We've talked about the transition from
still photographer to cinematographer; We haven't
talked from video to cinematographer, 
I mean videographers. I can't
stand wedding videos. You know, it's like
here's the microphone: hey! great party.
Great point. Right. It touches on the point
before with video versus cinema. Right. and so in
terms of just the way it looks,
Yeah, it's horrible. You
approach…Don't think of it as a wedding
video, think of it as a wedding film.
Movie. Yeah. Then you're going to
create a presentation, just like we did
with your family films, it’s not a family
home movie, you know, it’s a peice
of family cinematography. It
truly is a time capsule. Because that clip
of us running around at the beach.
Just imagine that as a videographer.
You know what I mean? With a camcorder and
a family running on the beach, but
when you do it in cinema. I think that's
the biggest contrast; is when we were in
Carpinteria and Wesley was running down the
hill and you can see, that cinema, that's 
really the difference. It pulls you in.
It’s truly is a piece of filmmaking that
will stand the test of time, other than
video. Video looked bad the day you used it.
Exactly. So, so many things that, you know,
when you get into cinema, I just
really want to say it's a completely
different universe than the camcorder.
It really starts with 24 frames per
second, I hate to say it but it really
does.
