I like to think of the piece as a moment
for audience members to come to the
theater and sit down and for a half-hour
detach from the world around them. This
piece -- it's a bit of a love letter to the
classical form, and because we have such
incredible classical dancers here I
wanted to take advantage of their
capabilities.
So it has this real kind of like team
energy it feels almost as if we're
blazing a trail that hasn't been there
before. They put a hundred and ten
percent into whatever it is that they're
dancing -- they're present and they're kind
of like co-pilots in the process.
 
