in this video
I'll show you how to do all of it inside
of fusion inside of the Vinci resolve 16
so without further ado let's get right
to it okay so let's just get started
here we have a photo and the first thing
we are going to need to do is we are
going to the call page we need to do a
clean plate you can do this in a great
variety of ways but um I'll show you the
fastest way to do this and of course you
could I'm not sure if you can do that if
you do not have the studio agent because
we're going to use the new object
removal for this one so anyway I'm if
you're interested I will do tutorial on
how to do a clean plate and basically do
the same effect without using the object
removal but I'll this is just a very
quickly tutorial so in the color page we
are just going to go into our mask and
we are going to do a turf mask and we're
just going to basically draw a shape
around our subject here and we'll just
finish that and then we'll just use alt
s to do a new note and I'll connect the
two notes together with the blue line
here and then I'll just copy it now
search for the object move and I'll
track the object removal on to there and
assume no motion I'll just click that
because there is no motion it's a still
photo and I'll just build a clean plate
out of that and well it's maybe not the
best clean paid in the world but it's
good enough for yes so
back to the editing page I will make
this into a new composition or a
compound clip so I'll drop down a
another photo on top of that I'll make
this into a new fusion clip and then
I'll go diffusion and here we are and
it's now already put things together
I'll just toggle down the media pool
here and we'll just push one to see what
is in the viewer that is the plate so
I'll push f2 to name my plate I'll just
call this plate
just like that and let's just name the
top layer here I'll just call that me
because that is me way back okay
onion will just rearrange the bits okay
so I'll just do a polygon here I'll just
select the polygon actually and just
reconnect this again sometimes just to
be sure that that I am the foreground
and the plate is the background okay so
let's just again go on the me layer and
then let's just take the polygon and
then we'll just draw a shape I'll just
use the plus and minus buttons to go in
closer and them again I'm not going to
do this way beautiful or anything I'm
just going to do this SuperDuper fast
like though so if you have a lot of time
you can do a better job than I am doing
but then this is just for the sake of
the tutorial and keeping down the length
of the tutorial and we'll just quickly
make a shape around me here and then if
there is any shadows make sure to use
those as well as I have some here
and let's just continue around like so
though it's not going to be hundred
percent okay but they'll be good enough
for the territorial I think and just
round it here and then let's finish off
oh whoops
just control set that for one second and
then let's make it a little bit better
okay almost yeah and let's just do the
last one here again and let's connect
them together like so that we have it
okay and then we just need to connect
our polygon to the layer like so and
then now we have Mme layer alone and the
background okay so we'll just push ctrl
+ spacebar and then just right in warp
and I'll just use the grid walk to do a
super quick animation and I do not want
to have it here so sometimes you are on
the wrong note and it will just put
those in together but then no big
problem so I'm just going to connect
this after the me layer and before the
merge and then we have first off I'm
going to make the size smaller and also
going to make the string smaller and I'm
going to make the grits latch those
little and something like so again this
is a super quick way of doing it so
we might do a more in-depth tutorial on
how to make this parallax effect
actually put in let's just do a quick
animation just by right-clicking and in
from the beginning and then go into the
end of our timeline and then we'll just
make some just again I'll zoom in I'll
make a change some pants and see make
this a little bit smaller
so it is the trick here is to to not
make the face look too pushed and
stretched and normal and I find out that
them in I get a general rule when you're
doing this is that you think you're
going to do a very little thing but you
should push it a little more actually
I'll them then you think because if the
movements are not big enough it's not
you're not going to see it very well at
all and so so now I'm just adjusting a
bit and then we we have to have a look
at how it actually looks so I think also
I want my feets here to move a bit
actually that would really be fun and
it's just super small and very subtle
this effect so and then again you can
use a lot of time on moving the moving
the picture around and it's a bit easier
now because it's only the layer with me
young I am manipulating right now so
let's say something like that and then
let's just go to the output here and
then let's have a look at so we again
here it's like like I talked about if
you do the movements too small you will
hardly see the movement it's there but
it's not it's not that visible maybe
that is the effect you're going for so
let's just I want to do a little more so
I'll just go back to the grid opcode
back to the last earth frame where I did
put the key frame and then I am going to
push everything a bit more so let's just
move my head a bit more
something like that oh by the way this
is a super old photo I think that is
from like 84 or something it's really I
think I'm around four or five years or
something like that so around 84 85
something long time ago you know back
when VHS were a thing and today nobody
knows what it is so that's or cassette
tapes anyway I'm getting also and okay
anyway back to the tutorial and I wake
away from the memory lane here and again
now I'm going to push the animation a
bit more here and to make it a bit more
visible I think it will help pretty well
and you know there's nothing wrong in
making it a bit too much you can it's
easier to make it smaller again like
that and then I think we also want to
make let's make the lights move a bit
more as well like that okay okay
something like that that's up a look at
there and that okay and if you might see
now it is a bit more visible once
actually going on and I actually like
this kind of a thing pretty well that's
nice effect but then again I think we
will go in in the merge node and I'll
just add some motion blur as well make
it level make it a little more filmic
okay it was one less thing here I will
take a transform and hold down shift and
just connected to the
the line with the line here and them
then I'm going to the beginning of my
time line and I'll put in a keyframe and
I'll go to the end and then I'll just
make a little zoom which will make this
photo a little more interesting to watch
oh here we have it with there that
little effect on okay and let's just do
a little bit more by going back to the
editing tab here and just have a little
look at our animation pretty good I
think so let's just at a super small
little thing which will make this kind
of fit into our theme of the eighties
here so I'll just go to the I'll go to
our open effects and then I'll just
scroll down here and I will take my
analog damage I have that right here
I'll just drag that on again that is one
of the new filters in DaVinci Resolve is
16 I do not know if that's only going to
be in the studio version and also in the
free version so I'll just put in these
presets old VHS let's just take clean
VHS a little better okay so let's say
how do I look at that just like it would
have looked back in the eighties lovely
I'll just go into the color tab as well
and then I'll just do a little bout I'll
just make black a bit more black by
dragging down to lift and then I'll take
a little of to saturation out and it
stung down the camera and they came a
little bit something like that there you
have it
me back in the eighties anyway I do hope
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