
English: 
Franz Kafka is regarded as one of the greatest literary figures in recent history.
He is known for his uniquely dark, disorienting and surreal writing style
A style and quality still particular tune that anything that resembles
it has come to be known and referred to as Kafkaesque. To understand his writing in the qualities of Kafkaesque
It is helpful to understand his early life.
Kafka was born in Prague in 1883 to a man named Hermann and a woman named Julie. His father was a highly successful well-to-do
business man who through sheer force of will and a brash aggressive personality managed to rise from the working-class, build a successful business,
marry a well-educated woman and become a member of higher middle society as parents tend to do
Hermann hoped for a child that would measure up to his ideal stature of a person.
Franz Kafka was not that. Franz was born a small,
anxious and sickly boy and he mostly remained that way. As a result through no fault of his own
Franz would become a great source of disappointment for his father and a sort of psychological

Portuguese: 
Franz Kafka é considerado um dos maiores
figuras literárias na história recente. Ele é
conhecido por sua singularidade sombria, desorientadora,
e estilo de escrita surreal. Um estilo e qualidade
tão especial para ele que qualquer coisa que se assemelhe
passou a ser conhecido e referido como
Kafkaesque.
Para entender sua escrita e as qualidades
de Kafkaesque,
é útil entender sua infância.
Kafka nasceu em
Praga em 1883 para um homem chamado Herman e um
mulher chamada Julie.
Seu pai era um bem-sucedido muito bem-sucedido
empresário que
por pura força de vontade e um impetuoso, agressivo
personalidade,
conseguiu sair da classe trabalhadora, construir
um sucesso
negócios, casar com uma mulher instruída e
tornar-se membro de
sociedade média alta. Como os pais tendem a
Herman esperava uma
criança que medisse sua estatura ideal
de uma pessoa.
Franz Kafka não era isso.
Franz nasceu pequeno, ansioso e doentio
Garoto. E ele
principalmente permaneceu assim. Como resultado, através
não é culpa dele
próprio, Franz se tornaria uma grande fonte de
decepção por sua
pai e uma espécie de soco psicológico
saco para ele como ele

English: 
Franz Kafka is regarded as one of the greatest
literary figures in recent history. He is
known for his uniquely dark, disorienting,
and surreal writing style. A style and quality
so particular to him that anything that resembles
it has come to be known and referred to as
Kafkaesque.
To understand his writing and the qualities
of Kafkaesque,
it is helpful to understand his early life.
Kafka was born in
Prague in 1883 to a man named Herman and a
woman named Julie.
His father was a highly successful well-to-do
businessman, who,
through sheer force of will and a brash, aggressive
personality,
managed to rise from the working class, build
a successful
business, marry a well-educated woman, and
become member of
higher middle society. As parents tend to
do, Herman hoped for a
child that would measure up to his ideal stature
of a person.
Franz Kafka was not that.
Franz was born a small, anxious, and sickly
boy. And he
mostly remained that way. As a result, through
no fault of his
own, Franz would become a great source of
disappointment for his
father and a sort of psychological punching
bag for him as he

Arabic: 
يعد فرانز كافكا من اعظم الادباء في العصر الحديث
يعرف بأسلوب كتابته المظلم بشكل فريد والمربك والسريالي
اسلوب و جودة يختص بها  فكل ماتمثلة يصبح يعرف
ويطلق عليه كافكاويّ.  لفهم كتابته بمنطلق الكافكوية
فقد يساعد فهم بداية حياته على ذلك
ولد كافكا في براغ في ١٨٨٣ لرجل يدعى هيرمان وامرأة تدعى جولي. كان اباه على قدر كبير من الناجح
ورجل اعمال ثري الذي استطاع بأرادته المحضة و شخصيته العدائية المندفعة ان يرقى من الطبقة العاملة الى انشاد عمل ناجح
و الزواج من امرأة حسنة التعليم ويصبح من افراد الطبقة الاعلى من المتوسطة
كما يفعل الاهل دائماً
يتمنى هيرمان ابن يرتقي لصورته المثالية
ولم يكن فرانز كافكا كذلك. فرانز ولد ضئيلاً
وقلق وواهن وبقي كذلك في الأغلب. وكنتيجة خطأ ليس له
فرانز اصبح مصدر خيبة امل لأبيه و نوعاًما كيس ملاكمة معنوي

English: 
attempted to mold Franz into who he wished
he was but could
never be.
Throughout his adolescence, Franz developed
an urge to
write as a means of dealing with his increasing
sense of
anxiety, guilt, and self-hatred. Of course,
his father did not
allow him to pursue writing and ultimately
defined the borders
of Kafka’s life, forcing him to pursue law
as a profession
instead.
During his time studying law in college, Kafka
continued
writing and met one of his only real friends,
Max Brod, another
writer who would eventually convince Kafka
to publish his first
3 collections of work. Theses pieces sold
very poorly, though,
and essentially went unnoticed.
After college, Kafka would go on to work in
a law office
and then for an insurance company. Here, Kafka
would become
subject to long hours, unpaid overtime, massive
amounts of
paperwork, and absurd, complex bureaucratic
systems. Kafka was
understandably miserable.
While working at the insurance company, Kafka
continued writing on the side, producing some
of his most notable pieces including The Trial,
The Castle, and Amerika. He did not attempt
to publish any of these at the time, however,
and even left much of his work unfinished,

English: 
punching bag for him as he attempted to mold Franz into who he wished he was but could never be.
Throughout his adolescence Franz developed an urge to write as a means of dealing with his increasing sense of anxiety, guilt and self-hatred.
Of course
his father did not allow him to pursue writing and ultimately define the borders around Kafka's life, forcing him to pursue law as a profession.
During his time studying law in college Kafka continued writing and met one of his only real friends Max Brod. Another writer who would eventually
convince Kafka to publish his first three collections of work. These pieces sold very poorly however, and essentially went unnoticed.
After college Kafka would go on to work in a law office and then for an insurance company.
Here, Kafka would become subject to long hours unpaid overtime,
massive amounts of paperwork and absurd, complex bureaucratic systems.
Kafka was understandably miserable.
While working at the insurance company Kafka continued writing on the side.
Producing some of his most notable pieces including The Trial, The Castle and America.
He did not attempt to publish any of these at the time however
and even left much of his work unfinished believing it to be unworthy.

Arabic: 
في محاولته لتشكيل فرانز الى مايتمناه ان يكون ولكن لن يكون بداً
في خلال مراهقته طور فرانز رغبة ملحة للكتابة للتعامل مع شعوره المتزايد  بالقلق والذنب  وكره النفس
وبالتأكيد
لم يسمح له اباه بمتابعة الكتابة وفي نهاية المطاف وضع حدود لحياة كافكا مجبراً اياه لاتخاذ المحامة كمهنة
في وقت دراسته القانون بالجامعة استمر كافكا بالكتابة والتقى بأحد اصدقائه المقربون ماكس برود. كاتب اخر والذي بنهاية المطاف سيتمكن
من اقناع كافكا بنشر اول ثلاث مجموعات من اعماله. وهذه القطع بيعت بشكل سيء للغاية فلم يفطن لها احد
بعد الجامعة التحق كافكا بمكتب محامة ثم شركة تأمينات
هنا يصبح كافكا خاضعا لساعات عمل طويلة ووقت اضافي غير مدفوع
وكميات هائلة من المعاملات الورقية و انظمة عبثية بيروقراطية معقدة
كان كافكا نتيجة لذلك بائس
بينما كان يعمل لشركة التأمينات استمر كافكا بالكتابة بجانب ذلك
منتجاً بعض اشهر اعمالة بما يتضمن "المحاكمة" و "القلعة"و "امريكا"
ولم يحاول نشر اي منهم بذلك الوقت
حتى انه ترك اكثر اعمالة غير مكتملة معتقداً انها بلا قيمة

Portuguese: 
tentou moldar Franz em quem ele desejava
ele era mas podia
nunca seja.
Durante a adolescência, Franz desenvolveu
um desejo de
escrever como um meio de lidar com o seu aumento
senso de
ansiedade, culpa e auto-ódio. Claro,
o pai dele não
permitir que ele continue escrevendo e, finalmente,
definiu as fronteiras
da vida de Kafka, forçando-o a buscar a lei
como profissão
em vez de.
Durante seu tempo estudando direito na faculdade, Kafka
contínuo
escrevendo e conheceu um de seus únicos amigos de verdade,
Max Brod, outro
escritor que acabaria por convencer Kafka
para publicar seu primeiro
3 coleções de trabalho. Teses vendidas
muito mal, no entanto,
e essencialmente passou despercebido.
Depois da faculdade, Kafka passaria a trabalhar em
um escritório de advocacia
e depois para uma companhia de seguros. Aqui, Kafka
se tornaria
sujeitos a longas horas, horas extras não remuneradas,
quantias de
papelada e burocrática complexa e absurda
sistemas. Kafka foi
compreensivelmente miserável.
Enquanto trabalhava na companhia de seguros, Kafka
continuou escrevendo ao lado, produzindo alguns
de suas peças mais notáveis, incluindo The Trial,
O castelo e Amerika. Ele não tentou
para publicar qualquer um deles no momento, no entanto,
e até deixou muito de seu trabalho inacabado,

English: 
believing it to be unworthy.
Kafka continued working at the insurance company
for the
majority of his remaining short life, while
continuing to write
around his work schedule. In 1924, he died
of tuberculosis at
age 41. He never went on to publish any more
of his writing, nor
did he ever personally receive any success
or recognition for
the small amount he did. He died believing
that his work wasn’t
any good.
On his death bed, he even instructed Max Brod
to burn all
of his unpublished manuscripts following his
death.
Obviously, Brod did not follow Kafka’s instruction.
Here we
are about 100 years later, talking about him.
After Kafka died, Brod spent the following
year or so working to organize and publish
his notes and manuscripts. Over the decade
following, Kafka would become one of the most
prominent literary and philosophical figures
of the 20th century.
In other words, one of the greatest writers
and thinkers of
the century lived his life with his work buried
in some drawer;
aware, unaware, or indifferent to the fact
that he was sitting
on some the most significant works in recent
history. He lived

Portuguese: 
acreditando que é indigno.
Kafka continuou trabalhando na companhia de seguros
para o
maior parte de sua curta vida restante, enquanto
continuando a escrever
em torno de seu horário de trabalho. Em 1924, ele morreu
tuberculose em
41 anos. Ele nunca mais publicou
de sua escrita, nem
Ele alguma vez recebeu pessoalmente algum sucesso?
ou reconhecimento de
a pequena quantidade que ele fez. Ele morreu acreditando
que seu trabalho não era
qualquer bem.
Em seu leito de morte, ele até instruiu Max Brod
queimar tudo
de seus manuscritos não publicados após sua
morte.
Obviamente, Brod não seguiu as instruções de Kafka.
Aqui nós
são cerca de 100 anos depois, falando sobre ele.
Depois que Kafka morreu, Brod passou os seguintes
ano ou mais trabalhando para organizar e publicar
suas anotações e manuscritos. Ao longo da década
A seguir, Kafka se tornaria um dos mais
figuras literárias e filosóficas proeminentes
do século XX.
Em outras palavras, um dos maiores escritores
e pensadores de
o século viveu sua vida com seu trabalho enterrado
em alguma gaveta;
consciente, inconsciente ou indiferente ao fato
que ele estava sentado
em algumas das obras mais significativas dos últimos
história. Ele viveu

English: 
Kafka continued working at the insurance company for the majority of his remaining short life while continuing to write around his work scheduled .
In 1924 he died of tuberculosis at age 41.
Kafka never went on to publish any more of his writing nor did he ever personally receive any success or
recognition for the small amount he did. He died believing that his work wasn't any good. On his deathbed
he even instructed Max Brod to burn all of his unpublished manuscripts following his death.
Obviously, Brod did not follow Kafka's instructions because here we are 100 years later talking about him.
After Kafka died Brod spent the following year or so working to organize and publish his notes and manuscripts. Over the decade following
Kafka would become one of the most prominent literary and philosophical figures of the 20th century.
In other words,
one of the greatest writers and thinkers of the century lived his life with his work buried in some drawer.
Aware, unaware or indifferent to the fact that he was sitting on some of the most significant works in recent history.

Arabic: 
استمر كافكا بالعمل بشركة التأمينات لأغلب حياته القصيرة والكتابة وفقاً لجدول عمله
في ١٩٢٤ مات بالسل بعمر الواحد والاربعين
كافكا لم يستمر بنشر اي اعمال اخرى ولم يتلقى اي نجاح شخصي
او التقدير للعمل القليل الذي قام به. مات معتقداً ان اعمالة ليست جيده. على سرير الموت
هو حتى اوصى ماكس برود بحرق كل مخطوطاته الغير منشورة بعد وفاته
من الجلي، برود لم ينفذ وصيته لاننا هنا مئة عام بعد وفاته نتحدث عنه
اثر وفاة كافكا برود قضى السنة التالية يعمل على تنظيم ونشر ملاحظاته و مخطوطاته. في العقد التالي
كافكا اصبح احد اهم ابرز الشخصيات الادبية والفلسفية للقرن العشرين
بعبارة اخرى
احد اعظم الكتاب والمفكرين بالقرن عاش حياته واعماله مدفونة بدرج ما
مدرك، غير مدرك، ام غير مبالي لحقيقة انه كان جالساً على اكثر الاعمال أهمية في عصر الحديث

English: 
in the eyes of his father; an inadequate disappointment.
And yet
in the eyes of history, he is an immensely
important individual.
One can only wonder how many individuals like
Kafka have
and continue to walk this earth, completely
disconnected or
restricted from ever seeing who they really
are or could be. How
many Kafka’s have lived and died without
ever sharing their
voice with the world, whose voice would have
changed it forever?
How many people never know who they’ll be
after they’re gone?
Fortunately for everyone other than Kafka,
his work was
saved, and an entirely new genre of thinking
and writing
developed in his name; Kafkaesque.
Generally, the term Kafkaesque tends to refer
to the
bureaucratic nature of capitalistic, judiciary,
and government
systems. The sort of complex, unclear processes,
in which no one
individual ever really has a comprehensive
grasp on what is
going on and the system doesn’t really care.
But the quality of
Kafkaesque also seems to extend much further
than this. It is
not necessarily exemplified merely by what
these systems are,
but rather, the reaction of the individuals
subjected to them;
and what it might represent.

Portuguese: 
aos olhos de seu pai; uma decepção inadequada.
E ainda
aos olhos da história, ele é imensamente
indivíduo importante.
Só podemos imaginar quantas pessoas gostam
Kafka tem
e continuar a andar nesta terra, completamente
desconectado ou
impedido de ver quem eles realmente
são ou poderiam ser. Quão
muitos Kafka viveram e morreram sem
sempre compartilhando sua
voz com o mundo, cuja voz teria
mudou para sempre?
Quantas pessoas nunca sabem quem serão
depois que eles se foram?
Felizmente para todos que não sejam Kafka,
o trabalho dele foi
salvo, e um gênero inteiramente novo de pensamento
e escrever
desenvolvido em seu nome; Kafkaesque.
Geralmente, o termo Kafkaesque tende a se referir
ao
natureza burocrática do capitalismo, judiciário,
e governo
sistemas. O tipo de processos complexos e pouco claros,
em que ninguém
indivíduo realmente tem uma abrangente
entender o que é
acontecendo e o sistema realmente não se importa.
Mas a qualidade de
Kafkaesque também parece se estender muito mais
que isso. Isto é
não necessariamente exemplificado meramente pelo que
esses sistemas são,
mas sim, a reação dos indivíduos
submetido a eles;
e o que isso pode representar.

Arabic: 
عاش حياته كما رآه اباه. ناقص ومخيب للأمل ولكن بالنسبة للتاريخ
هو شخص مهم للغاية. يتسائل المرء كم من شخص من كافكا مشى و استمر بهذه الحياة
مفصول تماماً او مقيد من رؤية من هو بالفعل او ما قد يكونون. كم من كافكا عاش ومات بدون مشاركة اصواتهم
التي كانت ستغير العالم للأبد. كم من شخص لم يعلم ماسيصبح بعد موتهم
لحسن حظ الجميع عدا كافكا تم حفظ اعماله وحصلت نقلة نوعية للتفكير والكتابة بأسمه
كافكاويّ
بشكل عام مصطلح "كافكاويّ" يطلق على الطابع البروقراطي للرأس مالية والقضاء ونظام الحكومة.
هذا النوع من التعقيد، العمليات الغير واضحة التي يكون فيها الفرد لايملك ادنى فكرة عما يحدث
والنظام لا يأبه ولكن معنى كافكاويّ يتوسع اكثر من ذلك
ليس بالضرورة ان يكون مثالاً على هذه الأنظمة فحسب
ولكن بالأحرى ردة فعل الفرد تحت وطئته وما قد يمثله ذلك

English: 
He lived his life in the eyes of his father. An inadequate disappointment and yet in the eyes of history
he's an immensely important individual. One can only wonder how many individuals like Kafka have and continued to walk this earth.
Completely disconnected or restricted from ever seeing who they really are or could be. How many Kafkas have lived and died without ever sharing their voice
with the world whose voice would have changed it forever. How many people never know who they'll be after they're gone.
Fortunately for everyone other than Kafka, his work was saved and an entirely new genre of thinking and writing developed in his name
Kafkaesque
Generally the term Kafkaesque tends to refer to the bureaucratic nature of capitalistic, judiciary and government systems. The sort of complex,
unclear processes in which no one individual ever really has a comprehensive grasp on what is going on
and the system doesn't really care. But the quality of Kafkaesque also seems to extend much further than this.
It is not necessarily exemplified merely by what these systems are.
But rather the reaction of the individuals subjected to them and what it might represent.

Portuguese: 
Em um de seus romances mais famosos, The Trial,
a
protagonista, Joseph Kay, é subitamente preso
em sua casa
manhã. Os oficiais não informam Kay de
por que ele está sendo
preso, no entanto, e ele é forçado a passar
um longo e absurdo
julgamento em que nada é realmente explicado
ou faz muito sentido.
O julgamento está cheio de corrupção e desordem,
e por
final do romance, depois de ter serpenteado
a coisa toda
Kay nunca é informado por que ele foi preso e
no entanto, ele continua culpado
de sua condenação final.
Em outra de suas histórias mais populares,
Metamorfose,
o protagonista, Gregor Samsa, acorda em
tendo sido de repente
se transformou em um inseto sem explicação clara.
O primeiro e
questão recorrente que Gregor enfrenta em todo o
romance é o problema
de começar a trabalhar, lidar com seu chefe,
e fornecendo
financeiramente por sua falta de consideração
família. Gregor, de
claro, não pode fazer isso. Ele é um inseto. E entao,
ele experimenta
medo aumentado tentando lidar com sua situação
enquanto se torna
um incômodo inútil para sua família.
Nas duas histórias, os protagonistas são confrontados
de repente
circunstâncias absurdas. Não há explicações.
E no
final, não há chance real de superar

Arabic: 
وأحد أشهر الرواياته "المحاكمة"
بطل الرواية جوزيف كي يقبض عليه بغتة في منزله بالصباح الضباط لايبلغونه لماذا قبض عليه
وبعد ذلك يتم اكراهه على محاكمة طويلة عبثية لاشيء فيها يفسر على الاطلاق او يكون منطقي
المحاكمة غارقة في الفساد والفوضى وبنهاية الرواية وبعد ان مر بهذا كله
لم يتم اخبار كي لماذا يحتجز ومع ذلك يدان عند صدور حكمه النهائي
في احد اشهر قصصه "التحول"
يستيقظ البطل غريقور سامسا وقد تحول الى حشرة بلا تفسير واضح
المعاضل الأولى والمتكررة التي يواجهها غريغور خلال الرواية هي الذهاب للعمل والتعامل مع مديره
وتوفير الدخل المادي لعائلته الغير مراعية والمحتاجة وبالتأكيد لا يتسطيع عمل ذلك
هو حشرة وبالتالي يواجه رهبة متزايدة بينما يصبح مصدر ازعاج بلافائدة لعائلته
في كلتا القصتين الأبطال يواجهون ظروف مفاجأة وعبثية

English: 
And one of his most famous novels, The Trial
The protagonist Joseph K. is suddenly arrested at his home one morning. The officers do not inform K why is being arrested though?
And he's then forced through a long absurd trial in which nothing is ever really explained or makes much sense.
The trial is riddled with corruption and disorderliness and by the end of the novel after having me entered the entire thing
K. is never told why he was arrested and yet he remains guilty of his final conviction.
In another one of his more popular stories, Metamorphosis
The protagonist Gregor Samsa awakes into having suddenly been turned into an insect with no clear explanation.
The first and recurring issues Gregor faces throughout the novel are the problems of getting to work, dealing with his boss and
providing financially for his inconsiderately needy family. Gregor, of course cannot do this.
He is a bug and so he experiences increased dread trying to deal with his situation while becoming a useless nuisance to his family.
In both stories the protagonists are faced with sudden absurd circumstances.

English: 
In one of his most famous novels, The Trial,
the
protagonist, Joseph Kay, is suddenly arrested
at his home one
morning. The officers do not inform Kay of
why he is being
arrested, though, and he is then forced through
a long, absurd
trial in which nothing is really explained
or makes much sense.
The trial is riddled with corruption and disorderliness,
and by
the end of the novel, after having meandered
the entire thing,
Kay is never told why he was arrested, and
yet he remains guilty
of his final conviction.
In another one of his more popular stories,
Metamorphosis,
the protagonist, Gregor Samsa, awakes into
having suddenly been
turned into an insect with no clear explanation.
The first and
recurring issue Gregor faces throughout the
novel is the problem
of getting to work, dealing with his boss,
and providing
financially for his inconsiderately needy
family. Gregor, of
course, cannot do this. He is a bug. And so,
he experiences
increased dread trying to deal with his situation
while becoming
a useless nuisance to his family.
In both stories, the protagonists are faced
with sudden,
absurd circumstances. There are no explanations.
And, in the
end, there is no real chance of overcoming

Portuguese: 
isto. Eles são
superado pelos obstáculos arbitrários e sem sentido
eles enfrentam. No
parte, porque eles nem conseguem entender
ou controlar nada do que
está acontecendo.
O ponto crucial do estilo e do trabalho de Kafka parece
para ser transportado por
esse confronto com o absurdo. Um conflito
em que um
esforços, raciocínio e sentido do personagem
do mundo são cumpridos
com parâmetros inevitáveis ​​de falta de sentido.
O Kafkaesque
qualidade é indiscutivelmente encontrada nos personagens
luta impossível
para entender o que está acontecendo com eles
e resolver sua
situações em que o sucesso é impossível
e no final,
finalmente inútil. E, no entanto, eles tentam de qualquer maneira.
É justo argumentar que uma interpretação
é que esses
circunstâncias são emblemáticas da
assumir o humano
doença. Especificamente, o desejo inflexível
para respostas e
conquista sobre os problemas existenciais de
ansiedade, culpa,
absurdo e sofrimento, emparelhados com uma incapacidade
para sempre
realmente entender ou controlar a fonte de
os problemas e
efetivamente superá-los. Mas o kicker
e talvez a maioria
parte importante é, mesmo diante de absurdos,
desesperado
circunstâncias, os personagens de Kafka não
desistir. Finalmente
inicialmente, eles continuam e lutam contra
suas situações,
tentando raciocinar, entender ou trabalhar seus
saída do

Arabic: 
لايوجد تفسيرات وبالنهاية ليس هنالك فرصة حقيقة للتغلب عليها. لقد تغلبت عليهم العقبات الإعتباطية العبثية التي يواجهونها
ويعزى ذلك جزئيًا لكونهم لا يستطيعون فهم او التحكم بما يحدث
ويبدو ان جوهر اسلوب كافكا واعمالة يدور حول هذه
المجابهات مع العبث. نزاع يكون فيه جهد الشخصية وتفكيره واحساسة بالعالم بمواجة متغيرات لاعقلانية لايمكن الفرار منها
حيث النجاح مستحيل وبالنهاية بلافائدة اساساً
ومع ذلك، يحاولون على اي حال
من المنصف قول احد التأويلات بأن هذه الاحداث رمزية عن موقف كافكا حيال وضع الإنسان
بالأخص الرغبة الملحة للأجوبة واخضاع المشاكل الوجودية من قلق وشعور بالذنب
العبث والمعاناة مقترناً مع العجز لفهم او التحكم  
بمصدر المشاكل والتغلب عليها بفعالية.
ولكن المفاجأه و بالأغلب الجزء الأهم انه على الرغم من مواجهة الظروف العبثية اليائسة شخصيات كافكا لا تستلم
على الأقل بالبداية فهم يستمرون في المجابهة ضد ظروفهم لفهم مبرر

English: 
There are no explanations and in the end there is no real chance of overcoming them. They are outmatched by the arbitrary senseless obstacles
they face. In part because they can't understand or control any of what is happening.
The crux of Kafka style and work seems to be carried by this
confrontation with the absurd. A conflict in which a character's efforts, reasoning and sense of the world are met with inescapable parameters of senselessness.
Where in success is both impossible and in the end ultimately pointless.
And yet, they try anyway.
It's fair to argue that one interpretation is that these circumstances are emblematic of Kafka's take on the human condition.
Specifically, the unyielding desire for answers and conquest over the existential problems of anxiety, guilt
absurdity and suffering. Paired with an inability to ever really understand or control the source of the problems and effectively overcome them.
But the kicker and perhaps most important part is even in the face of absurd despairing circumstances Kafka's characters don't give up,
atleast initially. They continue on and fight against their situations trying to reason,

English: 
it. They are
outmatched by the arbitrary, senseless obstacles
they face. In
part, because they can’t even understand
or control any of what
is happening.
The crux of Kafka’s style and work seems
to be carried by
this confrontation with the absurd. A conflict
in which a
character’s efforts, reasoning, and sense
of the world are met
with inescapable parameters of senselessness.
The Kafkaesque
quality is arguably found in the characters
impossible struggle
to make sense of what’s happening to them
and resolve their
situations, wherein, success is both impossible
and, in the end,
ultimately pointless. And yet, they try anyway.
It’s fair to argue that one interpretation
is that these
circumstances are emblematic of Kafka’s
take on the human
condition. Specifically, the unyielding desire
for answers and
conquest over the existential problems of
anxiety, guilt,
absurdity, and suffering, paired with an inability
to ever
really understand or control the source of
the problems and
effectively overcome them. But the kicker
and perhaps most
important part is, even in the face of absurd,
despairing
circumstances, Kafka’s characters don’t
give up. At least
initially, they continue on and fight against
their situations,
trying to reason, understand, or work their
way out of the

Portuguese: 
falta de sentido. Mas no final, é finalmente
para nenhum proveito.
Talvez nisso Kafka esteja sugerindo que
a luta para encontrar
consolo e compreensão são inevitáveis ​​e
impossível. Como
seres conscientes e racionais, lutamos contra
o absurdo,
tentando resolver a discrepância entre
nós e o universo.
Mas, ironicamente, servimos apenas para auto-perpetuar
o muito
luta que estamos tentando resolver, tentando
para resolver o
insolúvel. E nesse sentido, em algum nível,
nós quase queremos
a luta.
Claro, esta é apenas uma interpretação.
Por fim,
por causa de sua vaga, surreal e inexplicável
qualidade, Kafka
o trabalho se presta a quase tantas interpretações
como leitores.
Talvez a ideia seja que não devemos tomar
nossa condição absurda
Tão sério. Talvez a ideia é que deveríamos
e deve lutar
contra isso. Ou talvez a ideia seja que não possamos
sabe qual é a ideia
é. Na verdade, apenas Kafka já conheceu
exatamente o que ele
trabalho significava, e é justo especular que
em algum sentido,
talvez nem ele. O que é inegável,
no entanto, é isso
O trabalho de Kafka deixou um impacto duradouro no
literatura,

Arabic: 
او شق طريقهم خارج  تلك الاحداث الغريبة لكن بالأخير دون جدوى
ربما بهذا كافكا يقترح ان النضال لايجاد سلوان او فهم هو حتمي و مستحيل بنفس الوقت
ككائنات عقلانية واعية فنحن نكافح ضد العبث محاولين التغلب على التناقض بيننا و الكون
ولكن المفارقة الغريبة نحن نعمل فقط على تخليد الذات وهي المعضلة
التي نحاول حلها بمحاولة حل مالا يمكن حله. ومن هذا المنطلق اننا الى حد ما نريد المعانة
بالتأكيد هذا مجرد تحليل واحد
بالنهاية ولأن اعماله تتسم بالغموض و السريالية و كونها غير قابلة للتفسير اعمال كافكا مدعاة الى الكثير من التحليلات كقراء
ربما ان الفكرة هي ان علينا تقبل وضعنا العبثي
وان لا نأخذه بجدية
وقد تكون الفكرة انه من الواجب علينا ان نناضل ضده او ربما اننا لانستطيع معرفة ماهي الفكرة
بالحقيقة فقط كافكا وحده هو الذي يعرف بالضبط معنى عمله ، ومن العدل ان يتكهن بذلك

English: 
understand or work their way out of the senselessness, but in the end it is ultimately to no avail.
Perhaps in this, Kafka is suggesting that the struggle to find solace and understanding is both inescapable and impossible.
As conscious rational beings, we fight against the absurdity, trying to resolve the discrepancy between us and the universe.
But ironically we only serve to self perpetuate the very struggle
we are trying to resolve by trying to resolve the unresolvable. And in this sense on some level we almost want the struggle.
Of course, this is just one interpretation
Ultimately because of its vague, surreal and inexplicable quality Kafka's work lends itself to nearly as many interpretations as readers.
Perhaps the idea is that we should accept our absurd condition
and not take it so seriously.
Perhaps the ideas that we should and must struggle against it or perhaps the ideas that we can't know what the idea is.
In truth only Kafka will ever have known exactly what his work meant and it's fair to speculate that in some sense

English: 
senselessness. But in the end, it is ultimately
to no avail.
Perhaps in this, Kafka is suggesting that
the struggle to find
solace and understanding is inescapable and
impossible. As
concious, rational beings, we fight against
the absurdity,
trying to resolve the discrepancy between
us and the universe.
But ironically, we only serve to self-perpetuate
the very
struggle we are trying to resolve by trying
to resolve the
unresolvable. And in this sense, on some level,
we almost want
the struggle.
Of course, this is just one interpretation.
Ultimately,
because of its vague, surreal, and inexplicable
quality, Kafka’s
work lends itself to nearly as many interpretations
as readers.
Perhaps the idea is that we shouldn’t take
our absurd condition
so seriously. Perhaps the idea is we should
and must struggle
against it. Or perhaps the idea is we can’t
know what the idea
is. In truth, only Kafka will ever have known
exactly what his
work meant, and it’s fair to speculate that
in some sense,
perhaps not even him. What is undeniable,
though, is that
Kafka’s work has left a lasting impact on
literature,

Arabic: 
ربما لن يستطيع هو كذلك. ماهو مؤكد ان اعمال كافكا تركت اثر دائم على الادب و الفلسفة و الانسانية ككل
فقد ساعدت القراء حول العالم بالأحساس بوحدة اقل في شعورهم بالحقيقة ولحظات تجاربهم الكافكاويّة
قصة كافكا بذاتها ليست بالضرورة غير معتادة على الرغم من قوسة اباه
وعلى الرغم من كون حياته بائسة لم تكن ولم يكن كل ذلك غير معتاد
ان تولد لعائلة معيبة او مكان سيء بالعالم او جسد او عقل ضعيف!
ان تعيش وتموت غير مدرك لكامل امكاناتك ان تكون عالقاً في اسنان البيروقراطية لمنظمة العمل ما او نظام حكومي
ان تشعر بالذنب و القلق من الوجود بلا سبب واضح. نحن جميعاً على الأقل ببعض الأوقات
شهدنا على الكافكاويّة. لا تعد اعمال كافكا عظيمة لأنها تصف شيء فريد على نحو عميق
ولكن لأنها تصف شيء طبيعي معتاد بطريقة عميقة
تغليف لما هو بالأغلب تجربة غير قابلة للوصف جزء من الحياة يمسنا جميعاً
عندما اشارت الكاتبة آن رايس لكافكا قالت ان أعماله ساعدتها على اتباع نهجه في أعمالها

Portuguese: 
filosofia e humanidade em geral. Tem
ajudou os leitores
o mundo se sente menos sozinho em seus próprios palpites
da verdade e
momentos de experiências kafkianas.
A própria história de Kafka não é necessariamente incomum.
O pai dele
embora cruel, sua vida embora triste; nem
foram nem são todos
isso incomum. Nascer em um defeito
família, lugar ruim
no mundo, ou um corpo ou cérebro fraco. Para
viver e morrer tendo
nunca reconheceu o potencial de alguém. Ter
foi preso em um
engrenagem burocrática de uma organização empresarial
ou governo
sistema. Ter sentido a culpa e a ansiedade
de existência sem
razão clara. Temos todos, pelo menos às vezes,
experimentou o
Kafkaesque.
O trabalho de Kafka não é considerado ótimo porque
descreve
algo profundamente único, mas porque
descreve algo
mundana comum em uma maneira profunda. Um encapsulamento
de um frequentemente
indescritível expressão da vida que toca
nós todos.
Ao se referir a Kafka, a escritora Anne Rice
disse uma vez que
seu trabalho a ajudou a perceber o seguinte
abordagem por conta própria
trabalhos; “Não dobre; não a molhe;
não tente fazer isso
lógico; não edite sua própria alma de acordo
para a moda.

English: 
perhaps not even him. What is undeniable though is that Kafka's work has left a lasting impact on literature, philosophy and humanity at large.
It has helped readers around the world feel less alone in their own hunches of truth and moments of Kafkaesque experiences.
Kafka's own story is not necessarily unusual. His father although cruel,
his life although sad. Neither were nor are all that uncommon.
To be born into a faulty family, bad place in the world or a weak body or brain?
To live and die having never recognized one's full potential, to have been stuck in a bureaucratic cog of a business organization or government system.
To have felt that guilt and anxiety of existence for no clear reason. We've all at least at times
experienced the Kafkaesque. Kafka's work is not considered great because it describes something profoundly unique
but because it describes something mundanely common in a profound way.
An encapsulation of an often indescribable experience a part of life that touches us all.
When referring to Kafka, Writer Anne Rice once said that his work helped her realize the following approach in her own work.

English: 
philosophy, and humanity at large. It has
helped readers around
the world feel less alone in their own hunches
of truth and
moments of Kafkaesque experiences.
Kafka’s own story is not necessarily unusual.
His father
although cruel, his life although sad; neither
were nor are all
that uncommon. To be been born into a faulty
family, bad place
in the world, or a weak body or brain. To
live and die having
never recognized one’s potential. To have
been stuck in a
bureaucratic cog of a business organization
or government
system. To have felt the guilt and anxiety
of existence for no
clear reason. We have all, at least at times,
experienced the
Kafkaesque.
Kafka’s work is not considered great because
it describes
something profoundly unique, but because it
describes something
mundanely common in a profound way. An encapsulation
of an often
indescribable expreince of life that touches
us all.
When referring to Kafka, writer Anne Rice
once said that
his work helped her realize the following
approach in her own
work; “Don't bend; don't water it down;
don't try to make it
logical; don't edit your own soul according
to the fashion.

English: 
Rather, follow your most intense obsessions
mercilessly.”
Kafka’s work sought not to alleviate the
soul through remedies
of false hope or delusion, but rather, through
the direct confrontation with the darker aspects
of self. By distorting reality to map more
accurately onto his own sense of human experience,
he revealed a certain remedy of unhindered
self- examination and carved out a place in
the world for others to do the same. “I
think we ought to read only the kind of books
that wound or stab us. If the book we're reading
doesn't wake us up with a blow to the head,
what are we reading for? So that it will make
us happy...Good Lord, we would be happy precisely
if we had no books...” Wrote Kafka in a
letter to a friend.
Although he might not have shared this explicitly,
Kafka’s
work embodies and reminds us not that we wish
to give up, but
that despite all the absurdities and problems,
we wish to
continue. We wish to struggle against the
universe and forge our
own way. We wish to find and connect over
honesty, however hard
it may be.

English: 
Kafka's works ought not to alleviate the soul through remedies of false hope or delusion but rather through the direct
confrontation with the darker aspects of self. By distorting reality to map more accurately onto his own sense of human experience,
he revealed a certain remedy of unhindered self-examination
and carved out a place in the world for others to do the same.
Wrote Kafka in a letter to a friend.
Although you might not have shared this explicitly,
Kafka's working embodies and reminds us not that we wish to give up but that despite all the absurdities and problems
we wish to continue. We wish to struggle against the universe and forge our own way.
We wish to find and connect over honesty, however hard it may be.

Portuguese: 
Em vez disso, siga suas obsessões mais intensas
impiedosamente."
O trabalho de Kafka procurou não aliviar a
alma através de remédios
de falsa esperança ou ilusão, mas sim, através de
o confronto direto com os aspectos mais sombrios
De si mesmo. Distorcendo a realidade para mapear mais
com precisão em seu próprio senso de experiência humana,
ele revelou um certo remédio de desimpedido
auto-exame e conquistou um lugar na
o mundo para que outros façam o mesmo. "EU
acho que devemos ler apenas o tipo de livros
essa ferida ou facada nos. Se o livro que estamos lendo
não nos acorda com um golpe na cabeça,
para que estamos lendo? Para que faça
somos felizes ... Bom Deus, seríamos felizes precisamente
se não tivéssemos livros ... ”Escreveu Kafka num
carta a um amigo.
Embora ele possa não ter compartilhado isso explicitamente,
Kafka's
O trabalho encarna e não nos lembra que desejamos
desistir, mas
que apesar de todos os absurdos e problemas,
nós queremos
continuar. Desejamos lutar contra o
universo e forjar a nossa
próprio caminho. Desejamos encontrar e conectar-se
honestidade, por mais difícil
pode ser.

Arabic: 
لم يتوجب على اعمال كافكا  ان تخفف عن النفس من خلال المداواة بالأمل الكاذب او الوهم ولكن من خلال
المجابهة المباشرة مع الأبعاد المظلمة في النفس. من خلال تشويه الواقع لكي يعين بدقة اكثر احساسة الخاص بالتجربة الأنسانية
كشف عن وسيلة لمراجعة الذات بلا معوقات
ونحت مكانا في العالم للآخرين لفعل الشيء نفسه.
هذا ما كتبه كافكا في رسالة لصديق
على الرغم انك لن تشارك هذا بجلاء
اعمال كافكا تجسد وتذكرنا انه قد نود أن نستسلم لكن ذلك على الرغم من كل العبث والمشاكل
نود ان نمضي قُدماً نود مجابهة الكون ونسيان طريقنا
نود ان نجد ونتواصل من خلال الصدق مهما كان صعب
