I’m gonna say some names of your movies, 
and I need you to give me
your favourite moment from them.
Cool.
So, Billy Elliot?
Julie Walters.
Jumper?
Travel. 
I think we shot that movie
in eight different countries.
Really?
Yeah, over the course of a year,
it was really intense. That was a lot.
Jane Eyre?
Two things.
One, a great adaptation of a great book.
It, kind of, did something very cool
with the timeline of that story.
I don't know if you know
Jane Eyre very well, 
but I didn’t know it very well, either,
before I started, I had to brush up on it.
The adaptation was great.
Cary Fukunaga is a great filmmaker. 
He’s a young filmmaker, which I love. 
I love getting the chance
to work with young guys, 
this isn’t very quickfire,
but he directed all of True Detective,
which was amazing.
And you should see his other film, 
Sin Nombre, which I think was
his first film, which is brilliant.
The Adventures of Tintin?
Spielberg.
And Film Stars Don't Die in Liverpool?
A couple of things.
One, getting the chance
to work with Barbara Broccoli, 
who does so much for cinema and
inclusion in filmmaking in this country, 
that it was a privilege for me,
to get to work for her.
But, two, getting to work
with someone like Annette Bening, 
who really makes you raise your game.
I was very nervous about doing this film,
because I didn’t know if I would be able 
to, kind of, hold my own,
in this film, opposite her.
And she was so generous and so giving,
and treated me totally as an equal, 
and I’ll never forget that experience.
When you work with amazing people, it
really does make you go to another level, 
so I was very grateful to work with her.
- You gain a lot of confidence.
- Exactly.
(Drumbeat)
(Cymbals)
