

Literature & Fiction

### Interviews

By Shelagh Watkins

MP

Mandinam Press

~~~~

Copyright Shelagh Watkins 2010

License Notes:

This free ebook may be copied, distributed, reposted, reprinted and shared, provided it appears in its entirety, without alteration, and the reader is not charged to access it.

Cover design by Shelagh Watkins of Mandinam Press

Literature & Fiction Interviews Volume II

Also by  Shelagh Watkins, Published at Smashwords:

Literature & Fiction Interviews Volume I

Mr. Planemaker's Flying Machine

EDITORIAL FOREWORD

In the first six months of 2010, I interviewed a group of authors who had recently released a new book. The authors, some new and some established, write in a variety of genres, including mystery, romance, satire, crime thriller, humour, memoir, historical fiction and children's fiction. The varied backgrounds of the authors show a tremendous wealth of experience. All the featured authors have drawn on this knowledge to write novels, short stories and works of non-fiction to entertain, help and inform readers.

This volume of interviews provides an insight into a group of authors from the United States, Canada and Europe, and gives a glimpse of their past and present books. The unique collection of interviews will entertain and inspire readers to find out more about the authors and their books.

06.30.2010 Shelagh Watkins

Alex Austin

Interviewed by

Shelagh Watkins

Alex Austin's fiction has been published in numerous literary magazines, including Caffeine, Bachy, Beyond Baroque, UCLA's Westwinds and Cal Arts Black Clock. He is the author of the critically acclaimed novel, The Perfume Factory, a coming-of-age novel set on the Jersey Shore, which was published in 2006.

Please tell everyone a little about yourself, Alex.

Alex: I was born in New Jersey and grew up on the Jersey Shore. I moved to California in the 1970s, graduated from UCLA, and settled permanently in the Los Angeles area. I've been a writer and editor for numerous magazines. Most of my time and energy over the last 20 years has gone into novels and plays. In 2000, my play, The Amazing Brenda Strider, won a Backstage West Critic's Pick and The Maddy Award for Playwriting.

In 2002, my play, Mimosa, was the featured play in Wordsmiths Playwrights Festival, presented by the City of Los Angeles Cultural Affairs Department. Mimosa is published by Playscripts Inc. My newest play, Dupe, has had several productions, including one starring Ray Wise (currently the Devil on Reaper) and is currently in the running for a spot in Playfest at the Orlando Shakespeare Theater. The Perfume Factory, a coming-of-age novel set on the Jersey Shore, was published in early 2006. It was a Kirkus Recommended and received a 2008 Writer's Digest's Honorable Mention in Mainstream Fiction. The Red Album of Asbury Park Remixed, sequel to The Perfume Factory, was published by Virtual Bookworm in November 2009, and has received numerous excellent reviews.

Briefly tell us about your latest book. Is it part of a series or stand-alone?

A lex: The Red Album of Asbury Park Remixed is the Sequel to The Perfume Factory in which Sam Nesbitt, 17, tries to escape a dead-end town and a sadistic father. The Red Album jumps forward to the late Sixties and Asbury Park, a once high-flying resort that is now rent with drugs, crime and racial tension. Against that backdrop (from which Springsteen emerged) Sam returns from war and its horrors. He's a guitarist with plenty of talent and he wants to make something of himself. In his review of the book, Ken Wohlrob wrote, "He [Sam] has the goods as a guitarist and harbors dreams of that hit album that will get him the hell out of New Jersey. Except the music is too much of an escape. It's a pipe dream that bursts whenever confronted by all the obstacles surrounding Sam. Instead of bringing glory, Sam's efforts become an endless series of letdowns – bad gigs, continuous debt, medical mishaps, band breakups, missed opportunities – that far outweigh those nights where everything goes right. If he's not a hero, he's the only guy in town who hasn't given up even if he's the only one who knows it's worthless to even try." That's a great synopsis of the book. I couldn't write a better one.

When did you begin writing and in what genre?

Alex: In my twenties, I read Vonnegut's Mother's Night and was hooked. I read everything Vonnegut wrote. I'd scribbled a few things before that, but now I saw a form of writing that I wanted to emulate: black, ironic and satirical, but still humane. So I started writing satire and parody, skewering what I thought needed to be skewered.

When you started writing, what goals did you want to accomplish? Is there a message you want readers to grasp?

Alex: When I started writing, my goals were to satirize the military-industrial complex, corporate values, politics and organized religion, the usual suspects. Other targets were the inanities of human behavior, particularly self-righteousness. The biggest goal was to get published. The message was go left.

How do you develop characters and setting?

Alex: With all major characters, I fill out a form that takes them from the cradle to the grave. So I know them quite well as they enter the story. As the story unfolds, they will no doubt change in response to other characters and events, but at least I know who is changing. With some minor characters, I'm content with two-dimensions. Setting is extremely important to me. In The Perfume Factory, I wanted the main character and setting to be inextricable. Sam was his town. Port Beach was the fictional counterpart of Union Beach, the town I grew up in and which I knew to the degree that Sam had to know. The memories of youth are indelible and I drew from those memories to create the setting. The Red Album was different. I had spent a couple of years in Asbury, but I did not know the place intimately. A big part of the story was this once fabled resort coming apart as a new brand of rock music was rising. So I wanted the reader to see Asbury and to know its history. I wanted the Giant Swan boat in there, the dark rides, Tillie, the Palace Amusements, the Casino. There was something of myth in all that stuff. I had toyed with the idea of creating a fictional counterpart to Asbury so that I could have some leeway with the descriptions, but once I settled on it really being Asbury Park, I had to get it right. Living in California that meant endless research, talking to people Back East, and eventually going back to Asbury to walk the boardwalk, look for old haunts, record what was left and imagine what was gone.

Who is the most unusual/most likeable character?

Alex: In The Red Album, the most unusual is Tillie, a face on a wall. In the novel I describe him as, "The painted man with the doffed bowler had a queer haircut, something like Alfalfa of the Little Rascals, or as if he'd cut his hair to make it look like a mustache. His eyes were bright, his nose was broad and his smile went from ear to ear, filled to capacity with one set of long fat teeth. His lips were fiery red and delicate. He wore a high collar, the kind men had worn a half-century ago." In the book, Tillie springs to life. Likeable would be Sam's ex-girlfriend Julie, who loves Sam and understands where he wants to be, but ultimately cannot go along for the ride.

Do you have a specific writing style or preferred POV?

Alex: I wrote the two novels in the first person and did not allow the narrator to distance himself chronologically from the time or circumstances of his character. In The Perfume Factory, Sam thinks as a seventeen year old. In The Red Album, Sam thinks as a 22-24 year old. There are first person novels in which the narrator will view his younger self through an older self. That technique is a common convention of first person stories, but it's not my style.

How does your environment/upbringing color your writing?

Alex: Someone said that all fiction is autobiographical to a greater or lesser degree. I concur....

Share the best review (or a portion) that you've ever had.

Alex: "I have just finished reading a great little novel, The Perfume Factory by Alex Austin. It is a dark and gritty coming-of-age story set in the 60′s.... His young characters are fascinating. Their naïve invincibility, their teenage wants and fears bring them to life."

—Laura Rae Amos, Blogcritics

"It is simply an amazing work of fiction... a smart look inside the topsy-turvy world of the rock and roll lifestyle and the futility, hope, danger, love and mystery of survival in general. The Red Album Of Asbury Park Remixed sis a book you won't be able to put down."

—John Pfeiffer, Aquarian Magazine

What are your current projects?

Alex: I'm currently working a contemporary novel set in Los Angeles. I'm switching to the third person for this one. The main character is a middle-aged writer/teacher trying futilely to bring closure to a tragedy for which he was responsible, and suddenly confronted with events that force him to see the tragedy in a totally different light.

The first chapter of the new novel (in progress), Mother's Beach, will be published in the July issue of The Rose & Thorn Journal: www.roseandthornjournal.com.

Where can folks learn more about your books and events?

Alex: The books are available everywhere online. The Red Album of Asbury Park Remixed is the only version of the book that I want read. If it doesn't say "Remixed" on the cover, don't get it.

Thanks for joining us today, Alex.

Alex: Thank you.

Snippet from The Red Album of Asbury Park Remixed

My father and Larry had been drinking companions for a while, probably because no one else would have much to do with them. A brawl at Maloney's tavern over the Pope's infallibility – or maybe relativity theory – had ended their relationship. It was shortly before that incident, my mother said, that Larry had sold my father the gun.

I was taking a chance making inquiries but I knew that neither Glen nor Larry would offer up anything to the cops. I needed to know if the gun was traceable. Over the phone, I hadn't said anything specific about the .38 revolver to Glen, only that I might need his help.

Now as my Pontiac Safari climbed Hattey's Creek Bridge, the RPMs sank and the car bucked, slowing to a crawl. I shifted into neutral and turned down the radio. Although Port Beach was only 20 miles north of Asbury, I hadn't been back to my hometown in seven years. The marsh spread uniformly pale green, except where patches of snow packed tightly against the reeds, fixed there by the bay wind that now whistled through the cracks in the wraparound rear windshield. Along the creek banks, thin sheets of ice melted into the winding olive streams, where gulls foraged for soldier crabs and edible garbage, a hundred gliding now under a dull winter sky. To the east, past a string of sand-swept houses, the bay spread toward the Amboys, gray and wind-blown like wrinkled aluminum foil. For a final test, I rolled down the window. A chill air carried the dense chemical vapors exhaled by the town's solitary factory, a scent that I carried with me like a scar. Blessedly the engine revved, nearly every cylinder firing, and I rolled on past front yards of rusting appliances, raised cars and chained dogs, rising from the dirt to track my progress across their territory.

I didn't consider him a friend, but Glen Ketter had gotten drunk with me a couple of times. Often, after fights with my father, I had slept over at his place, always on the floor. The house was built low as a bunker, punctured in a half-dozen places and patched with raw plywood. Seven kids crowded into it, two girls and five boys. Glen was a year younger than me and the oldest; his brothers followed about a year apart, each one more trouble than the one before. Guys without much brains and less ambition. His two sisters, teenyboppers now, I supposed, I didn't know that well.

Copyright © 2009 Alex Austin

Matthew Ball

Interviewed by

Shelagh Watkins

Matthew Ball is a full time pianist and teacher, aside from that he enjoys a cool Guinness, chocolate of any kind, a graphic novel or fantasy fiction book, live music, a good movie, and eating out.

Hi Matthew, please tell everyone about yourself.

Matthew: I'm a former attorney, a children's book author and founding editor of William Joseph K Publications, and a blues & boogie woogie performing artist under the stage name of The Boogie Woogie Kid.

When did the writing bug bite?

Matthew: I've been writing short prose therapeutically for years, but never with any specific intent or direction before.

Briefly tell us about your latest book.

M atthew: My latest book is a children's book about friendship and teasing called Minnie & Melvira.

What's the hook for the book?

Matthew: The book contains a life lesson about choosing friends. It was also a collaboration with my father, Larry Ball, who is a twenty-two year veteran of the auto-worker industry, recently laid off with the economic downturn.

How do you develop your ideas?

Matthew: I have an idea or concept that I share with the illustrator, who then offers their thoughts, and the end product is a combination of visions.

Who is the most likeable character?

Matthew: The caterpillar from my book The Worm & The Caterpillar because he is the indomitable optimist against the voice of the cynic.

Do you have a specific writing style?

Matthew: My writing style I would describe as a whimsical rhyme, I'm always, however, trying convey within my writing a meaningful message about life.

What are your current projects?

Matthew: I'm writing another children's book called The Adventures of Fred d Fly.

Where can folks learn more about your books and events?

Matthew: Folks can always find out what I'm doing next through our website: www.williamjkpub.com

Thanks for joining us today, Matthew.

Matthew: Thank you.

Snippet from Minnie & Melvira

Minnie and Melvira

Were the best of friends in school

Then Minnie met Mariah

Who said Melvira wasn't cool

Minnie went along

And they called her ugly names

They teased her all the morning

And they chased her down the lane

Melvira wept and cried

And begged for them to stop

But Minne wasn't listening

And Mariah just would not....

Copyright © 2009 Matthew Ball www.williamjkpub.com

Elizabeth Bennett

Interviewed by

Shelagh Watkins

Elizabeth Bennett is currently listed with Who's Who and has been recognized as one of the Great Women of the Twenty-first Century by the American Biographical Institute.

Please tell everyone a little about yourself, Elizabeth.

Elizabeth: I grew up in the state of South Carolina. I'm a 1995 graduate of Clemson University with a M.Ed in Guidance and Counseling Services. I worked in the agency setting with children and adults for six years. Since 1995, I've been working on Peer Abuse through observational research and theory development. Through speaking engagements, talk radio, newspaper, internet and television, I've been able to educate others on Peer Abuse in the USA and Canada.

When did you first start writing?

Elizabeth: I played around with writing as a teenager by writing plays. I wrote for the newspaper in college and as an adult have been writing. I blog, write articles and wrote my book, Peer Abuse Know More! Bullying from a Psychological Perspective. So, off and on I have been writing for about 20 something years. Now, it is part of my work.

When you started writing, what goals did you want to accomplish?

Elizabeth: When I started writing it was for fun. I never had any goals set at all. Now, I do as I try and use my writing in educating others. I try to write at least three times a week.

Briefly tell us about your latest book. Is it part of a series or stand-alone?

E lizabeth: My book is a stand-alone. I use it as an educational tool on bullying and the fact that bullying is abuse.

What's the hook for the book?

Elizabeth: That Peer Abuse is an adult problem because as adults, we allow it to continue.

How does your environment/upbringing color your writing?

Elizabeth: As I was bullied growing up and during the early part of my adulthood, it helps tremendously in educating others and knowing this problem and the realities of it.

Share the best review (or a portion) that you've ever had.

Elizabeth: "I met Elizabeth through networking after I was a Crisis Counselor at Columbine High School 4/20/99. I had researched the main causes of school violence and being bullied, as told by teens, was the top reason why. Having been through Peer Abuse herself, Elizabeth has dedicated her life in helping others understand how harmful bullying can be. The affects of being bullied as children can stay with them for the rest of their lives. Elizabeth, in her book and networking, shares such important information about bullying and how it can be stopped. For that I highly applaud her journey as she educates others."

—Ruthie Owen, former Columbine High School Crisis Counselor. Colorado

What are your current projects?

Elizabeth: Basically, writing each week on my blog and articles. Also, speaking at two schools in the near future to educate children and adults on the dangers of bullying.

Where can folks learn more about your books and events?

Elizabeth: Please visit me at www.peerabuse.info or can follow me on Twitter at www.twitter.com/PeerAbuse.

Thank you for visiting us today, Elizabeth.

Elizabeth: Thanks for all you do and have a good week...

Snippet from Peer Abuse Know More! Bullying from a Psychological Perspective:

The problem of bullying has always been around, even as far back as the days of the caveman, before and after the birth of Christ and through the centuries. Generally the bigger kids would tease the smaller ones. In adults, these were always the bad guys that would steal, kill and destroy. They exist in the Bible, are in our history books and today they exist in larger quantities.

Copyright © 2006 Elizabeth Bennett www.peerabuse.info

Lorin Lee Cary

Interviewed by

Shelagh Watkins

Lorin Lee Cary PhD spends the majority of the year by the idyllic sea and pines of the seaside arts colony, Cambria, nestled on California's central coast.

Trained and published as an historian specializing in US labor and social history, Lorin's longstanding love of the historical and telling detail suffuses all of his work – whether as a novelist, crafter of wry short stories or keen observer of local color, seen in his lush photos.

Hi Lorin, please tell everyone a bit about yourself.

Lorin: After a career in university teaching U.S. labor and social history, I turned to fiction. The tipping point was a short stint as a researcher for a company developing a computer game based on Dante's Inferno. I was hired to provide "historical context material," although this was rather far from the American colonial and US materials with which I'd worked. The head of the outfit liked the way I wrote and suggested I prepare the first draft; I did and found the freedom of creating my own cause and effect relationships liberating.

When did you begin writing?

Lorin: I'd written various articles and essays and co-authored two historical books. When we moved to Cambria, CA, I found there an active writing colony with a critique group with numerous published authors. This was in 1994 and the only goal in fiction I had at the time was to have fun, and to get my stories published. I learned fiction in the Cambria group.

Briefly tell us about your latest book.

L orin: The Custer Conspiracy features a diary written by someone who served with General George Armstrong Custer between roughly 1861 and 1876, from the Civil War to Custer's Last Stand. This diary is found on the battlefield by Indians and kept secret for decades. When it surfaces and ends up in the hands of Walter Reeves, an academic who wants to publish it, two groups swing into action. Native American activists seek to hide the fact that some of their ancestors collaborated with Custer. (Telling you how would spoil the story, and the attached humor.) A group of Custer-worshiping militia members, meanwhile, understand that the diary undercuts their hero's image. Ultimately the two groups collide with Walter, the academic, near the site of Custer's demise.

What's the hook for the book?

Lorin: The hook is the diary, which is in itself a character. It appears in excerpts scattered throughout the text as Walter tries to determine its authenticity.

How do you develop characters and setting?

Lorin: I like to develop characters by both their dialogue and their actions, usually presenting them in close third person. In this novel there are several point-of-view characters, and that permits me to round out the developing conflict from several sides. Setting is there as each character sees it or experiences it, in general.

Who is the most likeable/unusual character?

Lorin: Most of the folks who've read The Custer Conspiracy consider Walter Reeves the most likeable character. He's the academic, somewhat quirky in his choice of research projects (the politics of Michael Jackson's gender and the election of 2000, for example), not totally a stereotypical absent-minded sort, but sometimes headed in that direction.

There are several other unusual characters. An undergraduate who has difficulty choosing a major; a militia leader with deep set eyes who dresses in red, white and blue outfits; a militia man who misuses words (chloroform for chlorophyll); a tiny department chairman whose feet do not touch the floor when he is sitting down.

Do you have specific techniques to help you maintain the course of the plot?

Lorin: The story seemed to unroll itself as time progressed, most days. When I had a good sense of where I was going, it helped to stop knowing where I'd start the next day. If I wasn't sure, I'd read over what I'd written and then plunge on.

How does your environment/upbringing color your writing?

Lorin: My academic background (close to thirty years teaching) is a major influence. It is tempered as well by what might be called "the Cary gene." That is a tendency to engage in odd-ball, quirky humor. It pops out in my writing and often in the types of photographs I sometimes take: aside from landscapes, abstracts and clouds, I love to come across the odd sign which, for instance, declares that there is to be "No Trespassing After 6 PM."

Share the best review (or a portion) that you've ever had.

Lorin: I've yet to see a full blown review (although I'm told reviewers have requested and received the book), but the blurbs on my book have been nice. I especially like this one :

"Prepare to laugh. The Custer Conspiracy takes the reader on a wild ride, mixing the true history of George Armstrong Custer's career with ironic, tongue-in-cheek fiction. Cary, a former professor of history, displays his grasp of historical research, his story-telling skills – and his dry and quirky sense of humor. Inventive, intriguing, and very funny."

It's from Catherine Ryan Hyde, author of 14 novels including, Pay It Forward, Becoming Chloe, Love in the Present Tense, Chasing Windmills, and When I Found You.

What are your current projects?

Lorin: I'm working on several: a second novel in which the same academic confronts a university president using campus computers for illicit purposes (red light doesn't quite say it, but...); a short story about a fellow who wants to kill his boss, among other reasons because she has false teeth that are loose and hence her words are cloaked in whistles; a story about nameless "ids" which long ago sought to shape human development and which ultimately found the going a bit rough...

Where can folks learn more about your books and events?

Lorin: The best place to check out some more about me is at www.lorinleecary.com

Thank you for joining us today, Lorin.

Lorin: Thanks so much, Shelagh, for the opportunity to share all this with you and the group.

Snippet from The Custer Conspiracy

Pico clutched the box and pushed into the store, catching his breath as the dry, musty odor hit his nostrils. He stopped and stared at the utensils, clocks, and gadgets heaped on tables, at the old furniture scattered about the room. Dusty books lined shelves. Pictures of the early days in Hardin filled one wall, signs another.

"Close the door please," said Cassius. Then he looked up. "Oh, "it's you." His eyes moved from friendly to cold.

"Okay, okay." Pico closed the door, walked through the cluttered room and set the box on the counter.

"You out of money again?" Cassius stared at him. "What you got now? Hope it's better than last time. This is an antique store, you know, not a crap shop."

Pico hated those weird eyes, set so deep you could barely see them except they were so big, bug-like. Guy should be in some horror show. "It's good." He opened the box and pulled out a worn leather bag.

"Jesus," said Cassius, "look at your hands shake."

Bits of metal clattered as Pico emptied the contents onto the counter.

"Buttons?" said Cassius.

"Yeah." Pico eyed the pistols and rifles in the case behind Cassius. "Maybe Custer's."

"Sure. You and every other drunk on the reservation claims he's got things belonging to George Armstrong Custer." Pink scalp showed through Cassius's thin gray hair as he leaned over and rubbed a button with a knobby finger. "Least you could do was clean 'em." He grimaced. "A bird, right?"

"Military eagle, I figure."

Copyright © 2009 Lorin Lee www.lorinleecary.com

Elynne Chaplik-Aleskow

Interviewed by

Shelagh Watkins

Elynne Chaplik-Aleskow is Founding General Manager of WYCC-TV/PBS (Chicago's Public Broadcasting Station) and Distinguished Professor Emeritus of Wright College in Chicago.

Please tell everyone a little about yourself, Elynne.

Elynne: I am an author and adult storyteller. My non-fiction stories and essays have been published in magazines, newspapers and the following anthologies: The Revolving Door in Chicken Soup for the Chocolate Lover's Soul (HCI Books); Grandma Lebedow in The Wisdom of Old Souls (Hidden Brook Press); The Red Pen, The Elevator, Mr. X and Mr. Y, and Life 101 in Forever Friends (Mandinam Press); His Way in My Dad Is My Hero (Adams Media Publishing); The Hat in The Ultimate Teacher (HCI Books); The Needle in the Haystack, and My Gift of Now in Contemporary American Women: Our Defining Passages (All Things That Matter Press); Ronald in Chicken Soup for the Soul: True Love (Simon and Schuster).

My story, A Tale of Two Vardas, was published internationally December 2009 in the Jerusalem Post Magazine. The sequel, A Journey of the Heart, was published in The Jerusalem Post Magazine January 2010.

June 1, 2009, marked the recording debut of my audio fiction story, Professor Gabriel and her 101 Posse. The story airs on The Deepening Website (World of Fiction) and is recorded by D. L. Keur.

I am married to my best friend Richard Noel Aleskow.

When did you begin writing and in what genre?

Elynne: I have been writing since I was around nine years old. As a young girl, I used to write stream-of-consciousness prose that bordered on poetic prose. That writing was just for me. It was a way to express my most personal feelings as I was growing up. Two and one-half years ago I decided to retire from college teaching. My husband wisely suggested that I have a plan in mind for retirement and asked me what I would like to do. Having had successful and fulfilling careers in Public Television and teaching, I answered that there was a dream I had always wanted to do. I wanted to write and publish my stories. And so I began my third career.

I had always been a reader of the short story genre. Artistically this genre gave me great pleasure as a reader and writer. The only difference was that my stories were non-fiction. With the experiences I had lived and knew about, non-fiction was a natural and exciting genre for me. I could never imagine in fiction writing some of the events that I had lived. The first year and one-half of my writing, the stories poured out of me. I was productive and inspired and wrote everyday. Then my submissions turned into published stories and I have not looked back since.

When you started writing, what goals did you want to accomplish?

**Elynne:** Many of my non-fiction stories are inspirational. I want my readers to be moved and to understand and empathize with the reality I am conveying. I want my stories to offer my readers insights and to entertain them. Many of my travel stories are very funny recounting the travel adventures of my husband and me

.

Briefly tell us about your latest stories.

E lynne: My stories are presently published in seven anthologies and several magazines including the international Jerusalem Post Magazine. Two very important stories about my life, The Needle in the Haystack, the story of how my husband and I met in middle age and, My Gift of Now, about my retirement and the beginning of my writing career, have just been published in the anthology, Contemporary American Women: Our Defining Passages.

I intentionally have chosen to submit my stories for publication in a variety of anthologies because I feel that they will get the best distribution and variety of readership this way. Each editor and publisher along with the contributing authors works hard to market each anthology. I believe it is an advantageous way to establish an audience for one's work.

How are the anthologies marketed?

Elynne: Contemporary American Women: Our Defining Passages (All Things That Matter Press) is being marketed to the public as well as to Universities and Colleges as a text for Women's Studies Programs. That thought thrills me. I see this book as an eloquent mentor to the next generation of women. It can be purchased from the publisher and at Amazon.com.

Do you have a specific writing style or preferred POV?

Elynne: My point of view preference in writing is first person. There is a personal quality and tone that a first person narrator is potentially able to convey in telling the story. As a reader, I have always been attracted to and interested in storytelling and the narrator's role and effectiveness in this process.

In performing my stories, I find the audience engages naturally with a first person narrator. The first time I performed a program consisting solely of my own published stories was a moment I will never forget. I had achieved my dream.

For me performance of my work is a natural extension of my art as a writer. To perform my work for an audience establishes a connection and bond between them and me as I function as both the writer and the performer. The audience feedback is immediate. Will they laugh where I intended them to laugh? Will they feel moved as I intended them to feel? Will my interpretation of my story parallel their own interpretation as readers?

As an artist, combining writing and performance is an exquisite challenge.

Share the best review (or a portion) that you've ever had.

Elynne: I have received many wonderful and insightful reviews about my writing and my performing. I would be happy to share one of each.

The following is a review of my audio fiction story, Professor Gabriel and her 101 Posse, which is available at www.thedeepening.com. It is a short story that lends itself well to being read and recorded. It was recorded by D.L. Keur.

Elynne's vivid and creative story touches the reader with emotion, just as Prof. Gabriel touched her students...The story of LK and the kidnapping would make an inspirational anticipatory set for any curriculum on creative writing... punctuated with chapter-like titles; i.e. "The Attic", "The Billboard", "The Conversation", etc. the reader is held captive. I love how the story of Miguel is woven as a sub-plot to help clarify the Prof's "mission" to help LK. The wisdom that the writer (and Professor Gabriel) imparts throughout is invaluable. "My burden was to help him lose his arrogance."... "She taught us how not to be afraid"... Listening to her story was a very "deepening experience". Thank you.

—C.J. Breman

The feedback I have received from my performance programs are reviews that are indeed gratifying. The following is one of my favorites:

Most writers are Sooooo disappointing as speakers but you are

dynamite wrapped in silk.

—Illene Ashkenaz

What are your current projects?

Elynne: My most current writing project involved a Facebook experience that became two non-fiction stories published internationally in The Jerusalem Post Magazine. After the first story was published, the Jerusalem Post Magazine editor invited me to write a sequel. The entire experience from living the stories to writing them was magical. And gaining an international audience through this paper's print distribution and website was an invaluable opportunity.

I have stories accepted in two more anthologies that will be out toward the end of 2010.

I am always either thinking about my next story or writing it.

Where can folks learn more about your books and events?

Elynne: The anthologies with my stories, my performance schedule, reviews and book signings can be found at: www.LookAroundMe.blogspot.com

March 22nd, 2010, I was invited with other contributing authors to the University of Maine to perform my stories in Contemporary American Women: Our Defining Passages. Both Cynthia Brackett-Vincent, the editor of Passages, and I are contributing authors to the anthology, Forever Friends edited by Shelagh Watkins.

Thanks for joining us today, Elynne.

Elynne: I am delighted to be interviewed by you. Thank you for the invitation.

Snippet from The Needle in the Haystack

The odds were nothing less than finding a needle in a haystack. Richard was a 49-year-old man. I was a 42-year-old woman. Our search for the needle was about to end on a dance floor. Across a dark crowded room Richard saw me first. I was on the dance floor and as the other dancers moved making a slight opening I saw him for the first time. He was smiling as our eyes met. I smiled back, the dancers again shifted their fluid form and he was gone from view.

When the dancing ended, I walked toward the man with the welcoming face. Standing in front of one another, we made our introductions and acknowledged the like coincidences of our professions and educational backgrounds.

Richard joined me on the dance floor. Dancing was my passion not his. Yet he kept up with me. We closed the club. We were strangers in the night like Sinatra's song.

Two nights later we shared a walk and talked about our pasts and our dreams of finding a needle in a haystack. We held hands and hoped our search had possibly ended.

Could we have defied the odds of the single world? Could one glance in a crowded dance club have changed the course of our lives? We were not singles in our twenties or thirties. I was one month into my forty-second year. Richard was four months away from turning fifty.

This prince charming and his princess were on the brink of middle age. The needle was harder to see and more difficult to thread. We were acutely aware of the golden chance dancing had brought us that night.

Copyright © 2009 Elynne Chaplik-Aleskow www.LookAroundMe.blogspot.com

Daniel Dinges

Interviewed by

Shelagh Watkins

Daniel Dinges, who earned his MBA from the University of Washington at Seattle, retired to write after careers in business management and education.

Please tell everyone a little about yourself, Daniel.

Daniel: Recently I moved to the Rio Grande Valley after a varied career in business, consulting, and management. Along the way, I earned degrees in economics and business. My life's journey has taken me to virtually every state in the union. I have had long-term residences in Illinois, Virginia, Washington state, Alaska, and Minnesota.

Semi-retirement gives me the opportunity to explore interests, including writing, that I overlooked in the scramble for material success. I am also able to spend more time with my spiritual side and at the time of this writing, am a member of the council of elders at my church.

Companion animal rescue is a passion for me. I am active at the local shelter in the areas of adoptions, breed rescue, and fundraising.

My two boys have families of their own now. The eldest lives in Boston and is busy raising two sons of his own. The younger, who is also raising a family, moved to Dallas, Texas, recently. A granddaughter joined us last fall. I hope to see a lot more of both families in the future.

In my leisure time, I enjoy travel, golf, and long walks with my two dogs, who were both adopted from the local shelter.

When you started writing, what goals did you want to accomplish? Is there a message you want readers to grasp?

Daniel: Writing has always been a part of my professional life. As a consultant, manager, and trainer, I have often been tasked to use the written word to put across the results of my labors in reports using clear, concise, and complete terminology. The goal of a report is to make the complex understandable and actionable.

Get Out of the Way is my first attempt at writing for the entertainment of an audience.

I think that all good books try to engage readers on multiple levels. In this respect, Get Out of the Way is no different. It refers to a time of great social change that left many without a feeling of closure. To some, it seemed that the country shut the door on the mistakes and failures and went into a state of denial. The message of this book is one of hope for growth through retrospection and healing through reconciliation.

I also believe that the messages in books should be tailored to the work. At this point, I do not believe the subsequent works in this series or in future projects will be based on the same message.

Briefly tell us about your latest book. Is it part of a series or stand-alone?

D aniel: Get Out of the Way is the first book in a series about America in the last century. The series will tell the story of this amazing and in some ways frenetic period in our history through the eyes of Tom Daniels and his family. The kaleidoscope of sweeping changes the series will examine include: the integration of the western pioneers into an emerging industrial society, the assimilation of refugees from post WWI Europe, the Great Depression, WWII, the Vietnam era, and the post-Vietnam transition of America from an industrial power to a service-based society.

How do you develop characters and settings?

Daniel: My characters act naturally within the context of the story. I build profiles for each of them using a combination of available checklists plus some personal insights. One thing I do that may be unusual is to try to add a cast of archetypes from classical literature to each of them.

Actually, I see the War and the Draft as characters, or rather extensions of the Greek God of war and one of his henchmen as opposed to back-story. They are creators of action on the part of the protagonist.

Settings are not just places. They also add color and action to the story. In addition, they are important to the reactions of the characters.

Do you have specific techniques to help you maintain the course of the plot?

Daniel: The way I went about putting together this story is similar to the way I learned to put together a consultative piece. The entire piece needs to work as a whole before the actual writing begins. I need to know where I am going before I start out. I use a top down strategy including storyboarding to plan how the action progresses. Each scene is a chapter or set of chapters. That way there is a blueprint to go forward.

This does not mean that the final product looks exactly as it did during planning. There are always changes in direction as the creative process evolves. Each new development needs to be integrated into the overall plan before proceeding. That way I avoid running into a dead end three quarters of the way through.

This process worked well for me, and I plan to go forward with new projects in a similar fashion. No doubt, experience will dictate modifications.

Do you have a specific writing style or preferred POV?

Daniel: I hope that I present a distinctive author's "voice." Voice is as telling to a writer's identity as an author's signature. My intention is to maintain it throughout my work.

POV follows from the nature and structure of the specific piece. For that reason, the POV of Get Out of the Way is first person. The result generates mixed consequences. On the one hand, the work is, as one critic stated, authentic, believable, and true to life. Another view, put forward in different review is that the work is a memoir thinly disguised as a novel. While the work depends heavily on historical events, critical parts of the book are purely fiction. This is intended to be an example of a relatively new genre known as Creative Nonfiction where the whole attempts to provide an entertaining yet insightful look at an important time in US history.

How does your environment/upbringing color your writing?

Daniel: A writer's voice is a combination of a number of factors. The environment/upbringing of the individual is part of it. I do not know how it could fail to come through. I think my journey through life brings on a certain skepticism and challenging of authority that is perhaps indicative of my generation and evident in my writing.

Share the best book review you've received.

Daniel: Get Out of the Way was an amazingly enjoyable read. Written from Tom's point of view, Daniel Dinges did a wonderful job capturing the spirit of a young man and his struggle to survive the war. Written from the first person point of view, Tom was a likeable voice. His walk down memory lane brought to life his problems, fears, and struggles of his choice to enlist. His account was so lifelike, that I felt like I was there along with him throughout his two years of service.

I enjoyed Mr. Dinges' captivating style of writing. I look forward to seeing more from this author and will be keeping him on my watch list.

—Theresa Dunlap, Library Thing & Just One More Paragraph Blog

What are your current projects?

Daniel: On the writing front, I am in the preliminary stages of writing the next Tom Daniels book.

I am also developing a work of speculative fiction set in the Southwest about seventy-five years in the future.

It takes place in a group of new United States territories located in what is left of Mexico. The Mexican nation succumbed to the onslaught of organized crime and invasion by an unlikely coalition of socialist and Islamic jihadist powers whose ultimate goal is the destruction of America. The remnants of the country petition for protection and the US really has no choice but to come to their aid despite the fact that it is itself on the decline.

Where can folks learn more about your books and events?

Daniel: http://danieldinges.tatepublishing.net

Facebook:: www.facebook.com/daniel.dinges

Tate Publishing: www.tatepublishing.com

Thank you for joining us today, Daniel.

Daniel: Thanks for including me.

Snippet from Chapter Eleven Get Out of the Way

Hand Grenades and Atropine

There were all kinds of other things to learn, of course. Most topics were just skimmed over. For instance, the two days of hand-to-hand combat training we got. I don't think I would feel good about having to defend myself against a skilled, trained, and experienced adversary with that little training. For most of these topics, it was just preparation for advanced infantry training, which would come next for most of us.

I remember a particular CBR (Chemical, Biological, Radiological) lecture very well. It had been an unusually cold day for April, and by midmorning, we were all shivering. The lecture hall was warm. and as we thawed out, we began to get sleepy.

The instructor began the session by announcing that if anyone were caught sleeping during the lecture, he would be invited to demonstrate the use of an atropine injector for the class. The class was very informative, but boring. Then we got to the atropine injector. Atropine was and is the antidote of choice for nerve gas. It looked like a cigar tin. Inside were a large long needle and the dose of the drug. You use it by slamming the end of the tin against the body. A very strong spring propels the needle through the clothing into the body and injects the dosage.

The recommendation was to inject it into the meaty part of the thigh at the back. Just about that time, the instructor noticed a sleeping trainee in the back.

"Send the trooper in seat forty-one down to the stage." Up he came, still half asleep. "You were sleeping, right?"

"Uh, yes, Sergeant."

"Sit down." The trainee obeyed.

"Here, inject yourself with this."

"Sergeant?"

"Slap the end on your thigh."

"Aaaaaaah!"

The trainee had slept through the part about the meaty area behind the bone. Instead, he slapped the injector right down on top of his thigh. The needle imbedded itself in the bone, and the whole thing stuck there waving like a flag in the wind.

Copyright © 2010 Daniel Dinges http://danieldinges.tatepublishing.net

Frank Fiore

Interviewed by

Shelagh Watkins

Frank Fiore is a best selling author of over fifty thousand copies of his non-fiction books that include: Launching Your Yahoo! Business, Succeeding at Your Yahoo! Business, Write a Business Plan in No Time, The 2005 Online Shopping Directory for Dummies, The Complete Idiot's Guide to Starting an Online Business, eMarketing Strategies (translated into other languages), Successful Affiliate Marketing for Merchants, TechTV's Starting an Online Business and Dr. Livingston's Online Shopping Safari Guidebook

Please tell us a little about yourself, Frank.

Frank: I live in Paradise Valley, AZ., with my son and wife of 30 years. I have a B.A. in Liberal Arts and General Systems Theory from Stockton State College and a Master Degree in Education at the University of Phoenix. During my college years, I started, wrote and edited the New Times newspaper which is now a multi-state operation.

My writing experience includes guest columns on social commentary and future trends published in the Arizona Republic and the Tribune papers in the metro Phoenix area. Through my writings, I explain in a simplified manner, complex issues and trends.

My interests in future patterns and trends range over many years and many projects. I co-wrote the Terran Project, a self-published book on community futures design processes, and worked as a researcher for Alvin Toffler on a series of high school texts on the future. I've designed and taught courses and seminars on the future of society, technology and business and was appointed by the Mayor of Phoenix to serve on the Phoenix Futures Forum as co-chairperson and served on several vital committees.

I've also written a book entitled To Christopher that, under the guise of a book to my young son, leads the reader through social commentary, personal experience and entertaining teaching stories on a thoughtful journey through the challenges and opportunities that face the next generation.

When did you begin writing, and in what genre?

Frank: To tell you the truth, way back in High School. I wrote the first few chapters of my first novel. I completed a novel many years later in college but never pursued publishing it. Over the last ten years I wrote a dozen or so non-fiction books but my love was always to be a novelist.

When you started writing, what goals did you want to accomplish? Is there a message you want readers to grasp?

Frank: I think almost every novelist has a back-story to tell. What motivates them to write a book or perhaps a moral or lesson to get across to the reader. My message in CyberKill is one of 'unintended consequences'.

Briefly tell us about your latest book.

F rank: CyberKill is my first book of fiction. A brilliant programmer, Travis Cole, inadvertently creates 'Dorian', an artificial intelligence that lives on the Internet. After Cole attempts to terminate his creation, Dorian stalks his young daughter through cyberspace in an attempt to reach Cole to seek revenge.

When cyber-terrorism events threaten the United States, they turn out to stem from the forsaken and bitter Dorian.

In the final conflict, Dorian seeks to kill his creator – even if it has to destroy all of humanity to do it.

The geographic locations, government and military installations and organizations, information warfare scenarios, artificial intelligence, robots, and the information and communications technology in this book all exist.

As for SIRUS, pieces of the technology are either in existence or in the research and development stage. According to the Department of Defense, it doesn't exist.

The Fars News Agency of Iran reported otherwise.

What's the hook for the book?

Frank: A twist on the Frankenstein myth. The Frankenstein – the Artificial Intelligent piece of software – stalks his young daughter through cyberspace. It asks the question: "How far will an Artificial Intelligence go for revenge?"

How do you develop characters?

Frank: I do a detailed outline of the book before I write it. Characters are developed to drive the plot. So plot comes first then I create characters and motivate them to drive the plot.

Who is the most likeable character?

Frank: I like Dallas. He's a techno-nerd – a thorn in the side of the establishment. Like me.

Do you have a specific writing style? Preferred POV?

Frank: I write in third person.

How does your environment/upbringing color your writing?

Frank: Well, my background is in the computer industry so CyberKill waseasy to write as far as technology is concerned. My main character reflects me. Intellectual. Not any kind of James Bond sort even though my books are thrillers. He uses his wits to get out of trouble. A driven person but into short cuts.

Share the best review (or a portion) that you've ever had.

Frank: "DO YOU WANT TO EXECUTE? Y/N"

With the stroke of the 'yes' button Travis Cole's life, the life of his daughter, his friends and everyone on the planet hangs in the balance. Thinking he deleted all of his artificial intelligent (AI) agents Travis begins a new life. What he is unaware of is...he forgot one.

Dorian, the leader of the Digitari Brotherhood and forsaken AI, unleashes multiple cyber-terrorist attacks on the United States with one true target in mind – Travis Cole. As each of the attacks from the bitter and forsaken AI fail Travis gets closer to realizing the truth of the nightmare his life has become. Dorian will stop at nothing to have its revenge against the man who tried to terminate him, even if that means destroying mankind to do it.

Cyberkill is a sci-fi thrill ride with fast pace action and gripping realism.

It is clearly evident that Author Frank Fiore went to great lengths researching the technology, locations, and government agencies when writing Cyberkill which lends to the believability of the story. But Fiore goes beyond that by developing rich and interesting characters, tense drama and moments of mirth. It is easy to connect with Travis as he tries to save the day but what is amazing about Fiore's writing style is his ability to deliver the motivations for Dorian in a way that readers can both understand and sympathize with.

By weaving together current events, the Internet, real scenarios, action and suspense Cyberkill instills enough paranoia to make the reader wonder as they frantically turn the pages to find out what happens next.

Those who read Science Fiction will love Cyberkill but make no mistake anyone who uses a computer will enjoy this thriller. This story of revenge and survival will stay in your mind long after you finish reading it. Cyberkill is a must read.

The Internet will never be the same after you read...Cyberkill.

What are your current projects?

Frank: I am currently working on a new three book character series called The Chronicles of Jeremy Nash, about a noted debunker and skeptic of conspiracy theories, urban legends and myths. Jeremy Nash is pressed into pursuing them by threats to himself, family and reputation. The Chronicles of Jeremy Nash capitalizes on the continuing interest of the reading public in conspiracy theories, unsolved mysteries, urban myths, New Age beliefs and paranormal events. I also feeds the growing appetite of the public for 'puzzle stories' in the vein of National Treasure and Indiana Jones with a little of the X-Files thrown in. The formula of the chronicles consists of a conspiracy theory, unsolved mystery, urban myth, New Age belief or paranormal practice that Nash is forced to pursue; combined with an underlying real world event, organization or persons that is somehow connected to what he is pursuing and tries to stop his pursuit. This provides the thriller aspect of the stories. The web site is www.jeremynashonline.com.

Where can folks learn more about your books and events?

Frank: Where to find Frank Fiore online:

Website: www.frankfiore.com

Twitter: www.twitter.com/followthenovel

Facebook: Facebook profile

LinkedIn: www.linkedin.com/pub/frank-fiore/0/189/b86

Where to buy in print: www.trapdoorbooks.com

Thanks for joining us today, Frank.

Frank: Thank you for including me.

Snippet from Cyberkill

The airplane was leaving in a few hours, but Travis Cole still had some unfinished business in his MIT office – one of which was to get his in-law off his back.

"Please, John. We've been over this a hundred times," Cole murmured, leaning forward on his desk to stare down at the computer monitor in front of him. He rested his fingers lightly on the keyboard, his hazel eyes focused on the command prompt on the screen:

DO YOU WANT TO EXECUTE? Y/N

Could he really do it?

Though Cole had made up his mind, it was now formal decision time. Pressing 'N' would continue his life as a well-known researcher in eco-biology at the MIT Artificial Intelligence Laboratory. Pressing 'Y' would end three years of cutting-edge work and move him and his daughter to a new home in Washington, D.C. and a lucrative research job with the U.S. Army.

Cole's finger hovered over the keyboard – he felt sick.

John François was, as usual, sucking on the end of an ornately-carved wood and leather pipe. It went along with his academic look: elbow-patched sports coat, baggy brown pants, and loafers.

"It's not right, Travis," François implored. "It's not right to take Shannon away from the environment she knows just weeks after her mother's death. It's just not right."

Cole kept his focus on the task at hand. They had been over this a thousand times. Shannon, Cole's young daughter, was already in the car, waiting. In fact, all his luggage and many of his important worldly belongings waited there as well. He would return later for the rest of his stuff.

For now...

For now, he had to just get away.

Cole's finger still hovered. He blinked hard. Could he really do this?

Yes, I can do this.

"And what about this?" François said as he opened the cover of a three-ring binder with the title TERRAN PROJECT written in blue across the front. François gently thumbed through the pages and pointed at the different artificial intelligence programs that Cole had cataloged and tracked while at MIT. "You're just going to throw away years of work?"

Cole ignored François and turned back to the computer terminal with its blinking white cursor awaiting a reply.

He took in some air – and pressed the 'Y' key on the keyboard.

Copyright © 2009 Frank Fiore www.frankfiore.com

Mark Glamack

Interviewed by

Shelagh Watkins

Today's guest is Mark Glamack, animator, businessman, director, producer, writer, and patented inventor. Mark has worked in every area of the animation industry. Over the last twelve years, he has created, written, and developed two motion picture projects and a television series. In 2002, Mark completed his sixth term as Governor for The Academy of Television Arts & Sciences.

Hello Mark, please tell everyone a little about yourself.

Mark: Born and raised in Rochester, New York, I attended Art Center College of Design, UCLA, PCC, Sherwood Oaks Experimental College and various animation courses.

Currently, I'm the creator, author, and illustrator of the novel, Littluns: and the Book of Darkness: the "Mom's Choice Awards" Gold winner for 2009. In 2010, Littluns received "The Indie Excellence FINALIST Book Awards," and won "The Dove Award."

Earlier in my career, I worked at Walt Disney Productions and went on to work on the animated classic The Jungle Book, and animated many of the special effects for the combination live-action/animation, Bed-Knobs and Broomsticks. I also worked on the EPCOT promotional film, animation inserts for The Wonderful World of Disney, and The Story of Walt Disney: a Disneyland attraction.

Drafted out of Disney to serve in the Viet Nam War, I spent a year as a medic with the First Air Cavalry Division based thirty miles from the DMZ. I also photographed and directed an ambitious documentary entitled Is Freedom Just a Word? I was awarded the Bronze Star.

Back home in the United States, I continued my career working on countless projects for Hanna-Barbera, Filmation Associates, HBO, Film Roman, Metro-Goldwyn-Mayer, and others. Some of the titles I've animated, directed or produced are: All Dogs Go To Heaven, Life with Louie, He-Man and She-Ra: Princess of Power, Oliver Twist, Bobby's World, Zazoo – U, Spawn, Yogi Bear, Scooby-Do, Tom & Jerry, Dyno-Mutt, Future Flipper, G.I. Joe, A Flintstone Christmas, Last of the Curlews, the animated inserts for That's Entertainment II, and many more. Also, the direct to video projects: Gen 13, Christmas Classics, Tom Sawyer, All Dogs Christmas, and All Dogs Go to Heaven.

In 1999, I was nominated for an Emmy in the Outstanding Special Class – Animated Program for Life with Louie.

After being elected Animation Industry Governor for The Academy of Television Arts & Sciences, I created the Over One Hour Program Category for animation and the first ever animation industry annual individual achievement awards' categories (Emmy's) for the following talents: Animators, Background Artists, Background Stylists, Production Designers, Layout Artists, Storyboard Artists, and Voice Over Actors.

When did the writing bug bite, and in what genre?

Mark: The writing bug hit me early on in my film and television career when I realized that if I wanted my ideas and imagination to be fully realized, and done right, I would have to do it myself. Well, I had written scripts and other writings, but a novel? Not in a million years would I have ever considered writing a novel. Not that I wouldn't have wanted to do so, but I always thought there were far better qualified people than I to take on yet another new difficult and demanding journey. And then I had an epiphany; a vision and experience of pure love asking me to write Littluns. After this brief, profound, and powerful exchange and calling I shelved all my other projects that were most important to me, and dedicated full-time while understanding the huge odds against such an endeavor. I guess only time will tell why He wanted me to do this.

For me, the genre is determined by inspiration which has mostly been in fantasy and science fiction – a place where my imagination has no limitations or boundaries.

When you started writing, what goals did you want to accomplish? Is there a message you want readers to grasp?

Mark: For some time now, many parents and others have voiced their concerns about popular books that send the wrong messages to impressionable minds. Most of these people talk about their concerns, but few new options exist that have any appeal to both Christian and secular; young adult and grownup readers. Also, some titles have become more a peer issue than anything of substantive value. Some of these works have significant dangers where, as one example, some people would have everyone believe that there is good and bad evil. Hopefully most parents can explain the difference. And hopefully young and old alike will discover Littluns.

God as my guide, was with me every moment, and provided many miracles to enable me to survive while working on Littluns. I don't say this lightly. Three years later amongst every imaginable deterrents, obstacles, negative distractions, and relentless invasions on my life, seemingly to stop me at all costs, the novel Littluns: and the Book of Darkness was born; then published, and now finally available for sale.

I smile in the knowledge that whatever God has in mind, it will be good.

Briefly tell us about your latest book. Is it part of a series or stand-alone?

Mark: Littluns stands alone, but there is a possibility of one of two sequels. Sales will determine what will happen next.

What's the hook for the book?

Mark: The hook is in the peradventure and the decisions we must all eventually make in this life for right or wrong, good or evil, for the Light or for the darkness. To this end, Littluns is everyone's journey.

The end of days begins when five Littluns journey down from their isolated and secret mountaintop homeland on what should be a cautious, but pleasant 'Scavenger Hunt' outing.

For these pure 'little people,' they could not have anticipated or even imagined what awaits them. The results and consequences are however unavoidable. Darkness has come, and is spreading its evil influences to the land below on the eve of destruction and extermination.

Disguised as a human and Necromancer, he has placed most of his dark powers into words; words reserved for his wicked purposes. But the Evil One's ominous Dark Book becomes lost, resulting in him becoming trapped somewhere between the living and the corrupted dead. He must have his book back at all costs.

How do you develop characters and setting?

Mark: My life's experiences and gifts have enabled me to unite my vivid imagination into a visual representation of my written word. Each character becomes a literal and visual embodiment of the human condition that has touched my life one way or the other. As people and events have crossed my path, it is all what it has become, as I have seen it, and into our not too distant future.

Who is the most unusual or most likeable character?

Mark: There are many likeable and very unusual characters, but I think it's important for readers to discover their favorite(s) for themselves. In Littluns it becomes an integral part of the reading experience.

Do you have specific techniques to help you maintain the course of the plot?

Mark: From plot to sub-plots to unpredictability, to unexpected plot-twists in their mission, Littluns takes the reader on a peradventure where it becomes impossible for the reader to predict what will happen next. I have no special technique(s) to help me maintain the course of the plot. I just keep working until it's right, and the best it can be.

Do you have a specific writing style or preferred POV?

Mark: I wrote Littluns in the third omniscient voice present-tense to give the reader a NOW experience every time they pick up the book. It is in every writers unique voice found that a one-of-a-kind writing style is born. When all is said and done it becomes what it is.

How does your environment/upbringing color your writing?

Mark: My environment and upbringing set the stage and prepared me for this moment in time. God did all the rest through me with all His colors of the rainbow.

Share the best review (or a portion) that you've ever had.

Mark: I am humbled by ONLY wonderful reviews for Littluns which can be found on our website and blog. This is the most recent review from Midwest Book Reviews.

Littluns and the Book of Darkness

Mark Glamack, Author

Mark Glamack, Illustrator

EZ Gift Shopping

PO Box 285, West Bloomfield, NY 14585

9780615169972

www.littluns.net

A dventure, courage, and determination surround loyal friends in the fantasy novel Littluns and the Book of Darkness. Movie Producer and Director now author, Mark Glamack, uses his background in animation and writing to create this family friendly and Christian based young adult novel.

With a mission to positively motivate, educate, enlighten and inspire through entertaining content, Glamack uses his own spiritual guiding light to draw his readers into the struggle between good and evil in this debut novel. Littluns and the Book of Darkness will entertain audiences of all ages with its fast paced, intriguing storyline and elaborate illustrated life of the Littluns world in the Hollow Hills of the land, Terra Fermata.

Author, Mark Glamack, shows off his artistic talent with colorful and meticulous illustrations. His veteran motion picture experience shines with expertly written detailed scene changes and engages readers with screenwriting skills that make his audience feel like they've been deep inside a high production animated movie. Glamack has exceeded his goal in depicting the journey of life, how to choose between the light and dark side of the world while showing the gifts of friendship and how they can influence us in the shadows of our own life choices. Littluns and the Book of Darkness is a delightful, skillfully written novel that will capture both young and mature readers and leave them with full hearts and the tools necessary to know the difference between good and evil. Littluns and the Book of Darkness is a wonderful gift for lovers of fantasy, for parents and educators who want to offer a faith based book and for librarians who want to expand their offerings.

—Sara Hassler Reviewer

What are your current projects?

Mark: For now, I'm just trying to figure out how to get readers to find us, connect, and experience Littluns for themselves. I'm finding that marketing has become yet another full-time challenge. Truth be told, I'd rather be doing what I do best and through God, writing the sequel to Littluns.

Where can folks learn more about your books and events?

Mark: For more information about Littluns you can visit us at...

Blog: www.littlunsblog.com

Website: www.littluns.net

Thanks for joining us today, Mark.

Mark: Thank you Shelagh for this opportunity to get the word out about Littluns. God Bless and Good Light!

More about Littluns:

Hidden within the impenetrable snow covered exterior walls of Powder Mountain, and secret to the rest of the world is the protected, self contained, pure and peaceful valley of Hollow Hills.

The crater valley is thousands of feet above the base of the mountain with only one accessible entrance and one exit, keeping outsiders out. The outside world below holds little interest to Littluns. It's not that they don't know about such things and what goes on out there; they know very well about the chaos and discord and the importance of remaining removed from such things.

However, once every year or two, around the third and sixth full Moons, the Littleton Town Council selects five of its citizens to journey down Powder Mountain into the outside world. It's a scavenger hunt. The only rules are that anything they bring back must not belong to anyone. An example would be; you aren't allowed to climb a tree to get an apple, but you can take the apple if it's fallen onto the ground. No one ever worries about the rules because every Littlun is taught, from a very young age, that stealing is wrong and no Littlun would ever consider such an act – it just wouldn't be Littlun.

Copyright © 2010 Mark Glamack ALL RIGHTS RESERVED www.littluns.net

B. Lynn Goodwin

Interviewed by

Shelagh Watkins

B. Lynn Goodwin is the owner of Writer Advice, a place that not only promotes authors through its interviews but also publishes both experienced and emerging writers, showcasing fresh ideas and high quality writing.

Please tell us a little about yourself, Lynn.

Lynn: I'm a freelance writer, editor, teacher, former caregiver, and the author of You Want Me To Do What? – Journaling for Caregivers (Tate Publishing). I'm published in Voices of Caregivers; Hip Mama; The Oakland Tribune; The Contra Costa Times; The Danville Weekly; Staying Sane When You're Dieting; Small Press Review; Dramatics Magazine; Career, We Care, Caregiving, and Self-Care NCDA Monograph; Families of Loved Ones Magazine; The Sun Magazine (forthcoming) and numerous e-zines. I facilitate journaling workshops, teach for Story Circle Network, and publish Writer Advice

When did you first begin writing?

Lynn: I wrote an article about high school auditions for Dramatics Magazine, and that led to a series of articles called "Dear Diary" that recorded activities in a drama class from the point of view of a student.

When you started writing, what goals did you want to accomplish?

Lynn: When I started Writer Advice, long before it was an e-zine at www.writeradvice.com, I needed a place to publish author interviews. I sought those interviews because I wanted to learn the secrets of skilled, published writers. This was before I understood that each of us has our own individual voice and our own unique story to tell. Teaching high school English taught me the formula for the five-paragraph essay. I have never found one formula for effective creative writing but I've had a wonderful time sharing the knowledge and experience of others with Writer Advice's audience.

Briefly tell us about your latest book. Is it part of a series or stand-alone?

Lynn: You Want Me to Do What? Journaling for Caregivers offers encouragement, instructions, and over 200 sentence-starts to help anyone start putting their thoughts on paper.

Those who have tried it love it, and Sharon Bray, the author of When Words Heal: Writing Your Way through Cancer has said, "As someone steeped in the therapeutic value of writing during pain and loss, I think B. LynnGoodwin's book meets a need that has yet to be addressed."

The book is stand-alone, and it is how-to meets self-help.

What's the hook for the book?

Lynn: Everyone has great stories to tell and journaling heals, whether you know you are a writer or not.

What do you say to those who don't want to write?

Lynn: First of all, you need to know that this is not the kind of writing you did in school. No one cares how you spell or punctuate. There is something about the process of putting pen to paper that helps people process whatever is troubling them. As soon as you begin processing, you'll hit deeper levels and find your truths. Hope will emerge.

If you still don't want to write, record your truths. Take any sentence start from YOU WANT ME TO DO WHAT? JOURNALING FOR CAREGIVERS and start talking into a tape recorder. You or a trusted friend can transcribe what you like and let the rest go, if you want to.

What do you say to former caregivers who wonder why they couldn't find the book when they needed it?

Lynn: The relationship continues even when your loved one is gone. You have both stories and perspective, so start writing now. What you have to share is a gift to others. To quote Pat Schneider, the author of WRITING ALONE AND WITH OTHERS: "If you do not record your own story, your tiny bit of the history of the human race is lost. Shakespeare wrote Shakespeare's vision. Dickinson wrote Dickinson's. Who will write yours if you do not?"

Why did you direct the book to caregivers instead of everyone?

Lynn: I used to believe the book was for those who cared for a spouse, parent, or special needs child. I knew it was a niche book.

After I signed my contract I began my e-mail workshops I discovered teachers, nurses, social workers, and everyone in the caring professions is a caregiver. Professional caregivers as well as family caregivers need this book.

Then the economy collapsed and all kinds of people became care-givers to themselves. I now realize that everyone is a caregiver for someone. Certainly, if you are a writer you need to take care of yourself before you can help anyone else.

Can't people just get a blank notebook and write on their own?

Lynn: Of course they can, but most people won't. Who wants to face the blank page when you are already stressed, angry, and filled with frustration? It's so much easier to finish someone else's sentences, and that's what these sentence-starts let you do.

How does your environment/upbringing color your writing?

Lynn: I cared for my mother for six years while she struggled with undiagnosed Alzheimer's. During this time my outlet was my journal. Whether I wrote three sentences or three pages, journaling eased my frustrations and fears.

Sometimes my journaling includes lists. I use lists to brainstorm, imagine, and even start reviews for Writer Advice. My "To Do" lists are classic examples of so-much-work-so-little-time. When I put any of my truths on paper, I start seeing myself differently.

Share the best review (or a portion) that you've ever had.

Lynn: I don't know which review is best, but this is excerpted from the most recent one. It originally appeared at www.storycirclebookreviews.org:

W hat sets Goodwin's book apart is that it functions as a journal. Each of the core chapters contains approximately twenty-five pages of sentence prompts: "The truth is..."; "Today, I don't want..."; "I usually don't talk about..." Each prompt is followed by space for the caregiver to finish the sentence and continue the journal entry....

Prompts are carefully sequenced. In line with Goodwin's advice to "start where you are," the caregiver begins with "Thoughts About Me," and then moves outward to "Thoughts About Caregiving," and "Thoughts About the One I Care For." Prompts allow the writer to describe challenges ("I feel burned out when...") as well as joys and rewards ("Today my best moments are..." )...

You Want Me to Do What? is a small but powerful book. Telling the truth is hard. People in conflict, those on the edge of burn-out, may read about the healing power of writing but fail to follow through. Goodwin, by using a "workbook" format, provides an automatic transition from theory to practice, from reading to writing. It is exactly the right book for its target audience.

What are your current projects?

Lynn: In addition to promoting the book, I am running Writer Advice's Fifth Annual Flash Prose Contest (details at www.writeradvice.com – deadline April 15, 2010), preparing the spring issue of Writer Advice, teaching for Story Circle Network, teaching an independent class called Journaling: Gateway to Self- Discovery, and writing a column on Senior Living and news articles for DanvillePatch.com which will launch at the end of February.

Where can folks learn more about your books and events?

Lynn: Visit www.writeradvice.com to read my e-zine. Click on "Journaling for Caregivers" to learn more about the book. The best way to find out about current events and classes is to join my mailing list. Send an e-mail to Lgood6733@comcast.net I'd be delighted to hear from any of you.

Thank you for joining us today, Lynn.

Lynn: Thanks for the opportunity.

Snippet from You Want Me to Do What? Journaling for Caregivers:

As a caregiver, you spend every spare minute driving to medical appointments, stopping at the pharmacy, cooking, answering questions, paying bills, and helping with matters that used to be private.

Why write about it?

Writing gives perspective and restores sanity. Writing is a lifeline as well as a record. Writing saves lives. Do not underestimate its power.

One of the simplest, most private places to write is in a journal. It allows you to vent, delve into issues, and untangle messes. It lets you analyze or celebrate. It allows you to finish a thought without interruption. Journaling releases mental toxins and deepens awareness. It enables you to strip away the daily debris and let the strong, sane, safe, healthy, hopeful parts of you emerge.

Copyright © 2009 B. Lynn Goodwin www.writeradvice.com

Ivana Hruba

Interviewed by

Shelagh Watkins

Ivana Hruba specializes in writing bold, quirky and outrageously entertaining fiction. So she says.

**Hi Ivana, please tell everyone a bit about yourself.**

**Ivana:** **I am the author of** **A Decent Ransom** **, a thriller about a kidnapping, which was published by Kunati in 2008. Apart from writing, I love to draw cartoons.**

When did you first begin writing and in what genre?

Ivana: I've been writing stories since childhood; first in my native Czech, then in English. I don't have a particular genre I write in; for me, it's the plot that influences the genre of a particular story.

When you started to write, what goals did you want to accomplish?

Ivana: I have always wanted to entertain with my stories. As a reader I am most drawn to deeply human, meaningful stories told with a good dose of humor, and that's what I try to accomplish in my own writing.

Briefly tell us about your latest book. Is it part of a series or stand-alone?

Ivana: A Decent Ransom is a story of a kidnapping gone right. It's a stand-alone thriller told in multiple perspectives.

What's the hook for the book?

Ivana: A Decent Ransom deals with a kidnapping in which nothing happens according to plan when a woman gets kidnapped for ransom which never arrives, creating a moral dilemma for the kidnappers who are left with the kidnapped girl. Everyone's motives are gradually revealed to the reader through the multiple points of view. And just as you think you've got it all worked out – here comes the surprise ending.

How do you develop characters and setting?

Ivana: For me, character development is a gradual process. It is something that happens as the story progresses, although I do have an idea how to position the characters from the outset. I like complex, morally sound characters who are, nonetheless, capable of great evil if properly motivated. I usually have a good idea of the setting as I need to be able to start the story from there.

Who's the most likeable character?

Ivana: In A Decent Ransom the most likeable character is the young kidnapper Phoebus. He's the one true innocent in this story. Phoebus is a fifteen year old boy who's been forced to take part in the kidnapping. He's then charged with taking care of the kidnap victim and has to cope with all the unexpected turns in the situation.

Do you have specific techniques to help you maintain the course of the plot?

Ivana: In this story, the multiple perspectives move the plot along from one event to another. It keeps the reader engaged and the story moving at a quick pace.

Do you have a specific writing style or preferred POV?

Ivana: I like to tell a story 'after the event' rather than 'in the moment' as it allows me to draw conclusions and show consequences. In A Decent Ransom each of the four main characters who get to 'speak to the reader' have a particular style – some are telling the story in past tense, others are showing it to the reader as if it were just happening. In my new novel, I have an omniscient narrator 'telling' the reader rather than 'showing' the action.

How does your environment/upbringing color your writing?

Ivana: We all draw on our experiences to make meaning of our lives. It is inevitable that a writer will draw on their own environment when writing a story; not so much in terms of plot, setting or action, but certainly in character development. I find that my 'heroes' are essentially the same person, imbued with pretty much the same characteristics – witty, good-natured, a lot of fun to be around but with a dash of the unexpected thrown in. When I'm developing a character, I spend a lot of my time in that person's company so I like to give them the human qualities that I like.

Share the best review (or a portion) that you've ever had.

I vana: I've been lucky to have got some great reviews for A Decent Ransom and I'm grateful for them all, but my favourite line is... "Told in multiple character points of view, the author somehow has designed a story that elegantly presents each character's viewpoints without the need to label or overtly lead the reader." I love the 'somehow'; to me it show that the reader grasped the story but couldn't quite work out how I did it, which is exactly what I had intended to happen. To read this review and others, please go to my website listed below.

What are your current projects?

Ivana: I am currently finishing a novel based on my life. As a child I lived in then communist Czechoslovakia which my family left in 1983. We escaped by walking across the Alps from the former Yugoslavia to Italy and we stayed in a refugee camp in West Germany before eventually ending up in Australia. The book is about my childhood, the escape and the refugee camp, and our resettlement in Australia. I am also developing a comic book series for children. For all the details, please see my website.

Where can folks learn more about your books and events?

Ivana: Currently, the best place is my website www.ivanahruba.com I hope to see you there. Otherwise, A Decent Ransom is available in lots of libraries worldwide.

Thank you for visiting us today, Ivana.

Ivana: Thanks so much.

Snippet from **A Decent Ransom**

It began with a perfect plan. Shape-wise we had a circle, a simple uncomplicated curve to guide us comfortably from one thing to another, an easy predictable ride promising a natural progression from A to B, C and D, and so on until we reached our destination. But somewhere down that smooth line, I think around F, it all went pear-shaped.

I had warned Kenny before it all started but he wouldn't listen.

You'll n–never pull it off, I told him. Kenny's only response was to burp.

Shirtless, he lounged on the sofa, drinking rum. In between swallows he grinned and pulled at his chest hair; to show how relaxed he felt, he drummed a beat on his stomach with his fingers.

What are you worried about? Kenny laughed, seeing I stood there with an anxious frown on my face. I've thought this thing through.

This statement did nothing to alleviate my fears. Indeed, excepting Uncle Clem, there was nothing I ever really feared more than Kenny's way of thinking things through.

Copyright © 2008 Ivana Hruba www.ivanahruba.com

Marilyn Jenkins

Interviewed by

Shelagh Watkins

Today's guest, poet and fiction writer Marilyn Jenkins, is a member of the Welsh Academy. Marilyn's work has been published in magazines such as: _The Anglo Welsh Review_ , _The New Welsh Review_ , _Paris Atlantic_ , _Envoi_ and prize-winning anthologies.

Hi Marilyn, please tell us a little about yourself.

Marilyn: I was raised in post-war Wales, one of a privileged generation: NHS; free grammar school education; university grants. I went through to university. I taught and lectured in English and carried on after marriage and children. Later, I travelled widely because of my husband's (academic) career. I'm grateful because I experienced other cultures. This, together with my Welsh background, has greatly influenced my writing.

When did you first begin to write, and in what genre?

When did you first begin to write and in what genre(s)?

Marilyn: I was always hooked on words. A good book to read is an essential for me. Because story, fiction, was the big draw; from primary school days I wanted to write my own. I remember sitting on the back steps at home trying to work out a knotty problem of how to get my characters out of an impossible fix in The Mystery of the Moated Grange (thanks for the inspiration Enid Blyton). While the novel was my first love, – fiction with a dark mystery underlying it – I also had a poetry reading bug.

When you started writing, what goals did you want to accomplish?

Marilyn: It took some time before I could imagine myself as a 'writer'. I stepped out of teaching for a while when I had small children and that's when I began to draft novels. I say novels because my life is littered with unfinished novels. Completing one and getting it published was my secret goal. Poems, short stories were less challenging to complete in a peripatetic existence. The way life panned out meant I was having these published long before my novel finally appeared. But the novel was the big thing.

Is there a message you want readers to grasp?

Marilyn: I don't have a message, as such, in anything I write. I think it was Alice (Lewis Carroll's) who said: "How do I know what I mean till I see what I've said." Working in longer fiction has told me quite a lot about myself, in fact.

Briefly tell us about your latest book.

Marilyn: My novel, The Legacy of Alice Waters, finally appeared in 2009. It is, as expected, fiction with a dark mystery: a whydunnit rather than a whodunnit.

What's the hook for the book?

Marilyn: Poisoners are not easy to like or understand – how different is Alice Waters?

How do you develop characters and settings?

Marilyn: My characters develop in relation to the settings. I place a character in a situation and then probe the way in which removing them from their comfort (or discomfort zone) affects what happens. Each change becomes a test. Alice moves from her unhappy home in Wales to find love in wartime London. A return to post war Wales brings disaster. This is also true of her best friend Emily who comes home to die and who led an extraordinary life as a lawyer.

Do you have a favourite character?

Marilyn: I admire the character of Emily: a lesbian who hid from Alice that she was the love of her life. She is an intelligent woman who faces death with courage and finally carries out Alice's last request: to tell her 'lost' daughter the truth.

Do you have a specific writing style or preferred POV?

Marilyn: Writing my second novel has shown me how ingrained my method is: I don't tell the story through a single point of view. In my first, there are two primary third person POVs told in discrete sections: Emily's and Madeleine's (Maddie, Alice's daughter). Alice's story is told in first person through her journals and her granddaughter, Daisy (Dessie), keeps a first person account when she visits Wales with her mother in pursuit of the truth.

Do you have specific techniques to help you maintain the course of the plot?

Marilyn: I start with a character and what happened to him/her. That gives me the skeleton. I don't work particularly economically. I throw away a great deal but by the time of the final draft, I pretty much know who I'm dealing with and how it ends up. I know my characters – their strengths and weaknesses and, most of all, what they want.

How does your environment/upbringing colour your writing?

Marilyn: My core environment is Wales. Like so many of my generation I left Wales to pursue a career. It was a kind of Welsh diaspora. I have experienced so many different environments that they inevitably colour my fiction. But I am now back home and writing; Wales is always there but so are other parts of the world. How can I be insular with the multitude of addresses I've had? My current novel begins in Saskatoon, Canada, which I loved.

Share the best review (or a portion) that you've ever had.

Marilyn: You can read some reviews on my website (below) but the ones I treasure are the unsolicited, unexpected. Early on Boxing Day, I received this in as part of an e-mail from Maddison, Wisconsin:

" I so enjoyed your book, which was beautifully written. It kept me riveted all Christmas Eve after I played Santa for my daughter and Christmas Day after cooking the roast. I loved the suspense and the wonderful female characters: Dessie, Maddie, Emily, Harriet. It was tragic on the one hand, but triumphant on the other; I loved that Maddie walked out on her deadbeat cheating husband (none of the married men seem to have understood the meaning of fidelity) and that the truth really did set her free in so many ways."

I love this because the writer has engaged in the book and the fact that she loved the female characters was a real plus. I came across a similar comment from a review pasted on Google. On Google Books, you can open and read a goodly portion of the novel (as well as Amazon).

What are your current projects?

Marilyn: The novel I'm working on is: Shadow of the Black Mountains, set in Saskatoon and the mysterious Welsh Border country. If you've visited the Hay Festival you'll know the area; the nearby mountains and valleys have exerted a mysterious, spiritual fascination for centuries. You can read the opening chapters and links to all my work on my website:

Where can folks learn more about your books and events?

Marilyn: www.marilynjenkins.books.officelive.com

Thank you for joining us today, Marilyn.

Marilyn: Thanks for the questions.

Snippet from The Legacy of Alice Waters

Emily Bryant

One humid afternoon, that same August, Emily Bryant went up to her bedroom to rest. She took Alice's last letter with her.

She lay on her bed and read the letter through, slowly, held it to her cheek for a moment and closed her eyes. Little wonder that when she fell asleep she dreamed of Alice.

They were girls again, together in Cassie's kitchen. Emily was whisking egg whites for a soufflé. She held the bowl under her left arm and beat with her right. Alice sat on the scarred oak table swinging her shapely legs and watching. She wore a blue dress; her red-gold hair was held back by a filmy white scarf. Its ends lifted, floated as though in a gentle breeze making Alice appear cool and relaxed as her eyes followed the rhythmic movement of Emily's arm.

In contrast, Emily grew hotter and crosser as her left arm grew heavy; the ache spread across her chest so fiercely that she dropped the bowl. It exploded on the stone flags and the pieces bounced, viciously scattering clouds of white froth. When they touched Emily's hands, they cut like glass.

The crashes were outside her dream. Emily woke. The casement window that she'd opened wide to let in some air had blown free of its catch; it was still rattling and banging and she would have to get up and fix it.

First she had to deal with the pain in her left arm, that painful tingling in her hands. She reached sideways took up the small spray from her bedside table, gave a couple of squirts under her tongue then leaned back to wait for the pain to ease. She closed her eyes and concentrated on steadying her breathing.

But she couldn't keep the dream away. It intruded or rather Alice intruded. She rose again in Emily's inner eye just as she had appeared in the dream: young, pretty and composed. There was none of that apprehensive quality that always lay beneath the surface when she was alive.

Copyright © 2009 Marilyn Jenkins www.marilynjenkins.books.officelive.com

Shane Joseph

Interviewed by

Shelagh Watkins

Shane Joseph began writing as a teenager living in Sri Lanka and has never stopped. From an early surge of short stories and radio play scripts, to humorous corporate skits, travelogues, case studies and technical papers, then novels, more short stories and essays, he continues to pursue the three pages-a-day maxim and keeps writer's block at bay.

Hi Shane, please tell everyone a bit about yourself.

Shane: I'm a graduate of the Humber School for Writers in Toronto. My first novel Redemption in Paradise was pub-lished in 2004. My collection of short stories Fringe Dwellers was published in 2008, and my "dystopian novel of hope," After the Flood, was released in November 2009. My short fiction has appeared in Existere literary magazine, in several Canadian anthologies and e-zines, and in literary journals in India and Sri Lanka. My work has also been accepted for publication in the USA and the UK in 2010. I live with my wife Sarah in the lakeside town of Cobourg, Ontario, where I work as a consultant, play guitar in a rock band, write, and scoot off annually to visit one country for every year of my life.

When did the writing bug bite, and in what genre?

Shane: The writing bug bit during my teens when I joined a writers' workshop focused on producing plays and short stories for radio. I was (and still am) interested in the eternal human drama. Raised as a minority community member in my native Sri Lanka, having lived as an expatriate in the Middle East, and finally as an immigrant in Canada, I am a perennial fringe dweller, as I call myself. I like to explore themes of marginalization and second chances. I do not write genre fiction.

When you started writing, what goals did you want to accomplish? Is there a message you want readers to grasp?

Shane: Oh, as a teenager, I wanted to be the next Hemingway. I thought that writers could live in exotic locales and mail manuscripts periodically to their publishers and earn untold riches, while enjoying wine, women and song. I quickly sobered up when I realized that in writing, while "luck is the product of hard work," reward is contingent on luck as well. In fact, I quit writing at 23 because I had no more life experiences left to record and had to earn a living in the business world because I was far off from becoming Papa Hem. When my material needs had been more or less accommodated, I picked up the craft again in my mid-forties, with only one goal: I was not going to give up writing this time, whether I got to live like Hemingway or not. By then I had gained many life experiences, and the need to write had risen to the level of a compulsion. It was time to record my experiences and observations as fiction, along themes that I wanted to explore. The message in my books is: "giving up is not an option."

Briefly tell us about your latest book. Is it part of a series or stand-alone?

S hane: It's a stand-alone novel titled After the Flood and takes place in North America between the years 2012 and 2047. It's my only work of speculative fiction to date and was difficult to write as I had to invent a whole new world and not slump into the "tell not show" syndrome. I wanted to explore the implications of a global geological meltdown and how mankind would govern itself in this altered world. Would we screw it up once more due to that hard-coded genetic trait DESIRE, and its evil twin GREED?

What's the hook for the book?

Shane: I guess it is the premise of the novel, that Fundamentalism can take place in our own backyard given the right conditions. We tend to look at other countries for extremists, but our own pre-occupations with extreme forms of Capitalism and Socialism, when under threat, can also turn us Westerners into Fundamentalists.

How do you develop characters and setting?

Shane: Characters come alive while I am writing my first draft, which is a rambling journey for me, to capture the story and the messages inherent in it. I constantly go back and modify characters as I see them evolve during that initial draft. I chose a principal setting ( e.g. North America, Sri Lanka, Toronto etc.) for my story before writing the first draft, but then the individual scenes within the overall setting may change in the re-writes as I flush out the story. I may go back and change the setting of a particular scene in my next draft if I don't like where it is taking place or if it does not enhance the mood, character or message that I am trying to communicate.

Who is the most remarkable character?

Shane: I guess Samson Arthurs, the patriarch in After the Flood, is my most remarkable character. He is a survivor of the cataclysm, is deeply religious, he is a builder and a tireless helper to those in need. Yet his marriage breaks down for lack of attention to the family side of his life. He is attracted to a younger, married woman and gets himself embroiled in a scandal that brings about the near collapse of his beloved state of Tolemac (which read backwards is Camelot!)

Do you have specific techniques to help you maintain the course of the plot?

Shane: I have a beginning, middle, and end to my plot when I start out, and a loose outline of what I want each character to achieve in the end. Other than that, I just go where the story takes me in the first draft. The outline helps me if I stray too far off, but it also does not cramp my creativity.

Do you have a specific writing style or preferred POV?

Shane: I have written in most POVs. I am told that my strongest suit is Limited Third Person. I find Second Person the hardest to write in. I have also combined First Person and Limited Third Person in some of my novels.

How does your environment/upbringing colour your writing?

Shane: Having being born and raised as a Burgher (European settlers in the colony) of Sri Lanka, and having spent many years in Dubai as an expatriate, over 20 years in Canada as an immigrant, and never really belonging to the literati of this country, I have always been the outsider trying to break in. I find this a preferred perspective for a writer, of being the perennial observer. My principal characters are also somewhat off centre as a result, trying to get to base but having to struggle for it.

Share the best review (or a portion) that you've ever had.

Shane: Here is an excerpt from a recent review by Ben Antao, a Toronto-based novelist, on my novel After the Flood :

Shane Joseph engages the reader not only by his knowledge of the

Old Testament but also by his insights into man-woman relationships and his flair in handling the problem of the other man/the other woman, the secret longing for carnality as revealed in the character of Delia. To quote:

Delia was dressed in a body-hugging, sleeveless T-shirt and pants, and her red hair was pulled back over her head and tied in a knot at the back. David felt the blood rush to his head again.

"I'm sorry to hear about your mother, David." Sincerity shone through her sensuality.

The author maintains a good balance between telling the story and showing it through dialogue and action. This novel would make a fine movie, as entertaining as the book

What are your current projects?

Shane: I have four completed manuscripts (two novels and two collections of linked stories) waiting to find a publisher. But I am not in a hurry any more. I need to find an agent who can represent my work well. Therefore, you could say that the first part of my current project is to find that agent. The next part of the project is to complete the first draft of a new novel, set in a small town by one of the Great Lakes in North America. It's replete with corporate and personal greed, changing demographics as the older established population age and give way to immigrants, the alienation of youth, the melding of cultures, and the tensions that come out of all those developments.

Where can folks learn more about your books and events?

Shane: Please visit my website at www.shanejoseph.com – all the information you need on me will be there.

Thanks for joining us today, Shane.

Shane: Thank you for featuring me on your guest blog.

Snippet from After the Flood

Prologue – Samson's Diary

May 12, 2012

When the two black-suited men came to our door that morning, I knew it was time to leave. They were Witnesses, one tall and black, the other short and white, prowling the neighbourhood with increased frequency. They looked confident as they stood on the doorstep with the rain pelting down behind them, shaking the water off their trench coats and umbrellas.

I interrupted their usual opening spiel. "Same answer this week, I'm afraid – we have religion in this home," I said.

"Yes, brother," the black man said. "But the kingdom of God is now at hand. In fact, it's down on Kingston Road, not a half mile from here."

"That close, eh? I thought we would have more time."

"Are you ready to receive?"

"We have received. My folks are packed to leave. I suggest you do the same."

"God be with you, brother," the short one said. "Many have joined us today – the culmination of our work is at hand. It's a day of great fulfillment!"

"Good. You'd better be off then. And don't leave it too late either," I said, shutting the door on them. Their smugness bothered me. Through the window I saw their companions swarming across my neighbour's waterlogged lawn. My van, packed with our belongings, stood in the driveway. Dad's boat was on the trailer in the backyard, but it would have to stay where it was – we were not going to be slowed down. In hindsight, the boat may have taken us farther.

"Time to go folks – the flooding has reached Kingston Road," I said, rushing down to the basement. Dad was packing his fishing rods; he had four of them already on the roof of the van. The damp patches in the basement floor had widened since my last visit half an hour ago. "Dad, come on, there will be plenty of time for fishing." I threw his raincoat across his shoulders and gently moved him upstairs.

"I'm not so sure about that anymore," he said shaking his head and muttering under his breath. "Hope there isn't too much water damage to the house. You think my tool shed will be okay?"

Copyright © 2009 Shane Joseph www.shanejoseph.com

Nancy Kaiser

Interviewed by

Shelagh Watkins

Nancy Kaiser has spent most of her life caring for and about animals, especially horses. Nancy acts as a spiritual liaison for animals and their people, and lives the belief that: we are all teachers; we are all students.

Hi Nancy, please tell everyone a little about yourself.

Nancy: I live in the healing Blue Ridge Mountains of North Carolina surrounded by my family of two Labs and a horse.

I operate "Just Ask" Communications, a practice devoted to healing the human-animal bond through enhanced communication and understanding. My abilities in telepathic animal communication and healing emerged while managing my husband's equine hospital and our breeding farm in central NJ for twenty-seven years. I'm committed to bridging the chasm that has developed between species while increasing respect for all our relations. I'm the author of Letting Go: An Ordinary Woman's Extraordinary Journey of Healing & Transformation and can be contacted at www.NancyKaiserAnimalCommunicator.com.

When did you begin writing and in what genre?

Nancy: Letting Go: An Ordinary Woman's Extraordinary Journey of Healing & Transformation is a memoir, which I began writing in September 2005 and published in June 2008.

When you started writing, what goals did you want to accomplish?

Nancy: I began writing, in journal form, as a way to understand how I got to where I was; living alone six hundred miles from everyone I knew without a job or home. I'd been clueless, so I needed to figure out what happened and why. I also needed an outlet for the grief, anger, fear and sense of loss I was engulfed in. Writing allowed my heart to unburden itself. I didn't start with the idea of a book, but instead a journal to help me learn, let go, and move forward.

I lost both my parents in 2000 within three months of each other, which is when my struggles with letting go began. In May 2004, I let go of my beautiful farm in central NJ, which was my home for twenty-seven years when my husband retired. We relocated to the mountains of North Carolina and began building our dream, retirement home on fifty-four acres that we bought in July 2001.

Six weeks into construction of the house, my lesson in letting go intensified when my husband confessed one evening, "I never wanted this house. I never wanted to be here. This is all your dream and I feel like I'm just along for the ride." At which point, my heart stopped. Over the next week, it became apparent we were separating and divorcing. Our twenty-nine-year relationship was over.

Encouraging friends convinced me to turn it into a book. They felt my story needed to be shared. Over time, it had taken on a life of its own. I began to realize that, while the details were unique to me, the lessons I was learning were universal. So, I made the commitment to publish my writing in order to help people learn from my experiences and hopefully shorten their own time in what I call the Abyss and the Tunnel.

Is there a message you want readers to grasp?

N ancy: Letting Go will help readers evaluate their own personal traumas if they're ready. Within my lessons, they will find their own lessons. By seeing how I overcome my challenges, they will begin to confront their own. I show them very unique as well as very mundane places to look for help.

Letting Go offers messages of hope, encouragement and belief in Self. Hope in knowing that they will survive and return to being the happy person that they were before the rug was pulled out from under them. Belief that what is happening to them is truly in their highest good even though it seems like heresy to believe that. Everything always happens for a reason, and the universe always brings us exactly what we need. Might not be what we want, but it's always what we need.

Encouragement from the fact that I am leading a happy, fulfilling life after having been brought to my knees by the most difficult thing I've ever experienced. Five years ago, in my darkest moments, I considered leaving this life experience. If I can transform from the darkness of my Abyss to the wonderful life I'm experiencing now, anyone can. I want everyone to know that it is imperative that they put themselves first and trust that their soul knows what its doing even if their conscious mind doesn't. I want to be a beacon of encouragement and hope for all who find themselves without faith, hope, understanding and/or belief in Self.

I bought a little plate just before my first Christmas alone that says, "Sometimes on the way to a dream you get lost and find a better one." I'd read it every day trying to believe it could be true. I'm living that better dream now, and I'd like to help others find their better dream as quickly and painlessly as possible.

Briefly tell us about your latest book. Is it part of a series or stand-alone?

Nancy: I'm starting a series of books about being an animal communicator and healer; pretty amazing since I'm educated in pharmacy. I only practiced for a few years before marrying and leaving pharmacy to run our horse farm. It's been quite a journey for the left-brained pharmacist turned right-brained animal communicator, healer and author. Only when we utilize both hemispheres of our brain will we realize our soul's full potential.

What's the hook for the book?

Nancy: The hook will be the unique and amazing experiences I've shared with my personal animals, my client's animals, equine patients of my ex-husband's, as well as those that lived on our farm or were admitted to our hospital.

The lessons I've learned from a lifetime spent working with and caring for animals will take more than one book to recount. Letting Go needed to be written first in order for me to return to the woman I was before moving to the mountains.

The animal book(s) are something I've always known I'd write one day. The animals have so much that needs to be shared with people. Many have chosen me to be their voice, and I'm honored to share their wisdom with the human world.

How does your environment/upbringing color your writing?

Nancy: My writing flows from my heart onto the computer screen. Whenever my mind gets in the way, I end up deleting it. I've spent most of my life on a horse farm, so I'm an outdoor gal who loves to spend time in Nature. I'm very connected to where I live. My connection to Nature, the animals and the land are a huge part of who I am. All of these contribute to me being balanced and centered, which I feel is reflected in my writing.

When I'm communicating with an animal, I hear and feel. I'm an empathetic healer, so I possess an extremely acute sense of feeling. I write about what I see, hear, feel and intuit. Everything that is part of my environment contributes to the experiences that I have. All is incorporated into what I write, because it is part of who I am. Anyone who has read Letting Go knows I write honestly, which is the only way I know how to live.

Share the best review (or a portion) that you've ever had.

Nancy: I have been blessed with so many wonderful reviews from readers that it's hard to pick just one. I am so grateful to my readers for sharing with me how Letting Go has contributed to their healing. Here's one of the best:

I found this book to be so eloquently written and inspirational that I had a hard time putting it down. I could not believe all the heart breaks one person could take and still come through it all with flying colors. I am awestruck by Nancy's communication skills and challenge anyone who reads this book not to agree with me. Letting Go is also so much easier to read and comprehend than other inspirational books... her writing makes you feel so at ease, like you are feeling her pain and learning these lessons right by her side. I congratulate Nancy for finding her calling, committing to it and bringing so much happiness and serenity to people and animals in need. It probably made a huge impact on her recovering from such sadness. Kudos Nancy!

What are your current projects?

Nancy: Well, the first of the animal books. I also contribute a weekly column, Animal Insights, on Thursdays to Petsense.com at www.petsense.blogspot.com. I have a print article, Life Lesson From Labradors, which is awaiting publication in Animal Wellness Magazine. I have several internet radio interviews scheduled in the next couple of months too.

Where can folks learn more about your books and events?

Nancy: My website, www.NancyKaiserAnimalCommunicator.com, has everything about me, my work with the animals and Letting Go. You can read testimonials about my work, reviews of Letting Go, as well as the first chapter. Personalized print copies of Letting Go can be ordered securely through my website or digital copies are available from Smashwords.com or Amazon's Kindle store. The "Resources" button offers links to previous radio interviews and published articles, and the "Appearances" button displays my schedule of upcoming radio interviews and book signings.

Thanks for joining us today, Nancy.

Nancy: Thank you. I appreciate the opportunity.

Snippet from Letting Go: An Ordinary Woman's Extraordinary Journey of Healing & Transformation

"I never wanted this house. I never wanted to be here. This is all your dream and I feel like I'm just along for the ride."

My heart froze as these startling words rolled from my husband, Bob's, lips. They would change my life in ways that I could never have imagined. I felt like I'd been hit in the stomach with a bat. I was speechless, very uncharacteristic for me. I stammered, "It didn't occur to you to say something in the last four years?" He said he was confused.

I needed time to process what just happened. It was surreal. It was as though I'd just crossed over into a different dimension. Had the past three and a half years of my life been based on a lie? No, we'd made every decision together. What about his secret dream to own the top of a mountain and his happiness and excitement at the party before we moved? What the hell was going on?

The next morning, I told him that I really didn't know if I could continue to live with him. How would I ever know if we were doing what he wanted? He offered no answers, nodded, and walked away.

Later, I asked him to explain what had changed, what he wanted. He didn't have a plan. He seemed to know what he didn't want. Finally he mentioned several things he wanted, none of which seemed to involve me. In the middle of our discussion, he went outside leaving me in utter amazement.

I took off my wedding band, placed it on his side of the dinette, and cried. He came back in and asked if I wanted to talk about "it." Apparently "something" was upsetting me. Ya think? I didn't know how anyone could be so disconnected from the reality of what was occurring. I felt like a complete and utter failure.

Copyright © 2009 Nancy Kaiser www.NancyKaiserAnimalCommunicator.com

Conrad Larson

Interviewed by

Shelagh Watkins

Historical fiction writer, Conrad Larson, has joined us today to talk about his books.

Please tell us a little about yourself, Conrad.

Conrad: I am a former teacher, coach, farmer, entrepreneur and truck driver. I worked in corporate sales, corporate management, lay ministry, and have an everyday enthusiast of life. My book, a historical fiction mystery novel, The Overcoat, is based on the World War I soldier from this book. I am the father of five sons, five grandchildren and hopefully many more.

When did you begin to write and why?

Conrad: My mother passed away six years ago and I and my sister had no relatives left in that generation and older so I thought I needed to start writing for my sons and nephews.

When you started writing, what goals did you want to accomplish?

Conrad: My first was a need to have a family history. The reason for writing was personal to begin with but, as the project grew, the want to have an impact in what was written grew also. The story developed over time and the storyline was both impacting and inspirational to me. The original was meant to be a biography, but the emotions became so hard for me that I redid it in historical fiction style.

Briefly tell us about your latest book.

Conrad: Swede is a revisionist history due out early fall 2010. A story about a soldier that makes an impact based on revised information about the war.

What's the hook for the book?

Conrad: The mind set in America is that the Vietnam war should have been won and this book, Swede, wins the war.

How do you develop characters and setting?

Conrad: I see characters all around me and develop a story for them. My life story has given me a wonderful memory of settings and history and it just seems to come naturally to place the setting once the character is developed.

Who's the most unusual character?

Conrad: In my book, The Overcoat, Charlene is the character that has gotten me calls from a reader of my book from the State of Virginia wanting to know about that character. The point of my writing was to be able to talk about courage, character, life issues and my book has brought people to me.

Who is your favorite character?

Conrad: In Carry On Pvt Dahlgren, Pvt Dahlgren is my favorite.

Do you have specific techniques to help you maintain the course of the plot?

Conrad: My techniques are rough and untested but working well so far. My Amazon book review shows an exciting fresh style which was a surprise to get.

Do you have a specific writing style?

Conrad: I am a new author and my style is rough and probably out of the box but it is working. My style is PG as I want my books to be acceptable to the Christian Community as well as the general market.

How does your environment/upbringing color your writing?

Conrad: The colors are like the brightest rainbow you have ever seen. My life stories are a big influence in my writing and I can write out of the box as well.

Share the best review (or a portion) that you've ever had.

C onrad: Author Conrad Larson pays tribute to the veterans of the war with a gripping account of one man's war adventure. In Carry On Private Dahlgren: World War I Runner, a book released through Xlibris, he makes sure that as the hundredth anniversary of the First World War is nearing, tales from this remarkable moment in history will not go fading.

The war that was supposed to stop all wars was cruel and brutal to all civilians and even soldiers. The sacrifices made by the men who stepped up to represent and protect their motherland should be remembered and be given the honor that they deserve. Reflecting the greatest on American character and courage, Carry On Private Dahlgren: World War I Runner presents the nostalgic, personal journals of Pvt. Oscar Dahlgren of World War I. The journals, as found by the author's family, were handwritten with notes written in margins at a later date by Dahlgren. It fascinatingly documents names of peers, superiors, dignitaries, and others. In detail, it chronicles Dahlgren's exploits during the upsetting era, including names of places, some which have different names today. It is an untainted piece of history for unless changes were made for clarity, the style of writing, spelling and grammar were left the way Pvt. Oscar Dahlgren wrote it.

Reliving history, Carry On Private Dahlgren: World War I Runner provides readers a fascinating account of one man's life filled with courage, hope, brotherhood, and patriotism.

What are your current projects?

Conrad: My new projects are more than an idea, The first book in a revisionist history series, Swede, is done, the second book in the Swede series is a third done, The next project is a book about depression and it's deadly duo. The name of the book is The Deadly Duo; a how to understand living in a world where friends, family and co-workers struggle with stresses beyond most of our comprehension on depression. The following project is a World War I collection of stories about the soldiers from that era for the hundredth anniversary of the War to End All Wars. Another challenging project is a three hundred page autobiography called The Farm Boy, but I'm reluctant to move forward at this time.

Where can folks learn more about your books and events?

Conrad: I have websites for The Overcoat:

www.myovercoat.com

and Carry On Pvt Dahlgren:

www.carryonprivatedahlgren.com

Carry On Pvt Dahlgren and Winning Vietnam can be found here:

www.xlibris.com/conrad.

Thanks you for joining us today, Conrad.

Conrad: Thanks.

Snippet from Carry On Pvt Dahlgren

We stayed at Camp Mills for a few days until we were equipped for going overseas. May 10th we boarded the troop train and we were off. Soon we were on the ferry which took us to Hoboken where we boarded the transport, glad to be rid of our heavy packs. Our quarters were terribly crowded but we had to make the most of it. Also, the chow wasn't very extra. On the way, we visited the crew down in those dirty holes and bought us some sandwiches with marmalade and coffee, not very clean. Thanked them just the same. To buy anything from the canteen meant sometimes standing in line for several hours and then not getting anything. When we were able to buy anything we could easily sell a little lemon or orange for a dollar a piece. On the section of the boat I got, we had hammocks to sleep in that hung over tables and that was all right as it did not make much difference how the boat rocked, the hammocks hung straight down, but there was some rubbing together as the hammocks were hung close. The boat's name was USS Canada.

While in Camp Mills, together with Schay, we visited Hempstead. Harry Radicox of Alexandria, also in town, ran across his brother, also in the army.

With us on this boat were many British officers. We had our Brigadier General Tyson on board this boat. We were nine transports in the convoy that I counted and a cruiser in the lead for protection. We had a fine look at the New York skyscrapers while lying in the harbor where we laid a whole day, getting on board at 11 a.m. May 10th and leaving at the same hour the next day. To start bringing as much secrecy as possible, everybody had to go down under deck. I was anxious to see the Statue of Liberty so crawled up the hatchway and lifted the lid enough to see and pretty soon I had fine view of it passing by.

The rest of the men, when they saw me go up the steps, hollered to me I was not allowed, but I said, "sshh... I want to see the Statue of Liberty," and they got interested, and it was just in the nick of time. We passed in full view of it and after that we could see it in the distance when allowed to go on deck.

Copyright © 2009 Conrad Larson www.carryonprivatedahlgren.com

Deborah McCarragher

Interviewed by

Shelagh Watkins

Deborah McCarragher's love of the Holy scripture and bible study are evident in her poetry and literary works. Her primary goal is to share her personal testimony with others while bringing hope and practical help through her books.

Please tell everyone a bit about your self, Deborah.

Deborah: I grew up in a military family and left home at age eighteen to marry my first husband. I divorced four years later and returned to Florida to start my life over, and remarried in 1982 to my present husband. I am a small business owner of over twenty years, and enjoy creative writing and bible study in my spare time. I enjoy using my spiritual gifts of encouragement and teaching in my home church. My husband and I have one married son in the US military and we reside in north Florida.

When did you begin writing and in what genre?

Deborah: I first enjoyed creative writing in high school, but wrote my current book, Mission Possible, in l989. It is a non-fiction Christian women's book dealing with marriage.

When you started writing, what goals did you want to accomplish?

Deborah: Writing my first book was more of a labor of love and wasn't pre-planned. It was inspired by God, and my prayer is that it encourages women who struggle with what many call "an impossible situation."

Briefly tell us about your latest book.

Deborah: I am a first-time author of the book Mission Possible. It was written for women who struggle with spiritually uneven marriages, and is about my quest to reach my husband for Christ.

What's the hook for the book?

Deborah: Author tackles delicate subject in marriage. Your mission, if you choose to accept it, is to stand in the gap for your mate's soul.

Do you have a specific writing style or preferred POV?

Deborah: Mission Possible was written from the first person perspective as it is my personal testimony.

How does your environment/upbringing color your writing?

Deborah: My background and upbringing played absolutely no part in my book, Mission Possible, as I didn't become a Christian until age thirty-three.

Share the best review (or a portion) that you've ever had.

D eborah: If you are a Christian woman striving to introduce your husband to a saving knowledge of our Lord and Savior, you will truly love and embrace the inspiration and hope found in this book. Unlike other books with religious themes, "Mission Possible" is a clear road map leading to an everlasting peace within your home. Right from the first paragraph, Deborah's experience and passion will capture your undivided attention. Again and again, she presents her faith and conviction in the Scriptures with a pace that's quick and always fresh. The heart filled passion and desire for her husband to find and establish a relationship with our Lord and Savior is virtually on every page. (Reviewed by Brian Knight)

What kinds of reactions has the book generated thus far?

Deborah: I have had great reaction to my little book. Some women love it because it is not lengthy, and they can read it quickly – yet refer back to it over & over again. One woman emailed me a testimony that she was nearly ready to leave her husband, but after reading the book, felt that God was leading her to give her marriage another try. That was very humbling and gratifying for me. I just want to help women see that there is an alternative to being miserable in your marriage.

What are your current projects?

Deborah: I am currently working on another non-fiction Christian book titled Trees of the Bible – a Spiritual Journey. It discusses some of the more popular trees in scripture and their spiritual significance. It features the Hebrew name and scientific classification. You can view a sample on my website on the "Something New in the Wings" tab.

How can our readers learn more about you and contact you directly?

Deborah: They can email me at deb@alabasterboxpublishing.com

or visit my blog page at www.Godmissionpossible.blogspot.com.

My book is available on my website at www.Godmissionpossible.com. It can also be ordered at your local bookstore, or on-line at Amazon, Barnes & Noble, and other retailers.

Thank you for visiting us today, Deborah.

Deborah: Thanks so much for everything.

Snippet from Mission Possible:

The spiritual skirmish had begun. Don't underestimate the enemy. I did not fully understand spiritual warfare and would learn about that as time progressed. I began to grow in my understanding of God's Word and how Satan opposes a couple's holy union. I would learn about "putting on the whole armor of God" (Ephesians 6:10-19). I would learn that "standing firm" was mandatory – not an option. My spiritual clothing was necessary for survival as "half of a saved couple". God desires for you to become "one flesh" – at the altar and in the spirit realm. Satan can't bear the thought of it. This is where your perseverance plays a huge part.

The enemy will mercilessly bombard you with thoughts, feelings, emotions and physical disdain for your mate. You must take every thought captive (II Corinthians 10:5) and stop looking at your mate as the enemy. Don't let his actions and words provoke you into disobedience.

Paul writes in Ephesians 4:29, "Let no corrupt communication proceed out of your mouth, but what is good for building up, that it may impart grace to the hearers." Matthew 18:9 states, "and if your eye causes you to sin, pluck it out and cast it from you." So it goes with your tongue.

Stop committing spiritual murder against your mate! Bite it off and cast it away! Don't sin by grieving God as you curse the very person God wills to join you to, as ONE!

Copyright © 2009 Deborah McCarragher www.Godmissionpossible.blogspot.com

Kaylin McFarren

Interviewed by

Shelagh Watkins

Romance author, Kaylin McFarren, says she keeps a glass of wine close by while writing love scenes, Kleenex on her desk while writing heart breakers, and has been known to empty a box of chocolates when she's completely stumped.

Hi Kaylin. Please tell us a little about yourself.

Kaylin: Hi... my name is Linda Yoshida, but in the literary world, I write as Kaylin McFarren – a name I borrowed from my Irish grandmother. Although I wasn't born with a pen in hand like many of my talented fellow authors, I've been actively involved in both business and personal writing projects for many years. As the director of a fine art gallery, I assisted in furthering the careers of numerous visual artists who under my guidance gained recognition through promotional opportunities and in national publications. Eager to spread my own creative wings, three years ago I steered my energy toward writing novels. As a result, I've earned more than a dozen literary awards and was a 2008 finalist in the prestigious RWA® Golden Heart contest.

As far as my background goes, I received my AA in Literature at Highline Community College, which originally sparked my passion for writing. I'm also a member of RWA, Rose City Romance Writers, and Willamette Writers. And in my free time, I enjoy giving back to the community through participation and support of various charitable and educational organizations in the Pacific Northwest.

Briefly tell us why you chose to write your latest book. What genre is it?

Kaylin: Sixteen years ago, following my father's death, I found myself obsessed with sitting in front of a typewriter, coming to terms with unresolved issues by banging on keys. This silent venting became a sort of "therapy through writing" exercise. However, this exercise slowly evolved, taking on a life of its own. I began creating a related fictional story about a woman's personal journey, and in the process of exploring my main character's growth, I found myself learning and growing as well. Eventually, I came to believe I had a meaningful story to tell, one through which I could possibly touch other people who shared the same complicated family relationships – and maybe even make a difference in their lives. Yet I still struggled with bringing this tale to a close. It wasn't until my eldest daughter provided her amazing writing insight that I finally came to realize why I struggled with the ending, for both the book and my father's passing. The true resolution didn't rest in holding onto the past; it came from opening my mind to future possibilities and honoring him – not only by setting this story free, but by becoming the professional storyteller that had been hiding in my genes. And as far as genre goes, Flaherty's Crossing is considered contemporary mainstream fiction. Now that's a mouthful. And right now I'm writing action/adventure romance or romantic suspense, as classified by some literary circles.

Where do you believe your interest in writing comes from?

Kaylin: Actually, I've always had an active imagination, probably my Irish

roots burrowing into my brain. For most of my life, I was an avid romance reader, longing to slip into Jane Austen's corset. I tried my hand at poetry and writing short stories...anything to express my love of the written word. In high school and college, a few of my short stories actually ended up in school publications, but for the most part, they were tucked away in various drawers. As time went by, I married and was fortunate enough to travel to exotic places, meeting remarkable people, each with a unique story to tell. And along the way, I found inspiration and plenty of ideas to now channel into what I hope will be a long series of entertaining books.

Tell us a little bit about your debut novel, Flaherty's Crossing. What's the hook in this story?

K aylin: Here's the summary and hook in a nut-shell. Successful yet emotionally stifled artist Kate Flaherty stands at the deathbed of her estranged father, conflicted by his morphine-induced confession exposing his part in her mother's death. While racing home, Kate's car mishap leads her to a soul-searching discussion with a lone diner employee, prompting Kate to confront the true reasons her marriage hangs in the balance. When her night takes an unexpected turn, however, she flees for her life, a life desperate for faith that can only be found through her ability to forgive.

Where did you find the inspiration for this story? What are you hoping to convey?

Kaylin: Flaherty's Crossing was originally inspired by my father, who passed away on July 15, 1991 with the love of his life at his side. His Irish wit, stubbornness, and the bravery he exuded during his relentless battle with terminal cancer sparked the idea for a novel and was further developed and edited with the assistance of my eldest daughter. Not only does this faith-seeking tale delve into the complex emotions of bidding a final farewell to an estranged parent, but it also explores the strain placed on a marital relationship when childhood issues go unresolved.

Please tell us a little bit about your writing process.

Kaylin: Strangely enough, I dream up my stories – literally from beginning

to end. I make notes, create a rough draft, and set to work on developing my characters. I actually design a notebook for them with photos, habits, flaws, birthdays, backgrounds, the works. Then it's a matter of putting them into my scenes and turning them loose. The more challenges they face, the more fun it is to write about them. And before I know it, they've fell in love, overcome obstacles, and are preparing for the next hurdle – perhaps a little stronger and wiser and definitely more intriguing.

Do you have any particular habits that you take part in while writing? By that I mean certain music you like to listen to, foods you like to eat, environment that helps you write better, etc.

Kaylin: My routine consists of nabbing a hot chai and toasted bagel before sequestering myself to our cozy, book-lined library. I flip on an old Stevie Nick's soundtrack, check messages, make a few phone calls, and then set to work. I often reread the last chapter I've written just to rekindle my thoughts, then it's off to the races – solving dilemmas and overcoming adversaries.

Are you working on any current projects?

Kaylin: Right now I'm writing Severed Threads, a fun undersea romp. Here's a brief summary: Believing herself responsible for her father's fatal diving accident, Rachel Lyons has withdrawn from the world and assumed a safe position at a foundation office. When called upon by a museum director to assist her former love interest with the recovery of a priceless artifact from a sunken galleon, she has no intention of cooperating – until her brother is kidnapped by a drug-dealing gangster. In order to save him and gain control over her own life, Rachel must not only overcome her greatest fears, but also relive the circumstances that lead to her father's death.

Share the best review (or a portion) that you've ever had.

Kaylin: Wow... I've had several amazing reviews. But if I had to pick just one, this blurb immediately comes to mind.

Be warned: do not start this novel if you anticipate any pressing obligations – a need to sleep, say – or without a handful of tissues within arms reach. Flaherty's Crossing is a compelling and imaginative story, not just about death but about life and emotional growth, a broken woman's journey towards learning to trust again. Beautifully written, heart wrenching yet inspirational, this is a 'must read' for anyone who has loved and lost.

—Elizabeth Joy Arnold, USA Today bestselling author of Pieces of My Sister's Life

Who is the most unusual character in this story?

Kaylin: There's nothing more enjoyable than creating a deeply flawed character. Their quirks and physical attributes help break the tension and allow readers an opportunity to breathe. In Flaherty's Crossing this happens to be Wanda Finch, Kate's nosey neighbor. Although she seems intrusive, overly talkative and extremely annoying, in reality she's genuinely interested in Kate's well-being.

I understand your book is involved in a special project. Can you tell us more about it and how readers can help out?

Kaylin: Actually, I sat before my computer writing Flaherty's Crossing as a source of personal therapy after losing my father to colon cancer. You might say I was angry at him, at God, at the world in general. However, after writing this story, I had the opportunity to really look into my soul and consider the fact that so many other sons and daughters have had to deal with similar and even worse situations. Rather than a memoir, my novel evolved into a fictional journey which brought about the resolution I needed to find. I never expected this exercise in writing to go to press, touch lives, or win literary awards. But as a result of my good fortune, I've arranged for 100% of my proceeds from the sale of this book to go directly to cancer research at Portland's Providence Medical Center. I'm now convinced that good things can grow out of the worst times in our lives if you just take the time to open your heart. And everyone who purchases a copy can make a difference.

Where can folks learn about your books and events?

Kaylin: On my website: www.kaylinmcfarren.com/

Thank you for joining us today, Kaylin.

Kaylin: Thanks, Shelagh. I really appreciate the opportunity to share my story with you!

Snippet from Flaherty's Crossing

The last grain of sand was about to drop in her father's invisible hourglass and there was nothing Kate Flaherty could do to stop it. The realization launched a shudder up her spine.

She'd known this day was inevitable. Yet it still came as a shock when she'd learned only hours ago that his final days had arrived. She should have come back sooner.

No – it was his fault, not hers. She'd had every right to stay away after discovering the truth. So why did she feel remorse encroaching on her anger, his gurgling breaths draining strength from her limbs?

In his curtain-drawn bedroom, she perched on the edge of the mattress, a few inches away from what had become a mere sketch of a man. The lamp's amber glow cast shadows across his features, accentuating how much he'd deteriorated in just under a month.

Surgery, chemo, radiation therapy. For two years, she'd watched his heavyset frame shrink with every trip to the hospital, his sixty-three year old body blast through a time warp. But never ravaged to this extent. She barely recognized the sheeted man beside her. Mussed strands of thin, ghost-white hair, matching jagged moustache, and stubbly chin were all that remained of the father she knew. He was more of a stranger than ever before.

Slowly, he lifted his eyelids and turned his face. When their gazes met, a spark of recognition flickered. "You're here," he rasped as he reached for her hand.

She accepted reluctantly. His palm was cold and clammy, his skin sallow and tissue-thin. She swallowed hard, wanting to pull away, but the child in her resisted, the part of her that had never stopped longing for his affection.

"Where've you been?" He inhaled a laboured breath. "I was waiting for ya."

"I..." A lump of guilt formed in her throat, blocking any answer.

"Is the baby ready?"

She stared at him, shocked. His words made no sense. "What, Dad?"

Copyright © 2009 Kaylin McFarren www.kaylinmcfarren.com/

Tara Newlands

Interviewed by

Shelagh Watkins

Tara Newlands has been fascinated by books all her life and is amazed by their ability to transform worlds. She is contributing writer to a well known paranormal research site and a contributing writer for Night Owl Romance.

Please tell everyone a little about yourself, Tara.

Tara: I'm a native of Arizona currently residing in the United Kingdom. I enjoy creating new and different worlds for my readers. I'm an avid yogi and love spending time with my hubby and two young children.

When did you begin writing, and in what genre(s)?

Tara: I first got the itch to write during high school. My English teacher was impressed by a short poetry book I put together and she thought I should try to pursue writing farther. When I moved to England a few years ago, I found myself wanting to write again. I had enough free time to do so and I've also been interested in paranormal happenings. So, the two feelings just seemed to go together, and then The Dream King was born.

Do you write paranormal romance only or non-fiction as well?

Tara: I've contributed articles on yoga to a popular paranormal website and it's were I do research on subjects that interest me.

Briefly tell us about your latest book. Is it part of a series or stand-alone?

Tara: My upcoming release with Whispers publishing entitled Nirvana is a stand-alone novella. The story, which is an interracial romance, features a psychic with electrokintic powers, a sexy London cop and a few Indian demi-gods or two. It was released as an ebook on February 19, 2010 and is available at Fictionwise, Mobipocket, the Whispers website and All Romance ebooks.

How does your environment/upbringing color your writing?

Tara: These past few years have really allowed me to explore my desire to write. I've traveled to Scotland, lived in Mexico and currently live in England. All these places and people have taught me a lot about myself. In each of my stories, I try to bring in the insights I've learned from the people and places around me to make better strange – if not interesting – stories.

How do you develop characters?

Tara: I'm afraid I don't follow a set routine to develop characters. I like to allow my characters to speak to me in strange ways: listening to music, people chatting on the street, a word on a page.

Who is the most unusual character?

Tara: I'd say in my current work, Nirvana, the appearance of Lord Shiva would be my most unusual character, but he just seemed to have so much to say that I had to include him.

Share the best review (or a portion) that you've ever had.

T ara: I think the most interesting review was for my bestselling Urban Fantasy novel with Red Rose publishing – The Dream King. Here's a bit of what Tiffany at You Gotta Read reviews had to say about it:

A good plot, believable characters, and a very creative magical world, all served to gradually draw me deeper into the story... I was thoroughly impressed and looking forward to the sequel.

What are your current projects?

Tara: I'm currently working on the follow up to The Dream King which is entitled Dawnbringer. As well as working on a new paranormal romance set in Scotland.

Where can folks learn more about your books and events?

Tara: Readers can contact me at www.freewebs.com/taranewlands, www.facebook.com/taranewlands and www.myspace.com/taranewlands

To learn more about my stories and books, readers can visit: www.redrosepublishing.com and www.whispershome.com

Thank you for joining us today, Tara.

Tara: Thank you, Shelagh, for spending time discussing my work!

Snippet from The Dream King

The witching hour had begun.

Amanda lay in her bedroom, surrounded by a darkness that was barely pierced by the full moon just outside and that made the hair on the back of her neck stand up.

She heard nothing inside the darkened room or on the grounds below her second story bedroom window except for the relentless ticking of the lit neon clock beside her.

Her head ached with tension, and it felt as if it were about to split with pain.

A sudden movement in that inky blackness startled Amanda, an unnatural shift in the air that made her sit up, heart pounding.

She felt goose pimples slide across the exposed skin of her arms while phantom shadows began to move just beyond her field of vision.

Tension rose in her throat at the murmur of voices reaching her ears, rendering her speechless. The sound gained strength, cutting into the quiet space, yet sounded as if it were echoing across a vast, open space.

She was gripped in a sea of confusion as she tried to comprehend what she was hearing and what her night-blind eyes struggled to see. Suddenly, as if a window in time had opened, she was gripped by a vision.

Two figures stood in opposition to each other in a silver-grey warehouse in front of her dazed eyes.

A single overhead light shone down on them.

From their robed, still figures came a quiet murmuring while they stood still highlighted against a backdrop of wooden crates and a dust-covered stone floor.

The voices of the still figures were muffled by the heavy wool of the cloaks they wore, but Amanda could tell by the height and timbre of the low, muffled sounds that the cloaked robed figures were two men.

Copyright © 2009 Tara Newlands www.freewebs.com/taranewlands

Erin O'Briant

Interviewed by

Shelagh Watkins

Today's guest is Erin O'Briant, author of Glitter Girl.

Please tell us a little about yourself, Erin.

Erin: I'm a San Francisco Bay Area writer and the author of the novel Glitter Girl. I'm a former glitter spray salesgirl turned college writing instructor; I have an MFA in Creative Writing from Goddard College as well as a bachelor's in Religion from Emory University

When did the writing bug bite and in what genre?

Erin: I first started writing when I was a senior in college, when it occurred to me that I'd need to get a job soon but my religion major had left me with few practical skills. I heard that writers got to work from home sometimes, and that was good enough for me. I apprenticed myself to a local weekly magazine, and was there bitten by the bug. I was a journalist for about 10 years, and I got involved in spoken word in Atlanta and then later in San Francisco; I ran a show called Oral Fixation for a while in SF. Eventually it became clear that I needed to move into writing fiction, but I didn't know how, so I went to grad school.

When you started writing, what goals did you want to accomplish? Is there a message you want readers to grasp?

Erin: When I started writing Glitter Girl, my goals were nearly nonexistent, but I wanted to be a better writer. I had been doing spoken word readings for a while, and had written up a short piece about my miserable four months selling glitter spray. Then when I started my MFA, I began to develop the main character (later Gloria) into someone other than me and made up a story for her and her family. I've noticed that people seem to take "messages" from Glitter Girl, but that actually wasn't my intention. Still, the book deals with big political issues – abortion and gay rights, in particular – and I hope it makes readers think about the ways we ostracize each other, often in the name of our own political or religious cause.

Briefly tell us about your latest book.

Erin: Glitter Girl is about a family that splintered because one daughterconverted to Christianity – the conservative kind. The other daughter, Gloria, is a happily out lesbian and glitter spray salesgirl who sets out to make up with her sister. Easier said than done.

How do you develop characters and settings?

E rin: Since this was my first book, I went with "write what you know." The things that happen in the novel are completely made up, but I set it mostly in familiar locations – Atlanta and San Francisco, both cities I've lived in for years at different times – and gave the characters situations that I could relate to. I sold glitter spray for a while, I studied religion in college, I'm gay, I've been part of the San Francisco writers' scene – so all those things were easy for me to imagine and then develop scenes and characters from there. Also, I once worked for an LGBT newspaper in Atlanta where I was on the "church lady" beat: I wrote a lot of articles about Christian views of gay rights, and that gave me really useful material. Gloria and I probably have the most in common, though I'm not a liar, like she is. But how can you believe anyone who says that, right?

Who's the most likeable character?

Erin: I think the most likeable character might be Gloria's best friend, Max, who falls in love during the course of the novel with a guy he meets in Atlanta. He's a painfully honest New Yorker and a deeply loyal friend: a good guy with bodacious vocabulary. If I met him, I'd love him.

Do you have specific techniques to help you maintain the course of the plot?

Erin: I had to send in thirty pages every three weeks to avoid being kicked out of school. So I just made up the plot as I went along, thinking: what could I write that would take up thirty pages? My dear friend Carolyn and I would sit up late, drinking beer and plotting schemes for the characters. And then I did a lot of plot revision afterwards to pull it all together. Mainly, though, my technique was to just keep writing. Also, I was in an awesome and encouraging writing group, which every writer needs.

Do you have a specific writing style or preferred POV?

Erin: I try to keep my writing simple. My grad school mentor, Rebecca Brown, has a beautifully streamlined style, and I tried to learn as much as I could from her. She taught me about taking out the unnecessary words so the meaning can shine. I also use humor, because I like to read funny books, especially when the humor is part of the story and doesn't distract from the plot. In Glitter Girl, I write from two POVs: Gloria's and Angie's. I don't prefer one over the other, but Gloria's POV was easier for me.

What are your current projects?

Erin: Currently I'm writing a second novel, which in a nebulous state and hard to talk about yet. It's tentatively titled Reading Orlando. The novel is something of a homage to Virginia Woolf, and the three main characters are all survivors of childhood abuse, who heal together while reading Orlando. This one has no autobiographical elements so far, though it is set in Georgia, where I grew up. (It helps to know your location.) So it's a big challenge and will certainly stretch my imagination, but I'm up for it. Now that I've written one novel, I know I can do it again.

Where can folks learn more about your books and events?

Erin: My book, Glitter Girl, is easy to find, and it's free! Just visit

www.podiobooks.com/title/glitter-girl/. You can listen through iTunes or sign up to get episodes by email. The final episode will be published on Sunday, January 3, 2010. If you enjoy listening, please leave a comment – it makes my day. My website: www.erinobriant.com/

Thank you for joining us today, Erin.

Erin: Thanks Shelagh! I'm truly grateful.

Jack Perconte

Interviewed by

Shelagh Watkins

Jack Perconte has played major league baseball, taught kids for nineteen years and dealt with parent/kid relationships for those years (including raising his own kids). He joins us today to talk about his latest book, Raising an Athlete: How to Instill Confidence, Build Skills and Inspire a Love of Sport.

Please tell everyone a bit about yourself, Jack.

Jack: I played major league baseball before becoming a full time baseball and softball instructor. Through my sports academy, I was around youth sports day in and day out for 19 years. I have helped numerous athletes further their skills and I like to believe that I was teaching life skills at the same time. I have written two books: Raising an Athlete: How to Instill Confidence, Build Skills and Inspire a Love of Sport and The Making of a Hitter: A Proven and Practical Step-by-Step Baseball Guide.

When did the writing bug bite?

Jack: Always had the desire to write a book but never had the time until selling my sports academy. I love writing about sports issues with the objective to help youth have great sporting experiences. I began writing three years ago and haven't stopped since.

When you started writing, what goals did you want to accomplish?

Jack: Most people agree that sports should be about kids having fun. Unfortunately, too often that is not the case. The best way to help kids is through the education of adults. By advising parents through my writing, I believe it will help kids and parents to enjoy sports. Additionally, playing athletics provide parents with numerous opportunities to teach life lessons to their kids, so I try to help them look for and teach those life lessons.

Briefly tell us about your latest book.

Jack: In Raising an Athlete, I combine my playing, coaching and parenting experiences into an informative, fun-filled guide. I give parents and coaches concrete ways to deal with all the issues they and their kids will encounter in youth sports.

What's the hook for the book?

Jack: Most parents are ill-prepared for the challenges of youth sports – issues like bad coaches, unmotivated sons and daughters, kids not having fun, kids who lack confidence, parents "pushing" kids too hard, athletic burnout, and on and on – I help them find solutions for these issues and ways to keep sports "in perspective."

How do you develop characters and setting?

Jack: Characters are based on athletes that I played with or against, coaches that I have played under or worked with and parents that I have dealt with in my many years around youth sports. Additionally, many stories were based on incidents that I or my kids encountered in our playing careers. The sites are the athletic playing fields of America, so to speak.

These issues have always been around, why does it seem like the negative athletic situations are getting more prominent?

Jack: First of all, more kids are playing sports than ever, due largely in part to the growth of female athletes over the last twenty years. Secondly, fewer scholarships are available and the pressure to get them is enormous. Of course, these economic times have even added to that pressure to obtain an athletic scholarship. Finally, the enormous growth of travel teams over the last few years have brought more intensity and pressure to youth sports, too. Put all these situations together, along with the information age we are in, and it feels like these negative sports stories are overwhelming.

Why write this book?

Jack: I felt that through my unique experiences that I could offer a practical expertise that people will relate to and learn from. Unless parents become better prepared for these challenges, many youth will continue to have disappointing athletic experiences that negatively affect their lives.

Share the best review (or a portion) that you've ever had.

Jack: One reviewer (Bruce Wasser) wrote on Amazon.com the following:

" Raising an Athlete," a book that every parent and coach should read, re-read and read again. Suffused with a love of athletics and a respect for the importance of the lessons to be gained from involvement in sports, Perconte's writing gently, wisely and persuasively presents a framework though which adults can maximize their child's growth – as an athlete and as a person – through athletics."

What are your current projects?

Jack: I am writing an e-book about my major league playing days that will be filled with humorous, real life stories in order to give readers a glimpse of the major league baseball life. Also, I am producing a comprehensive "how to play baseball" on-line class. I continue to write for a number of blogs on parenting and baseball.

Where can folks learn more about your books and events?

Jack: My blogs, websites and distributor

www.positiveparentinginsports.com

www.baseballhittinglessons.com/baseball

www.themakingofahitter.com

www.ipgbook.com

Thank you for joining us today, Jack.

Jack: Thanks, I appreciate your interest and questions.

Snippet from Raising an Athlete: How to Instill Confidence, Build Skills and Inspire a Love of Sport.

Defining Integrity

I only had one experience with anything associated with performance enhancing drugs. When the alleged use of performance enhancing drugs in major league baseball was most prevalent in the late 1990's to early 2000's, a former student of mine who had been a high draft choice came in to see me. He had hit some hard times in the minor leagues with injuries and he posed this question to me. "Jack, should I try steroids to see if it can help my arm recover and give me a chance again?" I tried to put myself in his shoes. I remembered how passionate I was to fulfill my dream of playing in the big leagues. From that perspective, I knew it was not an easy decision. I responded that he had to answer that himself and said, "For the rest of your life, you have to look at yourself in the mirror. If you decide to use them and can look in the mirror and live with the fact that you didn't play by the rules, then go ahead." I was glad to see that not long after our conversation the young "man" retired from professional baseball. I was never as proud of a student as that day. That young man made a difficult choice. This was a great example of how sports and issues relating to sports, challenge players. His character and integrity were on the line and they came shining through.

Copyright © 2009 Jack Perconte www.positiveparentinginsports.com

Linda Rettstatt

Interviewed by

Shelagh Watkins

Linda Rettstatt is an award-winning author of women's fiction and contemporary romance. Linda's short stories have garnered recognition and awards from Writer's Digest and Pennwriters, Inc. Her writing has been compared to that of Nicholas Sparks and Elizabeth Berg.

Hi Linda, please tell everyone a little bit about yourself.

Linda: My very first writing gig was reviewing community theater productions for my hometown newspaper in Brownsville, Pennsylvania. I was an advertising clerk, but got the reviewing task because, frankly, no one on the news staff wanted it. But seeing my name in the by line was a thrill. I had wanted to become a writer after high school, but had no sense of direction and very little self-confidence.

After years of working in music and social work, I rediscovered my passion for writing. I now have seven novels published, with two more contracted for publication in this coming year. I now reside in Southaven, Mississippi (where I get homesick every October until the first snow flies in Pennsylvania). I'm the owner and moderator of The Women's Fiction Writers Exchange, an online critique group of women writers from across the United States and Canada.

When did you first begin to write?

Linda: I fell in love with the written word early in life when my grandfather would read to me – until I was old enough to read right back. In high school, I wrote poetry and, later, song lyrics and music. But the dream to write novels never died. I sat down one January day in 2004 and decided to see if I could write a novel. I had fallen in love with women's fiction, the books of Elizabeth Berg in particular. My first novel, And the Truth Will Set You Free, was completed in five months, published two years later and then finaled for an EPIC e-book award in 2008.

When you started writing, what goals did you want to accomplish? Is there a message you want readers to grasp?

Linda: When I started writing, my only goal was to see if I could write a complete novel that would hopefully be worth reading. I now have seven published with two more under contract. <shrugs> Guess I can.

On my website, I say of my own writing, "I write for women – stories of strength, love, humor, and hope." I want to write characters with whom my readers can relate. I want my stories to give women laughter, tears, a sense of not being alone, and the permission to be themselves.

Briefly tell us about your latest book. Is it part of a series or stand-alone?

Linda: My sixth novel, Next Time I'm Gonna Dance, was released on January 2nd, 2010, by Champagne Books. It is the story of forty-four-year-old Emmie Steele, who is facing her second diagnosis of breast cancer in two years. Adding insult to injury, her husband left while she was getting treatment following her first mastectomy. She draws on the support of her family and her four best girlfriends – fearless women who will stand beside, push, pull, and carry Emmie through this nightmare. As Emmie ponders second and, hopefully, third chances, she realizes her one unusual regret: she never learned to dance. Learning to dance becomes a metaphor for Emmie as she undergoes surgery, treatment, and healing, and as she finds new love.

What's the hook for the book?

Linda: Next Time I'm Gonna Dance deals with the issue of breast cancer. As you can imagine, the story carries with it a great deal of tension. The book opens as follows:

Emmie Steele paced across the doctor's waiting room. She resisted the urge to place a hand over her left breast and prod, to prove there was no need to worry.

"Mrs. Steele?"

At the sound of her name, Emmie jumped. "Yes."

"Dr. Gibson's ready for you."

How do you develop characters and setting?

Linda: What I admire about some of the writers I enjoy reading (Elizabeth Berg, Kris Radish, Lisa Scottoline) is that their characters seems like real people – women I'd like to sit down with and have a cup of coffee. That's my goal in developing characters. I'd like my readers to feel the same way. As for setting, five of my six published books have some connection to the Pittsburgh, PA region where I grew up. But I've also taken some of my characters on jaunts to other parts of the country. I'm not fond of research, but I do enjoy researching other cities and states if I've not yet visited them. I actually wrote one book partially set on Mackinac Island, Michigan, then went there to see if I was right about the island. I can attest to the accuracy of their Visitor's Bureau guide.

Who's the most unusual/most likeable character?

Linda: I think the most unusual and likeable character I've created is that of Grandma Carmela, aka Sophialoren (all one word), in Finding Hope (2008, Wings ePress). She's eighty going on eighteen, but with the wisdom and freedom that her age has afforded her.

Do you have specific techniques to help you maintain the course of the plot?

Linda: I'm pretty much a pantser, not a plotter. I've found that writing a brief summary of the story and character bios helps me stay on track. But, truthfully, I often don't know the entire plot until I'm well into the story. I let my character lead me. After all, it's her story I'm telling.

Share the best review (or a portion) that you've ever had.

Linda: "Change is infectious. Unfulfilled and forty-ish, Janet DeMarco quits her job and informs her semi-supportive family she now wants to be called Hope. But changing her name and employment status is just the beginning. As Janet searches for who Hope really is and what she wants from life that Janet was not able to discover herself, her quest also touches the lives around her, both family and strangers, and encourages them to dig beyond the surface of who they are, to discover who they want to be.

Linda Rettstatt has tapped into a universal yearning many middle-aged women discover in themselves, and again delivers an emotionally strong story interlaced with humor and poignancy. Finding Hope is a story every woman who has ever wondered what she is missing from life should read."

—Kimberley Dehn, author of Southern Exposure

www.kimberley-dehn.com

What are your current projects?

Linda: I'm in the rewriting phase of a novel titled Unconditional. It's an exploration of unconditional love and the ways life events test us. And I'm finishing a work titled Act of Contrition about a young widow who lost her husband and son in a tragic car crash and now must find a way to live with her guilt over having survived. She retreats to the home where her grandparents raised her on the coast of Maine and comes face to face with the man she walked away from eight years earlier, but whom she has never stopped loving.

Where can folks learn more about your books and events?

Linda: My books are available at Wings ePress www.wings-press.com, Champagne Books www.champagnebooks.com and Class Act Books www.classactbooks.com.

Excerpts, reviews and links can be found on my website: www.lindarettstatt.com where readers can also send a message to be added to my quarterly e-newsletter mailing list. And you can check out my blog at www.onewomanswrite.blogspot.com.

Thank you for joining us today, Linda.

Linda: Thanks so much for having me here today. And for all the readers here, I'll echo Emmie's wish: "I hope you dance, for whatever that means in your life."

Snippet from Next Time I'm Gonna Dance

Just breathe. Breathe. You don't have a final diagnosis – yet. Emmie turned the key and the engine purred. Maybe she would head west and keep driving. Perhaps if she kept moving, this wouldn't be real. Lurching to a stop at the garage attendant's booth, she paid and eased into traffic.

Other drivers whizzed past her as if she were standing still. The drive that normally lasted ten minutes, took her twenty-five. She parked in her driveway and sat for a moment, staring at the fence. I need to paint the fence this summer. A laugh escaped at the incongruity of that thought, as if painting the fence would set her world right.

When she opened the back door of her house, a fly buzzed past her and made a beeline for the window above the sink. She didn't have the heart to chase it down and kill it. Tossing the car keys onto the kitchen table, she dropped her purse in a chair. The red light on the answering machine blinked, but she ignored it. She wandered through the house, trying to decide what to do first. Tears threatened when she thought of telling her daughter, Lisa, this news.

Tension crawled up her spine, across her shoulders, and into the base of her skull where everything knotted together. She walked to the kitchen and parted the mini-blinds, looking beyond her car to the next driveway, hoping to see her sister-in-law's SUV parked there. She must have stayed after school, probably monitoring detention.

Her eyes filled and the need for comfort chilled her. Emmie wrapped her arms across her chest, her fingers grasping just above each elbow. The empty embrace made her feel even more alone.

Panic gripped her. She swallowed hard and ran to the bathroom, heaving, but nothing came. Rising, she studied herself in the mirror. Her hair that had grown back curly and a darker shade of brown. She sank her fingers into the thick curls as tears spilled down her cheeks. Why?

She closed her eyes, taking in deep breaths to hold back the terror that threatened to suffocate her.

Copyright © 2009 Linda Rettstatt : www.lindarettstatt.com

Nanette Rayman Rivera

Interviewed by

Shelagh Watkins

Nanette Rayman Rivera is the author of the new memoir, to live on the wind, published by Scattered Light Publications. She is the author of two poetry books: shana linda ~ pretty pretty, published by Scattered Light Publications and Project: Butterflies published by Foothills Publishing. She is a three-time Pushcart Prize nominee and the first winner of the Glass Woman Prize. Her work is included in DZANC's Best of the Web Anthology 2010 and Best of the Net 2007. She has been published in numerous literary journals including The Berkeley Fiction Review, The Worcester Review, Oranges & Sardines, Dragonfire, Carve Magazine, Gold Wake Press, Carte Blanche, Slant, Dirty Napkin, Wilderness House Literary Review, Wheelhouse, The Sugar House Review, Unmoveable Feast, Up the Staircase, MiPOesias, and Stirring's Steamiest Six.

Please tell us a little about yourself, Nanette.

Nanette: I studied at The New School University, and studied theatre at Circle in the Square, The New England Shakespeare Festival and with the late Peter Thompson at Michael Howard Studios. I played Rhonda in the award winning New York University student film: Stephan's Silver Bell and a waitress on All My Children. I have performed in off-off Broadway theatre and black box Boston theatres. I was a runner-up in Miss Massachusetts.

When did you start writing and in what genre?

Nanette: I started writing little plays when I was very young. My brother was forced to play the guy who had to walk the plank, which was the red corduroy couch in the basement. At first all my plays had a guy walking the plank and then I started writing plays about a woman's prison that was really my house in suburbia.

Briefly tell us about your latest book. Is it part of a series or stand-alone?

Nanette: My new memoir, to live on the wind, as far as I can tell, will be a stand-alone book. Of course, if my life changes dramatically, I could write another memoir. I also withheld a part of my life because the book could have ended up being 600 pages instead of 461 pages. Another reason for not including everything in a memoir is so the story of a life doesn't get weighted down and the arc can be seen by the reader. If you add too many elements or disasters, even in a memoir, it can alter perception or make the reader lose focus on the underlying theme. My book, to live on the wind, shows that a life can be mostly out of the control of the person living that life. This, of course, goes against all Western thinking, which is that free will and determination equal success. My book shows that this is not always the case and there is a real difference between someone who does all the wrong things and ends up badly and someone who does mostly the right thing and ends up in the same bad place.

What's the hook for the book?

Nanette: I would say the "hook" for the book is a personal, tell-it-plain, name names account of the New York City homeless system. There are many other themes in the book, but I don't want to give it all away.

Who is the most likeable character?

Nanette: I think there are only two likeable characters in the plot. But if I tell, the surprise is ruined. One of the characters is a very minor character, but a person most people will recognize. The other character is also secret until you read the book, but not someone anyone would know.

Do you have specific techniques to help you maintain the course of the plot?

N anette: In this book, the technique to maintain the plot is actually one of the secret characters. As far as my environment and upbringing, those two things meld into my writing style, which I think is poetic and dirty-gritty at once. My upbringing was upper middle class, but completely in the hands of my sociopath mother. So I knew of the "nicer" things in life, how to behave, how to think for myself and to have manners, but she made me angry and depressed. At that time kids didn't know that you could call the cops or social services on your own mother. Today I don't live in a nice place, but it's still better than being around her. I wouldn't wish either environment on anyone, well...maybe some people...I don't know if it works, but I like the mixture of poetry and grit in my writing.

Share the best review (or a portion) that you've ever had.

Nanette: One of my favorite reviews is for my poetry book: shana linda ~

pretty pretty, also published by Scattered Light Publications. This review is from the lovely author, Martha Engber:

I read poetry in the way I view modern art, not with a mind full of rules established by The Poetry Elite, but rather for an eye toward what moves me. Even if I don't understand the meaning of the poem, I consider it a marvelous success if the words leave me with a unique twist on the world: an image, impression or emotion so strong I can almost taste it.

Such is the case with the poems of Nanette Rayman Rivera in shana linda ~ pretty pretty. Throughout the thirty-one poems there drifted the scent of flowers, though not in a pretty, wallpaper or commercial bouquet way. Rather, the feel was of wildflowers growing in impossible places: the cracks in sidewalks, the perimeter of warehouses, the beaches of the tourist trade.

This despite the fact Ms. Rivera's poetry covers the major obstacles in her life; trauma that is, unfortunately, too common and too commonly portrayed in clichéd ways. She writes about an emotionally-distant mother and of being raped and falling into homelessness.

Normally those subjects deter me, not because I'm unsympathetic, but because for many poets and writers, especially those newer to the craft, such crises take precedent over the art of the words. The telling too often takes on a bitter, pitying cast filled with common sensory descriptions, such as the smell of urine and the grime of clothes and the cold stares of passers-by.

Ms. Rivera don't sink into that mundane, self-indulgent realm. Instead, the words and phrases touch the ground lightly, then leap away, the joy of living always present. Even when devastation looms, the joy – the play and sound and rhythm of the words – shines through a unique prism:

(From I saw him)

around the crook of the cape

thousands of Iceland Poppies, pistil

whipping, fizzing

the brewing water

with bubbly calyx, some matrix

ceremony for the ogler

What are your current projects?

Nanette: I just finished writing to live on the wind, so now I'm taking a couple weeks off from writing. I think my next project will be fiction, perhaps historical fiction, something completely different from my current book. I might go back and write poetry for a little while to get my creativity flowing again.

Where can folks learn more about your books and events?

Nanette: All of my books are listed on the website: Goodreads:

www.goodreads.com and on Scattered Light Publications website:

http://snellsisters.blogspot.com/ and on my blog:

www.toliveonthewind.blogspot.com

Thanks for visiting us today, Nanette.

**Nanette:** Thank you for including me.

Snippet from to live on the wind

I hike up my dress and with the hem laced in one hand, I run around and around, back and forth, in circles like a dog, until I fall on the floor. I sink my nose deep in my shoulder, breathing in sweet jasmine and sweat. I reach one hand up to the kitchen counter for the fruit, and then mash the strawberries and blueberries in my mouth, and they are dripping all over me. I am wild with hunger, for something.

I cannot be filled.

And the whole front of me is red with strawberry blood and blue like death. I rub the juice on my breasts and oh, this excites me and my hands are everywhere and my finger finds the place I need and the strawberry-blueberry juice bubbles with my own. The one finger inside myself rocking me gently, then violently, all the while holding onto the gold-flecked counter with the other hand and I am voluptuous curves and valleys, as the blueberry-strawberry finger suddenly lies very still.

~ ~ ~

And I hear the voice of my mother, Yes, doctor, I found her with spit crusted beside her mouth, jellyfish eyes shut tight, lying on the cold tile in pieces. And I hear the doctor, voice gnarled, spitting words at her, well, did it ever occur to you, even once that she needs love, did you ever try to love her, she's your child, your blood. And she's a beautiful child. There's nothing wrong with that girl that your love wouldn't cure. You aren't listening to me, doctor, she's always been a problem, you know that, her brain full of sex and colors, her body open to abandon.

Copyright © 2009 Nanette Rayman Rivera www.toliveonthewind.blogspot.com

Jess C. Scott

Interviewed by

Shelagh Watkins

Jess C. Scott is primarily a writer/novelist/poet. In mid-2009, Jess decided to publish her first two books herself, after realizing those works weren't exactly commercially categorizable. Her third novel is a more mainstream project.

Hi Jess, please tell us a little about yourself.

Jess: Writer.

Artist.

Dreamer.

Doer.

Twenty-three.

When did the writing bug bite, and in what genres?

Jess: Before I turned five... I think it started with adventure. Crossed over into erotica when I turned eighteen. I write in several genres (young adult fiction, paranormal romance, GLBT, new media), but I'd lump most of it under "contemporary fiction."

When you started writing, what goals did you want to accomplish? Is there a message you want readers to grasp?

Jess: I derive a great amount of satisfaction and meaning from the writing process. Readers are free to deduce/interpret my work(s) however they wish.

Briefly tell us about your latest book. Is it part of a series or stand-alone?

Jess: My debut blog/IM novel was/is a stand-alone. I have some other projects that are currently in-the-works.

What's the hook for the book?

Jess: EyeLeash captures self-discovery in the 2000s, and showcases the colorful, intricate drama in two youths' relentless search for themselves – and what's really in their hearts.

How do you develop characters?

Jess: I drift into their world, so much so that the realm of imagination can often be more real than what's actually defined as "reality," heh.

Who is the most unusual character?

Jess: Thus far, I'd perhaps consider Lucius Young to be unusual (an incubus that features in my second book, 4:Play – a short story collection).

Do you have specific techniques to help you maintain the course of the plot?

Jess: I plot and plan beforehand, to keep me focused.

Do you have a specific writing style?

Jess: It depends on the character(s) and the story.

How does your environment/upbringing color your writing?

Jess: There tends to be a multicultural aspect to most of my writing. I grew up in Singapore, a cosmopolitan and racially diverse city-state.

Share the best review (or a portion) that you've ever had.

Jess: Review Excerpt of EyeLeash:

" ...Jade is not infuriatingly self-deprecating the way Bella Swan (main character from Twilight) is, among many other differences. She's got confidence, and it's refreshing to read a book about a girl who actually thinks she's got a good body. I think that's so important."

— unlikelyaristotle on LibraryThing

Review Excerpt of Wicked Lovely (from 4:Play):

"I was surprised that I ended up liking 'Wicked Lovely'. Not too into the whole incest thing, especially in brother-sister relationships. (I have a brother myself, so thinking about that sort of theme is generally something I don't indulge in.) But it worked in this story. I can only think of one other instance in which a brother-sister relationship didn't bother me (Angel Sanctuary series). The fact that they were brother and sister is overshadowed by their sheer desire to be with one another, that that other person is the only person for them. That made the story for me."

— The Basement Crew

What are your current projects?

Jess: I am currently working on two (separate) young adult novels. They're more mainstream than my first two books. I'm also in my last year of college, so my to-do list's pretty full usually...

Where can folks learn more about your books and events?

Jess: www.jesscscott.com

www.facebook.com/jesscscott

www.twitter.com/jesscscott

Snippet from Eye Leash

From: -¤ Jade AshtoN ™ ¤- (jade@pinkstar.net)

Sent: Sunday, September 17, 2006 8:36:23 PM

To: [novan] (nc-17@hotmale.com)

Subject: for you

Attachment: EyeLeash.doc (1,998KB)

Hey Novan ☺ I was thinking about what you said. Since you asked for it, I'm sending you a copy of my personal blog. I know I said I didn't blog, but I do – just that it's a private one. So it's very personal. Rants raves and everything else.

I guess you'll learn quite a lot about me, so it's quite a big risk I'm taking. I mean I understand if you never want to speak to me or see my face again after this. But if anything's going to happen, this is what/who I really am... so if I don't hear from you, I'll know it was a mistake.

I'd just like to request that you respect my privacy and not let anyone else know about this blog of mine. I believe I can trust you with that. All said, attachment is with this e-mail.

xoxo

Jade.

P.S: I stole your poem's titles for the attachment. Hope you don't mind.

Copyright © 2009 Jess C. Scott www.jesscscott.com

D. J. Stephens

Interviewed by

Shelagh Watkins

I am pleased to introduce Don Stephens, who says he has never had a bad day in his life – some just turn out better than others.

Please tell everyone about yourself, Don.

Don: I was born on a small farm in Nebraska; my Dad sold the farm and moved us to Chicago so I could go to the Shiner's Crippled Children's Hospital to have my club feet corrected. I spent nine months a year for my first five years in the hospital undergoing surgery. I spent the first two years of high school in the seminary before deciding the priesthood was not for me. Joined the Army right out of high school and spent nearly ten years (nine years, ten months and eight days) in the service.

While on active duty in the Army, I competed nationally for a Division Rifle Team and was also a member of a Post Skydiving Team. I've made one thousand and four hundred Parachute jumps; over a thousand of those jumps were free-falls from over twelve thousand feet and twenty-one of the jumps were HALO jumps (HALO is a military acronym for High Altitude, Low Opening) meaning the jumper exits the aircraft from over twenty thousand feet and is under a thousand feet when the chute is deployed. I live in the northwestern suburbs of Chicago with my wife of forty-one years.

When did the writing bug bite?

Don: I got the writing "bug" back in the mid-eighties. A very dear friend of mine had a book published and we were talking one day and I told him I had an idea for a book that I had gotten while hunting in the Rockies. I told him I would give it to him if he wanted to write it. He said, "Write it yourself, everyone has at least one good book in them." So I did. I wrote Bearkiller. I wrote it in long hand on legal pads, then bought a word processor and transposed the entire manuscript.

When you started writing, what goals did you want to accomplish? Is there a message you want readers to grasp?

Don: The only goal I really had when I started was to be able to hold my book in my hand and say, "I did it!" It took me ten years and a shoebox full of rejections to get it published. When I held the finished book in my hands, there is no describing the tremendous feeling of pride.

I'm not trying to give the reader any message...I just want them to get swept up in the story and not want to put it down until it's over. I want them completely exhausted when they finish.

Briefly tell us about your latest book. Is it part of a series or stand-alone?

Don: Tarnished Halo

T his is a sequel to Halo – The year is 1965 Jeff Barkil leads a six man team of highly trained special service operatives on a mission – Code Name "Tarnished Halo" – to terminate two of the Golden Triangles top drug lords. The problem, the drug lords are to be attending a meeting across the Burmese border in China. The team's radio is destroyed during a river crossing early in the mission leaving them with no contact to the outside world. The team has to fight their way across the jungles of Laos and North Vietnam to reach their objective. Then they must rely solely on their small arms and combat expertise to fight their way back home. There is to be no option of capture or surrender and there will be no rescue operation.

What's the hook for the book?

Don: I hope it would be the non-stop action.

How do you develop characters and setting?

Don: I relied heavily on my military background for Halo and Tarnished Halo. For Bearkiller it was my Native American Heritage and a whole lot of research.

Who is the most unusual/most likeable character?

Don: I would have to say the most unusual character would be Bearkiller and the most likeable would be Kelly, the CIA control officer in Halo and Tarnished Halo.

Do you have specific techniques to help you maintain the course of the plot?

Don: Not sure this is the right answer for this question, but I like to create an outline when I get a story idea. If I need to research an outline point, I add the notes for that point to the outline. As I develop an outline point into the story, I check it off. Often, as I'm writing, I will get another idea to add to the outline. The outline gives me an overall idea of where the story is going and keeps me on track.

Do you have a specific writing style?

Don: I write like I like to read. I don't take two or three pages to set a scene

when I can do it with a paragraph. I want the action to keep flowing. When I read, I hate having to go through three pages describing the scene before I can get back to the action. I love James Michener stories, but I truly believe his stories could be told in three hundred pages instead of six hundred.

How does your environment/upbringing color your writing?

Don: I have to say environment/upbringing most definitely color my writing. As I mentioned before, my Native American heritage, along with my military and parachuting background, has a profound impact on my writing.

Share the best review (or a portion) that you've ever had.

Don: I think this is the best review:

Story Telling at It's Best:

D. J. Stephens has done an excellent job of pulling the reader right into the story with the characters! The author has given very close attention to details and has an uncanny ability to entwine accuracy within his story telling. Bearkiller is an adventure that caught my attention on the first page and drew me so deeply into the story I could not stop reading. I was one with the characters, experiencing the Native American life page after page. The story is at times raw and rough as life was in the days the Native Americans roamed free in the Montana Mountains. I held my breath through gruesome battles that were handled with delicacy for all who read. I experienced great hunts and felt the thrill of the kill! This book is full of action and adventure yet involves love and caring. Throughout the entire book I appreciated the respect the author displayed to the Native American and their beliefs. This was brought out in such a clear and tender way. I was captivated from the first page and the pace of the book remained true to the end.

This is by far one of the best by a new author that I have had read. D.J. Stephens proved to be an artist with words. He took the tiniest details and made them become real to my eyes. If I were to recommend just one book from Publish America as a must read, Bearkiller would be my choice. The only disappointment I felt with this book was the fact that I came to the end and there was no more to read! When I did read the end, D.J. Stephens did not disappoint me. The story ended as well as it began and as well as it read all the way through. I walked away from this book feeling I had been blessed with a very up close and personal glimpse into the life of my ancestors. I knew when I put this book down I had just read the work or a real professional!

This was my favorite review: (From a soldier)

From Kuwait

I have to say, up front, I am not a big reader. I picked up your book Bearkiller and I could not put it down. From start to finish it kept me reading, I even wanted to miss work just to see what Bearkiller would do next, but duty and soldiers come first, so I put the book down the first day just long enough to work and I had to finish reading it that night. The adventures were adventurous to say the least but close to realistic, the romance was relatable to the romance we pursue in our daily life, and the honor and valor in which he fought every battle is one that every soldier hopes to achieve in that split second of fate.

Thank you, for sending us a piece of your work and taking the time to sign every copy. I look forward to seeing more of your work in the future.

Sincerely,

Eric D Honeycutt

SFC, USA

Platoon Sgt

What are your current projects?

Don: Working on a sequel to Death Rider

Where can folks learn more about your books and events?

Don: Either on my website or Authors Den:

www.djstephens.net

www.authorsden.com/djstephens

Thanks for joining us today, Don.

Don: Thank you for this opportunity.

Snippet from Tarnished Halo.

Without warning, three open military vehicles appeared, racing around the bend, heading straight for us.

The men in the vehicles were all laughing and hanging on as the cars bounced over the ruts. A few wore uniforms of tribal mercenaries, the rest were Pathet Lao. From what I could see, they appeared to be drunk, but all of them were holding automatic weapons. The dense jungle had muffled the sound of their racing engines until they burst upon us.

Instantly we went into the trees. Hairston and I instinctively went left and the others went right. The men in the lead car evidently saw us, they began shouting and pointing. The vehicles slowed momentarily, then the driver in the lead car must have changed his mind and accelerated down the trail directly at us. The other cars immediately followed, there was a withering amount of automatic weapon's fire erupting from the vehicles. When the first car drew even with Bradley, he fired a long burst from his Sterling. The windshield exploded. The two men in the front arched back in the seat then slumped forward. The car careened to the right, glanced off a huge rock, rolling to a stop in front of me and Hairston. The second car crashed into the first bringing it to a stop. The third swerved off the opposite side of the road and hit a tree.

"There are four to a car." Conley shouted.

The first car had separated me and Hairston from the rest of the team, but it shielded us from the other two vehicles.

Two men were still alive in the first car. One jumped out though the open top and ducked behind the vehicle. The second was searching frantically for his weapon.

"I'm going up." I yelled to Hairston.

As I sprinted out of the trees, I could hear Jimmy laying down covering fire. The man behind the car never saw me coming. When I was within fifteen feet of him, I let go a blast from the shotgun, shooting from the hip, still at a dead run. The man was nearly cut in two. I turned my attention to the second man. He had found his weapon and was scrambling to get out of the far side of the car. Before I could fire, he flew backwards into the car, hit in the chest by a blast from Hairston's MK.

Jimmy ran up and dropped down beside me. The men had piled out of the other cars and were firing across the road, unaware that Hairston and I were at their backs. When Conley saw us fire at the second car, he broke out of the trees and headed for the third vehicle.

"Conley's moving!" Morgan shouted.

Copyright © 2009 D. J. Stephens www.djstephens.net

Maggie Stevens

Interviewed by

Shelagh Watkins

Today's guest is Maggie Stevens, author of Parent Fix.

Hi Maggie, please tell everyone a bit about yourself.

Maggie: I graduated from Brigham Young University with my BS/CA degree in Youth Leadership. Professionally, I work with youth groups, parent groups and educators offering parenting help in today's world. The health of any society lies in the strength of its families. Thus, strengthening families will strengthen communities and nations.

Currently, I am partnered with Borders Book Stores presenting parenting workshops across the country. In addition to Borders, I regularly visit The King's English Book Shop, Barnes & Noble book stores, Frost's Book Stores and Sam Wellers Books. I will be presenting parenting segments on KUTV news and KJZZ morning news program. In San Diego, I work with the San Diego Unified School District and present parenting segments on XETV Bay City Television. Coming soon: A talk radio show with KFNX 1100 in Phoenix. I am the proud mother of five grown children.

When did you begin writing?

Maggie: I have always enjoyed writing and I began my writing career writing travel articles for the travel sections of local newspapers. Ten years ago, a dear friend of my son who spent most of his growing up years in our home, asked me if I wouldn't write down my philosophy on parenting. He was expecting his first child and wanted to be the best dad. I was thrilled he would ask. As my notes came together, chapters formed and Parent Fix became a book.

Please tell us about your latest book.

M aggie: When parents change... kids change The majority of parenting books on the market are about changing the child's behavior. After raising five children, I can vouch for the fact that it is impossible to change another person, especially your child. Parent Fix focuses on understanding a child's needs and why certain behaviors occur. A child's behavior should be used to teach parents about the needs of their child. When you help your child meet his needs, the bad behaviors disappear. This approach to parenting works so much better than the everyday battles that are occurring between parent and child. Currently, the most common reaction parents have to their child's bad behavior, is to get angry about the behavior and then punish them. This destroys relationships. As parents we need a strong relationship with our children when they hit the teenage years. It is possible to avoid teenage rebellion and have an enjoyable life with a teenager!

Is there a message in your book?

Maggie: Most definitely yes. We are all watching the moral decline of our nation. The family, which is the basic unit of our society, is under attack. We are failing in our homes. Drug and alcohol abuse is rampant with our youth. Eating disorders, teen pregnancies trouble with the law are just a few of the challenges parents face with their teens. It is sad that our most important relationships end up being the most painful part of our lives. It is time to change the way we do things. When parents open their hearts and their minds and try the methods in Parent Fix, they find success.

What can parents learn from this book?

Maggie: How to create a Safe Haven

How to motivate your child

How to improve your child's education

Constructive ways to deal with anger

How dangerous control is and how to stop using it

How to teach by example

How to help your kids make their own decisions

Why you should not punish kids for behavior

How to help creativity flourish

How to live with teenagers

How to build a strong relationship with your child

How to relax and enjoy your kids

How to understand your child's behavior

Share the best review you ever had.

Maggie: About Parent Fix:

In today's day and age of troubled youth, broken families, and a slew of mixed messages from the media, the Internet, self-help books, and talk shows, this book is a breath of fresh air in its honest and down-to-earth approach to helping parents be the best parents they can be, while making clear that mistakes will be made and that there is no quick fix for dysfunctional family, unruly teens, and family fights.

It is also refreshing to hear the author speak from her own experiences and explain how parents need to be open to change in order for their children to change. Stevens, additionally, offers sound advice for approaching their teens' "odd" interests (hobbies, haircuts, styles), by not dismissing them altogether, but by getting to understand them and finding ways to compromise, something that takes an open mind and an ability to let go of some control over their children's lives. Stevens' advice is very practical, very doable, and can create a peaceful home, a good relationship between parents and kids, and aid in the formation of responsible, educated, happy young adults.

—Writers Digest Magazine

What current projects are you working on?

Maggie: I love being in the zone of writing. When ideas hit and I sit down at my computer, hours fly by. Because of that, I have decided to stay with book writing instead of any other type of writing I could do. I am currently working on another self help book entitled Stuck. As I have traveled promoting my book and presenting parenting workshops, I have found many mothers who love the ideas in my book, but they are unable to implement them. These moms feel such guilt because they know they are failing. Hopefully this new book will help them move forward. I am also working on a novel. It is a slow go with all the promoting, writing and just living life, but hopefully there will be more to tell in the next few months.

Where can people learn more?

Maggie: At my website: www.parentfix.com. We have it set up with a question and answer page, a blog page, my speaking engagements and you can even book me for a parenting workshop. My book is in local bookstores, online stores such as Amazon.com and at www.parentfix.com.

Thank you for joining us today, Maggie.

Maggie: Thanks, Shelagh.

Snippet from Parent Fix

In today's world of troubled youth, broken families, and a slew of mixed messages from the media, Parent Fix is a down-to-earth, honest approach to helping parents be the best they can be. How is Parent Fix different? Parent Fix stresses that parents first must examine their own behavior and make changes to guide and influence their children. "When parents change...kids change." While most parenting books on the market emphasize changing the child's behavior, Parent Fix focuses on improving the behavior of the parent. If you have ever tried to change another person, you know it is impossible. Changing your own behavior works!

Copyright © 2009 Maggie Stevens www.parentfix.com

A. Colin Wright

Interviewed by

Shelagh Watkins

A. Colin Wright's first novel, Sardinian Silver, was a finalist in the 2009 Indie Awards. It received an honorary mention in the fiction category of the San Francisco Book Festival and was one of two runners-up in the fiction category of the New York Book Festival. It has recently won a Pinnacle Books Award for the best fiction.

Please tell us a little about yourself, Colin.

Colin: I was born in Chelmsford, Essex, England. After serving as a linguist in the British Royal Air Force (learning Russian), I attended Cambridge University, where I earned M.A and Ph.D degrees. In 1962 I lived for six months in Sassari, Sardinia, followed the next year by a longer period in Reggio Calabria. I speak five languages reasonably fluently, and can stumble along in two more. In 1964, after a year's study at the Herzen Pedagogical Institute in Leningrad (now St. Petersburg), I was appointed professor of Russian at Queen's University in Kingston, Ontario. I remained at Queen's until retirement in 1999 and still reside in Kingston. I am married and have two grown sons.

When did the writing bug bite, and in what genre?

Colin: At a relatively early age, I read a book on English history from the local children's library. I decided to dramatize the kings of England, using paper cut-outs as puppets. The project didn't get very far, but I still have a few pages of elementary dialogue, such as William II dying by an arrow in the New Forest, with him falling off his horse and saying "Oh blow!" I was also fascinated by sailing ships and wrote the following at the age of six:

ST. MARIA

By A.C. Wright

IT IS TROOY BOAT BOOK

Aorgust 28th 1944

St. Maria
CHAPTER 1

The St. Maria was made on janyouvery 8th 1931. Made by W. Higham. The St. Maria was the ferst saling ship that was made by W. Higham.

CHAPTER 2

The St. Maria has got two booms like all ships have. One is a sall boom and the other is an orderry boom that is rearly calld the latean boom.
CHAPTER 3

The St. Maria has got fuor salls rearly five salls becools of the one on the sall boom.

Well, you get the idea.

And then... when I was young I enjoyed Enid Blyton's "adventure" series (Castle of Adventure, etc.) and I remember wondering what it would be like to write a book: looking at one paragraph and thinking how difficult it would be to produce so many words. I even copied it down to see what it would look like.

When you started writing, what goals did you want to accomplish? Is there a message you want readers to grasp?

Colin: Encouraged by a teacher at grammar school in England, I just wanted to write, trying short stories – which were so terrible that I haven't the courage to reread them. Then, when I was teaching at University, I published academic articles on Russian and comparative literature, including a major book on Mikhail Bulgakov. But I still wrote novels, short stories and plays.

In my fiction, the idea of a message only came later, but for me it is essential. I am interested in "what life is all about" – in a serious, religious sense – although combined with a good story.

Briefly tell us about your latest book.

C olin: My first published novel is Sardinian Silver. An English tourist representative in Sardinia seeks a Sard girl-friend, but is frustrated by local attitudes, with "continental" freedoms considered "immoral." Eventually he finds a girl who's unaccepted at home, but she falls for his friend, an introspective lawyer. Among others, he meets a tempestuous local maid, a pedantically Catholic schoolteacher and a flamboyant American woman. Included, of course, are many of my own reflections about life.

What's the hook for the book?

Colin: Whether the young man hero will finally find love.

How do you develop characters and setting?

Colin: In a sense, both were already given. In Sardinia and elsewhere I met a whole range of characters, whom then I developed in my own (fictitious) way. Sardinia itself was fascinating. My approach is similar in my other works: starting with people and places I find interesting.

Who's the most unusual character?

Colin: Other than my three major protagonists, I'd have to say Isabelle, the crazy American who constantly offends local susceptibilities.

Do you have specific techniques to help you maintain the course of the plot?

Colin: I wish I did. Plot is where I have most difficulties, although in the case of Sardinian Silver the actual events of my time there helped.

Do you have a specific writing style or preferred POV?

Colin: I aim for precision and accuracy, with no superfluous words, so I spend a great deal of time editing. However, I sometimes enjoy fantasy and experimentation, including "unreliable narrators," particularly in my stories. I vary my POV according to what seems to work best. Salman Rushdie's Satanic Verses (which I didn't much like) taught me that one can do absolutely anything in a novel if one can discover how.

How does your environment/upbringing colour your writing?

Colin: There was an insistence at my school on good grammar. Then the study at university of great Russian, German and French literature was a strong influence.

Share the best review (or a portion) that you've ever had.

Colin: "It's a fantastic short read, to tell you the truth, like discovering a lost Graham Greene story... Wright takes his time here with his story, making plot a dim second to the mere establishment of time and place and mood, gently exploring the back alleys and side daytrips of this remarkable island with a kind of grace and ease that only comes with maturity. And in this, astute readers might be reminded as well of the "Alexandria Quartet" by Lawrence Durrell... This novel is without a doubt as good as one of Graham Greene's minor works, and in fact could easily be mistaken for some forgotten Greene tale."

What are your current projects?

Colin: To publish my short stories as a collection; then my somewhat fantastic long novel Veronica's Papers; to get some of my plays performed professionally; and to complete another novel I've been having problems with, set in post-war Berlin. Finally, to publish a non-fiction book based on some of my articles on what I personally believe about God and life.

Where can folks learn more about your books and events?

Colin: For my novel, see www.sardiniansilver.com. For my career in general, see www.acolinwright.ca. And for a selection of some of my stories plus articles and literary blogs, see www.authorsden.com/acolinwright.

Thank you for joining us toady, Colin.

Colin: Thanks, Shelagh.

Snippet from Sardinian Silver

A quarter to seven on a fresh, blustery morning in February. I went out on deck thinking it should have been warmer, warmer at least than Genoa, some five hundred kilometres behind to the north. The m/n Torres had come to calmer water since passing a long peninsula that jutted out from the Sardinian mainland, now finally in reach after twelve hours of overnight tossing. In the ship's bar, I'd found a few unshaven figures sipping at strong black coffee, but in the world of sea and wind outside the door I was alone, except for those who'd been sick.

I leaned on the rail, staring at the sea and the distant coastline, featureless in this pale morning. I recalled how yesterday evening I'd stood watching the lights of Genoa disappear into the night behind; then, with the still gentle plunging up and down of the black Mediterranean beneath the ship, I'd set about exploring, immersing myself in its atmosphere. A small cabin shared with incomprehensible, rough-looking strangers. Sard handicraft in showcases in the corridors. In the bar, I'd studied a map of the island on one wall and then sat watching television, something novel against the incongruous background. For the first time I realized that another language was being spoken around me besides Italian: Sard, which I, a scholar of languages, hadn't heard of until a month ago. In fact, I'd known nothing about Sardinia at all, except that it was an island below Corsica, shaped almost square, like a distorted shoebox stood on one end. And now I was being taken, impossibly, to a place that didn't exist outside an atlas.

Copyright © 2009 A. Colin Wright www.sardiniansilver.com

