- Hello and welcome.
We're in Macclesfield
tonight to investigate
this historic building
where it's thought
that actual bear bating
events happened here.
And that's where it got its
name from, The Bate Hall.
(slow eerie music)
This is Ghost
Dimension: Flying Solo.
- [Narrator] Coming
up on Ghost Dimension.
(eerie music)
- Straight away there's
a knock on the floor.
What was that?
- A tap above me.
- What the hell was that?
The spirits have been watching
Ghost Dimension: Flying Solo.
- Wow.
- [Man] Ghost Dimension.
- This is the oldest public
house in Macclesfield
and dates back to
the 16th century
when the Stopford family
were the original owners
who were staunch
parliamentarian supporters.
And it is also said
that Oliver Cromwell
actually stayed here.
(eerie music)
(dramatic music)
In 2005 a paranormal group
came here with a psychic medium
and conducted a
paranormal investigation.
During that investigation
they made contact with
a lady who claimed
she sought refuge here
when she'd been chased
down the street by an angry mob.
She was accused of being a witch
and sadly found
no sanctuary here
and was dragged from
these very stairs.
A rope tied around her neck
and attached to this bannister.
She was thrown down
here to her death.
(rope creaking)
There was no proof that
she was actually a witch
and it is believed that she
still roams this very building,
looking for justice from
those that murdered her.
However, she will not find it
because those that
did have since passed.
(dramatic music)
With over 500 years of history,
it is no surprise that
when people come here
they experience spiritual things
other than the ones
served behind the bar.
(eerie voices talking)
Paul, Bate Hall, Macclesfield.
- Yep.
- A fantastic building.
You come inside, first
of all it's a pub.
- [Paul] Yep.
- You expect to go to
the bar and buy a drink
and then you come through the
secret passage at the back
and you end up in this
fantastic part of the building.
- Yeah.
- Like 500 years old.
- Yeah, it's like stepping
back in time, isn't it?
- It is like stepping
back in time.
Now this building is
haunted by many ghosts.
The landlord has
reported in the past
he believes to be
14 spirits here.
- So he says, yeah.
- So he said.
And I believe when
you come through here
it has this atmosphere to it.
It has this spooky,
eerie feeling to it.
- Yeah, yeah, you can feel how
even if it's not paranormally
active and haunted,
how it's gonna affect
your imagination.
- Yeah.
- Because you are
literally stepping back
500 years in time to
how the building looked.
I mean, the beams and the
wattle and daub and everything.
You have that psychological
effect straight away.
But I mean the reports,
they are backing it up, as well.
- Yeah, I mean as
well as the reports,
I mean, the reports of
a white lady being seen
in a dress here walking around.
There's a group, 2005,
they picked up on a
lady that came here.
- [Paul] Yeah.
- Some of the reports,
they seem valid.
I mean, but when you're in here,
if people feel a bit off
their feet and disoriented,
and it could be because the
floors in here are very uneven.
- It's crazy, isn't it?
It's like being at the
fun fair at Blackpool.
Because it's just
the fun house effect
with the floors are not level.
They clearly didn't
have spirit levels
in those days to do the work.
- And they definitely didn't
know what a level floor was.
(Paul laughing)
Well, I'm looking forward
to investigating in here
and seeing if we can pick
up on any of the claims
that people have said
about haunting here.
Apparently there's a
poltergeist now here.
There's a demonic presence here.
- Yes.
- With all of this
activity, this should be
a fantastic paranormal
investigation here.
- Yeah, I'd be surprised if
something doesn't happen.
We never know what's
going to happen.
But with all that,
something's got to.
- Something's got to.
- Yeah.
I want a refund if it doesn't.
- Do you know what?
Let's go and find out.
- Follow you.
- Come on.
(slow eerie music)
Let's hear from our psychic
medium in Oklahoma, Para.
- The first spirit I noticed
from The Bate Hall Inn
was during Sean's
live Facebook feed.
I didn't have the sound on
because I don't like to know
any more information
about a location
when I do a reading than my own.
So when he was standing there
and in that room it
had a door in the back.
He was talking.
There was a spirit
standing in the corner.
It was a big giant
mass of shadow
and it was snarling,
it was angry.
It had its fists clenched and
it wanted to lash out at him.
I was actually thankful
he moved, 'cause I thought
it was going to start drawing
on his energy and attack him.
(clearing throat)
The other spirits that I
sensed in this location
came from the photographs
that Sean sent me,
one of which was
of the stairway.
The stairway is a big giant
whirlpool of spirit energy.
It's almost a
portal or a vortex.
It is so highly concentrated
I actually got dizzy and sick
from just looking
at the photograph.
The other spirits in this
location are in a room
and they're mostly male spirits.
They're sad, they're angry,
they're frustrated,
they're regretful.
And sometimes that angry
spirit will come down
and poke and make fun
of them and prod them.
I don't think they
notice the angry spirit.
But they're still there,
they're still trapped there.
They're clinging to something
that I don't know exactly,
I don't exactly know what it is.
There are many spirits
in this location.
For such a small area
it's very highly
spiritual concentrated.
The other thing that I
noticed from this place
was I heard a name.
I couldn't tell exactly
what spirit it came from.
It's almost like
they shouted it at me
just so I would know it.
And the name is Abigail.
It's either Pennington
or Peterson.
Abigail, her last name
definitely starts with a Pen,
whether it's Patterson
or Pennington,
I couldn't really hear.
It was almost like
garbled radio sound
that was coming through.
But I did clearly
hear the Abigail part.
So hopefully they can look up
that name, or those two names,
and be able to find
some more information.
Well, I'll see you later.
- It was fantastic to
hear what Para had sensed.
And was Abigail the
lady who was hung here?
Now we meet David,
our guest medium,
to see what he senses
could be haunting here.
David, welcome to Ghost
Dimension: Flying Solo.
- Thank you very much.
- You're a psychic medium
from South Yorkshire.
- Mm-hm.
- How long have you been
a psychic medium for?
- I've been practising as
a medium for eight years.
Been involved in paranormal
investigations for about 10.
- About 10 years.
And when did you realise
you had a psychic ability?
- Young child, lived
in a Victorian house.
And there was a little girl
that used to talk to me.
From a very young age I
believed she was there.
- Yeah.
- And I soon come to realise
later on that she wasn't there
and that she's now working
as my spirit guide.
- Ah, so you thought
that that was a real--
- Yeah.
- Person.
Then you realised it wasn't and
now she's your spirit guide.
- [David] Yeah.
- So does she give
you information
when you're doing
your psychic readings?
- Yeah.
So already she's started
giving me information
as soon as I walked
in here already.
- Oh wow.
- What'd she give
you straight away?
- There's a couple of children
that she's communicated
with already.
There's a boy and a girl here.
- [Sean] Okay.
- They're quite
interested in her
because she's a
young child as well.
So they're quite interested,
wanting to play with her.
She's given me
the name of a man.
And I'm not going
to reveal just yet.
- Yeah.
- 'Cause I want to see if I
can get any more with him.
- Of course, yeah.
- But he's not a
very pleasant person.
He's quite a negative.
- So he's like a negative soul?
- He's very negative energy.
And in the background
there's a very faint woman.
So I'm not sure if
she's not got energy
or whether she's not
ready to come through yet.
But there is a
woman there as well.
- So there's a lady.
You don't know if she's
nice yet or she's--
- I'm not sure.
She's very faint at the moment.
But the man is
definitely very negative.
- Okay, wow, well that
sounds interesting.
And that's been given
by your spirit guide.
- Yeah.
- As you've come in.
- As soon I've walked
in, and I mean,
I've done hundreds
of ghost hunts.
But this to me feels
very oppressive.
I think we're in
for a good evening.
- Oh, I can't wait.
Are you feeling anywhere
drawn in this building?
- Yeah, I mean, as you were
doing the opening shots
I've just kind of
been walking around.
I'm drawn to one
part of the building.
- [Sean] Yeah?
- Already I've started
hearing movement.
I feel that I might
have caught a shadow
out of the corner of my eye.
- Yeah.
- With it being in
the same direction
I've very interested to
have a look down there.
- Shall we head over?
- Yeah, definitely.
- You lead the way.
David, you felt drawn to
this area of building.
- Yeah.
- What do you feel
has drawn you here?
- The female figure.
So she's a lot stronger
over this area.
She's giving me an overwhelming
feeling of sickness.
I keep touching the stomach.
So I'm relating
that to pregnancy.
- Okay.
- But there's nothing visible.
- Yeah.
- She's got very dark hair.
She's very thin, very pale.
She's not a very
confident character.
And the male as well.
He's in the next
room along I think.
I can hear him quite loud.
- What's he doing?
What's he saying?
- He's talking about
losing something.
This is Richard.
I'm getting the
surname King as well.
But I'm not sure if that's
related to him or her.
- Okay.
- But he's lost something
and he's very angry about it.
- So this is the angry
presence you felt before?
- Yeah.
The woman, she's very strong,
especially here in this area.
- Yeah.
- But, like I say, overwhelming
feeling of sickness.
- Overwhelming feeling
of sickness, wow.
There's a well
documented report here
of a lady who was thrown
over the bannister
'cause she was a witch.
Can you feel her energy at all?
Has she come through?
- I feel that that
might be the woman
that I'm connecting with.
- So it's the same woman?
- Because she's very,
very underconfident
and she won't speak
out for herself.
I feel that that could
be the same person.
- Got ya.
So she's here and
she's showing herself
as like a white
energy, you believe?
Or do you--
- Yeah, no, she's not a
negative entity at all.
- Yeah.
- Whereas Richard
most certainly is.
He's very black.
- Can they both see each other?
- Yes.
They're in communication
with each other.
- And does Richard
speak to this lady?
- He's not at the moment.
He's in the next room across.
But I do believe that the
reason she is so scared
and so anxious is
because of Richard.
- Got ya.
What type of activity
would you expect
we would receive here?
- With Richard I think because
he's a very negative entity
you're going to
hear a lot of bangs,
a lot of poltergeist activity.
He's definitely very
strong and very negative.
- Very strong and very negative.
God.
If he's in that room
next door to this room,
shall we go in there?
- Yeah, absolutely.
- Yeah?
- Let's go and
see what he wants.
- Let's go and
see what he wants.
Come on.
David, this is the room
with the nasty energy.
- Mm.
- Are you feeling him now?
- He's just behind you.
- So he's behind me?
- In this corner, yes.
- What's he doing?
Is he giving you any
information, or is he just--
- No, he's observing what
we're doing at the moment,
but he's making me very nervous.
He's very tall, he's
very well built.
- [Sean] Yeah?
- And he's very angry.
- How tall would, very angry?
How tall would he be against me?
- Well, I mean, I'm 5'11", so
I think he's at least 6'4".
- 6'4".
Bloody hell, he's big then.
- He's tall, he's well built.
- Well it feels weirder in here.
You can feel this
awkward energy.
- [David] Mm.
- Of something uneasy.
And if he's in here,
I think later then
we do an investigation in here
and see if we can
gather some evidence.
- Yeah, well, absolutely.
I mean, he's making
me very nervous.
So we'll just have to
be careful with him.
- Yeah, you think we
need to be dead careful?
- Yeah.
- And will this guy,
can he harm anybody?
- I wouldn't have thought so.
I mean, we'll be well protected.
- Yeah.
- We just need to be
very careful with him.
- Just very, very careful.
Yeah.
We'll make sure we are.
Are you feeling
any more presence,
any more information about him?
- Not at the minute.
I mean, I can see a
little bit more of him now
and he's wearing a waistcoat.
But it's a leather look one.
- Yeah.
- He does look, I mean, I'm
not too great with eras.
But he does look
very old fashioned.
- Okay.
So he looks old fashioned.
He's wearing this leather
grey, did you say?
- No, brown.
- Brown.
Leather brown jacket.
- Waistcoat, yeah.
- I'd be good if we
catch him tonight.
- Absolutely.
I think because he's
such a strong character
we're more likely to
catch him tonight.
- Yeah.
So he'll be the one
tonight causing the issues.
- Absolutely.
- He's the man with the energy.
- Very dominating man, yes.
- Okay.
Well there's one more
place I want to take ya,
and it's the stairs.
- Mm-hm.
- And this is where
there was a lady,
believed to be a
witch, was thrown over.
And I want to see if
she's still in this aura
giving the energy and
see if you sense that.
- Yeah, absolutely.
Let's have a look.
- It's only there,
so let's head over.
David, this is where
the alleged witch
was hung and thrown
over this bannister.
- Yeah.
- Are you feeling
any energy here?
- Yeah, it feels
very active here.
I want to go downstairs
and across slightly.
- [Sean] Yeah.
- I'm feeling drawn
more that way.
I don't like referring
to her as the witch.
She's very negative
towards that.
- [Sean] Okay.
- She's definitely here.
- So her presence is
still replaying it.
I heard something in there.
- Yeah, I heard that.
- Yeah, there was a click in
this room to the side of us.
Or a voice or--
- A very faint voice.
- Yeah.
Or a child.
- It's a very active area.
I mean, I've picked
up another energy.
- Yeah.
- A male energy,
slightly down the stairs.
- Wow.
And if I give you, does this,
can you psychometrise at all?
Can you feel if it was real or?
- Yeah.
- Do you feel like it might
have been the real rope, or?
- I'm not sure that it was.
- No?
So it could have just been
brought here just to--
- But it's very symbolic though.
- Symbolic--
- So what it means is causing
her a lot of distress.
- Wow, okay.
- She's a very upset soul.
- So seeing that is
causing her distress.
- Mm.
- And that's what be causing
some of the activity.
- Yeah, absolutely.
- Okay, wow.
Well I think it's about
time we investigate it
and see what happens.
- [David] Definitely.
- Come in, let's do it.
(slow eerie music)
Okay, so we're in
one of the rooms
here at Bate Hall upstairs.
And I'm going to go
and check outside
'cause I've put
a REM Pod outside
where the witch, or the lady
supposedly was thrown over,
and there's the rope.
So what I'm going to do first
of all is start in here.
And I'm going to
call out and see
if I can get anything
to interact with me.
Communicate, if I can
feel any presence,
or anything like that, and
see what happens, okay?
Now, is anyone here
in this room with me?
Make a noise.
Make a knock or a
bang or use your voice
and let me know you're here.
Walk on this floor.
Use your voice.
- Good evening and welcome to
Ghost Dimension: Flying Solo
from The Bate Hall
in Macclesfield.
I am currently in one of
the rooms on the top floor.
All these rooms on the
top floor are pretty much
as they were when the
building was built.
See the old door?
That's probably extremely
original to the building.
The old beams.
This place is just
so old looking.
All the floors are uneven.
We've got tape on the floor
saying caution, attention,
'cause there's holes there, so.
And this room, I
think this is the room
where there's supposed
to be children
that have been
heard, seen, felt.
So I'm just going
to stand in here.
I've got a REM Pod, a REM
DD, just in the corner there.
I've got my Ovilus with me.
I'll put that on
in a few minutes
and we'll see if anybody
wants to talk to me.
- So I'm here in the very
back room of the pub.
Very oppressive.
Richard's over here
in this corner.
Richard.
Richard, are you here?
- Well, if the lady's around,
step outside, come towards me,
and walk towards the REM
Pod and set that off.
That would be fantastic
if you did that.
(wood banging)
Ooh, ooh.
That was on the floor.
Thank you.
Straight away there was
a knock on the floor.
That was good.
Let's see if it'll do it again.
Can you do that again for me?
Knock on the floor.
No.
I'm just going to go
outside and check.
Is anyone here?
Can you make a knocking noise,
or a voice, or throw
something at me?
Can you communicate with me?
No.
At this moment in time
then zero is happening.
Now there's a hole over there,
and I'll point the camera.
(banging)
I heard that, I heard that.
That was a knock.
Can you do that again
if you're here with me?
(banging)
Oh, okay.
I heard another noise
just like people
are walking around upstairs.
And I heard a noise
coming from around here.
I want to, before I go and
investigate over there again
I want to check out this
hole, point the camera in,
and see if anything happens.
Is anybody in here?
Can you show yourself to me?
Show yourself on this camera.
Move an object in there.
(alert sounding)
- Burn.
Now what's kind of
interesting when you think
about all of the stories
that are associated
with this place, and that's
that of an alleged witch.
She wasn't burnt, she was hung.
But what did they
use to do to witches?
Some were burnt.
- You're very angry, aren't ya?
Why are you so angry, Richard?
Can you hear Richard
walking around?
Moving very fast.
- If there's a man here and
you're angry, come forward now.
(breathing)
What was that?
What was that?
Woah, woah, woah, woah, there's
another noise over here.
There was a voice and
a noise from in here.
I don't know what that
was, but it was clearly--
(alert sounding)
That was me, that was me.
There was clearly
something here.
Okay, I'm back in this room now.
Come into this room and join me.
Bang on something
in here, come on.
Use all of your energy.
Walk on the floor.
You did it before,
you can do it again.
Please do it for me.
Okay, let's do it again.
I'm going to count down.
Five, four, three, two, one.
Now we should have
picked that up.
That was a banging
from outside here,
over in this direction.
(alert sounding)
- Run.
Oh, I'm not running
in this place.
Not with the floors that way.
They look so uneven.
Now thinking about it,
that girl that was supposed
to have sought sanctuary
here, she ran in here.
So if that what
she's telling me,
she's run and she's run in here?
Is that what you're
trying to say?
Can you tell me your name?
Were you accused
of being a witch?
(wood tapping)
And you're not.
Ooh, there's a tap
above me there.
(knocking)
What was that?
A little knock above me there.
That was me then that knocked.
I was just trying to see--
(alert sounding)
What it sounded like.
Business.
Business.
Whose business?
Can you please try
and tell me your name.
I'd really like to
know who you are.
- I don't know if you can
see, there's something.
I mean, I'm in an
upstairs window.
There shouldn't be,
or there isn't shadows
that are going past.
There's nothing in the window.
I keep seeing light moving here.
(deep breathing)
Richard.
What did you do to
that young girl?
I just felt my heart drop.
You know, like you're
on a fairground ride.
I just felt it drop.
(tapping)
- That was a noise, but
it wasn't loud enough.
Please do something for
me so I can physically go,
whoa, you know, that was big.
Now.
Make a noise for me.
I'm not feeling much here
in this particular area.
But I'm feeling more drawn
out into the corridor.
I'm just going to point
the camera down the stairs
and just see if anything's
there that I can see.
No.
I'm going to go back
up here 'cause up here
I felt a bit more, well there
was more activity up here.
As I stood here in this
corner stuff's happening.
So let's see if we
can get it to do it.
Okay, give me an
indication you're here.
Come and join me.
Are you here now?
(tapping)
Okay, okay, I heard that.
That was tap, tap, like
a creak on the floor.
Come close to me.
If that was you creaking on
the floor, come closer to me.
Show yourself.
Show yourself in
physical form to me.
David found you before.
I want you to come closer.
Use all of the energy and
draw off my energy if you can.
- We'll cross into
this other room.
A woman in here.
It's not the girl though.
It's an older lady, an old lady.
Got a bad chest,
she's coughing a lot.
Feeling very unsteady.
I mean, I'm not, Richard's here,
but I don't know if Richard
would have been here.
This isn't Richard's home.
And the other end
of the building more
towards the stairs,
that's where he wants to be.
(gentle tapping)
- Whoa.
Look, I'm going
to put this here.
You can hear this.
Listen.
No, he stopped.
But there was footsteps
like tap, tap,
gentle walking on the floor.
Then as soon as I
mentioned it, boom, stop.
(banging)
What the hell was that?
What was that?
No way.
This is a weird one.
This is a weird bathroom.
Look at this.
(gentle tapping)
Look.
Tap, tap again.
On the floors.
It's like somebody's
following me around.
And look, you've got
this bath in here.
In this mirror is
the words, help.
See if you can see it.
Now you can't rub it off,
it's behind the mirror itself.
So the landlord said that
appeared there randomly.
So is that the lady who
was pushed over and hung?
Or is that something else?
Is that asking for
help spiritually?
If you're in this area now with
me, please come and join me.
- Richard.
(tapping)
It came from behind me.
It's just here.
(tapping)
Why did you push
the girl, Richard?
(tapping)
I'm not sure.
I can hear tapping, but
it sounds like pipes.
But I don't think, have a look.
No pipes, and this
is electric, is it?
It's electric.
There's no pipes in that.
Richard, you're here aren't ya?
I don't know why you're
so angry, Richard.
- I'm just going to go
back into this bathroom.
'Cause I came in here and then
stuff happened down there.
And I'll point the
camera that way.
Okay, come forward to me.
Come close.
(whistling)
A whistle, a whistle.
I heard the whistle.
(tapping)
And then a tap on the floor.
Do that again for me if you can.
That was fantastic.
Thank you very much.
What was that?
Please make another
noise like that for me.
(whistling)
What?
Okay, do it again.
In five, four, three, two, one.
A whistle and a noise.
Copy this. (whistles)
There's activity again outside.
I'm going to have
to put the camera.
It's weird.
(banging)
What was that?
I heard the big one then.
There was a big noise.
And I don't know if that came
from the back over there.
(banging)
And another noise.
That sounded like to
came from in here.
(slow eerie music)
Look.
- Richard, it's
your last chance.
Why did you throw the girl?
Why did you throw her
over the bannister?
She wasn't a witch and you
know she wasn't a witch.
- This place is really good
because there's
noises now appearing.
It's coming from all
different directions.
This is amazing.
And it's as you move around
you get to experience
what's happening.
The Bate Hall was
becoming active.
And the landlord advised
that the nasty presence
did not like females.
So I grabbed Jane and we went
off to investigate this claim.
This room here, which is on
the newer part of the building,
the medium, David sensed the
negative energy in this area.
And at the same time,
it doesn't like women.
Jane, he doesn't like women.
So I brought Jane.
- Well yeah.
- I want to see if we can
increase the level of activity.
- Yes.
- And get this
spook to get Jane.
- Let's see if we can
get some energy going.
- Now before we start, I'll
show you what we've got.
We've got the Alice box
and we've got this K2 metre,
which I'll pick up now.
- Oh, it just had
a name, Anthony.
- [Sean] Anthony, it
said Anthony, yeah.
And alone.
- Alone.
- And we've got some coins
and we've got some
REM Pods either side,
'cause this is where the energy
is supposed to be
concentrated to.
And we've got some coins
here, which is gold,
because the medium.
Oh my God, oh I so missed that.
The K2 went mad then.
The medium, David said that
the spirit is looking for gold.
Wow.
- Wow.
I wonder if he's asking
someone to be alone.
- [Sean] Alone.
- Yeah, no.
- Well, we do do alones.
- [Jane] We do do alones.
- Maybe he knows what
the show's about, Jane.
- Yeah, maybe.
Maybe he's been watching it.
- Yeah.
- Mm-hm.
- The spirits have been watching
Ghost Dimension: Flying Solo.
- Wow.
- So, shall we call out, Jane?
- [Jane] Yeah.
- If there's any spirits here
come and speak to me and Jane.
We're here to
communicate with ya.
If you can make a noise,
or use your voice,
or go near one of these objects
and set one of them off.
- Can you come and
touch one of us?
(alert beeping)
- Ooh, gouge.
- Gouge.
No, you're not
going to gouge us.
No, no.
- That's weird.
- That's the Alice box.
- Gouge.
- Gouge.
- Okay.
- Oh, I felt somebody just
walk round on my grave.
- Over your grave?
- Yeah, do you know when
you get that tingly feeling?
- Yeah.
- Wow.
- If you're here, me and
Jane are going to walk
into your energy
now in this corner.
We want you to do
something for us now.
I'm going to give
you a countdown.
Five.
(tapping)
Four--
- What was that?
- Did you hear that?
- Yeah, I heard that, yeah.
- That came from out
there, didn't it?
- Are you trying to split us up?
Are you trying to make
sure no one but me
stay in this vicinity on my own?
I hear you don't like women.
- What's that move?
- Oh yeah.
(tapping)
- They're scratching.
- I hope we pick that up.
- Did you hear that scratching?
- Scratching.
(tapping)
- Where's that coming from?
- [Jane] Behind ya.
It's coming from,
there's nobody else here.
There's only me and Sean here.
- Is that you scratching?
Speak to our
machine and tell us.
- We have some
money here for ya.
Some gold coins.
Can you move one of them?
If you can move one,
you can have one.
- Use our energy.
Shall we go through
to this room, Jane?
- Yeah, let's try that.
- Come on.
- Just go on through to--
- Oh, it feels weird in here.
It smells as well.
- It's got colder
in here, ain't it?
- Yeah.
I thought this
had gone off then.
It hasn't.
- No.
- But it looked like it had.
It's colder.
- Yeah, Sean's got
the K2 in his hand.
- Are you with us now?
- What's that?
- What was that?
- I don't know.
It was like a scratching noise.
- [Sean] Yeah.
- Is that you scratching?
(alert beeping)
- Ooh.
- Ooh, let's go and see.
Oh, lot.
- [Sean] Lot.
- Ooh, lot.
And there's a lot
of money there.
- There is a lot, yeah.
Was that more than what you had?
- Maybe, yeah, maybe.
- Maybe.
- Wow.
Can you do something
to one of us?
Can you touch Sean
on the shoulder?
Or can you push him?
(alert beeping)
(gasping)
- Yeah, empty.
- [Jane] Empty.
- Oh my God, it's empty.
- [Jane] We're not
emptying the room for ya.
If that's what you want.
- Just eerie in here.
You gotta watch where
you walk as well, Jane.
- Yeah.
Come on, you need
to do something big.
You need to scare me.
I'm not easily scared.
- Come on.
- I have two little
balls in my hand.
I'm going to roll one out there.
Can you roll it back for me?
- No, nothing.
This is it's waiting--
(clanking)
- [Jane] Whoa, what was that?
- What was that?
(alert beeping)
Whoa, and then that
machine's flashed up as well
and a word disappeared.
That was weird.
(alert beeping)
Oh, (mumbles).
And it went again so quick.
(alert beeping)
- [Jane] What can
you, ooh, choke.
- Choke. (gasps)
- Oh.
- Jane, choke.
- No.
That's very, very
strange, ain't it?
Do you want to choke one of us?
- And the witch, the lady
they said was a witch.
She was apparently choked.
- She choked 'cause
she was hung over.
- 'Cause she was hung.
(Jane gasps)
With the rope.
- [Jane] Yeah, that
probably what it was.
- I've got an idea, Jane.
(alert beeping)
Oh my God, no.
(Jane gasping)
No.
- No choke, oh.
- Oh my God.
Choke was happy here.
I have never since
we've been using that--
- Have you just
got that on camera?
- Yeah.
- Wow.
- I have never since
we've been using that
had a full sentence.
- No, that was a full
sentence we got here.
He was happy here.
- So whoever this
is was happy here.
- Oh, I've got shivers running
up and down me, have you?
- Yeah.
- (gasps) Wow.
- Do you what right weird?
The tap, yeah?
Something was thrown at us
and then the activities
kicked off, Jane?
- And then a full sentence.
- And a full sentence.
- Wow.
- You can't.
- You just can't.
- Can't write it.
- No, you can't write it.
- That was amazing.
- If you was happy here,
why are you sad now?
Come on, speak
through the Alice box.
(alert beeping)
Leather. (gasps)
- And you're not
going to believe this.
- What?
- What did David say before?
- Oh, leather jacket,
brown leather jacket.
- Yeah.
And this was like his
home or something.
- Oh yeah.
- Yeah.
- Is this you you're
talking about?
Did you have a brown
leather jacket?
- If that is you
and you're speaking
to myself and Jane
through this box
and throwing stuff at
us, use your voice.
- Yeah, speak to us.
Show yourself on camera for us.
(slow eerie music)
Come and stand near me and Sean.
- Wow, Bate Hall.
What an amazing night so far.
I thought to myself tonight,
what am I going to expect?
I saw the pub from the outside.
It looks quite small
from the outside.
Then you go upstairs
and there's this warren
of different rooms
that you can go in.
It's still the way it was,
and it's changed of course
over the years from
the 500 years ago.
It's still the
way it was though.
The beams are here, the
walls are still here.
And the place is haunted.
I can't believe the activity
that I've personally experienced
on my lone vigils tonight.
I mean what, how have you been?
- Definitely there's been
a lot of activity here.
You can almost say
paranormal activity
with things being thrown about,
the knocking, the walking,
definitely a very active site.
- Well, it's amazing, yeah?
This is what you do it for.
- Yeah.
- To experience that happening.
- Yeah.
- Especially when it's to you.
Luckily the REM Pod went off
as well at the same time.
- [David] Yeah, that's another.
- And that's another validation.
- Yeah, it gives you
two pieces of evidence.
And, I mean, I went round
when we first got here
to make sure to
do the baselines.
There's no windows,
there's no air movement.
I mean, it's been so
warm up here all day.
And it would have been
nice to have a little bit
of air movement just
to keep us cooled down.
But there aren't any breezes.
There's nothing.
So for that to be moving,
you're on your own,
you get the REM,
you know that room's
got something going on in it.
So it backs up the fact
that you weren't alone.
- Yeah, and that's
fantastic for the fact that,
you know, I was sat
in a room, felt cold,
a cold breeze across me,
almost like somebody's
walked across me or touched me.
- [Paul] Yeah.
- And for me to say that,
that's excellent validation.
- [Paul] Yeah.
- I'm so excited for the way
that this investigation
is going tonight.
And I can't wait to
investigate even more
on more Ghost
Dimension: Flying Solo.
Because every time we
do something, you know,
whether it be an indoor
location or an outdoor location,
we seem to be able to
generate spiritual activity
or interest, and they come and
join us on the investigation.
- Do you know what I
think's quite interesting
the way we do it as well.
A lot of it, it's
very much on the fly.
- Yeah.
- Not a great deal of planning.
We just get in the car.
Where are we going to go?
Let's go and drop in
somewhere and see how it goes.
And I think sometimes
we catch 'em out.
- Yeah, I think
you're right, Paul.
- Yeah.
- Yeah.
- I don't think they
expect this, you know?
- Definitely.
- They're on the back foot.
So, you know, you've
come in tonight.
You've caught them out
in different areas.
It's the way it works.
It's the future.
- That's good.
- I didn't know
I was coming here
until 10 minutes before
I was coming here.
So, you know, for me to hear
that I've got a lot of things
that were picked up before,
you know, it's fantastic.
- [Paul] Yeah.
- Which is true.
Which we didn't actually mention
at the start of the show.
David did not have a clue.
He was (mumbles) to one location
and then we changed
him to another location
as he was on his way.
So he didn't know we
were coming here tonight.
So there's no research
by anybody done.
The stuff that
happens here is real.
So the stuff you see,
the stuff David said,
and the stuff you hear is real.
And that's what makes
a fantastic paranormal
investigation.
So, from Ghost
Dimension: Flying Solo,
thank you and good night.
(eerie dramatic music)
