
Chinese: 
刚刚开始的时候，我的梦想只是在电影行业里工作-
可以参与制作一部电影而已。这就是我的梦想。
你知道，对于小孩来讲根本没有虚拟特效的概念，
只知道电影就是拍摄出来的。
你的工作内容就是这些画面。
你会特别熟悉这些镜头。会在这些画面，镜头上一连工作好几个月。
对这份工作倾注了很多关注和热情。
可能很多人都不清楚大多数时候
演员在拍摄的时候，他们并没有持有武器。
出于安全原因，我们会在后期把武器植入。
这就是完整的计算机绘图。所有碰撞的声音，
火花，压痕凹陷，子弹的
痕迹，爆炸，你知道，这些都是
视觉特效虚拟出来的。
当你用电脑创作出疯狂又骚乱的场面，
当人们观看的时候，他们觉得情景非常真实。
这让我感到非常满足。
我很享受蚁人的制作过程。

English: 
When I started out, honestly the
dream was just to work in movies -
it was work on a movie. That was the
dream. Just get one film under your belt.
You know, as a kid it was all about
movies not even visual effects but just
making movies, film making.
You work on these frames.
You know these shots. These sequences for months, and months and months and months.
And there's so much care and love that goes into it.
One of the things that most people don't
appreciate it a lot of the times these
actors aren't even holding the weapons
that they're swinging around.
We put them in for safety reasons.
So they're fully CG. All the clashing, the
sparks, the dents left behind, the bullet
trails, the explosions, you know, it's all
fabricated in visual effects. So you get
to really create all that madness and
mayhem in the computer and obviously
when people watch it they just watch it
as if it really took place on set and
that's quite rewarding to see.
I really enjoyed Ant-Man.

English: 
We were primary vendor on that
so we had a lot of work to do:
about four hundred shots.
But there was a lot of voids in the screenplay
or in the post-vis.
So there was a lot of areas for us to create from
scratch and that's amazing.
To be able to come in
conceptualise, design, animate, all the
way through to final.
You don't get that opportunity a lot of the time.
You know, we're talking full CG for a whole sequence.
You do try to draw from style
frames or really, you know, strong comic
book poses, because that's what the fans
are used to.
But obviously with a show like Ant-Man it's very much about reference. Because it's a world we
haven't really explored before. You
really do have to go out and shoot
reference. Get the macro lens and
really just see what's down on a
level, you know. There's hairs and dust
mites and all sorts of crazy things that
you try to replicate in the film.
During my second year
there was a lecturer

Chinese: 
我们是主要的后期制作商，所以这次工作的任务量很大：
大概有400多个镜头
在拍摄的时候有大量空白的地方，需要后期的特效填充。
所以会有很多地方需要我们来从头开始创作，而这却是非常棒的地方。
可以让想法
具体化，设计，变成动画，一直到最后完成。
这样的机会并不容易得到。
我们在对镜头进行完整的计算机绘图工作。
你可以从各种风格框架或者
漫画书中提取素材，这是影迷们习惯的方式。
但象蚁人这部电影，找到参照物非常重要。因为这部电影表现的是
我们从来没有探索过的世界。你需要去外面拍摄
参照体系。拿起微距镜头去仔细观察从未观察过的世界。
你知道有毛发，尘螨等各种古怪的东西
你需要在电影里面去体现。
在大二的时候，我的讲师

English: 
named Simon who showed us his BBC showreel.
It was in very intimate classroom and
it just blew my mind. You know, I'd never
been exposed to that level of quality
and finishing of work and I kinda just
understood that there's a whole other
world out there
beyond Curtin that, you know, is ready
for me to, to tackle.
Seeing your name roll down the credits -
it's an incredible experience.
It's humbling to see. I just love being part of that
experience. I love knowing that you are
able to craft this amazing piece for the
world to see.
And yeah, as I said, it hasn't gotten old yet
and I don't think it will -
I just love movies too much.

Chinese: 
Simon播放了他的BBC作品集。是在一个小班教室播放的，
这真的让我大开眼界。我从来没有接触这样质量精湛的片子
影片播完之后，让我知道了不同于校园的
另一个世界
正等着我去征服。
可以看到自己的名字从演职员列表里滑下，是一件不可思议的事情。
特别振奋人心。我喜欢这种感觉，当你知道你
可以制作出好的作品给全世界的人来观看。
正如我所说，好的作品是不会过时的。
我只是太热爱电影了。
