What I'm trying here to demonstrate is that you can use the canvas in a little different way then it was done before
So I'm trying to slow down the process of the viewers eye. So basically you don't have the regular
Painting so you have something that is curved
There is something going on on the canvas that hopefully slows you down to realize
Okay, what kind of painting is in front of me? What kind of message is in front of me?
I'm not only trying to have them on the wall
I'm also trying to put them into the room
because that's when you have to really walk around to get a the perfect view on the
On the painting like let me tell you a little bit about the history. So I was like basically in like 10 years ago
I did only abstract paintings and then when I did a series to hammer, hey, sir, it's a book about
Nazis and Goldman, they're two characters and
The combination out of both or both of them how they it's good and evil, it's it's physics
It's art. I realized I need something a little bit more than being abstract
That's how the figure chief part came into place
So basically, I used two figures one figure in this new series
It's basically trying to squeeze in even more intensity on the on the person on the picture behind the face
So we have a mouth. Maybe we have a mouth. Maybe you have eyes, but what is behind them behind the picture?
What is behind you and what is behind us or the world?
so my Adia is is there a chance that I can slow you down so that you are more aware of yourself and maybe of
how you see a person so I think often we see somebody and then it's over but here because of the of the size and
Because of the shape I used and I'm putting them together by myself
So it takes some time to walk around and I call them 4d worlds because it's not just 3d
Because it comes in your direction. Do you need time and and a little bit of movement to?
See what what's actually behind that that face or behind that
that painting what happened is like I was at a
Studio or in my studio and I was trying to dry some of my paintings and and in one moment
I had to put them a little bit closer together and then it became a wave
It became the painting came in my direction
So when I was looking at that I was like wow
This is this very interesting all for saying that the face became more alive
And then what I did I started to cut one part off or a cover one part
I painted on one part and I painted on the other part
So it's very similar to the Nazis and Goldman series where I had the two characters
But now I tried to combine them into like one
One painter or one face. So and then I started to experience. Okay, it's maybe interesting to to to to
Change the the canvas it's not squeezed and and and then I started to walk around because it took me time to to
Really see the painting and that's why I called them 4d worlds because it's something
That is I think done maybe in sculptures but not so much on canvas
