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Cold Feet
Cold Feet is a British comedy-drama television series produced by Granada Television
for the ITV network. The series was created and principally written by Mike Bullen as a follow-up
to his award-winning 1997 Comedy Premiere of the same name.
The series follows three couples experiencing the ups-and-downs of romance,
originally Adam Williams and Rachel Bradley, Pete and Jenny Gifford and Karen and David Marsden.
As the original series progressed, the Giffords divorced and Pete married Jo Ellison, whilst Karen
and David also separated forming relationships with Mark Cubitt and Robyn Duff.
The revived series introduced Ceallach Spellman as Adam and Rachel's now teenage son Matthew,
alongside Karen David as Adam's second wife Angela Zubayr following the death of Rachel,
and Art Malik as Angela's business tycoon father Eddie, a love interest for Karen Marsden. Pete
and Jenny had remarried whilst David's marriage to Robyn was crumbling.
Leanne Best was introduced as Tina Reynolds, Adam's partner following his separation from Angela.
The original series was executive-produced by Bullen with Granada's head of comedy Andy Harries,
and produced by Christine Langan, Spencer Campbell and Emma Benson. 32 episodes were broadcast
over the original five series from 15 November 1998 to 16 March 2003.
A reboot of the original series with all of the original cast except Baxendale began airing
from 5 September 2016.
 Background 
Series creator Mike Bullen's working relationship with Granada Television began in 1994
when his agent sold his first screenplay, a one-off comedy-drama called The Perfect Match,
to the company's head of comedy Andy Harries. Harries had been looking
for television scripts that would reflect the lives of people
from his generation—people in their 30s who were under-represented on television.
The Perfect Match, about a man who proposes to his girlfriend at the FA Cup Final and has to deal
with constant media attention afterwards, was made and then broadcast in 1995. Harries asked Bullen
to pitch more ideas for television to The Perfect Matchs assistant producer Christine Langan.
As a fan of American television such as Thirtysomething, Frasier and Hill Street Blues,
Bullen pitched Cold Feet, a traditional "boy-meets-girl, boy-loses-girl, boy-wins-girl-back"
story told from both sides of the relationship, but using elements of fantasy and flashback
to distort events to fit a character's point of view. The initial pitch centred on Adam Williams
and Rachel Bradley,
which Harries believed would diminish the storytelling potential if the ITV Network Centre
commissioned a full series after the pilot, so Bullen "tacked on" plots for two other couples—Adam
and Rachel's respective friends Pete and Jenny Gifford and David and Karen Marsden.
The pilot was directed by Father Teds Declan Lowney
over 12 days in 1996 on location around Greater Manchester.
The programme was one of four one-off Comedy Premieres made by Granada for ITV.
Cold Feet was eventually broadcast on 30 March 1997. It received only 3.5 million viewers
and little critical attention. As ITV's comedy portfolio was so thin,
Cold Feet was submitted as the network's comedy entry
at the Montreux Television Festival in May 1997. There it won the Silver Rose for Humour
and the Rose d'Or, the highest accolade of the festival.
ITV scheduled a repeat broadcast a few days afterwards, but did not commission a series.
Not until David Liddiment's appointment as director of programming
at ITV in August 1997 was a six episode series ordered.
 Series 1 
The first series begins nine months after the pilot episode. After Pete
and Jenny's baby is born in Episode 1, the couple have a hard time getting any sleep. Pete has
to cope with the death of his father in Episode 4. Adam and Rachel decide
to rent a house together. He is horrified to discover in Episode 2 that she is married
to another man. While he is staying with Pete and Jenny, Rachel has sex
with her visiting husband —who leaves soon after—and is pregnant by Episode 6. Just as hers
and Adam's relationship is recovering, she tells him that he might not be the father,
and that she is moving to London until the birth. Karen
and David have recently hired Ramona as a nanny to their young son Josh. At her publishing job,
Karen edits the novel of a renowned author, whom she becomes attracted to. She plans to sleep
with him on a book tour, but is humiliated when she finds out he is not attracted to her.
David tries to sleep with Ramona to get back at Karen, which causes friction between the couple.
They seek guidance counselling to repair their marriage.
 Series 2 
Six months after the last series, Rachel returns from London
and tells Adam that she aborted the baby, and their relationship seems over for good.
They both start seeing other people—he one of Pete's colleagues and she a man much younger
than her —but reconcile after Adam is diagnosed and treated for testicular cancer in Episode 5.
David is made redundant at work and decides to be a stay-at-home dad for Josh.
After some interference from Karen, he takes a new job. Their relationship improves
from the first series; they spend their wedding anniversary in Paris
and Karen announces in Episode 6 that she is pregnant. Pete and Jenny's marriage deteriorates
when she reveals she had a crush on Adam. Pete later sleeps with a co-worker—
with whom Adam was also briefly involved—and Jenny tells him to move out of the house. They decide
to give their marriage another chance when Adam's cancer puts things into perspective. In Episode 6,
all three couples see in the new millennium on a trip to Lindisfarne, where Pete
and Jenny's relationship worsens again as the others' improve.
 Series 3 
Half a year after the Lindisfarne trip, Pete and Jenny have separated. He moves from house
to house, eventually finding a houseshare with a gay landlord. He has a brief fling with Ramona,
which is followed by some dates with a teacher. Jenny begins a relationship
with a dotcom millionaire, who decorates her house with flowers and takes her on a trip
to New York. The fling ends when Jenny realises he does not love her. She
and Pete reconcile after briefly considering a divorce. David
and Karen bring home their newborn twins, and Karen's ex-pat mother moves in
for a couple of episodes. Karen is reunited with an old boyfriend, who is in Manchester
for a photography exhibition. Karen is rivalled by Jenny, who has returned to working
to pay the bills while Pete is living elsewhere.
David takes a sudden interest in politics after meeting local residents' activist Jessica.
He starts an affair with her, but she dumps him after being offended by his insensitivity
when he tries to end it. Karen finds out about the affair in Episode 8, but is adamant that she
and David will stay together for the children. Adam and Rachel decide to have children,
but are distraught to discover that she is infertile from complications with her abortion.
They decide to get married instead, but Adam is briefly tempted when he reunites
with a long-lost love on his stag weekend to Belfast.
 Series 4 
Jenny and Pete await the birth of their second child, but after a miscarriage,
Jenny rethinks her current lifestyle. In Episode 2 she decides to take a job in New York,
and leaves with little Adam. Pete is unhappy for a time, but begins a relationship with Jo Ellison,
a friend of Rachel's. The relationship goes well until Jo has to return
to Australia after her visa expires. Pete follows her and declares his love
and they get married in Episode 8. Karen
and David are sleeping in separate beds until she decides he should move out.
He moves into Pete's spare bedroom and starts seeing a therapist. Karen develops alcoholism
and decides to seek therapy too. She and David reconcile and he moves back in. Soon,
she starts an affair with a publisher, Mark, which is revealed to David in Episode 8.
Having had enough of the lies, he leaves Karen. Adam and Rachel decide to adopt a child
and begin going through the procedures. They are pleased
when they later discover that Rachel is pregnant, but are distraught
when their social worker tells them that the adoption cannot proceed. In Australia for Pete
and Jo's wedding, Rachel goes into premature labour and gives birth to a boy.
 Series 5 
Three months after the birth of their baby, Adam is made redundant. He gets a new job, but then he
and Rachel are told that after the death of their landlord they will be evicted from their house.
As they search for a new place to live, Adam's estranged father, Bill, arrives. Bill
and Adam patch up their relationship and he offers Adam and Rachel the money
to buy their own house. On the way to the auction, Rachel is killed in a car crash,
leaving Adam devastated. Her ashes are scattered in the final episode. Karen
and David are going through an amicable divorce, but when she starts seeing Mark again
and David starts seeing his new lawyer Robyn, it escalates,
as they begin using each other's adultery and her alcoholism as a basis
for custody of the children. Karen stops seeing Mark and the divorce cools down.
Both re-evaluate their lives after Rachel's death; David develops his relationship with Robyn
and Karen plans a trip with Ramona. Pete and Jo's marriage deteriorates when she sleeps
with a co-worker on a work weekend away. Jenny returns from New York in Episode 4
and moves back in with Pete after he asks Jo for a divorce.
 Series 6 
After a jet-set life in Singapore, Adam returns to Manchester to visit his old friends and
to see son Matthew, breaking the news of his upcoming nuptials with businesswoman Angela Zubayr.
This isn't well received amongst the group, especially Matthew who sees Angela as a replacement
for his mother Rachel. Struggling to support his family, Pete finds himself in two run down jobs
and suffering from depression, which Jenny seems oblivious too. Seeing a fault in their love life,
she pursues a fling with client Trevor Green, who begins to stalk her.
Torn apart after the death of Harry, an old man who he was caring for, Pete considers suicide.
David is entangled through a wrongdoing at work and is arrested,
something which his wife Robyn finds humiliating and throws him out of their luxury Cheshire home.
Karen finds herself on the dating game, and soon falls for Adam's father-in-law Eddie,
though later discovers that they live in two very different worlds,
with Karen's twin daughters Ellie and Olivia still dependant on her. Jenny's ex-partner Robert
from her time in New York City turns up on her doorstep determined to see their daughter Chloe,
who still believes that Pete is her father. Struggling to cope with living in Manchester
and being step-mother to Matthew, Angela decides to end her marriage with Adam, who fell quickly
for his landlord Tina Reynolds. At Adam's 49th Birthday party,
the Marsden's eldest son Josh arrives from Spain with former nanny Ramona,
and it is later revealed that he is gay.
 Series 7 
Setting up her own publishing house Marsden House,
Karen is relying on useless Ramona as personal assistant. Adam is determined
to take things one step further with Tina so they can move in with one another,
though she doesn't want to rush things and especially not with David now living with Adam
and Matthew following his divorce from Robyn. Pete has landed on his feet as a chauffeur,
and Jenny is finding herself seeing a lot less of her husband. Matthew's relationship
with Olivia is taken to the next level, to the shock of Karen and Adam.
 Cast and characters 
Cold Feet began its first series with the six main cast members—James Nesbitt, Helen Baxendale,
John Thomson, Fay Ripley, Hermione Norris and Robert Bathurst—who had appeared in the pilot.
Thomson's character Pete Gifford was written specifically
for him after his performance in The Perfect Match made a positive impression on Christine Langan.
Norris originally auditioned for the part of Rachel, but was cast as Karen,
because the role suited her social class.
Nesbitt got an audition through a mutual friend of pilot director Declan Lowney,
and read the part in his natural accent, because he was keen
to play a Northern Irish character in a contemporary drama unconnected to The Troubles.
Baxendale was best known for her role in Cardiac Arrest and was hesitant to star as Rachel,
because she did not believe she could perform comedy. Bathurst was known to Langan
for his starring role in Joking Apart. Ripley thought she would be auditioning
for the part of Rachel, and had to put on an accent for her role as natural Mancunian Jenny.
When the fourth series was commissioned, Ripley announced that she was leaving the show
to broaden her career options. Kimberley Joseph was cast as Jo Ellison,
a replacement character who remained on screen until Cold Feets conclusion.
Bullen makes numerous Hitchcock-esque cameo appearances; he plays a neighbour
and a husband in the first series and a workman in the third.
Despite all receiving equal billing in the credits,
the original principal cast members were paid different salaries in the first few years; Baxendale
and Nesbitt were the most well-known, so received more than Ripley, Thomson, Norris and Bathurst,
who were comparatively less well-known to audiences. Prompted by the continued success of the show,
Andy Harries reviewed the salaries in 2000 and decided to pay all six actors the same amount.
The amount was not publicly disclosed, but was believed to be £20,000 per episode,
plus repeat broadcast royalties. Another pay deal
for the fourth series in 2001 increased the salaries of the cast to £50,000.
For the final series in 2003, they each received £75,000 an episode.
 Main characters 
 [^]  The main characters are six core characters were devised to be "regular people,
not distinguished by their careers or by crime" and were based on people from Mike Bullen's life,
along with characters who became integral to the programme as Cold Feet progressed.
 Supporting characters 
Significant supporting roles in the series are played by Rosie Cavaliero, Ben Miles,
Yasmin Bannerman, Sean Pertwee, Richard Armitage and Lucy Robinson,
Doreen Keogh is introduced in Series 1, Episode 4 as Pete's mother Audrey Gifford.
She makes a cameo appearance in Series 3, Episode 1, and reappears in Series 4, Episode 4
and Series 5, Episode 1. The character's recurrence was based on the good chemistry between Keogh
and Thomson. Yasmin Bannerman played local residents' campaigner Jessica in Series 3. Bannerman
and Bathurst did not know that Jessica
and David would have a full-blown affair after their kiss in Episode 3,
as David was seen as too much of a "jittery type". The character appears in five episodes.
Bathurst was more impressed with the storylines that came out of the affair, rather
than the affair itself: "It was the deception, the guilt and the recrimination rather
than the actual affair, which was neither interesting nor remarkable".
Series 6 introduced Cel Spellman as the now teenaged Matthew, who in Adam's absence, was raised
by his godmother Karen and attended a private school.
 Writing 
Mike Bullen has sole writing credit on 26 episodes of the series;
four episodes of Series 3 were written by David Nicholls,
and Bullen co-wrote one episode of Series 4 and 5 with Mark Chappell
and Matt Greenhalgh respectively. Bullen usually wrote ten pages of script per day,
whatever the quality of his writing. His own third draft was usually submitted
to the producers as the "first" draft. As he was still an inexperienced writer
by the time production of the first series began in January 1998, Bullen was aided
by Christine Langan, who pitched in as a script editor.
Storylines were planned in advance—the producers knew that they wanted to split up Adam and Rachel
at the end of Series 1—but the later scripts were written once filming on earlier episodes had
already begun. The number of people on the development team varied;
the third series' comprised Bullen, Langan, Harries, producer Spencer Campbell,
script editor Camilla Campbell, ITV's controller of comedy, and a team of five writers.
Many storylines were based on life experiences of the production team; Bullen
and his wife Lisa had their first child in late 1997, which made Bullen identify
with the Pete character, whose son is born in the first episode.
Bullen incorporated his experiences of the first few months of parenthood into the Pete
and Jenny storyline. Adam's testicular cancer storyline in Series 2, Episode 5 was influenced
by a similar condition that afflicted Harries, and was supplemented
by the newspaper columns written by terminal cancer sufferer John Diamond.
If a storyline was not drawn from real life experiences, it was researched by communicating
with experts; Bullen consulted the relationship support charity Relate for the scenes of Karen
and David's marriage guidance session in Series 1, Episode 5, and consulted Dr Sammy Lee
for information about Rachel's intracytoplasmic sperm injection in Series 3. When it was decided
to have Rachel's abortion lead to her developing Asherman's syndrome in Series 3,
the British Pregnancy Advisory Service were contacted.
BPAS strongly recommended that the plot be developed in a different direction,
on the basis that infertility from what would appear to have been a routine abortion would be an
"improbable link", though the producers proceeded with their original story anyway.
By the time pre-production on the third series began,
Bullen had grown tired of writing the series single-handedly
and believed all the stories that could be told had been told. ITV were keen
to increase the number of episodes per series to 20, but Granada refused, though did agree
to add two more, bringing the total to eight. A writing team of five was assembled, overseen
by Bullen. Four of the scriptwriters were deemed not good enough and they parted company
with Granada. David Nicholls remained and scripted four of the eight-third series episodes;
Bullen wrote the other four and his interest in the series was revived.
At the conclusion of the third series, Bullen announced that he did not want
to write a fifth series, and that the fourth would be the last. Series 4,
Episode 8 was produced as the final episode, but the cast and crew realised that they would like
to make one final series for proper closure. Bullen agreed
to write the final episodes on the condition that there would be just four,
and that he could kill off a character. Matt Greenhalgh co-wrote Series 5, Episode 3 with Bullen,
specifically the scenes depicting Rachel's death. Greenhalgh worked on the script
at the same time as he was writing his BBC Three series Burn It, also set in Manchester.
In a 2007 interview,
he said that he was not a fan of Cold Feet—decrying the depiction of Manchester in the series—and
that killing off Rachel was "a privilege".
A reunion episode was speculated after the fifth series ended;
in the 2003 documentary Cold Feet: The Final Call, executive producer Andy Harries stated,
"By killing a character, you are truly saying 'this series is over' … until, of course,
in 10 years time when money is running a bit short for all of us, we bring it back. What we do
with Rachel, I don't know yet—but I have got a few theories."
In an interview published in October 2003, Harries told The Daily Telegraph that ITV would
"probably" bring back Cold Feet ten years after it ended, and said, "There's a tacit understanding
with the actors that we will re-visit it again at the appropriate time." In 2007,
a tabloid newspaper quoted an ITV "insider" as saying that a reunion episode would be broadcast
to mark ten years since the pilot aired. The report turned out to be a fabrication.
At the 2010 Edinburgh International Television Festival,
Harries stated that discussions about the series' return were "ongoing",
but highlighted a number of factors that would prevent a reunion in the near future.
The following day, Harries told Kate Silverton that he had held discussions
with Mike Bullen about the series returning,
but that it would not be back on television screens in 2011 or 2012.
 Filming 
 [^]  All episodes of Cold Feet were shot on film stock on locations in
and around Greater Manchester. Sets were designed by Chris Truelove to reflect the characters;
Karen and David's home was designed as a spacious detached house intended to be located in Bowdon,
while Pete and Jenny and Adam and Rachel had smaller middle-class abodes intended
to be located in Didsbury. All exteriors of the characters' houses were shot on location.
Christine Langan was keen to avoid a generic sitcom style of filming,
citing the formulae of such programmes as "tired and dreary" and lacking emotional depth.
To achieve this goal, she and Harries recruited directors with little background in television.
These included Nigel Cole, who came from an advertising background and was keen
to use the two episodes of the first series he was allotted to "make his mark"
and establish himself as a good television director. Other directors included Mark Mylod,
Tom Hooper, Tom Vaughan, Pete Travis, Jon Jones, Ciaran Donnelly and Tim Sullivan.
For the first series, interior sets were built at the Blue Shed Studios in Salford.
Three directors and three film crews were used to film the six 50-minute episodes over 14 weeks
from March to May 1998. Locations included an empty shop unit near Piccadilly station
for the charity shop sex scene in Episode 3 and a Masonic Lodge
for the gala dinner scenes in Episode 6. In the second year, the sets were moved
to the Spectrum Arena in Warrington, where filming ran from March to June.
The series featured the first location shoots outside Manchester;
a short scene in Episode 2 featuring Bathurst was filmed over half a day in Blackpool; Bathurst,
Norris and a small production crew filmed scenes in Paris for Episode 3;
exterior location scenes of the characters on holiday in Episode 6 were filmed on Lindisfarne,
though the castle interiors were shot at Hoghton Tower.
The second series also featured more visual effects; in Episode 5 Adam dreams about being chased
by a giant testicle and in Episode 6 a fireworks explosion was supervised
by pyrotechnics experts. The testicle dream scene drew mixed reaction.
The Mirrors television critic Charlie Catchpole praised it, but Robert Bathurst was critical:
"I hated that sequence. I thought it was really unfunny. It was a lousy prop and awful graphics
and there was too much of it—it would have been much better if it was like a Monty Python foot come
smacking down like that and get it over with. You couldn't keep up that surprise and hilarity
for all the minutes it was on the screen." By the third series,
Cold Feets sets were permanently located on a Granada warehouse stage
and were left intact between series.
This meant the basic sets could be used on other Granada programmes, such as The Grimleys
and My Beautiful Son. After the final episode was filmed in 2002, the sets were dismantled
and taken to a landfill.  [^]  In Series 3, Cold Feet shot outside England for the first time
for Episode 5. A storyline featuring Adam's stag weekend was originally scripted
to take place first in Blackpool and then in Dublin.
James Nesbitt suggested that it should be filmed in Belfast and Portrush, near where he grew up. He,
Andy Harries
and producer Spencer Campbell scouted the locations in April 2000 before filming went ahead later
that year. Local businesspeople were so eager
to promote the area that they waived any fees Granada would have given them for allowing filming,
meaning the location manager only spent £20, considerably less
than the £3,000 a typical shoot of that length would have cost.
This location shoot inspired the producers to film even further away from Manchester;
in November 2000, Bullen and Harries spoke
at the Screen Producers Association of Australia conference, where they decided
to base the fourth series finale in Sydney. The episode was written to be a "normal episode"
of Cold Feet that just had a different background. The main cast—except
for Helen Baxendale who was pregnant—the producers and Ciaran Donnelly shot
for 18 days in October 2001 in locations that included Hyde Park, Kirribilli, Double Bay
and the northern beaches. Budget problems meant an overseas location could not be secured
for Series 5, so scenes in the final episode were shot in Portmeirion, Wales.
Screen time was divided up equally between the couples over the course of an episode,
though occasionally some scenes would run longer; in Series 4, Episode 3,
the scenes of Karen clubbing went on for ten uninterrupted minutes.
These scenes were also a rarity for location filming;
usually filming in public places was done on a Sunday during closing hours,
but the clubbing scenes in this episode were filmed during opening hours
at the Music Box in Manchester. A hand-held camera was used to enhance the frenetic pace.
 Music 
Incidental music for the series was composed by Mark Russell. He also composed a theme tune,
which was used as an alternative to Space's "Female of the Species". Christine Langan heard
"Female of the Species" on The Chart Show while the pilot was being produced and decided
to make it the theme song. She remained involved in choosing popular music used on the show
for the three series she worked on it. "Female of the Species"
was used as a closing theme throughout the first series. For the second series, it was replaced
by Morcheeba's "Let Me See", except for the last episode when John Lennon's "Love" was used.
The Mirrors Charlie Catchpole described the diagetic popular music in the school reunion scenes of
Series 2, Episode 4—"Don't You Want Me", "Relax", "Temptation", "True", "Do You Really Want
to Hurt Me" and "Tainted Love" —as "[catching] the changing mood with devastating precision".
Catchpole's positive comments about the music led
to a previously shelved soundtrack album being released.
 Broadcast 
The ITV Network Centre originally scheduled the first series
to be broadcast in the 10 pm timeslot on Sunday nights.
This went against the wishes of Andy Harries, who wanted it broadcast at 9 pm in the so-called
"ironing slot"—generally used for programmes that an audience does not have to concentrate on.
David Liddiment compromised by allowing the show to start at 9.30 pm Harries was able
to get the second series moved to 9 pm, which annoyed advertisers.
The third series remained in the same timeslot but, like other series on the network, suffered
from ITV's late decision to add a third advert break to hour-long shows. Episode 8, featuring Adam
and Rachel's wedding, was broadcast on Boxing Day—the first time the show was aired on a Tuesday.
The eighth episode of Series 4 and all four episodes of Series 5 were extended
to fill a 90-minute timeslot. The series was repeated when ITV launched digital channel ITV3,
then marketed towards over-35 viewers. In the United States,
Cold Feet was first broadcast on the cable network Bravo. Bravo bought the pilot
and first three series for $1 million. The pilot was broadcast as a "sneak peek"
before the regular series run began. From 2005 the series was broadcast by BBC America.
When broadcast on SABC 3 in South Africa, the series is retitled Life, Love and Everything Else.
Worldwide, it has been broadcast in over 34 countries.
 Critical reaction 
Critical response to the first episode was not favourable; in The Independent,
Nicholas Barber called it the most depressing TV programme he had ever seen.
He wrote of the six main characters, "Are we supposed to care about these people? The theory,
I think, is that we should relate to them, because their lives are as prosaic as our own, and,
because Cold Feet is a portrait of urban life as it really is in the Nineties.
This is another way of saying the writer hasn't bothered with research or imagination."
He criticised the conclusion of Episode 1, but praised the other five,
which he had seen on preview tapes. On The Late Review, Germaine Greer
and Tony Parsons singled out Nesbitt's acting; Greer called him "especially awful"
and Parsons wished that he had plunged to his death from the scissor lift Adam appears on
at the beginning of the episode. General reaction improved as the first year went on.
At the conclusion of the first series, Andrew Billen compared it
with Vanity Fair in the Evening Standard and was pleased that it offered a televisual outlet
for the "forgotten" twentysomethings. Paul Hoggart for The Times wrote positively of the writing,
directing, acting, and editing and looked forward
to how Rachel's pregnancy plot would be resolved in the second series. Other critics hailed it as
"the British answer to Thirtysomething"; in 1998, Meg Carter wrote in The Independent, "More
than 10 years on,
Granada Television has finally produced a modern show that mines the rich seam of a generation that
is as confused as it is liberated by increased choice and freedom, and that caters
for an audience which has not, traditionally, watched very much ITV." Mark Lawson compared it
to the American sitcom Friends, a series that is also based around three men and three women,
and featured Helen Baxendale in a guest role. In a 2003 interview
with Bullen on BBC Radio 4's Front Row, Lawson asked whether Friends had influenced Cold Feet.
Bullen explained that the connection was made by media as "a useful shorthand",
that he was irritated by the characters in Friends and "would liked to have taken a baseball bat
to them". In 2001, Andrew Billen compared the contemporary cultural relevance of the series
to The Way We Live Now, as a follow-up to his comparison of the first series with Vanity Fair:
"In previous years we have seen the anguish caused by infidelity, impotence and infertility.
This season the characters face the hazards thrown up by miscarriage, alcoholism
and a late-flowering career. Sustaining relationships looks as hard as ever.
Yet there is nothing each protagonist wants more than old-fashioned domestic bliss."
The review resonated with other critics; in The Scotsman,
Linda Watson-Brown wrote an overall positive review of the series in general—dismissing the spate
of "anti-Cold Feet" reviews—but criticised "the ease with which problems are resolved
and morality used to slap the viewer in the face".
The final episode set in Australia polarised critics; in a column focusing on Chewin' the Fat,
Scotsman critic Aidan Smith accused the big-budget episode "which somehow managed
to squeeze the Harbour Bridge into every shot" of being the point the series jumped the shark,
and Times columnist Caitlin Moran complimented it,
but was concerned that the series' original main characters—Adam and Rachel—were being sidelined
by everyone including Mike Bullen. When the fifth series began in 2003, critics welcomed its end.
Paul Hoggart wrote in The Times that the flashback
and fantasy scenes were becoming so overused on television that their use in Cold Feet was less
surprising than it was in 1998. In Scotland on Sunday,
Helen Stewart lamented the loss of Fay Ripley and Jenny's replacement by "the bland,
but international crossover-friendly Jo, [.] who is sufficiently pointless to be dismissed even
by her fellow characters as 'not as good as Jenny'."
Stewart also criticised Hermione Norris's acting and Karen for being a "spoon-faced moaner".
A brief article on the MediaGuardian website described a "revisionist backlash"
as critics' negative opinions of the series clashed
with the positive reaction that greeted it in 1998.
 Depiction of social issues 
Cold Feets cast and crew were frequently praised
for their depiction of real-life social issues on the series. When Cold Feet began,
Christine Langan stated, "The real challenge was
to overcome the traditional view that many of the issues we cover—jealousy, guilt, money,
sexual problems, parental death—are ordinary issues, hardy perennials and, as such,
not interesting enough for drama." The fourth episode of the first series was controversial due
to its depiction of the characters freely discussing their sex lives;
in the left-wing New Statesman, Andrew Billen praised it as a homage to La Ronde and,
despite the sex-talk, being "intricately constructed as a farce".
The right-wing tabloid Daily Mails critic wrote that the episode
"veered a little too close last night towards the category of 'adult entertainment',
with all its connotations of sleaze and smut" and
"we found ourselves immersed in their sex lives on a level of embarrassing intimacy which most
people would share only with their doctor". A complaint was made by a viewer
to the Independent Television Commission—the commercial television regulator—about the depiction of
sex, but it was not upheld. A scene in Series 2, Episode 4 showing Karen smoking a joint
at a dinner party was controversial with censors at the writing stage; all scripts were required
to be sent to Granada's Compliance department to ensure they maintained the ITC's code of conduct.
The department would not allow Karen's drug use to be portrayed without some cost to her,
so suggested that Karen and Adam could be arrested while rolling joints at the school reunion.
Bullen thought the idea was "ludicrous" so added a scene where David berates Ramona
for her drug use. Despite the measures taken, four people complained
to the ITC about the glamorisation of drugs. The ITC dismissed the complaints. The scenes of Jo
and Audrey smoking cannabis in Series 5, Episode 1 drew seven complaints to the ITC
by people who thought it would give children the wrong impression of drugs.
The ITC dismissed the complaints on the basis that the episode was broadcast after the watershed.
Mark Lawson was unappreciative of the scene, writing that the drugs plot was a "forced jollity"
compared to the other humorous scenes in the episode. In Series 3, Adam
and Rachel seek intracytoplasmic sperm injection
when they have trouble conceiving a child naturally.
The characters take out bank loans of thousands of pounds to pay for the treatment,
which is unsuccessful each time. The producers devised this storyline,
because IVF was a major contemporary issue and wrote the treatment as a failure,
because it was representative of the odds of conception in real life. Rachel's problem
with conception is soon diagnosed as being due to "partial Asherman's syndrome",
a storyline that runs through Series 3 and 4.
The plot was analysed on an episode of BBC Radio 4's Woman's Hour. Ann Furedi of BPAS,
which had supplied information to the writing team during the research stages,
stated that there had not been a recorded case of Asherman's syndrome in the United Kingdom
since the Second World War. Further to that,
she stated that the consensus among medical groups was that there was no real direct link between
abortions and infertility;
rather an untreated infection could increase the chances of fertility problems if it interfered
with an abortion.
Christine Geraghty countered that the factual accuracy of the storyline depended on how the
producers wanted to portray the issue to viewers. Her opinion was backed up by an ITV statement,
which said that "stories for Cold Feet are not just chosen in order
to make people aware of the issues involved; they're also chosen for their dramatic potential
and relevance to modern living".
Woman's Hour presenter Jenni Murray developed the discussion in an article for The Guardian;
she mentioned that no impression was given that Rachel had suffered an incorrectly performed
operation or had had to travel to eastern Europe for it,
and that it was improbable that Rachel managed to conceive a child after all. Cold Feet continued
to cover social issues when it returned in 2016. The character of Pete was diagnosed
with depression. Writer Mike Bullen himself has battled depression.
 Influence on television 
In a 2007 feature for The Guardians G2 supplement,
screenwriter Danny Brocklehurst discussed the impact the series has had on British television,
including inspiration for one of his programmes, Talk to Me.
He opined that until Cold Feet there had not been a significant television series depicting
"the wants and needs of ordinary young adults" since Thirtysomething concluded in 1991.
Brocklehurst developed Talk to Me in the same manner as Bullen developed Cold Feet, namely
by basing its characters on his own experiences and friends. Both Brocklehurst
and Mark Lawson have discussed similar "copycat" series, including Hearts and Bones, Metropolis,
Couples and Wonderful You. Brocklehurst noted that these series "lacked [Cold Feets] warmth
and believability" adding that they were "unrealistic and cynical".
"Cold Feet proved that you didn't have to have a high concept to make compelling, heartwarming,
sometimes profound drama. And, while the show dealt with issues such adoption, alcoholism
and testicular cancer, it was always at its most successful
when bouncing playfully between the three couples, neatly exposing the differences between men
and women." —Danny Brocklehurst, 2007 Over four years after Cold Feet ended,
ITV executives were still looking for a series that could comfortably replace it.
On his appointment as chairman of ITV plc in 2007,
Michael Grade announced that he wanted the ITV network
to be broadcasting long-running series like Cold Feet to attract the younger,
upmarket viewing demographic. In 2008, BBC One broadcast Mutual Friends,
a six-part television series written by Anil Gupta, which was compared to Cold Feet.
While the BBC wanted the series to match the success of Cold Feet,
producer Rob Bullock stressed that "Cold Feet is about a different period of life.
It's about people in their early thirties. Mutual Friends moves things on—what's happening
to our characters as they approach 40 is very different. Why do so many lives fall apart
at 40? Because things haven't worked out how we hoped and we've had to turn to Plan B.
The drama is all about the crisis caused by things not turning out as the characters planned."
Later in 2008, ITV commissioned Married Single Other, a comedy drama executive-produced
by Andy Harries and directed by Declan Lowney, about three contemporary couples living in Leeds.
Granada Entertainment USA, the American arm of Granada Productions, tendered the series format
to American networks and cable channels from late 1997. The format was sold to NBC,
which commissioned 13 x 60-minute episodes in May 1999 for the fall season,
to be produced in association with Kerry Ehrin Productions.
The US series starred David Sutcliffe as Adam Williams and Jean Louisa Kelly as Shelley Sullivan.
Low ratings lead to the series being cancelled after four episodes. In 2003 the format was sold
to Italian network Mediaset for a 2004 broadcast. In 2008,
Polish broadcaster TVN secured the rights to a remake from Granada International. This version,
entitled Usta, usta, is set in Warsaw. The thirteen-episode series began filming in May 2009
and was broadcast from 6 March 2010. An adaptation entitled Přešlapy has also been developed
for television audiences in the Czech Republic. The creators intend the show to run
for three series of 13 episodes and tell a story over seven years. The first series was broadcast
from September 2009.
 Merchandise 
Four non-fiction tie-in books have been released by Granada Media,
an imprint of André Deutsch Publishing. 2000 saw the release of Cold Feet: The Best Bits
and Cold Feet: A Man's/Woman's Guide to Life. The Best Bits, compiled by Geoff Tibballs,
features script extracts and behind-the-scenes information from directors, producers
and actors in the first two series. A Man's/Woman's Guide to Life, compiled by Jonathan Rice, is in a
"flip-book"-style format, and is presented as if written by the characters. It features backstories
for the characters, drawn from Bullen's scripts for the first two series.
The Little Book of Cold Feet: Life Rules, a book of quotes from the series, was compiled by Rice
and released in 2003. The same year, The Complete Cold Feet Companion by Rupert Smith,
featuring interviews with the actors and production staff, was released.
The book sold 961 copies in the first week of publication,
making tenth position on the hardback non-fiction chart. Five soundtracks have been released,
featuring music from the series.
Global TV released Cold Feet: The Official Soundtrack on two CDs in 1999.
The soundtrack had been shelved before release, but was put back on the schedule
when Mirror journalist Charlie Catchpole wrote a column that desired for it to be released.
Global followed the first OST with More Cold Feet in 2000. In 2001,
UMTV released the two-disc soundtrack Cold Feet, followed by The Very Best of Cold Feet in 2003.
EMI Gold released Cold Feet in 2006. Cheatwell Games issued a licensed board game in 2001.
All series have been released on DVD in the United Kingdom and Australia,
by Video Collection International and Universal respectively.
Series 1–3 have been released in the United States by Acorn Media.
A collection of all five series was released in the United Kingdom in 2003. A version exclusive
to Play.com had a bonus disc that contained the retrospective documentary Cold Feet: The Final Call,
new interviews with John Thomson, Andy Harries and Spencer Campbell,
and a locations featurette presented by Thomson. This 11-disc version had a general release
when Granada Ventures re-released all five series in new packaging in 2006. All DVD
and VHS releases of Series 5 have been edited
from the original four episodes into six episodes of various lengths. The pilot
and first series was made available as streaming media on ITV plc's revamped itv.com website
from 2007 to 2009. All episodes have been available from ITV's iTunes Store since 2008.
A novel based on the series, [ Cold Feet: The Lost Years by Carmel Harrington]was published
by Hodder & Stoughton on 7th September 2017. The official tie-in to the series,
it fills in the missing years between series 5 and series 6.
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